Fashion brand

Walk a mile in our nine favorite Made In Italy shoe brands!

We’re still on top of New York Fashion Week, but we can’t help but transport ourselves across the pond to Italy, where time goes slower but fashion is still going strong. amazing! Lucky for you, we’re bringing you the 50 Made in Italy brands ready to be showcased at COTERIE, which is set to return to in-person format in New York from September 19-21. Last on our list: stylishly ready shoes for all seasons, in fine Italian leather included!

Donna Caroline

Designed for all occasions, Donna Caroline offers an impressive and diverse range of footwear, all at an affordable price. Whether you’re looking for crisp white sneakers, suede ankle boots, or pointed toe leather flats, you might get lucky with a Donna Carolina tag. [Agent name: Valentina Vanin]

Henri ayden

A boot mark made in the boot itself ?! How about! Quickly seizing the Italian fashion world with its Milan-based offering Henri ayden merges Italian art with a geometric touch and a rock-n-roll attitude. [Agent name: Martina]


A quick glance at any Manas duo will prove its long-standing philosophy: contemporary charm blends harmoniously with a timeless attitude. Inventory, you ask? The scarpe che desideri (the shoes you want)! Specifically, an urban-chic repertoire of boots, sneakers, heels and more! [Agent name: Alessandra Albano]


From high-top shoes to platforms, from laces to elastics, MoaconceptThe towering shoe collection houses it all under the Tuscan sun. Contemporary designs and urban spirit aside, the Florence-based label is also proud of its commitment to diversity, inclusion, the environment and support for independent artists. Talk about a one stop shop! [Agent name: Elisa Zanetti]

No Red

Think everyday shoes, but refined with a Venetian touch. Located in the heart of Veneto, No Red is an Italian shoe brand with an impressive collection and an even more impressive story under its sole. Inspired by the Venetian maestros of before and the city’s medieval past, Pas De Rouge has a unique character that shines in every shoe. [Agent name: Stefano Zampieri]

Thierry rabotin

TO Thierry rabotin, everything revolves around the art of shoemaking. With a selection of perfect everyday companions, the Italian-made shoe supplier whose sole motive is to find the perfect balance between form, function and design. Mission accomplished! Experimental design, sensible style and top-notch comfort? Count us on! [Agent name: Emanuela Balbini]

White Veil

As if we weren’t already sold on the whole “one sneaker per day” trend, White Veil is there to remind us that a pair of kicks can’t hurt, especially with their tag perfectly visible. The brand’s offering includes everything from work-friendly styles and hero leathers to city walkers and chunky soles. Timeless and chic! [Agent name: Scocco Ombretta]


Handcrafted and using the most precious of premium leathers, Donatello shoes are found where craftsmanship and style meet. Think about it: perforated oxfords and moccasins adorned with tassels. Sold! [Agent name: Scott Prentige]


Over 40 years in the making, Thera the leather sandals have a certain way about them. Simple in appearance, each shoe is meticulously designed with calculated points and inspired by the authenticity of nature. Made purely in Italy, each shoe with a Thera’s tag is a gentle reminder of the feel, look and look of leather. [Agent name: De Bari Mauro]

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Fashion style

Can I still dress all in black?

In art, where black was the first pigment used, black is an achromatic color – a color without a dominant tint but containing all tints in equal measure. Historically, this has led to considering, in the decorative arts and to some extent in fashion, a neutral, such as white or beige – a tone used as a base against which other colors can be displayed.

But over time, in culture, society, and politics, black clothing has become anything but regarded. Indeed, I can think of few colors in a closet that come with so many complicated associations and assumptions. So anyone who chooses to wear black because they think it will help them blend in with the background should really think again.

To consider:

In the Bible, black is associated with mourning and death. Christian monks adopted black robes as signs of humility. In the mid-14th century, the bubonic plague swept across Europe and Africa, permeating the color with fear. In pop culture, ninjas are often depicted dressed in black. Witches too. The maids too.

In the early 1800s, however, Beau Brummell became an advocate for black evening wear for men. In 1926, Coco Chanel created “the little black dress”, associating black with the elegance of simplicity. In the 1960s, it became the color of choice for the Beatniks and the underground. Black was also used as a rebellion garment. See the Black Panthers and Hong Kong democracy protesters.

In 1971, Johnny Cash, aka “the man in black”, explained his choice of clothes in song: so we remember those who are held up, in the front there should be a man in black.

And in 2018, Times Up asked everyone who attended the Golden Globes to wear black to show solidarity with victims of sexual harassment in Hollywood.

Black is, of course, the favorite color of many in the fashion industry too – the same ones that keep declaring red, purple or neon as the latest trend. At Monday’s Met Gala, Kim Kardashian wore a black Balenciaga lower body and a mini dress with a train, which drew comparisons with a black hole and raised eyebrows, given the plight of women in Afghanistan today.

All this explains why the color of your choice can provoke strong reactions. That doesn’t mean you have to give it up, of course. There’s a reason black has been so popular for so long, and if anyone thinks it’s going to go away, I have a bridge to sell you. But it does mean understanding the different layers involved and what can actually be going on in the viewer’s mind.

Each week on Open Thread, Vanessa will answer a fashion reader’s question, which you can send her anytime via E-mail Where Twitter. The questions are edited and condensed.

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Fashion designer

These 2021 CFDA Award nominations continue to reflect greater fairness in the industry

Dapper Dan attends Manhattan Magazine to Celebrate New York's Men on the Move on April 03, 2019 in New York City.

Dapper Dan attends Manhattan Magazine to Celebrate New York’s Men on the Move on April 03, 2019 in New York City.
Photo: Marc Sagliocco (Getty Images)

It seems that we have very tastes great here at The Glow Up, although frankly we already knew that. After all, we honored legendary luxury streetwear pioneer Dapper Dan with our Lifetime Achievement Award. when we launched the TGU 50 in 2020, making it even more official by give his name to the prize for life. (The “Dap Award” sounds great, right?)

We also seem to be in very good company in our admiration for one of the best in Harlem. The winners and nominees for the 2021 CFDA Awards were announced this week, and like us, the Council of Fashion Designers of America believes Dap’s is a legacy worth celebrating. He will receive the Geoffrey Beene Lifetime Achievement Award at this year’s in-person ceremony on November 10. According to Vogue, the man born Daniel Day is the first designer without a fashion show to win this honor.

Another TGU50 winner will have a first at this year’s ceremony; designer-activist Aurora James was nominated for a CFDA Award over the years, but in addition to her 2021 nomination for American Accessory Designer of the Year for her stellar work at Brother Vellies, James will also be honored with the Founder’s Award in honor of Eleanor Lambert. for her revolutionary launch of the 15 percent pledgee. Launched last June, the initiative has been successful in lobbying a growing number of large retailers to allocate 15% or more of their inventory to black-owned products or designers, including Sephora, Macy’s and The Gap. James, who was also named one of the Time 2021100 this week and also designed the front page dress of Alexandria Ocasio-Cortez for Monday’s Met Gala, captioned an Instagram post:

Wow. Guys! What a week and what an incredible honor. I am so proud of the work we have done with 15% commitment. Big thanks to my amazing team of women who work tirelessly in this fight for economic justice and racial equity every day … I promise you the best is yet to come. The work has only just begun.

James is one of several black designers returning to the nominees list this year, including Virgil Abloh and 2020 CFDA Award Winners (and TGU50 winners) Telfar Clemens and Christophe john rogers, who have both previously won the CFDA / Vogue Fashion Fund Awards in 2017 and 2019, respectively. British Fashion Award 2020 winner Grace Wales Bonner also won a CFDA nomination for International Men’s Designer, while Fear of God’s Jerry Lorenzo landed a first-time nomination for American Menswear Designer of the Year. And the Emerging Designer of the Year category is particularly exciting for us, as three of its five nominees are black: Evdin Thompson for Theophilio, Jameel Mohammed for KHIRY and Kenneth Nicholson.

“American fashion is experiencing a resurgence of energy and these designers play an important role in the future trajectory of our industry,” Steven Kolb, CEO of CFDA, said in a statement to Vogue.

The 2021 CFDA Awards will be held in person on November 10 at The Pool Room in New York; the full list of nominees and winners is below (black talents highlighted in bold by us). The CFDA announces that more will be announced as the date of the ceremony approaches.

The Founder’s Prize in honor of Eleanor Lambert:

Aurora James for the 15 percent pledge

The price of environmental sustainability:


The Media Award in honor of Eugenia Sheppard:

Nina Garcia

The tribute of the board of directors:

Yeohlee Teng

The Geoffrey Beene Prize for all of his achievements:

Dapper Dan

Nominees for American Women’s Clothing Designer of the Year:

Catherine Holstein for Khaite

Christophe john rogers

Gabriela Hearst

Marc Jacobs

Pierre Do

Nominees for American Men’s Clothing Designer of the Year:

Emily Adams Bode for Bode

Jerry Lorenzo for Fear of God

Mike Amiri for Amiri

Telfar Clemens for Telfar

Thom browne

Nominated for American Accessories Designer of the Year:

Ashley Olsen and Mary-Kate Olsen for The Row

Aurora James for Brother Vellies

Gabriela Hearst

Stuart Vevers for Coach

Telfar Clemens for Telfar

Nominees for American Emerging Designer of the Year:

Edvin Thompson for Theophilio

Eli Russell Linnetz for ERL

Jameel Mohammed for Khiry

Kenneth nicholson

Maisie Schloss for Maisie Wilen

Nominated for International Designer of the Year for Women:

Daniel Lee for Bottega Veneta

Demna Gvasalia for Balenciaga

Miuccia Prada and Raf Simons for Prada

Pierpaolo Piccioli for Valentino

Simon Porte Jacquemus for Jacquemus

Nominated for International Male Designer of the Year:

Daniel Lee for Bottega Veneta

Dries Van Noten

Grace Wales Bonner for Wales Bonner

Rick owens

Virgil Abloh for Louis Vuitton

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French fashion

The dirty secret of clothes is released

Instead, due to the pandemic, she was in custody in Brooklyn when news broke that dozens of major consumer clothing brands were refusing to pay factories for completed orders. The orders represented billions of dollars and the livelihoods of legions of impoverished people, mostly women.

“In the midst of this terrifying crisis, these really huge, profitable companies – their instinct wasn’t to protect the people who work for them, it was to screw them up,” Cline says. “It was too much.”

She launched a campaign called #PayUp, alongside activists and others following the fashion industry, demanding that brands, including H&M and Zara, pay what they owe. Factory owners have been exceptionally open with the press about the extent of the problem, Cline says. They rarely speak ill of their customers, whose whims control the fate of factories. But in this case, what did they have to lose?

#PayUp has gone viral. Over $ 22 billion of those unpaid bills have since been paid. But the bad taste in Cline’s mouth hasn’t gone away. For years, she had written extensively on brands’ efforts to do better on labor rights and the environment. But because fashion has largely escaped the official pollution and waste regulations that governments apply to industries such as petroleum and agriculture, clothing companies were watching and reforming themselves. Now Cline couldn’t muster even skeptical optimism.

It was time, she thought, for fashion to stop being. And she was not alone. In recent years, awareness of fashion issues has surged like a wave in society, especially among young people. The pandemic has only accelerated the process, with injustice and environmental degradation attracting the attention they rarely received before. Now Cline and other voices – activists, writers, non-governmental organizations – are calling for change, with real rules on the industry.

A glimpse of the future

The social problems of clothing manufacturing, which relies on low wages and long working hours, are no secret. But what you might not know is the depth of fashion’s sustainability problem. Along with little black dresses and trendy sneakers, clothing manufacturers are producing tons of trash and oceans of contaminated water. Clothing manufacturing doubled between 2000 and 2014, and many pieces are now only worn a handful of times. Each second, the value of clothes from a garbage truck is thrown away or burned. The fashion industry is a conveyor belt transporting natural resources through landfill at breakneck speed.

The solutions explored by the clothing brands themselves typically resemble using a pipette to put out a forest fire. Recycling cotton makes more use of the material, but recycling shortens its fibers, which must then be combined with fresh cotton to make a garment.

The best ideas involve the concept of circularity. “This means moving to a system where we no longer extract new materials from the earth,” says Elizabeth Segran, a fashion reporter for Fast Company.

If fashion were circular, the materials of one garment could be used to make a new garment after the first one is worn. They should be chosen from a list of materials that can be recycled endlessly. That’s a tall order at the moment, as the best-known examples are glass and aluminum, which are unlikely to be used much in clothing. And there is almost no infrastructure to do it: there are few supply chains of recyclable substances and no good way to recover the materials from the consumer.

Still, if brands are using materials that can be recycled multiple times, but not endlessly – like the PET plastic used in water bottles, which can be used to make polyester – and if they can invest in it. infrastructure and logistics to recover and reuse their products, just as they have adapted to e-commerce over the past 15 years, there may be a way forward.

Chloe Songer and Stuart Ahlum, founders of sneaker brand Thousand Fell, see their company as a pilot project for this potential future. Both had worked for several years for major clothing brands and kept an eye on researching new types of materials.

“Textile vendors and factories had heard the consumer want something more sustainable,” says Ahlum, and he and Songer had seen enough textile innovations to launch a first product that matched the bill. “By that I mean better [use of] carbon, water and energy across the entire supply chain than traditional leather, traditional rubber or traditional foams, ”he says. And “we could actually recycle a lot of that stuff.”

They chose a simple white sneaker, the kind that people could wear everyday for months on end until it was really worn out, then tossed in the trash, and designed it so that at the end of the day. its life, it can be disassembled and many of the components recycled.

From the way Songer and Ahlum talk about materials, you can begin to see a future in which companies have endless foods of plastic or synthetic cork or vegan leather that are marketed as finished products and come back as raw materials. (The company name reflects the founders’ interest in new types of “scraps,” an old term for leather or hides.) At the end of this month, the company will launch an online system for its recycling process that will allow consumers to track the material fate of their shoes and use credits when purchasing new ones.

This proto-circular economy is an appealing vision, but relying on companies alone to make it real is not enough, especially huge ones like Gap and Inditex, which owns Zara. “What we risk is that they are doing just enough to stop us from asking for real change,” says Cline.

In other words, they will only leave if they are pushed. We don’t have time to wait for them to move on their own.

Elizabeth Cline, author of “Overdressed” and “The Conscious Closet”.Keri wiginton

Real responsibility

In February, Segran wrote an article for Fast Company calling on Biden to appoint a fashion czar. “The fashion industry is responsible for 10% of the world’s carbon emissions,” she wrote. “It must be regulated like the other major sectors. The story sparked a movement: Activists wrote a letter signed by more than 80 groups, including fashion brands and nonprofits, urging the president to choose someone to take charge of this disaster at high speed, someone to inaugurate policies that make brands responsible for the environmental and social burdens of their products.

Cline was one of the signatories of the letter. “Although [the United States has] a huge fashion industry and is a leader in terms of design, we don’t have a lot of breakthroughs in Washington. And at the moment, we are late in this political conversation, ”she said. “We believe that every conversation the White House has on climate, energy or sustainability or domestic manufacturing should include people from the fashion industry.”

Elsewhere in the world, there are signs of what could be. When brands miscalculate demand, they often burn or destroy unsold clothing en masse – a practice France now has banned. The European Union’s Circular Action Plan includes another idea Cline hopes to have legs: a demand for extended producer responsibility. This would force companies to take back and recycle or otherwise treat their products once they have reached the end of their useful life. “It would be such an easy thing for the United States to adopt,” she said. The EU also plans to establish rules encouraging manufacturers to use recyclable materials.

In addition, the EU passes human rights laws that oblige companies operating in the EU – whether it is simply having a store there or having their headquarters there – to s ” ensure that their supply chains, wherever they are in the world, meet certain standards. . If they don’t, there will be financial consequences. “This marks a big step forward from self-regulation towards real accountability for brands,” says Cline.

In recent months in the United States, Cline has campaigned for the Garment Workers Protection Act in California, which would hold fashion brands legally responsible for ensuring workers earn at least minimum wage. She took on the role of director of policy and advocacy at Remake, an organization focused on overhauling the fashion industry, and fought for the renewal of an international agreement to protect factory workers from tailoring at work.

Almost 10 years after Cline helped revive the consumer staples movement to extend the life of clothing, the movement has gathered pace. People are now committing on social media not to buy anything new. Younger generations are showing increasing awareness of the fashion industry waste problem. In June, online resale firm ThredUp and research firm Global Markets announced that second-hand clothing sales are expected to quintuple over the next five years. That’s fine, says Cline, but changing consumer behavior is only a small part of what’s needed.

“My job has changed a lot over the past year,” says Cline. She now believes that instead of getting people to buy smarter or less and expect brands to reform from within, there is a need for change in the public sphere. “Instead of putting so much pressure on our consumers, we need to review what our citizens are capable of,” she says. “Which is a lot.”

Veronique Greenwood is a science writer who frequently contributes to Ideas. Follow her on Twitter @vero_greenwood.

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Fashion brand

A fashion brand that reflects Gaza’s forgotten past

Meera Adnan designs clothes that tell the story of her family in the 1980s in Gaza, a city under Israeli occupation.

One day, about a year and a half ago, Meera Adnan, a young Palestinian fashion designer, browsed through her family photos taken in the 1980s. She was intrigued by the sartorial sense of her mother, aunt and His grand-parents.

Around the same time, Meera made her debut in the fashion world with a brand under her own name. She found inspiration in images of her family members, who wore an attractive combination of clothing that defined the 1980s era when Gazans navigated a brutal occupation of Israel.

“Gaza doesn’t openly inspire my designs,” Meera says, “but you notice them indirectly.”

“Sometimes you can find it in embroidery or in the visual elements that I add to photos before posting it.”

The colors of Gaza, the beloved city of Meera, often appear in his designs. There is a tinge of green, the central color of Gaza’s identity, in many of Meera’s designs. It symbolizes the olive trees that abound in Gaza.

Every time Meera visits Gaza, she returns to Istanbul, feeling inspired to create new designs that reflect the city’s survival spirit. (Courtesy: Meera.Adnan.Label)

There are about 33,000 square meters of land with olive trees, according to Gaza’s agriculture ministry.

The famous Gaza Sea is also not absent from Meera’s drawings.

“This dark green blazer is thankful for the Palestinian olive tones and the homeland,” Meera says.

“Mother of pearl buttons inspired by the seashells of Gaza beach. Puff sleeves are our favorite on-trend touch with this collection, inspired by the Palestinian fashion scene of the 80s.”

It is the ordinary Gaza detail that shaped Meera Adnan's work.

It is the ordinary Gaza detail that shaped Meera Adnan’s work. (Courtesy: Meera.Adnan.Label)

Meera, 28, obtained her bachelor’s degree in accounting in Gaza. She later pursued her Masters in International Business in the UK.

She moved between Gaza, Jordan, the UK and Germany. For a while she worked in a fashion marketing company in Hamburg.

But her love for fashion made her think of creating her own brand. So she moved to Istanbul to start working on it.

At that point, his dream was about to come true.

“Clothes express what I mean without having to talk. That’s what I love about fashion.” Meera tells TRT World. “It tells a story that has to do with life, society, politics, the environment, history and even the art that surrounds us.”

Meera designs her collections in Istanbul and then takes them to Gaza. Each time, she comes back with a new inspiration which is in some way linked to the Palestinian cause.

Meera chooses fabrics and supplies from Turkey for her designs. Then the production process starts in Istanbul while the sale is online.

“My designs are sold in many countries around the world, such as Europe, America, Gulf countries and Arab countries,” she says.

Ameera Adnan's grandmother in the middle holding her mother on the left and her uncle on the right.  Old photos of his family played a major role in shaping his creative output.

Ameera Adnan’s grandmother in the middle holding her mother on the left and her uncle on the right. Old photos of his family played a major role in shaping his creative output. ()

She does not approach fashion only commercially but as works of art as she describes it.

“I want people to keep what they buy from my designs. I want it to be precious so that they can one day pass it on to their grandchildren,” she adds.

Meera Adnan's mother at her high school.

Meera Adnan’s mother at her high school. (Courtesy: Meera.Adnan)

Although it is difficult to travel to and from Gaza due to the imposed blockade, Meera prefers to live there.

Meera has already achieved some international recognition as she has appeared in several fashion magazines.

His designs have appeared in American, Italian and Arabic publications of Vogue magazine. The prestigious magazine Marie Claire has also published her profile.

“It exceeded my expectations and I’m so happy with what I accomplished. I never imagined I would get there in such a short time,” Meera says.

The heart of Meera Adnan's work is rooted in reflecting the feelings of the people of the Gaza Strip.

The heart of Meera Adnan’s work is rooted in reflecting the feelings of the people of the Gaza Strip. (Courtesy: Meera Adnan)

She doesn’t want to show her work in a showroom. She thinks her story has reached people online, and she would rather it stay that way.

“All I want is to create more. I live the dream, I do what I love and I don’t think about it commercially,” explains the beautiful brunette fashion designer.

Although she is happy with what she has achieved so far, Meera is looking to reach more people with her unique and daring collections.

Source: TRT World

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Fashion style

High-heeled crocodiles are a fashion crime and must be stopped

This is not a hateful Crocs piece. Let’s get that out of the way first. It is, however, a call not to give in to the high-heeled crocs created by Balenciaga as part of its spring / summer 2022 collection.

The stiletto crocodile is available in green or black (Credit: Balenciaga)

When writer, podcaster and former wardrobe mistress Pandora Sykes tweeted a Croc Stiletto recall on Twitter after the shoe appeared in the magazine last week. The Sunday style, it aroused a lot of emotions …

We mean, is this where are we ?

So-called “ugly” accessories can be on trend, and we encourage everyone to embrace the strong and shameless in their personal style – but the high heeled Croc cannot be accepted as the new trend.

Pandora Sykes didn't even have words for the shoe (Credit: Twitter / PINSykes)
Pandora Sykes didn’t even have words for the shoe (Credit: Twitter / PINSykes)

Firstly, they are only available in bright green or ash black, AKA the less interesting Croc colors. How about a pretty pastel purple or a Hollywood Glamor red? I understand this is Balenciaga so they might not want to go for a touch of pink but a dusty solid black or ghost hunter slimy green? Not in it.

Also, if you want to make a Croc stylus, you have to do it with all your heart. The design of Balenciaga’s high heel Crocs does not engage with how unique Crocs can be a fashion staple.

Remember that cute little cartoon crocodile that was on the side?

It is now replaced by the single name Balenciaga. The heel itself doesn’t feel out of place with the rest of the shoe. It looks like black scaffolding rather than the ultimate color and heel-matched texture to literally take your old gardening shoes to new heights.

RIP to this cute little crocodile, we will miss you (Credit: Alamy)
RIP to this cute little crocodile, we will miss you (Credit: Alamy)

The campaign missed another round. If you’re going to do a high-heeled Croc, you’re obviously hoping to tap into the irony and tackiness and transcend to new levels of camp style. You want your outfit to be able to laugh at itself.

Which begs the question, where are the jibbitz?

You know those plastic charms and gems you accessorize your Crocs with? Everyone knows they bring a whole new layer of garishness to your look …

Make haute couture jibbitz!  (Credit: Alamy)
Make haute couture jibbitz! (Credit: Alamy)

If there was a time for jibbitz, it would be now. Imagine a big Balenciaga “B” charm, or rhinestones adorning your heeled crocodile? Now this would be a fashion statement.

The Heeled Croc had potential. Damn, we might have even bought a pair …

But alas, they just put an old Croc on a stick and tried to whip it for £ 800.

£ 800 ?! For a glorified shoe that I put on to take out the trash ?! Spare us, please.

Don’t be angry, just demand better for your feet.

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Fashion designer

How Halston’s director created a show to honor the style icon’s legacy

Halston director discusses legacy of style icon

It was a labor of love to tell the story of Halston’s life in a limited five-hour series. Director Daniel Minahan wanted to make a show as stylish and enduring as the legendary fashion designer.

“We decided from the start that we had to take inspiration from the man himself,” says Minahan. “It’s the story of a creative genius and a person who is a creator of the world. So we had to recreate this world as precisely as possible… which influenced everything from the costumes we selected and recreated, to the interiors, to the cinematography.

Minahan, who directed every episode of the Netflix show with Ewan McGregor as an influential designer, is one of the most distinguished names working on television today. Not only did he direct episodes of Game Of Thrones, Real blood, Six feet Under ground, and Dead wood, but he won an Emmy for executive production American Crime Story: The Assassination of Gianni Versace and was nominated for another for directing Deadwood: the movie.

With Halston, he had the chance to do a much more personal project. Minahan grew up in suburban Connecticut and as a child was fascinated by the world of 1970s New York and its luminaries, including Andy Warhol, Steve Rubell and of course Halston.

Halston director discusses legacy of style icon

Halston director discusses legacy of style icon

“Halston, to me, was kind of an inspiration,” he says. “It was this mysterious character who is known to be a creative genius and who is very successful in his work, and who created beautiful things. And as a gay child, he was an important kind of person to see.

When Minahan learned more about Halston as an adult, he became even more fascinated. He remembers reading a 1987 New York Times article about him, “The Prisoner of Seventh Avenue” by Lisa Belkin, then later the book Simply Halston by Steven Gaines. Then, 20 years ago, he started working on an idea for a Halston movie. While that never came to fruition, a few years ago he was approached by producer Christine Vachon to revamp the idea into a limited series.

In this format, Minahan was able to broadcast Halston’s story and give him room to breathe, thus giving the late artist his due. And he also knew how to honor the artistic process.

“Every time you see your creative process on screen you’re like, ‘Oh, my God, they were so wrong.’ Getting it right is really important to me, ”Minahan says of trying to authentically capture Halston’s methods. “And I grew up in New York with friends who worked in design, hung out in study rooms and were backstage at fashion shows. So I got an idea of ​​the texture of it. And then, between our remarkable costume designer, Jeriana San Juan, and our research, we understood how workrooms are structured. So we spent a lot of time there learning how to handle things, how to pan, how to cut, and how to smoke while doing it all. And we’ve all really dedicated ourselves to making it as authentic as possible. “

But in the end, it’s all about Halston. “At the center of it all is a creative genius that has really affected the culture and everything from the way we dress even today to the way people are fascinated by marketing and branding. themselves, ”he says. “How willing are you to compromise yourself to get what you want?” How much are you willing to sell?

Halston was “the first influencer,” says Minahan. “I think he was one of the first people to recognize it and really explore it. He was a brilliant self-promoter, and he took the opportunity to brand his name and market it. And I think there is a lot to be learned from that. He is also the first person to have it removed and erased like this.

“I think a lot of people are really engaged in this conversation right now, and I think it’s really relevant,” he says, referring to social media and the rise of personal branding. “And I think it’s told in the most entertaining way, but I hope people take it with them.”

Related | Ewan McGregor explains why it’s okay to play gay on Netflix Halston

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French fashion

Marks & Spencer accuses Brexit of cutting 800 lines in Republic of Ireland stores and closing 11 stores in France

Retail giant Marks & Spencer has been forced to cut 800 lines from its stores in the Republic of Ireland, including items like free-range chicken, orchids or products containing Parmesan Reggiano.

he changes are the result of complex rules and excessive paperwork caused by Brexit.

The store also announced that it will close 11 of its stores in France due to supply issues with fresh and chilled food in the wake of Brexit.

The group blamed the Brexit disruption on UK exports to Europe for its decision to close all franchise stores with its partner SFH in France.

He said: “The long and complex export processes now in place after the UK’s exit from the European Union severely limits the supply of fresh and chilled produce from the UK to Europe and continues to increase. impact the availability of products to customers and the performance of our business. in France.”

The stores, located mainly in the shopping streets of Paris, are expected to close by the end of the year.

M&S said it remains in talks with its partner Lagardere Travel Retail over its nine remaining French stores based at airports and train stations, which it says continue to operate normally.

Its website in France, which mainly sells clothing and home products, is not affected, the group added.

Paul Friston, Managing Director of M&S International, said: “M&S has a long history of serving its clients in France and this is not a decision that we or our partner SFH have taken lightly.

“However, as it stands, the complexities of the supply chain in place after the UK’s exit from the European Union now prevent us from serving fresh and chilled products to customers to the high standards that ‘they wait, which has a continuous impact on the performance of our company.

The move comes after it emerged over the weekend that M&S ​​was considering store closures in France as part of a review of its operations there in light of post-Brexit trade rules and product availability. .

M&S restructured its Czech operations in April following Britain’s withdrawal from the EU, removing all fresh and chilled products from stores and doubling the frozen and longer shelf life product lines.

The group warned last week of further disruption expected when a grace period on trade and goods entering the UK from the continent begins to expire.

Last month, M&S upped its profit targets after seeing a 10.8% increase in food sales in the 19 weeks leading up to August and an increase in online clothing sales.

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Fashion style

Gabrielle Union mixes fluffy fabrics, sequins and lace, plus other fashion hits for September 2021 | Gallery

8:20 p.m. PDT, September 16, 2021

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Fashion brand

The Nana & Bird multi-label boutique invites you to join them

PHOTO: Nana and the bird

SINGAPORE – When we stumbled upon a store that feels like browsing a friend’s expansive wardrobe with every item that catches your eye, we know it’s a winner. Housed in the airy and spacious Yong Siak location, Nana & Bird is the place to venture when you need retail inspiration or to chat with the friendly owners, Georgina Koh and Tan Chiew Ling.

In addition to its eponymous clothing brand, Nana & Bird, the local multi-brand boutique also houses local and international brands. Over the past 11 years, from their beginnings as a weekend pop-up store in Georgina’s Tiong Bharu apartment, the brand has consistently responded to the needs of its customers by introducing relevant and thoughtful items in addition to offering engaging store experiences. From its roots in clothing, the fashion brand has branched out into accessories, children’s clothing and home goods. Faithful to their spirit of innovation, they recently launched three lines: Momentum, Essence and Re / love. These three new launches cover their fifth capsule collection, their home brand of perfumes and home care, as well as a pre-loved segment.


Born from a difficult year that the whole world went through, the aptly named Momentum is “inspired by the proposal to regain its momentum in 2021 after having survived the uncertainties of 2020”. The founders seek to instill a sense of hope and positivity by bringing lightness and forward momentum. The fifth capsule, a 30-piece collection, features easy-to-wear outfits, with funky prints and a colorful color palette. You’ll find tops, bottoms, outerwear and dresses designed with work from home in mind (wfh). Not quite loungewear, the Momentum collection is made for zoom-ready wfh situations, with a touch of elegance thanks to luxury materials such as jacquard.

On the one item every woman should own during this pandemic, Georgina shares her choice for a casual blazer that will get her through business meetings online quickly. Chiew Ling’s choice goes to a pair of comfortable house pants that can be dressed easily, which are also iron-free.

Prices start from S $ 115.


A single scent can evoke memories and inspire emotions. The same can be said of the Nana & Bird signature fragrance. After years of reviews from regulars who adore the boutique fragrance created by the founders, the bespoke store fragrance brand “RENEW” was born. Developed with Singapore-based essential oil company Ollie, RENEW is formulated with pure, natural lavender, eucalyptus and tea tree essential oils. By working with farmers and distillers around the world, customers can take comfort in bringing this familiar, chemical-free blend into their homes. Calming, relaxing and yet refreshing, Nana & Bird’s unique blend will definitely come in handy during this pandemic.

The “RENEW” range includes a room mist (S $ 25 for 50 ml), an essential oil (S $ 25 for 10 ml), an aromatic roller (S $ 18 for 10 ml) and the ESSENCE RENEW kit (60 S $ for all three products).

Re / like

In these uncertain times when people are starting to reassess their priorities in life, the founders recognize that fashion circularity is timely. Just as the preservation of products is due to the founders’ shared passion for fashion, the desire of the founders is for their fans to build a modern female wardrobe that can stand the test of time. This is done by injecting novelty in a sustainable way. For the founders, each item in the Re / love category is about celebrating moments, an item that evolves with you through the different stages of life and should remain relevant for years to come. Preserving rare, timeless and authentic pre-owned pieces from top luxury brands at affordable prices is more than owning a luxury piece. It is also about giving new life to each of the objects.

“The fashion industry is at a crossroads when it comes to assessing its footprint and its impact on the environment. As parents, we think about the world we want to create for our children. But as consumers ourselves, we cannot deny the joy of discovering new brands and new products, ”says Chiew Ling. “We believe the dichotomy between the two can be resolved by promoting fashion circularity. We can buy with intention, use with caution, and distribute responsibly.

Customers can follow the brand’s Instagram account, @relove_by, and schedule an appointment to view the items in store.

PHOTO: Nana and the bird

PHOTO: Nana and the bird

Meeting challenges together

The creative duo make entrepreneurship accessible to anyone considering doing the same. Please note that the two founders have full-time jobs and are each the mother of two children. So how did the two of them hit the jackpot with their shop? Far from chance, the success of Nana & Bird is the culmination of various factors, a large part of which lies in their chemistry and self-confidence.

Their 25 years of friendship have been built on a solid foundation, having met during their college years. Along with their promise to put friendship ahead of business from the start, their mutual respect has allowed them to build on each other’s strengths. But more importantly, both have their own ways of using time to their advantage.

A keeper of your time

For Chiew Ling, compartmentalizing her time in untouchable niches intended for her children, her husband and her business has done wonders. “You have to be aware of blocking your time and establishing the barrier,” enthuses the guardian of her time. The dynamic entrepreneur even manages to set aside time for his daily K-drama patch. Imagine having a full-time career, a thriving retail and online store, and juggling a family with kids, all while enjoying my free time. Go figure it out.

Georgina is aware of taking care of her energy level and being present at everything she does – whether it is focusing on the job during working hours, spending quality time with family or working on Nana & Bird operations and formulating business plans. This characteristic of being present has allowed her to focus on the issues at hand and to devote herself 100% to whatever she does. She repeats that when she dies, she really means it. “You have to think about how you use your time,” shares multitasking. While her business partner catches up with K-Dramas, Georgina enjoys relaxing with a glass of wine with her husband the evening after the kids have fallen asleep.

Understandably, both entrepreneurs credit their husbands with support and patience who willingly take on most of the babysitting duties, especially on weekends. Fortunately, the duo have established an am / pm time slot, so they can relieve themselves and enjoy some precious family time on the weekends.

Women lift women

PHOTO: Nana and the bird.  The founders (from left to right): Georgina and Chiew Ling.

PHOTO: Nana and the bird. The founders (left to right) Georgina and Chiew Ling.

Based on advice for aspiring female entrepreneurs, the founders would like to call on their female colleagues to embrace their ideas and actively seek out ways to manifest them.

“Don’t be afraid to have ambition. Don’t dwell on your ideas, just do it. Honor that energy and that instinctive feeling. Never doubt your instincts, protect it and see how it grows, ”Chiew Ling shares.

Georgina agrees: “We have to support each other. Women should not criticize other women but uplift each other. People are more than willing to share. When you’re stuck, talk to someone. Trust and reiterate your ideas along the way. “

The Nana & Bird community

On how they wish to bring Nana & Bird into the next decade, the founders have big plans. Recognizing that women are multi-faceted, they understand that having a highly organized offering is only the tip of the iceberg, their offerings also need to be sharp and different. Their dream for Nana & Bird is to build a strong community of women who will come together in a space to relax, even with their children. A unique destination where women not only get their dose of fashion, but also a place for their beauty needs. Most importantly, Nana & Bird will be a space where women can come together and support each other.

We can’t wait to see Nana & Bird take off.

PHOTO: Nana and the bird

PHOTO: Nana and the bird

Nana & Bird

1M Yong Siak St, Singapore 168641

Phone. : 9117-0430

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