paris fashion

Fashion style

Get the Look: Street Style Tips from Paris Fashion Week

Street Style, Fall Winter 2020, Paris Fashion Week, France – February 25, 2020 | Source: Cornel Cristian/Shutterstock

Puffer jackets, pants worn under the skirt or the long jacket, micro handbags, heels with round toes, Paris Fashion Week took style to the streets this year and showed how bold style choices can completely change your vogue.

The concept of street style was on everyone’s lips this year, from the catwalks to the streets of Paris, the explosion of different colors and mixed style outfits meant everyone looked comfortably chic.

Here’s a guide to some street style clothing and accessories and how to incorporate them into your outfit.

The scarf

The resurgence of the headscarf has given many outfits a French girlish touch, with silk scarves being attached to handbags and draped from the pockets of trench coats.

These versatile accessories are a mainstay of French street fashion, they have made numerous appearances at fashion week, even on the catwalks, mingling with the crowd of influencers and photographers.

Add a splash of color and movement with the inclusion of a scarf to achieve the fresh, carefree look connoisseurs seek.

Bold Fur Jumpsuits

Source: Vogue

The street style look is street smart, we see neutral colors offset by checks by day and racy feathers and furs by night.

Adding sequined dresses under a showy fur coat or smooth trench coat gives the garment a multi-dimensional appeal that screams courage and intricacy.

Source: Vogue

The humble Ugg-boot is a street style staple, a thigh-high variant that has made more than one appearance in Paris in the past month.

Warm and comfy like your favorite pair of socks, but not slowed down by a trip outside or on wet grass, these sturdy yet comfortable foot covers will have you hitting the party and coming home in style .

Urban style platform shoes
Source: Vogue

Always practical, followers of the street style look will wear huge padded boots to easily cross whatever the urban jungle throws at them.

But street style is dynamic and this functionality becomes less evident at formal events and formal occasions where soaring platforms and stilettos become the order of the day.

Eclectic Layers

Urban Style Layers
Source: Vogue

Wild mixes of different styles and textures give street style its versatility, and a sense of organized chaos emerges when multiple layers boldly contrast each other.

Jackets over sweaters, leggings and even frilly tulle additions to a boring outfit will make it pop, influencers and fashionistas obviously agree.

The clash of comfort clothes and party pieces allows the wearer to exude a confident air of eccentric intelligence, indifferent to the opinions and preconceptions of others about how clothes should be worn.

Paris Fashion Week has shown us that the rules are being broken in the world of haute couture, with the trend of street style outfits signaling style and current fashion at hand.

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French fashion

Stella McCartney nods to Ukraine crisis with Lennon’s anti-war song at winter show

PARIS, March 7 (Reuters) – In a nod to the war in Ukraine, Stella McCartney closed her eponymous label’s winter fashion show to the music of John Lennon’s anti-war ballad “Give Peace a Chance.” .

Models curled up in glass-encased hallways atop the Center Pompidou, parading in elegant bohemian-flavored dresses with pockets and slit balloon sleeves as rhythmic music played, with sweeping views of Paris in the backdrop.

“I believe very strongly in peace and love and obviously using John’s song, who was my dad’s best friend…it just shows for me, it’s a personal song that reflects the thoughts of the world whole, I hope, right now,” McCartney told reporters after the show, referring to her father, Paul McCartney.

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Some fashion designers have spoken publicly about their struggle to find the right tone for their shows and make the decision to go ahead with Paris Fashion Week events as the world focuses on the Ukraine crisis.

The French capital is hosting the latest series of industry fairs which have also taken place in New York, London and Milan, and end on March 8.

In Milan, Georgio Armani acknowledged the crisis by cutting the music for his fashion show. Read more

In Paris, Balenciaga creative director Demna Gvasalia spoke about his experience as a refugee from Georgia and presented guests with Ukrainian flag t-shirts, while Isabel Marant bowed for her brand’s runway show with a blue and yellow top. nL2N2V90CN

“Obviously I’m anti-war… My heart goes out to the people of Ukraine tremendously and it’s heartbreaking, it’s a traumatic experience to go through, so one can only imagine what these poor people are going through,” said McCartney.

His brand is part of the luxury group LVMH (LVMH.PA), which, along with Hermès, Kering, owner of Gucci, and Chanel, announced on Friday a suspension of its operations in Russia.

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Reporting by Mimosa Spencer Editing by Mark Heinrich

Our standards: The Thomson Reuters Trust Principles.

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Fashion designer

Paris Jackson turns heads during Paris Fashion Week

Paris-Jackson is back in Paris, and of course, in style!

The 23-year-old model, daughter of the deceased michael jacksonturns heads disabled the track with a rare appearance at Vivienne WestwoodWomen’s fall/winter 2022/2023 show on Saturday March 5, during Paris Fashion Week.

Paris, who is also a singer, wore a multicolored polka dot strapless dress with a purple belt and a thigh-high slit, paired with strappy black pumps, as she sat at the event with another model and designer of fashion. Kailand Morriswho also has a famous musician father—Stevie Wonder. Paris and Kailand also hung out with Vivienne herself at the show, which featured catwalk appearances from sisters. Bella Hadid and Gigi Hadid.

Paris also showcased a chic look at the Westwood Womenswear Spring/Summer 2022 show during Paris Fashion Week last October.

In a recent cover interview with luxury retailer LUISAVIAROMA LVR magazinepublished in its Spring 2022 issue, Paris detailed her personal style.

“I’ve had the same style since high school: a combination of the 60s, 70s and 90s,” she said. “I like bell bottoms, earth tones, Doc Martens, ripped leggings and everyday band tees. It’s bohemian grunge. »

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French fashion

Balenciaga invites its guests to the FW22 show with cracked iPhones

Crushed it! Balenciaga invites guests to its Paris Fashion Week show with broken iPhones engraved with the date, location and time as a “real artifact of the year 2022”

  • Balenciaga invited guests to its show by sending them broken iPhone 6s
  • The phones had cracked screens and were etched with the date and location of the event
  • Mobiles described as “genuine AD 22 artifact” and not working
  • Brand’s Fall/Winter 2022 show will take place on Sunday and will be streamed live

Luxury fashion house Balenciaga invited guests to its latest fashion show by sending them personalized broken iPhones.

Rather than traditional paper invitations, the French brand opted to send personalized mobiles engraved with the date and time of its Fall/Winter 2022 show at Paris Fashion Week.

Described as a “true artifact from the year 2022”, the phone – and the damage to it – is real, but not working and should be used “for display purposes only”.

The brand’s 360° show will take place this Sunday and will be broadcast live worldwide from the Balenciaga website.

fashion house Balenciaga invited guests to its latest fashion show by sending them personalized broken iPhones” class=”blkBorder img-share” style=”max-width:100%” />

Luxury fashion house Balenciaga invited guests to its latest fashion show by sending them personalized broken iPhones

The <a class=French brand has chosen to send personalized mobiles engraved with the date and time of its Fall/Winter 2022 show” class=”blkBorder img-share” style=”max-width:100%” />

The French brand has chosen to send personalized mobiles engraved with the date and time of its Fall/Winter 2022 show

The invitation reads: “Please find personalized information on the back of this phone. This is a true artifact of the year 2022.

‘It is not functional and should be used for display purposes only. This document certifies that this device is, to the best of our knowledge, not artificially made but made from years of use and later neglect.

The fashion house, known for its quirky marketing tactics, received a mixed reaction online, with some users calling the invitations “cool”, while others were taken aback by the bizarre invite.

“Balenciaga baby you’re a few years late… Tumblr iPhone-mania ended in 2015 I’m sorry,” one user wrote.

Described as a

Described as a “true artifact from the year 2022”, the phone – and the damage to it – is real, but not working and should be used “for display purposes only”.

‘Balenciaga has sent guests to its next show. The invite was a broken iPhone 6s with laser-printed Balenciaga detailing on the back. Wow, said another.

A third commented: “So Balenciaga’s invite to their Sunday show is an iPhone 6 with a cracked screen…interesting.”

‘A personalized iPhone for a Balenciaga fashion show? It’s crazy how far you can go with this shit, funds speak the jargon!!! another user said.

The celebrity-loved label has been worn by stars such as Beyoncé, Adele, Meghan Markle, the Kardashians and Kanye West, is known for its bizarre marketing methods.

The brand has previously been mocked for bizarre Instagram posts – including dogs posing in giant hoodies and modeling earrings on lemons, although these have all been removed in favor of a single photo of Ukrainian flag.

The fashion house, known for its quirky marketing tactics, received a mixed reaction online, with some users calling the invitations a

The fashion house, known for its quirky marketing tactics, received a mixed reaction online, with some users calling the invitations “cool”, while others were taken aback by the bizarre invite.


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Fashion style

Paris Fashion Week Fall/Winter 2022 Street Style is full of high-profile inspirations

After spending three weeks perfecting their outfits in New York, London and Milan, the fashion crowd is ending things on a high in Paris. The French city marks the final leg of the fashion month tour de force. If you’re in the mood for new outfit ideas to kick-start your creativity, turn your attention to street style from Paris Fashion Week Fall/Winter 2022. You’ll want to witness it all the iconic and candid style moments.

The PFW program began with Off-White’s tribute to Virgil Abloh – and all of your favorite models paraded on the catwalk. Next came presentations from Dior and Saint Laurent, where guests really stepped up their street style game. Rihanna wore a nude dress at Dior while other showgowers bundled up in leather and fur coats. The latter was a popular choice for those attending the Vaquera show. Many people have worked with pops of bright color, whether by way of a tart orange hat or a pair of green boots, in their attire.

With other big names on the program like Chanel and Loewe, you can expect plenty more coveted sets from arriving guests. Plus, one could risk there will be plenty of micro skirts and cropped sweaters outside of Miu Miu’s Fall/Winter 2022 show on March 8. (The highly anticipated presentation will be one of the closing acts of the season’s fashion month on the circuit.)

Ahead, check out all of PFW’s best street style outfits so far. Don’t forget to bookmark this article as it will be updated with more images.

Day 1

Darrel Hunter

Anya Taylor-Joy wore a full Dior look to attend the brand’s Fall ’22 show. As Dior’s fashion and beauty ambassador, she also documented the event on Instagram.

Darrel Hunter

Thanks to this viewer, the dress-over-trousers look was officially recognized as a Paris Fashion Week obscene.

Darrel Hunter

To soften a printed outfit, simply wear more neutral pieces. This PFW contestant layered a classic beige trench coat over her blue and yellow ensemble.

Darrel Hunter

Alexa Chung attended the Dior show wearing a white button-up shirt, gray wool coat and matching Bermuda shorts.

Darrel Hunter

This guest’s OOTD is proof that you only need a few nifty pieces (i.e. statement earrings and a pair of green-soled boots) to bring an otherwise outfit to life simple.

Darrel Hunter

Behold: the most dramatic PFW street style coat this season so far. This looker teamed her signature piece with shiny pants and scarlet red pointy boots, creating a next-level look.

Darrel Hunter

Estelle Chemouny who wore this workout-chic look from Dior’s Spring/Summer 2022 collection to attend the brand’s fashion show.

Darrel Hunter

To attend VICTORIA/TOMAS, Blackhey donned a refreshing, sporty and stylish outfit in pastel green hues.

Darrel Hunter

Yoyo Cao wore a white jacket and skirt ensemble as well as a pair of patent leather pumps and black socks. All pieces were Dior. The green shoulder bag and a fuzzy orange hat added playful touches to her look.

Darrel Hunter

Jessie Andrews walked to the Botter show wearing a fishnet top with a bandeau bra and a pair of low-rise baggy pants. She wore a black shoulder bag around her neck.

Darrel Hunter

Candace Marie Stewart and Alioune Badara Fall posed in coordinating teal ensembles outside Botter. Stewart donned a monochrome pantsuit with white sneakers and a pair of silky gloves with white fingernails. Autumn carried two handbags, which became a popular street style trend in Europe.

Darrel Hunter

Sharon Alexie dazzled the crowd in a set of crystal-embellished ensembles.

Darrel Hunter

Ikram Abdi Omar wore a long white pleated skirt, a cream colored jacket and a Dior scarf. She finished with a black 30 Montaigne bag from the same brand.

Darrel Hunter

Rihanna was front row at the Dior Fall/Winter 2022 show. For her appearance, she wore a sheer black lace dress from the fashion house‘s Pre-Fall 2022 collection.

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Fashion brand

New York brand Vaquera makes “fashion fan-fiction”

A week before their Paris Fashion Week debut, young designers Patric DiCaprio and Bryn Taubensee, who design under the name Vaquera, seem calm, although one fabric has yet to arrive, two outfits have yet to be started and they have to ship their entire collection—and themselves—across the Atlantic. The label is based in New York, although its name is Spanish – it means “cowgirl” and was chosen by founder DiCaprio because he was reading Tom Robbins’ 1976 novel, Even cowgirls have the blues at the time.

It was in 2013, when he was only 22 years old; a group of friends, including Taubensee and two others, Claire Sullivan and David Moses (neither of whom are yet involved), joined them in 2016. They collectively designed and physically built Vaquera’s collections in their spare time so that they were all working second jobs, mostly in retail. Now, however, Vaquera is a full-time concern for the remaining duo.

The creators of Vaquera describe their work as “fashion fan-fiction” – essentially amateur, fan-made, unauthorized work based on existing work. Probably the most famous example is that of EL James Fifty shades of Grey novels, a fantasized and sexualized account of the relationship between Edward Cullen and Bella Swan of the dusk books and films, which have taken off.

What does this mean in terms of fashion? Tributes to great designers of the past, nods to Martin Margiela and John Galliano, a clasp-clasp grandma’s handbag transformed into a pinafore dress that recreates a design by Yohji Yamamoto from 2001, and a series of T- shirts with avant-garde faces. on-call designers, including Vivienne Westwood, love group t-shirts.

“In music, it’s so normal to do a cover,” DiCaprio, 31, explains via Zoom. (Taubensee is 32) “It’s something we want to bring to the fashion world. It’s something we struggle with – this idea of ​​ownership. The brand has indeed drawn grassroots criticism on social media for close tributes, like this dot-to-dot Yamamoto redux. It’s an idea that’s always more delicate in fashion than music, or even art, where appropriation is a form in its own right.

Vaquera likes to make clothes that look like other objects like this quilted satin heart-shaped box of chocolates. . . © Darian DiCianno/

. . . and this mini dress based on a Tiffany & Co velvet jewelry pouch

Two Spring/Summer 2018, New York Fashion Week outfits: an oversized shirt and a tie. . . © Dan and Corina Lecca

. . . and a T-shirt with the face of designer Miguel Adrover © Dan and Corina Lecca

Ironically, it was one of their “covers” that caught the attention of Comme des Garçons, who now support their business through their brand development division named Dover Street Market Paris (DSMP). In the Spring 2019 exhibition at the Metropolitan Museum of Art Camp: Fashion Notesthere was a Vaquera mini dress fashioned to look like a gargantuan Tiffany & Co velvet jewelry pouch – Vaquera often likes to make clothes that look like other things, puffed up big, like a heart-shaped box of chocolates in padded satin wrapping the whole body, or a fabric pouf topped with a rosette of Christmas gift ribbon one meter wide.

Kawakubo admired the bag-lady look in the museum, which Met costume curator Andrew Bolton passed on to designers. “We were amazed that she had any idea who we were, let alone that she was interested,” DiCaprio said. Bolton then put them in touch with Adrian Joffe, Kawakubo’s husband and chairman of Comme des Garçons and Dover Street Market. They succeeded.

A year later, Vaquera was in dire straits. “We had hit like a wall in New York, no money, barely had a collection done,” says DiCaprio – lamenting the lack of support for young talent in the city. They reached out to Joffe and Dover Street Market – which started stocking Vaquera in spring 2020 – for help. The retailer suggested hosting a cocktail party at its New York store. Vaquera instead held a guerrilla fashion show around the shelves, having done a collection in a week. It caused a stir and DSM loved it. “Then they came to our showroom that season and said, let’s work together. How can we help you?” recalls DiCaprio. DSMP announced support for Vaquera in September 2020.

Vaquera’s studio in Brooklyn. The duo have been criticized for paying close tributes to the work of other designers. “In music, it’s so normal to do a cover,” replies DiCaprio © Shina Peng

Since Dover Street Market Paris got involved in the manufacture and wholesale of its clothing, the number of global stockists of Vaquera has increased

“I don’t think we would still be here without them,” adds Taubensee. “For so long people were really interested in us – but I think people didn’t have much faith in us either, at the same time. Comme des Garçons actually understood better than anyone what we needed. And it was a help with distribution, marketing, press inquiries and sample production. Nearly half of Vaquera’s upcoming Fall/Winter 2022 collection was produced by Comme des Garçons factories, and the designs include puffer jackets, handbags, fashionable knitwear and jewelry, “things that we could never have made it ourselves,” Taubensee says. “One thing we struggled with was that our shows are exciting. But we weren’t selling anything, really. Since DSMP got involved in making and wholesaling their clothes, the number of Vaquera’s global stockists have grown to 40. And alongside fantastic rolling chocolate boxes, its apparel includes more business-savvy pieces like oversized suits, bras and easy T-shirt dresses.

The collection, unveiled tonight, riffs on the city of Paris – Vaquera will show in the new Dover Street Market event space there, a 17th century mansion in the Marais, now named 3537. “It’s about the vague idea of ​​love,” says DiCaprio. “The city of love and our love for fashion, our love for our friends, our family and ourselves. And you know, what do you sacrifice for love? How is love inspiring? What is Is that limiting? And what does it look like, in a garment? Now DiCaprio and Taubensee are going to show us.

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Fashion style

12 next-gen influencers to follow, according to Instagram’s French Style Guru

The #ParisianStyle hashtag has been used 4.5 million times on Instagram. That’s less than #ootd, or “outfit of the day,” which garnered 397 million mentions, but more than #AvocadoToast at two million. Many of the accompanying tagged looks are taken from the near-mythical “French-Girl Style” playbook, featuring an easy-to-reproduce combination of a tailored jacket, skinny jeans, and a pair of Isabel ankle boots. Marching. But, lately, the images have started to look different.

Neon shades, clashing prints, chunky platforms, miniskirts cut to the thighs: the Parisian style model is undergoing a major overhaul. And the type of person who once embodied him – a thin, white, disheveled BoBo living in a parquet floor apartment in Saint Germain-des-Près – is no longer in mind. The new generation of Parisian goes through scooter (electric scooter) with an oval-shaped Coperni Sac Swipe thrown over his shoulder. Skinny jeans were ditched in favor of vintage Levi’s with wide legs and crisp white shirts replaced by sexy little Jacquemus cut-out bodysuits. At night, she — or him, or them, because it’s an inclusive style philosophy — hides her chunky-soled Bottega Veneta boots in favor of neon-green Attico mules. Breton? Faded away.

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Clara Cornet, Instagram’s Head of Fashion and Beauty Strategic Partners for Southern Europe, maps the change. “I strongly believe in a more inclusive and diverse French style that is gaining visibility and momentum,” she says, speaking on Zoom from her apartment in Paris, where everyone’s favorite selfie mirror, Ettore’s Ultrafragola scribble Sottsass, can be seen in the background. “It’s more exciting right now to show more creativity, more risk-taking, more authenticity.” She includes herself in this cohort, despite the fact that today she wears a Totême turtleneck with navy and white stripes. She laughs and rolls her eyes. “May the record reflect that Clara is wearing a Breton striped jumper!”

Cornet’s wardrobe choices are usually a little more out there, much to the delight of her 36,000 followers. The last time I saw her, at an Instagram event in January at the Dover Street Market event space in Paris, she wore a lime-green pussy-bow blouse and a black Balenciaga skirt suit. Her wardrobe includes cut-out vinyl Courrèges mini dresses and puffy Cecilie Bahnsen blouses, Simone Rocha embellished coats and vinyl Amina Muaddi heels. It’s a bubbling mix fueled by what she describes as a “falling for somethingbuying habit (a spontaneous approach that we Brits might call ‘love at first sight’, where you just can’t resist buying) that is nonetheless informed by more than a decade as a as a fashion buyer. She started at Galeries Lafayette in her native Paris, then ran Stateside at Opening Ceremony and The Webster, then returned to Galeries Lafayette, where she served as Creative and Merchandising Director.

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She joined Instagram in 2020 and now works alongside Fashion Partnerships Director Eva Chen. It was obvious: Cornet started posting on the application in May 2012 (“I remember my first post very well: it was the Daniel Buren exhibition at the Grand Palais”) and used it to discover new buyer talents. For example, she first found Coperni duo Sébastien Meyer and Arnaud Vaillant on Facebook, but contacted them via Instagram DM, before finally buying their collection for Opening Ceremony. She still uses it as inspiration to shop, as do more than half of people who open the app. “It speaks volumes about our audience’s appetite for seeking fashion content, inspiration and commerce,” she points out. “What is most exciting for me is that Instagram is also [creates] bridges with small and medium-sized companies or emerging designers capable of sharing space and sharing public attention.

Naturally, Cornet believes the app has a vital role to play in democratizing the haughty image of French fashion. “I love following profiles of people who have their own identity,” she says. “They’re all unique, they have opinions for some which are exciting to read and interact with, and they have a very personal way of styling in a surprising way.” How can things still progress? “It can start with everyone letting go, letting go of their perfect flow, and sharing more authentic stories, not being afraid to take risks and share your challenges.”

Here, Cornet shares her favorite proponents of next-gen Parisienne style to add to your feed this Paris Fashion Week.

Emmanuelle Koffi

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Ellie Delphine

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Jade Rabarivelo

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Pierre Didi

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Gaelle Prudencio

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Taqwa Bintali

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Soreya Cesarine & Henri Ekamby

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May Lee

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Fashion designer

The youngest Indian designer to present his collection at Paris Fashion Week

It’s a dream come true for Binal Patel, designer and founder of ‘TheRealB’, who is set to present her collection at Paris Fashion Week on February 28.

Binal is 25 years old and the founder of a local ready-to-wear brand that embraces authenticity in craftsmanship, fabrics, colors and culture. The label caters to an ever-changing aesthetic of real confident beauties and is available through online and offline platforms on its official website and e-commerce sites like Nykaa Luxe, Salt Studio, Asos, ZoWed, Aza Fashions, Pernia’s Pop up, Azra, Deccan, the house of labels.

Ahead of her show in Paris, Binal talks to IANSlife about what it’s like to show off her designs at one of fashion’s biggest events. Read excerpts:

Q: How is it to be part of Paris Fashion Week?

A: When Flying Solo approached us to participate in Paris Fashion Week, we were thrilled! It gave wings to my whole team who supported me from day one through the ups and downs. It is literally a concrete example of “A dream come true”. And I’m quite proud of myself and my team because our efforts have paid off. This is a proud moment for India.

Q: What can we expect from the collection?

A: Well, that’s a surprise! But to give you some clues, the collection will have twists and turns with bold and fun designs that will make you feel sexier. And that is, “Why should only girls have fun?”

Q: What kinds of surface textures and techniques can we expect?

A: The collection will feature a touch of texture and sheer fabrics as well as animal prints. Again, the rest is surprise, we will see a lot of fun and innovation on the track.

Q: Are you a fan of slow or fast fashion?

A: I’m a big believer in slow fashion, in addition to designing luxurious styles, creating a conscious and sustainable clothing line is also of the utmost importance to me.

Q: What is your design philosophy?

A: Nature has always been the inspiration behind all my collections, all my designs are imbued with elements of nature. Creating bold, tailored fashion is my design philosophy, but again, as I mentioned, creating conscious clothing will always be my priority. We have designs made from orange peel, regenerated nylon, banana cloth, milk cloth and more.

Q: Are you all nervous or super excited about the screening?

A: There are mixed feelings, half of me dances and jumps with enthusiasm while the other half spends restless nights because I want to create the right impression.

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Fashion brand

Reese Cooper Men’s Collection Fall 2022

In the middle of a Zoom call with Reese Cooper, the power goes out in his new studio in Los Angeles. In the frame, he’s frozen holding a navy plaid anorak that folds over itself, the garment caught somewhere between sartorial tradition and the gorpy streetwear that Cooper is known for. It’s a funny place where everything goes haywire because this piece of clothing, in many ways, symbolizes everything he’s trying to do with his Fall 2022 collection: take a leap towards more fitted, sophisticated and “adults” without losing the rebellious, outdoorsy heart of its brand.

His views on fashion began to change during the pandemic and after two outdoor shows in Los Angeles, he was certain Fall 2022 would be his return to Paris Fashion Week. But no ! Even so, he began to design the collection keeping in mind the refined traditions of Paris. Her checks and houndstooth prints are hand-drawn in her studio with subtle incorporations of the brand’s deer logo hidden in the pleats of the pants. Camouflage, a staple of his work, is so tonal you might not even realize it’s camouflage.

For the first time, Cooper sews, his own way. A mossy cropped cargo jacket and wide leg pants with metal clip detailing are his take on a suit. He tested them at the CFDA Awards last November and hopes his customers will experience “the widest leg pants we’ve ever made”.

A 12-hour Instagram live stream was designed to convince Cooper friends and clients to step out of their comfort zone. In partnership with the platform and Shopify, Cooper released his entire lookbook for the world to see. It’s a six-camera setup where “anything can go wrong,” he laughs. Let’s just hope the tide doesn’t go out on such a big leap forward.

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Fashion designer

She grew up watching her parents work in garment factories. Now she designs clothes for the rich and famous

Beverly Hills, California — Fashion designer Johana Hernandez spends her days designing glamorous clothes, but she has never forgotten her humble beginnings.

Hernandez grew up watching her immigrant parents sew clothes in Los Angeles garment factories. She now has her own fashion boutique, Glaudi, in the heart of Beverly Hills.

The name of his shop pays homage to his mother, Gladis, who now works alongside him. Hernandez also created a men’s line inspired by his father, who recently passed away from COVID-19.

Fashion designer Johana Hernandez grew up watching her immigrant parents sew clothes in Los Angeles garment factories.

CBS News

“I just saw, like my parents or Latinos working as laborers, like I never thought I could have my own business or make a living making nice clothes,” Hernandez told CBS News.

She spent her early years in Compton, as did tennis great Serena Williams, who now sports her designs.

“She’s earned her spot. And I think that’s how I’d like to be seen,” Hernandez said. “I earned this through hard work.”

She’s also the first Salvadoran to walk Paris Fashion Week and helped build a school in her parents’ homeland.

“I just wanted to do something that empowers the community and allows those who are silent to be heard through me,” she said. “It’s very empowering to let people be proud of where they come from.”

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French fashion

Chanel sends a princess on horseback to the catwalk in Paris

Written by Oscar Holland, CNN

CNN Style is an official media partner of Paris Fashion Week Haute Couture. See all coverage here.
Chanel unveiled its latest collection in dramatic style at Haute Couture Week in Paris — by sending a real princess to parade on horseback.

To the surprise of the guests of the Grand Palais Éphémère, the French fashion house opened its parade on Tuesday with the help of the niece of Prince Albert of Monaco, Charlotte Casiraghi, also a show jumper.

Dressed in a sequined Chanel jacket and black helmet, Casiraghi emerged on horseback, hurtling down the catwalk accompanied by a live performance by musician Sébastien Tellier. With several distinguished guests in attendance, including Margot Robbie, Pharrell Williams and Vogue editor-in-chief Anna Wintour, she circled the room before breaking into a gallop.

Casiraghi, who is also the granddaughter of Hollywood icon Grace Kelly, was unveiled as Chanel’s 2020 brand ambassador, having previously modeled for Gucci and Saint Laurent. Her mother, Princess Caroline of Hanover, was a close friend of the late Chanel creative director, Karl Lagerfeld.

In a promotion video produced before the show, Casiraghi said the use of horses was consistent with the history of Chanel and its founder.

The set featured a number of “equestrian curves” according to the luxury label. Credit: Gao Jing/Xinhua/Getty Images

“I immediately think of the story of Chanel and Gabrielle Chanel,” Casiraghi added. “Horses and riding were hugely important, even defining, in his vision for the brand.”

The striking decor for the event, which was littered with geometric objects and featured what Chanel called “equestrian curves,” was designed by French artist Xavier Veilhan. In Chanel’s promotional video, Veilhan said he and creative director Virginie Viard wanted the models and clothes to “contrast with the beauty of the rider and the horse.”

“It was also a way to align the very strong aesthetic of the horse with that of haute couture, and to see how refinement and animality can come together,” he said.

After Casiraghi’s dramatic appearance, the rest of the models were part of Chanel’s Spring-Summer 2022 Haute Couture collection. Check out the full collection in the video below.

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French fashion

Leena Nair chosen as new CEO of French fashion brand Chanel

Leena Nair has been chosen CEO of Chanel, a French fashion brand

Chanel on Tuesday named Leena Nair, a former Unilever executive, as the next global CEO, hiring a consumer goods veteran to run one of the world’s most prestigious luxury brands.

Leena Nair’s background-

Leena Nair (born 1969) is the CEO of Chanel and a British Indian businesswoman. Nair previously worked for Unilever as the Company’s Director of Human Resources and a member of the Unilever Board of Directors. Nair was in charge of human resources at Unilever, covering 190 countries and various regulatory and labor contexts. Unilever was named the # 1 Employer of Choice for FMCG Graduates in 54 countries under his leadership. She was in charge of the organization’s Diversity and Inclusion program, ensuring that its staff was diverse and inclusive. Nair is a supporter of compassionate leadership and people-centered workplaces.

Kolhapur, Maharashtra, is his hometown. She attended Holy Cross Convent High School in Kolhapur. She studied electrical engineering at the Walchand College of Engineering in Sangli before obtaining a gold medal from XLRI in 1990-1992. (Maharashtra). After working in Jamshedpur, she moved to three different factories in Kolkata, Ambattur, Tamil Nadu and Taloja, Maharashtra.

Nair, 52, began his career at Unilever in 1992 as a management trainee. She rose steadily through the ranks of Unilever, eventually becoming the company’s “first woman, first Asian and youngest” Human Resources Director (CHRO) in 2016. She also served on the executive committee of Unilever (ULE).

Previously, she worked for the UK Department for Business, Energy and Industrial Strategy as a non-executive director.

“Throughout her career at Unilever, Leena has been a trailblazer, but no more so than in her role as HRD, where she has been a driving force behind our equity, diversity and inclusion agenda, of transformation. our leadership development, and our preparation for the future of work, ”Unilever CEO Alan Jope said in a statement announcing his departure.

Nair, a British national named to Fortune magazine’s list of the world’s most powerful women in 2021, is known for her people-centered approach to business. “If you take care of your people, they will take care of the business,” she told the publication.

After the former CEO of Pepsico, Indra Nooyi – who also happens to be his mentor – Nair is the second female CEO of the Indian-born company.

Nair worked at Unilever for 30 years, most recently as Director of Human Resources and a member of the Executive Committee. She’s a rare outsider at the helm of the tightly controlled family-owned design company known for its tweed suits, quilted handbags, and No.5 fragrance.

The 52-year-old succeeds Maureen Chiquet, an American entrepreneur with a background in design who ran Chanel for nine years until early 2016.


Alain Wertheimer, a 73-year-old French billionaire who owned Chanel with his brother Gérard Wertheimer and who had been its temporary CEO, will now serve as global executive chairman.

Chanel was founded in 1910 as a rue Cambon hat boutique in Paris by fashion queen Gabrielle “Coco” Chanel and has been synonymous with French elegance ever since.

Chanel is an upscale fashion brand based in Paris, France, founded in 1910 by seamstress Coco Chanel. It specializes in women’s ready-to-wear and luxury products and accessories. Alain Wertheimer and Gérard Wertheimer, grandchildren of Pierre Wertheimer, one of Coco Chanel’s first business partners, currently own the company.

Gabrielle Chanel earned the nickname “Coco” as a singer as a teenager. Coco Chanel responded to women’s tastes for the sophistication of clothing as a fashion designer, with blouses, suits, pants, dresses, and simple jewelry (gems ​​and jewelry) that replaced rich clothing and accessories. 19th century over-designed constrictors. Models, performers and actresses such as Margot Robbie, Lily-Rose Depp, Nicole Kidman, Keira Knightley, Kristen Stewart, Pharrell Williams, Cara Delevingne Nana Komatsu, Jennie Kim and Marilyn Monroe have all been models for Chanel.

Chanel is famous for its Chanel No.5 perfume and the Chanel suit. Chanel used the Jersey fabric to create clothes that were both comfortable and inexpensive. Chanel changed both high and low couture (haute couture) and everyday fashion (ready-to-wear), replacing structural forms based on the corset and bodice with practical clothing that flattered the female figure.

The flat-chest garments made famous by Chanel couture in the 1920s were the opposite of the hourglass shape produced by late 19th-century fashion – the French Belle Époque (circa 1890-1914) and the era Edwardian United States Kingdom (circa 1901-1919). Chanel used hues generally associated with masculinity in Europe, such as gray and navy blue, to convey a sense of feminine confidence.

Quilted fabrics and leather trims were used in the clothes of the house of Chanel; the quilted construction reinforces the fabric, design and finish, resulting in a garment that retains its shape and function while being worn. The Chanel wool suit consists of a knee-length skirt and cardigan-style jacket trimmed with fur and black embroidery and gold buttons adorn the garment – is an example of such haute couture techniques. Two-tone pumps, jewelry, usually a pearl necklace and a leather handbag were the perfect complements.

Nair’s appointment comes at a time when the fashion industry is under pressure to be more inclusive. After starting out as an intern in the factory, he worked his way up the ranks at Unilever. Nair, who supervised 150,000 employees at Unilever, will join the company at the end of January and will be based in London, according to the company. The new hires will guarantee the company’s “long-term success as a private enterprise,” the statement said.


According to a Harper’s Bazaar article published last month, under his leadership, Unilever has achieved gender parity in global management, as well as a commitment to pay living wages throughout the supply chain.

Nair is a non-executive director of BT and previously served as the non-executive director of the UK government’s business, energy and industrial strategy department.

Chanel fought for self-reliance and only recently disclosed financial information. In July, he predicted sales would grow double digits this year, from $ 12.3 billion before the 2019 pandemic.

According to Luca Solca, luxury goods analyst at Bernstein, Chanel follows a model of attracting senior executives from the consumer packaged products industry.

“For the relatively young luxury goods sector, Unilever and Procter & Gamble are management reservoirs,” he added, citing Antonio Belloni, CEO of LVMH and former chairman of Procter & Gamble in Europe, and Estee Lauder CEO Fabrizio Freda, who is also a P&G veteran.

Emmanuel Lenain, the French Ambassador to India, also took the time to congratulate Nair on his busy schedule.

Rupa Dash, CEO of the World Woman Fund, thanked Nair and called Chanel’s selection “an incredible date”.

Edited and proofread by Ashlyn Joy

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Fashion style

The celebrity red carpet trends that defined 2021

Written by Megan C. Hills

After a year of awkward Zoomed-in awards speeches and tie-dye hoodies, it was a relief to see the stars return to the red carpet. Glamor is back in full force, filling our streams with color, sparkle and flashes of nostalgia.
With highlights like Billie Eilish’s frothy Met Gala ball gown and Lady Gaga’s alien microrobe Valentino, 2021 was the year celebs got to redefine their wardrobe – and many have delivered. Below are some notable trends.

Dopamine dressing

Bright colors, sparkling dresses and playful looks brought joy to celebrity wardrobes this year, as stars gleefully dressed in the midst of the ongoing pandemic. At the Emmys, Michaela Coel was stunned in a yellow highlighter Christopher John Rogers outfit, while Anya Taylor-Joy was pictured of a retro Barbie in a fascinating hot pink dress at the Venice Film Festival. Others channeled their inner disco ball: Dakota Johnson’s fringed Gucci creation stood out at the Venice Film Festival, and most recently, Olivia Rodrigo’s periwinkle dress at the American Music Awards sparkled as she stood out. slipped under her feathered hem.

Archive mode

Cardi B attends the “Thierry Mugler: Couturissime” photocall as part of Paris Fashion Week at the Musée des Arts Décoratifs on September 28, 2021 in Paris, France. Credit: Richard Bord / WireImage / Getty Images

Fashion history became this year’s biggest red carpet flex, as stylists and celebrities searched for rare archival pieces from decades past. Growing interest in upcycling and vintage undoubtedly played a major role in the trend, which included Rodrigo donning a 2001 Versace ruched dress at the MTV VMA Awards and archival queen Bella Hadid seen in vintage Gucci, Stella McCartney. for Chloe and more on the street snaps. And who could forget the olive green Jean Paul Gaultier dress worn by Kylie Jenner?

Dare to get naked

Zoë Kravitz attends the 2021 Met Gala Celebrating In America: A Lexicon Of Fashion at the Metropolitan Museum of Art on September 13, 2021 in New York City.

Zoë Kravitz attends the 2021 Met Gala Celebrating In America: A Lexicon Of Fashion at the Metropolitan Museum of Art on September 13, 2021 in New York City. Credit: Theo Wargo / Getty Images

Post-lockdown red carpets were sexier than ever as some pandemic restrictions relaxed and celebrities returned to the public eye. See-through dresses, such as Zoe Kravitz’s Saint Laurent Met Gala look and Megan Fox’s Thierry Mugler dress (paired with a nude thong) at the MTV VMAs, have been seen at many major events, while other celebrities like Zendaya, Kendall Jenner and Halle Bailey went for cuckoo cutouts.

Carey Mulligan, Rina Sawayama and Alicia Keys wore sophisticated bellyless sets throughout the year, while Lil Nas X, Kim Kardashian and Hailey Bieber were among those who covered themselves in bodycon jumpsuits that left little in the way. imagination.

Fluid men’s clothing

Troye Sivan attends the 2021 Met Gala Celebrating In America: A Lexicon Of Fashion at The Metropolitan Museum of Art on September 13, 2021 in New York City.

Troye Sivan attends the 2021 Met Gala Celebrating In America: A Lexicon Of Fashion at The Metropolitan Museum of Art on September 13, 2021 in New York City. Credit: Theo Wargo / Getty Images

With Gen Z defying gender binaries on TikTok and talk of fluidity reverberating through the fashion industry, celebrities didn’t hesitate to push the boundaries. With LGBTQ + stars in the lead – including Billy Porter in a pale pink suit and designer Harris Reed launching their first flowy fashion collection – others followed suit: Troye Sivan wore a minimal dress to the Met Gala and Kid Cudi wore a Floral dress inspired by Kurt Cobain for his Saturday Night Live performance, followed by a wedding dress at the CFDA Awards.

Some have taken more subtle approaches, most notably Bowen Yang, with his Syro wedge heels coming out of the hem of a pointy Emmy suit. Nail polish has also been widely adopted by stars such as Lil Yachty and Tyler the Creator, and Styles and Machine Gun Kelly have even launched their own nail polishes.

Fashion as an art of clothing

Bella Hadid poses as she arrives for the film screening "Tre Piani" (Three floors) at the 74th Cannes Film Festival in Cannes, southern France on July 11, 2021.

Bella Hadid poses as she arrives for the screening of the film “Tre Piani” (Three Floors) at the 74th Cannes Film Festival in Cannes, southern France, July 11, 2021. Credit: Valery Hache / AFP / Getty Images

The sight of Bella Hadid at the Cannes Film Festival this summer, wearing a Schiaparelli brass necklace designed to resemble a pair of lungs, stopped the internet in its tracks. This surreal artistic approach to fashion continued throughout the second half of the year.
Di Petsa’s wet look dresses, created by self-proclaimed interdisciplinary artist Dimetra Petsa and meticulously layered with tulle, have transformed stars such as sisters Hadid, SZA, Chloe Bailey and Megan Thee Stallion into water nymphs who seemed just emerging from the sea. Zendaya opted for a similar style, crafted in nude leather by Balmain, for the Venice premiere of “Dune.” Her look was counterbalanced by that of her co-star Timothée Chalamet, who was dressed in a glittering Haider Ackermann outfit that appeared to have been taken out of the night sky. Of course, who could forget Kim Kardashian’s dramatic look at the Met Gala – a faceless custom Balenciaga outfit that sparked questions about the celebrity’s nature while generating endless memes on Twitter.

Celebrity Returns

Gemma Chan paid tribute to Anna May Wong at the Met Gala.  Wong is considered the first Chinese-American Hollywood star.

Gemma Chan paid tribute to Anna May Wong at the Met Gala. Wong is considered the first Chinese-American Hollywood star. Credit: Getty Images

While many stars have gone all out with their post-containment wardrobes, others have stepped back to pause and pay tribute to those who led the way before them. Feedback on specific celebrity and model outfits was seen throughout the year.

At the Met Gala, for example, Gemma Chan paid homage to Chinese-American movie star Anna May Wong in a minidress adorned with Prabal Gurung dragons and curled braids, and Jaeger’s YouTuber Nikkie stepped out in a floral dress. with a ribbon that says “Pay it no spirit” pinned to its hem – a reference to Stonewall transgender activist Marsha P. Johnson. Kendall Jenner, meanwhile, channeled Audrey Hepburn with a see-through dress covered in crystals. The dress was a contemporary take on the one worn by Hepburn as Eliza Doolittle in “My Fair Lady”.
Zendaya has made a number of iconic nods, wearing a long version of Beyonce’s 2003 BET Awards Versace dress for the same event this year and a cutout yellow dress to the Oscars, modeled on one previously worn by Cher on “The Sonny & Cher Show.”
And Angelina Jolie kept returning references close to home at the London premiere of “The Eternals,” with girls Zahara and Shiloh wearing some of Jolie’s red carpet dresses as they accompanied her. Jolie wore a 2018 Valentino dress.

Year 2000

Avril Lavigne attends the 2021 MTV Video Music Awards at Barclays Center on September 12, 2021 in the Brooklyn neighborhood of New York City.

Avril Lavigne attends the 2021 MTV Video Music Awards at Barclays Center on September 12, 2021 in the Brooklyn neighborhood of New York City. Credit: Astrid Stawiarz / WireImage / Getty Images

Championed by Gen Z stars like Dua Lipa and Addison Rae, the 2000s obsession continued through 2021. All the old trends were back in full force, spotted in Beyonce’s pink Versace wedge heels and Lipa wearing different butterfly outfits à la Mariah Carey – even a Von Dutch-esque cap was featured by Rihanna and Miley Cyrus.

Surprising brands like Ed Hardy and Juicy Couture have made a celebrity comeback, and retro basics like printed mesh tops, monogram prints and corsets have become staple pieces.

Other maligned Y2K styles, including hipster jeans and baby t-shirts, have also found their way into the closets of Lipa, Hadid and Kaia Gerber. This love for the 2000s shows no signs of abating, and it’s likely we’ll continue to see celebrities championing the decade until 2022, with Versace, Fendi and others all leading the movement.

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French fashion

In the sweet private life of Virgil Abloh with his wife Shannon

For many in the fashion world, Virgil Abhol, 41, was a maverick, a fashion underdog who became famous for his headlining catwalks. Nicknamed the “Karl Lagerfeld for Millennials,” he rose from relative obscurity to the height of his art. He hung out with the coolest kids, hung out with his best friend Kanye West, ‘smashed’ fashion weeks, disrupted the industry and founded one of the world’s hottest streetwear brands, Off-White – a brand which has become as famous for its hoodies and t-shirts as its huge social media success. In 2018, he became the first African-American artistic director of French men’s fashion Louis Vuitton.

The shock news of the death of the 41-year-old cardiac angiosarcoma, a rare and aggressive form of cancer, sent reverberations into the fashion world last night. “We are devastated to announce the passing of our beloved Virgil Abloh,” said his wife of 12 years, Shannon Abloh. a statement on the creator’s Instagram page. “He has chosen to endure his battle in private since his diagnosis in 2019, undergoing many difficult treatments. He is also survived by his children Lowe Abloh and Gray Abloh, his sister Edwina Abloh and his parents Nee and Eunice Abloh.

Virgil Abloh appears at the end of his Spring / Summer 2019 collection for Off-White during Men’s Fashion Week in Paris. That same year, he was diagnosed with cancer which killed him at age 41.
Shannon Abloh (above) met her husband at school and lived in Chicago while working in Paris.
Shannon Abloh (above) met her husband at school and lived in Chicago while working in Paris.
Christopher Peterson / SplashNews

As the news spread around the world tributes came from afar, with prominent friends including Pharrell Williams, Victoria Beckham and Kanye paying their respects. But if her fashion career was filled with stars, her family life was quite the opposite. Born in Rockport near Chicago, Abloh was the son of Ghanaian immigrant parents. Her father worked in a painting company and her mother, Eunice, as a seamstress. She taught Abloh to use a sewing machine, and at a young age he started designing t-shirts.

<a class=Designer Virgil Abloh, Gigi Hadid, Bella Hadid and Karlie Kloss in the Off-White runway finale for Paris Fashion Week.” class=”wp-image-20305788″ srcset=” 2048w, 1536w, 1024w, 512w” sizes=”(max-width: 1024px) 100vw, 1024px”/>
Designer Virgil Abloh, Gigi Hadid, Bella Hadid and Karlie Kloss in the Off-White runway finale for Paris Fashion Week.
Getty Images

He met his childhood sweetheart Shannon (née Sundberg) while they were both still in school. The couple later moved to Wisconsin where Shannon studied management and marketing at Edgewood College and Abhol began a civil engineering degree at the University of Wisconsin at Madison before studying for a master’s degree in architecture at the ‘Illinois Institute of Technology.

Abloh and Kanye West (middle, with ex-wife Kim Kardashian) were frequent artistic collaborators.
Abloh and Kanye West (middle, with ex-wife Kim Kardashian) were frequent artistic collaborators.
Better picture / BACKGRID

Virgil rarely spoke of his wife in interviews, but there was never any doubt how strong their bond was. According to reports, after a 10-year courtship, Abloh decided to ask the question but realized he would have to get creative to take her by surprise. He asked her if she could drive with him to the airport for a work trip as she normally did and as they swapped the driver’s seats he caught her completely off guard and got down on his knees. . “I was completely surprised – I couldn’t believe it! Shannon said at the time.

Shannon Abloh was often seated in the front row of her husband's shows.
Shannon Abloh was often seated in the front row of her husband’s shows.
Matteo Prandoni /

The couple married in 2009 at the Chicago Four Seasons, the same year Abloh decided architecture wasn’t for him after all and found an internship job with fashion label Fendi. It was a big family wedding, Abloh would have left most of the arrangements to the bride, while playing a “supporting role”. The bride wore ivory-colored Amsales and purple-blue shoes, the groom wore a tuxedo and white tie, and the couple sat at different guest tables for each course to make sure they were chatting with all of their people. family and friends. During the ceremony, the couple read each other special emotional promises. “The funny thing is that we wrote them separately – and we didn’t share them with each other – but they were very similar! Shannon told the bridal magazine Inside Weddings at the time.

Virgil Abloh and his wife Shannon chat backstage at the Off-White Menswear Fall / Winter 2019-2020 show.
Virgil Abloh and his wife Shannon chat backstage at the Off-White Menswear Fall / Winter 2019-2020 show.
Getty Images

Recalling her husband’s wedding speech, she said, “His words were so heartfelt and heartfelt. He made everyone laugh, cry and smile… this is the moment I was dying to see on our wedding video. Virgil humbly added that one of the best parts of marriage was the people who helped make it happen: “The stress and tension never got past their high spirits. More than anything, this is what created the most special night of our life, and we are so grateful. “

Flowers are seen outside the Off-White flagship store in London.
Flowers are seen outside the Off-White flagship store in London.
Getty Images

Throughout Virgil’s meteoric rise, Shannon, 41, has remained largely out of the spotlight. She was however a strong supporter of her husband’s career, attending shows and red carpet events, later with their two young children, son Gray and daughter Lowe. As her career followed a different, more conventional path – she first worked as a media planner for Yahoo, then later as a program manager for Monster – she continued to be a front row fixture at all of her shows. .

Abloh standing between his sister Edwina (left) and Shannon for Louis Vuitton Men's Spring / Summer 2019 <a class=Fashion Show.” class=”wp-image-20305805″ srcset=” 1023w, 682w, 341w, 1024w” sizes=”(max-width: 682px) 100vw, 682px”/>
Abloh standing between his sister Edwina (left) and Shannon for Louis Vuitton Men’s Spring / Summer 2019 Fashion Show.
Getty Images

The family was based primarily in Chicago, with Abloh commuting, racking up formidable airline miles. If integrating family life into Vuitton’s men’s fashion direction was a balancing act, he never showed it. His private life was basically a closed book. “I don’t want to be a celebrity designer,” he once said. “I want to keep my personal life out of this.” He was famous for his formidable work ethic – it is said that he never sat in place, refused to have a desk, and did all of his work on the go by iPhone. But despite this, his lifestyle at millions of miles an hour seemed to be taking its toll. Under the orders of a doctor, the creator announced in 2019 that he was taking three months of leave and public appearances. “I’m changing gears,” he said at the time.

Shannon Abloh poses with her children Gray and Lowe, both under five, for the Off-White Menswear Fall / Winter 2019/2020 show.
Shannon Abloh poses with her children Gray and Lowe, both under five, for the Off-White Menswear Fall / Winter 2019/2020 show.
Corbis / Getty Images

Shannon’s post on her husband’s Instagram page describes him as a “fiercely devoted father, husband, son, brother and friend.”

The unwavering loyal support of his wife and family has undoubtedly been the key to his success. “Through it all, his work ethic, endless curiosity and optimism have never wavered,” said the tribute. “Virgil was motivated by his dedication to his craft and his mission to open doors for others and create pathways for greater equality in art and design. He would often say, “Everything I do is for the 17-year-old version of myself”, deeply believing in the power of art to inspire future generations.

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Fashion designer

HT Brunch Cover Story: the child in love with Paris

In a world where an gram-worthy aesthetic is a necessity, success is defined by the number of followers you have and blue badges define your influence, what really defines a creator’s success. fashion? Especially since we have come a long way since the days when mastering creative thinking was enough? The answer, it seems, is a truism today: Aggressive marketing, collaborations with influencers, immersive storytelling, and innovative PR strategies are all part of building a modern fashion brand.

However, Vaishali Shadangule doesn’t care. The 43-year-old fashion designer has defied many of those standards, yet has been able to find her way into an industry where packaging often trumps product. His most recent achievement is an invitation from the Fédération de la Haute Couture to participate in Paris Fashion Week in July this year. In doing so, Shadangule became the first Indian woman to showcase her work alongside global fashion giants like Balenciaga, Dior and Jean Paul Gaultier. She is also the second Indian designer, after Rahul Mishra, to receive this honor.

Cut through the clichés

“You might think I’m old school, but I’ve been taught that when you do a good job, people talk about it. I understand the world is different now. But my journey is different. Marketing is important, businesses now depend on it. But I’m happy with slow growth. My clients are happy because they see beautiful designs, and the fact that they are durable and support the weavers is a bonus. I don’t want to create something to use and throw away, ”says Shadangule.

India in Paris

“Right now,” she adds, “there is too much going on on social media. You don’t see the real stuff. If the packaging and marketing are good, but the product is not strong, the lifespan of the brand will be short. Maybe I’ll improve my marketing skills, but I still think the product should be my focus. If you only invest in other accessories, the customer will not come back. My growth may be slow, but it goes well with my philosophy, my way of working and my lifestyle.

Craftsmanship meets couture

True to its philosophy of slow living, Shadangule’s beginnings in Paris unveiled a collection different from most Indian seams. Entitled “Shwas” (breath), the showcase put Indian textiles – Murshidabad silk from West Bengal, merino wool produced in Maheshwar, lightweight khand fabric as well as jamdaani and chanderi – on the world map.

Asymmetrical and curved silhouettes envelop the body without being restrictive. And she used her signature stringing technique to create innovative shapes inspired by nature.

Vaishali says that when she started her career, many thought that Indian weavings and curtains were not glamorous; that you cannot wear these clothes to parties, when she believed that it was and is a real luxury; Purple cord blouse made of khunn paired with hand-woven Chanderi silk saree (Prabhat Shetty)

“The Federation was looking for a designer who presents innovation, know-how and sustainability. What helped me stand out was that I never followed the trends or the business. If you look at the history of Indian costumes, every little detail was design driven and sustainability was a way of life for us. We are losing out now. When an Indian designer goes international, the West expects layers of embroidery. However, I wanted to show them a balance between design, aesthetics, textile and texture. We have the luxury of creating our fabrics in India. I wanted Indian weaves and fabrics to be my focus. “

Post-pandemic challenges

A successful start to Sewing Week doesn’t mean Shadangule faced no challenges. On the one hand, she received the invitation while still recovering from Covid-19.

“I was super stressed because the whole world was on lockdown. Mumbai was also at a standstill. I had 1.5-2 months [to put together a collection]- and I wasn’t even in India at the time! I came back to Mumbai and called my kaarigars in my studio. Fourteen people agreed to come and we all stayed in my store. The fabrics had to come from various villages, but the courier services were not working. I didn’t even know how to send the collection to Paris. In a way, I succeeded. It took me 14 days to reach Paris, crossing six-seven countries. I arrived a day before the show. But, it was all worth it. “

Vaishali’s time in industry

New world, old values

After his Parisian success, does Shadangule now have another roadmap in mind? “People are now talking about weaves and sustainability, something that has always been an integral part of my brand’s DNA,” she says. “My dream was to bring Indian weavings to an international platform. I used to see international designers using our skills, embroidery, fabric in different ways. I never understood why we were always behind the scenes.

She adds: “Although make-in-India is a great concept, I’ve always wanted to put Indian weavings and curtains on the world map. In fact, that’s what I started with when I opened my store in 2011. At the time, many thought it wasn’t glamorous; that you can’t wear these clothes to parties. But I thought it was real luxury. So even though I’ve never changed my way of thinking, the world around me is changing, ”she smiles.

From Brunch HT, November 28, 2021

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Fashion designer

Monique Lhuillier, Bridal Designer for Britney Spears, on 25 Years of Weddings

Written by Megan C. Hills, CNN

Filipino American fashion designer Monique Lhuillier wants to make your dreams come true. She wants you to imagine yourself dressed in cream silk, lace and verdant flowers, running through the gardens of Lake Como and toward the love of your life – a scene captured in one of her brand’s recent campaigns.
“People come to me for this fantasy,” explained Lhuillier, who is best known for designing wedding dresses for Britney Spears and Reese Witherspoon, via video call. “They want that over the top look.”

Even during the pandemic, when marriages were curtailed and brides around the world were forced to put their plans on hold, the fantasy “never went away,” she added.

A dress from Monique Lhuiller’s latest bridal collection. Credit: Monique Lhuillier / KT Merry

“(The brides) never wanted to compromise on the dress. Even though they were going to have a little ceremony, they still wanted the dream dress … (if there were) five people in the room with them , or 200. “

Lhuillier has been distributing fantasies – and fulfilling her own dreams of running a successful label – since 1996, when she set up her eponymous brand in the basement of her parents’ house in Malibu without even a business plan (” we don’t have I don’t know nothing. for ten years when they devoted “90% of their time” to the business.

A floral dress by Monique Lhuillier.

A floral dress by Monique Lhuillier. Credit: Monique Lhuillier / Rizzoli

At the time, Lhuillier, who was born and raised in the Philippines and then lived in Switzerland, was inspired by a sense of “Californian ease,” she writes in a new book retracing her 25-year career. Her early designs offered romantic, modern silhouettes that were close to the body and embellished with unexpected details, from colorful belts to blush veils.

However, the brand was not, Lhuillier recalled, an instant dazzling success. As she ran between bridal shows and catwalks, calling out whoever would sell her brand’s dresses – while also running a Beverly Hills store and developing new designs – there was no time to work with. Hollywood stylists. And anyway, the pair “didn’t realize the power of celebrity dressing,” she said.

Angelina Jolie wearing Monique Lhuillier at the 2002 Golden Globes, accompanied by Billy-Bob Thornton.

Angelina Jolie wearing Monique Lhuillier at the 2002 Golden Globes, accompanied by Billy-Bob Thornton. Credit: Gregg DeGuire / WireImage / Getty Images

But that all changed in 2002, when Angelina Jolie asked to wear one of her dresses for the Golden Globes. The elegant look was not a cream, beige or white, but rather a strapless black dress paired with a shawl and pearl necklace. Then, the following year, the brand was noticed when Lhuillier made for the first time a wedding dress for a “mega celebrity”: Britney Spears.

Big cut

Spears was splashed in every magazine back then. After kissing Madonna at the VMAs, then marrying Jason Allen Alexander – only to have the union called off 55 hours later – she went on to announce a surprise engagement to backup dancer Kevin Federline.

In search of a dress for the wedding, a friend and stylist of Spears contacted Lhuillier and arranged a series of dates in secret places to prevent the paparazzi from harassing the singer. It made it difficult to give Spears “the whole experience of a bride,” the designer recalled, as she couldn’t just show up to her studio.

Monique Lhuillier's ready-to-wear collection, presented during Spring-Summer Paris <a class=Fashion Week in 2017.”/>

Monique Lhuillier’s ready-to-wear collection, presented during Spring-Summer Paris Fashion Week in 2017. Credit: Monique Lhuillier / Rizzoli

“I didn’t just bring her two dresses, I showed her what I would show to (all) my brides, so that she could feel like she really had the (typical bridal) experience,” said said Lhuillier, explaining how the brand designed the bespoke lace, accessories and veil for Spears, as well as the dress.

Lhuillier was also commissioned to make a “fun and flirty” reception dress and dresses for the whole wedding party, in a strict color scheme. She was given six weeks to design and produce everything, a huge task considering she was also preparing to show off a ready-to-wear collection at New York Fashion Week.

When the press found out about the wedding, the pressure mounted.

“The day before my show, I got a phone call from his team,” she recalls. They said, ‘People are finding out, so we have to get the wedding to take place earlier, so now you will have three weeks. ”

“(I told them) ‘OK, we’ll do it. Don’t worry.’ But inside, I was dying. “

Designer Monique Lhuillier attends a 2018 gala.

Designer Monique Lhuillier attends a 2018 gala. Credit: Emma McIntyre / Getty Images

In a way, she succeeded. Photos of the nuptials have been splashed in magazines and on the internet, with Spears’ white silk gown, embroidered train, and floor-sweeping veil in the spotlight. Soon more and more of his ready-to-wear items were appearing on celebrity red carpets, and Lhuillier “could sense the momentum” when people finally began to fully understand his French surname – loo-lee. -ei.

“It helped people figure out how to pronounce our name; it helped hearing it a few times on the (red) carpet. It really cemented our name and the idea of ​​Monique Lhuillier and glamor.”

A quarter of a century later

Celebrating its 25th anniversary this year, the brand remains proudly independent, with Lhuillier as Creative Director and Bugbee as CEO. Their dresses – and now the furniture and jewelry, among other things – are American made, so the designer can stay “on the go”. (“It’s not the cheapest way to do it, but that’s how I like to work,” she said.)

Taylor Swift wearing Monique Lhuillier in 2014.

Taylor Swift wearing Monique Lhuillier in 2014. Credit: Dimitrios Kambouris / Getty Images

Lhuillier is now more aware of the power of celebrity and has an employee in charge of VIP requests. Celebrities like Taylor Swift, Kaley Cuoco, Heidi Klum and Elizabeth Banks have all turned to her for major events, while Carrie Underwood and Lea Michele have asked her for their dream wedding dresses. Reese Witherspoon, a close friend of Lhuillier’s, wore the designer’s white dress and blush satin belt for her second wedding, to Jim Toth, in 2011.
In the preface by Lhuillier new book, Witherspoon wrote, “(Monique) understands why women want to wear something that makes them beautiful and how her designs will become part of the fabric of their lives.”
Indeed, Lhuillier’s knack for figuring out what women want to wear during life-changing moments remains astute, with her self-proclaimed “whimsical” new collection focusing on floral prints, colors and shorter hems. But the pandemic has damaged her business, as brides around the world have turned to Zoom fittings and scaled back their plans. With more time for her during the lockdown, the designer has taken care of a new line of fine jewelry. Created in collaboration with the retailer Kay Jewelers, it is a project close to the heart of Lhuillier, his grandfather being a jeweler.
The cover of Monique Lhuillier's new book, a retrospective of her career published by Rizzoli.

The cover of Monique Lhuillier’s new book, a retrospective of her career published by Rizzoli. Credit: Monique Lhuillier / Rizzoli

“Jewelry, for me, was a natural (progression). It’s part of history. Without a ring, there is no dress,” she said, adding that each piece is engraved with a short message from him.

Figuring out what comes next is a tall order, especially since she has already been shown at Paris Fashion Week, received a Presidential Medal of Merit from former Philippine President Gloria Arroyo and she received the seal of approval from American first ladies Michelle Obama and Melania Trump. Lhuillier said that as an immigrant who had lived in the United States for almost 35 years, it was “an honor” to dress the women of the White House.

First Lady Michelle Obama wore Monique Lhuillier in 2014, alongside her husband President Barack Obama.

First Lady Michelle Obama wore Monique Lhuillier in 2014, alongside her husband President Barack Obama. Credit: Brendan Smialowski / AFP / Getty Images

The designer, who lived in the Philippines until the age of 14, said she still carries the country’s “kindness” and “traditions” to this day. Describing herself as a “citizen of the world” she said: “It was a gift to be raised in Asia… picking up all these cultures and bringing back family has always been the most important thing.”

Designer Monique Lhuillier (second from left) with models wearing her Spring 2019 bridal collection.

Designer Monique Lhuillier (second from left) with models wearing her Spring 2019 bridal collection. Credit: Monique Lhuillier / Rizzoli

Yet rather than creating designs inspired by the Philippines, she believes that “good design transcends so many different cultures.”

“I decided to create this brand so that women feel empowered and they feel beautiful.”

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Fashion designer

SS22 Arab Fashion Week parades end with sold out for final show

The last night of fall-winter 2022 Arab Fashion Week the shows brought a packed hall. In Dubai’s Design District (d3), four brands presented their collections: Zeena Zaki, Michael Leyva, RC Caylan and Michael Cinco brought a standing room and a full show.

Returning to physical shows after the pandemic, which has put a lot of real-life shows on hiatus over the past two years, the Arab Fashion Council and their strategic partner d3 have made Covid a safe week. Jacob Abrian, CEO of Arab Fashion Council and Mohammed Aqra, Chief Strategy Officer set the stage for a busy week of international and regional talent showcasing their talent, as well as breakout sessions of their Board discussions at a roundtable that was held earlier in the evening. Backstage buzzed with makeup artists, hairdressers and hairdressers Fadi Nasr, known for styling the Miss Lebanon pageant, has created all of the models’ looks over the past four days.

Zeena Zaki

Zaki was unable to attend but her show began with a video chat from Costa Rica, inviting viewers to enjoy her new collection. Filled with stylish evening wear with long and short looks, this is a practical yet very stylish collection. Lots of silver and black sequins that will catch the attention of Arab women. But other pieces will suit the Western market, such as black evening dresses with spaghetti straps, off the shoulders, leather looks and jumpsuits. It’s a fun collection for women of all cultures.

Starting her career as a fashion designer creating for friends and family, Zaki launched his eponymous label in 2003 in the United Arab Emirates. Dreamy, she makes herself and also parades at Paris Fashion Week. Her strength is her ability to know what women want, highlighting in her designs areas that women may want to show more or less.

Michael leyva

Filipino designer Michael leyva was not supposed to be a fashion designer. He had positioned himself to enter the tourism industry but his creativity took root. Tonight he presented a couture collection filled with pearls and volumes. Bright yellows and deep pinks, in various shades of greens, blacks, reds, as well as men’s looks fill the collection. Off the shoulders, high slits, long bell-sleeve coats accompany dresses, and deep V-neck dresses offer drama and sophistication. For men, everyday athletic looks, shorts paired with a button-down shirt and a sweater in olive green, yellow, turquoise and red suits, make for fun looks with masculine cuts and cuts.

RC Caylan

Creation of a collection of subtle Asian touches from floral patterns and cuts on the dresses. With a color palette ranging from orange, green, turquoise, black, blue, pink and velvet green, this is a collection of intricate details and cuts. The designer created knee-length jumpsuits, as well as dresses with flowing trains.

While RC Caylan is a designer that is both traditional and contemporary, he ensures that his creations are unique and sophisticated. His grandmother, seamstress of the school uniform was his first inspiration. And today, the Michigan-based designer creates dresses, bridal gowns and suits for men with couture details.

Michael cinco

Michael cinco, another Filipino but Dubai-based designer brought a full house as he closed Arab Fashion Week. With a line that encircles the fashion building connoisseurs queuing to get in, every seat was full, as was the balcony. By changing the flooring, Cinco and his team installed a custom printed flooring. A total couture collection, Cinco wowed the room with its bewitching looks. A collection of details, colors and tailoring craftsmanship, each piece has been crafted with high quality and standards of design and production. Dresses with flaming shoulders but adorned with feathers at the bottom, as well as shimmering gold, green and cream dresses filled the collection. Cinco created bespoke glittery suits for men with detailed beaded blazers.

But what has delighted the hearts of the public is the inclusiveness of the models chosen by Cinco. A mannequin with a prosthetic leg stepped out in a black dress, short in the front with a long train. Immediately, the audience cheered as she walked down the track. A second model came out with a prosthetic arm. And a curvy model walked past to applause, because that was Cinco’s way of saying beauty comes in all shapes, shapes, sizes, and if you’re missing any part of your body, you’re everything. as important as anyone else. For the final, Cinco made a spectacular entry on the runway, walking to the end with models behind him.

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French fashion

Fashion designer Anjali waves the flag of Tanzania in France

By Lilian Ndilwa

Tanzanian fashion designers all go bold, mixing the colors on the fabrics to form bold and vibrant patterns, you get a stunning African print.

They push the limits with a simple “Kitenge” leaving masterpieces behind. Anjali Borkhataria, is a fashion designer who waved the Tanzanian flag on French soil during the Paris fashion show which kicked off on September 17th. There, she presented her new collection nicknamed “Made of Earth, made in Africa” ​​through her clothing line, namely EK-AN-TIK.

Speaking to The Beat, Anjali clarified that it was thanks to a pan-African fashion brand named Asantii, that she was shortlisted along with five other designers from different regions of Africa, including Nigeria, South Africa, Côte d’Ivoire and Angola to exhibit their works of art at an event called Africa Fashion Up, organized by the Share Africa platform in partnership with Balenciaga.

“It was such an important step in my career. Being part of this incredible event, I felt proud of the road traveled, to have been able to fly the Tanzanian flag in front of other fashion gurus in the world and above all to show what Africa has to offer in Paris to such an important moment. event on the world fashion calendar, ”explains Anjali.

She further reveals that “I felt thrilled because this opportunity made me envision the next chapter of the design world in Tanzania. I was really nervous at the start of the show because there were a lot of buyers, publishers as well as people from Balenciaga, Kenzo and other fashion designers present at the show. It’s quite scary when you know that these people who know their “thing” keep a close eye on your collection. “

At the start of the fashion show Anjali adjusted to the feeling that the runway was her haven and creative domain to show what her brand had in store, the nervousness slowly fading away.


“My collection consisted of 14 looks that all reflected the title ‘Made of Earth, Made in Africa’, which is about finding new meaning in ancient wisdom in the wake of an uncertain world. My collection is a way to understand how to make sense of the world divided into small units. Made of Earth explores the resurgence of localism in a globalized world and the value of looking to the past to inform the future, ”said Anjali.

Anjali’s collection was inspired by the color palette which she says represents both Earth and Africa in terms of different elements including soil, mud, water, greenery, sun , mountains, etc. elements.

With each look showcased at the event, Anjali wanted each of them to have different statements related to fashion, land and Africa.

“I’ve learned that as a fashion designer you automatically depend on lots of people to make things happen. This means that you need to build a team of people to do things right in accordance with their responsibilities. In the world of design, every day is a challenge and a lesson at the same time, especially in a market like Dar es Salaam, you have to have a good team that will contribute to the company and not the other way around, ”he notes. she.

For her, fashion design is more than visually appealing sketches that result in clothes. It is about exploring the other facets of the company, for a fully commercial conduct.

“You have to be savvy and not just think that fashion is all about design, because to be successful in this field you also need to know the fields of work such as money, public relations, management, production and real estate, study them and ask people for advice to better understand, ”explains Anjali.

The fashion designer advises aspiring designers to work hard on their visions despite the challenges they face. She says it takes dedication, support, focus and self-esteem to be successful in the fashion industry.

“Designers must understand the essence of time, it passes very quickly. That’s why they need to make a commitment to improve on a daily basis, as it gets them to focus on their business as it flourishes. They must prepare for their moment, because it is coming, ”suggests Anjali. She started her design journey in 2016 and took a big step forward by creating her own fashion brand, “EKANTIK”, while studying at Cape Town College of Fashion Design in South Africa, where she obtained a bachelor’s degree. in fashion design in 2018.

Over the years, “EKANTIK”, which means “one”, has grown significantly and Anjali remains one of the people holding the key to unlocking the fashion industry. Her brand is famous for creating workwear, rare but aesthetic oversized collections for people working in fields such as plumbing, electrical and business, as it is guided by an approach that these collections are tributes to people in these areas.

“My fashion brand doesn’t have specific muses as it is inclusive and for everyone we focus more on creating designs for everyone and catching different looks at the same time, EKANTIK is more focused about creating statement designs for women and men at the workplace, ”says Anjali.

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Fashion style

How did Balenciaga become so popular among fashion enthusiasts?

Balenciaga climbs to the top.

After reigning supreme for months, the Gucci house has been relegated to second place among the most popular fashion brands, overthrown by Balenciaga. A return to haute couture and a multitude of daring – and avant-garde – collaborations paved the way for this luxury brand to (re) conquer the hearts of fashion fans, notably driven by the notoriously hard-to-satisfy Gen Z.

Balenciaga seems to attract as much fascination as it does criticism, in large part thanks to a marketing strategy that can only be described as daring, if not totally crazy. Still, the fashion house is said to be the talk of the world to the point of becoming the most popular brand in the latest Lyst * report on trends and flagship brands for Q3 2021. The brand, led by Georgian Designer and founder of Vetements Demna Gvasalia has climbed five places in a few months to challenge Gucci, another particularly popular brand of Generation Z, which had until then been the undisputed leader of the ranking.

Fortnite, Simpsons, Kanye West

Although Balenciaga has always been a popular brand, its popularity continues to grow day by day. This rise was undoubtedly stimulated by the brand’s great comeback in haute couture last July – after about half a century of absence – and has grown steadily since the fall, with projects all more daring than the others. At the end of September, the fashion house unleashed social networks by announcing a collaboration with “Fortnite”, one of the most popular video games in the world, offering players the possibility of obtaining virtual Balenciaga fashion outfits and accessories, and, by extension, confirming the growing interest of luxury houses in Generation Z.

A few days later, the French fashion house struck again. During the presentation of its spring-summer 2022 collection at Paris Fashion Week, the brand released an unprecedented episode of “The Simpsons”, making Marge, Homer, Bart, Lisa and the rest of the gang the ambassadors of its last. looks. It was the world of luxury making a foray into pop culture – or vice versa – and an initiative that landed with full impact. And this mix of genres and cultures is an integral part of Balenciaga’s winning strategy. Indeed, the brand has understood that Generation Z, the new privileged target of luxury houses, does not want lockers or stereotypes.

As if to seal his success, it now seems a plethora of celebrities swear by Balenciaga – or almost. From Kim Kardashian to Rihanna to Kanye West – or Ye by her new name – the fashion house can count on a five-star cast to showcase its outfits. The brand’s success at the last MET Gala shows that Balenciaga is everywhere on the red carpet. Not to mention Balenciaga’s collaboration with the same Kanye “Ye” West when “Donda” came out. These bets may seem crazy at first glance, but they are winning on all fronts, as the luxury house has clearly never been so popular.

An ode to color and sportswear

According to The Lyst Index, Gucci is now the second most popular brand, ahead of Dior, Prada, Louis Vuitton, Nike, Bottega Veneta, Versace, Fendi and Saint Laurent. Dolce & Gabbana returns to the Top 20, closing the ranking.

Fendi x Versace (Photo <a class=credit: Pier Nicola Bruno)” width=”1024″ height=”536″ srcset=”×536.jpeg 1024w,×422.jpeg 806w,×402.jpeg 768w,×803.jpeg 1536w,×837.jpeg 1600w,×261.jpeg 500w,×418.jpeg 800w,×523.jpeg 1000w, 1610w” sizes=”(max-width: 1024px) 100vw, 1024px”/>
Fendi x Versace (Photo credit: Pier Nicola Bruno)

From July to September – a period marked by a return to a relatively normal life in many countries – trends were dominated by colorful pieces, sportswear-inspired clothing and a strong interest in accessories of all kinds. Prada’s raffia tote bag topped the list of most popular women’s items, followed by Versace’s Medusa Aevitas platform shoes in hot pink and terrycloth slides from Bottega Veneta. On the men’s side, the Adidas Yeezy sneakers remain uncontested at the top of the rankings, and more specifically the Yeezy Foam Runner, with searches up 411%.

* Lyst analyzed the online behavior of its 150 million consumers who search, browse and buy fashion items from 17,000 brands and online stores. The Lyst Index methodology takes into account consumer behavior on the platform, including conversion and sale rates. The study also takes into account Google searches, social media mentions and global engagement statistics over a three-month period.


Images of heroes and stars of Balenciaga. The story is published via AFP Relaxnews

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French fashion

Television was a foreign world for Golshifteh Farahani. Then came “Invasion”.

Golshifteh Farahani didn’t fully realize what she was getting herself into when she signed up for new sci-fi series “Invasion,” debuts Friday on Apple TV +.

“I had absolutely no idea, I didn’t even know what the story would be,” she said on a recent video call. “I didn’t know about aliens. I didn’t know anything about nothing.

Grilling producer and screenwriter Simon Kinberg, who created the show with David Weil, didn’t fully reassure Farahani, 38, an Iranian-born actress who moved to France in 2008 and is best known for her subtly expressive performances in dozens of international films.

“I remember hearing from Simon that she was going to kill an alien with a machete or something,” Farahani said of her character, Aneesha. “I was like, ‘Are you kidding? “”

Farahani is not new to acting, having starred in Ridley Scott’s “Body of Lies” and Chris Hemsworth’s Vehicle. “Extraction.” But she built her global reputation on more author-type dishes, including films by Iranian master Asghar Farhadi (“About Elly”) and Jim Jarmusch (“Paterson”, in which she played the cheerfully eccentric wife of Adam Driver).

“I love his presence,” Jarmusch said over the phone. “I love his mischievous eyes, his playfulness. She has a very positive spirit as a person.

Farahani is not yet a household name in the United States, but her presence extends far beyond her very independent resume suggests. She’s the kind of global style icon who sits at the forefront of Paris Fashion Week and a model for Cartier jewelry. she amassed nearly 12 million followers on Instagram. One thing Farahani hadn’t done, however, was a TV show (in addition to a voiceover role).

“I was one of those dinosaurs so loyal to movies and movies,” she said. “I never took any proposition seriously because it was kind of like I wanted to keep the cinema alive.”

And so she signed on, and she learned on the job.

For Kinberg, who launched it first – even before “Jurassic Park” veteran Sam Neill – Farahani sets the tone for the series, which is inspired by “War of the Worlds” and is set in multiple countries.

It’s a spectacle of alien invasion, but it’s really about the nuance, the vulnerability and the humanity of the characters, “he said over the phone.” And it’s something that she knows how to play, no matter where she plays it. play.”

Farahani, who is refreshing and forthright in conversation, spoke earlier this month from Spain, where she was on vacation with her parents (whom she had just arrived from Iran). After this break, she planned to return to the balance between art and bullets, by making an Arnaud Desplechin film with Marion Cotillard followed by a sequel to “Extraction”. These are edited excerpts from the conversation.

At first, Aneesha’s story almost feels like a standalone, intimate drama nestled within a big action movie. Is that how you approached him?

I was really proud of the way they internalize Aneesha’s story. I have a weakness when it comes to independent cinema: whenever there is a little drama, I am really drawn to it. And our story was kind of like that. I’m really proud of this project because it’s not just a blockbuster – something more is happening. It was the most amazing experience of my whole life, this series.

One of the very first things we see is Aneesha finds out that her husband is cheating on her, and these scenes are mostly non-verbal – we read everything on your face. What was it like playing them?

I am surrounded by women like Aneesha who – out of comfort, not out of necessity – have chosen to be a housewife, mother. I had observed, so I knew it very well: how you want to please, how you want children to be amazing. And then of course everything ends up being [expletive] at the end of the day. So I could feel it in my bones.

Funny, there’s only one type of woman I’m jealous of: those who just found a husband and overnight they have it all. Sometimes I would like a man to buy me a house and a car. I built my life from scratch so I’m jealous of it. And of course my friends say, “Oh, you can’t be that. But I was 14 years old, I was working like crazy.

Did the switch to television cause any particular difficulties?

They were so many things. I thought, “Apple is going to own me for the next few years God knows how much.” It was also practical stuff, like the fact that we didn’t have all the scripts – we only started with the first two, and we didn’t have the rest of the episodes. I couldn’t imagine how they could start a project without having the full script. They must have really calmed me down because I was like, “This is kinda crazy what you’re asking me to do.”

Did they at least tell you what would happen to Aneesha during the series?

I have absolutely no idea. I just got a few clues that this character – and they kind of called him the heart of the show – is the one that does crazy stuff. Only in America do they keep you in the dark for, like, forever. I had to beg.

Two weeks before the shoot, I was like, ‘Guys, can I at least know what the story will be? I started stealing scripts from the hair and makeup department because they had them and I didn’t. They told me the scripts were going to change, and I would say, “It’s okay, I just want to know where this character is going to go.”

What was it like working with different writers and directors, which is one of the big differences between television and film?

I learned to be loyal to my directors, so changing directors for me was like changing husbands. It was really like you were married to someone and then they told you to go to bed with another man and you were like, “I’m a little uncomfortable doing this.

You have almost 12 million followers on Instagram. How do you deal with this part of your life?

To be honest, I have no idea. I joined Instagram very late considering, and it took me a while to feel it because I do everything in a very intuitive way. I think the truth and being truthful is the key.

My Instagram is a very delicate thing because I have many Persian followers and many international followers. With the exiles, it is as if we were in limbo: I am not from France, but I have been outside Iran for more than 13 years now. So you have to create your own continent, and you have your own rules, and you become your own one way or another. In my career, I didn’t just do blockbusters or independent cinema, I always surfed between worlds and I didn’t stick to one genre.

Except for full-fledged comedies, which you haven’t really done outside of French film “Noël & Cie.”

I’m very funny! [Laughs.] As much as I have tragedy and drama in me, so much I have a clown. I’ve done movies where I’m in funny situations, but I’d like to do something where I’m really funny, because I am. The first person who told me that was Ridley Scott, when I was doing “Body of Lies”. He said, “The peak of your qualities that you can do as an actor is comedy.” So yes, I hope that will happen someday.

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Fashion designer

Paris Fashion Week: Acne Studios and the debate on deconstructed fashion

It’s no surprise that high fashion label Acne Studios has made a comeback on the fashion scene.

The Swedish brand returned to Paris Fashion Week last week to host its first fashion show since the start of the COVID-19 pandemic. Acne Studios has launched a fall collection, filled with sheer fabrics, deconstructed silhouettes and vibrant colors.

Acne Studios founder and designer Johnny Johansson has decided to take a fresh approach with his looks this season. Johansson brought square leather jackets, lace-up socks and wooden platform shoes to the track. The designer also went for hues of orange, cerulean blue, pastel yellow and even bright spring green.

The collection had elements of deconstruction, as threads were deliberately hung from the sleeves of the models.

Plain mode writer Rachel Douglass spoke about the historical references within the collection. “Corsets played a huge role in the collection, some designed with Baroque floral designs, reminiscent of medieval-style clothing but with futuristic twists,” Douglass wrote.

This season, the introduction of these futuristic pieces gives way to the deconstructionist movement. To fall under the category of “deconstruction”, clothes must look unfinished or in the process of being finished. They can also be taken apart and put together to form something new through techniques such as mixing fabrics or cutting out already finished silhouettes. There may also be exposed seams, hanging threads, or even holes.

According to Yugen, The origin of deconstructed fashion comes from three designers from the “royal family without a crown of destruction”: Yohji Yamamoto, Rei Kawakubo and Martin Margiela.

During the 1980s, the fashion scene was overrun with designs considered refined and fitted. Yamamoto and Kawakubo sent frayed edges, tears, and layered fabrics to the catwalk, as well as loose, shapeless silhouettes.

These designs inspired designers like Margiela and Vivienne Westwood to create their own versions of deconstructed fashion, as Westwood would include rips and rips in its punk-inspired collections.

The term “deconstructionism” was coined by the French philosopher Jacques Derrida in the 1960s. From the fashion blog Make the unfinished, the term is “normally applied to text, but also describes breaking normal conventions and boundaries.” The term could not only be displayed through fashion, but also through architecture and music.

Even though deconstructionist clothing is made by elite fashion houses, the aesthetic has caught both fans and critics of the movement. The idea of ​​”looking poor” but selling the pieces for a high price made people not like the way the clothes were marketed.

In the 80s, The Washington Post recounted how Bloomingdale’s flaunted a “willow model in a dull colored, ragged and ragged dress”. A small demonstration of homeless people and their advocates formed outside the store. Their position accused the company of making fun of the poor just so the rich could dress like them.

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In 2015, Kanye West’s Yeezy line received the same reviews the distressed rapper-designer was selling sweaters for over $ 1,000.

Yet today there are more fans and critics via Twitter. Among those who support the movement, a Twitter user @samaradanielleb said: “The new deconstructed fashion is exactly what we needed. We are finally entering more futuristic designs.

On the contrary, the user @ sabrinaydm98 said: “Anti-fashion / deconstructed fashion can become a bunch of overpriced rags that are NOT worth the price.”

Ultimately, the era of deconstructed fashion is still here. From the 80s to the present day, we will see other collections highlighting the art of tearing and reassembling textiles.

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Fashion designer

Cardi B escapes penalties in $ 5million lawsuit after being accused of misleading justice

Cardi B will not suffer any consequences after claiming that she was unable to travel to California for a trial, only to end up in Paris a few days later.

According to court documents obtained by Radar, a federal court judge dismissed a request demanding that Cardi be fined $ 8,310.

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Source: Mega

As we previously reported, Cardi is being chased by a man named Kevin Brophy Jr. He asks for $ 5 million to have his photo used on his mixtape Gangsta Bi-ch Music Vol. 1 without authorization.

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The cover features Cardi sitting in the back seat of a limousine with his legs spread. Heavily tattooed man is seen from behind giving a blowjob on the Bodak Yellow rapper.

Brophy claims that the use of her photo caused her emotional distress and caused her problems with her family. Cardi says the costume is nothing more than a shakedown and denies causing any harm to the man.

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The judge allowed the case to move forward despite Cardi’s demands that it be dismissed. The rapper recently asked for a trial date from October until next year. She said her doctor advised her against traveling from New York to California because she had just given birth to her son.

cardi b escapes sanctions million lawsuits mixtape paris fashion week

Source: Mega

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The judge was convinced by Cardi’s doctor’s note and postponed the trial until February. Brophy was furious and wanted it to start before 2022 but dropped the case.

That was until he saw Cardi partying in France for Paris Fashion Week. He accused her of lying in court about not being able to travel. He said: “There is no reasonable explanation for ‘Cardi’ to suggest that she couldn’t and didn’t want to leave New York because she needed to be with her children and he didn’t want to leave New York. was not sure to be in public places, only for her to appear two weeks later in Paris.

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Brophy asked that the trial be postponed from February 2022 to December 2021. He also wanted the $ 8,000 in penalties.

Cardi denied cheating on the court that the Paris Fashion Week opportunity arose after the judge pushed back the trial date.

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cardi b escapes sanctions million lawsuits mixtape paris fashion week

Source: Mega

She said famous fashion designer Mugler approached her with a concert and she couldn’t refuse it. “The opportunity to participate in an internationally renowned, widely publicized and prestigious event on behalf of one of the world’s greatest fashion designers was just too important, from a career standpoint, and too lucrative. , to be ignored, “wrote his lawyer. .

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Now the judge has ruled and sided with Cardi on the matter. He dismissed the petition for penalties saying the evidence showed the rapper had not misled the court.

Additionally, the judge said she explained why traveling to Paris Fashion Week was different from traveling to trial. The order stated that Cardi was able to “leave her newborn baby in New York in the case of her mother and a nanny for the short trip to Paris, she was not able to make such arrangements. for the long journey necessary to prepare for and attend the trial in this case. ”

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The parties will face off in February.

cardi b escapes sanctions million lawsuits mixtape paris fashion week

Source: Mega

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Fashion style

Fall / winter 2021 fashion revives old trends, looks to the future

As October approaches, fashion houses are starting to release their most influential fashion shows of the year for the spring / summer lines, giving us a glimpse of the next trend cycle. It starts with the September issue of Vogue, the most influential issue of the year, and extends to New York Fashion Week and beyond.

While fashion houses are the technical creators of the trends by launching their own versions of what should be popular for the upcoming cycle, it’s the people who put them together. Fashion week is a great time to get a glimpse of new designs as well as to get inspiration from fashion enthusiasts. These are a few trends we’ve noticed for fall / winter 2021 on and off piste, in no particular order.


The fashionable waistcoat and diamond test last spring paid off. As we continue into the cooler seasons, the old college look is a must-have. Stemming from 1930s youth fashion, it was inspired by a unisex look of Oxford shirts, moccasins and pants. Since then, the preppy look has taken off to give off an old-fashioned Americana flair, including athletic wear, tailored silhouettes, neutral prints and conservative silhouettes.

The rise of the preppy look can be strongly attributed to this summer’s theme of the chalet core. In the nightmarish era of the pandemic, a rise in fairytale escape came at an easier and less stressful time, like in a childhood novel. Perhaps academia is its fall / winter counterpart of the personification of a storybook-like life.

To discover: moccasins, tennis skirts, pants, blazers, buttons, trench coats, cardigans, neutral prints, matching sets, rugby shirts or looks inspired by Gossip Girl. See examples of streetwear from Milan Fashion Week and the Alo Yoga brand.


With the rise of loungewear replacing casual workwear, people are tired of parading in the same stained sweatpants. The ballet / ballerina style is a new take on athleisure, adding a delicate and neat look while maintaining comfort. We can see his inspiration mainly in sportswear but also in casual streetwear with the integration of cardigans and flowing skirts.

Look for: ballet skirts, cardigans / shrugs, flats, wrap tops, and unitards. See examples here.

Experimental alternative

Each decade has its own style that plays on the divergence from the mainstream. The current alternative style has gained popularity during the pandemic. It takes on aspects of asymmetry, deconstruction, negative space and ‘do it yourself’ attitude, reflecting the unconventional character of a home lifestyle combined with the creativity of experimenting for the sake of it. first time.

This style also carries an Asian influence from Korean and Chinese fashion. East Asian technology has transformed rapidly over the past decade and this futuristic outlook is also reflected in clothing and style. This background, coupled with rapid trend cycles, created the style.

Watch out for subversive basics, asymmetry, mesh, platforms, cutouts, DIY style and restyling. See examples of streetwear Hyein Seo, Dion Lee and Paris Fashion Week.

Renaissance of the 60s and 80s

Once again, we are back to even decades. Fashion has been said to follow a 20 year rule of going from trendy, cheesy, horrible, nostalgic, back to trend. So let’s go back to the trend of the 60s and 80s, here we go. During this season we have seen many prints of waves, checkerboards, space dyes and flowers. This, paired with more vintage cuts like mid-thigh shorts, biker shorts, and A-line dresses, apply modern takes to ’80s trends and shapes.

To discover: kitsch jewelry, vests, checked shorts, skirts, tights, leather, space knits, Jean Paul Gaultier, psychedelic prints and Pucci. Check out examples from the Lisa Says Gah boutique, the Dior 2022 Paris show and looks from the Chanel Spring / Summer 2022 show.

Technical clothing

This year’s menswear has found the middle ground between utilitarian and futuristic aesthetics. Arc’teryx is the brand illustrating the technical clothing of the moment, offering clean and uncluttered jackets with a completely waterproof fabric.

Small emerging brands, such as Acronym, are also gaining attention because of their emphasis on the care and quality of their products. However, it would be impossible to name a men’s fashion trend without mentioning Nike or Yeezy. Sneaker trends evolved into a more blunt form, with a bounce from New Balance. This shape is inspired by hiking shoes. Yeezy also created more experimental forms with futuristic and tech-inspired aspects.

Look for: utility-inspired clothing, workwear, black, futurism, and tech-influenced fashion. Check out examples of Travis Scott’s Nike Air Max 1, the Palace x Arc’teryx collection, the Y-3 x adidas Terrex collection, and men’s streetwear from the New York Fashion Weeks of recent years.

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Fashion designer

Olivier Rousteing reveals he survived the frightening explosion of a chimney

Beloved designer Olivier Rousteing, the creative director of fashion label Balmain, shared on Instagram on Saturday that a year ago he was injured after his fireplace exploded. (Disclaimer: This story includes an image that some may find graphic.)

“A YA YEAR”, the 36-year-old fashion designer started his legend Saturday October 8. “I finally feel ready to share this. I’ve been hiding it for too long and it’s about time you knew it. Exactly a year ago, the fireplace inside my house exploded. I woke up the next day. . morning at Saint Louis Hospital in Paris. The talented staff at this famous hospital, which were handling an incredible number of COVID cases at the same time, took care of me very well. “

“I cannot thank them enough,” he continued. “I did everything to hide this story from as many people as possible and try to keep it a secret with my teams and my friends for too long. To be honest, I’m not sure why I was so ashamed, maybe this obsession of the perfection that fashion is known for and my own insecurities… “

In the image he shared on Saturday, Rousteing can be seen in a full cast with severe burns covering his face.

“While I was recovering, I just worked day and night to forget and create all my collections, trying to make the world dream with my collections and at the same time hiding the scars with face masks, turtlenecks, long sleeves and even several rings on all my fingers through numerous interviews or photo shoots, ”he shared.

“And I really realized that the power of social media is to only reveal what you want to show! It kind of allows us to create our own special narrative that avoids what we don’t want to see or show: it’s is our new world. “

Friends and fans of the creator took to the comments section to applaud him for his bravery, being so open and honest about the terrible incident.

“I have a soft heart,” wrote Karen Elson. “Such courage and bravery in sharing your story. One thing I know to be true is that true beauty, the one that lights up a room, is always flawed and flawed in all good manners. soul that shines brighter than anything else. “

Christina Milian wrote: “Glad you made it safe. God bless you and 🙏🏽 for the courage to share this.”

“I’m so glad you’re safe,” commented fellow fashion designer Donatella Versace.

Cardi B added: “God bless you.”

In September, Rousteing made his first public appearance in nearly a year on stage at the Balmain Festival V02 women’s ready-to-wear spring / summer fashion show as part of Paris Fashion Week.

Designer Olivier Rousteing on September 29, 2021.Dominique Charriau / Getty Images

“Now a year later – cured, happy and healthy,” he continued in his caption on Saturday. “I realize how truly blessed I am and I thank GOD everyday of my life. My last show was about the celebration of healing from pain and I thank all the models the productions my team the models my family Balmain, my friends who came and supported not only my 10 years as Balmain but my rebirth. “

Rousteing ended his legend by thanking the first responders who helped him with his painful recovery and reminding his fans and followers to never give up.

“Today I feel so free, so good and so lucky,” he said. “I am entering a new chapter with a smile on my face and a heart full of gratitude. To the doctors and nurses of Saint Louis, and to all those who helped me during this long convalescence and kept my secret: a deep thank you. you I love you.

“GOD BLESS YOU ALL,” he wrote, adding, “and yet never give up! There is always the sun after the storm.”

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Fashion brand

A “reset”? Not at Paris Fashion Week

On the final evening of Paris Fashion Week, Louis Vuitton, the world’s largest luxury brand in terms of sales, invested a passage in the courtyard of the Louvre, where dozens of crystal chandeliers hung above of a double row of large glass mirrors at the Palace of Versailles.

The models stepped out to the sound of a turret clock, dressed in wide, bouncy satchel skirts and woolen silk-cuffed blazers, lace dresses layered over blue jeans, and sporty lace-up boots in fluorescent satin. These were complex and intriguing in their unusual proportions and flowing mesh of at least three centuries of dress styles. Designer Nicolas Ghesquière called it “the big ball of time “.

Then came another woman carrying a fabric banner that said “Overconsumption = Extinction”. She seemed to be a part of the show at first – until she stopped at the end of the track and was brutally abducted by security guards. This cast a chill over the rest of the event; the models did not make a second appearance for the finale, and when Ghesquière came to bow out, he was accompanied by a bodyguard.

Although a shame for the hundreds of people who had worked on the collection, for a climatic event, the timing and location was appropriate. There was something deeply unsettling about the return of these lavish displays of brand power during Fashion Weeks; of the sudden reappearance of designers, buyers and journalists (myself included) who, just over a year ago, called for a ‘reset’ of the fashion system – fewer catwalks, fewer creative exhaustion and a lower carbon footprint.

At Louis Vuitton, creative director Nicolas Ghesquière mixes past and present references. . . © Giovanni Giannoni

. . . like dresses adorned with velvet and lace combined with open-toe satin boots © Giovanni Giannoni

Bruno Sialelli from Lanvin presented playful dresses covered with a daisy print. . .

. . . alongside simpler and more sensual babydolls

Of course, commercially this makes sense. On the contrary, the last year and a half has proven just how well oiled the luxury machine is, especially among the industry mega brands. Despite the resurgence of Covid-19 in China, shares of LVMH, Kering and Hermès are trading at near historic levels. Shows are making a comeback as they boost sales and media attention.

Chanel Fashion President Bruno Pavlovsky saw it coming. In an interview during France’s first lockdown last year, he said he saw no reason for an overhaul of the fashion calendar; that six fashion shows a year worked well for Chanel before the pandemic and would continue to perform for the company after it.

Bar chart of 'soft luxury' * market share, Europe and UK only (%) showing major labels tightening their grip

“We have the strongest loyal local customer base we’ve ever had at Chanel,” he says now, speaking ahead of the brand’s Spring / Summer 2022 show. Although operating profits fell 41% between 2019 and 2020, Pavlovsky says travel restrictions have given the brand’s boutiques the opportunity to really listen to what local shoppers want – which, above all, is to “feel privileged”. Sales, which were already doing “very well” in China, the United States and in pockets like Dubai, are also picking up in Europe, where American tourists have started flocking to Chanel stores again this summer, he adds. .

This season, Creative Director Virginie Viard revisited Chanel’s heyday of the 1980s and 1990s, erecting a catwalk above the audience and surrounding them with old-fashioned photographers. The models were grinning and spinning like ’90s supers in simple black swimwear trimmed with sparkling white tweed skirts accented with chain sashes and flowing black chiffon dresses printed with butterfly wings.

It was elegant but not very exciting, devoid of the irony and wit that once animated the house’s iconic gold chains and tweed jackets under the late Karl Lagerfeld. Without them, these pieces are simply nostalgic.

At Chanel, Virginie Viard returned to the brand’s 80s collections with swimsuits and sports bras. . .

. . . alongside short pink dresses, multicolored jackets and denim suits

Hermès enlisted artist Flora Moscovici to create the atmospheric, orange-tinted backdrop for the show. . .

. . . for a collection of refined leather pieces in black, white, yellow and earth tones

It does not matter. Outside the pandemic period, Chanel’s ready-to-wear sales continued to climb under Viard. Chinese customers of the brand particularly appreciate its feminine approach, Pavlovsky says.

Same story at Hermès, where Nadège Vanhee-Cybulski showed the know-how of the house in a private jet terminal through smooth black leather suits and chiffon dresses delicately embellished with tiny glass beads, and small bags cylindrical with luxuriously thick silver handles. There is little need for Vanhee-Cybulski to push the limits on the podium; sales at Hermès have already exceeded pre-pandemic levels.

Givenchy designer Matthew Williams feels the need to push the boundaries – or at least define what the LVMH-owned house represents following the departure of Clare Waight Keller last year. For her first physical show, held in an arena northwest of Paris, a giant and expensive oculus was suspended from the ceiling, bathing in glowing white light the models dressed in the associated black neoprene riding vests. to stretch waders. , and the men in utility vests layered over narrow-cut pants.

There were a few decent looks here – cropped pantsuits and pictorial partings created in collaboration with Josh Smith in particular – but for the most part, this collection seemed to tread territory already occupied by other designers. Maybe that will develop when Williams starts experimenting with high fashion for her debut in January.

Givenchy’s creative director Matthew Williams mixed corsets and basques in tulle. . .

. . . with traditional couture fabrics and thigh-low clogs

At Miu Mui, Miuccia Prada revolutionized the preppy style by lowering the waist and showing off logo underwear. . . © Monique Feudi

. . . and cropping sweaters and shirts to reveal the models’ naked bellies © Monica Feudi

Miu Miu’s identity has at times been obscured by her sister brand Prada, but that is starting to change now that Raf Simons is co-designing Prada. “Before, I could have half of me in one place, half of me in the other,” Miuccia Prada told the FT earlier this year. “Now all of me is up to Miu Miu. This should be good for Miu Miu.

It was a very good collection, full of the beloved Miuccia signatures that recently disappeared from Prada: pleated schoolgirl skirts with chunky V-neck jumpers and neat straight jackets, sheer floral-appliquéd cocktail dresses. with gray ribbed socks and moccasins. These have been featured with bare bellies and the shortest skirts this season, but their deliberately awkward proportions have elevated them above conventional sensuality.

It was also reassuring to see such a wearable collection by Stella McCartney, whose curvy bodysuits, mushroom-print dresses, and lively, easy-going pantsuits were accompanied by little black bags made from mycelium, an alternative to cultured leather. laboratory. Although more expensive than her typical range, “it’s definitely cheaper than exotic skins,” she said. “And it doesn’t kill any animals, it’s not cutting down trees, it’s amazing technology that is truly the future of fashion.”

Stella McCartney has paired bodycon tops, cutouts and dresses with relaxed pants, knits and blazers. . .

. . . and launched the Frayme Mylo, a mushroom leather handbag

Models and guests paraded a Hollywood-style red carpet at Balenciaga. . .

. . . before entering a theater to enjoy the premiere of ‘The Simpsons I Balenciaga’

Not all shows marked a return to business as usual. A red carpet and a crowd of photographers greeted guests in front of the Théâtre du Châtelet, where Balenciaga gave his show. All the standard stuff, until the guests were seated inside, where the “show” turned out to be the red carpet itself, broadcast live on stage. Here, in relentless high definition, a mix of real celebrities – Cardi B, Elliot Page, Isabelle Huppert – took on camera-friendly poses alongside unwitting reporters, laughing and clapping inside the theater. Soon the looks of the collection began to appear, adjusted to the actors, the Balenciaga staff and various “friends” of the house.

It was a careful dismantling of the boundaries between performers and audiences that has also been expertly choreographed this season by Francesco Risso de Marni and Pierpaolo Piccioli from Valentino. The latter took his show to the streets, where students and audiences alike drank in the beautiful mix of jeweled and citrus-hued partings and silk shirts turned into dresses. Customers were free to stay and dine in restaurants afterward, thanks to Valentino. “Inclusiveness and humanity is what I want to offer today,” he said.

Valentino’s Pierpaolo Piccioli reinterpreted classic couture in extravagant volumes and acrylic colors. . .

. . . and paired feathered looks with practical combat boots

Paris Fashion Week ended with a tribute to AZ Factory’s Alber Elbaz, who died in April. The show featured pieces from various fashion houses, including Valentino. . © imaxtree

. . . as well as drawings by Elbaz himself © imaxtree

The sense of community was also palpable at the AZ Factory memorial show for the late Alber Elbaz, where 47 designers created looks for an audience including his partner, Alex Koo, and France’s first lady, Brigitte Macron.

Return to Balenciaga. Just as the show seemed to end, the lights dimmed and on screen appeared Homer Simpson, desperate to secure something – anything – from the tag as a birthday present for his suffering wife. for a long time, Marge. The ironic film culminated with a Balenciaga show in Paris, modeled by the people of Springfield. The company described it as “the latest in a progression of activations that push some established boundaries between fashion and other forms of entertainment, culture and technology, moving the brand away from an easily defined category.”

I’m not sure the experience pulled Balenciaga out of “easily definable” categories, but it was fun, clever, and surprising. Everything you hope a physical spectacle should be. Because right now they’re not going anywhere.

To follow @financialtimefashion on Instagram to first discover our latest stories

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Fashion style

These 5 African designers presented themselves and manifested themselves during Paris Fashion Week • EBONY

African designers Lukhanyo Mdingi, Jennifer Mulli from Jiamini, Margaux Wong, Mohamed Awale from Suave Kenya and Hamaji Sailing from Hamaji, presented their SS22 collections during Paris Fashion Week. Their contemporary art merged with artisanal and ancient techniques has redefined the term for “Made in Africa”. Ranging from jewelry, ready-to-wear and accessories, the creators of EFI are all beneficiaries of the prestigious EU-backed program. Each creative has spent up to 2 years mentored by the best leaders in the industry, including EFI Director and Founder Simone Cipriani, United Arrows Co-Founder Hirofumi Kurino and actress and humanitarian Dakore Egbuson-Akande, in preparation for this moment. Since the mentorship ended, brands have been the path to help make fashion sustainable.


Designer name: Hamaji veil

Based: Kilifi, Kenya

Category: Ready to wear

Collection inspiration: Inspired by the recent move of designer Louise Sommerlatte, the Hamaji Sailing Home collection embodies the contrasting spirits of land and sea, as well as the contours and colors of the ocean on the east coast of Kenya, where a small town called Kilifi is Hamaji’s new home.

Image: Courtesy of Hamaji
Image: Courtesy of Hamaji


Designer name: Jennifer mulli

Based: Nairobi, Kenya

Category: Accessories

Collection inspiration: Spine. The spine is the first structure that forms inside the uterus. Everything is anchored to this structure, a pillar in the center of the back. From this place which supports the body and protects the spinal cord, everything flows. Its rigor creates balance; its agility allows flexible movement. Mung’ung’uti is an exploration of the spine as a compelling organic form, foundational structure, and symbol: the backbone of life.

Image: Courtesy of Jiamini
Image: Courtesy of Jiamini

Margaux Wong

Designer name: Margaux Wong

Based: Bujumbura, Burundi

Category: Jewelry designer

Collection inspiration: The Daisy Capsule, inspired by one of nature’s happiest and hardiest flowers, features daisy-like and abstract petal-based designs in the brand’s signature horn and brass combination.

Image: Courtesy of Margaux Wong
Image: Courtesy of Margaux Wong

Lukhanyo Mdingi

Designer name: Lukhanyo Mdingi

Based: Cape Town, South Africa

See also

Category: Ready to wear

Collection inspiration: The spirit of collaboration has always been at the forefront of the Lukhanyo Mdingi label. This season, we continue with that in mind; our new BRIDGES collection becomes a sublime celebration of the key networks and people behind the craft.

Image: Courtesy of Lukhanyo Mdingi
Image: Courtesy of Lukhanyo Mdingi

Suave Kenya

Designer name: Mohamed awale

Based: Nairobi, Kenya

Category: Accessories

Collection inspiration: Work from anywhere

Image: Courtesy of Suave Kenya
Image: Courtesy of Suave Kenya

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French fashion

Climate activist storms the catwalk at Paris Fashion Week

Climate activists from Extinction Rebellion stormed the catwalk at the Louis Vuitton show at Paris Fashion Week on Tuesday to condemn the industry’s damage to the environment.

“Overconsumption = extinction” read a banner carried by a protester of the activist group for climate change.

She climbed the catwalk in the Louvre Art Gallery as models showed off the latest styles. She was then taken away by security agents, AFP reported.

Extinction Rebellion, Friends of the Earth and Youth For Climate said around 30 people were involved in planning the protest, two of whom were arrested.

They called on the government to impose “an immediate drop in production levels in the sector, given that 42 garments were sold per person in France in 2019”.

In the front row, the stars of French cinema Catherine Deneuve and Isabelle Huppert hardly budged, while some members of the Arnault family, sitting next to the CEO and president of LVMH, Bernard Arnault, took a look at each other. .

The disturbance hardly interrupted the flow of models, who raced down the runway in a corridor of the Louvre to dramatic organ music punctuated by the sounds of bells.

The show had a punk flavor, with sleeves ripped from costume jackets leaving the arms bare, and accessories such as studded boots and chainmail headdresses.

Friends of the Earth France have declared that they have chosen the LVMH label to shine the spotlight on the issue of overconsumption.

“LVMH is the world leader in luxury and has a responsibility for the trends that push the textile industry to constantly renew collections faster and produce more,” spokeswoman Alma Dufour told Reuters.

Updated: October 7, 2021, 12:18 a.m.

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Fashion designer

Michael Cinco lights up the catwalk at Paris Fashion Week

PARIS – Dubai-based Filipino designer Michael Cinco presented a refined, elegant, crystal-encrusted collection at the American Cathedral during Paris Fashion Week.

This is the second time that Cinco presents its haute couture collection at the prestigious Parisian event, after being presented at the Haute Couture “Couturissimo” fashion show in 2016.

Besides Cinco, the majestic American Cathedral has also hosted other international brands such as Tiffany Brown, Ltd., Mimiela, Megmanski, Never Give Up Clothing Line, Therese Marie Collections, Tracy Toulouse, Atelier Bea Rodriguez, CHantwa, A. Renee Fashion, Caroline Couture, Troy Anthony, Yasemin Ozer, Michael Lombard, FFF Afffair and MM Milano.

Sparkling, colorful, intricate and richly adorned with luxe Swarovski crystals and French glitter, Cinco’s collection that served as the show‘s grand finale wowed audiences, leaving international designers and models in awe.

New York fashion designer Troy Anthony said he would jump at the chance to collaborate and share the catwalk with Cinco. “Very beautiful in the sense that the collection complimented the cathedral. The models were like angels descending from the altar to the aisle. Rich in color and very elaborate, ”he said.

The models were proud to have worn Cinco’s designs. “Oh my God, that was amazing. It’s beautiful, I feel like a fucking princess. I love her!” Los Angeles-based model Valerie Ehimhen got excited.

Cinco’s spring / summer collection is his response to the COVID-19 pandemic which he described as inspired by Chrysalis. “For me, it’s a new beginning. Most of the collection is inspired by butterflies – how a caterpillar turned into a beautiful butterfly. We are now in a new beginning in this world and we are “out there” again. I’m so happy, inspired again and artistic again, ”Cinco said.

Despite the challenges of the COVID-9 pandemic, Cinco continued to design and create. Now that Dubai has reopened for events and shows, Cinco is ready to respond to its customers and return to the global stage.

A dynamic collaboration of talents

Another Filipina, based in Milan, Chona Bacaoco, who is also the chief designer and founder of MM Milano, an emerging sustainable brand from Milan, Italy and Frankfurt, Germany, was also present at Paris Fashion Week.

Bacaoco has partnered with Cinco to organize back-to-back Paris Fashion Week shows.

While Cinco’s collection featured a magical stream of haute couture dresses and menswear encrusted with crystals, sequins and pearls, MM Milano showcased an equally stunning collection of glamorous designs in galactic hues and patterns.

Pluto, the new fashion line from MM Milano designed by 14-year-old Pluto Ernsberger, takes pride in its futuristic design. MM Milano fosters a sense of community among creatives and talents celebrating inclusiveness by using innovative sustainable materials – the MM Milano brand.

Bacaoco’s existing brand visions offer new perspectives and inspiration to the young designer and model. “She (Chona) helps us find each other. It helps us find what’s good about us, ”said Ernsberger.

Mentored by Cinco himself, Bacaoco is very grateful to have pulled off the show. “Michael is a good friend of mine. We have planned this collaboration, first of course in Milan which took place at the beginning of the year but without Michael. So when the restrictions were lifted and the borders opened, I said, let’s go to Paris, Michael. So here we are, ”Bacaoco said.

Cinco and Bacaoco both grew up in the Visayas. Ahead of Paris Fashion Week, MM Milano supplied models for Cinco’s Kid and Teen collection in 2019 and early this year.

“I have known Chona for a long time. I am very happy that she invited me to be part of this fashion show. I love her so much. She has so much energy that’s something I appreciate about her, ”Cinco said.

Although new to the fashion industry having launched her modeling agency in 2016, Bacaoco started designing very early on. Raised by a mother seamstress, Bacaoco had her first creation at 10 years old. She had previously organized international parades in New York and across Europe.

Andreas Volkmar, German business partner of Bacaoco, is amazed by his energy. “She’s explosive! She is so amazing. I learned a lot from her, ”Volkmar said.

Meanwhile, Paris-based hairstylist and makeup artist Suzette Riego is proud to have worked for both Cinco and MM Milano.

“The experience has been incredible. feeling. Being Pinoy, nakaka-proud kasi Michael Cinco ‘yan eh. Masaya. In saka hindi matutumbasan ‘yung nakapagtrabaho ka ulit after the pandemic and with them who are internationally renowned Pinoy designers, ”said Riego.

Michael Cinco Dubai and MM Milano are set to team up again for shows during Milan Fashion Week 2022 and Arab Fashion Week.

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French fashion

Alber Elbaz: a moving tribute to fashion

In the fashion world where aerial kisses often don’t make sense, the design community gathered on Tuesday and paid tribute to Alber Elbaz, who died of COVID-19 in April at the age of 59. With contributions from Giorgio Armani, Ralph Lauren, Burberry and Christian Dior, the latest Paris Fashion Week show was an extended French kiss for the designer who single-handedly relaunched the Lanvin house.

Elbaz’s peers and admirers have created moving pieces through the filter of the instantly recognizable designer, with his shrunken costumes, stout figure and bow ties. Unlike this year’s Met Gala, where the theme In America: a fashion lexicon produced disparate results, such as Kim Kardashian wearing a black hood and pop singer Kim Petras in a horse’s head, is what is described among the locals in the front row as a “moment.”

Fashion’s moving tribute to Alber Elbaz. Anthony Vaccarello for Saint Laurent, Viktor & Rolf and Stella McCartney sent designs inspired by the man who brought Lanvin to life.Credit:Getty

Fresh off her success at Balenciaga’s breakthrough show featuring The simpsons, Demna Gvasalia created a voluminous dress in Elbaz’s favorite pink with iconic bows while Stella McCartney’s metallic gold pleated dress resurrected the glamorous Lanvin brand that dominated the 2000s.

Ralph Lauren and Anthony Vaccarello at Saint Laurent (where Elbaz had succeeded the founder of the house in 1998, before being replaced by Tom Ford in 2000 and moving to Lanvin in 2001) sent models in updated versions of his parade uniform.

Viktor & Rolf and Jean Paul Gaultier riffed on red hearts, another familiar Elbaz motif born in Morocco and raised in Israel, against a dark background.

Alber Elbaz bowed out in 2007 when he was the Creative Director of Lanvin.

Alber Elbaz bowed out in 2007 when he was the Creative Director of Lanvin. Credit:PA

The dramatic show, called Love brings love, borrowed its structure from a 1945 Parisian exhibition, Théâtre de la Mode, where 60 designers celebrated the end of World War II but was purely Elbaz. At first, guests including Naomi Campbell and Vivienne Westwood took to the podium, enjoying snacks and drinks, a welcoming tradition introduced by Elbaz during his Lanvin tenure. I would have liked to keep a cookie in a cartoon figure of the creator of a Lanvin show, but like everyone in fashion, I was hungry.

In an interview with the American Vogue, designer Gabriella Hearst who participated in the tribute as Chloe’s artistic director, recalled: “It was modern in his attitude to understand that the most old-fashioned thing was to be a snob.

After being fired from Lanvin in 2015, following disagreements with the owner of the brand’s Chinese media mogul, Shaw-Lan Wang, Elbaz took a hiatus from the fashion industry, only returning this year with the support of the luxury group Richemont, by launching the more democratic AZ Factory label. .

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French fashion

French women dream of escape at Paris Fashion Week

PARIS – Parisians may be proud of their often-copied and never-equaled style, but after two years of travel disruptions, they plan to leave the city next spring.

As the collections showcased over the past week have shown, contemporary French labels have them covered, with plenty of options to throw in a suitcase or travel bag, depending on their destinations.

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The city dweller’s well-polished wardrobe by people like Maje and Zadig & Voltaire softens, both in tones and textures, with a sensual touch. The skin is visible through cutouts uncovering large expanses at the waist and back, or through eyelet lace or heavy crochet. Nostalgia has scented the palette of these separate pieces – denim jackets, polo shirts, seductive skirts or sets designed to be mismatched – echoing a wider appetite for vintage and time-tested styles, with mint green and bubble gum pink. matching previously widely distributed hues. like chocolate or fatty lilac.

Flowers for spring are not a cliché, they are a classic to Maje, where artistic director Judith Milgrom embraced the heyday of the ’70s of the bohemian aesthetic she favors. Choose a presentation centered around a flower stand, where crochet and floral prints were in full bloom in a palette of intense pinks, sherbet lemon undertones and vibrant greens. Blouses were cut voluminous but cropped, while dresses pinched – or bared – the waist, all creating the impression of hourglass silhouettes.

On the accessory side, the bucket-shaped sun hat was perfect for the course, while comfortable clogs and flats completed the look. Maje’s popular Fringed M bag, which sells at a rate of 140 units per day worldwide, will be releasing in micro versions – just big enough to hold a phone and lip balm, really – and crochet, for those who won’t. look for one of the straw bags offered for the season. To celebrate the bag’s fifth anniversary in October, the brand is planning a mix of physical and digital activations, including a life-size Tetris game in the city.

Come summer, the Sandro the woman had only three things in mind: dancing, sunbathing and traveling. She embraced the codes of Mediterranean living, with alluring summer dresses with asymmetrical cutout details inspired by swimwear; lo-fi patterned knitwear; crochet pants and waistcoats in naive patterns that looked like they had been bought at the local market; sun-washed denims and silky blouses with maritime anchor and rope motifs woven around the brand’s monogram.

Back in town, she brought back an Italian couture spirit for blazers and matching pants – not that she intended to wear them as an ensemble – while her male counterpart tried to keep pace, dressed in ‘an assortment of knitted polo shirts. acid-washed tie-dye shirts, shirt jackets and swimsuit shapes.

Feet in the sand and the dreamy voice of the Canadian singer Charlotte cardin to their ears, the 55 guests of Zadig & VoltaireThe spring parade at the legendary Club 55 in Saint Tropez must certainly have felt like floating in the azure sea as the models lifted sand with every step. “I wanted to bring out a strong and happy woman, a party atmosphere. And she walks, so that’s where the cowboy [touches in the collection] comes from, ”said Creative Director Cécilia Bönström, highlighting the hard-wearing denim pieces with details such as contrasting reinforcement panels.

Coming in 2022, it is the 25th anniversary of the brand, which will be marked by the reissue of iconic pieces such as high-top sneakers or its flap clutch, but also collaborations with artists from the United States, France. , from Korea and China, who will be invited to reinterpret Zadig & Voltaire’s all-time bestsellers.

The idea for a getaway also included looking for lesser-known destinations, perhaps closer to home, such as the port city in northern France, Le Havre. Its intricate juxtaposition of concrete facades was the backdrop for APCThe pragmatic basics of – sleek unisex polo shirts and tailored shorts to match leather slides – in warm-weather neutrals of white and blue, beige and khaki stripes.

TO Kitsuné House, Creative Director Marcus Clayton – formerly at Fenty, Golden Goose and Givenchy Women’s Clothing – envisioned the season as a summer camp for the brand, with outdoor wardrobes for city dwellers trying to reconnect with nature. Arrived in their uniforms of pointy denims, beige overcoats, and tailored pants, they would soon find themselves swapping them for pop-over parkas in utilitarian neutral color blocks that gave them a patchwork look; nubby fleeces with fox faces strewn all over; and Scout approved cargo shorts. All of these could be brought back to town when cut from crisp poplin, paired with silky slip dresses in a Maison Kitsuné weave – or black.

Launch gallery: Contemporary brands from Paris Fashion Week spring 2022

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French fashion

Lewis Hamilton, Kylian Mbappe and Neymar party at model Cindy Bruna’s glitzy 27th birthday party in Paris

PARIS SAINT-GERMAIN stars Neymar, Kylian Mbappe and Marco Verratti were joined by Lewis Hamilton at the 27th birthday party for model Cindy Bruna.

The French model celebrated her birthday in style on Friday night at the chic Trattoria restaurant in Paris.


Cindy Bruna celebrated her 27th birthday alongside Neymar, Kylian Mbappe and Marco VerrattiCredit: BackGrid
Formula 1 superstar Lewis Hamilton was also present for the birthday party


Formula 1 superstar Lewis Hamilton was also present for the birthday partyCredit: BackGrid
French model Bruna is known to be friends with a number of the Parisians squad


French model Bruna is known to be friends with a number of the Parisians squadCredit: BackGrid

Bruna also celebrated her birthday in style last year alongside a number of PSG players.

And this year was no different as its glitzy reunion brought a host of prominent celebrities to the French capital.

And she shared several snaps and clips on her Instagram story to its 1.3 million followers.

Formula 1 icon Hamilton showed his face at the party with the Briton, 36, in France for Paris Fashion Week.

Before attending Bruna’s party, he took to social media to show him wearing double denim on the go.

Captioning the post, he said: “While I’m in Paris, please call me Louis.”

The seven-time Formula 1 champion is in France for Paris Fashion Week


The seven-time Formula 1 champion is in France for Paris Fashion WeekCredit: BackGrid
Bruno has over 1.3 million subscribers on the social media platform Instagram


Bruno has over 1.3 million subscribers on the social media platform InstagramCredit: BackGrid


Later that night, the seven-time world champion posed for a photo with Mbappe and Neymar while wearing a face mask.

Both forwards seemed delighted to be in Hamilton’s presence and couldn’t hide their smiles.

PSG boss Mauricio Pochettino is hoping his players will shoot at full speed on Sunday for the away clash against Rennes.

The Parisians have won their eight Ligue 1 matches this season with a six-point lead at the top of the table.

The French approach their game against Rennes with full confidence after beating Manchester City 2-0 in the Champions League.

Lionel Messi finally entered the PSG scoresheet after his summer arrival and Pochettino is hoping his compatriot Argentina will start now.

He said: “You need that kind of performance and players like him need to feel the back of the net.

Bruna shared a number of snaps and clips on her Instagram Story


Bruna shared a number of snaps and clips on her Instagram StoryCredit: BackGrid

“He needs to bond within the squad after 20 years at Barcelona. He feels different things, there are a lot of new feelings for him.

“Our team’s first goal, now that we’re on the same team, I enjoyed it a lot and I’m so happy to be here to enjoy Leo’s first goal.

“He’s first class, I know I’m not saying anything new but I think over time he still has room to improve a lot.”

Marco Verratti demonstrates his talent in training for PSG

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Fashion style

Camila Cabello is pissed off in platform combat boots at Paris Fashion Week – Footwear News

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Camila Cabello brought some edge to Paris Fashion Week.

The “Don’t Go Yet” singer was spotted leaving the L’Oréal runway this morning, wearing a blue textured hooded dress. The cobalt blue ensemble featured a pointy texture throughout, as well as a midi skirt and hooded top. To beat the cold of the French fall season, Cabello layered the comfy garment with a quilted black jacket with a fur-lined hood. The singer’s look was complete with shiny silver hoops, as well as several silver rings.

Camila Cabello leaves the L’Oréal show at Paris Fashion Week.

CREDIT: Distributing Images /

While Cabello’s outfit is already a bolder style than we’ve seen before, his shoes continued the redesigned look. The “Cinderella” star’s favorite shoes were platform combat boots, which added a punk rock touch to her outfit. His boots featured lace-up black leather uppers and ridged soles, similar to combat boots. However, the style’s thicker platforms and block heels, which appeared to total at least 3 inches in height, gave the utility shoe a stylish touch.

Camila Cabello, platform boots, combat boots, black boots, blue dress, hoodie, Paris Fashion Week, L'Oréal

Camila Cabello leaves the L’Oréal show at Paris Fashion Week.

CREDIT: Distributing Images /

Camila Cabello, platform boots, combat boots, black boots, blue dress, hoodie, Paris Fashion Week, L'Oréal

Let’s take a closer look at Cabello’s boots.

CREDIT: Distributing Images /

Platform boots are on the rise this season, due to the ability of their thickness to provide support and style to outfits. Black styles like Cabello’s are an easy fix for fall footwear that can brave cold temperatures, while still being a versatile shoe that pairs perfectly with any look. In recent weeks, stars like Rita Ora, Cardi B and Vanessa Hudgens have also worn platform boots from top brands like Vera Wang, Rick Owens and more.

Camila Cabello, platform boots, combat boots, black boots, blue dress, hoodie, Paris Fashion Week, L'Oréal

Camila Cabello leaves the L’Oréal show at Paris Fashion Week.

CREDIT: Distributing Images /

As for shoes, the “Havana” singer regularly wears Nike and Adidas sneakers, in addition to Franco Sarto, Birkenstock and Steve Madden slides and sandals. However, her wallet-friendly shoe style often incorporates brands like Topshop, Candie’s, and UrbanOG. The singer often pairs them with dresses, tops and bottoms from affordable brands like H&M, Forever 21 and Zara, in addition to high-end brands like Dolce & Gabbana, Isabel Marant and Versace.

Add a rock n ‘roll touch to your shoe rotation with platform boots, inspired by Camila Cabello.

Timberland, platform boots, combat boots, black boots, ankle boots

CREDIT: Courtesy of Zappos

To buy: Timberland Allington boots, $ 130.

Schutz, platform boots, combat boots, black boots, ankle boots

CREDIT: Courtesy of Saks Fifth Avenue

Buy: Schutz Zara boots, $ 158.

Louise et Cie, wedge ankle boots, combat boots, black ankle boots, ankle boots

CREDIT: Courtesy of Nordstrom

To buy: Louise et Cie Varsan boots, $ 72 (instead of $ 180).

Click through the gallery to see Cabello’s style of affordable shoes over the years.

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French fashion

Parish Fashion Week returns after virus hiatus

2 October 2021 GMT

Women wearing sunglasses and body-hugging models paraded down a sleek black runway under a glowing orange Eiffel Tower at night.

Strands of fringe sprang from the hem of a lemon-yellow creation, her model clutching a shiny handbag adorned with safety pins.

The eyes of the fashion world were even more focused than usual on the ever-chic French capital in recent days, as the designers showed off their latest work for Paris Fashion Week after going mostly virtual for a year due to of the coronavirus pandemic.

While most of this season’s 97 shows have remained online as the country recovers from another wave of COVID-19 infections in the summer, about a third have opted for a physical return to the track, including industry heavyweights from Chanel and Hermès to Louis Vuitton and Yves Saint-Laurent.

They chose an eclectic collection of iconic backdrops – alongside the gothic Notre-Dame cathedral and the serene Seine; the 16th century Tuileries garden lined with trees in central Paris; the glassy, ​​bulbous globe of the La Seine Musicale concert complex. After a parade in the trendy Marais district, models strutted through the streets outside to the enthusiastic cheers of surprised passers-by.

Thousands of camera-happy viewers as well as New York fashion editors newly able to cross the Atlantic after pandemic travel restrictions between Europe and the United States were eased were in attendance.

The event was not lacking in star power either, with appearances like Gillian Anderson, Carla Bruni, Naomi Campbell, Catherine Deneuve, Roger Federer, Giveon, Vanessa Kirby, Demi Moore and Rosamund Pike.

Full coverage: Photography

France’s First Lady Brigitte Macron joined senior officials one evening at the Hôtel des Invalides for the presentation of a new collection by Italian designer Fabio Porlod featuring female amputees and injured women. The Ministry of Defense described the initiative as “part of a charity evening whose funds raised will improve the living environment of seriously wounded war victims, victims of attacks and people hospitalized at the National Institution. invalidities”.

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French fashion

Balmain Celebrates Creator’s Birthday With Live Show

PARIS, Sept.29 (Reuters) – French fashion house Balmain celebrated 10 years in the tenure of creative director Olivier Rousteing with a runway show featuring a host of famous models including Naomi Campbell, former French first lady Carla Bruni, Milla Jovovich and Natalia Vodianova.

Models strutted across the stage of a crowded music hall on the Seine in deconstructed clothing slit to show patches of bare skin, draped in chains and layered with bold shoulder jackets or floor-sweeping trenches.

At the end of the show, the designer bowed to the jubilant crowd, surrounded by a dozen models dressed in whimsical dresses covered with sequins.

The label welcomed thousands of fans to the hall for a two-day festival that included performances by Jesse Jo Stark, Doja Cat and Franz Ferdinand.

Dozens of brands are hosting in-person fashion shows during Paris Fashion Week, which runs through October 5, as slowing COVID-19 infection rates and easing restrictions have allowed events to resume interrupted during the peak of the pandemic.

Spectators at the Balmain festival could purchase food and drink as well as branded goods, including sneakers priced at 850 euros ($ 986) and bags of hair cosmetics.

($ 1 = 0.86 euro)

Reporting by Mimosa Spencer; Editing by Richard Chang

Our standards: Thomson Reuters Trust Principles.

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French fashion

Cathy Horyn Paris Fashion Week Spring 2022 review: Dior

From left to right: Dior, Kenneth Ize, Marine Serre.
Photo-Illustration: by The Cut; Courtesy of Dior, Kenneth Ize, Marine Serre

When I first arrived in Paris as a fashion writer in 1987, Thierry Mugler was the impossible invitation – Mugler and, of course, Jean Paul Gaultier. I remember begging the publicists, who buried me in Gallic disdain. I was the novice, the boor, and, in their eyes, destined to remain so. Eventually, I made my way to Mugler, where I saw the great Lypsinka (aka John Epperson) playing and a fleet of gorgeous women, the most memorable Iman and Brazilian star Betty Lago, shed in feathers and satin or molded bustiers that looked like a shiny car. grids.

Carla Bruni at the retrospective, next to a first photo of her modeling Mugler.
Photo: Cathy Horyn

Tonight at the opening of “Thierry Mugler, Couturissime” at the Decorative Arts Museum, I came across the legends of the Mugler Farida Khelfa and Carla Bruni parades. But seeing the clothes, as well as an amazing display of fashion photography, I remember that whatever Mugler was as a designer, he was first and foremost human. He worshiped the body.

It is probably not fair to compare Mugler’s world – that is, the years between 1973 and 2002, when he left the company – with that of today. But it’s hard not to be struck by the differences between yesterday and today. One difference is that despite the perception that fashion is a colossal business, touching many lives across brands and social media, it has actually shrunk as a mode of creative expression. With a few exceptions, there is a clarification of ideas at the top of the industry that has accelerated over the past decade. Externally, the finery remains: great shows, historical prestige, craftsmanship. But it’s a bit like opening a huge box of disguises to discover, under the handkerchief, a correct T-shirt.

Photo credit: courtesy of Dior

This is what I felt today at Dior. The company erected a giant box in the Tuileries, with flashing disco lights and a round platform meant to evoke a dance floor, and yet, stylistically speaking, there wasn’t much inside the box. Maria Grazia Chiuri’s latest collection was obviously inspired by a 1961 collection by Marc Bohan, known as the Slim Look – because it featured crisp, clean lines and a young, sexy sensuality, in contrast to full-skirted, hourglass-shaped glamor from Christian Dior. New look.

The problem was, the designs, and the feeling behind them, seemed totally artificial. There are undoubtedly young, well-behaved women who might like a cheeky-looking mini sweater over a white blouse, or a sunshine yellow or navy spring coat, with patent black Mary Janes in gold heels. But beyond a certain type of cardboard miss, Chiuri doesn’t seem to think of a woman in the flesh. And what about a Dior customer who is over, say, 30 years old and doesn’t have a slim body? Imaginatively, they were excluded from this collection (apart from, perhaps, a few coats). And frankly, a lot of the costumes were so polished, and apparently based on classic Italian or American sportswear, that they looked like uniforms – say, for an airline or a high-end boutique.

Also, I didn’t understand the reference to the Roman nightclub, the Piper Club – as the show‘s notes say, “a sprawling and colorful place and an emblem of freedom”. Again, this seems absurd to me. Dior is above all a French house. It amazes me that its leaders allow Chiuri to incorporate so many Italian references into his presentations. The live music for this show was by an Italian band. But that’s not why the allusion to the club was absurd. It was that no one in that big extravagant box seemed to be enjoying themselves.

Marine Serre.
Photo: Courtesy of Marine Serre

In 2017, Marine Serre dazzled the industry with the boldness of its vision. She won the LVMH prize. In February 2019, Serre staged a show that imagined a post-apocalyptic world. It was in a tunnel. She then made a collection called Maree Noire, which means “oil slick”. Featuring black, clove-shaped hooded coats, its cheerful theme was mass destruction in the wake of climate wars.

No surprise then, perhaps, that Serre has an entirely different response to the pandemic. On Monday evening, in a pretty public garden in the Marais, she aired a movie that showed a bunch of “friends” – a mix of races, genders and ages – relaxing in a chalet. They did yoga together, baked bread, put towels on their heads in a playful way. She called the Fichu Pour Fichu collection. Damn has a curious etymology. On the one hand, it means a small scarf or a triangular stole. Scarf necklaces, in white linen or cotton, were great in the 18th century. And, on the other hand, it means “We’re already screwed, so why not?”

Serre’s vision isn’t the only thing that has changed. Most importantly, her clothes have evolved. They are simpler and easier to wear than in the past. “I want to serve a generation,” she told me in her studio earlier today. “And that means being able to take your clothes to the streets. So as not to be too complicated. She has already perfected responsible fashion; 45% of her collection is made from reclaimed clothing or household items – such as tea towels for a series of cute flower-embroidered white shirts and dresses – and 45% is made from recycled fibers, like a stylish jumpsuit in moiré. which was made from recycled fishing net. But its simple, everyday shapes also seem timely, and among the best was an alluring white table linen crochet tank dress, a patchwork dress made from a recycled crumpled material that Serre called “popcorn.” , Which was popular in the 1970s, and easy white cotton shirts and pants with humble Dutch-style embroidery and tatting. She also created jewelry from old cutlery.

Reflecting on the adult difference in his work, Serre said, “It’s not for nothing that I did all these doomsday shows.”

Kenneth Ize.
Photo: Courtesy of Kenneth Ize

You couldn’t be more anchored than the sandals in Kenneth ize‘s show, also on Monday, with double bands made from scraps of striped fabric he wove in his native Nigeria. Brightly colored Ottoman fabrics are as attractive as they were when Ize, who grew up in Austria, first exhibited in Paris almost two years ago, his label initially funded by a GoFundMe page. What has changed is the quality of the fit and the proportions. Classic sportswear – skinny pants, sarongs, a suit blazer layered over a light jersey waistcoat – can easily go bland, but Ize maintains a nice rigor and polish without losing comfort. The slip-on dresses and camisoles, including a cherry red with a diagonal cascade of thin pink to red fringes, looked particularly new.

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Fashion brand

5 interesting facts about fashion brand Comme des Garçons

When we think of Comme des Garçons, the first thing that comes to mind is the iconic heart-shaped logo in one of its clothing lines: Comme des Garçons Play. But if that’s the only thing you know about the brand, you’re missing out on the interesting stories behind this hugely successful fashion brand.

The legacy of Comme des Garçons began in 1969, when it was founded by Rei Kawakubo. Despite the fact that the brand was founded in Tokyo, its name was borrowed from a song recorded seven years before its premiere – “All the Boys and Girls”, written by French artist Françoise Hardy. Meaning “like some boys” in French, the brand focused on scrambling gender norms long before androgynous fashion took center stage in the sartorial world.

# 1 Kawakubo, the founder of Comme des Garçons, did not graduate from a fashion school

A graduate of Fine Arts and Literature from Keio University, Kawakubo actually started her job in the advertising department of a textile company. Later, she found her passion in fashion and gradually entered the industry as a freelance stylist. Despite the lack of proper training for a career as a fashion designer, the passion has taken Kawakubo far, as she is now the famous founder and creative director of Comme des Garçons.

# 2 Kawakubo doesn’t make clothes – she does works of art

Known for her imaginative and totally original approach, the Japanese designer has always let her abstract creations speak for themselves. When it comes to her collections, she doesn’t offer alternative silhouettes – on the contrary, she completely reconstructs the way we interpret clothing, resulting in avant-garde designs that exist somewhere between fine art and clothing. .

Like boys

# 2 Comme des Garçons is the first Japanese fashion brand to present at the Paris Fashion Show

For decades, Kawakubo’s pioneering spirit and unique designs have endured, leading the brand to achieve its coveted status over time. In 1981, the first Comme des Garçons fashion show was held in Paris, and this is how the Japanese designer became known internationally. It also marks the first Japanese brand at the Paris fashion show.

# 4 Comme des Garçons’ first collection was somewhat controversial and called “the black crows”

With its exaggerated silhouettes and usual dark color palettes, many newspapers and magazines have called Comme des Garçons ‘the black crows’. While Kawakubo tries to challenge the fashion industry, she tends not to feature wearable pieces in her runway shows. Instead, she reinvents them with her endless innovation and creativity. Although it was very controversial at first, the brand was later seen as uncompromising modernity while at the same time being alluring.

collection like boys, black crows

In 2017, the brand was presented at the Met Gala, with an extremely fascinating exhibition that resembles the fashion house itself. Entitled Art of the In-Between, it was only the second time in the history of the event, after Yves Saint Laurent in 1983, that a living designer was in the spotlight. With over 150 couture creations on display, the exhibition revealed the house’s extraordinary journey through the last decades, from the founder’s path and philosophy in fashion, to the broader context of her definition in art. and culture.

like boys collection

(All images: Comme des Garçons)

This story first appeared on Lifestyle Asia Bangkok.

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French fashion

“Paris of the North”, a new exhibition in Stockholm, shows the Nordic connections of Parisian haute couture

It was through NK’s French couture studio that the work of designers such as Coco Chanel, Cristóbal Balenciaga, Madeleine Vionnet and Christian Dior arrived in the Nordic region. Patrons were offered three categories of clothing: original pieces of Parisian haute couture; licensed copies of French designs; and custom looks from NK. Each set in any category was selected or designed by the salon chef, who numbered three in 64 years. Madame Suzanne Pellin, French milliner, ran the operation from 1902 to 1913. Her successor, Kurt Jacobsson, who apprenticed at both Pellin and internationally renowned designer Lucile, held the position from 1917 to 1965 Working alongside Jacobsson from 1923, and succeeding him, was Pelle Lundgren, who had worked in Paris with Lucien Lelong. These three, Strömquist explains in an email exchange, “belonged to a select group of foreign buyers who, each season, were invited to order original creations from Parisian haute couture houses. The price included a license which covered a limited number of reproductions for private customers in the domestic market. This business arrangement generated considerable income for the fashion houses at the same time as it consolidated Paris as the fashion capital.

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Fashion brand

Dubai-based fashion brand to debut at Paris Fashion Week – Emirates Woman

Dubai-based fashion brand Ms Keepa is set to debut at Paris Fashion Week.

The brand, founded by the Franco-Egyptian designer Mariam Yeya, was invited to be part of the “Welcome to Paris” initiative of the Federation of Haute Couture and Fashion with the Arab Fashion Council.

The brand’s SS22 “Harmonious Chaos” collection will be presented on September 28, as part of the official Paris Fashion Week events calendar.

Breaking the news on her official Instagram page, Mariam shared her enthusiasm for the achievement for which she “worked so hard”.

She also said she “still can’t believe this is really happening”.

Since her creations border on ready-to-wear and couture, Mariam creates pieces designed to celebrate the female form by playing on different proportions, patterns, volumes, etc.

The “Harmonious Chaos” collection, which will be showcased at Paris Fashion Week, gives a contemporary and cool feel with evening dramas and easy-to-wear basics with edgy details.

Cutout and strappy long skirts, wide-leg camouflage cargo pants and larger-than-life sleeves are all at the heart of the collection.

The show will take place at 1 p.m. at the Palais de Tokyo, Club Yo-yo in Paris, presented by the Arab Fashion Council.

For all the details, visit

– For more on the luxury lifestyle, news, fashion and beauty, follow Emirates Woman on Facebook and Instagram

Feature image: provided by SemSem

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Fashion designer

How a fashion designer created Zebucq, a material made from coconut fiber

At first, Loetitia Razanamarie never really wanted to become a fashion designer – let alone start her own brand – but the pandemic changed her plans in the most incredible ways.

After intensive training at the Esmod Paris fashion school, this young Madagascan designer has achieved the feat of launching her first collection of handbags in Zebucq, a material that she herself developed, made from coconut tree.

A considerable feat at a time when all the biggest fashion houses seem to be embarking on the race in search of the materials of the future.

Fashion, the second most polluting industry in the world, is now forced to reinvent itself, rethink its production and turn to materials that are more respectful of the environment.

Read more: Renting Clothes May Not Be As Green As You Think, Study Finds

As a result, luxury brands are teaming up with start-ups or trying to develop their own innovative materials, such as Demetra from Gucci, Mylo from Bolt Threads or the perhaps better known Pinatex from Ananas Anam.

However, it is not these issues that prompted Razanamarie to embark on the manufacture of its own no less innovative material, Zebucq, but the desire to stand out, to offer something different, curious, unique. .

The fruit of a happy combination of circumstances, this adventure – which began in the midst of a pandemic – gave birth to the accessories brand Vazane by Lora & Zeboutin. It is a brand that certainly stands out from its competitors, but which may never have seen the light of day.

From Madagascar to Strasbourg

Razanamarie was born and raised in Madagascar, and in a way it was on her native island that her creative career began, albeit largely out of necessity.

“I come from Madagascar, which is a fairly poor country. Throughout our childhood, we dressed mostly in thrift stores or very poor quality products, so I started to have my clothes made, to go to parties or special events.

“I always wanted to stand out, to be original, so I did not copy what I saw in the catalogs, but I gave instructions to the seamstress according to my inspirations of the moment.”

And the results hit the mark.

Despite this success, Razanamarie never considered a career in the field, for the simple reason that no training in styling was available in Madagascar, and people generally need the means to juggle between styling and another. job to get by.

She therefore turned to studies in business administration, but took a sabbatical year after her diploma to learn to sew and explore this passion, even if it still seemed inaccessible to her.

The first turning point came in 2011, when Razanamarie moved to France for personal reasons – to Strasbourg, more precisely.

Her Malagasy diplomas were not recognized in France, so she spent five years working in mass distribution, as a self-service store employee, a profession that supported her, but which did not. really passionate.

Then came the pandemic

It was a wedding in Paris that made Razanamarie understand that her creative talents could put her on the path to bigger things. She chose to create her own outfit for the event and customize her shoes, which was once again a great success.

“I thought maybe there was something in there. And then other things happened in my personal life that made me realize that if I didn’t do something I might regret it. , and I didn’t want to end up doing a job that I didn’t necessarily like. It clicked, and I decided to give it a shot. “

A few unsuccessful online courses later, and Razanamarie decided to head to Paris for intensive training at Esmod, a renowned fashion school, where she specialized in accessories in order to broaden her skills as much as possible.

It was around this time, thanks to her sister’s Facebook page – who stayed in Sambava, a coastal town in Madagascar known for its coconut grove – that Razanamarie came across some handcrafted objects made from raw coconut fiber.

“I found that interesting,” says the designer who had the idea of ​​using this material in what would traditionally be leather goods or accessories.

Read more: Is the future of fashion on our plates? Step into the herbal sneakers

The idea germinated and developed until in the midst of the Covid-19 pandemic – when successive blockages suddenly ended her second internship – the designer chose to take the plunge and launch her own Mark.

But it was far from a rash decision. The many months of confinement allowed Razanamarie to research and develop its new equipment – which it still refines today in its garage, now converted into a workshop.

And only Razanamarie holds the secret of this new material, made from coconut fiber. It also allowed him to learn the basics of leather goods such as bags, alongside a craftsman, if only to make his first prototype in Zebucq. Unsurprisingly, the prototype turned out to be a success.

Coconut fiber: a material of the future

If you haven’t heard of Zebucq yet, something tells us it’s only a matter of time. This new material, developed from coconut fiber from the town where Razanamarie grew up, is characterized by its very textured appearance, but also by the fact that it can only be worked by hand.

This requires knowledge, but above all skills, which the designer has managed to master on her own, with the help of her relatives and her husband.

“I have been asked why I am not automating production. This is simply because it is a material that has a multitude of subtleties depending on how it is worked. The more I use it, the more I discover new ways to achieve various textures and appearances ”, explains the creator of Vazane by Lora & Zeboutin.

“It’s a material that has a lot of potential, but it can only be done by hand. My bags are very resistant and last over time because I have adapted their design to the constraints of the material.”

Unlike many other “new” and “alternative” materials used to replace leather in the accessory world, Zebucq is really not like leather at all.

“At first I presented it as an alternative to leather, but in use, I noticed that there was nothing like it. It is really a material in its own right, just as we discovered that raffia and bamboo were [also] good for making bags.

“In the end, I just discovered an interesting material to use to ensure [traditionally] leather goods. It is a plant-based material in its own right. “

Original and authentic

The founder of Lora & Zeboutin wants to be honest with her clients that it is not the environmental and sustainable qualities of coir that led her to develop Zebucq.

Rather, it was something she had nurtured since her teenage years: the desire to stand out, to be original. But it’s also about standing out as a designer – something that’s anything but easy in 2021.

“I absolutely wanted to have something that would make me stand out. There are thousands of us coming out of fashion schools every year, and I wanted something that would make me see it.

“I also wanted to have something that reflects me, that stands out, and I was not guided by the vegetal aspect, but by the fact that I wanted to have a material which is colored, textured, and which arouse curiosity. “

However, this perspective does not prevent Razanamarie from seeing in these natural fibers the future of fashion, even if it does not call into question the materials traditionally used in leather goods or accessories, which have been the subject of criticism for some recent years. time.

“I think these materials are the future because we can see that they are taking on a growing role [in the industry]. Simply because people have started asking more questions about what they are wearing.

“I respect that a lot, but I think it’s not necessarily fair to demonize leather either, because it’s a material that can be put to good use. Everything has its place, as long as it is. do it correctly, and that we respect your own values. “

Transparency and authenticity are two essential values ​​for the designer.

“I don’t necessarily communicate about sustainability, although it’s important to me, but I want to be honest about what guides me in my designs. So I tell the story as it really is.

“A lot of people have told me that I should put more emphasis on these environmental qualities, but I don’t want to lie. For me, the most important thing is to be true to myself and transparent.”

Unique creations

If one thing is certain, it’s that Vazane by Lora & Zeboutin bags are bags like no other. In fact, no two are alike – and that’s the beauty of handcrafted products.

Loetitia tells us it takes her at least a week to craft her signature material, and then almost two weeks to create a handbag. In total, three weeks are needed to make these models, made using traditional techniques.

“I want to stand out as [accessories] brand that has an exclusive material and offers unique models. Because it is also the beauty of Zebucq, that we can have two bags of the same color, but which will never be identical. “

Currently, the bags are priced between € 320 (RM 1,600) and € 750 (RM 3,750). This kind of price is far from being accessible to the greatest number, but it is justified by an artisanal manufacture and by the fact that each model is unique.

Read more: Most fashion consumers want to buy sustainably, but need more information

“These are products made by hand in an exclusive material. For a product positioned at a price designed by a designer, it is very accessible”, explains Razanamarie.

Aware of the expense that this represents for many, the designer is working on a new range that can be designed faster and with less material. It will be available in three sizes, with a starting price set at € 180 (RM 900).

It is a product on which Loetitia will make very little margin, but which could help raise the notoriety of this new brand and of this exclusive material.

It is now up to the designer to refine and refine each of her models, to propose new options such as a shoulder strap for example, and to sublimate Zebucq – probably one of the only materials to have emerged “thanks to” and in the middle. of the pandemic. – AFP Relaxnews

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French fashion

Gabrielle ‘Coco’ Chanel’s work at the center of a major NGV exhibition, but a disturbing biography left out

The National Gallery of Victoria is hoping for a return to “business as usual” in December when it opens its successful annual summer exhibition – Gabrielle Chanel: Fashion Manifesto.

The exhibition, which travels from the Palais Galliera (aka the City of Paris Fashion Museum) where it closes this weekend, features more than 300 items including 100 garments, spanning its six decades of career – all taken from funds from Galliera, the heritage division of Chanel, and loans from public museums and private collections.

Beginning in the 1910s with its iconic striped jersey “sailor top” and women’s suit, the exhibition goes through the “highlights” – no. 5 perfume, the “little black dress”, the tweed suits of the 1950s – as well as often overlooked “eras” and aspects of her work.

In 1910, Chanel opened a boutique selling her hats at 21 rue Cambon in central Paris; his first fashion store followed, in 1912, in Deauville.(

Supply: Heritage of CHANEL, Paris / Julien T. Hamon


The iteration of the show in Melbourne will also feature items from NGV’s own fashion collection, including new donations from their main fashion patron, Krystyna Campbell-Pretty.

This will be the first major exhibition of Gabrielle “Coco” Chanel’s work in Australia – perhaps no wonder given that fashion blockbusters have only taken off in the last decade, spurred by the international success of Alexander McQueen: Savage Beauty at the Met in New York and at the V&A in London.

More surprisingly, Gabrielle Chanel: Fashion Manifesto was the designer’s first retrospective to open in Paris, where it premiered in October to celebrate the reopening of the Galliera Museum, after two years of renovations (largely funded by Chanel ).

Fashion model in 1930s evening dress, pink ostrich feathers line the bust and the rest of the dress is printed with feathers
At the NGV, recent major exhibitions have included La Maison Dior and Viktor & Rolf.(

Provided: Museum of Applied Arts and Sciences, Sydney / Julien T. Hamon


Miren Arzalluz, director of the Palais Galliera and co-curator of the exhibition, told ABC: “Véronique [Belloir, co-curator] and I have spoken about it very often: why it has not been done before.

“We think maybe people didn’t think it was necessary. You very often do retrospectives to rediscover someone or to recognize the contribution of someone who needs that kind of recognition – but Chanel, she was everywhere.

“And then, too, there was this brand that kept moving forward [after her death in 1971], and Karl Lagerfeld [creative director for Chanel from 1983-2019], who has done this amazing job of reinterpreting her style over and over again. [And so] she was so alive that maybe no one thought it was necessary [to do a retrospective]. “

A blonde woman in her 40s is smiling, wearing a red lipstick and a black dress, a crowd of people in the background
Fashion historian and curator of Spanish origin, Miren Arzalluz was appointed director of the Palais Galliera in 2018, inheriting the Chanel exhibition from her predecessor.(

Provided: Juan Naharro Gimenez / WireImage


In Melbourne, the scenography of the exhibition will be slightly different from the spaces of the Galliera, but the principles will be the same: a simplicity, a sophistication and a “cleanliness” of the lines which correspond to the “manifesto” of the designer.

Nazi associations set aside

Notably, the presentation will be light on biographical details – and thus sidestep the thorny question of how to talk about Chanel’s offensive beliefs and associations.

A black and white photo of a woman in her late 1930s in a lace dress and a bow in her hair in an upscale hotel
“Gabrielle Chanel’s success (pictured here in 1937) was based… also on her ability to grasp and interpret the needs and desires of women of her time,” says Arzalluz.(

Supplied: GNV / François Kollar


As well as being anti-Semitic and homophobic, the fashion designer was also a Nazi collaborator and ultimately an agent – codenamed “Westminster” after an affair with the Duke of Westminster.

But Arzalluz says there is only a fleeting reference to it in the exhibit, in a timeline of Chanel’s career.

In the NGV press kit, it appears in translation as:

1944: Gabrielle Chanel is arrested at the Ritz by the French Interior Forces because of her relationship with a German officer, Baron Hans Günther von Dincklage. She is released after a brief interrogation. For the next ten years, Chanel lived away from the fashion world, dividing her time between Lausanne, Paris and La Pausa (her villa on the French Riviera), with trips to Italy and the United States.

Audiences will have to look for that kind of detail elsewhere – as well as details about his childhood, famous lovers, and collaborations with artists.

A model in a 60s evening dress, gold lace and a full skirt
American Vogue described Chanel’s clothing as a “uniform for all women of taste, from all walks of life, whatever their lifestyle”.(

Supply: Palais Galliera, Paris / Julien T. Hamon


Arzalluz told ABC: “We really thought she was so great as a character – as a personality – and audiences know a lot about her life: her childhood, the men in her life; her relationship to the stage. artistic; her personality, which is very controversial, the things she said was too huge to do that and her work at the same time.

“For years we only talked about her life… but when you have a woman who devoted her whole life to fashion – who worked from 1910 to 1971, who transformed fashion twice in her life and whose style is still relevant today – well, I think maybe it’s time to talk about his work. “

Arzalluz says the company, which worked closely with the museum, had no control over the exhibit as a curator and respected the decision not to mark it.

Interestingly, Chanel still belongs to the family of the designer’s original business partner, Jewish businessman Pierre Wertheimer – despite Chanel’s attempts to deprive him of his interests during the Nazi occupation of Paris, under the terms of the anti-Jewish laws.

A diversified and profound practice spanning several decades

Arzalluz thinks people will be surprised to discover the first period of Chanel’s work, in the 1910s and 20s, which is crucial to her formation of the basic principles on which she built her manifesto.

A black quilted leather handbag with a gold chain and clasp
Chanel became famous for its use of jersey, tweed and black, as well as for its perfumes, jewelry and accessories.(

Supply: Heritage of CHANEL, Paris / Julien T. Hamon


“People are very surprised at the diversity and sophistication of his work. [over her career], said the curator.

“In the 1920s, she discovered flowers and flowery prints, fringes and sequins and feathers, things that people don’t necessarily identify with Chanel; we have this idea of ​​a sort of “little black dress”, but there is this richness in his work, which surprises a lot of people. “

A black and white photo of a young woman in a Chanel suit in 1955, standing in a chic room
The Chanel suit was popularized by First Lady Jacqueline Kennedy, Princess Grace of Monaco, and actresses such as Marlene Dietrich and Lauren Bacall.(

Provided: Copyright Agency / Henry Clarke


She says the exhibition also delves into Chanel’s popular tweed suits of the 50s – a time when she revolutionized fashion, in her seventies – showcasing them as models of design and technique.

“Each element has a function and everything is there to work to give this freedom of movement, this ease”, specifies Arzalluz.

And then there’s the jewelry, which she says is a major part of the show.

“You know everyone thinks about pearls, but we have this amazing collection of the craziest, baroque jewelry – you got crosses and lions; all these Renaissance and Byzantine inspired pieces – and pieces inspired by all eras and cultures. “

Gabrielle Chanel: Fashion Manifesto will be on display at NGV International, Melbourne, from December 5 to April 25.

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French fashion

Dior fashion show celebrates fashion up close after pandemic

PARIS, July 5 (Reuters) – French fashion house Christian Dior kicked off Paris Fashion Week on Monday with an in-person show drawing celebrities to the front row in an attempt to rekindle a touch of pre-pandemic glamor.

Actresses Jessica Chastain, Cara Delevingne, Monica Bellucci and Florence Pugh were among the small crowd that paraded the catwalk for Dior’s Fall / Winter 2021-2022 haute couture collection.

“I’m just really happy to be in a room with people and watch some amazing plays,” Chastain said after the show, which she said was her first public event since the pandemic.

Designer Maria Grazia Chiuri told Reuters she wanted fabrics to be front and center. An audience in the room might appreciate the detail and tactile nature of the fabric in a way that is not seen online or in video footage.

Tweed ensembles, from jackets to hats resembling riding helmets, took center stage in a patchwork of muted tones.

The models showed plant prints on a velvet and satin coat. For evening looks, there were long skirts embroidered with feathers and sheer pleated long dresses in silk gauze.

In recent months, fashion brands have showcased their collections in online-only formats, such as shorts.

With the progression of vaccinations and the release of blockages, fashion is tiptoeing back to traditional parades, for the moment mixing live audiences and online presentations.

“We’re all very emotional,” Chiuri said.

“There are so many people working on the collection. We were happy to make some great films but it was just a little impersonal. [Everyone] is really proud to see the show, to be backstage, to live the moment with our clients, the press, our friends. In a year and a half, we have lost a lot of these human contacts, ”she said.

Dior, owned by LVMH (LVMH.PA), organized the show in the gardens of the Rodin Museum in Paris inside a temporary structure covered with embroidery designed by French artist Eva Jospin and made by Indian craftswomen.

Paris Fashion Week runs until July 8.

Report by Laetitia Volga; Editing by Christian Lowe and Giles Elgood

Our Standards: Thomson Reuters Trust Principles.

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