Fashion designer

Fashion designer

Coronavirus vaccine team and Southgate win GQ Awards

LONDON, September 1 (Reuters) – Coronavirus vaccine developer Sarah Gilbert and England manager Gareth Southgate were among the winners of the GQ Men Of The Year Awards on Wednesday.

The men’s fashion and style magazine named Oxford University Professor Gilbert, biologist Catherine Green and the team behind the Oxford / AstraZeneca vaccine as the Hero of the Year.

The event, which doesn’t just honor men despite the name, has returned to a physical format at the Tate Modern gallery in London, following a virtual ceremony last year due to the COVID pandemic. 19.

Anthony Hopkins, who won his second Oscar this year for his portrayal of a man with dementia in “The Father,” took home the Legend award while the Icon award went to the actor in ” Borat “Sacha Baron Cohen.

In sport, Team GB’s Olympians and Paralympics were recognized for their triumphs at the Tokyo Games with the Outstanding Achievement of the Year award while Southgate, who led England to the final of the ‘Euro 2020, was named inspiration of the year. England lost the final to Italy on penalties.

“Bridgerton” star Regé-Jean Page won Outstanding Performance of the Year while Adrian Dunbar of crime drama “Line of Duty” took home the TV Actor of the Year award.

The lead actor of the year went to “WandaVision” actor Paul Bettany while Kingsley Ben-Adir, known for “A Night in Miami …” and “Peaky Blinders”, took home the award. actor of the year. Director Quentin Tarantino was named Screenwriter of the Year.

In the music world, chart-top Ed Sheeran was named Solo Artist of the Year, Band of the Year went to rock band Wolf Alice while frontman Arlo Parks was named Musical Artist of the Year. ‘year.

Other winners of the evening included fashion designer and environmental activist Vivienne Westwood, named game changer of the year. The designer of the year went to Brunello Cucinelli.

Reporting by Sarah Mills and Marie-Louise Gumuchian; Editing by Alison Williams

Our standards: Thomson Reuters Trust Principles.

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Francesca Hung on her favorite fashion designers, essential wardrobe pieces and post-containment style trends

What are the three essential elements of your wardrobe?
I’m not reinventing the wheel: a pair of high-waisted jeans – Zara or Ginger & Smart – white sneakers and a black Balmain blazer.

Must-have jewelry?
My Apple Watch and a big gold Amber Sceats chain.

Do you remember a favorite piece of clothing from your childhood?
When I was three, my dad went on a work trip to Texas and bought me a pair of cowboy boots. I did not want to take them off and refused to wear any other shoes in kindergarten.

What was your worst fashion mistake?
Don’t do a flash test before going to a David Jones event about a year ago. There are all these pictures of me in a see-through dress.

And your first fashion moment?
The first time I wore a piece straight off the catwalk – an amazing dress that was a white top with cutouts and a huge green, white and blue skirt – to a Tommy Hilfiger event in 2019.

Francesca is a big fan of German influencer Leonie Hanne’s use of bright, vivid colors.Credit:Getty Images

What’s at the top of your fashion wishlist?
I have the golf bug so I’m looking for a nice outfit to play on. Something preppy.

Is there a current fashion trend that you like? Because we’re stuck at home, I Instagram all these people overseas and love all the vibrant colors associated with it, especially the pink and green. This is something I want to try when it gets a little warmer and I’m allowed to go out!

What are you wearing in bed?
Peter Alexander pajamas.

Is there something you would never wear?
Doc Martens. I just think I’m not cool enough to pull them off.

What shoes do you wear the most?
Superga or Nike “Air Force 1” sneakers.

Who is your favorite fashion icon?
German fashion influencer Leonie Hanne. I love everything she wears and puts together – the beautiful bright colors, the pairing of silky dresses with combat boots…

“Because we’re stuck at home, I Instagram all these people overseas and love all the vibrant colors associated with it, especially the pink and green.”

What do you wear on a typical workday?
I tend to favor things that appear on screen or make a statement. I am always excited to try new things. For example, for the Fast Furious premiere I wore a gorgeous orange outfit from budding Perth designer Nilofar Khirzad.

What’s your favorite laid back casual Sunday look?
A teal blue tracksuit from Rozalia Russian’s collaboration with Atoir – it’s the most comfortable thing I’ve ever worn.

This article appears in Sunday life magazine within the Sun-Herald and the Sunday age on sale August 29. To learn more about Sunday Life, visit The Sydney Morning Herald and Age.

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“Made in Afghanistan” once symbolized hope. Now it’s fear.

Haseeb Rahimi, a 30-year-old Afghan entrepreneur, and his younger sister, Rahiba Rahimi, a designer, had big plans for 2021.

This was going to be the year they took Laman, their five-year, international fashion brand. Already, they had organized a parade at the American Embassy in Kabul, equipped the candidates with “Afghan Star” (a local version of “American Idol”) and organized a parade in Milan in 2019. Bring their creations to Oslo (where Mr. Rahimi was in business school planning to open a showroom), Dubai and beyond would mark the next step in their dream of creating Afghanistan’s first modern luxury brand – one that would combine heritage. aesthetic of the country with contemporary styles, using the language of fashion to recast the image of their country in the global imagination.

The siblings had developed a network of 500 artisans, including 50 at the headquarters in Kabul, all headed by a woman. They wanted the “made in Afghanistan” label, sewn into every piece they sold, to mean something new both inside and outside the country.

But on August 15, the day the Taliban entered Kabul, they told their staff they were shutting down.

“Everything is wiped out,” Rahimi said by phone from Norway, referring to the company’s equipment, inventory and investments. (Ms Rahimi and her family fled to Turkey at the start of the summer, and she was suffering from “severe depression,” he said.) “This is what happens when you dare to hope in a hopeless place. “

“Hope” rather than “style” or “money” or “the trend” might seem like a strange word to associate with fashion. Almost as strange as writing about fashion against the backdrop of a war-torn and anguished country.

Yet he comes back again and again in times of trauma. In Afghanistan, fashion, with its low barriers to entry, is not so much a symbol of complacent indolence as it is a lever for advancement. It is a path to financial self-sufficiency, especially for women who have been excluded from the formal academic and professional ladder. It’s participating in the global conversation and reframing a cultural narrative.

And there, his essential role of self-expression and antidote to horror is evident. The drive to create beauty even in the worst of times is a universal human impulse – a statement of belief in what is possible.

As Ms Rahimi put it in an interview with The new humanitarian newsletter in 2017, “Fashion in a way helps our women come out of their shell and say to society, ‘Here I am. Look at me. Hear me. ‘”

This is so, for example, in Ukraine in 2014, when fashion week was held in Kiev as Russian forces loomed at the border. In Israel and Gaza, where fashion shows were held during the attacks of the same year.

And so it has been for the past 10 years in Afghanistan, as NGOs and private entrepreneurs have turned to fashion as the way forward. This is in part because it is a job that many women could do at home while looking after their families and traditional roles (even in areas already controlled by the Taliban).

And in part because of the country’s legitimate history and heritage as the center of the Silk Road, with its associated textile and embroidery art, and later “the Paris of Central Asia” – a nickname given to Afghanistan in the stable period from 1930 to 1970, when the “Afghan coat” became a staple in Western fashion. (Indeed, in 1969, Vogue held a fashion shoot titled “Afghan adventure. ”)

“Handicrafts have always played a vital role in defining communities and cultures as well as economic opportunities,” said Rebecca van Bergen, founder of Nest, a non-profit organization focused on building an economy world of manual workers. Nest has been present in Afghanistan since 2015 and works with a network of 6,700 artisans in the country, 89% of whom are women.

“Many craft businesses in Afghanistan started and flourished after the fall of the Taliban in 2001, which shows how the empowerment of women is directly linked to economic development and cultural preservation,” said Ms. van Bergen.

In 2016, for example, Simone Cipriani, the founder of the Ethical Fashion Initiative, a program of the International Trade Commission, a joint agency of the United Nations and the World Trade Organization, launched a program in Afghanistan focused on the cultivation of local saffron production. and silk and executed according to the principles of the International Labor Organization. Sixty percent of the 3,500 employees are women.

This fall was to herald the start of the next stage when, in November, a major Italian luxury brand – Mr. Cipriani did not want to say which one, but admitted that it belonged to a large French group – would sell 2,000 bristles. shawls created in Afghanistan with the support of the Italian textile manufacturer Ratti (of which Louis Vuitton is one of its clients). He hoped it was a deal that would open a pipeline for future business, legitimizing Afghan crafts at the highest levels on the world stage and creating a new form of industry in the country.

In 2019, the EFI initiative also linked Jeanne de Kroon, a Dutch designer who had launched a line called Zazi Vintage, with a workshop in Afghanistan, to better recycle the country’s sumptuous textiles into extraordinary coats designed and sold by Mrs. de Kroon.

It was the same year that USAID, the United States’ international development organization, helped set up an exhibition in Milan at the Salone dei Tessuti to showcase the country’s luxury crafts (products being created partly by a network of 15,000 women). It featured a parade of four brands, including Laman, all founded by women and all dedicated to various iterations of the same mission: empowering their female base and rebuilding their country.

And that was right before Hila and Wana Limar, two Afghan sisters who immigrated with their families to Germany when they were young, began to prepare a jewelry brand called Sevar. It was designed to sell gold and lapis designs created and purchased in Afghanistan and is based on a program to teach a trade (and business and marketing skills) to young women who drop out of high school. The first collection was due out this fall, and the first class of young women had applied and been selected to begin their apprenticeship during the fall of Kabul.

Now, like Laman, all of these initiatives are on hold, the stories they represent are whispered with fear, the women who work with them are too afraid to continue.

EFI has removed all web pages related to its work in Afghanistan and released the declaration: “Until the situation becomes clearer, we have decided not to release any personally identifiable information related to our work in Afghanistan. Thank you for your understanding. ”USAID’s pages on their show in Milan have also disappeared.

“Many of our artisans have deactivated their IG accounts and requested that their names not be mentioned anywhere out of fear for their safety and that of the artisans they employ,” said Ms. van Bergen of Nest. “With women’s rights at best questioned and artisan businesses feeling the need to shut down social media accounts and websites, the economic and cultural spillovers are all in question. It’s scary.

According to Ms. de Kroon de Zazi, the government has told the country to return to work. But while male employees return to their workshops, most women stay away for fear of retaliation if they show up. Hila Limar said she received text messages every day asking for help and had contacted the German government in an attempt to get names on evacuation lists. She was well aware of the fact, she said, “that I could be one of those girls. It is our responsibility to support those who have not had the chance to leave. And who now cannot.

“Someone asked me if there was hope,” said Mr. Cipriani of the Ethical Fashion Initiative. “I don’t know the answer. But there is a possibility of hope.

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Hot Hotels: The Standard, London

The location

The Standard team has a knack for establishing itself in the hottest places in the world. Standard “seals of approval” have been awarded to Miami Beach, Hollywood, Downtown Los Angeles, East Village in New York, The High Line and even the Maldives. While none of these destinations need help promoting themselves, The Standard further strengthens its status as a must-see and in London it’s no different. While years of regeneration have made King’s Cross a new destination for many, “KX” and neighboring Camden have long been haunts for the alternative, bohemian and those on the fringes of society.

Coal Drops Yard, a short walk from The Standard, is home to lively shops, bars and restaurants, as well as historical relics like the old Granary Building (now home to the internationally renowned art school, Central Saint Martins ) and the Victorian Gothic Revival style St. Pancras International The station and adjoining Renaissance hotel now occupy a prominent place in the neighborhood.

Following the local trend of regeneration and reuse, The Standard occupies the former annex of Camden Town Hall, a brutalist monument that has been lovingly restored by the architectural firm Archer Humphryes, with a three-story extension of the space age capping the structure. Going up outside is a new mini landmark in itself, a red phone booth-shaped elevator that serves the 10th-floor restaurant, Decimo. Inside, Shawn Hausman, a longtime Standard collaborator and interior designer, continues to nod to the building’s 1970s heritage.

The rooms

The Standard has 266 rooms in 42 unique styles with a range of packages to suit all inclinations and whims. There are Cozy Core windowless pods, perfect for a wild night’s sleep, as well as light-flooded terraced suites with stunning city views and everything in between. Once again, Shawn Hausman and Co. have worked their magic in every nook and cranny of every room while fashion designer and Central Saint Martins alumnus Craig Green has also made his mark. In addition to designing the enviable collection of Standard Team uniforms, guests can dress and stay in custom Craig Green bathrobes, cut from the most comfortable terrycloth cotton.

Designer dresses need space to relax and there’s no shortage of Zen here. Rich textures and natural details including wool, leather and wood are sprinkled throughout. Large room-service TVs face even larger beds with plush Italian bedding and plush pillows.

The food

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British designer Paul Smith offers sustainable and radical design for the MINI band

Perhaps in an effort to appeal to more demanding customers, many car manufacturers are collaborating with brands that have nothing to do with the automobile. The practice might seem odd at first, but when you get something like the Paul Smith MINI Strip it all makes sense. It’s a cool project between two brands promoting a greener future.

Instead of just reworking the MINI Strip for an electric powertrain, Smith is trying something different for this build. They start with a Cooper SE and take everything apart. As strange as it sounds, it actually lives up to the namesake here. This process even goes as far as painting.

This leave leaves us with a bare metal exterior with only a thin clear coat to protect it from the elements. Smith goes for an absolute minimalist aesthetic and the MINI is more than happy to oblige. With all of the components off, the next step is to identify which ones to omit while still keeping the vehicle functional.

“Maybe in the future we won’t need a lot of gadgets in our car. If we added less and used recycled and recyclable materials, it would create a more sustainable world, ”says the British fashion designer. It’s odd, admittedly, but sort of fascinating when you really think about it.

The MINI Strip doesn’t look any different on the outside, but Smith reminds us of its green nature. A view from the cabin shows an almost stripped-down theme. There are mesh panels, recycled cork elements, climbing rope door handles, and more. It even gets a transparent roof made from recycled Perspex for superior visibility. Now that’s one way to make a statement regarding sustainability.

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Images courtesy of MINI

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Western Design Conference + Sale Exhibition Names Six Top Interior Designers For September Jackson Hole Designer Show House, Including Max Humphrey Custom Porch Space | New

JACKSON HOLE, Wyo., August 19, 2021 / PRNewswire-PRWeb / – The Western Design Conference + Sales Exhibition is delighted to welcome back guests to the four-day in-person conference Jackson Hole event in September, celebrating the best functional art inspired by the West and showcasing six great interior designers – including the famous designer and author of the new book “Modern Americana”, Max Humphrey – all look to the western style for the highly anticipated Designer exhibition house. Built in the middle of the 28,000 square foot showroom, the eclectic and artistic home features six life-size spaces exclusively designed for the WDC exhibition + sale.

The Show House 2021 will be unveiled during the Opening Preview Party + Fashion Show on Thursday September 9, at the Snow King Events Center in Jackson, Wyoming, and guests are free to tour the house at their leisure throughout the four-day event, which takes place through September 12. As executive director Allison merritt recently told “Architects + Artisans” in an interview about the return of the Western Design Conference 2021 in person, the event will be Wildly responsible and adhere to all CDC recommendations.

Starting with a spectacular rustic porch designed by Max Humphrey of Portland, Oregon, the Designer Show House opens with a theme that Humphrey calls “a little bit of country, a little bit of rock ‘n’ roll”. A weathered metal shed roof houses benches filled with vintage grain bag pillows, large cushions and camp blankets against custom-designed horseshoe wallpaper accompanied by old hickory furniture as well as of some of the designer’s favorite found treasures. Humphrey spontaneously coined the term “Modern Americana” to describe his signature style during an interview in 2018, and his popular book of the same name was published in April 2021. Acclaimed as a creator of design change and named one of Country Living’s 100 Most Creative People, Humphrey’s interiors are featured in Architectural Digest media at the Wall Street Journal.

Upon entering the Show House, WDC guests are greeted by the hallway designed by New West Fine Art, a contemporary art gallery in Jackson in exclusive partnership with the artist and Jackson native Connor liljestrom. Working primarily in oil and mixed oil, Liljestrom explores themes inspired by her life in Tetons, mythologies, Hollywood and pop culture, natural history, colonialism and the canon of Western art history.

From the nifty hallway, guests enter the living room created by the winner of the 2019 WDC Best Interior Design award. Anne Buresh Interior Design with offices in Charlotte, North Carolina, and Jackson, Wyoming. Buresh can’t wait to return to Show House with a new look connecting South and West, mixing traditional and contemporary, feminine and masculine, and showcasing a well-traveled lifestyle. A striking mural envelops the space, furnished with custom pieces, French antiques, and a dramatic black-and-white image by Austrian photographer Josef Hoflehner.

Guests can then venture into the custom library designed by Antique hickory furniture and Gibbs Smith editions. The Show House’s timelessly charming book space will feature over 100 Western-themed books, all available for purchase. Montana photographer Audrey Hall and author Chase Reynolds Ewald, authors of interior design titles “Rustic Modern” and “Cabin Style” among others, will be on hand to sign their latest coffee table volume, “Bison, Portrait of an Icon,” and Max Humphrey will sign his “Modern americana“with the contribution of Chase Reynolds Ewald.

Across the hall you can relax in the living room, where you can work by Jackson Emily Janak Interiors and Fighting Bear Antiques, and Alley Modern and More, offering a contemporary approach to Western iconographic motifs. The exhibition collaboration will present Thomas molesworth, Stickley and mid-century rattan furniture with touches of soft textured ikat and floral accessories combined with Navajo weaves and contemporary art, providing a modern look with subtle touches of the past.

And finally, the Show House has a kitchen, dining and living room combination by Jackson Hole Harker design, also returning to Show House and winner of the 2018 WDC Best Interior Design Award. The multipurpose space will include a rustic 12 foot dining table crafted from old wood with inlaid dovetails, sectional sofa personalized in leather and Belgian linen and a personalized coffee table in reclaimed wood inlaid with antique metal butterflies, all accompanied by a complete kitchen installation with appliances and separate island.

WDC tickets are $ 20 for an Exhibition + Sale day pass, September 10-12, 2021, and include the ArtTitude Adjustment Happy Hours daily at 2:00 p.m. VIP early entry and reserved seats for the Preview Party + Fashion Show on Thursday, September 9, 2021, is available for $ 125 per person, $ 50 general admission; both include open bars. The Designer Show House at the Western Design Conference Exhibit & Sale is sponsored by Deanna briggs, Jackson Hole Sotheby’s International Realty.

About the Western Design Conference Exhibition and Sale:

The annual Western Design + Sale Exhibition is a four-day, multi-million dollar event that brings together West-loving artisans, collectors, interior designers, architects and fashion designers. The Western Design Conference was founded 29 years ago in Cody, Wyoming, to promote contemporary artists working in historic American craft methods. The Western Design + Sale exhibition has moved to Jackson Hole in 2007, where the executive director Allison merritt continues the strong commitment to Western arts in Wyoming while expanding the scope of the show. Additional information, including timetables and tickets, is available at and on Facebook and Instagram.

Media contact

Amy stark, Word PR + Marketing, 3035484611, [email protected]

SOURCE Western Design Conference Exhibition + Sale

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Making the Cut Season 2 winner reveals key to her success

Only one talented fashion designer has heard Heidi Klum’s coveted phrase. In the finale, Making the Cut season 2 winner Andrea Pitter proved once again that she can deliver a collection that wowed the judges. After this first revelation, Pitter seemed to have concluded this epic victory.

From the first episode to the final look, Pitter had a very clear goal with this Amazon Prime fashion. competetion. While winning would change her fashion business forever, the title was only part of the journey.

While the various episodes seem to culminate in an epic catwalk showdown between Pitter and Gary Graham, the reality is that these two designers have never lost sight of their own aesthetic. While the first episode may have set the stage for the bridal designer versus the artist, the reality is that both designers sought to bring out the confident woman behind the clothes.

The winner of Making the Cut season 2 has revealed the key to her success.

In a recent conversation with Culturess, Pitter shared that she wanted to show that “no matter how long I stay, I’m going to show them I’m more than a wedding dress designer.” She said “I was really aware of this during the competition.” Pitter thinks that’s part of the reason she’s been successful.

As the finale of Making the Cut opened, Pitter and his model had this amazing moment. Pitter shared that during the competition his model told him, “If you make me really sexy, I feel like I’m going to kill him.” As she revealed this lingerie, it was clear that this show was going to be more than just a moment of revealing.

Of course, the judges had commented throughout Season 2 of Making the Cut that a revelation was catching their attention. Pitter said it was “something the judges and I had in common. I like a good reveal, so they didn’t have to convince me twice.

But, that moment was more than just a fashion wow. It made an important statement about Pitter and his fashion brand. She said, “I want to celebrate all body types. I put my money where my mouth is. Granted, there was a desire to win the ultimate Amazon Prime award, but it was about changing the conversation about fashion, brotherhood, and inclusion.

Even looking at the range in its final collection, Pitter chose to feature inclusivity. From size to gender, the options were as bold as the sparkle and the prints. Even in the 10 Looks collection, Pitter showed she does glamor, business, and runway moments.

While she was able to cover it all in this collection of 10 looks, becoming the winner of Making the Cut was more than just a catwalk look. Pitter had to prove that she was a smart businesswoman.

While the fashion industry can be difficult to secure, Pitter believed in its capabilities. She said: “I think being a woman entrepreneur and also a woman of color, where we usually lack resources and opportunities, I had no choice but to drive my success. In this, in this space, it definitely gave me a head start as I was almost a jack of all trades and I’m grateful for that determination that I have.

Honestly, Pitter admitted that she “didn’t know what I was preparing for all my life”, but she was not “afraid of tough things.” Having been pushed before, she knew she had to embark on every mission. Through all of these “triumphs, trials and failures,” she knew that hard work paid off.

In his business, Pitter uses the expression dreaming in reality. While this great concept appears to be floating in the sky, his explanation for this idea is clear. She thinks she must have gone, she must have made her wildest dreams come true. Specifically, she encourages people to “go against the grain”.

Specifically, she said that “to dream in reality means to dream but to do it in reality, to do it in real time, to flex your muscles a little bit, to look at where you are right now, to think about what this opportunity brings to you, and can -be pushing this conversation in a different way.

As this opportunity with Amazon Prime presents itself, Pitter has a big voice and a big responsibility in the fashion world. Although she has been a mentor to other promising designers, it is more than this community. She is an example to everyone who looks at her, including her own family.

While there are many conversations about the importance of the role of the daddy girl, the role of the mommy boy could be even more influential. Pitter is a mom to a boy and when asked this question his answer was clear.

From the young man she is raising to her validating husband, she believes that she stands as a model of a strong, powerful and beautiful woman. Whether it’s complementing a woman when she feels confident in a gorgeous dress to the moment she feels empowered to express her voice, the reality is that celebrating women, themselves and their accomplishments is more important. than ever.

Standing up for others who are smart, powerful, and pretty means that dreaming in reality is not a noble goal, it is the truth. For now, Andrea Pitter proudly wears her Making the Cut Season 2 winner’s crown.

What do you think of the final of Make the cut season 2? Did the right person win the award?

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Target announces fall 2021 designer collection

After the hype and great success of The Target Spring Designer Line (Christopher John Rogers! Rixo! Alexis!), The retailer returns with a fall collection just as filled with amazing labels. On Monday, he announced that in September Victor Glemaud, Nili Lotan, Rachel Comey and Sandy Liang will be launching more than 180 pieces of clothing and accessories, most of them under $ 50 and in sizes ranging from XXS to 4X. I mean, it’s basically every fashionista’s dream come true.

A look at Target’s fall fashion line.


The fall collection will be available online and in select Target stores in September (although more details on the exact date will come later) for a limited time only. But let’s face it: things will sell out VERY quickly. Prices range from $ 15 to $ 80, so you can grab a few collectibles and not feel bad about your bank account.

“Over the past 20 years, our guests have continued to express their enthusiasm when we introduce them to new and emerging designers from around the world, all at an incredible price,” said Jill Sando, Executive Vice President and Chief Merchandising Officer by Target, in a press release. “This fall, we’re building on that heritage and bringing together four dynamic and highly regarded designers to present an inclusive, on-trend and timeless fashion collection to reinvigorate guest wardrobes for the season.

If you need a little insight on each label, Victor Glemaud focuses on fun multi-colored knits and color blocking; Rachel Comey embodies the Brooklyn aesthetic with her clogs, light dresses and jumpsuits; Nili Lotan offers an elegant style with details inspired by the 70s such as patchwork and suede; Sandy Liang is known for her comfy fleece jackets, gingham prints and unexpected cutouts. Based on the initial photos, you can expect to see some cool outerwear, wide leg pants, bold prints, and statement accessories. Basically come in September, run, don’t walk, to your nearest Target. (Or be prepared to constantly refresh the website in anticipation of the drop.)

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Sabyasachi brings the sari to H&M

The Sabyasachi x H&M Collection, The Bridal Couturier’s Debut as a Fashion Designer, Ready to Launch After Long Wait

April 16, 2020 was a day that all Indian fashion girls around the world had circled on the calendar. It was at this point that Sabyasachi x H&M, one of the most famous Indian couturiers collaborating with the world’s most beloved consumer brand, was to be launched. But then the world went on hiatus.

Magazine covers had been rotated, fashion editors had been previewed. If there’s one thing Sabyasachi Mukherjee is never wrong, it’s how to build a story around her work. He has previously worked with Asian Paints, French luxury shoemaker Christian Louboutin and American furniture chain Pottery Barn. H&M, who released sold-out capsules with big names in fashion such as Karl Lagerfeld, Comme des Garçons and Versace, had approached him right after he presented his 20th anniversary show in 2019. “The delay was disappointing because I told myself when the brand is 20 years old, I will do a collaboration and present it to a large audience, ”he said. The Hindu weekend.

Fashion designer Sabyasachi Mukherjee

Fashion designer Sabyasachi Mukherjee

Called “Wanderlust,” the collection will now be available on August 12 at 11 H&M stores in India and select stores in 17 other countries, including the United States, Great Britain and Japan. It will also be marketed online on Myntra and in 48 international markets at

Prints and pleats

Mukherjee, 47, had three conditions for H&M: it had to be a proud collection from India, a sari had to be part of the capsule, and much of the production had to be done in India (90% was made here) . “Our collaboration with Sabyasachi is last in the list of successful global partnerships. We turn to renowned designers in order to offer the general public tailor-made, rare and expensive creations that are usually inaccessible ”, explains Maria Gemzell, Head of New Development, H&M. The Swedish multinational clothing retailer has diversified in its approach to collaborations. Last year he did a capsule with Beirut-based designer Sandra Mansour and just before the pandemic hit their capsule with Colombian designer Joanna Ortiz debuted in their stores.

An outfit from the Sabyasachi x H&M, Wanderlust collaboration

An outfit from the Sabyasachi x H&M collaboration, Wanderlust | Photo credit: Frida Marklund

“I was absolutely sure what I wanted to do with H&M,” says Mukherjee. It had to be something eternal, something that was easy on the pocket and yet didn’t fall into the fast fashion trap. So the pandemic, with its conversations about sustainability, actually made the collection more relevant. Sabyasachi x H&M includes 22 styles of clothing for women, 13 for men and 32 accessories. The viscose georgette saree, with a print inspired by her hometown Kolkata, is available at H&M stores in India only. “It was created for the Indian consumer who loves the Sabyasachi saree, but finds it unaffordable.” He suggests pairing it with pajamas and a t-shirt from the collection.

Play on its strengths

If you’ve read any of Mukherjee’s interviews, you’ll know that he loves to tell about his humble beginnings and often refers to his muse Madonna, who has yet to wear one of his outfits. (Others like Kim Kardashian and Naomi Campbell rocked his designs.) The Queen of Pop, who follows him on Instagram – “she only follows 368 people, so that’s a big deal,” the creator says – is the one celebrity he would most like to see in Wanderlust. He also sent her the collection.

Sabyasachi x H&M

Mukherjee is clear that his definition of sustainability is inspired by his middle class education. “With sustainability, there is a responsibility on production and on consumers. This collection is about classic and affordable wearable clothing, ”he says. This is also how the slow fashion lawyer justifies working with the fast fashion giant H&M.

The line refers to all of its couture brands, such as the Royal Bengal Tiger. It was its distinct style that prompted H&M to select it. “We chose Sabyasachi for a collaboration with a designer because he is the undisputed master of Indian couture,” explains Gemzell. But if you think classic means staid, think again. Wanderlust is a riot of color and prints that has an Indian soul but international appeal. Each print was hand painted to scale (and later digitally recreated by H&M), and it was inspired by the French canvases, kalamkari etc. Designed for the global citizen, it is also timely, as Sabyasachi has its eyes on the global market and the location of its flagship store in New York has already been found.

Resort meets street and chic travel

This is the most street-styled collection from the designer of the bride to date. “If you remember my first collection from 2004, Frog Princess, it was always bohemian,” he says. So, in many ways, Wanderlust is a throwback to its roots. The fact that it was delayed may have actually worked to the advantage of the designer.

Sabyasachi x H&M

A cheerful jet-set capsule that’s easy, timeless, and can be dressed from top to bottom, as travel restrictions begin to loosen – this collection is on point. The designer admits to having had many conversations with the young members of his design studio during its creation. But it’s also a collection made with its own approach to clothing in mind. “I like to buy very versatile clothes that can travel well,” he says.

Wanderlust, with its contrasting prints, breezy caftans and cool outfits, was designed to be gender and size independent. He therefore expects men to wear women’s pajamas and women to wear men’s tunics. “It’s a vacation spot that meets the street and chic travel. You could be at Kumbh Mela or Burning Man or Marrakech – just put on a backpack and sunglasses, grab your wallet and travel anywhere. It’s simple but very glamorous.

The cuts are all easy, and they are separate pieces that can be mixed and matched. It includes fashion jewelry bags and belts. Chintz is a strong inspiration for her prints, which may seem a bit obvious when designing a proud collection of India. “I like to celebrate clichés, that’s one of the reasons I use the Taj Mahal as a design on my handbags. Clichés are clichés because they are universally loved.

Collaboration Sabyasachi x H&M, Wanderlust

Collaboration Sabyasachi x H&M, Wanderlust

For the first time, he worked with denim and gave it a responsible twist by making it into pajamas, making sure it will fit you regardless of your waistline increase or decrease. The craftsman-conscious designer himself is known to live in his jeans. “There is something very beautiful about casual clothing, because then your mind can focus on things other than the hemming. He thinks comfortable clothes are here to stay, but there will be a return to the glamor in the way we dress.

the salwar kameez is her staple of the collection, sold as a tunic and pajama bottoms. “Everyone looks great in a salwar kameez. You can be hippie, you can be stylish, you can be Studio 54, you can be Halston in it. Jemima Goldsmith during her time as Mrs. Imran Khan had a definite influence on this play.

Wanderlust is bound to be sold and simply confirms that when it comes to understanding what the consumer wants, there is no such thing as an Indian designer like Sabyasachi Mukherjee.

Wanderlust costs between 799 and 9,999

“I like to celebrate clichés, that’s one of the reasons I use the Taj Mahal as a design on my handbags. Clichés are clichés because they are universally loved ”, said Sabyasachi Mukherjee

“Collaborating with an international brand is always a great experience because it helps regional brands and designers gain visibility and highlight emerging talents. It’s a great way to promote culturally rich fashion stories that amplify and nurture diversity and innovation ”, said Sandra mansour, the first Arab designer to collaborate with H&M

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Gabrielle Union and her daughter Kaavia James are taking fashion to the next level. the The best of LA The star was recently pictured alongside her daughter as she wore an outfit by designer Thom Browne.

Kaavia presented a piece from Browne’s latest collection, both colorful and avant-garde. The outfit was designed for formal occasions, although the pop of color results in more playful tones that perfectly match Kaavia James’ personality.

“Kavia [is] serve, ”a fan said in reference to Kaav giving hilarious expressions while striking all the right poses. “He’s the cutest ever,” Tina Lawson told Gabrielle Union.

Many know Thom Browne for his designer suits that continue to set the standard for innovation in men’s suits. The fashion designer recently spoke with GQ on her keen sense of fashion.

“I’m talking about the fact that my men and women have been online for so long that I needed to show it,” Browne said of his new ventures in the industry. “If it’s worth doing it, just make it work,” the fashion designer continued.

Brown went on to talk about a recent photoshoot he spent a significant amount of money on. “It was a huge investment,” said Thom GQ. “And in the end, it’s really worth it, because these images are just important,” explained the fashion designer. “They will live a long time.

Kaavia James’ latest photoshoot will certainly live on for many years to come. Nearly a million Instagram users have praised the girl for her modeling abilities. Some have even taken to social media with their own captions to describe Kaav’s poses and expressions.

“I’m ready for that boring old board meeting that’s going to put me to sleep,” one fan mused, referring to Kaav’s expression as he stood next to a designer bag. “I don’t usually dress, but when I do… I mean,” captioned another fan.

Kaavia James is the only child of Gabrielle Union and Dwyane Wade together. She will be celebrating her third birthday later this year.

Photos: Ayanna Mcknight

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