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Snapchat and Vogue launch bespoke fashion exhibition in Cannes

Snapchat and Vogue have teamed up to launch an AR fashion exhibition with brands including Balenciaga, Dior, Gucci and Stella McCartney at Cannes.

Launching Monday, June 20, Vogue and Snapchat are teaming up to launch an exclusive, interactive augmented reality (AR) exhibit Vogue x Snapchat: Redefining the Body, curated by Edward Enninful OBE. The AR exhibition is the result of a groundbreaking collaboration between British Vogue and Snap, which will illustrate how physical fashion designs can be enhanced and transformed through innovative digital experiences and personalized Snapchat lenses.

Hosted at the La Malmaison Art Center, Snap and Vogue will showcase clothing designs from seven of the world’s leading brands and fashion designers, accompanied by augmented reality Snapchat try-on experiences. Visitors will be able to immerse themselves in the creative vision of these inclusive design leaders, walking through custom-designed rooms showcasing archival, contemporary and exclusive creations from Balenciaga, Dior, Gucci, Kenneth Ize, Richard Quinn, Stella McCartney and Versace.

The Vogue x Snapchat: Redefining the Body exhibition will host six rooms at La Malmaison with custom-designed environments for each designer to display physical fashion with complementary AR experiences, bringing the whole creation to life. The facade of the exhibit is digitally “wrapped” by designers using Snap’s impressive Landmarker technology, truly transforming the exterior of the building.

“It has always been important to me to make fashion accessible to everyone. Using augmented reality, Vogue x Snapchat: Redefining the Body is an exhibition that invites everyone – regardless of race, gender, sexuality and size – to discover and enjoy fashion from some of the best designers and brands in luxury in the world. It doesn’t get any better than that. – Edward Enninful OBE, Editor-in-Chief, British Vogue and European Editorial Director, Vogue

“We’re thrilled to partner with Vogue to enable hundreds of millions of Snapchatters around the world to digitally experience fashion from top designers and brands. Through this exposure, and augmented reality more broadly, we hope to introduce new levels of accessibility, creativity and expression in the world of fashion and design,” Evan Spiegel, co-founder and CEO of Snap Inc.

Snapchatters around the world will also be able to join in the fun, as all trial and in-room experiences will be Global Lenses available in Snapchat’s Lens carousel or the Dress Up tab in Lens Explorer. There will also be a custom landmark available on the Snap Map to see La Malmaison in Cannes come to life.

Designer’s AR features include:

Balenciaga:

  • The showroom of the French house is plunged into opaque darkness. Dense black curtains line the space, which houses two high-light looks from Balenciaga’s 50th Couture collection, and nods to the design of a historic dressing room.
  • The pieces have been part of Balenciaga’s premier Couture collection since 1968, when the house’s founder retired.
  • Attendees can scan the room’s Snapcode to elicit different perspectives from the monochrome environment.
  • There will also be a personalized Balenciaga AR experience, with trial
  • Glasses available to wear the bright pink opera coat featured in the exhibit.

Dior:

  • In the courtyard of the Center d’Art La Malmaison, a three-meter-tall statue of a model wearing the revolutionary 1947 Dior New Look welcomes guests to Redefining the Body.
  • Standing on a five-pointed star – the symbol of divine providence that inspired the superstitious founding couturier to open his house in 1946 – she holds the iconic Lady Dior bag, an emblem of elegance for nearly three decades.
  • Snapchat Snapcode Reveals Dior small hands Skillfully hand-stitched details on this statue as it descends from its star-edged base, unifying age-old craftsmanship with digital technology.

Gucci:

  • In its showroom, the Florentine house reproduces the white grid and the scenography of the funhouse illusionist mirror from the Exquisite Gucci show.
  • On the catwalks, the models present the looks of this explorer collection of masculinity, which imagined the costume as an invitation to dress.
  • Using the Snapchat lens, Snapchatters can use their phone screen to warp its dimensions, unearthing colorful portals in a palette that reflects the mood of the Exquisite Gucci show.
  • Snapchatters will be able to wear Gucci’s couture, faux fur coat, aviator-style sunglasses and beret, revealed in moving mosaic grids.

Kenneth Ize:

  • Kenneth Ize – whose brand founded in 2013 champions West African craftsmanship – has collaborated with Nigerian multimedia artist Jelili Atiku on an exhibition space featuring vibrant reproductions of his paintings and public performances.
  • In this showroom, colorful wall hangings and upholstery fabrics are created using Alright then – a hand-woven Nigerian fabric essential to Ize’s creations.
  • The models showcase unique dresses in vibrant colors, which reflect Ize’s commitment to craftsmanship.
  • Through the Snapchat AR experience, viewers can experience Ize’s West African story, brought to life through sound, and wear her tactile creations, which will ripple and unfold before their eyes.

Richard Quinn:

  • A geometric grid of florals and polka dots, the showroom of British designer and this year’s BFC/Vogue Designer Fashion Fund winner Richard Quinn is wrapped in the idiosyncratic prints of his 2016-founded label.
  • The lenses will reveal a magical garden, where blue roses magnify through a mist, sprouting before your eyes and giving Snapchatters the opportunity to watch Quinn’s opera coat and wide-brimmed balaclava appear on their bodies in a interactive swirl of shine.

Stella McCartney:

  • The showroom of the British house founded in 2001 is transformed into a cave of giant colorful mushrooms, where models cascading down ruffled dresses from the spring/summer 2010 collection of the brand.
  • The space is rooted in Stella McCartney’s Spring/Summer 2022 collection and campaign theme, Fungi Are The Future Of Fashion And Our Planet, as the designer was inspired by the potential of these incredible organisms to deliver more sustainable solutions. , from medicine to material innovation.
  • The Big Mushroom will transform to feature digital bees pollinating mushroom spores using Scan technology, and the trial AR feature will reveal a mushroom-adorned headpiece alongside a dress sprouting from fantasy mushrooms.

Versace:

  • Golden tiles, baroque columns and Versace’s Medusa capture the Italian brand’s sense of modern opulence in its showroom.
  • On display are bondage-inspired pieces from the brand’s now-legendary Fall/Winter 1992 collection, “Miss S&M.”
  • Snapchat brings the experience to life, letting Snapchatters wear curly gazes that turn into writhing snakes as the mythological Medusa comes to life and transforms into the viewer herself.

Vogue and Snapchat are also teaming up with DressX to create a capsule collection for the exhibit. The collection will include limited-edition Vogue x Snapchat merchandise and will be available on the DressX website and at the exhibition in Cannes for guests to try on the pieces in augmented reality.

AR experiences were developed in collaboration by Arcadia, Atomic Digital Design and Snap’s new Paris AR Studio, which focuses on empowering and educating the next generation of creators to inspire the world about the possibilities of reality. increased in art, education and culture.

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Victoria and David Beckham’s surprisingly small bedroom will leave you in awe






Nicholas Murphy




Victoria and David Beckham have an impressive property portfolio with breathtaking homes in London, the Cotswolds and Miami. However, in the 90s, the couple lived in a modest house in Salford – and their old bedroom might surprise you.

RELATED: 22 jaw-dropping celebrity dressing rooms and locker rooms

A unearthed video, taken in 1997 two years before the couple got married, reveals one of their bedrooms with a small double bed. He had been dressed in white valance sheets and there was a soft stuffed bunny on the pillow, despite the fact that their eldest son Brooklyn was only born in 1999.

The space was finished with classic white walls, a wooden side table, and cream draped curtains. Unlike their super-chic homes today, the Beckhams’ former home was filled with small ornaments and pictures lining their windowsill, which added a warm, lived-in feel.

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WATCH: Victoria Beckham unveils invisible space in endless locker room

The room also featured a dressing room in the corner with rails holding rows of silk shirts and 15 pairs of trainers neatly positioned under a radiator. Sky Sports presenter Rob McCaffery, who was given the house tour, joked: “All the women in the country want to walk around here now.”

MORE: Victoria Beckham’s quirky £11.5m home will divide the nation – inside

READ: Victoria Beckham’s surprising former two-bed apartment with husband David and son Brooklyn

Former bedroom of David and Victoria Beckham in Salford. Picture: YouTube

By comparison, their family mansion in Holland Park, London, has a huge walk-in dressing room which is decorated with a green velvet sofa, a large black rug and a decadent chandelier. The walls are lined with wardrobe doors while a large window at the end of the space provides a bright room perfect for staging the fashion designer‘s outfits.

The property is said to be worth £150,000, and the rest of the interior boasted a living room with two white leather sofas, blue curtains and a life-size cardboard cutout of the footballer “that his girlfriend [Victoria’s] mama had wanted,” and a kitchen with white tile floors, pale blue cabinetry, and plaid blinds.

The footballer showed off his dressing room in the corner of the bedroom. Picture: YouTube

David and Victoria then bought a two-bed flat in Alderley Edge for £317,000 in 1998, and Rowneybury House – dubbed ‘Beckingham Palace’ after the Queenthe royal residence, Buckingham Palace – for £2.5million in 1999. The latter came complete with a maze, swimming pool and 24 acres of land.

“Beckingham Palace” in Hertfordshire

But their Salford home clearly held a special place in their hearts. In an interview with MEN in 2008, Spice Girls star Victoria said: “Last time we were in Manchester for the Spice Girls concert, David and I went back to this house in Hazelhurst Road to have a look. There are such great memories for us – of the Trafford Center and all that sort of thing.

“I know David misses Manchester as well and he still stays in touch with everyone.”

PHOTOS: Victoria and David Beckham’s grand £31million mansion is another world

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The Ridgefield Playhouse has a weekend full of arts and culture!

The Ridgefield Playhouse has a weekend full of arts and culture! Stories and Songs on Saturday evening with renowned fashion designer Isaac Mizrahi, a modern take on a classic opera on Sunday afternoon and on Sunday evening we will honor Juneteenth with a special screening of diversity films and celebrate the month of pride with a projection of Healed On Monday!

Isaac Mizrahi Cabaret Show on Saturday June 18 at 8 p.m. – it will be an evening of stories, songs and lots of rosé! The famous fashion designer will also sing classics from Cole Porter to Barbra Streisand and beyond! Don’t miss exclusive pre-show events in our newly renovated lobby! At the new piano bar, we’ll be serving Isaac’s signature drink, a Rosé Spritzer! Check out the “Cabaret Shop” pop-up with Bohemian Royalty featuring vintage haute couture from its curated collection – 40% of all sales will benefit The Ridgefield Playhouse Arts for Everyone outreach program; and Jonathan Joseph of Little Red Fashion, the fashion company for children aged 6 to 18, will be there! VIP Meet and Greet upgrades are available – you can take a selfie with Isaac after the show! On Sunday June 19 we will present a Still in HD projection of Met Opera’s Lucia di Lammermoor at 12:55 p.m.. Soprano Nadine Sierra takes on one of the most formidable and legendary roles in the repertoire, in this new production that moves the Bel Canto masterpiece from 18th-century Scotland to a present-day Rust Belt city. American. On Sunday night, The Ridgefield Playhouse will honor Juneteenth with a FREE screening of Dear Whites at 7:30 p.m.part of the Aquarion Water Company Diversity Film Series. Check out the movie that launched the popular Netflix series. Monday, June 20 brings an additional FREE screening of diversity films. In recognition of Pride Month, watch the award-winning documentary HEALED on the big screen at 7:30 p.m.. Bonus content for HEALED will consist of an interview with an award-winning New York-based filmmaker/writer Bennet Singer, who in addition to producing numerous award-winning films, is the co-producer of the film CURED. Entertainment Journalist, Cheryl Washingtonwill conduct the interview which can be seen after the screening at the cinema or on The Ridgefield Playhouse Youtube channel.

For more information or to purchase a contactless print-at-home ticket, go online to www.ridgefieldplayhouse.org or, you can visit or call the box office (203) 438-5795. The Ridgefield Playhouse is a nonprofit performing arts facility located at 80 East Ridge, parallel to Main Street, Ridgefield, CT and is committed to keeping the arts alive and accessible to all.

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10 Villains Who Wear Underwear Outside

Villains are supposed to be suave and cool. They wear suits or tuxedos, even threatening masks or helmets. However, not all villain costumes are as intimidating as the villain might hope. In fact, some costumes look downright silly, especially ones with underwear on the outside.



RELATED: 10 Marvel Heroes Who Don’t Wear A Costume

Readers are used to superheroes wearing underwear outside of their costumes, but that’s certainly less common with villains. When a villain wears an undergarment outside of their costume, it’s sure to draw attention – for better or for worse! However, regardless of their wardrobe reasoning, it’s never a good idea to get on the bad side of a super villain, no matter how goofy they look.

ten Electro’s yellow briefs are an interesting choice of outerwear

A classic Spider-Man villain deserves a cool costume. Unfortunately for Max Dillon, he doesn’t. Of course, the lightning bolts zigzag across the costume, and the lightning bolt mask is neat; however, the bright yellow Electro sports briefs are confusing at best. It makes sense to break up the field of green on her bodysuit, but it seems silly. In fact, the lightning bolts on Max’s chest look like yellow garter belts, which only adds to the comedy of errors. Still, one shouldn’t point out the obvious weirdness without wearing rubber-soled shoes.


9 Mr. Freeze’s Costume Wasn’t Always So Cool In DC Comics

Victor Fries and his suit made their first appearance in Batman #121, written by Bill Finger with art by Sheldon Moldoff. Unfortunately, Mr. Freeze’s wardrobe leaves a lot to be desired. His trademark glass helmet is present, but it’s the only aspect that carries over to his more recognizable blue and black suits.

RELATED: 15 Superhero Costumes That Make No Sense

In his debut, Victor’s costume is yellow with red/pink accents, including a pair of underwear that shames Superman’s red fashion statement. However, no matter what his costume first looked like, readers should be thankful that Mr. Freeze ended up looking much cooler in later comics.


8 Hobgoblin slipped into orange underwear for fashion

Roderick Kingsley is a fashion designer – a fashion designer! – who became obsessed with being a masked supervillain after stumbling upon one of Norman Osborn’s secret lairs. Kingsley made his fortune selling his fashion designs, but his expertise didn’t translate well to his portrayal of Osborn’s Green Goblin. When Roderick created Hobgoblin, he stole much of the Green Goblin’s outfit, but decided to add orange briefs to the costume. It’s such a strange choice, it’s laughable. Kingsley’s main goal was to avoid the madness plaguing Norman, but unfortunately he couldn’t avoid the fashion faux pas of Hobgoblin’s outfit.


seven The mercenary, Deathstroke, prefers his underwear outside

Slade Wilson is the original comic book mercenary with the last name of Wilson. It first appeared in New Teen Titans #2, written by Marv Wolfman with art by George Perez; however, his costume was nowhere near the iconic orange and black suit that readers love. One such iteration of the classic Deathstroke look came with a pair of striking orange briefs. Wilson may be a dastardly tactician and conniving mastermind, but the orange boxer shorts undermined his authority somewhat. It was an odd choice for his otherwise imposing presence.


6 Thanos remains undecided on his underwear choices

Thanos is one of the greatest villains in the Marvel Universe, but he can’t decide on his costume. In several instances, Thanos is seen in what can only be described as “golden cod.” For a man who is obsessed with death – so much so that he falls in love with Mistress Death – golden briefs are a crazy choice. Readers see Thanos take on the greatest of superheroes and emerge victorious, but no one wins with golden underpants.

5 Bizarro copies the classic red slip like a good clone

The OG of wearing underwear outside of a costume has to be Superman. Clark Kent arguably pulls off the red underwear better than any other superhero in the multiverse. So when Bizarro made his first appearance in Superboy #68written by Otto Binder with art by George Papp, it was natural to give him the exact same costume as Superman.

RELATED: The 10 Strongest Superman Villains

Often seen in slightly different or darker colors than Superman, Bizarro is a good clone when it comes to staying true to the original blue and red color theme. What readers love about Superman’s costume is present in Bizarro’s, which means another feature for those iconic red briefs.

4 The armless tiger man has a weird costume for a weird character

Gustav Hertz was working in a mechanical factory in Nazi Germany when his arms were caught in a machine, resulting in their amputation. During his recovery, Hertz learned to use only his mouth and legs, gaining incredible strength while harboring a hatred of all machines. The Nazis heard his story and sent him to America to undermine the defense systems of the United States. The armless tiger man used his strength to destroy machinery for the Nazis while moonlighting as a cannibal. However, the weirdest thing about Gustav is his bright yellow bodysuit with black underwear. That’s all he’s got and all he needs.


3 Signalman Proves Solid Color Underwear Is For The Weak

After Phillip Cobb mocked his lack of a villainous reputation, he went on to create the character of Signalman. The costume he created was inspired by road signs and symbols that control society. This resulted in an interesting costume, made even funnier by Cobb’s striped underwear. Sure, it looks like a construction board, but yellow and black striped briefs? Oh good? What a bold decision! However, despite his confident wardrobe, Batman never had a problem defeating Signalman. The next time Phillip decides to turn pro, he might think twice about wearing striped underwear.


2 Magneto, the mutant MVP, also wears underwear outside

It’s sometimes hard to tell if a costumed character has underwear on the outside of their outfit or if they’re just a bit darker. This is not the case for Magneto. Since his first appearance, Magneto’s most iconic costume has been his helmet, cape, and all-red suit outfitted with a pair of purple underwear.

RELATED: 10 Ways Marvel Improved Magneto Over The Years

To be fair, the underwear brings the whole costume together; however, it is apparent that Erik is putting on a pair of underwear over his pants. It’s an odd choice, even if it makes his costume look cooler, but Magneto isn’t someone worth teasing, so the silly purple underwear is best ignored.


Metal underwear still counts as underwear, which is exactly what Anakin Skywalker wears when he’s Darth Vader. One of the most ruthless men in the galaxy has a whole contraption on his chest to help control his breathing and other vitals, but Dark still needs a pair of underwear outside. of her outfit. Why? Nobody knows. However, it adds an interesting element to an iconic costume. With an all-black outfit, it’s hard to break it down and make it look better, but black underwear does a good job of standing out enough to pull the whole outfit together. Readers have to wonder if Vader wears the metal outside to stop the chafing, but no one would risk a quick choke by asking.

Next: 10 Superheroes Who Actually Wear Underwear Outside

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The Style Diaries of Fashion Designer Elizabeth Kuzyk

welcome to Style diaries, a series where we research the physical manifestations of our IRL closet visits. We’re asking our friends and trendsetters to show us what they’re *actually* wearing during the week and to preview their thoughts on the current state of fashion. This week we follow Elisabeth Kuzykfrom his eponymous label Kuzyk, as she transitions from a workshop to a meeting with a client and a workout class. As a designer, Kuzyk swears by interesting pieces to create laid-back (read: minimal effort) ensembles with a touch of Parisian glamor and rock ‘n roll.

Look 1: Morning meetings and client lunch

Photo: Courtesy of Elizabeth Kuzyk

“I love the worn, worn feel of the Smith Patchwork Coat. It’s a cool alternative to a blazer. I wear it like a blazer: fold it over, roll up the sleeves. The minimalism without the hardware and trim adds elegance without effort. Waxed brown nubuck is crazy; it feels so good.

That day, I chose to put on a t-shirt that I made some time ago from unsold materials. I’m so picky about the fit of a t-shirt. I often stretch my neck and roll up my sleeves. So I had to make my own. We hosted a lunch for private clients, so I chose our Smith straight pants to match the coat. It is a good look, cool, comfortable. I imagine David Bowie wearing it. I added vintage cowboy boots underneath. I feel like myself in this look. It’s a rock ‘n roll version of a power suit.

Photos: Courtesy of Elizabeth Kuzyk

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Look 2: Zoom workouts and sketches on the floor

Photos: Courtesy of Elizabeth Kuzyk

“I started the day with an early morning workout on Zoom. I do ballet and Tracy Anderson. I wore a bodysuit, a cashmere cardigan and a black Lilly Bow in my hair. Then I sketched and worked from the ground. I do some of my best work from the ground. I feel like it’s playtime and I’m a kid. I’ve moved on to a Small boat T-shirt, Falaise Patchwork denim pants, cardigan thrown around the neck, and red vintage CHANEL bag for a walk in the neighborhood and a breakfast with a friend.

My favorite pieces can all fit in a suitcase and anything I pick up can work together. I design with this same intention. When it comes to workouts (or anytime really), I like to dress like a French girl – simple, cool, comfortable. Hair bows help.

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Look 3: A day at the Atelier

Photo: Isabelle Lombardini

“I went to my studio in downtown LA and met my production manager who has been making leather garments in the same building for over 30 years. I was wearing my Lou Suede sweater which I love. It’s a chic alternative to a sweatshirt. I made the pattern from my favorite worn-out sweater that was shrunk just before reinventing it in a combination of black and brown suede.

I wanted to wear patchwork lambskin, thrown over a pair of snakeskin boots, and rock n’ roll jewelry – Chrome Hearts hand-me-downs from my dad, vintage Navajo jewelry from Bob Melet and David Yurman from The RealReal. I feel like a cool and relaxed Parisian with an equestrian and rock n’ roll touch.

Photos: Isabelle Lombardini

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Look 4: A long drive on Mulholland

Photo: Courtesy of Elizabeth Kuzyk

“I put this on after an evening dance class. I hit Mulholland Drive and picked an album to sing on. It’s my perfect way to end a day. It’s my favorite to play. I can walk in water above my knees. The hem is sometimes a little wet but no matter. The pockets fit everything I need.

I like an overall dress. It’s casual and I can wear any t-shirt underneath. That day, I wore my favorite striped t-shirt that I bought in Paris eight years ago, but I also love LESET. They know how to cut a T-shirt. I wear whites all the time.

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Style Notes:

What role does fashion play in your life? How does it serve you?

“For me, style is what makes me feel most like myself. I see clothes as a tool. I can choose to put on tools that make me feel confident, cool, comfortable, or empowered. And for my work, I build these tools.

What does your style look like these days? Do you have a go-to dress code or do you prefer to change it up when dressing?

“I have a few uniforms that I bounce between depending on how I feel. My first is leather pants, a patchwork coat (shabby, sleeves rolled up), boots underneath, and a white T-shirt. This is my go-to uniform for the workshop, meetings and dinners. I feel comfortable and comfortable. The combination of the leather jacket and the boots obviously gives me that boost of confidence. My second is for training. It’s a dance bodysuit, a cashmere cardigan, Lilly Bow and patent ballerinas. Then my third is a T-shirt, denim dress and ballet flats.

What energy do you bring to your outfits this season? What are you looking forward to wearing?

“When it comes to my ensembles this season, I’m letting go, feeling cool and comfortable with an element of play. I dress up and don’t take myself too seriously. I also like to juxtapose the pieces. For a night out, I’ll wear a sparkly mini skirt, thigh-high heeled boots but with a little white t-shirt and a baseball cap. Or for dinner, I’ll wear Adidas sweatpants, CHANEL ballet flats, a t-shirt. vintage t-shirt and a sturdy jacket.

I will mix timeless classics with something playful and unexpected. As the pandemic progressed, I discovered basketball shorts. (I’m expecting some shorts from the Louis Vuitton x NBA collaboration unearthed on Vestiaire Collective). I guess what I’m saying is that lately I’ve been dressing like a 13-year-old boy who stole his mom’s jacket and purse.

In terms of beauty, what does your hair and makeup routine look like and how does it change depending on what you wear?

“Hair and makeup never really change. I get ready in 10 minutes. I wear my hair with a center parting and loose waves, in a loose ponytail with a knot, or in a bun with a knot (if I I’m working out/in a dance class) My makeup is simple I don’t know if it’s because I identify more with the no-makeup look or if it’s because I don’t know what I’m doing when it comes to makeup and don’t care enough to figure it out. I curl my lashes, then wear brown mascara, dewy cheeks (bronze highlighter and a hint of blush), glossy lips, and I call it a day.

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Fashion designer Prathyusha Garimella commits suicide in Hyderabad

Top fashion designer Prathyusha Garimella reportedly committed suicide at her boutique studio in the posh hills of Banjara on Saturday.

The 35-year-old man’s body was found in the bathroom of the MLA Colony store.

Police found the body after the guard alerted them when she failed to respond to his blows. A bottle of carbon monoxide was found in the bathroom.

Banjara Hills Police registered a case and transferred the body to Osmania Hospital for an autopsy.

Police, who initially treated it as a death under suspicious circumstances, later found a suicide note. She reportedly wrote that she was tired of her lonely life, saying it was not the life she wanted.

The fashion designer wrote that she didn’t want to be a burden on her parents and was sorry for taking the extreme step.

Prathyusha has worked as a fashion designer for several top Bollywood and Tollywood personalities.

The guard told the police that Prathyusha came to the shop on Saturday morning and did not come out until the afternoon, he went to see her. As she did not respond to the repeated knocks on the door, he alerted the neighbors, who notified the police.

Police suspect the fashion designer took the extreme measure due to depression.

Pratyusha had worked as a fashion designer for celebrities Madhuri Dixit, Juhi Chawla, Jacqueline Fernandez and several Tollywood personalities.

Actor Ram Charan’s wife, Upasana Konidela, took to Twitter to offer her condolences over the death of her friend.

“My best friend, my dearest friend. Gone too soon – Upset/pissed/sad – she had the best of everything, career, friends and family, but succumbed to depression. Post this incident, truly believe the karmic baggage pass through lives. We pray for his peace,” Upasana wrote.

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sahar ahmed | Efforts

photo of Andrew Russel

June 8, 2022

Q: When you were a child, what was your answer to this question: “What do you want to be when you grow up?”

A: My interests have always changed over time. In elementary school, I had a deep passion for teaching. I had a mini-classroom set up in my house, where I pretended to play teacher with my imaginary students. There was also a time when I wanted to be a fashion designer, but that desire faded and my growing fondness for physics and math steered me towards engineering.

Q: Share the pivotal moment in your life that helped you choose your field of study.

A: In my last year of college, I was studying telecommunications engineering. So common practice was to work on software defined radios, antenna design and wireless communication systems – which never fascinated me. Looking for a different and unique project, I found one related to medical image processing. I started working with brain MRIs whose enigmatic architecture intrigued me. I have always wondered how the brain assembles its many structures to perform a myriad of tasks in a way that is transparent to the outside world. And I realized that we needed to develop computational tools that advance neuroscience to uncover the complex organization and functioning of the brain.

Sahar Ahmad and his family

Sahar (right) with her parents at her sister’s graduation from Duke University.

Q: Tell us about a time when you ran into a tricky problem. How did you handle it and what did you learn from it?

A: My doctoral research focused on brain MRI recording, an image processing method that aligns multiple images. My advisor suggested that I model nonlinear deformations of the brain as waves, a problem I tried to solve by developing different models. But none of them worked. Later, I discovered an article that seemed to me related to the problem and I began to study the wave pattern in depth, incorporating it into my research. After putting a lot of effort into formulating the method – 18 months to be exact – it finally worked. Overall, this journey from failure to success developed perseverance in me.

Q: Describe your research in 5 words.

A: Brain journey: from the cradle to the grave.

Q: What are your passions outside of research?

A: I am obsessed with cleaning and organizing my home. I like to clean up the mess and put everything in place. Being organized gives me peace of mind and increases my productivity. This also extends to my research: it helps me meet deadlines and complete daily tasks. Besides organization, I also enjoy cooking, watching thrillers and comedies, and playing puzzle video games.

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Check out this 1965 E-Type roadster with bespoke paintwork and other goodies from Jaguar Classic


The Jaguar Classic department has detailed the unique 1965 E-Type Roadster, which has been meticulously restored and made an appearance at the Queen’s Platinum Jubilee Pageant last weekend as part of Jaguar Land Rover’s parade of 26 vehicles.

The bespoke model is a special order from a customer born in 1965 who wanted an E-Type Roadster from the same year. So Jaguar Classic sourced a produced vehicle two days after the customer’s birthday and worked on it for a full year. The exterior is characterized by the unique deep metallic blue inspired by the Union Jack, which took many months to perfect. Other than that, it remains standard with shiny chrome bumpers and classic wire wheels, although the lighting units have been upgraded with LED technology.

Also Read: Helm Reinvents the Jaguar E-Type with a Limited Run of Modernized Classics

True to the E-Type heritage, the interior trim is inspired by British column boxes, with hand-finished red leather upholstery, a wooden steering wheel and a metal center console. The model has been modernized with the classic infotainment system bringing touchscreen, navigation and Bluetooth connectivity without running the period looks. This unit, which debuted in the E-Type 60 Collection Editions last year, is available to all E-Type owners who want a technology upgrade for their classic car. Finally, there’s a special plaque on the dash, proving this isn’t your typical restored E-Type.

Under the hood, there’s a 4.7-liter straight-six engine that’s been enlarged from the original 4.2-liter unit for improved performance. Power is sent to the rear wheels via a five-speed gearbox which provides a “quieter and more refined driving experience” according to Jaguar Classic. The company also updated the suspension and brakes and installed wider wheels for better handling. Finally, the new sports exhaust and the new manifold deliver a richer sound.

The special E-Type was one of 15 Jaguar models featured in the Platinum Jubilee Pageant, where it was driven by the owner, seated next to dancer, model and fashion designer Eric Underwood who occupied the passenger seat.

more pics…

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Long before Bean Boots, Mainers were at the forefront of fashion

Long before LL Bean boots were modeled by Brooklyn hipsters and Angela Adams handbags draped over the shoulders of people in Los Angeles, Mainers had a keen sense of fashion.

In the 1870s, for example, fashion-conscious Maineers knew that the voluminous style of women’s skirt known as the “polonaise” was giving way to a much slimmer silhouette called the “cuirasse,” from the French word meaning close to the body, like armour. When Hannah P. Adams of Belfast received her wedding trousseau at the time of this trend change, it included a dress in the newest style, as well as a knee-length jacket called basque.

“Mainers have always been in style, and that’s something we see in our clothing collection,” said Jamie Kingman Rice, deputy director of the Maine Historical Society. “Because of links with British shipping in the mid-1800s, people in places like Eastport and Belfast would have had access to the latest fashions and trendy ideas. But we see that people from more rural areas were also interested.

The idea that Mainers – at least some – have long shown a flair for fashion is the theme of an exhibit at the Maine Historical Society in Portland titled “Northern Threads: Two Centuries of Dress at Maine Historical Society”, with about 50 sets from 1780 -1889, including Hannah P. Adams’ dress, on view through July 30. The company’s clothing collection is so extensive that the exhibition has been split into two parts, with clothing from 1890-1980 on view from August 12 to December 31.

The historical society is also currently hosting two other exhibits that help illustrate Mainers’ ties or obsessions with fashion over the past 200 years. “Cosmopolitan Stylings of Mildred and Madeleine Burrage” focuses on two sisters from Maine who were artists and includes drawings by Parisian fashion designers in the 1920s and 1930s. It is on view until September 24.

The other is “Representing Every Particular: John Martin’s 19th Century Fashion Illustrations”, featuring observations, opinions and drawings of local fashion from the diary of a Bangor businessman in the second half of the 1800s, On view until August 6.

Online versions of all three exhibits can be viewed at Maine Historical Society “current exhibits” page.

“Northern Threads: Two Centuries of Dress at Maine Historical Society” is a two-part exhibit. Ben McCanna / Personal Photographer

Rice, senior curator of “Northern Threads,” had begun planning the exhibit for the state’s bicentennial in 2020, but the pandemic and other issues pushed the exhibit back. So now it’s open during the historical society’s bicentennial year, which is fitting, Rice says, because it showcases part of the society’s collection of some 3,000 garments.

The “Northern Threads” show marks one of the few times the historical society has exhibited so much clothing, Rice said, because clothing shows are labor intensive. Many parts are light and fragile and should be handled and displayed with care. In addition, the lighting must be carefully arranged, so as not to damage the fabrics. Some parts cannot be left in the light and air for too long.

A 1931 design from Paris for an evening dress from the “Cosmopolitan Stylings of Mildred and Madeleine Burrage” exhibit at the Maine Historical Society in Portland. Photo courtesy of Maine Historical Society/Maine Memory Network No.54252

Much of the clothing came from family collections, donated to the historical society, while many came to the historical society from the collection of the former Westbrook College in Portland (now part of the University of New England ), which had a fashion program. Some pieces that represent the latest fashions of the day come from families who lived in small rural or remote places, such as the small town of Alexander, on Route 9 near Calais, or the city of Waterford in the county of Oxford. . In the second part of “Northern Threads”, there will be a wedding dress decorated with ostrich feathers used for a wedding on the remote island of Matinicus in the 1890s.

This first part of ‘Northern Threads’ includes Civil War-era military dresses and uniforms, bustle dresses, dresses made with repurposed fabric from a time when material wasn’t easy to come by. , mourning clothes and dresses with the “leg” or bouffant. sleeves popular in the 183os.

One of the leg-sleeved dresses exemplifies Rice’s view of remote places in Maine having a pipeline to foreign fashion. This is a woven silk and satin two-piece set, circa 1830, and belonged to the Leavitt family of Eastport. It comes with a small cape, called pereline, which fits over the dress. Dark purple silk was expensive at the time and probably dyed with imported logwood, before the advent of chemical dyeing.

In the 1830s, Eastport residents would have been influenced in their fashions and tastes by the steady stream of British ships bringing European goods to the remote Maine seaport, Rice said. The number of British ships coming to Eastport increased by 800% in the early 1830s.

Examples of the lamb sleeve in dresses of the 1820s-1830s, on display at the Maine Historical Society. Ben McCanna / Personal Photographer

Another theme running through the historical society’s clothing collection is the creativity of the Mainers, who sometimes bought the latest fashions but adapted them with their own hands and ideas, Rice said. The dress belonging to Hannah Adams in Belfast, for example, bears a label from a Boston clothier, WH Bigalow, 150 Warren Ave., Boston. But later, the dress was hand-embroidered with colorful floral designs – alluding to daisies, berries, cattails and poppies. A chenille fringe has also been added.

There is an area of ​​the “Northern Threads” exhibit dedicated to adaptive reuse. A very clever example is a green, white and pink silk brocade dress worn by a member of the Jewett family to an 1825 Portland ball honoring the Marquis de Lafayette, a Revolutionary War hero. The fabric of the dress dates from the late 1730s or early 1740s, and the dress was originally made in the 1770s. Then it was altered and redesigned for the 1825 ball, but in a neo style. -colonial.

A few more examples of Mainers’ own creative adaptations of the fashion will be seen in part two of “Northern Threads” when it opens in August. One is a women’s bomber jacket – think Amelia Earhart – that was popular in the 1930s. It was made by a Maine woman who worked in a shoe factory and had access to leather .

Surprising personal stories complement eye-catching fashions. Among the various military uniforms on display is the uniform coat of Oliver Otis Howard of Leeds, when he was a cadet at the United States Military Academy at West Point in the 1850s. During the Civil War, Howard lost his right arm at the Battle of Seven Pines in Virginia. After the war, he was commissioner of the United States Freedmen’s Bureau and founder of Howard University in Washington, D.C., now one of the nation’s best-known historically black colleges.

The other two fashion exhibits now at the historical society also stem from personal stories. Sisters Mildred Giddings Burrage (1890-1983) and Madeleine Burrage (1891-1976) came from a Maine family that made their fortune in the woods around the Bangor area and eventually settled in Wiscasset. Mildred studied and worked as an artist in France, where she became interested in haute couture. Madeleine became a jewelry designer and both traveled extensively in Europe and South America, often writing at home about the fashions they saw.

Among the papers and writings collected by Mildred are original drawings and descriptions of clothing designs from fashion houses in Paris in the 1920s and 1930s. The drawings were sent to potential customers in the days before catalogs and websites Web, said Tilly Laskey, curator at the Maine Historical Society and the Burrage show.

Thirty of these “line sheets” featuring models of clothing are exhibited as part of the show. The addresses and other information show they were not sent directly to Mildred, and it’s unclear how she acquired them over the years, Laskey said. Many of these designs are in full color and are accompanied by pictures of fabrics and color swatches.

Laskey also curated “Representing Every Particular: John Martin’s 19th Century Fashion Illustrations.” Martin’s designs are particularly interesting because he was neither an artist nor a student of fashion. He was an accountant and merchant from Bangor who was a keen observer. His own father had died when he was young, and he knew little about him. He therefore had a strong desire to help his children learn about his time and his experiences. He left behind a 650-page diary and several albums of notes and sketches, made from the 1860s to the 1890s. He drew what he saw and added his own commentary.

Annie Martin drawn by her father, John Martin, in 1866 from “Representing Every Particular: John Martin’s 19th Century Fashion Illustrations” at the Maine Historical Society. Photo courtesy of Maine Historical Society/Maine State Museum/Maine Memory Network No. 101171

One of his later drawings, “A Society Lady of 1889”, shows a woman in a lively dress, colored in bright colors of orange, red, purple and green, and holding a parasol and a small handbag. In his description of the design, Martin calls the subject “a lady of today’s society” and notes that if the fabric of the dress is not expensive, it “shows that the person wearing it is a person of good taste”. Ten of his doodles and illustrations are on display.

“He can get a little sarcastic about what people were wearing and his descriptions are pretty funny,” Laskey said. “He drew them freehand and offered a lot of information about what he was seeing.”


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Worldwise: Fashion designer Anifa Mvuemba’s favorite things

Anifa Mvuemba, founder of the luxury brand Hanifa.

Kevin Borders

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Anifa Mvuemba is blazing her own trail in the fashion world. The 31-year-old player behind the luxury brand Hanifa— the most recent recipient of InStyle’s Future of Fashion Award — has forged her own path at the intersection of technology and luxury. Beyoncé, Zendaya, Sarah Jessica Parker and Tracee Ellis Ross have all worn Mvuemba’s designs.

“It’s truly a surreal moment whenever I see my designs featured on magazine covers and worn by influential faces,” says Mvuemba. “I always intended to create pieces that encourage women to say less when they walk into the room because everyone is watching anyway.”

Born in Kenya to Congolese parents, Mvuemba was 3 years old when she and her family immigrated to the United States to escape war and start a new life.

“When I design Hanifa, I never focus on telling people where I’m from. A lot of times when you enter the industry as an African designer, you’re categorized as such,” Mvuemba explains. It’s easy to get pigeonholed and labeled as one thing, which is why I’ve moved away from tribal prints.”

As a graduate of Morgan State, Maryland HBCU, and a native of the Washington, DC area, Mvuemba’s journey into the fashion industry has followed an unconventional path.

“I didn’t go to a fancy design school or intern at Vogue,” says Mvuemba. “I’ve always done my own thing, but I think the pandemic has taught me to accept that even more.”

In May 2020, Mvuemba became a viral sensation when she launched the first-ever virtual catwalk featuring 3D designs and invisible runway models. For her first show last November, she skipped New York Fashion Week in favor of a successful show in her hometown at the National Portrait Gallery, which was streamed live on YouTube.

“Black designers constantly fight the stigma that their designs only belong in one space or one audience,” says Mvuemba. “I don’t believe that to be true, and I will continue to challenge that by inserting Hanifa into any conversation that interests me.”

Mvuemba, who lives in Washington, recently spoke with penta about his favorite things.

Something I do to relax is… my mind is always on the next thing and to relax I need to unplug. I like to pour a glass of wine and turn on Lofi Girl beats, or rain sounds, and relax. The rhythms of both are always so soothing to me.

The person I admire the most is… my mother has always inspired me. Migrating to the United States from a country at war and having seven young children to support while pursuing your dreams is beyond words for me. She does her best every day and I continue to learn from her example.

At my fantastic dinner, guests would include… Kanye West for his artistry, David Ajayi for architectural design, and Beyoncé for her work ethic and creativity.

A childhood memory that I cherish is… I loved playing games like The Sims, Monkey Island, Double 007, and Mario Cart growing up. As a teenager, I also had a lot of fun coding on Black Planet. When I wasn’t glued to a screen, I looked forward to our Congolese family evenings, they were the best! The food, my cousins ​​and everyone together really made my childhood memorable.

An artist whose work I admire is…
Kelly Wearstler. I appreciate her vision of interiors and how she is able to combine elements we might not think of to create something so striking. Also, Christopher John Rogers: I respect his design and his imagination. I have never seen rainbows presented the way CJR does. He is a peer that I really admire.

My idea of ​​a perfect meal is… a crab feast, anywhere and anytime…like a real Maryland girl!

One of my passions that few people know about is… I love music and I love to sing!

The one thing I travel with to make my accommodation/hotel room feel more like home is… in fact, I’d rather my hotel not feel like home. I appreciate the change of scenery while I’m away and try to immerse myself in whatever accommodation I find myself in to get the full experience.

The only trip I’ve done that I’d like to do again… I would love to go back to Williamsburg, Virginia, it was such a relaxing trip. This is one of the few trips where I was able to really relax.

What wakes me up in the morning is… I constantly have tabs open in my mind to prioritize throughout the week. Knowing this, I wake up in the morning to plan and get a head start on my day.

One person who inspired me to do what I do is… the women on my team really give it their all. Everyone works 200% beyond what is expected of them and collaborates by mutual agreement. Knowing that I’ve helped cultivate this work culture and passion really inspires me.

This interview has been edited for length and clarity.

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ILC Dover will supply spacesuits for Boeing’s Starliner capsule




GMT141_01_19_Bob Hines_1037_Arrival of the Boeing Starliner

Based in Newark ILC Dover was selected to be one of two suppliers of Boeing’s Ascent/Entry Suit (AES) for the company’s commercial crew program and has developed an AES space suit for CST-100 Starliner crews.






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Business news, strategy, finance and company insights

Aditya Birla Fashion and Retail Ltd. said on Tuesday that its board had approved the raising of up to ₹2,195 crore through a preferential issue of shares and warrants to a subsidiary of GIC, Singapore’s sovereign wealth fund.

GIC will now invest ₹770 crore in equity and warrant subscription, followed by up to ₹1,425 crore in one or more tranches within 18 months of exercise of the warrants, the fashion retailer said in a swap folder. The transaction is subject to regulatory approvals.

GIC will hold an approximate 7.5% stake in ABFRL after the investment. Aditya Birla Group will hold approximately 51.9% of the capital of the company after the closing of this transaction.

The fashion retailer says it plans to use this capital to accelerate its growth engine built around its current business as well as a rapidly evolving game in emerging high-growth business models.

“Over the past few years, ABFRL has built a strong presence in all important and attractive segments of the Indian fashion market through organic and inorganic actions. This injection of capital will enable us to accelerate the growth of this brand platform. strong and well-established retail formats in the fast-growing branded apparel market and solidify our position as one of the industry’s leading players,” said Ashish Dikshit, Managing Director of ABFRL.

“We look forward to benefiting from GIC’s extensive experience investing in companies globally and its long-term focus as we plan to expand our presence and significantly improve our digital game in years to come in order to benefit from rapidly changing consumer habits,” he adds.

Earlier this year, the retailer announced plans to implement an e-commerce platform. The newly incorporated entity aims to organically incubate and also acquire scalable direct-to-consumer (D2C) brands.

“The Indian apparel industry is poised for robust long-term growth owing to strong fundamentals of a large and growing middle class, favorable demographics, rising disposable incomes and aspiration for ABFRL has become one of the leading players in this market with its diverse portfolio of strong brands, wide distribution and established business model and is well positioned to capitalize on this opportunity,” said Kumar Mangalam Birla, Chairman of the Aditya Birla Group.

The company recorded a consolidated net profit of ₹31.90 crore in the fourth quarter, compared to a net loss of ₹195.86 crore in the January-March quarter of the previous fiscal year. Its operating revenue increased by 25.32% to ₹2,282.83 crore for the quarter ended March, from ₹1,821.58 crore for the corresponding period of the previous fiscal year.

Aditya Birla Fashion claims to have a network of 3,468 exclusive stores, 6,515 department store outlets and 28,585 multi-brand outlets across India as of March 31, 2022.

The owner of the Pantaloons and Van Heusen brands has also ventured into the branded ethnic clothing business. He acquired a 51% stake in the ‘Masaba’ brand promoted by designer Masaba Gupta for ₹90 crore in January this year. In February 2021, she partnered with fashion designer Tarun Tahiliani and a month before, ABFRL announced the acquisition of a 51% stake in designer brand Sabyasachi. In 2019, the company acquired ethnic clothing and lifestyle retailer Jaypore for ₹110 crore.

“Branded apparel is a large and attractive market, and we believe ABFRL is well positioned with its best-in-class management team, strong brand portfolio and solid plan to capture the next phase of digital-driven growth. We We continue to be excited about India’s long-term prospects and keen to participate in ABFRL’s sustained structural growth driven by improving demographics,” says Pankaj Sood, Head of Direct Investments, India and Africa, GIC.

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Fashion designer inspired Blackwood students’ ‘trash-ion’ show

PUPILS at a school in Blackwood have remade old clothes with the help of a fashion designer.

Students from Libanus Primary School repurposed clothes they no longer wanted, then took to the catwalk, with a ‘trash-ion’ show to highlight the damaging effects the fast fashion industry can have on people. the environment.

Her classmates were inspired by the Cardiff-based designer and founder of the Welsh clothing brand Sam Osbornewho visited during a fortnight of earth-related activities organized at the school to help mark World Earth Day.

Students also read mother earth is crying by Claire Donald before working together to cut, sew, glue and embroider old clothes which were then worn by fifth and sixth graders during the “trash-ion” show.

Libanus Primary School principal Lily Egan, 10, said:

“We want people to think carefully about the clothes they buy and get the message across – buy less, reuse more, because the fewer items we buy, the less damage there will be to the environment.”

Head Boy James Vacariuc, 11, added: “This Earth Fortnight has been a great experience and has taught us the massive impact that fast fashion has on our environment.

“It was a great opportunity to develop my creativity, working with others to create a fashion show that uses only recycled materials and highlights how we can turn waste into fashion.”

During his visit, Mr Osborne explained to the children why he created his ethical clothing line, Make-Land, to inspire them.

South Wales Argus:

Governor Carol Erasmus “really enjoyed” the fashion show and thanked everyone for their hard work.

“The most important thing is that the message about saving our planet has been understood, and I am very proud to be the Governor of Libanus Primary,” said Ms. Erasmus.

Headmaster Nicola Williams added: “It was a real joy to see the confident way our older students strutted down the catwalk in their trash-ion show.

“Using recycled materials to create their runway clothes was inspirational.”

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Fashion: The Big Block Theory! – Hindustan Times

Color blocking simply means combining two or more color blocks in your set. Although the trend has returned, history suggests that it never really left. Dutch abstract painter Piet Mondrian’s color-blocking technique has always inspired fashion designers. In 1965, Yves Saint Laurent extended Mondrian’s work to his designs and created the iconic Mondrian collection, which included shift dresses applying Mondrian’s “neoplastic” rules of placing primary color blocks, black and shades of grey, and horizontal and vertical dividing lines.

London in the 1960s celebrated Mary Quant’s color-block mini-dresses. The 1970s continued to incorporate color blocking solids with small colorful prints or polka dots, as neon color blocking was all the rage in

the disco era of the 70s and 80s. Salman Khan’s color-block blazers in Hum Aapke Hai Koun are a good example of how it was used in the 90s in Bollywood.

“New Age Indians are tech-savvy; so they can surf, understand and implement new fashion trends in their wardrobe. It’s a pleasure to see Gen Z and Millennials playing with contrasting, complementary or analogous hues to stylize their everyday looks that weren’t accepted before,” says fashion designer Nida Mahmood.

Try the tetradic scheme

Go beyond the usual suspects

Use colors close to each other on the color wheel to make sure they blend well (Vidushi Gupta)

Deciphering the trend

Tetradic colors are two sets of complementary colors that face each other on the color wheel. For example, the Google, Microsoft, and eBay logos follow a tetradic pattern.

It is a very rich and vibrant color palette, which helps the designs to stand out. Keep in mind that the vividness of the colors involved can cause them to overwhelm if not carefully balanced.

Style to go

The formula consists of mixing four colors to create an overall look, but leaving one dominant color.

You don’t have to stick only to solid pieces when color blocking. It can also be layered over a printed knit or crochet blouse with shorts or can be paired with a pantsuit or plaid skirt. When layering a corset or shrug over your dress, choose one in a contrasting color, like Brandon Maxwell did for Spring 22. “There are warm, neutral, and cool tones in the color wheel. . You can start with a color of your choice and pair it with nearby colors on the color wheel to make sure the combination is safer and the colors blend well,” suggests designer Aaina Mahajan.

A similar palette

The company of three

Using similar and analogous shades is easy on the eyes and looks quite classy; Bralette by Michael Kors (Collective India); Skirt by Karl Lagerfeld; (India Collective); Belt bag by Tiger Marrón; Coat by Two Point Two; Shoes by H&M (Vidushi Gupta)

Deciphering the trend

An analogous color scheme is defined as a grouping of at least three neighboring shades on the color wheel: blue-violet, violet, red-violet or yellow-green yellow, yellow-orange, etc. The colors of leaves and fall foliage, leaves and plants in a forest, the sky and the ocean follow this pattern.

The safe bet is to follow Claude Monet’s color palette from the iconic Water Lilies series to stylize your look. It has all shades of greens, blues and purples with some red accents used for the flowers.

Style to go

Analogous colors have a natural flow because they share common properties. There is also a sense of harmony in this type of scheme since the colors are linked. Combine two to three neighboring colors with black or white as the highlight.

“I believe color blocking using bold colors goes really well together if you really want to make a strong statement; however, a subtle way to do this is to use similar and analogous hues such as turquoise with blue or green or green-yellow with green. It’s nice to look at and it looks quite classy,” says designer Rahul Mishra.

Team up with the Triad program

This is a triangle that you will definitely love

Color blocking used vertically creates an illusion of height. It can work wonders for short people; Zara pants and top; Jacket by Vidhi Wadhwani; Earrings by Amama; Belt bag by Tiger Marrón; Shoes by FILA (Vidushi Gupta)

Deciphering the trend

The triad colors are equidistant on the color wheel, forming a triangle.

Abstract Expressionist, in his Color Field paintings, Mark Rothko used a combination of orange and purple, giving the impression of infinity.

A warm orange with purple (think FedEx logo) with a hint of green completes the triangle, just like Gucci’s spring 2011 ready-to-wear collection.

Style to go

Color your ensemble purple with a complementary shade of orange, or take it easy by choosing one and accenting with the other. Choose one color for your clothes, then the other as a statement accessory; the coolest choices would be shoes, boots, or your bag.

“Color blocking used vertically creates an illusion of height. If we use a long block for the top, it’s easy to create the illusion of height. It can work wonders for shorter people,” says designer Nida Mahmood, adding, “Also, it’s high time to explore the princess line with color blocking because it gives the illusion of a beautiful curve to the body.

Classic chic & complementary

These color combinations are usually bold, which is why many sports teams use them!

Color blocking with contrasting shades is superb; Dress by Forever New; Cloak of Vidhi Wadhwani; Zara shoes (Vidushi Gupta)

Deciphering the trend

Complementary colors face each other on the color wheel. The two colors complement each other in contrast, allowing each to stand out.

Vincent Van Gogh, in his masterpiece Le Café de nuit, used the power of complementary colors, red and green, to heighten the visual effect.

Style to go

Yes, this bold combination of red and green can be worn this season. All you need is the right attitude. Throwing a fringed shrug over any soft, flowy figure will give you the look you want.

“Color blocking with contrasting shades looks great. Just complement it with white accessories and cool, icy makeup,” recommends celebrity stylist Isha Bhansali.

Coupling of contrasts

Too hot to handle

The best part about mixing and matching different colors is that you can create a new look every time; Corset and pants by Cinnamon Stitch; Jacket by Vidhi Wadhwani; Bag of Tiger Marrón; H&M shoes; Earrings by Soulful by Percy Visaria (Vidushi Gupta)

Deciphering the trend

Hot pink is a brighter shade of pink, introduced by surreal fashion designer Elsa Schiaparelli, who made it her signature color. The yellow and yellow-green of the color wheel complement the pink.

Although Andy Warhol painted Marilyn Monroe in virtually every color combination, his “Pink Marilyn” screen print brought those fun pop colors into every fashionista’s wardrobe. The bright pink hue has appeared on the Spring/Summer 22 catwalks from Alexander McQueen to Dior to Versace, spilling over to pretty shelves for us to shop.

Style to go

Combine three to four fresh and vibrant shades from the Pop Art palette and use one or two colors to accentuate the look using a bold accessory like a handbag, pumps or jewelry.

“The best part about mixing and matching different colors in a set is that you can create a whole new look every time. Each piece of clothing can have a longer lifespan because you reinvent each piece in the associating with something,” says Nida Mahmood.

Try the kawaii of Harajuku street style

Pastels are very present here

The new generation is mature enough to mix colors to create statement looks; Dress and shorts by Two Point Two; Earrings by Soulful by Percy Visaria; Boots by Aldo (Vidushi Gupta)

Deciphering the trend

Kawaii (meaning “cute” in Japanese) is a Japanese street style that offsets bold designs with soft colors. They create an outfit base with creams, ballet pink, lavender, light green and baby blue and mix them with classic styles and pretty prints.

Style to go

Kawaii Harajuku style can be pulled off by layering prints or plaids with solid colors, clothes and accessories. You can use a printed top with solid color pants and an accessorized jacket with solid color belts or high boots.

“Our youth share and consume experiences in real time. They explore different high fashion, couture and street styles to create their own style guide. I feel like the new generation is mature enough to mix colors to create bold looks,” says designer Pallavi Singhi.

Take notes on Raza’s web

The artist offers a lot of inspiration

Any color-block look can be enhanced with the right accessories; Dress by House of Fett; Cloak by Soulful by Percy Visaria; Karl Lagerfeld bag (Collective India); Shoes by Melissa (Vidushi Gupta)

Deciphering the trend

Famous Indian artist SH Raza was an early expressionist and later abstract artist. His paintings show the beautiful use of shades like teal and turquoise with a hint of complementary rusty orange filled with geometric patterns.

Style to go

Aqua with just orange accents gives it a fresh and energetic look. This bold and dramatic color block is a runway favorite this season. A good example is designer Prabal Gurung’s color blocking of a teal shirt and orange overcoat in his Spring/Summer 22 collection. Accessorize the aqua A-line sheath with a rust orange bag and platforms for the perfect date.

Designer Rahul Mishra says, “Any color-block look can be enhanced with the right accessories. One can start by adding jewelry to the look while keeping in mind that it only complements the outfit and does not overwhelm the wearer.

From HT Brunch, May 21, 2022

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Opera Singer and Fashion Designer Radmila Lolly Delights Miami Heat Fans With Custom-Designed Prom Dresses – CBS Miami

MIAMI (CBSMiami) – As an opera singer, Radmila Lolly is used to hitting the high notes with ease, but these days she’s scoring points for her court couture, wearing her own Miami Heat ballgowns custom-built for the playoffs.

The dresses, made from 14 Miami Heat jerseys, recently caught the eye of many Heat fans.

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Red was finished two years ago but COVID closed it.

Radmila Lolly in her red jersey ballgown with matching jacket and gloves. (Source: David Alvarez)

“I wore it for game one and game two,” Lolly said.

“It was an instant hit and it went viral,” CBS4’s Lisa Petrillo said.

“Yes, I was very surprised, but I was happy that it was very positive. People are so nice. If I can inspire even one person, that means everything,” he said. she stated.

Radmila, who came to the United States 17 years ago, made a splash as a classically trained soprano. She mixes it up by singing pop and hip hop.

She is a fashion designer with her brand called Eltara Casata, she wears a look today.

“So you have multiple careers going on,” Petrillo said. “I call myself a storyteller and I feel like what we wear is our story and what we sing is our story,” she said.

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Radmila Lolly sitting courtside in her red jersey ballgown. (Source: Instagram)

Her history with the Miami Heat was love at first sight, she became a subscriber in 2019.

“I fell in love from the first game. It was a pre-season game. I was like yeah, it’s like the music. You have a team that’s like an orchestra. You have string players, who are the wind instruments. For me, when everyone asks me who my favorite players are, it’s hard to answer, because it’s a team. You need each other,” she said. declared.

Radmila actually performed the national anthem in January of this year during a Heat game.

Radmila Lolly performing the national anthem at a Miami Heat game. (Source: YouTube)

As she models her white home game dress for us, she says she won’t be making a second appearance on Tuesday night, which will be revealed later.

But she’ll tell you that in the end, her Miami Heat will win.

“I think, I think we’re definitely going to win and I think maybe it’s six games away. Six games. I was hoping for 4, but I’m going to give it 6,” she said.

Radmila Lolly gives CBS4’s Lisa Petrillo a close up of her white jersey dress. (CBS4)

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All eyes will be on the scoreboard for Tuesday’s big game, but for those watching the Eastern Conference Finals, the glamor is sure to come from those courtside seats.

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Fashion designer

With Gohar World Tabletop, sisters Laila and Nadia Gohar combine humor and tradition

Laila Gohar has spent her days creating a dream world of delicious food. Devoted admirers flock to her visually captivating Instagram feed to catch a glimpse of the brilliant way she shapes butter, braids cheese and deliciously dusts delicate berries with icing sugar and yearns to attend the affairs where these artistic meals are served. . Gohar uses food as both an artistic medium and a communication tool, creating unique experiences around the world for friends and luxury brands like Simone Rocha, Comme des Garçons and Tiffany & Co. Now, with his sister, artist Nadia Gohar, the New York designer by-way-of-Egypt launched Gohar World, a beautiful new way to build your own universe at the dining room table, one object at a time.

Encompassing whimsical tableware that embraces craftsmanship, time, tradition and humour, the brand was “born out of our love of entertaining and bringing people together,” says Laila, who conceived the idea with her sister during global lockdowns related to COVID-19 in 2020. Then, designing pieces in New York for future dinner parties felt like “kind of a fantasy, a way of getting away from it all.”

The Gohar World collection, handcrafted by artisans from several continents, includes a mother-of-pearl butter knife, an egg candelabrum and a clever baguette bag adorned with black satin bows. The designs are approached as future heirlooms, and many have a family feel. The sheets, for example, come from Egypt and are sewn in the Cairo workshop of Laila and Nadia’s great-aunt. Their grandmother, Nabila, a retired fashion designer in Egypt, “insisted on hand-sewing the knots of the baguette bags herself because she couldn’t find anyone else who could do it just like us. we wanted to,” explains Laila. “She then sent us a giant suitcase full of satin bows. We didn’t even know she was doing it. It was so sweet to receive.

The collaboration was of the utmost importance for the creation of Gohar World, whose slogan is “design for the table, where as much attention is paid to the dressing of the table as to oneself”. The brand marks the first time Laila and Nadia have worked together officially, and the former says she was continually impressed with her sister during the experience.

world gohar people around a table laila gohar

“Because she’s a painter, she likes to dream like me, but she’s also very meticulous,” Laila says of Nadia. “She oversaw much of the production process and worked with the workshops that make our designs. She’s an incredibly hard worker, it was amazing to watch her.

Tradition is of paramount importance to Gohar World designs and intentionality is a prerequisite. Their products celebrate customs that are on the verge of extinction, showcasing the art of mouth-blown glass, needlework and hand-dipped candles. On the brand’s Instagram page, a fascinating video captures of one of their makers masterfully crafting a piece of lace.

“I prefer intricate and maximum pieces to sleek and minimal pieces,” says Laila. “The candy, fruit and veggie hats are two of my favorite pieces from the collection for this reason. Besides lace, I’m really fascinated by needlework. There is a towel in the collection that uses a stitch called up to date [openwork] it’s not used very frequently but it’s so beautiful. I’m glad we were able to include it and bring it back.

In the philosophy of Gohar World, “no object or piece of furniture has had as much meaning for the family and the community as the dining table”. With their surreal tableware, the Gohar sisters seek to revive one of humanity’s oldest traditions, communal eating, while creating new rituals. The simple act of hospitality resonates more than ever, and Gohar World has elegantly reinvented the way we break bread.

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Fashion designer

Meet Angela Kelly: All About Queen Elizabeth’s Best Friend

Today we are going to tell you about the person responsible for Queen Elizabeth’s amazing outfits. The name of her clothing designer and best friend is Angela Kelly. Keep reading to get an in-depth look at the life of Angela Kelly.

The Queen has moved her best friend Angela to Windsor Castle

Queen Elizabeth’s closest friend and clothing designer, Angela Kelly, has moved into Windsor Castle as Her Majesty has recently faced some mobility issues. Queen Elizabeth and Angela have been friends for 28 years. From now on, Kelly will be staying in a private suite next to the Queen’s private quarters.

According to reports from The sun, The queen has trouble walking and she refuses to use the wheelchair at home. The first time Angela moved in with the Queen was during the Covid lockdown as part of the HMS Bubble team and helped Her Majesty with daily care.

Close sources spilled the wick on Kelly’s accommodation and told the outlet: ‘She lives there now. She moved in. ” According to The sunAngela would have a 42-inch TV in her bedroom.

Here’s everything you need to know about Angela Kelly

For those of you who don’t know, Mary Angela Kelly is a British fashion designer, dressmaker and milliner. She was born on November 4, 1957 in Liverpool to a crane operator and a nurse.

According to Express United Kingdom, Kelly was raised in public housing and reportedly never lost her Scouse accent. Unlike many others in Queen Elizabeth’s life, Kelly came from humble beginnings.

Angela started working for the Queen after she was interviewed at Windsor Castle in 1994. She is in charge of the Queen’s clothing, jewelry and regalia. She has been personal assistant and principal hairstylist to Queen Elizabeth II since 2001.

Kelly does some proper research on the royal places the Queen is to visit. She goes through the meaning of the different colors, to create good outfits for the monarch. Angela is also the author of Dressing the Queen: Jubilee Wardrobe and The other side of the coin: the queen, the chest of drawers and the wardrobe.

Kelly does a little more than just dress the Queen

According to United Kingdom Telegraph, Kelly hasn’t been solely responsible for dressing the Queen for some time now. Her official title is Personal Assistant, Advisor and Curator to Her Majesty The Queen.

Angela does her job like a pro. Her lengthy job description testifies to the Queen’s growing reliance on her to manage her day-to-day life, but it also marks the appointment of the royal’s first-ever personal assistant.

In an interview with the publication, Angela said: ‘I just want things to go well for the Queen – to make her life easier because she’s so busy. My job is to make sure that when the queen meets people, she looks good.

Do you like Queen Elizabeth outfits? Please let us know in the comments section below. Don’t forget to stay tuned with us for more updates from the world of showbiz.

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Fashion designer

Meet Jess Ng, the fashion designer turned Muay Thai trainer who is teaching her community to stand up for themselves

Out of college, Jessica Ng landed a designer job at Calvin Klein. But after a decade working for the brand, she decided it was time to work on something for herself. She ended up leaving the iconic fashion company and taking a sabbatical from the corporate world.

But that didn’t mean stepping away from fashion as a whole.

Over the years, Ng has made a name for herself as a fighter and designer within the New York Muay Thai scene. If you don’t know muay thai, you might not know that it’s a flashy sport. But when Ng began attending local muay thai competitions in 2008, fashion’s role in the ring immediately appeared to him. Muay Thai fighters not only drifted towards the colorful, exceptionally short shorts, but they also personalized them by adding intimate touches such as the flag of their country or the names of their family members. It wasn’t just the fighters who showed up either; coaches and their assistants also sported personalized cornermen’s jackets.

Getting this custom gear, however, took some time. “A lot of people would place an order in Thailand,” says Ng. “It would take about three months to ship.” Spotting an opportunity, Ng stepped in and started taking custom orders herself. At first, she balanced her side hustle between her day job at Calvin Klein and her own muay thai training. Eventually, in 2018, Ng traveled to Thailand and Hong Kong to visit factories to launch her own brand.

But almost immediately after returning to the United States, the pandemic hit. At the time, Ng had just teamed up with fellow muay thai practitioner Hannah Ryu to launch Left handed stitchesan active lifestyle brand whose name is a nod to the left-handed stance that Ng uses. They had debuted in January 2020 – but when COVID hit they saw that Southpaw Stitches needed to change tactics a bit.

At first, New York City was considered one of the epicentres of the pandemic. The city’s essential workers were among the most at risk. For Ng, their vulnerability was close to home. “My dad works for the United States Postal Service and he’s in his 60s,” says Ng. “When the pandemic hit, a lot of people were getting COVID. Luckily he didn’t, but a lot of people were afraid to work.

Ng and her business partner, Hannah Ryu.

Courtesy of Jess Ng

Watching his father continue to work amid a virus crisis, Ng took note of the lack of personal protective equipment and support for communities of color in New York City. It didn’t take Southpaw Stitches long to go from designing muay thai apparel to serving the immediate needs of communities.

“We have friends and family [who] worked in maintenance, cleaning, at airports, nursing homes,” Ng recalls. “So we got all of our raw material and distributed it to whoever wanted it. Rubber bands, all that. But Ng, whose design background was in lingerie, realized: “The molding machines used to make N95 masks are essentially the same machines we use to mold bra cups and foam pads. “

With this knowledge, Southpaw Stitches could do more than give away raw material. He could design and manufacture masks in bulk. First, antimicrobial silver fiber face masks. Then, when winter came, Ng noticed that the longer nights made delivery people more vulnerable to accidents. “We decided to take the reflective material from our combat shorts to make masks,” she explains, to help give delivery drivers increased visibility.

“[Southpaw Stitches] became a brand that gave the community what it needed,” says Ng. Companies often pay a lot of superficial talk to help their communities or prioritize diversity; in many ways, it has become a checkbox on a corporate to-do list that reflects no bigger, more meaningful action. But as Southpaw Stitches grows, Ng wants to not only empower people to lead active lifestyles, but also celebrate their own identities – and those of others.

It’s a goal very close to Ng. “I was very lucky to grow up where each of my friends spoke a different language at home,” says the Queens, New York, native. “When you make friends with people, you get to know different foods, say ‘thank you’, ‘how are you’ and ‘hi’ in different languages ​​to each other’s parents and grandparents… We learn to empathize with each other, other cultures and different people.

This commitment to empathy, in fact, grounds the other part of Ng’s work. While Southpaw Stitches made masks to respond to one part of the crisis, another needed attention: Across the country, hate crimes against Asian communities were reach unprecedented levels. Last February, Ng attended a Stand Up Against Asian Hatred protest where she carried a cardboard sign that read: Love our people as you love our food.

“It’s about the contributions of immigrants and people of color who have been in this country,” Ng says. It didn’t take long for the phrase to go viral.

“I’m not here to shout, scream and be on the microphone. I show up to make sure others are safe,” Ng told Mic of his state of mind during the protests. “I don’t know if it’s my muay thai training or being the eldest in my family. I always grew up look[ing] after everyone.

Of course, given her 5-foot height and slim build that qualifies her for the strawweight division (for fighters weighing between 106 and 115 pounds), Ng may not be the tallest person at a protest. But after competing in muay thai for more than a decade, his live as a fighter is impressive. She competed twice as a member of Team USA for the International Federation of Muaythai Associations (think of it like the Olympics for muay thai) and, in 2017, won the IFMA Pan Am Champion title for her weight class.

“I’m definitely a lot more confident than others when I’m out there,” Ng says. “Training all those years…it helps when something happens and you can defend yourself without thinking because it becomes a subconscious reaction.”

As reports of attacks on Asian communities continued to rise, Ng decided to enforce it expertise more formally. Following the murder of Christina Yuna Lee in February in Manhattan’s Chinatown, Ng teamed up with Hover over hatea non-profit organization supporting AAPI communities, to run a self-defense class at Two Bridges Muay Thai, a nearby gym.

“So many attendees have come into this class feeling scared and anxious about the rise in crimes against Asian women,” Soar Over Hate co-chairs Michelle Tran and Kenji Jones told Mic in an email. “Jessica transformed the energy and guided the room to find inner strength and confidence with tangible skills and situational awareness.”

Since then, Ng has continued to teach self-defense classes, which she finds both emotionally and physically helpful. It’s a bit ironic given that Ng was skeptical of self-defense classes herself. “I always thought…you take a class and you’re not going to knock somebody out or gouge their eyes out or anything like that.”

“But that’s because I’ve seen self-defense classes that look like hand-to-hand combat,” Ng continues. And of course, the classes she teaches definitely touch on combat. For example, Ng uses fundamental muay thai techniques to teach people how to walk away without tripping, and she focuses on palm strikes so people don’t hurt themselves throwing punches with their bare hands. But it also teaches broader skills, like how develop situational awareness and what to do when you are a bystander. One of Ng’s co-instructors has been practicing weapons training for over 10 years, so she teaches people how to use whatever they can grab to their advantage.

Ultimately, Ng’s classes are about empowering and confronting decades of gaslighting Asian communities. As she explains, “The violence that is happening is not something new. He has just grown bolder in recent years. … All of this happens to us and we are expected to compartmentalize all of these traumatic experiences.

The response to Ng’s lessons has been tremendous, which Tran and Jones of Soar Over Hate crediting Ng with being “a fierce fighter and also an incredibly compassionate person, constantly giving up her time to help teach others how to protect themselves”.

While people sometimes come into class feeling helpless, says Ng, “they come away uplifted. They leave accompanied. And the greater NYC community has played a vital role in extending that support beyond the gym. “We have people [in the food industry] who would just show up to seminars, set up a table outside, and feed everyone out of his own pocket. People contact us and deliver baked goods for the seminar,” Ng shares. “They would give money so everyone could leave with a security alarm.”

Anyone who has organized even a single event can attest to the frequency of burnout in activist spaces. Despite having worked several jobs before, Ng found herself saying yes to every seminar; once, she lasted three in 30 hours and became physically ill as a result. Learning that it’s okay to take time is always something she is working on. But for now, she can at least count on being an essential part of a community that helps take care of each other.

“We Venmo each other money like, ‘Lunch is on me. Dinner is on me,'” Ng says. These small actions are incredibly meaningful to her and shape the lifeblood of her work. she tells Mic, “activism doesn’t pay.” People who show up at rallies, host events, and feed each other do all of this, and more, because they care. For this type of work to continue, people need to support each other, especially in times when government and local authorities are not.

“There will always be hard and difficult times,” Ng says. “But at the end of the day, we all have to do what we think is right and care, not just about each other, but really care about the future.”

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Fashion designer

Footwear Designer Mia Becar Wins FGI’s Rising Star Accessories Award – Footwear News

The next generation of fashion talent was celebrated Tuesday afternoon at Pier 61 in New York City for Fashion Group International’s Rising Star awards. Attendees included Kerby Jean-Raymond, Jason Wu and Tracy Reese, who helped honor emerging designers.

Mia Becar’s creative director, Betzabe Gonzalez, won the award in the accessories category. “I’m so honored and blessed to be nominated and to have won. I love what I do. There have been tough times, but I have so much passion for creating shoes that are constantly evolving with quality, craftsmanship and inspiration,” she told FN after the win.

Mia Becar launched in 2018 as a direct-to-consumer brand and is known for its Italian-made embellished heels. The brand forgoes the traditional fashion calendar and releases capsule collections every few months. Most recently, Gonzalez’s shoes could be seen on the runway at Kim Shui’s Fall 2022 show at New York Fashion Week, as well as on celebrities like Isla Fisher, Lizzo and Hailey Bieber. On top of that, Mia Becar will be featured in an Aspen pop-up this summer.

The Los Angeles-based designer was nominated alongside Pam Seidman of BYBBA, Melissa and Kim Bentz of Bentz, Jennifer Rose Smail of Cuddigan Leather and Salone Monet.

Other FGI Rising Star winners included Byron Lars with the President’s Award of Excellence. The Entrepreneur of the Year award went to Cole Wassner of the Wassner Management Group.

Jean-Raymond, winner of this prize in 2014, presented the Men’s trophy to the creator of Aknvas, Christian Juul Nielsen. Christopher Lowman, Kenneth Nicholson and Terry Singh were also nominated in the category. Meanwhile, Elle editor Nina Garcia presented the Womenswear Award to designer Frederick Anderson in the category that also included Amir Taghi, Kelsey Randall, Junny Ann Hibbert and Mimi Prober. Prober won the Diesel Sustainability Award.

Late last month, Fashion Group International’s Rising Star Awards took over Diesel’s SoHo boutique for a pre-celebration. There, FGI CEO Maryanne Grisz told FN, “Sometimes the toughest times are when creativity is really embraced and arises, and in this case, I’m so inspired by the artistry of all the finalists,” she said. “This year’s finalists inspire hope. There are so many unique viewpoints and developments within the industry that they represent across the board.

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Fashion designer

A Complete Guide to Afterpay Australian Fashion Week

Afterpay Australian Fashion Week is here, and you’re invited.

Previously an affair reserved for the industry elite, After Australian Fashion Week (AAFW) opens to the public in 2022 with its new offering, AAFW: the experience.

Typically, Australian Fashion Week gives the general public a glimpse of its magic only on weekends, rarely on weekdays. But this year, AAFW announced it had a week of consumer-accessible, industry-exclusive events, which means you too can join in the fun.


Check out other up-and-coming local designers in our Fashion section.


AAFW: The Experience will feature an array of Australian designers including Dyspnea, First Nations Fashion and Design (FNFD), Karla Spetic, Hansen & Gretel, St. Agni and a showcase of AAFW’s Next Gen winners. Check out our guide to the 2022 program, which runs May 9-13, below.

Monday

Terry Vinson, 12 p.m.

Powered by Shopify, In conversation with… is a series of intimate discussions with some of Australia’s most esteemed fashion designers. Skin Synergy Founder Terri Vinson is about to chat with quite gritty founder and editor, Eleanor Pendleton, on how she engineered her success. Get tickets here.

Empowering Voices: Cultural Impact of Fashion on Representation and Inclusion, 4:30 p.m.

Part of The discussions series, this panel will explore representation and inclusion and uncover how fashion has sparked broader cultural change. It will feature the editor of Indoor retail, Jo-Anne Hui-Miller, artist and designer Jordan Gogos, Adaptive Clothing founder Jessie Sadler, designer and entrepreneur Liandra Gaykamangu and hairstylist Laura Mazikana. Get tickets here.

Beak & Bridge, 8 p.m.

After a two-year hiatus, Bec and Bridge will return to AAFW to celebrate its 21st anniversary. The cult brand will showcase its Resort 22/23 collection on opening night, first to the industry at 7 p.m. and then again to the public at 8 p.m. Get tickets here.

Tuesday

Anna Quan, 12 p.m.

As part of his In conversation with… series, Anna Hoang, the founder of contemporary womenswear brand Anna Quan, will break down her experience during the pandemic and how she harnesses nostalgia in her designs. Get tickets here.

St. Agni, 3 p.m.

After making his AAFW debut in 2021, St Agni returns to the catwalk to deliver an exclusive look to his Resort ’23 collection. Known for its high-end ready-to-wear pieces, you can expect a high take for its fashion week again. Get tickets here.

Digital Mode: The New Frontier, 6 p.m.

Part of The discussions series, this panel will break down all things metaverse, with NFTs and augmented reality on the agenda. It will include popsugar publisher Amanda Bardas, Injury Founder and Creative Director Eugene Leung, Games Producer Caitlin Lomax and BTC Markets Crypto Exchange CEO Caroline Bowler. Get tickets here.

Mariam Seddiq, 7 p.m.

The eponymous Sydney-based brand Mariam Seddiq is set to present its Resort ’23 collection on the catwalk. Mariam’s designs pay homage to her cultural experiences and architectural structures. Get tickets here.

Indigenous Fashion Projects, 8 p.m.

Indigenous Fashion Projects (IFP) will return to the catwalk, launching collections from six of Australia’s leading First Nations designers to close the second day of the event. The show, presented by Afterpay and supported by David Jones, features an exclusive performance by Jessica Mauboy and artistic contributions by First Nations artist Wayne Quilliam. Get tickets here.

Wednesday

Ngali, By Denni Francisco, 12 p.m.

As part of his In conversation with… series, Wiradjuri designer Denni Francisco will meet with Yatu Widders Hunt to discuss his brand Ngali and more broadly Indigenous fashion. Get tickets here.

Daniel Avakian, 12:30 p.m.

Known for its flair for couture and contemporary design, Daniel Avakian’s eponymous label will debut its Resort ’23 collection on the AAFW catwalk. Get tickets here.

Karla Špetic, 3 p.m.

AAFW will feature Karla Špetić’s Resort ’23 collection on the 2022 catwalk. Since its debut in 2008, her eponymous label has been praised for its tailored luxury apparel that draws inspiration from both masculine and feminine design. Get tickets here.

Head to head with Bianca Spender, 4 p.m.

Designer Bianca Spender will meet with Porsche Cars Australia CEO and Managing Director, Daniel Schmollinger, and Caitlin Judd and Anna Mackenzie of Lady-Brains to share her journey and process as an industry-leading designer. Get tickets here.

First Nations Fashion and Design: Yours, Mine and Ours, 6 p.m.

Part of The discussions series, this panel is intended to explore the growing representation of Indigenous designers and the narrative of connection to country through textiles. With Agnt-Blak Co-CEO Bianca Hunt and Torres Strait Island Regional Council Mayor Phillemon Mosby, among others. Get tickets here.

Sass & Bide, 7 p.m.

After a five-year hiatus, Sass & Bide is set to return to the AAFW program. The midweek show will feature the iconic brand’s latest Resort ’23 collection. This year marks the brand’s 15th appearance at Fashion Week. Get tickets here.

The Future of Fashion from Afterpay, 8 p.m.

To wrap up a busy day at AAFW, Afterpay will host an exhibition featuring over 13 of Australia’s most esteemed designers. The stacked line-up includes Manning Cartell, Blanca, Oroton, Afends, Salt Murphy and PE Nation. Showcasing a fusion of technology, entertainment, and fashion, AAFW even signaled that a surprise performance might be on the cards. Get tickets here.

Thusday

Adapted Clothing Collective, 10 a.m.

Just one year after its inception, Adaptive Clothing Collective will make its debut on the AAFW catwalk. The Adaptive Clothing Collective is a membership organization that seeks to represent emerging Australian designers and labels who place inclusivity and innovation at the forefront of their work. Get tickets here.

Bassike, 12 p.m.

As a member of In conversation with… series, Bassike founders Deborah Sams and Mary Lou Ryan sit down to dissect their brand and the importance of sustainability. Get tickets here.

The sustainable business journey, 4 p.m.

Part of The Talks series, this panel will unpack the adoption of environmentally responsible business practices and their impact. Featuring the fashion editor of the Australian Financial Review, Lauren Sams and Australian Fashion Council CEO Leila Naja Hibri, among others. Get tickets here.

Back of the house, 6 p.m.

Part of The discussions series, this panel provides a behind-the-scenes look at the world’s biggest fashion shows. With consultant for QG, Grant Pearce, Senior Vice President and Managing Director of IMG Focus, Dominic Kaffka, and many more. Get tickets here.

Dyspnea, 7 p.m.

Perth-based brand Dyspnea is set to showcase its Resort ’23 collection to consumers at this year’s AAFW show. Created in 2013, by best friends Jameen and Rachel, the brand describes itself as “clothing with enough fluff, glitter, silk and sass to give anyone a migraine”. Get tickets here.

Hansen & Gretel, 8 p.m.

Capping off the penultimate day of AAFW shows, Hansen & Gretel will grace the catwalk with their latest collection. As a bonus, Australian artist George Maple will perform live. Get tickets here.

Friday

Next-Gen, 10 a.m.

Opening the last day of AAFW, the Next Gen show is scheduled for the early morning. The presentation serves to highlight the work of the four winners of AAFW’s Next Gen program. Since its inception in 1996, Next Gen has helped launch the careers of Camilla and Marc, Sass and Bide and Gorman, among others. Get tickets here.

Michael Lo Sordo and Alyce Tran, 12 p.m.

As a member of In conversation with… series, designer Michael Lo Sordo and entrepreneur Alyce Tran will explore fashion partnerships and how to build a brand. Get tickets here.

Generation: Nxt, 4:30 p.m.

Part of The discussions series, this panel will be moderated by Parlor X Director Eva Galambos and will feature the four 2022 winners of AAFW’s emerging creator program, Next Gen. After their runway show earlier on Friday, the winners will sit down to share their journey as up-and-coming designers during the pandemic. Get tickets here.

First Nations Fashion and Design, 7 p.m.

Sending the week-long event, the FNFD returns after a triumphant debut in 2021. This year’s parade is produced, styled, modeled and managed by an all-Indigenous team. And in a first Fashion Week, a party kicks off on the runway immediately after the show, bringing AAFW to its official close. Get tickets here.

To view the full program, go to here.

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Fashion designer

How wealthy is Lionel Richie’s daughter?

Sofia Richie is an American social media star, model, and fashion designer. She has appeared in advertisements for Tommy Hilfiger, Michael Kors and Adidas, among other top brands. She is the younger sister of television personality Nicole Richie and the youngest daughter of musician Lionel Richie.

In this article, we are going to explore Sofia Richie net worth.

Sofia Richie’s early life

Sophie Richie was born in Los Angeles, California on August 24, 1998. Lionel Richie and Diana Alexander Richie are her parents. Sofia Richie is the younger sister of Miles and Nicole Richie.

Michael Jackson was his godfather. Growing up and visiting Neverland Ranch, she became close to Paris Jackson. She started singing at age five and playing the piano at age seven.

At 14, she began to take voice training. She also collaborated with her brother-in-law, Good Charlotte singer Joel Madden, in the studio. Richie attended Oaks Christian School for a few years before being homeschooled while his father was on tour.

The professional life of Sofia Richie

Sofia made her modeling debut at the age of 14 when she was featured in “Teen Vogue.” She signed her first modeling contract at age 15 with Mary Grace Swim, a swimwear company. She was featured in editorials for a variety of magazines and businesses in 2015, including “Elle Girl,” “Nylon,” and “Love Culture,” among others.

Her first runway performance was at the annual Go Red For Women Red Dress Collection fashion show in February 2016, which took place during New York Fashion Week.

In the years since her debut, the actress has appeared in a number of runway shows, including those for Chanel, Adidas and Dolce & Gabbana. She also appeared in advertisements and essays for a variety of magazines.

Richie introduced Frankie’s Bikinis, a brightly colored swimwear brand, in July this year. Her collection included tie-dye, neon colors and vibrant floral patterns. The Sofia Richie x Missguided clothing line, which she developed for UK boutique Missguided, will be released in fall 2019.

It featured 60 pieces with prizes ranging from $20 to $100. Items included, among others, little dresses, try-on pieces and conventional coordinated sets.

Richie has collaborated with brands such as Lulus, Suspicious Antwerp clothing, Nip + Fab skincare and Cheetos, among others, as an Instagram influencer.

Sofia had already been on the VH1 reality show “Candidly Nicole”, which was about her sister.

Sofia Richie’s net worth

Sofia Richie, an American model and fashion designer, is said to have a net worth of $8 million in 2022. She has appeared in advertisements for various well-known fashion brands.

She is best known for dating Scott Disick from “Keeping Up with the Kardashians.” As an Instagram influencer, Richie has worked with brands such as Lulus, Suspicious Antwerp, Nip + Fab and Cheetos.

Scott Disick and Sofia Richie planned to move in together in the fall of 2019. The couple looked at a $19.9 million, 12,000 square foot home in Malibu while house hunting.

The mansion, originally owned by actor Kelsey Grammar, features four bedrooms, six bathrooms, a spacious ballroom, a pond, a swimming pool, a gazebo and two tennis courts. Richie lives in a beautiful villa with a pool in Hollywood Hills.

Instagram account of Sofia Richie

Sofia Richie has 7.3 million followers on Instagram as of May 2022.

Who is Sofia Richie in a relationship with?

Sofia Richie and her fiancé, Elliot, are currently engaged. After they were spotted together in West Hollywood, California in 2021, she was said to be dating a music executive Elliot Grainge.

Sofia Richie Net Worth

She then verified their connection by posting a photo of them together on Instagram. Sofia confirmed their engagement on Instagram in April 2022. Elliot and Sofia are now happy with their current situation. Her sexual orientation is heterosexual.

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Frequently Asked Questions

Is Sofia Richie single?

Sofia Richie is engaged to Elliot Grainge.

How old is Sofia Richie?

Sofia Richie is 23 years old.

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Fashion designer

BTC Markets goes couture in partnership with Australian Fashion Week

BTC Markets Partners with Australian Fashion Week to Launch NFT Dress

Today, BTC Markets announced that they are the “Official Afterpay Australian Fashion Week Partner”.

Via Twitter, BTC Markets tweeted,

“A week-long exhibition of Australia’s amazing designers will collide with #crypto, with lots of cool giveaways to come – watch this space!”

This year, Afterpay Australia Fashion Week will run from May 9-13.

Once again, crypto exchanges view major events as opportunities to build brand awareness and engage with target audiences.

BTC Markets CEO Caroline Bowler shared the announcement on Twitter, tweeting,

“Taking Crypto to the catwalk! Another first from @BTCMarkets – Official Cryptocurrency Partner for Afterpay Australian Fashion Week. We also have a great collaboration with Daniel Avakian to share with lots more goodies to announce!”

Bowler will also be a speaker at Afterpay Australia Fashion Week’s “The Talks” on Tuesday, May 10.

Australian Fashion Week announcement the event indicating,

“Fashion week has entered the metaverse, with NFTs and augmented reality gaining popularity among consumers who want more ways to shop and interact with brands. The session will break down fashion-tech trends .

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Fashion royalty gather in Harlem for the André Leon Talley memorial

The spirit and memory of André Leon Talley, the groundbreaking creative director, fashion designer, journalist, memoirist and media personality who died in January at the age of 73, was celebrated Friday at a memorial at the Abyssinian Baptist Church in Harlem. A who’s who from the fashion world was on hand to pay tribute to the famous black editor.

the New York Times reported this model Karlie Kloss was next to the old vogue creative director Grace Coddington “in the center of the church”. Bette Midler was also present, watching from the balcony. Naomi Campbell stopped at the neo-Gothic shrine on West 138th St. in an “all-white vintage Rolls-Royce” wearing a feathered outfit that evoked “an angelic swan heading for a gospel brunch,” as the Time Put the. Campbell was among those who spoke at the ceremony.

Anna Wintourglobal editorial director of vogue and global chief content officer of Condé Nast, was in attendance and also spoke, having worked with Talley for decades. (Talley was also previously a style editor for vanity lounge.) Julianne Moore, Marc Jacobs, Carolina Herrera, Diana of Furstenberg, Paula Wallace, Derek Blasberg, Zac Posen, Martha Stewart, Gayle King, Kimora Lee Simmons, Sandra Bernhard, Bethann Hardison, Kate Moss, Dario Calmese, Claire Sulmersand Emile Wilbekin were also present according to People, TMZand page 6.

Valerie Simpson paid a musical tribute by singing “Ain’t Nothing Like The Real Thing” while accompanying himself on the piano. Before it happens, she shared how Talley used to come to her living room candy bar and play the tambourine.

Pastor of the Abyssinian Baptist Church, the Reverend Calvin O. Butts, spoke of Talley’s character in his eulogy, according to the Time, who noted that Talley was private about his health issues before his death. “His transition was between him and God,” the Reverend mentioned.

Talley’s official Instagram, who lives on, shared the footage.

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9-year-old fashion designer is making viral TikToks of her dresses

  • A nine-year-old fashion designer has received viral attention on her mother’s TikTok for her designs.
  • Kaia Aragon caught the eye of Vera Wang, who sent the young designer a sewing machine and a note.
  • Kaia said, “When I grow up, I hope to have a big fashion business with my best friend.”

It’s common for kids to fantasize about what they want to be when they grow up, but a 9-year-old fashion designer from Colorado is already making her dream career a reality.

Kaia Aragon made her first dress in November and now has a closet full of original designs, a sewing machine donated by Vera Wangand more than 600,000 subscribers on that of his mother Tonya Aragon TikTok account, @middle.mom.

Tonya posts “little designer” videos of Kaia making dresses that usually receive thousands, if not millions, of views. In January, a video of a pink and black dress she designed earned Kaia over 14.3 million views.

Kaia told Insider that she’s always been drawn to unique outfits, even before designing them for herself. “Whenever I could dress up, I always chose outfits that would stand out or make a statement,” she said.

Tonya said she taught Kaia how to use a sewing machine in November, but admitted her own skills were limited to making simpler quilts and blankets. After Kaia did her first dress, a black T-shirt dress with an orange fox print that had over 1.2 million views on TikTok on Thursday, she continued to get more adventurous with her designs.

Kaia Aragon in a black fox dress, the first dress she ever designed.

Kaia Aragon in a black fox print dress, the first dress she ever designed.

Courtesy of Tonya Aragón


“His skills and ideas are quickly surpassing what I am capable of,” Tonya said, adding that she now watches YouTube tutorials to learn skills and techniques that will help Kaia develop her art.

Kaia said her designs come straight from the heart rather than imitating clothes she’s seen in magazines or on screen. “Most of the time I’m just starting to design,” she said, noting that she’ll be laying material on her mannequin rather than drawing the design first.

On occasion, Kaia said she would start with a concept in mind, like the triangle themed challenge a cousin ruled it, which has more than 727,000 views on TikTok, or the multicolored, sleeveless Encanto inspired dress she created, which has over a million views, but most of the time she chooses a fabric and pattern on instinct.

A triangle-inspired dress by 9-year-old designer Kaia Aragon.

A triangle-inspired dress by 9-year-old designer Kaia Aragon.

Courtesy of Tonya Aragón


“All the fabrics I choose are soft and stretchy. If there’s a fabric that I think looks nice but isn’t comfortable, then I won’t get it. It’s just based on feel and then appearance,” said the young designer.

It wasn’t just the family’s TikTok audience who were blown away by Kaia’s talents — she also caught the eye of Vera Wang in February. The famous designer, whom Kaia says she hasn’t heard of before, sent her a package containing a sewing machine, a backpack and a handwritten note.

According to a video posted on February 22, Wang’s note read: “Dear Kaia, So excited to see that you are already pursuing your dream of becoming a fashion designer! Congratulations and good luck. I love Vera.”

The note is now framed on Kaia’s bedroom wall and Tonya says that ever since she started acquainting her daughter with the work of top designers, “she’s been pretty obsessed with Vera Wang.”

Kaia’s future ambitions are also very specific. If she could design a look for any celebrity, she said she would pick Emmy Award-winning actress Zendaya.

She added: “When I grow up I hope to have a big fashion business in Paris with my best friend and we want to go to school at the Fashion Design and Merchandising Institute.”

His admiration for the FIDM is not without consideration. In March, the University of Los Angeles sent Kaia “goodies,” including glitter fabrics, a teddy bear, and a video challenge from former “Project Runway” contestant Nick Verreos asking her to design an inspired outfit. of Olympic figure skating, she said.

For the challenge, Kaia made a dress with a pink satin bodice and a shimmering light pink skirt to twirl around in.

Kaia Aragon in a figure skating-inspired dress for a challenge with the Fashion Institute of Design & Merchandising.

Kaia Aragon in a figure skating-inspired dress for a Fashion Institute of Design & Merchandising challenge.

Courtesy of Tonya Aragón


Although she rubs shoulders with the best minds and institutions in American fashion, Kaia also has modest ambitions.

While planning her global takeover, the coming months will see the young designer making clothes for her friends and siblings, and creating a look for the local Renaissance fair, she said.

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Fashion designer

Travertine is the next surface of the day

Today, thanks to these same qualities, it rubs shoulders with favorite surfaces such as marble and terrazzo in the material libraries of interior designers near and far. Just look at AD proof: AD100 designer Steven Volpe opted for a ridged travertine bathtub with a view in the Manhattan apartment that made the cover of last February. May cover star Kacey Musgraves showed off a vintage travertine dining table in her Nashville haven. AD100 designer Vincenzo de Cotiis used the fan favorite on floors, furniture and a glamorous bathtub in the Paris apartment of fashion designer Pierre Hardy and her husband and brand CEO Christopher Turnier. And Parisian designer Diego Delgado-Elias recently designed a kitchen island and matching light fixture in the material of the moment for a French farmhouse in Provence. For the fronts of the island he left the porous and natural roughness of the material, while on the worktop he added a translucent resin filling to make it more suitable for a kitchen counter.

“The block can be cut two ways,” says Delgado-Elias, who has used travertine for flooring and outdoor furniture before. “We leave graphic lines that can be used vertically or horizontally; the other gives you different color tones and shades. You can use it wherever you want, keeping in mind that [it] is a natural stone that acquires a patina and stains over time.

A travertine tub in the Parisian home of Pierre Hardy and Christopher Turnier. Milanese designer AD100 Vincenzo de Cotiis used the material throughout the 17th century mansion, on floors and furniture.

Photo: Francois Halard

AD100 designer Julie Hillman, known for her bold use of stone in her interior design projects, counts travertine among her favorites. “Its earth tone palette is complementary to almost any finish or color, making it incredibly easy to use,” she explains. “It adds a sheer material that can warm up any space.” More recently, she has applied it to sinks, walls and floors. His advice for getting the most out of the equipment? Go for unfilled travertine on vertical walls and filled travertine on horizontal surfaces.

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Fashion designer

Frey’s Aluminaire House remains in a shipping container in Palm Springs

The Albert Frey Aluminaire house that was donated and shipped to the Palm Springs Art Museum about five years ago will remain disassembled in its shipping container for at least a year or more.

The museum was able to develop a roadmap to unpack and rebuild the house, the museum’s executive director and CEO, Adam Lerner, said Saturday.

“It will not be erected by the winter of 2021-22. We know that for sure,” Lerner said. “But hopefully the path to building it will soon become clear to you. We have a commitment to that.

Lerner provided an update on the home during the first of two days of the Palm Springs Preservation Matters 2022 symposium, which was held Saturday and Sunday at the convention center.

He was one of seven presenters on Saturday on architectural topics such as “Preserving Paul R. Williams’ Legacy: The Town & Country Center and His Architecture in Palm Springs”, “Preservation through Education”, and “Southridge Beyond the Gate: Architectural Drama”. , Diversity and Excellence.

The four hours of free presentations were followed by home/site tours at an additional cost.

The event, held in the Primrose Ballroom, was hosted by fashion designer Trina Turk and attracted around 300 people.

Make a house for the House of the Aluminary

Lerner came to the museum in August 2021 when efforts were made to rebuild the Aluminaire’s House, created by Frey and his then architectural partner, A. Lawrence Kocher, to a permanent location in the museum’s south parking lot. .

Built in 1931, the three-story metal and aluminum structure was one of Frey’s first major works and was built as part of an exhibition, serving as an example of affordable and efficient home design that could be designed with mass production and modern materials.

“It’s been built and deconstructed multiple times,” Lerner said. “Although it was never built as a permanent structure.”

It was first exhibited at an exhibition in New York and later moved to an estate. After falling into disrepair, the house was moved to the campus of the New York Institute of Technology.

That campus closed, and in 2011 New York architects Michael Schwarting and Frances Campani established the nonprofit Aluminaire House Foundation and began seeking permanent housing for the structure.

The house was put into storage in 2012, where it remained until enough money was raised—about $600,000—to move it to Palm Springs in 2017. The plan called for the rebuilt house to be on permanent display in front the museum, in the south parking lot.

Palm Springs is home to several residential, commercial, institutional, and civic buildings designed by Frey, who lived in the city for many years. The museum has 65% of Frey’s archival materials in its custody, Lerner said.

It was originally planned that the Maison de l’Aluminaire be rebuilt by the winter of 2021-22. But when he first arrived in Palm Springs last year, Lerner said his goal was to get the art museum reopened after being closed for more than a year during the pandemic.

Others involved with the museum and the California chapter of the Aluminaire House Foundation were working on setting up the structure, he said, but some delays caused him to get directly involved in setting it up. on the way to the project.

The main issues raised by the city may prevent visitors from walking through the Aluminaire’s house, even when it is rebuilt.

One is temperature control, he said. The building, made of aluminum and metal, has no air conditioning or insulation.

“You’ve been in Palm Springs probably longer than I have, and you know what Palm Springs summers are like,” Lerner said, making the 300 people in attendance laugh.

“A 120-degree metal box will be 140 degrees in the summer, and so there would be no way to get people through,” Lerner said.

When exhibited in the past, Lerner said, the Alumina House was housed inside another temperature-controlled structure.

The city was also concerned about making the home accessible to people with disabilities, Lerner said.

Knowing the city’s concerns, the museum needs to decide what needs to be done to be able to make this building something the museum can proudly display, Lerner said.

The museum is hiring an executive architect to handle all the consultants needed to make the Maison de l’Aluminaire a permanent structure, he said.

The museum is also working with DW Johnson to find out what materials can be reused and what needs to be redone, Lerner said. “It turns out the aluminum panels have been removed and reinstalled so many times that they need to be redone,” he said.

The museum is exploring ways for the public to access the house, which could include installing ramps that would allow people to see without entering, in the absence of air conditioning.

“The important thing is that we review the scope so that we can understand exactly what is needed,” Lerner said.

With an understanding of everything needed to build the house, Lerner said a realistic cost estimate could be determined and fundraising efforts could begin.

Some put the cost of the rebuild at $400,000, while others thought it might be something architecture students could do on weekends, “and it wouldn’t cost us anything,” Lerner said.

“Well, it turns out there’s a big difference between a building temporarily set up for an exhibition and a permanent building,” Lerner said.

It will likely cost $2 million or more, Lerner said.

Inheriting the Maison Aluminaire as a project upon arriving at the museum “is like someone leaving a puppy at your door,” he joked. “And you’re like, well, I have other plans, and I wasn’t expecting to raise a puppy right now. … But he’s a puppy. You can’t turn down a puppy,” he said. he said to the laughter of the audience.

More homes designated for historic preservation

People attending the Palm Springs Preservation Matters Symposium at the Convention Center on Saturday, April 23, 2022, look at some architectural models made by local students across the "Preservation through education" program.

Palm Springs Mayor Lisa Middleton welcomed everyone to the eighth annual symposium — the first held in person since the pandemic began.

“It’s so cool to see people in three dimensions again,” Middleton said.

She applauded the seven members of the Historic Places Preservation Council.

Palm Springs is known for its mid-century modern architecture, which attracts people from around the world who want to “see what we’ve built, what we’ve maintained and what we’ve opened up to the world,” Middleton said.

“Palm Springs, as we know, is internationally recognized for the architecture of our region. We are a name in architecture. For the treasure trove of diverse styles that visitors from around the world seek out when they come here,” Middleton said.

The City Council appoints members of the Preservation Council to identify, nominate and recommend potential historic sites and districts to the Council for Preservation.

Over the past year, the board has designated a dozen properties as historic sitesincluding six houses at Araby Cove, some of adobe brick with red clay roofs.

“It’s a very old neighborhood with a lot of character, a lot of charm…” said Katherine Hough, who chairs the board and lives in a house in Araby Cove, off S. Araby Drive, north of E. Palm Canyon Drive.

Among those designated as historic is one of the first houses built in Araby Cove.

Hough recounted how one of the designated houses, made of adobe bricks with a red clay roof, earned its nickname “El Dumpo Adobe”.

When Everett Dunlap bought the house in the late 1950s, it was around the time people were buying new, modern homes in Palm Springs.

“Mr. Dunlap’s friend joked with him and said, ‘You bought a bunch of mud,’ Hough said. “So the new owner named his house, ‘El Dumpo Adobe’,’ and he stayed, Hough said.

Another of the houses is a stone arts and crafts house built in 1925 – “one of the first houses built. It’s my favorite house; the nicest house in our neighborhood,” Hough said.

The Sutter Residence, designed by E. Steward Williams in 1960 on Ladera Circle and commonly known as the “Elvis Honeymoon Hideaway” because it was where Elvis and Priscilla Presley stayed after their marriage, was also designated a historic site this year.

The symposium continued on Sunday with additional presentations.

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10 Best Fashion Movies, Ranked By IMDb Scores

Fashion has been an integral part of cinema since the very beginning, just as it played a central role in live theater for thousands of years before movies even existed. Clothing is all about self-expression, and characters’ clothing choices in movies play a major role in how they are perceived.

Related: 9 Modern Movies That Reddit Users Say Have A ’90s Vibe

Of course, some films go further, making fashion in general or the fashion industry in particular the focus of their stories. There are many fashion movies to watch, but according to IMDb, these are the best.

ten Zoolander (2001) – 6.5


Ben Stiller as Zoolander, pouting and wearing a brown and white headband

The 2001 comedy Zoolander features Ben Stiller as the titular Derek Zoolander, a model caught up in a conspiracy far beyond his vapid personality and comic ignorance to handle. Taking a comedic angle with the fashion industry wasn’t something Zoolander invented, but the film managed to become a classic.

ZoolanderThe celebrity cameos also add to the film’s satire and extend it to a wider send-off of celebrity culture. Although Zoolander 2 was a disappointing sequel, the original still holding up over 20 years later.

9 Gucci House (2021) – 6.6


Patrizia showing off her ring in House of Gucci.

After her star came back and wrote Oscar-winning songs for, A star is bornLady Gaga joined a star-studded cast that included Al Pacino, Adam Driver, Jeremy Irons, Selma Hayek and more in Gucci Houseabout the Italian fashion label and the family behind it.

Related: 10 Movies & TV Shows Made In Italy (And The Real Places You Can Visit)

The film follows the relationship between Patrizia Reggiani, played by Gaga, and her husband Maurizio Gucci, played by Driver, as their relationship deteriorates to violence. The film carries a true-crime perspective in addition to its drama, as it’s based on a 2001 book that does the same thing.


VIDEO OF THE DAY

8 Coco before Chanel (2009) – 6.7


Coco Chanel in Coco Before Chanel

Coco Chanel became a famous fashion designer of the 20th century, and the brand she helped establish remains one of the best in the industry to this day. The premise of the 2009 biopic Coco before Chanel is the journey she has taken to establish herself and her family name as global icons. Leading actress Audrey Tautou gives a mesmerizing performance as Coco Chanel.

The film received industry acclaim and numerous nominations, including an Oscar nomination for Best Costume Design, although that year the award ultimately went to The young Victoriaanother film about the debut of a female icon: Queen Victoria.


7 Distraught (1995) – 6.9


Harry Styles' Starfox Gets Eternals Poster After Surprise MCU Cameo

There was a trend in the 1990s to have teen movies based on classic literature, and clueless fits neatly into this category as a modern adaptation of Jane Austen’s novel Emma. Directed by Fast times at Ridgemont High‘s Amy Heckerling, the film follows Alicia Silverstone as fashion-loving Cher Horowitz as she attempts to play matchmaker.

Even after 27 years, clueless manages to remain a classic teen comedy film, as well as a clever adaptation of its source material, taking what works Emma while managing to become its own story and have its own impact. Let’s hope Alicia Silverstone comes back, because she is very welcome!


6 The Devil Wears Prada (2006) – 6.9


Meryl Streep explains why she was miserable on The Devil Wears Prada set

What happens when Anne Hathaway plays Miranda Priestly’s assistant, editor-in-chief of a fashion magazine? The result is The devil wears Pradaone of Meryl Streep’s funniest films of all time, and not only an iconic film, but an incredibly re-watchable film.

Meryl Streep played a key role in making the film, but she also played a key role in helping it make such a splash on pop culture. The devil wears Prada is arguably the most iconic fashion movie of all time, and would probably be the first fashion movie that casual moviegoers could think of, if asked. There’s no way this one will be forgotten.


5 Fashion (2008) – 6.9


Meghna Smoking In Fashion

Priyanka Chopra has some great movies, but because her career started in Hindi cinema (aka “Bollywood”), many of them were overlooked by American audiences, and the movies of 2008 Fashion is one of them. Chopra stars as Meghna Mathur, a woman who aspires to be a model, and the transformations she undergoes in pursuit of that goal.

Fashion was Chopra’s first massive success as a movie star, and her performance was rightly acclaimed. Although the film is in Hindi, there are many places to find it with English subtitles, including, upon release, on Netflix; definitely worth a look for those interested in the premise.


4 Funny Face (1957) – 7.0


Audrey Hepburn in Funny Face

Who said old Hollywood couldn’t make good fashion movies? In the end, if you take Audrey Hepburn, Fred Astaire, and songwriting duo George and Ira Gershwin, you get a pretty memorable musical movie.

Funny head sees a fashion editor looking to create the next big fashion trend. She and her photographer, played by Astaire, then meet a beautiful store clerk, played by Hepburn, whose natural charm and good luck make her the perfect candidate to become a new model for the magazine.




3 Blood and Black Lace (1964) – 7.1


A still from the 1964 horror film Blood and Black Lace.

Blood and black lace is an Italian-language thriller that uses a fashion show as a setting. In the film, a masked killer stalks models, looking for a diary kept by one of the girls that details the personal lives of those in the fashion house.

For those who are more into Zoolander or The devil wears Prada, Blood and black lace is about as far from the ones as you can get, but it heavily features fashion as a motif. As an older foreign-language film, it’s definitely underrated, but for fans of thrillers or foreign films, it’s worth a watch.


2 Cruel (2021) – 7.3


Cruel Emma Stone

Cruel It may not be a horror movie, but it’s the backstory of a character in its own right. Cruella de Vil first entered pop culture with the 1961 animated film 101 Dalmatiansand was the subject of two live-action films starring Glenn Close.

Related: Cruella And 9 Other Original Villain Movies, Ranked According To IMDb

Cruella’s name epitomizes cruelty and devilishness, and that’s fitting considering her fashion idea in the original story is to kidnap Dalmatians to use their fur for coats. It’s honestly kind of weird that Disney decided to do the previous movie, but it did well with audiences.


1 The Phantom Thread (2017) – 7.4


Daniel Day Lewis - Phantom Thread

If there was ever an actor whose name evoked a whole new level of acting, it’s Daniel Day-Lewis, a method actor’s method actor. Day-Lewis devoted himself entirely to his later roles, and his last film, ghost yarnin which he plays a renowned fictional fashion designer, was no exception.

For the film, Day-Lewis learned to make dresses by hand, to the point where it would have been able to accurately recreate a dress originally made by the man who inspired her character, Cristóbal Balenciaga. It is absolutely amazing, and ghost yarn was a great movie to retire to.

NEXT: 10 Movies That Will Make You Want To Be A Better Person, According To Reddit

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Fashion designer

Sheila Hicks moves seamlessly between dreaming and waking periods

The artist, who sleeps in four-hour blocks, is very busy, but often stops to observe the comings and goings in the courtyard of her Parisian building.

I arrived in Paris in the mid-1960s and have always lived three blocks from where I am today, in the Cour de Rohan, a series of three courtyards right in the middle of the city. It is very picturesque, with its large green iron gates and cobblestones, and at the entrance is the tower of Philippe Auguste, part of the old city walls built around 1400. This small area was the seat of the French Revolution, where people wrote and distributed Le Journal du Peuple, a series of pamphlets intended to move things in the right direction and to incite the elimination of all aristocrats. It’s a place full of ghosts because of its history. But above all, I am ignorant of all this; you can’t be haunted by the past.

I live on the upper floors of my building and my studio is on the ground floor. Still, the work could just as easily be happening while I’m on the stairs and watching out the window as someone trims the trees, or once I’ve entered the yard, where I’m hanging out. On one side of the house is The Procope, the oldest restaurant in Paris, where you eat on the sidewalk, and on the other side live various creative people. One is a designer for the opera. Another organizes fashion shows. And the Giacometti Foundation moved into the building across from my studio. It is therefore a cloistered but lively existence.

I tend to sleep in four hour segments and move very fluidly between dreaming and waking. When you see my work, you may be able to find your way into the dream world cave. There are times when I have to make an effort even to know what day it is. And I like to work on a lot of things simultaneously. For example, today I was asked to create an environmental artwork in King’s Cross near London Station for the summer months. I’m also doing something for a municipal complex near the port of Oslo to coincide with the opening of that city’s modern art museum. Tomorrow, we present models of tapestries at the Manufacture des Gobelins. And then I have an exhibition right now at Barbara Hepworth Museum in Yorkshire, England. I do whatever I find interesting.

I go from idea to finished work in an acrobatic way – it’s like I can feel the clouds moving and the light coming and going. But because I frequently use fibers and textiles, I am also quite specific in my way of working; unlike a videographer or digital artist, I am physically engaged in the creation of all my works. It is a manual practice but filtered through the lens of architecture, photography, form, material and color. A few years ago I received an honorary doctorate from my school — I went to Yale in the 1950s — and that made me very happy because it validated my choice to work and live as a artist. It meant I could bring something to other areas, and so I’m looking for what that might be, unlike a lot of artists, who are just looking to express themselves.

This interview has been edited and condensed.

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Fashion designer

Kornit Fashion Week elevates Israel’s cultural diplomacy

From the choreography of gestures to the combinations of national colors in outfits, international relations have been governed by protocols of style and decorum that inform the public of the state of the union(s). Then came the “I don’t care” jacket and the walk in front of the Queen. Given the seriousness of the blunders, the New York Times officially announced”the death of fashion diplomacyin 2019. Thankfully, that was premature praise. The Biden administration ushered in a new era of well-tailored sartorial communication. Pandemic mask mandates have highlighted the intersection of “function, fashion and politics” as world leaders navigate the intricacies of keep face without showing a face.

These days, fashion diplomacy thrives in three areas. It is increasingly becoming a means of mobilizing collective action and a platform for artists to express their solidarity in times of crisis. It serves as a means of supporting national economic growth while positioning national brands in the global marketplace. Finally, fashion diplomacy can create opportunities for historic breakthroughs and a sea change in the cultural status quo. Prepare for Kornit Fashion Week Tel Aviv, I was curious how one of the fastest growing events on the industry circuit would address the world’s pressing diplomatic concerns. Turns out fashion diplomacy isn’t just alive, it’s thriving!

Solidarity with Ukraine

From Balenciaga dedicating its fall-winter fashion show to Ukraine to Vogue Poland publishing its April issue with a focus on Ukrainian design talent, the tragedy unfolding in the Eastern European country has united the creative industries in their supportive response. In Tel Aviv, designers Tovale and Naama Chasin placed Ukrainian flags on all front row seats and had models sing ukrainian songs on the track. A poignant moment was made all the more poignant as this collection spotlighted Chasin’s Lifetime Achievement Award for creative longevity in fashion.

An Israeli-Ukrainian brand Para Ruk Featured handmade accessories, scarves and bags in Kyiv and other Ukrainian cities. Most artisans managed to make their last-minute deliveries just as supply lines were under fire across the country. A collection of t-shirts We Ukraine designed by Ukrainian artists was sold in a showroom curated by fashion producer Roza Sinaysky. “Many Jews have a long history of family ties to Ukraine. The Ukrainian-Israeli diaspora is strong here, so we had to give this issue all the attention it needs and deserves,” said Motty Reif, founder of Kornit Fashion Week Tel Aviv. Purchasing an item made me reflect on the recent passing of Madeleine Albright and the late secretary’s legacy of fashion diplomacy. A collection of jewelry that accompanied her on her official state trips has become an exhibit Read my pins celebrating the soft power of intention. Gestures, big and small, matter in a time like this.

Pride of national product

Meanwhile, Jewish and Israeli designers have continually made the fashion media headlines for creative concepts and pioneering business practices in cruelty-free design, faith-based styling as well as NFTs and fashion technology. Oh, and for dress beyonce! After one of the shows, I asked Michal Herzog, the First Lady of Israel, what role fashion plays in Israel’s cultural diplomacy. “Israeli fashion has always been one of our biggest ambassadors around the world. I grew up a big fan of Maskit led by the late Ruth Dayane and the incredible Gottex swimwear. They brought the Made in Israel label to all major department stores around the world. Young designers take the lead and make us proud.

New talents include Aharon Genich who stood out for his fascinating vision of gender (non)conformity. Her collection featured identical items based on the strict Haredi dress code of her childhood. The garments were then personalized with unique digitally printed landscape elements highlighting the blurred boundaries between feminine and masculine.

YANKY & NATAF is a brand of the creative couple Yanki Golian and Nataf Hirschberg Golian. Their collection was one of the most fun of the week to see and imagine wearing. Inspired by the 1980s and 2030s, they infused their time travel nostalgia with a touch of metaverse hype. Israel’s main design institutions such as Shenkarthe Bezalel Academy and the Holon Institute of Technology focus on the development of new textiles alongside traditional fashion education. It’s no surprise that their alumni are some of the most innovative designers working today.

Young seamstress Alon Livne started her way into fashion by cutting and sewing up her grandmother’s old tablecloths. He now works with 3D printed leather designs and laser cut couture textiles to create contemporary fashion sculptures admired by Cardi B, Lady Gaga, Kim Kardashian and Naomi Campbell. Blending a proud heritage with a forward-looking vision is a signature blend that makes Israeli style appealing to global audiences. “I love contemporary designs that incorporate traditional patterns and embellishments into modern pieces. Our designers come up with bold modern designs with a taste of the Middle East. Internationally, it’s an attractive combination with an interesting twist” , noted First Lady Michal Herzog.

make history

The most powerful fashion diplomacy statement of the week was the most ambitious yet. A year ago, fashion magazines The Official Arabia and Laisha exchanged goodwill gestures by putting the first Israeli model and the first Arab model on their respective covers. “But will it last?” I asked questions in my report about this incredible moment. Fast forward to spring 2022 and the Emirati luxury designer Mona al-Mansouri made history by becoming the first Arab designer to exhibit in Israel! The meticulously crafted collection of gorgeous gowns would have impressed even the most discerning high fashion audience in the world. Dr. Mona (as she is known to a million Instagram fans) is based in Abu Dhabi. An engineer with a successful career in the oil industry, she was inspired to pursue fashion by the late Gianni Versace. “I was very sad when he was murdered because I considered him a part of me. His work was differentinnovative, stimulating.

israeli singer Miri Mesika opened the show. A trainer on The Voice of Israel and a judge on the Israeli version of american idol, his presence added pop gravitas to an already powerful moment. By the time Dr. Mona came out for the required bow, the entire audience was on their feet for a standing ovation. A song of Arik Einstein played with Hebrew lyrics: “You and I are going to change the world together. Many were moved to tears. Dr. Mona has also been encouraged by the support of her Emirati, Saudi and Qatari clients. Motty Reif, Founder of Kornit Fashion Week, said, “It was a dream come true to finally host an Arab designer’s first show in Tel Aviv! Dr. Mona has always understood this was bigger than politics. It was a matter of peace, and she was very brave to be the first to take that step.

Following the cooperation mandate of the 2020 Abrahamic Accords by Israel, the United Arab Emirates and Bahrain, fashion is becoming one of the most eloquent voices for lasting peace in the region. “As a luxury brand, I compete with the biggest fashion houses not only in the Middle East, but globally. Tel Aviv exceeded my experience of fashion events in France, Italy, Spain. From the creativity of the designers to the professionalism in staging, lighting, organization, it was beyond imagination,” Dr. Mona remarked.

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Julia Haart calls Silvio’s allegations ‘ridiculous’

Ex-husband Silvio Scaglia delivers ‘ridiculous’, serious and legal allegations against My Unorthodox Life star Julia Haart.

Julia Haart, the star of the hit Netflix series My Unorthodox Liferecently responded to “ridiculous” allegations from her ex-husband and former business partner, Silvio Scaglia. Scaglia’s harsh accusations follow a dramatic downfall in the couple’s relationship; Haart filed for divorce and issued a restraining order against Scaglia in February, ending the couple’s marriage and two-year partnership at Talent Media, the Elite World Group.

Haart and Scaglia met in 2015 when footwear brand Haart collaborated with La Perla, owned by Scaglia, a Swiss media and technology entrepreneur. Haart and Scaglia became friends during the collaboration and grew closer over the years until they began dating in 2019. That same year, Scaglia named Haart co-owner and CEO of Elite World Group, a modeling and talent agency. which he acquired in 2011. The relationship between Haart and Scaglia seemed strong and supportive throughout Season 1 of My Unorthodox Life, but only two years after their wedding, their marriage came to a fiery end. Scaglia fired Haart from his role at Elite World Group.

VIDEO OF THE DAY

Related: My Unorthodox Life: Everything You Need to Know About Casting

As reported by HEY, Scaglia accuses Haart of using Elite World Group funds for personal purchases. Along with serious allegations of business fraud, Scaglia expresses personal contempt for his ex-wife, calling Haart a “fake” and “hard to work.” Haart responds to Scaglia’s accusations, responding, “What I can say is that these are really ridiculous allegations. I’ve never taken a penny that isn’t mine, and the beauty of knowing the truth is that you know the truth, and for me, it’s just another battle that I have to face to fight for my freedom.” She keeps, “Obviously I can’t go into details, all I can say is that I have prevailed so far. I will keep fighting until I win, and I I hope there is a purpose in all this suffering. I hope that I will become stronger and more independent, and I realize that I don’t need men. It would be nice, to achieve this realization. I I’m not there yet, I have to get there.”



Julia Haart in a confessional for My Unorthodox Life

Before the success of her career, her marriage to Scaglia and her starring in My Unorthodox Life, Haart lived a very different life. As a young child, Haart moved with her family to the United States from communist Russia. They found a home in Austin, Texas, and joined the traditional Orthodox Jewish community. Haart lived her life according to the values ​​of the Orthodox Jewish religion until 2013, when she decided to leave the community she had known all her life and pursue her own life. Regardless of her community’s conservative values ​​and alleged discrimination against women, Haart built a life as a fashion designer, entrepreneur and eventual CEO of Elite World Group.


Serious allegations with potential legal ramifications from an ex-husband coupled with a tumultuous, high-profile divorce are a lot for a woman to deal with, but as Haart has proven so far, she’s not backing down. adversity. With Season 2 of My Unorthodox Life on the horizon, Haart continues to speak out, stand up for what she believes in, and approach every situation with her confident glamour.

Next: 90 Day Fiancé: Kara Reveals The True Story Of How She Met Guillermo

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“What if Africa was the cradle of fashion?”

Last spring, when much-loved designer Alber Elbaz died suddenly of Covid just after launching a brand called AZ Factory, the fashion world first cried and then wondered what would become of his new company, backed by luxury conglomerate Richemont. How could this go on without him?

One answer came earlier this year: Hire a series of “amigo” designers to carry on the spirit of experimentation and self-care that has defined AZ Factory, expressing that spirit however they see fit: in clothes, but also in the objects, in the installations, whatever that may be. And the first would be Thebe Magugu, the 28-year-old South African designer, founder of an eponymous label and winner of the 2019 LVMH Prize for the next generation.

This month, Mr. Magugu unveiled his collection for AZ Factory, which will sell out in two drops in June and September. Here, he reveals how it happened and what it meant to take on the role of Mr. Elbaz.

How did your collaboration with AZ Factory come about? Did you know Alber?

I never met him, but when we had satellite TV, I used to see his fashion shows. Then last year I got an email from Alex Koo, Alber’s partner, saying he and the AZ Factory crew were planning this tribute show, “Love Brings Love,” and that they had invited around 44 brands to pay tribute to Alber. He asked me to participate, and I said, of course.

It was such a beautiful sight, seeing the interpretation of each of Alber’s looks over the years. Two or three months passed, and I got another A-Z email telling me about their strategy for the future, that the company would be bringing in creatives from fashion, photography, etc. , to work with the brand, and I really wanted to do it. I wanted to tease the connection between me and Alber, especially the fact that we’re both from the continent: he from Morocco and I from South Africa.

This was the starting point of the collection. And then the question I asked was: What if Africa was the cradle of fashion?

What if?

Well, first and foremost, fashion values ​​in the northern hemisphere have to do with storytelling – this idea of ​​multiple hands working and knowledge that can be passed down from generation to generation. And these are really the same values ​​that we have in Africa for African craftsmanship.

So how did you connect these two?

I started researching a lot of silhouettes and merging them with my own. Prior to his death, Alber had worked on prints with an Algerian engraver named Chafik Cheriet. Many of them were animal prints, but quite abstract, and I was immediately drawn to them. It’s almost as if this collection is completing a collection that never existed. One of my favorites is this red burst meerkat.

Alber also worked with body-friendly knits, so I took that and made a pure white dress with those bell sleeves that reminded me of a bride, which in my language, Zulu, we call a makoti . It pays homage to this, but there is a cutout on the chest that has our stainless steel brotherhood emblem above. And then this little bag refers to the African geles, the hats, which I explored.

You also included the look you did for the show “Love Brings Love”, right, which is now part of the exhibition at the Palais Galliera?

Yes, we felt it was important to reintroduce this look and make it accessible to people because it was originally unique and is now in a museum. It was a reference to Alber’s Guy Laroche period, a two-piece skirt and shirt, but in dip-dye. We had a running joke in the studio that it looked like he ran into a giant squid.

We also did a lot of trompe l’oeil, like the skirt that looks pleated but is just a flat piece of fabric printed with the grooves and indentations of a pleat. Even the belt is fake.

Sounds like a collaboration to me, though. What makes it different?

The word collaboration, especially now, implies power dynamics. But here, there was no imposed writ. And what makes it quite special is that I was able to leave the project with a lot of resources, especially technical ones. Often the AZ design studio would do things that I technically didn’t know how to do. And they gave me contacts with some suppliers and manufacturers. It’s more like an incubator in a way.

What else did you learn from the experience?

I was really struck by Alber’s sense of kindness and duty to others. It’s not that common in fashion. Somewhere in our history, the idea of ​​kindness began to be associated with weakness or indecisiveness. But people like Alber, and like Virgil Abloh and a few others I’ve interacted with, operate from that inherent sense of kindness, even to the heights they reach. They still retain that soul and that humanity. Kindness, I think, will get you pretty far. I deeply believe in karma. What you emit will come back.

Does it make you want to tackle a bigger brand?

I think what I build with my brand is quite special and has ramifications beyond me as an individual. I really love what I do and what I create. But I will say that I am an insomniac. I do not sleep. So I could make a mark during the day and one at night. I could do anything.


This originally aired as part of The New York Times’ On the Runway series on Instagram Live. It has been edited and condensed.

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GLAZED NYC IS HIRING A FASHION DESIGN CONSULTANT IN BROOKLYN, NY

GLAZED STUDIO by Glazed NYC is the full-service atelier to breathe new life into your wardrobe and create pieces you’ll love for a lifetime. It will launch on April 30, 2022 with a pop-up at Cafe Erzulie in Brooklyn. Our services will include garment reconstruction, enamel customization exclusively using our in-house dead stock fabrics and patterns, pattern + sample making, and alterations. You will be part of a dynamic and creative environment working on all aspects of the product life cycle, from concept to final development. You will work directly with our clients and our production team to bring dream wardrobes to life in the form of stunning, one-of-a-kind garments.

RESPONSIBILITIES:
• Meet and consult with our customers to create unique garments and accessories, effectively communicating design details, pricing and delivery times
• Liaise directly with our production team to communicate effectively and place each custom order
• Order Fulfillment: place orders with production and ship orders to customers as needed
• Maintain studio space before/after each appointment

REQUIRED SKILLS :
• Knowledge of garment construction including pattern making, sewing and draping
• Sewing skills: intermediate/advanced skills preferred
• Understanding of models
• Knowledge of pattern drawing
• Proficiency in Adobe Creative Suite (Illustrator, Photoshop, InDesign, Acrobat) must be able to create flat sketches
• Creative and knowledgeable about fashion; understanding of the link between history + current trends
• Hardworking, motivated, reliable and concerned about the quality of work and meeting deadlines
• Good listener, friendly, fun, positive

COMPENSATION:
Schedule – To be discussed

Glazed NYC is a multidisciplinary studio that explores black history in fashion, film and music while using design as a vehicle for storytelling and community building.

Our ideal candidate is available part-time and available for immediate hire. Please send your resume and portfolio with the subject line “Glazed Studio Fashion Designer” to [email protected].

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Fashion designer

Meet designer and architect Felicia Toh, recipient of the DesignSingapore Council’s Good Design Research initiative

Between Two Worlds was a spatial sculpture that brought together the multiple facets of Singapore’s cobblestone reality in one busy passage; exterior mirrors reflect and dissolve into its glitzy surroundings, while an interior passageway inscribed with shadowed lines from the sonnet whispers alternate narratives.

We undertake community impact projects every year, and we are currently collaborating with Agency, a design think tank, to reimagine worker dorms and improve their living conditions.

We built a dormitory prototype with the Agency team. This project is spearheaded by Dormitory Association Singapore Limited and the Ministry of Manpower, and is a meaningful co-creation process that we hope will improve the lives of guest workers in Singapore in the near future.

ON YOUR WEBSITE, YOU SAY YOU LIKE TO EXPECT INTERIOR DESIGN EXPERIENCES THAT ARE NARRATIVE. CAN YOU DEVELOP THIS PLEASE?

We are fascinated by the idea of ​​creating an immersive world from the moment you enter a space, similar to Alice falling down the rabbit hole. Design has the power to evoke sensations and create immersive experiences, and our favorite projects are those that allow us to design details from space to graphics so we can tell these stories in new ways.

YOU STARTED NOST IN 2019. CAN YOU TELL ME HOW IT HAPPENED?

I started NOST in 2019 after traveling to India and meeting families of artisans who create beautiful, heritage textiles in the heart of their homes – families of weavers, block printers and master hand dyeers. indigo. As a designer based in Singapore, it was a dream to be able to partner with them to create something new while using completely traditional techniques.

NOST comes from “nostalgia”, which in its root etymology means “the desire for a home”. The idea was to celebrate the feeling of being at home wherever you are, producing quality and comfortable pieces that are handcrafted from the artisans’ homes to yours.

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Fashion designer

Pip Edwards leads celebrity arrivals at a TAG Heuer event in Melbourne

Pip Edwards stepped out in style when she attended a TAG Heuer event in Melbourne on Thursday.

The 41-year-old fashion designer showed off her amazing physique in a black cutout crop top.

She also wore a pair of high-waisted black tapered pants with feather ruffles along the hem of each leg.

All dressed up: Pip Edwards (left) stepped out in style when she attended a TAG Heuer event in Melbourne on Thursday Pictured with Sarah Lew (right)

Pip completed her daring ensemble with a pair of sky-high black stilettos and accessorized with a pair of gold hoop earrings.

The PE Nation co-founder kept warm in a black blazer and carried a small turquoise handbag.

Her bobbed blonde hair was styled back in a bun and she wore smoky eye makeup.

Ab fab: The 41-year-old <a class=fashion designer showed off her incredible physique in a cut-out black crop top” class=”blkBorder img-share” style=”max-width:100%” />

Ab fab: The 41-year-old fashion designer showed off her incredible physique in a cut-out black crop top

Ruffled feathers: She also wore a pair of high-waisted black tapered pants with feather ruffles along the hem of each leg

Standing tall: Pip completed her daring ensemble with a pair of sky-high black stilettos and accessorized with a pair of gold hoop earrings

Ruffled feathers: She also wore a pair of high-waisted black tapered pants with feather ruffles along the hem of each leg

Pip shared a photo of herself fully dressed in her hotel room ahead of the event on Instagram Stories on Thursday.

“Quickest change I’ve ever made,” she captioned the post, adding a green check mark emoji.

She also shared a series of photos from inside the event on her main Instagram page on Thursday, captioning them: “TAG TEAM.”

Covered: The PE Nation co-founder kept warm in a black blazer and carried a small turquoise handbag

Covered: The PE Nation co-founder kept warm in a black blazer and carried a small turquoise handbag

Ready to go: Pip shared a photo of herself fully dressed in her hotel room before the event on Instagram Stories on Thursday

Ready to go: Pip shared a photo of herself fully dressed in her hotel room before the event on Instagram Stories on Thursday

Pip has tangled up with his good friend Sarah Lew, who is the ex-daughter-in-law of billionaire retail tycoon Solomon Lew.

Sharing a series of photos of them together at the event, Sydney-based Pip said she loved being back in Melbourne.

“It took me over a year to come back to Melbourne and I missed it,” she wrote on Instagram on Friday.

Friends in high places: Pip has mingled with his good friend Sarah, who is the ex-daughter-in-law of billionaire retail tycoon Solomon Lew

Friends in high places: Pip has mingled with his good friend Sarah, who is the ex-daughter-in-law of billionaire retail tycoon Solomon Lew

Back in town: Sharing a series of photos of them together at the event, Sydney-based Pip said she loved being back in Melbourne

Back in town: Sharing a series of photos of them together at the event, Sydney-based Pip said she loved being back in Melbourne

“To finally see this beauty @miss_sarahlew and revel in @societyrestaurant’s exquisite new dining experience was well worth the wait.”

Also at the star-studded event was Bambi Northwood-Blyth, who looked stunning in a long red dress with cutouts on her chest.

The 30-year-old model accessorized a TAG Heuer watch and frosted diamond earrings, and she wore a pop of red lipstick.

Red hot: Bambi Northwood-Blyth was also present at the star-studded event, who looked stunning in a long red dress with cutouts on her chest

Red hot: Bambi Northwood-Blyth was also present at the star-studded event, who looked stunning in a long red dress with cutouts on her chest

Just flipping: Tahnee Atkinson was also on hand, showing off her toned abs in a long black skirt with a blue leaf pattern and matching black crop top

Just flipping: Tahnee Atkinson was also on hand, showing off her toned abs in a long black skirt with a blue leaf pattern and matching black crop top

Tahnee Atkinson was also there, showing off her toned abs in a long black skirt with a blue leaf pattern and matching black crop top.

The 30-year-old model wore her long brown hair parted in the middle and styled in a high ponytail, and opted for bronzed makeup.

Meanwhile, Montana Cox stepped out in a pair of high-waisted black pants, which she paired with a black long-sleeved crop top.

Cut out: Montana Cox stepped out in a pair of high-waisted black pants, which she paired with a black long-sleeved crop top

Cut out: Montana Cox stepped out in a pair of high-waisted black pants, which she paired with a black long-sleeved crop top

Working out: The 28-year-old model posed for photos alongside Bambi and Tahnee as they promoted TAG Heuer's latest <a class=collection” class=”blkBorder img-share” style=”max-width:100%” />

Working out: The 28-year-old model posed for photos alongside Bambi and Tahnee as they promoted TAG Heuer’s latest collection

The 28-year-old model posed for photos alongside Bambi and Tahnee as they promoted TAG Heuer’s latest collection.

Renee Bargh, who stepped out in a long white skirt with cutouts along the waist, also stepped out for the launch.

The 36-year-old TV host also wore a barely there white top with ties, while her long blonde hair was styled in loose waves.

White-out: Renee Bargh also stepped out for the launch, who stepped out in a long white skirt with cutouts along the waist

White-out: Renee Bargh also stepped out for the launch, who stepped out in a long white skirt with cutouts along the waist

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Unsung Heroes #233 | 06880

Staples Players’ first-ever production of “The Descendants” thrilled audiences with energetic hip hop dancing and fantastic sets.

Also earn kudos: stunning costumes.

Although often overlooked, The Players costume team works long hours during and after rehearsals – often right up to opening night – to ensure the actors look their best.

Some costumes are taken from stock, or ordered and embellished. But one in “Descendants” is very special.

The coronation dress for Maleficent’s daughter, Mal, was designed and crafted from the ground up by senior Eliza Bowens.

Eliza Bowens, in her studio.

His path to designer stardom began in 7th grade, at the New England Fashion and Design Association. Over the years she has designed clothes for herself and her friends.

As a Players actress, she performed on stage in “Legally Blonde” and “Back to the 80s.” But Eliza’s true love is “The Costume Shoppe”. There she lent her excellent eye and skill to help create looks for characters on shows like “Mamma Mia!”, “Seussical” and “Grease.”

When costume designer Christie Stanger was gathering ideas for “Descendants,” she knew Mal’s dress for the big coronation scene had to be extra special. She also knew that Eliza could do it.

The young designer has rewarded the confidence that Christie and directors David Roth and Kerry Long have shown in her.

She submitted 3 drawings. When one was chosen, Eliza created a pattern, constructed a chiffon dress, chose a fabric, and sewed the dress herself.

It took a month. With a few minor tweaks, he was ready for Mal (Quinn Mulvey).

Quinn Mulvey as Mal in a dress designed and made by Staples senior Eliza Bowens. Sebastian Gikas as Prince Ben wears a suit embellished by student designers Rosie Kauppinen and Alexis Mahon. (Photo/Kerry Long)

Eliza didn’t stop there. Using scraps of fabric, she covered shoes to complete the look.

This fall, Eliza is heading to Polimoda in Florence, Italy. She will continue her studies of fashion design there.

Two examples of Eliza Bowens’ creations.

Kerry Long says Eliza’s stunning design “reflects Mal’s funky side, but also her mellowness in Auradon.” She grows throughout the show, falling in love and learning to care for others, but also staying true to herself. The dress reflects both the “edgy” and the “sweet”.

She and her fellow Costume Shoppe artists are never in the spotlight. At the final curtain, the actors point to the pit orchestra and the lights (the stage crew), for well-deserved applause. Who thanks the customers?

“06880”, for one. Congratulations and thank you, Eliza and your fellow designers and tailors. We are “sew” grateful for all your work!

(“The Descendants” will be played again this weekend: Friday April 8 at 7:30 p.m., and Saturday April 9 at 3 p.m. and 7:30 p.m. Click here for tickets and more information. To nominate an unsung hero, email [email protected])

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Fashion designer

St. George fashion designer overcomes adversity and finds success with her handmade designs – St George News

ST. GEORGE-A local fashion designer whose designs have been featured in fashion shows, magazines, music conferences and even New York’s Time Square, talks about overcoming adversity and finding her own success amid chaos.

Marie Nohr works on her fashion designs, Date and location not specified | Photo by Heather Waegner, courtesy of Marie Nohr, St. George News

Marie Nohr, whose fashion design experience spans more than 15 years, told St. George News she’s faced several challenges since making the decision to start a business to herself.

“I was in survival mode for many years, but I’m grateful that my family, friends and longtime supporters of my fashion designs never let me down,” Nohr said. “I’m grateful that I never gave up on myself.”

Nohr said she moved to Washington County eight years ago as an independent parent to be closer to her family during a divorce. Shortly after the move, her son was diagnosed with autism.

At that time, she had to navigate several part-time jobs that would allow her to take her son, who was not eligible for daycare, to his multiple therapy appointments in addition to school obligations. She said amid the disarray, she began to endure health issues and even experienced blackouts while driving.

Nohr told St. George News that as a teenager, her original dream was to get her degree in fashion design, have a paid job designing, get married, have kids, and go to school. continue his life as a designer. She said when she had to start over with herself and her son, that future seemed out of reach.

“No, it didn’t happen overnight and there’s a lot of blood, sweat and tears that I put into and will continue to put into my dream life,” Nor said. “I’m grateful to be able to show my son that strength isn’t perfect.”

Drawings by Marie Nohr hang from a clothes rack, March 30, 2022, Ivins, Utah |  Photo by Jessi Bang, St. George News
Drawings by Marie Nohr hang from a clothes rack, March 30, 2022, Ivins, Utah | Photo by Jessi Bang, St. George News

Nohr said she originally started her own fashion design business as a side job to her full-time designer jobs in California. She has worked for several fashion companies, doing everything from design to technical design. She has been featured in several fashion magazines in New York and Los Angeles and has worked for major brands such as Rue 21.

Nohr said when the pandemic hit, most of the part-time jobs she was working at the time quickly disappeared. That’s when she decided to start making her own fashion face masks on Etsy and was shocked at how quickly the business took off.

“I started my own business because I wanted to be able to create my own form templates from start to finish,” Nohr said. “I make my own patterns, my own creations, my own cuts. What I love most about my business is that I’m the artist. I design clothes and bring art back into fashion.

When she first introduced Marie Nohr’s designs to Washinton County, she specialized in custom maternity designs, including dresses and shirts for nursing mothers under the fashion label “MaLux “. She’s since expanded her available designs to include everything from shirts, dresses, skirts and more under the transitional new label “Marie Nohr Designs.”

Nohr pointed out the amount of material waste she has seen throughout her design career. She said that as designs are cut out of fabrics and materials, especially in mass production, any scraps are discarded. She didn’t want her business to add to the growing problem of designer waste. That’s why she chose to use leftover fabrics to design scrunchies, headbands, gainers and more.

Nohr also said the fabrics and designs in its product line are unique and limited in quantity. She said she has what she calls a “dealer” in Los Angeles, who sends her pictures of all the fabrics he receives and that once she cuts them for the designs, she is unable to get more. She added that while she was doing it identifies herself as a seamstress, she is also a designer, which means that she does not do alterations on other people’s products. She provides custom modifications to her own designs.

To see Marie Nohr’s creations available for purchase, visit her Etsy Shop or come and see her at Tuacahn Saturday Market.

Click on the photo to enlarge it, then use the left-right arrow keys to browse the gallery.

Copyright St.George News, SaintGeorgeUtah.com LLC, 2022, all rights reserved.

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Volatility cooled significantly below 20 levels, which provided a healthy boost to the market. India’s VIX fear index fell 21.3% on a weekly basis to 18.44, the lowest level since Feb. 10.

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Hariom Blowjob View profile Initial Public Offering 144 122.4 – 130.05 98 30-03 05-04
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Hot Stocks | Intellect Design Arena, Bajaj Finserv, Page Industries can yield 11-22% return in the short term, here’s why

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Kenyan-born fashion designer finds inspiration at home

Silk. Sequins. Satin.

If it’s a type of fabric, bet Victoria Kageni-Woodard has it.

The York County-based freelance fashion designer has loads of colorful patterned textiles she uses to create the clothes of her wildest dreams.

Kageni-Woodard, born in Kenya, has always felt a passion for sewing and design. With the encouragement of her parents, Kageni-Woodard moved to the United States in 1991 and honed her skills at the Savannah College of Art and Design.

“It’s just fascinating to see that my life has continued to be this creative thing that’s constantly evolving,” Kageni-Woodard said.

In 2016, Gusa By Victoria was founded. Now Kageni-Woodard works with clients across the country to create bespoke shirts, dresses and wedding dresses.

Continued:York Against The Grain: Full-Time Mom Discovers New Passion at Central Market

Additionally, she has pre-made pieces available to purchase from her collection online at victoriakageni.com.

Although it heavily depends on what she’s currently working on, Kageni-Woodard said she can finish an item of clothing like a shirt in just a few hours. A wedding dress, on the other hand, can take several months.

Her muses and inspiration are primarily the women who live in her community, especially women in the workforce.

“Now that I call York home, that’s where I find inspiration among the people I live with,” Kageni-Woodard said.

Victoria Kageni-Woodard at her studio Gusa By Victoria, 7 E. Market St. Tina Locurto photo.

Her influence goes beyond fashion — and she wants everyone to know that her story and talents don’t stop at the sewing machine.

Kageni-Woodard organized two Gusa culinary excursions to Central Market York, during which she had the opportunity to cook traditional Kenyan dishes for the community.

The Gusa World Music Festival, meanwhile, has been bringing the community together through a variety of instruments and songs for four years now.

Victoria Kageni-Woodard at her studio Gusa By Victoria, 7 E. Market St. Tina Locurto photo.

“I always seem to want to surround myself with good things and creativity has gotten me this far,” Kageni-Woodard said.

That sentiment couldn’t be truer for Kageni-Woodard – in the form of a new idea that blossomed in his most recent project.

A subscription box, called the “story box”, will focus on female empowerment by introducing customers to various influential women from different parts of the world.

Victoria Kageni-Woodard decorated her studio according to her personality.  She also has several finished pieces on display.  Photo by Tina Locurto.

The box will contain a set of five garments meant to be worn throughout the workweek – made from African print embellishments that help illustrate the story of a specific community leader.

The box will also contain documentation and educational tools, as well as jewelry to match each item of clothing.

“This subscription box is meant to inspire and encourage women to celebrate our differences, no matter where in the world they come from,” Kageni-Woodard said. “Always ideas, ideas and more ideas.”

Editor’s note: York Against The Grain is a monthly series from The York Dispatch. Our goal is to highlight the county’s unique small business owners who deserve some recognition for the work they do. Would you like to nominate a company? Contact Tina Locurto at [email protected] or on Twitter at @tina_locurto.

A subscription box, called the "story box" will focus on female empowerment by introducing customers to various influential women from different parts of the world.  Photo courtesy of Victoria Kageni-Woodard.
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Uncertainty over Carla Zampatti’s $25m Woollahra home

Uncertainty over Carla Zampatti’s $25million Woollahra home as her children decide on next steps – nearly a year after her fashion designer’s tragic death

Carla Zampatti’s daughters, Bianca and Allegra Spender, have yet to agree on a listing for the designer’s $25million property in Woollahra, nearly a year after her death.

According to Immobilier.com.authe title of the 1928 Italian-style house remains in Carla’s name.

Realtor Georgia Cleary advises the family on the future of the property as they decide on next steps.

Decisions: Uncertainty over Carla Zampatti’s (pictured) $25million Woollahra home as her children decide on next steps – nearly a year after her fashion designer’s tragic death

However, it is believed that the house will not be on the market anytime soon before the end of Australian Fashion Week and the federal election.

Carla and her ex-husband John Spender bought the house in 1975 for $220,000 and lived there until 1986.

The designer returned to the property after the couple separated in 2009.

Next steps: According to Realestate.com.au, the title of the 1928 Italian-style house remains in Carla's name.  Realtor Georgia Cleary advises the family on the future of the property as they decide on next steps.  Pictured is Carla and her daughter Bianca Spender

Next steps: According to Realestate.com.au, the title of the 1928 Italian-style house remains in Carla’s name. Realtor Georgia Cleary advises the family on the future of the property as they decide on next steps. Pictured is Carla and her daughter Bianca Spender

Carla, 78, died on April 3, days after falling during an outdoor opera performance.

The mother of three and grandmother of nine had spent a week in hospital after the crash.

Born in Italy in 1942, Zampatti emigrated to Australia with her parents in 1950 at the age of nine and created her famous fashion brand at 24.

History: Carla and her ex-husband John Spender bought the house in 1975 for $220,000 and lived there until 1986. The designer returned to the property after the couple separated in 2009

History: Carla and her ex-husband John Spender bought the house in 1975 for $220,000 and lived there until 1986. The designer returned to the property after the couple separated in 2009

Her designs have been worn by some of Australia’s most influential women, including Princess Mary of Denmark, Australia’s first female Prime Minister Julia Gillard, Oscar-winning actress Nicole Kidman and Ms Berejiklian.

The forward-thinking fashion designer said goodbye during a state funeral at St Mary’s Cathedral in Sydney.

Carla was named Australian Designer of the Year in 1994, received the Australian Fashion Laureate in 2008 and a year later was made a Companion of the Order of Australia, Australia’s highest civilian honour.

<a class=Fashion icon: Carla, 78, died on April 3, days after falling during an outdoor opera performance. Her designs have been worn by some of Australia’s most influential women, including Princess Mary of Denmark and Australia’s first female Prime Minister, Julia Gillard.” class=”blkBorder img-share” style=”max-width:100%” />

Fashion icon: Carla, 78, died on April 3, days after falling during an outdoor opera performance. Her designs have been worn by some of Australia’s most influential women, including Princess Mary of Denmark and Australia’s first female Prime Minister, Julia Gillard.

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Zendaya looks stunning in this black Oscar de la Renta dress

Celebrity Sightings: Day Seven – Paris Fashion Week – Women’s Fashion F/W 2022-2023

Source: Edouard Berthelot / Getty

Zendaya and Law Roach are shutting down Instagram again because of the actress’ trendy style! In preparation for Oscar Sunday, the beauty was spotted in a stunning all-black Oscar de la Renta guipure lace gown with velvet appliques. The dress was sheer and featured a deep V-neckline that added a bit of sexiness to the classic look that only a beauty like Zendaya could pull off. the Euphoria The actress looked absolutely stunning as she posed against a gray backdrop for her high fashion photoshoot while her stylist, Law Roach, along with the powerhouse fashion designer, shared behind-the-scenes videos of the look.

“You are all ready for tomorrow….. @oscardelarenta”, stylist Law Roach captioned the IG video. Check it out below.

The luxury fashion label also shared the IG Reel on its Instagram page, calling the beauty a “center of attention”, before tagging the dress details in the caption. “Center of attention,” they wrote. “@zendaya wear it #odlrfall2022 Guipure lace dress with velvet applications.

Check it out below.

We can’t wait to see what Zendaya wears to the Oscars tonight!

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10 times Zendaya Coleman was our style muse

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Fashion designer Brooks Luby seeks to break Fashion West rules

Fashion designer Brooks Luby calls herself a low-key rebel. She hasn’t always wanted to create clothes her own way, but over her decades-long career, she has found satisfaction in experimenting with new ways of creating clothes while sticking to traditional methods.

“When you study fashion, you are taught to create things that people will want to buy. I only do things that I want to do,” she says.

Luby’s creations with Brooks Ltd. are difficult to pin down to a particular style. Her career as a Denver fashion designer and occasional boutique owner began in the mid-’70s. She’s known for her laid-back, sophisticated outfits for special occasions, with unexpected details that have become her signature.

She says her clientele is multi-generational. “Because I’ve been around so long, I have an older generation now bringing their kids in so they have the experience of working with a designer,” Luby says. “It educates them on quality clothing and creates a bonding moment for them.”

Her latest designs focus on the reuse of materials, aligning with the slow fashion movement, which highlights the durability of high quality garments that are made to last. “When people come in, I show them how I use a leftover piece of fabric and put things together to make it interesting. Then the garment becomes a treasured item that they’ll want to keep because there’s a story behind it. “, she explains.

Click to enlarge

Design Brooks Ltd

Hardy Klahold

To fuel her new fabric reuse mission, she began asking people to bring her clothes and tablecloths that they would throw away or donate. “A lot of people have tablecloths that they spent a lot of money on or that were passed on to them by people who aren’t around anymore and they don’t use them. I make something out of them for them and it has value. sentimental. I think people want to wear clothes that mean something. At least those are the people I want to attract,” Luby says.

Another technique she’s been using recently is draping and making one-size-fits-all clothes because they don’t conform to a specific pattern. “I let the fabric talk to me and do what it wants to do on a three-dimensional body,” she says.

For Luby, it’s another opportunity to create clothes that last and stay wearable even if someone’s body changes over time. It also highlights Luby’s instincts for creating unique objects that showcase the designer’s vision. “I let the fabric hang how it wants, shape it and sew it that way. It becomes interesting and cannot be repeated because there is no pattern. It allows me to throw off the rules I have had my whole career,” she added. said.

These “rules” include patterns she’s created in the past, cut from patterns she’s perfected over the years. Luby likes to mix the two styles. “I have a pretty eclectic aesthetic,” she comments, adding that she thinks there’s always a place to have a plain sheath dress and then dress it up with a bold jacket.

More recently, she prepared for a show at Western Fashion on Sunday, March 27, where a collection of designers will showcase a standout design on a model, then host a pop-up store for purchase. Luby says she doesn’t do many fashion shows, but she’s excited about the piece she created for this one.

Click to enlarge Brooks Ltd Design - HARDY KLAHOLD

Design Brooks Ltd

Hardy Klahold

Luby is no stranger to fashion shows. At the age of forty, she became a breast cancer survivor and was asked to be the exclusive designer for a series of fashion shows for other survivors. “Right after my surgery, the most important thing for me was going to work,” she says. “I wanted to be seen as the same person I was before breast cancer. When I made clothes for other survivors, I made them regular clothes. I wanted to be respected for my knowledge as a fashion designer rather than a cancer survivor.”

Her clothes took on a special meaning for the women who marched on the catwalk, giving them confidence and equal treatment. “I had the chance to dress women who were going through this experience,” she says. “It’s devastating to go through chemo and lose your hair. Being asked to walk the catwalk and have your hair and makeup done makes you feel like a woman again. It’s very emotional.”

She notes that going through cancer is the type of crisis that changes people, the same way she thinks the pandemic has changed people. For Luby, stopping COVID-19 meant becoming more creative and listening more to her own voice. “I follow my own rules now and I don’t worry about other people’s rules,” she says.

Part of that means working under bespoke, appointment-only rules in his LoDo neighborhood workshop, and make the type of clothes she wants. “Before, people would come to me to do something specific for them, but that doesn’t work for me anymore, because it stifles my creativity,” she explains. “I ask them what they like and design what I think will look good on them. I think people have to trust the designer they ask to make their clothes. It’s a deep experience that I share with people.”

Click to enlarge Brook Ltd Design - HARDY KLAHOLD

Brook Design Ltd.

Hardy Klahold

She adds that she doesn’t want her designs boxed and labeled a certain style. “I tried to put myself in one direction,” she says, “and it didn’t sit well with me, because I have too many things that I like to do.”

Luby’s clothes have always had a little something different about them, whether it’s bold or whimsical. She thinks now is the time for people who want to express themselves and wear high quality fashion.

“Due to the pandemic, people are dressing more according to what they want to wear and what is comfortable, as opposed to what fashion dictates,” she says. “I’m trying to ride that wave and I’m having a great time doing it.”

Brooks Ltd will be at Fashion West, Sunday, March 27 at 5 p.m., ReelWorks Denver, 1399 35th Street, Denver. Find tickets, $25 to $240, and more information at fashionwest.org.

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A Night at the Museum with Ralph Lauren

Gigi Hadid opened the show wearing a black and white graphic sweater from the RL Collection over a crisp white shirt with black pants. His sister Bella Hadid quickly appeared on the runway, and a few looks later the neutral palette was interrupted by a pop of red, appearing as a line accent in the collection. Later in the show Tyson Beckford featured Lauren’s impeccable tailoring and a plaid pocket square.

“The models slept with us with their eyes! It was my favorite part. They invited us into the show,” Rachel Brochananalso wearing a rendition of the tuxedo with a beaded vest and accompanied by her sister, gushed.

Zoey Deutsch joined the conversation, a bright spot in a monochromatic hot pink suit, to reflect on Ralph’s legacy. “He’s the greatest American fashion designer of all time. Everyone has a connection with him and his clothes. For me, all my favorite things my dad wore were Ralph Lauren. He had a really amazing vintage collection. It’s my childhood. I would steal them. I have so many. That’s what Ralph Lauren means to me,” she said.

“I feel like it means something different to different people. I also grew up with our dad, wearing these Ralph Lauren cashmere sweaters, they feel like home,” Broshanan echoed.

Getty Images.

From sequined Fair Isle puffer jackets to futuristic sunglasses and tailcoats, Ralph Lauren’s AW22 collection transported viewers from visions of America’s past to assumptions of its future. The juxtaposition of the two led to unexpected combinations on the runway like leather and ruffled collars, backless necklines adorned with ties, and modern women’s suits accessorized with a fitted Yankee hat and bomber jacket reading. New York.

During the show’s finale, Lauren was greeted with a standing ovation as he stood at the top of the stairs leading to the runway. As the applause soared, one thing was clear: New York was back in style.

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– Sign up for “The Buyline” to receive a curated list of fashion, book and beauty shopping in a weekly newsletter.

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Business News | Stock and Equity Market News | Financial news












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Institutional investors can buy or sell, depending on factors such as year-end profit making or allocations to various geographies. These may not affect stock quality. Retail investors need not worry too much about these stocks, experts say.

Should you be worried when foreign investors dump Indian stocks?




name Price Change % changes
Sbi 481.20 -9:40 a.m. -1.92
Indiabulls Hsg 153.35 -3.95 -2.51
ntpc 132.45 -0.45 -0.34
Rec 123.70 -0.90 -0.72

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Which of these youngsters will score the most runs this IPL?

COMMENTS

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Overview of the IPO

Equity Type Issue price Size of the problem Lot size Open issue Closing the issue
See profile initial public offering of an SME 20 3.6 6000 17-03 22-03
See profile initial public offering of an SME 27 9.72 4000 17-03 22-03
See profile initial public offering of an SME 37 NSE – SME 3000 21-03 23-03
PE Analytics View profile initial public offering of an SME 111 30.77 – 31.6 1200 22-03 25-03
Equity Issue price Registration date Ad open close ad Listing Earnings % CPM Current Earnings %
Ekennis software 72 07-03 80.00 84.00 16.67 101.10 40.42
Maruti interior 55 16-02 75.45 71.90 30.73 61.70 12.18
Vedant modes 866 16-02 950.00 934.85 7.95 915.70 5.74
quality RO 51 09-02 52.25 53.70 5.29 55.00 7.84
Scheme Fund category information Purchase order Opening date Closing Date
No NFO details available.
Equity Type Issue price Size of the problem Lot size Subscription Open issue Closing the issue

SP Refractories View profile

initial public offering of an SME 90 4.92 0 09-03 11-03

Cool Caps View Profile

initial public offering of an SME 36 11.01 – 11.63 0 10-03 15-03

KN Agri View profile

initial public offering of an SME 71 46.75 – 49.38 0 15-03 17-03

Swaraj Suiting View profile

initial public offering of an SME 56 10.68 0 15-03 17-03

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Best Shoe Design Colleges in USA

Shoes were invented to protect the feet only. Our distant ancestors living in cold regions wore animal skin shoes that also covered the calves. And those who live in warmer regions rolled palm leaves under their feet. Like most things, shoe design has come a long way since then. We wear dress shoes or oxfords for formal events, boots or stilettos for less formal occasions, sneakers for exercise, and pumps or sneakers for casual gatherings. So we have a shoe for every occasion.
Although shoe designers are in high demand, it is difficult to break into the industry without formal education. This is why, as an aspiring shoe designer, you should enroll in a formal shoe design program. Very few colleges or universities offer full-fledged shoe design programs. You can consider clothing design or fashion design programs that cover shoe design in depth.

The best shoe design colleges in the USA are:

  1. The Fashion Institute of Design and Merchandising
    FIDM’s Footwear Design program is part of the Fashion Design program. You will learn everything you need to know about the shoe industry, from shoe design and manufacturing to business strategy, during the year you invest in the program. You will learn how to integrate creativity with technical skills to create shoe collections that will become a trend in national and global markets. You can easily grasp the vast knowledge that the program instructors share with you. You also have the opportunity to learn and network with geniuses from top fashion brands such as Just Fab, Sam Edelman, Seychelles, Skechers, Sbicca, Steve Madden and TOMS. Many graduates have been hired by these companies while others have launched their own shoe collections.
  2. Pacific Northwest College of Art (PNCA)
    PNCA has partnered with PENSOLE Footwear Design Academy to launch its first program focused on shoemaking called Design Intensive. You can take one of three tracks in this intensive program: Color and Materials Design, Footwear Design, and Functional Clothing and Accessories Design. You will learn the complete design process from conceptualization to development as part of shoe design. Thus, you will gain in-depth knowledge of the entire shoe design process through the hands-on program. Experts from some of the best shoe brands will be part of the process to guide and mentor you on your journey to creating extraordinary shoe designs. You will be delighted to know that the founder of PENSOLE, D’Wayne Edwards, is one of these experts!
  3. Woodbury University
    Woodbury University is one of the universities on this list that does not offer a program solely dedicated to shoe design. But you will learn a lot about shoe design by pursuing its fashion design program. In this program, you will be able to explore niche segments of the apparel industry, including women’s denim, footwear, lingerie, and hats. Woodbury University has strong ties with several top brands such as BCBG, Kenneth Cole, Komarov and Max Mara. Through these associations, you can intern at some of the most prestigious fashion brands in the United States. Woodbury students designed outfits for members of the Burbank Philharmonic Orchestra. The university has established many such links with neighboring businesses, making it easier for students to find jobs. This alone makes Woodburn University an excellent choice for an aspiring shoe design professional. This further adds to the reputation of the university’s fashion design program.
  4. The Institute of Fashion Technology
    FIT offers a bachelor’s degree in prop design and related programs that last a year or two. Although these programs don’t focus on shoe design, you can learn a lot while earning a degree. As part of the program, you will be able to visit design studios and production facilities in one of the world’s leading fashion destination hubs, New York City. You can intern at top brands such as Brown Show, Kenneth Cole, and Nine West. You can also work on group projects and enter contests. Its certificate program in Performance Sports Shoes relates only to the design of shoes, although of a sports type. You will be able to learn in detail the four essential components of shoe design, namely ergonomics, materials, sketches and drafting.

Follow the latest news live on CEOWORLD magazine and get news updates from the United States and around the world. The opinions expressed are those of the author and not necessarily those of CEOWORLD magazine.


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Meghan Markle banished feud rumors with iconic outfit

According to a royal expert, Meghan Markle has shut down rumors of an awkward feud by using her fashion sense in powerful ways for her and Prince Harry’s latest royal engagement.


As she and Prince Harry attended the 2020 Commonwealth Service at Westminster Abbey in March 2020, Meghan was a vision in green.

The Duchess of Sussex opted for the gorgeous look designed by Emilia Wickstead, which was reportedly her way of squashing rumors that she and Emilia had bad blood.

The designer, who has designs in Kate Middleton’s Best Dresses collection, spoke of tensions between her and Meghan after calling the Duchess’ Givenchy wedding dress “simple”.

Meghan Markle feud - Meghan Markle Prince Harry's wedding day

(Image credit: (Photo by Ben STANSALL – WPA Pool/Getty Images))

However, Emilia’s comments were said to have been ‘taken out of context’ and Meg proved she was not offended by opting for an Emilia design for the special day, according to Meghan’s blog editor Christine Ross. Wardrobe.

“One of the most iconic looks will be her Emilia Wickstead green cape dress.

“That cape blowing in the wind as she walked into the church and then out, which was such a touching moment for so many people as it was their last official engagement as senior royals,” she said on the Mirror’s Pod Save the Queen Podcast.

Meghan Markle's feud

(Image credit: Photo by Dan Kitwood/Getty Images)

“It was a quote from a larger interview, she really didn’t say anything negative,” Christine said of Emilia’s comments about Meghan’s dress.

“People thought Emilia Wickstead had really wronged Meghan, and it turned out that Emilia Wickstead hadn’t wronged Meghan, that was a quote taken from it.”

Speaking about the epic way Meghan told the world she and Emilia weren’t on bad terms, she continued: “Maybe a month later Meghan was actually wearing a custom Emilia Wickstead dress. , and this situation shows the power of Meghan’s fashion choices.

“She was able to tell with that fashion choice, Emilia Wickstead and I are great. We’re on great terms, it was all a huge misunderstanding and look at the lovely dress she designed for me.”

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10 favorite fashion and beauty webcomics

The world of fashion and beauty is an amazing world, filled with other people’s creativity and magical transformations. However, it can also be daunting, with the public scrutiny and animosity necessary to succeed in this world. It doesn’t change how breathtaking it is how bits of fabric and a little makeup can not only transform someone, but also give them the confidence to shine a little brighter.

RELATED: 10 Hottest Anime Characters Of All Time, Ranked

Some webcomics have fashion and beauty elements, but the focus is on feeling beautiful, whether it’s with makeup and the latest trends or just self-care.

ten High School Beauty Guru (True Beauty)


true beauty features high school student Jugyeong, who is a makeup master after watching various tutorials on the Internet. Although his appearance is laughed at, Jugyeong is able to transform overnight. Thrown into the world of cosmetics, beauty, and popularity, Jugyoung completely reinvents herself when applying makeup. Every new look is a mask hiding parts of her true self. When Suho, the popular new boy in the class, sees her without makeup and recognizes Jugyeong, she will do whatever she can to make sure he keeps her secret.

9 Makeup artist and model (the makeup remover)


After spending most of his life focusing on his studies, Make-up removers Yesuel doesn’t know where to start with makeup. When she meets makeup artist Yuseong, who has transformative makeup abilities, her life is turned upside down.

RELATED: The Story of the Savior’s Book Cafe in Another World & 9 Other Must-Read Josei Isekai Manga

Able to transform plain Jane Yeseul into stunning beauty with minimal effort, Yuseong asks Yesuel to be his model for the Face Off Cinderella competition. Yeseul agrees to help her. However, with each challenge and jaw-dropping new look for the competition, Yeseul begins to question the role of makeup and appearance within society.


8 Avant-garde fashion (Empress Cesia wears culottes)


Empress Cesia wears Manhwa knickerbockers

Empress Cesia wears knickerbockers features Yuri, an aspiring costume designer who is reincarnated in a world where all clothing is stuck in ancient times. She becomes determined to revolutionize fashion even if it means pretending to be a boy. So when given the opportunity to make a dress for the Empress, Yuri produces the finest clothes she can manage. Now a guest of the palace, Yuri finds herself in a political world. All the while, she does her best to change uncomfortable and constricting clothes into comfortable ones.


7 The world of cosplay (My Dress-Up Darling)


my darling dress

My darling dressing features the popular Marin Kitigawa, who meets the reserved Wakana Gojo using a sewing machine at school and immediately enlists his help in cosplaying. Initially suspicious of the girl, Gojo finds himself helping her once he sees that she completely lacks the skills to sew on her own. Now immersed in a world of manga and anime, Gojo will use the skills he learned from his grandfather to help Marin become the characters she loves and the two will continue to grow closer as friends.


6 The beauty of self-care (sweat and soap)


The left image shows Kotaro Natori and Asako Yaeshima flirting;  the image on the right features Volume 1 of Sweat and Soap

sweat and soap features Asako Yaeshima, a shy woman with great insecurities about her sweat and body odor who has found solace in Lilia Drop, a brand of soap that gives her confidence every time she wears it. When Kotaro Natori, the company’s lead product developer, asks to smell it, she’s beyond overwhelmed.

RELATED: 9 Romantic Anime That Are Better When You’re An Adult

It turns out that Kotaro has a keen sense of smell and has fallen in love with Asako’s scent to the point that he wants to smell her every day at work in order to create a new product. Maybe their office date will turn into something more.


5 Fashion designer and his muse (Chihiro-Kun only has eyes for me)


Chihiro and Michi

Chihiro-Kun only has eyes for me features a high school freshman, Michi, who catches the eye of fellow student and fashion designer, Chihiro, and her world is turned upside down. After proclaiming Michi to be her muse, Chihiro devoted himself to her and producing clothes for Michi. Now her role model, Michi is the new role model for all of her designs and is thrown into the world of fashion and modeling. However, the longer she cooperates with Chihiro, the less confident she is to keep herself from falling in love with Chihiro and her kindness.


4 The wicked loves perfume (the tyrant’s only perfumer)


The tyrant's only perfumer

After reincarnating as a villainess in a novel she read in her past life, The tyrant’s only perfumer Ariel immediately breaks away from the male lead in order to avoid his bad end. However, as a genius perfumer who is the only one who can create the scent Cedric Evans needs, Ariel always finds herself entangled with the male lead. As Ariel opens her own boutique and produces the perfume she loves, trouble continues to find the villainess.




3 A Whole New Fashion World (Paradise Kiss)


George and Yukari Paradise Kiss

Paradise Kiss features high school student Yukari, who has dedicated herself to studying and making her parents proud, despite her dissatisfaction with her life. However, things change when she is kidnapped by a group of stylists who call themselves “Paradise Kiss” and ask her to be their model. At first suspicious, Yukari refuses, but she soon finds herself in the fashion world as a fledgling model.


2 The world of beauty and cosmetics (Beauty Bunny)


Iori and Kohane

After being called ugly by her high school’s popular hottie, beauty bunny Kohane Yuzuhara finds herself turning to the world of makeup not knowing where to start. Luckily, Iori Yashima’s family owns a cosmetics store and he’s a real makeup pro.

RELATED: 10 Best Josei Anime From The 2000s

With Iori’s help, Kohane is able to transform – now if only she can bear his massive ego. fans of beauty bunny wonders if Kohane and Iori will grow closer as he continues to teach her makeup or if Iori’s attitude will drive Kohane away from him and the world of cosmetics altogether.


1 All it takes is a little magic (Beauty Pop)


A talented but anonymous hairdresser who helps girls who need a little magic, Beauty Pop’s Kiri Koshoba finds himself at the end of “SP” or the wrath of Shougo Narumi from Scissors Project. When Kiri gives her friend a makeover in order to give her some confidence to confess to the boy she loves, Narumi takes this as a declaration of war. When Kiri wins the match, she finds herself a reluctant member of SP and embroiled in various shenanigans with the group. However, one thing will never change and that is Kiri’s ability to create a bit of magic for girls through her hairstyle.

NEXT: 10 Real Fashion Products Inspired By Anime

Serious Anime Talking Animals Monokuma Coco Jumbo Kyubey Trio Header


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9 Serious Anime That Still Somehow Include Talking Animals


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Beauty and fashion leaders create their own space

Beauty line and fashion retail leaders agree that while the industry has grown more diverse and racially inclusive in recent years, there is still a lot of work to be done.

A panel discussion titled “L’Oreal: Representation in Beauty” took place on Momentary Saturday as part of NWA Fashion Week.

Angel Beasley, director of specialty hair for Walmart, who also leads diversity and inclusion for all of Walmart Beauty, moderated the discussion.

Beasley first asked the panelists to discuss what it’s like to be a minority in the worlds of beauty and fashion and what drives them to lean in and pursue their craft.

Korto Momolu, a fashion designer who appeared on the fifth season of “Project Runway” and now resides in Little Rock, said she thinks it’s important to use her voice to represent herself, as well than other immigrants and the Arkansans.

As a Liberian, Momolu says she sometimes comes up against negative attitudes about her past as an immigrant, but she would like more people to understand that she considers Arkansas her home and a place to be. work hard.

Kendall Dorsey, a celebrity hairstylist who worked backstage at NWA Fashion Week, said he was definitely in spaces where he felt different and was the only person of color in the room.

“At first I felt like I had ‘made it’, but then I had to find my way through this lifestyle,” Dorsey said. Now that he has achieved some level of recognition, he hopes to champion others in a similar position, other black creatives from small towns or rural parts of the country, in hopes that they can find platforms and places to cultivate their talent.

“I worked so hard for every nook and cranny that came my way,” Dorsey said. “I wanted to be seen.”

Each panelist has faced their own challenges in establishing themselves in the beauty industry. For Dorsey, one of those moments was an unwelcome comment about her personal style. He was called intimidating and aloof, which affected him for years until he made peace with not having to “fit in” everywhere.

Tenaj Ferguson, director of marketing for Loreal, particularly in the area of ​​multicultural beauty, said she spends a lot of time thinking about how to approach diverse consumers and welcome them to the brand. She felt defeated in her past work when she had an idea, presented it but was not heard.

Ferguson said there’s a difference between inviting diverse voices to the table and actually asking them what they think, as well as acknowledging and empowering them.

Momolu’s toughest moment came when she had the opportunity to present a collection to Neiman Marcus shoppers in New York. She had reinvested all of her funds into her brand to make it happen and found herself on a shoestring budget, but the meeting was dismissive, telling her to come back with a different collection next season. This inspired her to stick to her instincts and do things her way.

Let’s be “stronger with our voices”, said Momolu. “When we walk into these rooms, if there’s no table for us, let’s make our own out of scraps of fabric. I did it my way. Artists, stand up for what you believe in.”

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Repossi pays tribute to Robert Mapplethorpe in fine jewelry

As one of the great studio photographers of the 20th century, Robert Mapplethorpe saw his life stretched out to the point of nausea. And yet, despite Mapplethorpe’s notoriety, his jewelry designs – a significant part of his creative output prior to his photography – remain criminally ignored.

“He was fascinated by finery, especially jewelry, which he made from an early age,” says Michael Stout, former Mapplethorpe attorney and chairman of the Robert Mapplethorpe Foundation. “And he’s always been very interested in expanding his artistic footprint in the fashion world.”

The new Americana Eagle necklace.

The photographer in 1971.

Mapplethorpe, who died of AIDS in 1989, could finally get his wish. Next month, at the request of the foundation, Gaia Repossi, the third-generation creative director of the eponymous company, unveils 10 new high jewelry pieces inspired by Mapplethorpe originals from the early 1970s. two-pronged offer was launched last year.) “They were perfect,” Repossi says of the trinkets Mapplethorpe made for friends and acquaintances, including Halston, Marisa Berenson and Yves Saint Laurent (who Mapplethorpe claimed to have snatched her dice jewelry and domino handcuffs). “But I really wanted to elevate them using noble materials.”

While Mapplethorpe’s long chains and fetish necklaces were made from found objects such as skulls, rabbit’s feet, beads, feathers and even the occasional crustacean, Repossi’s updates are rendered in golds and exquisite diamonds, and their price ranges from $2,050 for a ring to $197,000 for an Americana Eagle necklace. “It’s impossible to collaborate with someone who isn’t there,” Repossi explains, “so I was very careful not to violate their vision.”

His concern has already won the admiration of influential fans. “She really captured the essence and spirit of her designs,” says Frances Terpak, Senior Curator and Head of Photographs at the Getty Research Institute and co-author of Robert Mapplethorpe: The Archives, a book that pays particular attention to the artist’s early Polaroids, sculptures and jewelry. “There is a collector’s bias in favor of his black and white photographs, and the Repossi collaboration will go a long way to remedying that.”

Repossi examines some of Mapplethorpe’s original creations.

Relic necklace by Gaia Repossi, inspired by one of Mapplethorpe’s pieces, with her 1981 Ajitto photograph.

No one would have been happier than Mapplethorpe himself. “He absolutely would have loved the Repossi collection,” says Stout. “As he got richer, the level of jewelry he bought for himself increased. He certainly wasn’t going to Harry Winston, but he wasn’t just into cheap pearls anymore, nuts and skulls.

There will be no shortage of Mapplethorpe-related events to wear the pieces. Triptych (Eyes on each other)a musical composed by Bryce Dessner about the life and photography of Mapplethorpe, is scheduled for an extensive international tour, after a run in the United States which was interrupted by Covid; Hadrian, an opera composed by Rufus Wainwright, is revived in Madrid and Barcelona this summer, with artwork by Mapplethorpe as part of the scenography. And in July in London, Alison Jacques, the British gallery that has represented Mapplethorpe since 1999, will present her works, including jewelry, curated by fashion designer Jonathan Anderson.

“Robert sought ultimate perfection and exquisite beauty, often in controversial subjects that were far removed from the art world, with all its polite or seemingly sophisticated inhabitants,” says Jacques. “It is this rapprochement between opposite, often conflicting worlds that has made him the emblematic artist that he is and will be for many generations to come.”

Robert Mapplethorpe and Patti Smith, wearing his jewelry designs, in 1969.

©Norman Seeff; Valerie Santagto; © Robert Mapplethorpe Foundation, under license Artestar, New York; ©Jeremy Everett; Photo courtesy of Repossi.

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Creator Agnès b. Famous the work of Frédéric Bruly Bouabré – WWD

Agnès Trouble, the fashion designer known as “Agnès b. uses his passion for the work of Frédéric Bruly Bouabré.

Visiting New York for the first time in two years, the designer said on Wednesday that she had begun to learn about her work after seeing some of it at the Center Pompidou in 1992. The designer attended a preview on Tuesday. premiere at the Museum of Modern Art for “Frédéric Bruly Bouabré: Le monde délié.” An art collector for decades, she has curated an exhibition of her work at her SoHo boutique in Manhattan that doubles as a gallery.

The MoMA exhibit is open to the public Sunday through August 13. This is the first exhibition in the history of the museum dedicated to an Ivorian artist. “I think it was time for that, really because it’s amazing to see all this [work]”, said the designer. “The show at MoMA is absolutely magnificent. It’s philosophical. It’s political. It’s genius.

The designer has been collecting the artist’s work for many years and has exhibited his pieces at the Galerie du Jour in Paris. His work has featured in his collection of artist t-shirts. The piece she loaned to the MoMA show is called “Hommage aux femmes du monde”. Produced in 2007, it consists of 200 drawings in ballpoint pen and colored pencil on cardboard in 6 x 4 inch postcard format, Bouabre’s signature.

The opening of the Howard Street store display was scheduled for Wednesday evening. The exhibition will present 65 drawings in ballpoint pen and colored pencils on loan from the Galerie du Jour. This downtown show will remain on view until May 15.

It is also the first glimpse of Bouabré’s work, from the 1970s until his death in 2014.

Passing through New York, the designer reconnected with her team in the city. In addition to the Howard Street store, there are iconic boutiques in Union Square and uptown Madison Avenue.

“Very happy” to be back in New York, she believes the city will come back to life after so many people have been impacted directly or indirectly by COVID-19. “Spring is coming even though it is snowing today. People will go out again and want to go out. It’s a bit the same in Paris.

However, she acknowledged that “people are worried” about the Russian invasion of Ukraine and the reactions of Russian President Vladimir Putin. “Nobody can tell what he’s going to do, which is a problem,” she said. “And I really like Russia. I have been to St. Petersburg and Moscow several times. I like the people there. There are very nice people in the streets and everywhere. I made an exhibition here with my photographs of Moscow. For now, however, the designer is all about New York and she hopes things will get better for everyone over the next few weeks.

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VOTE: Franco-Filipino fashion designer Anthony Alvarez reaches the semi-finals of the LVMH Prize

Lifestyle Inquirer December cover star Anthony Alvarez and his brand BLUEMARBLE are up for fashion’s highest honours: the LVMH Prize for Young Fashion Designers

As a semi-finalist, Alvarez is one of 20 emerging talents chosen to present their creations at the showroom at LVMH’s Paris headquarters. In this stage of the award, around 70 international experts determine who will reach the final.

A online voting, open to the public, is also used to determine the finalists. This year, voting is open until tomorrow Wednesday, March 9.

After the announcement of the finalists, a jury of the most important names in fashion then chooses the final winner. At previous awards, the jury included the legend, Karl Lagerfeld. For the 2021 prize, the jury was made up of designers like the late Virgil Abloh, Jonathan Andersen, Maria Grazia Chiuri, Marc Jacobs, Kim Jones and Stella McCartney. They were joined by Executive Vice President of Louis Vuitton Delphine Arnault, adviser to Bernard Arnault and Director of Patronage at LVMH Jean-Paul Claverie, and Chairman and CEO of LVMH Fashion Group Sidney Toledano.

If Alvarez wins, he will receive a one-year mentorship and endowment from LVMH. This support adapted to the vision of their brand is offered through a rich pool of resources via teams of LVMH mentors in fields as varied as sustainable development and the legal aspects of the company. He will also be the first mixed Filipino designer to receive this honor.

Since 2013, the LVMH Prize has launched the careers of today’s trendiest names such as Marinne Serre, Jacquemus, Marques’ Almeida and Hood by Air.

BLUE MARBLE is a menswear brand founded in 2019. In Alvarez’s designs, you glean his curiosity for world cultures. It explains how our differences as people are all interconnected. He fuses different influences like streetwear, skate culture and travel in his designs. Last year, Alvarez paid homage to Siargao for its Spring/Summer collection.

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Paris Jackson turns heads during Paris Fashion Week

Paris-Jackson is back in Paris, and of course, in style!

The 23-year-old model, daughter of the deceased michael jacksonturns heads disabled the track with a rare appearance at Vivienne WestwoodWomen’s fall/winter 2022/2023 show on Saturday March 5, during Paris Fashion Week.

Paris, who is also a singer, wore a multicolored polka dot strapless dress with a purple belt and a thigh-high slit, paired with strappy black pumps, as she sat at the event with another model and designer of fashion. Kailand Morriswho also has a famous musician father—Stevie Wonder. Paris and Kailand also hung out with Vivienne herself at the show, which featured catwalk appearances from sisters. Bella Hadid and Gigi Hadid.

Paris also showcased a chic look at the Westwood Womenswear Spring/Summer 2022 show during Paris Fashion Week last October.

In a recent cover interview with luxury retailer LUISAVIAROMA LVR magazinepublished in its Spring 2022 issue, Paris detailed her personal style.

“I’ve had the same style since high school: a combination of the 60s, 70s and 90s,” she said. “I like bell bottoms, earth tones, Doc Martens, ripped leggings and everyday band tees. It’s bohemian grunge. »

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The best fashion in cinema

Since the dawn of Hollywood, fashion and cinema have been intimately linked. Extravagant outfits and creative costumes will add symbolism and visual splendor to any movie room. In turn, the best clothes on the big screen have influenced shoppers around the world. From Afrofuturistic tribal designs to Shakespearean characters dressed in designer clothes, these films are a feast for the eyes.

Sofia Coppola’s ode to the controversial Queen of France finale lives up to the titular heroine’s reputation as fashion’s first celebrity. Each gown designed by Milena Canonero steals the stage and relays Marie Antoinette’s rise from a naive Austrian princess to extravagant levels of nobility. As the protagonist’s confidence grows, we see her wigs grow, with one even accurately depicting a model ship to celebrate France’s naval power. Marie Antoinette even stuck to the Queen’s ‘cottagecore’ phase as we see Kirsten Dunst flee to the countryside in a delicate white shirt.


“Every dress designed by Milena Canonero steals the stage”VARSITY/DANIELLE JUMP

Canonero refuses to adhere to the militant historical accuracy that complements the film’s tongue-in-cheek aura, also evident in the film’s pop soundtrack. Amidst the anachronistic use of “I Want Candy,” we see heaps of candy-colored Manolo Blahnik shoes (with the brief glimpse of a Converse) that remind the viewer to revel in lavish scenes and never take the leap. film too seriously.

Ruth E. Carter’s costumes perfectly encompass Black Panther’s pressing theme of Afrofuturism. Throughout the creation of the film, Carter diligently researched and incorporated traditional pieces from across the continent. No scene embodies this more than T’Challa’s initiation ceremony into his royal role, when the tribes of Wakanda line the cliffs of Warrior Falls; each figure is adorned with deliberately chosen African clothing such as Basotho blankets and Maasai headdress.

“Carter has balanced traditionalism with cutting-edge fashion design”

To promote the MCU’s brand of superheroes, Carter balanced traditionalism with cutting-edge fashion design, such as 3D printing and interweaving of fictional vibranium metal in myriad costumes. One set that captures this is when a River Tribe elder (Isaach de Bankolé) wears a modern suit by Ghanaian-British designer Ozwald Boateng paired with an African lip plate. Balancing African tradition with current black tailoring, Carter’s costumes are essential in promoting the film’s message.

For Luis Buñuel’s 1967 film, beautiful day, the costumes help tell the story of a married young bourgeois woman, who spends her days as a high-class sex worker while her husband is at work. Catherine Deneuve, who plays Séverine Serizy, is dressed head to toe in Yves Saint Laurent, the couturier responsible for her entire wardrobe. Vogue described this film as “YSL’s most remarkable contribution to cinema”.



“The black vinyl trench coat has become a cult classic”VARSITY/DANIELLE JUMP

Adapted from Joseph Kessel’s 1928 novel, the costumes capture the duality of the character, at once prudish, erotic, seductive and alluring. The black vinyl trench coat has become a cult classic, making its way into mainstream fashion; you can still see it on the catwalks today. Even the shoes Deneuve wore for the film, which were part of YSL’s 1965 spring-summer collection, were eventually named after the film. Deneuve herself says it, “the character’s style really owes a lot to the image that Saint Laurent has created for itself”. However, perhaps it’s not just Séverine who should thank the Parisian designer, but fashion as we know it.

Take a Closer Look at Baz Luhrmann’s Reimagining of William Shakespeare Romeo and Juliet. You’ll notice that it’s not all gangsters and glitz running around beautiful Verona – well, Venice Beach – but there are some pretty ostentatious outfits too.

“There are also quite ostentatious outfits”

For that, we can thank Australian costume designer Kym Barrett, contemporary of Luhrmann’s wife and two-time Oscar-winning costume designer, Catherine Martin. Initially joining the couple as a wardrobe assistant at Luhrmann Ballroom strictly (1992), Barrett shared the director’s radical vision, as head of wardrobe, as they dared to tackle – or rather take over – Shakespeare’s classic romance. From the simple Hawaiian shirt worn by Romeo in the film’s opening scenes, to Tybalt adorned with devil horns at the Capulet ball. From Mercutio’s sparkling lingerie set to Juliette’s more modest angel wings. In collaboration with Prada, Yves Saint Laurent and Dolce & Gabbana, Barrett brings Luhrmann’s screenplay to life, marking his film not only in the history of cinema, but also in the history of fashion.

There’s one word that can describe Paul Tazewell’s designs in Spielberg’s remake of the 1961 classic: burst. The characters burst out of their costumes and the costumes burst from the screen. One would imagine that best dressed would be the character with the most obvious sex appeal, Anita, in her lemon dress trimmed with blood red ruffles. This outfit is present in the film’s most exuberant and carefree number, Americawhere Tazewell sneaked in a tribute to the past, with an all-dancer dressed in the famous lilac dress that Anita wore in 1961.



“The characters burst from their costumes and the costumes burst from the screen”VARSITY/DANIELLE JUMP

Respectful of history, it is not hampered by it. It confidently inverts the color palette that depicted gangs at war in 1961, yellow and purple. Now the latter wear rusty copper vests and are the first to walk the streets in a darker palette. Their muscles almost burst from the torn, oil-stained vests. It feels like youthful energy can explode out of these confines of fabric at any moment.

At first glance, it might seem like there’s not much to like about Ralph Egleston and Deanna Marsigliese’s costume designs for the 2004 and 2018 iterations of The Incredibles, at least beyond those amazing fitted suits (pun intended). Still, it’s no surprise that a movie starring a fashion designer as sassy as Edna Mode is full of fashion secrets. Did you know that Edna is based on the real life of Edith Head, eight-time Oscar winner for her styles of the 1950s? Egleston took inspiration from Head’s mid-century shapes by making the character pieces simple and elegant – you can almost smell Frozone’s smooth periwinkle turtleneck!

“Edna is an ode to fashion, the real heroine dressed to kill”

In animation, there is an unwritten rule that a character should not change their appearance too often, lest the changes break the audience’s suspension of disbelief. As a result, every costume has to pack a punch, and that couldn’t be more true than the gems of the movies: Edna’s outfits. She appears in a dripping satin kimono and a squeaky black beetle costume, among other things. Edna is an ode to fashion, the true heroine dressed to kill.

Baz Luhrmann and Catherine Martin strike gold again in this film adaptation of Gatsby the magnificent, again starring Leonardo DiCaprio, alongside Carey Mulligan, Tobey Maguire and Joel Edgerton. Winner of an Academy Award for Best Costume Design, Martin owes many of his iconic outfits to Prada, Brooks Brothers and Tiffany & Co. These brands alone symbolize the glitz and glamor of the film and its era.

“Martin’s goal was to modernize and sexualize the Roaring Twenties”

From Gatsby’s pink suit to Daisy’s diamonds, suits are key to differentiating “old money” from new. Tom Buchanan (Edgerton) even snidely remarks that “the man in the pink suit went to Oxford”, indicating that an “Oxford man” would never wear such an untraditional ensemble. While costume historians argue over the lack of authenticity, Martin’s goal was to modernize and sexualize the Roaring Twenties and the characters who lived through them. The costumes perfectly complement the contemporary soundtrack, featuring Lana Del Rey’s “Young and Beautiful,” Beyonce’s haunting take on “Back to Black,” and the equally ethereal cover of Jack White’s “Love Is Blindness.”

Few films cover two distinct fashion decades; Back to the future is a rare find in this respect. When Marty McFly travels back in time from 1985 to 1955, he wears Nike sneakers, a red padded vest and a pair of Levi 501s, all under a yellow hazmat jumpsuit. Immediately he stands out, mistaken for a space invader when he first met him in the 1950s. When Marty’s mother, Lorraine, meets him, she still calls him Calvin because Calvin Klein is “written everywhere [his] underwear”.

The film’s climax occurs at the Enchantment Under the Sea school dance, where Marty’s parents have their first kiss. Lorraine wears a pastel pink strapless dress with a 1950s-style flared skirt, and George, Marty’s dad, wears an all-white suit with a black bow tie. Meanwhile, Marty dons a gray blazer and burgundy tie but accidentally exposes himself as an outsider while playing “Johnny B. Goode”. While Back to the future isn’t about fashion per se, costume plays a vital and often overlooked role in film’s successful portrayal of culture clash.

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90% plastic and 10% textile waste: Nigerian designer’s sustainable fashion impresses internet users

In a world where fast fashion is considered one of the biggest contributors to pollution, some designers are offering innovative solutions while mixing sustainability and fashion. Nigerian Adejoke Lasisi is one such designer.

Lasisi, who works for Planet 3R, a company that converts plastic waste into eco-friendly products, uses discarded plastic and textile waste to create a slew of fashionable products.

She collects the polyethylenes, plastic bottles and packaging, then dries them and throws them away. Lasisi masterfully weaves shredded plastic into traditional Yoruba cloth called aso oke as well as some textile waste. She then uses the newly made recycled fabric to make bags, clothes and other fashion accessories.

Speaking to Reuters, Lasisi said: “In the community where I live, I have come to realize that a lot of people are throwing away their trash, you know, to the point of burning it and that has negative impacts on our environment and our health. So I thought how can I take care of this waste with the skills that I had already learned from my mother, namely weaving skills, then I started to use the waste that was problematic in the community and I started creating opportunities from it in such a way that we are now creating products and at the same time creating opportunities for empowerment.

In recent years, Lasisi’s efforts have been recognized around the world and in 2020 she won the Africa Green Grant award. Many people have taken inspiration from his conservation initiatives as his efforts are shared on social media.

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3 Black Denim Designers You Need to Know – Sourcing Journal

From shopping guides highlighting black-owned businesses to retailers featuring products made by black designers, fashion industry players have made various efforts over the past year to bring black-owned businesses to black people at the forefront of fashion. But sometimes it’s better to know more about the person behind the product. And what garment is more personal than jeans, after all?

Here, three black designers talk about why they are drawn to denim and how the sustainable fabric is a platform for self-expression, creativity and the realization of their dreams.

Aalim Abdul, founder of Aalim Abdul

RIVET: What made you want to create a denim brand?

Aalim Abdul: Denim was my canvas for personal expression at a time when I was beginning to understand myself. As a young teenager looking for comfort in his sexuality, the freestyle and customization of my jeans was my way of expressing those colorful feelings outwardly. It slowly became an outlet for me to be unabashedly myself. I knew it was an experience I wanted
share with others.

RIVET: Who is your client and what do you keep in mind when designing for them?

AA: Because I don’t live by gender norms, my client is just a forward-thinking individual with strong self-esteem who isn’t afraid to speak out loud. This creates room for inclusivity and freedom of expression. My jeans are for everyone. As a bespoke designer, during the design process I intentionally ensure that no two pairs of denim are the same. This encourages my client to recognize [what] distinguishes them from others.

RIVET: What does it mean to you to be a black fashion designer?

AA: For me, being a black fashion designer is about creating for a larger purpose. Everything I do is centered around storytelling. It’s about creating a message that can advance black art and inspire others to think outside the box. Drawing on my experience as a queer black male is central to what I do.

Aalim Abdul
Courtesy

RIVET: Where do you hope to see your brand in the next five years?

AA: My goal is to be in a position where I release collections without constantly taking long breaks. As a creative working from 9am to 5pm, life becomes overwhelming. Often I tend to step back for a long period of time to regroup. Having my brand fully supported without those long breaks is where I want to be.

I also want to give voice to those who will come after me. One thing that is close to my heart is to create opportunities for other young black creatives who may feel compelled to go to a school or institution in order to cultivate their natural creativity. My current experience as a self-taught designer is proof that it is possible on your own. Whether it’s in the front or back of my brand, saving space in the future for those kids is a big part of why I’m doing this.

Alexis Colby, founder of Bit of Denim

RIVET: What made you want to create a denim brand?

Alexis Colby: I’ve loved denim since college. I had a brand at the time, VampedCo, where I made shorts and hand-studded and tie-dyed them. Once I moved to New York, I got back into denim and made a denim rug for my bedroom. It was so much fun creating with denim, I stuck with it and Bit of Denim was born.

RIVET: Who is your client and what do you keep in mind when designing for them?

AC: I create for individuals, not for the masses, so my client is someone who likes to stand out. Someone who loves unique pieces that are [one-of-a-kind]. When creating, I make sure to push the envelope and think about what I haven’t seen done with denim and execute from there.

RIVET: What does it mean to you to be a black fashion designer?

AC: It means creating my own mini-world in the fashion world. Let’s be honest, this industry is not designed for black designers to succeed, so it’s up to all black creatives, myself included, to work hard and push our creativity to its fullest potential. We have to build our own ways.

RIVET: Where do you hope to see your brand in the next five years?

AC: Over the next five years, I see Bit of Denim tapping into footwear, expanding into retail in Japan and Europe, and expanding our creativity into the art world with installations. Big things on the way.

Sheila Rashid, Founder of Sheila Rashid, LLC

RIVET: What made you want to create a denim brand?

Sheila Rashid: I wanted to create a denim brand because initially I wanted to wear my own denim and have my own cuts because I couldn’t find what I was looking for elsewhere.

RIVET: Who is your client and what do you keep in mind when designing for them?

SR: My clients are people who appreciate the art of denim. I tend to do basic pieces that you can basically wear every day. I like to call it luxury denim. I tend to pay attention to detail, flexibility and durability in cuts and styles.

Aalim Abdul, Alexis Colby and Sheila Rashid share how they turn their creativity into denim businesses.

Sheila Rachid
Courtesy

RIVET: What does it mean to you to be a black fashion designer?

SR: Being a black designer means being a blessing. I can do what I love in life.

RIVET: Where do you hope to see your brand in the next five years?

SR: Over the next five years, I see my brand reaching new repeat customers through e-commerce, social media, and word-of-mouth. I see more collaborations and new collections.

Victor Vaughns Jr. is associate editor for WWD.

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19 Facts About Anna’s Costume Invention

I can’t believe how long all the research took!

While I was watching Invent Annait was pretty hard to look away — partly because of the drama, but mostly because of all the fabulous outfits.

Anna’s keen fashion sense was the work of costume designers Lyn Paolo and Laura Frecon.

Nomi Ellenson/WireImage/Maury Phillips/Getty Images/Via Getty

Here are 19 behind-the-scenes facts they shared about the costumes of Invent Anna:

1.

Shonda Rhimes tapped Lyn Paolo design for Invent Anna because she was costume director on two other iconic Shondaland productions – Scandal and How to escape murder.

Daniel Zuchnik/WireImage/Via Getty

2.

Laura Frecon is also a Shondaland veterinarian – she was a costume assistant on How to get away with murder.

Maury Phillips/Getty Images/Mitch Haaseth/©ABC/courtesy Everett Collection

You might also recognize his work from the series directed by Elizabeth Olsen sorry for your loss.

3.

The outfits Anna wears in the courtroom scenes are recreations of what Anna Sorokin wore during her trial in real life.

Netflix/TIMOTHY A. CLARY/AFP via Getty Images

“It was exactly what she was wearing…and she refused to go to court until she had something to wear. I have to respect the nerve. That says a lot about her,” said Paolo said. Shondaland.

4.

Before starting to choose her looks for the show, Paolo and Frecon had a long research everything the real Anna wore in her Instagram posts.

5.

The search for her outfits took two months.

Nicole Rivelli / ©Netflix / Courtesy of Everett Collection

6.

They also searched for everything Anna’s real friends wore in her Instagram posts.

7.

They too recreated the real Anna’s entire Instagram wall.

8.

The creators scoured luxury resale platforms such as Poshmark and Farfetch for the exact outfits, and what they couldn’t find, they recreated as faithfully as possible themselves.

Nicole Rivelli / ©Netflix / Courtesy of Everett Collection

9.

Find all of the costumes Anna took three months.

Nicole Rivelli / ©Netflix / Courtesy of Everett Collection

ten.

However, rather than directly recreating the real Anna Sorokin’s everyday outfits, the show featured “an elevated version of her, a Shondaland version of her” to better show her transformation from impostor to socialite.

Nicole Rivelli / ©Netflix / Courtesy of Everett Collection

Paolo said Shondaland“I don’t think she was that glamorous in real life…Shonda writes these amazing stories about these amazing women who have amazing fashion sense…Every moment of the story every Anna was different , and you can see that in his fashion choices.

11.

In total, they created over 3,000 outfits for the character because they were “trying to make her appeal to multiple worlds”.

Nicole Rivelli / ©Netflix / Courtesy of Everett Collection

Paolo said Shondaland“If she didn’t know the fashion, the ladies who lunched in New York would never accept her, and they were the entrance to the husbands, who are the bankers and the lawyers. Then there was the business world, where she would be more costume-y.And then there was the Goop world, where you see her on the yacht.

12.

Julia Garner, who plays Anna, doesn’t have her ears pierced, so the wardrobe department had to find suitable clip earrings.

netflix

“We had to find a designer who would work for her with a music video, which is quite tricky,” Paolo said. Shondaland.

13.

For the yacht scene, they had Christian Dior embroider Anna’s name on a bag – which was finished surprisingly quickly, considering Italy had just closed due to the COVID-19 pandemic.

14.

costume designers bought the Alexander McQueen dress she wears in that mall scene then built the rest of the look around her.

15.

Anna often wore a mix of designer labels in one outfit because “if you really know what you’re doing with fashion, you mix it up…not just wear everything like you’re on the catwalk”.

David Giesbrecht / ©Netflix / Courtesy of Everett Collection

Paolo said Shondaland“I love the idea that she’s competent enough to be able to pull this off.”

16.

As the story progresses, each outfit bECOMES “a wee bit more fashionista and less conservative.”

David Giesbrecht / ©Netflix / Courtesy of Everett Collection

17.

The borrowed Theory dress and red Valentino coat that Anna wears after losing everything were designed to show “her fall from grace”.

netflix

Frecon said Variety“She has to wear this outfit for the whole episode all night on the subway, and then she’s going to clean herself up in a Starbucks and pull herself together, and she’s going to steal a whole bunch of money.”

18.

The gold dress she wears during her fake suicide attempt was chosen because the creators felt “it should be like a very Hollywood feeling at that time, very 1930s”.

netflix

“It was a juxtaposition of his world falling apart, but it had to be fabulous to be found by the staff,” Paolo said. Variety.

19.

And finally, Nora Radford was actually the most cherished character dress because of the amount of “super high-end couture” she wore.

Nicole Rivelli / ©Netflix / Courtesy of Everett Collection

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As Ukraine-Russia war escalates, designers seek safety and resolution – WWD

Faced with the onset of war and a large-scale invasion by Russia, Ukrainian designers and other fashion executives offered a stark view of their experience on Thursday.

In retaliation for the actions of Russian President Vladimir Putin, the US administration, 27 members of the European Union, Australia and other countries announced plans Thursday afternoon to hamper the Russian economy.

President Joe Biden has revealed new sanctions against Russia. Addressing how Putin’s military efforts threaten freedom everywhere, Biden said, “Aggression cannot go unaddressed, if it did, the consequences for America would be far worse. America stands up to bullies. We stand up to bullies. We defend freedom. It’s who we are.

As Russian tanks continue to roll into Ukraine and bombs are dropped in various cities, traffic has intensified in Kyiv, with many residents seeking refuge in neighboring countries.

As more US military troops were deployed to Germany in response to the invasion of Ukraine, major retailers like H&M and Adidas were watching the situation closely. H&M has closed its nine stores in Ukraine until further notice, according to a company spokesperson.

Traffic jams are seen as people leave the city of Kiev, Ukraine, February 24, 2022.
Emilio Morenatti/AP

Some fashion designers based in the capital Kiev, such as Alina Kachorovska, had taken refuge in underground metro stations to avoid airstrikes. Other designers, like Ivan Frolov, the creative force behind the Frolov label, had evacuated Kyiv en route to Poland. But that didn’t happen due to mandates put in place Thursday night that prevent Ukrainian men between the ages of 18 and 60 from leaving the country. Only women and children are currently allowed there.

Jen Sidary, a global fashion brand strategist who is showcasing six Ukrainian brands in New York this week, said she has been in “constant contact” with Frolov and other designers since the airstrikes began. Besides Kachorovska and Frolov, Elena Burenina, Chereshnivska, Paskal and 91 Lab are the brands that Sidary works with.

Burenina and her team were sheltering in place in Kiev. Frolov, her boyfriend and a few friends had packed their bags and were driving on back roads to avoid major cities in an attempt to get to Poland. “There is some pretty horrific coverage right now that the Kremlin will target members of the LGBQT community. Hopefully Ivan will reach the border at 2:30 am Kyiv time. I text him every hour,” Sidary said.

However, this hope has disappeared, due to the new mandates.

Ivan Frolov evacuated Kiev on Thursday en route to Poland.

Ivan Frolov evacuated Kiev on Thursday en route to Poland, but new warrants prevented that from happening.
Courtesy

Eponymous shoe designer Alina Kachorovska, whose grandmother started making shoes in Ukraine in 1957, had just returned to the land of Lineapelle in Milan. “She was very happy about it because she has three children,” Sidary said. “At 4am EST, Alina was in her design studio right after the bombing. These Ukrainians can’t stop working. I’m in awe.

Noting that Kachorovska’s design studio is not located in a secure building, Sidary said she moved to take shelter but “stays strong with her family.” Acknowledging reports that Putin plans to repeatedly hit Kiev and overtake the capital, Sidary said, “I think we have to be prepared for what is to come.

In an email Thursday afternoon, Public Kitchen founder Anastasia Ivchenko said she and her business partner Eugenia Skibina and most of their team members remain in Kyiv. The PR company works with Ukrainian fashion brands such as Ienki Ienki, Katimo, Anna October, Jul and Oberig. Some Public Kitchen employees have decided to relocate to the west of the country for security reasons. When military sirens signal potential airstrikes in Kyiv, public kitchen workers go to the nearest underground bomb shelters, Ivchenko said.

Awakened at 5 a.m. by the sound of explosions, Ivchenko said it was very difficult to speak of any calm. “Ukraine is the geographical center of Europe, a country with an extremely rich history and culture with a surprisingly strong spirit and a creative economy that breaks all the patterns of ideas about Eastern Europe”, she said. “The war in eastern Ukraine has been going on for eight years, but today Russia attacked us on a large scale, including in Kiev, where our team, most of our customers and our friends live.”

As recently as Wednesday, despite the threat of military action at the time, Ienki Ienki employees were eager to discuss how the brand had spent six months designing parkas for scientists at the research base Vernadsky working at the National Antarctic Science Center of Ukraine. Ienki Ienki presented his collection in Milan on Wednesday as planned.

Anastasia Ivchenko and Eugenia Skibina plan to stay in Kyiv.

Anastasia Ivchenko and Eugenia Skibina plan to stay in Kyiv.
Courtesy

Skibina said they are keeping “cool heads and fiery hearts” and staying in touch with family and friends as a show of support. “We support each other. That’s all we can do now. We don’t give up and we do what we have to do – we tell the world about Ukraine, all its diversity of talent, its rich culture and its amazing people. she says. “There are many of us here. And we need the support of the world, while our country is on the front line.

After being in touch with her family in Kyiv on Thursday, Ukrainian-born fashion designer Nataliya Ivantsova, who runs her iconic Miami company, said they were hiding bombs in underground subway stations and old buildings, including those that had been used as shelter. during the Second World War. Noting how the airstrikes were happening from east to west in Ukraine, Ivantsova said Ukraine “can be attacked from all sides from land, sea and air.”

Some of his relatives, who live in Kharkiv, suffered an explosion right next to their house, forcing them “to take the children and flee to nowhere”. Located in the northeast of Ukraine, the city has more than 1.4 million inhabitants. They also say that Kharkiv is “so blocked that it is difficult for them to even get out of the city”, she said.

Having heard from friends in Ukraine who are actively involved in charity, Ivantsova tries to figure out how to get Ukrainian residents what they need through other friends, who work in diplomatic relations. “I was told today that even the hot water was not working. We have to figure out how things can be shipped to Ukraine because now they say a lot of airports [there] will be bombarded. Some of them have already been bombed,” she said. “We just need to figure out what we can do.”

Although the designer does some manufacturing in Kyiv, now is not the time to think about changing operations there in any way, she said. Many stocks are available in the United States and the company uses other factories, including one in Mongolia, so as not to be dependent on any factory.

“My family is fine but you don’t know what might happen next,” Ivantsova said. “The whole country could easily be on fire.”

As of Wednesday, the founders of the Gunia project, Natalia Kamenska and Maria Gavrilyuk, planned to stay in Kiev. A spokeswoman for them said on Thursday that communication in Kyiv is periodically lost due to airstrikes. She said Kamenska and Gavrilyuk would comment on Friday, adding that “today is so emotional and now the main thing for us is to survive the night.”

Sidary was among more than 100 people who attended a rally in Times Square on Thursday to protest the war in Ukraine. “After that, everyone headed to the Russian consulate,” she said. “We came back to the showroom. We still have retailers placing orders.

Recalling a call with Burenina on Thursday, Sidary said she advised the company’s employees were all safe. “She wanted to tell me that if I take orders for her brand, she will produce them and make sure retailers get their orders. It’s amazing how hard these people work. That wasn’t really why I called them.

Noting how Russia clearly wants to overtake Ukraine and harm the country’s economy, as evidenced by frozen assets and banks, Sidary said she has brands trying – so far without success – to send money to Ukrainians to donate. “They can’t even access their money,” Sidary said. “I think supporting Ukraine in every way possible is what we should be doing.”

Across the Ukrainian border in Russia, a spokesperson for the fashion-oriented department store Tsum said on Thursday that “so far nothing has changed in terms of business operations” at its Moscow and St. -Petersburg. The company also has multiple pick-up points in six cities across Russia as well as in Belarus, which also borders Ukraine. Personally, the spokesperson said: “This is a very worrying situation. We are all surprised. We watch, of course, all the meetings and check all the situations. People don’t agree. Of course, it’s not our decision. We want to live in peace and live in love.

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Villanelle’s most iconic looks on Killing Eve

Photos: BBC America

There is an unwritten rule that assassins and spies also have an endless clothing allowance to help their abilities assimilate in any given circumstance. It’s also common in the world of subterfuge — or at least the version we see on TV or in movies — that a clothing skill set is a valuable asset. Jodie Comer as Deadly Villanelle in BBC America Kill Eve ticked both of those boxes from the very first episode and this character puts her fashion best foot forward in any scenario.

Designer Phoebe Waller-Bridge is long gone and the showrunner has changed with each season, but one constant is Villanelle’s playful attitude towards her work and leisure wear. Thanks to multiple stab wounds (including her own), the hitman never lost her fondness for expensive designer yarn, her Paris base helping to fuel her passion for high-end shopping. Three different costume designers brought Villanelle’s closet to life and turned the series into a living editorial starring Gucci, Alexander McQueen and Isabel Marant. After a long game of cat and mouse, Eve (Sandra Oh) and Villanelle have come to some sort of understanding, and the fourth and final season is set to rely heavily on symbolic imagery. On the eve (pardon the pun) of the critically acclaimed hit’s return, here are Villanelle’s definitive fashion moments from the show’s first three seasons.

Journey to Tuscany (Season 1, Episode 1, “Nice Face”)

From the first episode, Villanelle’s ability to blend into any setting is on display when she grabs a sky blue Burberry dress from the nearest closet and blackmails it at a wedding reception, but the outfit she wears when entering the beautiful villa is a little more reflective of her fashion personality. It’s not exactly incognito, but it shows her flair for casual fashion with an edge. The tailored Celine pussy-bow blouse, cut-off denim shorts and Doc Marten boots combine hard and soft visuals, which serve to highlight Villanelle’s contradictions from the start.

Pretty in Pink (Season 1, Episode 2, “I’ll Deal With Him Later”)

Villanelle wearing a voluminous bubblegum pink Molly Goddard tiered tulle dress paired with Balenciaga boots tells us all we need to know about her love of fashion and her disdain for the obligatory therapy session. Arguably the most revered of Villanelle’s fashion choices among fans, costume designer Phoebe De Gaye got the tongues wagging right from the start. A callback in Season 2 saw Villanelle killing an influencer guy with her words after she asked for a photo of her candy-colored outfit (“No, of course not. Don’t be pathetic. Get a real life!”). Luckily, it was just a nod rather than trying to recreate this singular costume.

Tailored Terror (Season 1, Episode 3, “I Don’t Know You?”)

The garment becomes a kind of business card at the start of this obsession shared between the two women. Their paths cross when Eve travels to Berlin to investigate Villanelle’s crimes, and the killer sneaks off with Eve’s suitcase. Her assessment of content is withering, and no doubt she wants to sprinkle some makeover magic on the woman following her — for what it’s worth, Eve mentions that she hates her own clothes. A green scarf with a zebra print is how Eve Bill’s (David Haig) best friend meets his untimely (and gruesome) end when he recognizes Villanelle wearing the accessory he gave his friend. Dries Van Noten’s graphic-print power suit isn’t exactly Berlin nightclub material, but Villanelle isn’t one to follow the rules.

Post-Prison Discussions (Season 1, Episode 7, “I Don’t Want to Be Free”)

Villanelle’s brief stint in a Russian prison separates the killer from her enviable wardrobe, but this shaggy jacket, black skinny jeans and another fantastic pair of ankle boots tap into a ’90s aesthetic that remains popular. Even the rustic Villanelle is in fashion.

Pop Art Pajamas (Season 2, Episode 1, “Do You Know How to Get Rid of a Body?)

Rather than a high-fashion twist, Season 2 costume designer Charlotte Mitchell makes a bold statement on Roy Lichtenstein with a set of custom pajamas. The Pop Art theme isn’t a case of Villanelle trying to blend in at a sleepover, but a necessity when she’s fleeing her hospital bed. Recovering from a stab inflicted by Eve introduces her to the young Gabriel (Pierre Atri) who is the originator of this colorful outfit, and another victim on the assassin’s long list. It’s perhaps the most shocking murder Villanelle commits, and the fanciful bedding doesn’t diminish the horror of this moment – even if she considers it an act of mercy. It’s not the kind of loungewear she would choose herself, but definitely Kill Eve fans would snag a pair. In fact, the original set worn by Comer was sold for nearly $13,000 at auction in 2020.

Sartorial Swine (Season 2, Episode 4, “Desperate Times”)

Never let it be said that Villanelle doesn’t embrace the theater or take on her surroundings. In Amsterdam, she sees the curiosities accompanied by Konstantin (Kim Bodnia) and brings up the stench in the gallery in front of a awful painting by Jan de Baen catches his eye. Villanelle adds a Red Light District twist to “The Dead Bodies of the De Witt Brothers” by swapping out her Vogue-ready Dutch outfit (which includes an Alexander McQueen blazer and Rosie Assoulin satin blouse) for a perverse pig mask and a hybrid of schoolgirl. “Looks like bacon,” is Villanelle’s assessment of the 17th-century artwork that influences her latest murder tableau, which is mistaken for an elaborate performance by onlookers.

Widow Chic (Season 2, Episode 5, “Smell Ya Later”)

It’s no big surprise that Villanelle goes all out with her outfit when MI6 throws a punch at Eve and hires Villanelle to do the deed. Eve is in on it, and it’s the only way to get his attention, but this face-off is tense from previous stabbings. “Nice outfit” jokes Eve about the vintage Alexander McQueen sheer dress and dramatic polka-dot lace veil that taps into a theme. “I’m about to be in mourning,” she explains of her choice of widow-ready glamour. In the woods, the high-necked silhouette adds a fairytale villain element that wouldn’t be over the top for the international assassin.

Back to School (Season 2, Episode 5, “Smell Ya Later)

Adapting to your surroundings is key when working in this murky world and Villanelle loves to play dress up. She’s also incredibly versatile, going from ultra-feminine widow attire to looking like a chariots of fire additional at a glance. A brief detour to Oxford to set Eve’s wedding on fire sees her embracing the preppy slung sweater for maximum effect.

Crimson Queen (Season 2, Episode 8, “You’re Mine”)

There’s a lot of back-and-forth in the Season 2 finale in Rome with Eve and Villanelle saving the other from danger. The red Lanvin ensemble is part of Villanelle’s cover to ensnare tech villain Aaron Peel (Henry Lloyd-Hughes), and black belt Gucci breaks up the coordinating ensemble. At the hotel, she almost matches the ax wielded against her, and this costume looks even better after ditching the rose-tinted wig. The final showdown among the ruins gives the Italian tourist board a boost, and Villanelle plots sweet revenge in this femme fatale outfit.

Floral Fashionista (Season 3, Episode 2, “Management Sucks”)

Switching Paris for Barcelona in season three doesn’t lessen Villanelle’s penchant for expensive clothes. A stunning floral Vampire’s Wife dress that has since been dubbed the “Villanelle Dress” (and is always available to buy) immediately attracts attention. Even her hair gets the flower memo and if you didn’t know she was a hitman, you’d almost certainly think she worked in the fashion industry. It’s in stark contrast to Eve’s kitchen worker uniform and her mentor Dasha’s (Harriet Walter) Eurotrash outfit.

Feathered Hole in One (Season 3, Episode 7, “Beautiful Monster”)

Golf is known for its eye-catching lozenges, but Charlotte Knowles’ rich green feather-checked bomber jacket and high-waisted Gucci pants are a big swing that taps into the “handsome monster” of the episode’s title. Season three costume designer Sam Perry (who returns for season four) leans into the weird for the Aberdeen setting as Villanelle plays the novice on the golf course as part of the trick – his Scottish accent is also perfect. In a surprise move, she hits Dasha with the club instead of the intended target, and her rebellion against those who kicked her up a notch. It may be time for the traditional green jacket awarded to the Masters winner to get a makeover.

Power Print Pantsuit (Season 3, Episode 8, “Are You Leading or Am I?”)

A common thread throughout all three seasons is the reliability of a patterned power suit. A tailored masculine influence doesn’t have to be boring or subtle, and this marble geometric Halpern number is the boldest in the series yet. Villanelle takes to the dance floor with Eve – whose black suit and turtleneck complement the chaotic print – but rather than repeat what she did in Berlin to Bill, the pair join the waltz couples. Eve says the episode title, to which Villanelle responds “I have no idea”. The peace is short-lived, but the suit ends up coming in handy in a fight to the death against fellow assassin Rhian (Alexandra Roach).

Canary Crossroads (Season 3, Episode 8, “Are You Leading or Am I?”)

Villanelle wants out of the killing industry and the season three finale sets that in motion before culminating in a kind of farewell on London Bridge. Villanelle stands out in an oversized canary yellow Loewe coat and Ann Demeulemeester biker boots for the second half of the final. Everyone is muted, but Villanelle is rethinking her craft, not her love of fashion. This outerwear looks like Anya Taylor-Joy’s contemporary eye-popping cousin Emma. attire, which, as Eve finds out in the final moments, is impossible to look away from.

Kill Eve returns to BBC America on Sunday, February 26 at 8:00 p.m. ET. After the premiere, episodes will air a week earlier on AMC+.

people talk about Kill Eve in our forums. Join the conversation.

Emma Fraser has wanted to write about TV ever since she first watched My So-Called Life in the mid-’90s, finally getting her wish more than a decade later. Follow her on Twitter at @frazbelina.

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The youngest Indian designer to present his collection at Paris Fashion Week

It’s a dream come true for Binal Patel, designer and founder of ‘TheRealB’, who is set to present her collection at Paris Fashion Week on February 28.

Binal is 25 years old and the founder of a local ready-to-wear brand that embraces authenticity in craftsmanship, fabrics, colors and culture. The label caters to an ever-changing aesthetic of real confident beauties and is available through online and offline platforms on its official website and e-commerce sites like Nykaa Luxe, Salt Studio, Asos, ZoWed, Aza Fashions, Pernia’s Pop up, Azra, Deccan, the house of labels.

Ahead of her show in Paris, Binal talks to IANSlife about what it’s like to show off her designs at one of fashion’s biggest events. Read excerpts:

Q: How is it to be part of Paris Fashion Week?

A: When Flying Solo approached us to participate in Paris Fashion Week, we were thrilled! It gave wings to my whole team who supported me from day one through the ups and downs. It is literally a concrete example of “A dream come true”. And I’m quite proud of myself and my team because our efforts have paid off. This is a proud moment for India.

Q: What can we expect from the collection?

A: Well, that’s a surprise! But to give you some clues, the collection will have twists and turns with bold and fun designs that will make you feel sexier. And that is, “Why should only girls have fun?”

Q: What kinds of surface textures and techniques can we expect?

A: The collection will feature a touch of texture and sheer fabrics as well as animal prints. Again, the rest is surprise, we will see a lot of fun and innovation on the track.

Q: Are you a fan of slow or fast fashion?

A: I’m a big believer in slow fashion, in addition to designing luxurious styles, creating a conscious and sustainable clothing line is also of the utmost importance to me.

Q: What is your design philosophy?

A: Nature has always been the inspiration behind all my collections, all my designs are imbued with elements of nature. Creating bold, tailored fashion is my design philosophy, but again, as I mentioned, creating conscious clothing will always be my priority. We have designs made from orange peel, regenerated nylon, banana cloth, milk cloth and more.

Q: Are you all nervous or super excited about the screening?

A: There are mixed feelings, half of me dances and jumps with enthusiasm while the other half spends restless nights because I want to create the right impression.

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The Peninsula designer and entrepreneur has a real passion for fashion – Peace Arch News

Where will the next new wave of fashion come from?

It may be the Semiahmoo Peninsula, courtesy of Serena Kealy, a recent graduate of Earl Marriott Secondary (and last year’s valedictorian).

Now a full-time student at UBC and UBC’s Sauder Business School, the 18-year-old, raised in South Surrey and White Rock, has just booked her first show for Vancouver Fashion Week in April.

Fashion design is my passion and I studied it all through high school, winning local competitions,” she said. Peace Ark News.

“I am incredibly honored and thrilled to have this opportunity at such a young age,” Kealy said, noting the unwavering support of her family, including younger sister Julia, and her extended family, as well as the encouragement and support. mentorship from her textile teachers throughout her education. school years.

“I first discovered my love for fashion when I was in 7th grade, when a wonderful family friend taught me how to sew and mentored me,” she said.

“I started studying textiles every year as part of my home economics elective. I realized it was something I could do as a career and something I could create my own brand with.

That brand is ‘Chalanse’ and it – and more specifically a new collection of eight looks – will be showcased at the April event, for which specific dates are still being finalized.

Chalanse encompasses the original custom apparel it designs, sews and markets, as well as a line of accessories, manufactured graphic t-shirts and cohesive clothing collections.

Her concept is her own very personal interpretation of “business casual” clothing, in which she can take the classic structural elements of traditional clothing, but transform them through her love of fabrics and textiles to include unexpected and luxurious choices – silk for a suit, for example, or bold pink instead of formal black, or combining “strong, bold shapes with delicate, feminine styling.”

Kealy created Chalanse — the word is a play on “nonchalance,” incorporating an “S” for her first initial — about two years ago when she was still at Marriott.

Rather than studied casualness, her garments are meant to evoke a sense of “confidence and commitment” from the wearer, Kealy explained.

She considers herself lucky that although she started the business at the start of the pandemic, she has been able to connect with individual clients over the past two summers for whom she has handcrafted individual pieces, gaining valuable first-hand experience along the way. .

“The way people like to feel in clothes and the way they like them to fit helps me refine my clothes,” she said.

It helps that she discovered she had an affinity for business too, she acknowledged.

“I not only love being a fashion designer, but also being an entrepreneur,” she said. “I realized that this is something I want to do for the rest of my life. Every day, while sewing, I fall more and more in love with my job.

Studying business at UBC gave Kealy additional skills in developing contacts, which gave her the courage to approach the organizers of Vancouver Fashion Week and present her collection to them.

It didn’t hurt, she said she was a longtime follower of the event.

“I dream big,” she said. “And having my own collection at Vancouver Fashion Week has long been a dream of mine.”

She admits to having “butterflies” thinking that her creations are going to be presented in such a prestigious forum.

“Once in a while I have to go somewhere and do my happy dance,” she laughed.

And the next big dream?

“I’m thinking of doing international fashion weeks, going to New York and Paris,” she said.

“It would also be great to have the opportunity to work in costume design.”

In the meantime, she said, she knows she must continue to hone her craft in “practice, practice, practice” – even though her mature approach leaves no doubt that she will have the focus and the discipline needed to go the distance in his choice. profession.

“I’m still a work in progress,” she added with a laugh.

BusinessFashion

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Runway of Dreams Launches Adaptive Fashion Show in Los Angeles – Footwear News

The Runway of Dreams Foundation is heading west.

The non-profit organization working for inclusion, acceptance and opportunity in the fashion industry for people with disabilities will hold its first show in Los Angeles next month. The one-of-a-kind adaptive fashion show, aptly titled “A Fashion Revolution” is presented by Kohl’s and will take place at NeueHouse Studios in Hollywood on March 8.

According to the organization, the evening will feature adaptive clothing and footwear from top brands such as main sponsor Kohl’s and other sponsors such as Target, Zappos, JCPenney, Tommy Hilfiger Adaptive, No Limbits and Stride Rite. This will be the first time these brands have showcased their responsive designs on the same runway in Los Angeles. Notably, LVMH provided support with platinum sponsorship of the fashion show event, the nonprofit organization said.

“Hollywood is all about making dreams come true, and it felt fitting that we were bringing Runway of Dreams to Los Angeles,” said Mindy Scheier, Founder and CEO of Runway of Dreams Foundation and Gamut Management. “As with all of our events, I hope this show shines a light on this underserved population, calls for critical change in the fashion industry, and reveals that inclusivity doesn’t stop at size or shape. Everyone deserves the right to look good and feel good about themselves, and consumers deserve that access.


Influencer Grace Strobel walks the runway for the Runway Of Dreams Foundation Fashion Show on September 9, 2021 in New York City.

CREDIT: Monica Schipper of Getty Images

The show will feature over 60 models with varying disabilities and differences, ethnicities and backgrounds to showcase mainstream adaptive clothing and footwear options and highlight the necessary changes needed in the fashion industry. .

Runway of Dreams was founded in 2014 by Scheier – a fashion designer and mother of a disabled child – who envisioned a world where disability-friendly clothing would be common.

Scheier launched its charity shows with Zappos Adaptive as its main sponsor in 2019. The online shoe retailer is among the industry pioneers in creating footwear for people with disabilities. Zappos’ adaptive shopping platform launched in April 2017 – three years after a customer, in a phone call with an employee, asked if she could trade in a pair of shoes for her granddaughter. son, who was autistic and needed help tying shoelaces on his own. .

Since then, the retailer has launched the Single and Different Size Shoes program – through which customers can purchase a single shoe or two shoes of different sizes and widths to create a pair – as well as Ugg Universal, a collection in partnership with the shoemaker. sheepskin that offers functional iterations of two iconic styles: the Classic Short and the Neumel.

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The MN brand unveils its first runway collection at New York Fashion Week

Designer Andre Sackman says Love Disorder is about loving your disorders and learning to live with them.

NEW YORK CITY, NY – Minnesota fashion designer Andre Sackman says his brand, Love Disorder, is about “loving your troubles and learning to live with them” and, obviously, some big names in the industry fashion designers love the message behind the brand.

First, about eight months ago, the Mall of America welcomed Love Disorder to its new Community Commons space intended to help minority-owned businesses impacted by the pandemic and civil unrest.

“It’s about mental health and awareness,” Sackman said of his label. “All the pieces I make are meant to carry on the conversation. »

Not even a year later, Sackman had more good news. This time it was an invitation to participate in New York Fashion Week.

“They contacted me,” Sackman said. “Emailed me and said, ‘We love your brand and we love everything you do.'”

At Break Free NYFW Fashion Show, the models wore eight exclusive pieces designed by Sackman. He describes the collection as avant-garde and medical. During the design and production process, he had to overcome a challenge, just like his brand message.

“I actually had some very difficult personal issues with my family, so I had a deadline to build my collection,” he said on Zoom Tuesday while waiting for a return flight from JFK to MSP. “It was literally eight days but it went very well and a lot of people enjoyed it and I’m happy with the result.”

love disorder currently offers exclusive Love Disorder Runway 2022 hoodies at its Mall of America store.

https://www.youtube.com/watch?v=videoseries

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Rodarte’s Kate and Laura Mulleavy talk fashion off and on the runway – WWD

Kate and Laura Mulleavy, the sisters behind Rodarte, took center stage Friday night during a chat with actress Maude Apatow as part of NYFW: The Talks at Spring Studios.

The discussion focused on how they started the brand, the designers’ inspiration, and their multiple art projects, such as designing costumes for “Black Swan” and “Sing 2.”

The California-born sisters both attended the University of California, Berkeley, where Kate studied art history and Laura majored in English literature. Together they founded Rodarte (their mother’s maiden name) in 2005.

“It’s been 17 years since it became one of America’s most influential fashion brands,” said Apatow, who appears on the HBO drama series “Euphoria,” and is the 24-year-old daughter of Judd Apatow and Leslie. Mann.

Laura Mulleavy said she went to see “The Art of Rodarte,” Spring’s immersive experience showcasing their work for track and screen, which they curated themselves, and said that when you see it all together as a designer, “it’s really nice to see how things bleed into each other.

“It’s very powerful to see it that way. It’s really cool, so go check it out. she told the crowded audience.

After graduating from college, they designed ballet costumes for their friend’s performance piece. “I had always thought of being a designer as a child, but wasn’t pursuing it in college, and I think we were like, ‘I think we really want to do this,'” said Kate, whose the birthday was Friday night.They had artistic skills but had no idea how the industry worked.

“Laura got a job as a waitress, and we had a conversation about how I wouldn’t get a job as a waitress,” said Kate, who said she probably wouldn’t be hired or tipped. . They decided they wanted to put together a collection and they would figure out how to do it. Kate had a record collection which they sold to raise money to buy fabrics.

“We built our first collection, which had 10 pieces. We had never been to New York. A friend of ours lived here, and she said, ‘come stay with me.’ They flew to New York and made handmade paper dolls, and you put the clothes on, and there was a wardrobe. They sent them and received no response.

About four days into their journey here, they thought it might have been a mistake to do so. “Someone at Women’s Wear Daily got the dolls, and I got a phone call and they told me to come down and we’ll see each other. Bridget Foley, Bobbi Queen and Nan D’Souza saw the collection and I just remember they were looking at all the clothes They said they wanted to ask questions and take pictures of the clothes A day later they called us and told us to come down to the nearest newsstand, and they put us on the cover! And it was the day before New York Fashion Week,” Kate said.

Apatow said many of Rodarte’s collections were inspired by redwoods and Santa Cruz and asked how they manage to design from the heart and design for art.

“There’s something very personal to us that’s kind of going to guide the rest of our careers,” Laura said. She said you listen to your instincts as a designer. “We love textiles, we love texture and we love organic symmetry and experimentation. It’s something that Kate and I share,” she said. Growing up with Kate, they saw the same things and went to the same college.” I think the shared dialogue comes out of the work,” Laura said.

As they grew up, their style evolved, but some styles stand out. “I love the pieces that I remember saying, ‘I’m never doing that again,'” Kate said. “It’s the parts that are so difficult to make.”

They once designed a mermaid dress that had real sand in the tulle. She said she remembered thinking that because of this technique they were never going to get into Bergdorf Goodman, but they did. She said the pieces where you take more risks, where sometimes you do something that pushes you further and doesn’t quite land the way you want it to, and that can be daunting, those are the collections we’re talking about .

Laura Mulleavy, Kate Mulleavy and Maude Apatow.
Getty Images for IMG Fashion

The conversation turned to the costumes the Rodarte sisters designed for the movie “Black Swan.” Their friend Natalie Portman, who starred in the film, introduced them to the director, Darren Aronofsky. They were asked how this was different from designing a fashion collection.

“‘Black Swan’ happened so early in our careers, in 2009. It was a truly magical experience,” Kate said. “We have the costume archives and are bringing them out for museum exhibits [and hadn’t looked at the film in years] but I said, ‘I’m going to watch it. It was just like something out of the body. That’s what I love about working in the movies,” Kate said. She said it had this feeling of transformation, where all the elements like production, actors, costume design and directors came together.

“It’s one of the most special things we’ve ever worked on,” Kate said.

Laura added “In fashion you’re kind of on your own island, but in film you bring someone’s vision to life and you support someone’s performance.”

“It’s an interesting ability to be part of something and not take the lead, it’s kind of a powerful experience and it’s really special, and you can say, ‘that’s what I’m contributing that actually improves something.’ Costume designers need to get more credit. They’re one of the hardest working groups of people on set. Pay equity is really important. It’s a very important part of the industry, and so is fashion. said Laura.

When asked what brought them from ‘Black Swan’ to directing their own film, ‘Woodshock’, Laura replied, “I was on the set of ‘Black Swan’ and they were shooting the ballet, and I I said, ‘I want to do this. It was time. I went home and I called Kate and I said, ‘I think we should realize’, and she said, ‘I know .”

As noted, as part of “The Art of Rodarte” there is an immersive experience conceptualized and produced by IMG Focus and powered by Yahoo technology. It closely presents the work of Rodarte. A preview and industry reception was held on February 11 and the exhibition, in partnership with IMG and Afterpay, is open to the public until Tuesday with free access with hourly ticket on the ground floor by Spring Studios.

FOR MORE STORIES:

EXCLUSIVE LOOK: Rodarte’s “Black Swan” projection technology at NYFW

IMG Reveals NYFW Lineup: February Season of Shows

Rodarte RTW Spring 2022

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Fashion designer

Fashion Festival: Let’s talk about size in fashion

Watch our panel of incredible and opinionated five wahine talk about the state of size inclusivity in Aotearoa, hosted by “fat babe” and multidisciplinary artist Tanya Barlow.

With the political and societal shifts and movements that have taken place across the world in recent years, fashion is one of many industries that have been pushed by consumers to become more ‘inclusive’ – from the representation of who figures in the campaigns to the diversity of those working behind the scenes and the supply of clothing actually available to shop and buy.

These conversations rightly range from the need for greater inclusion in terms of gender, identity, ethnicity, age, ability and more – a push for an industry that for years has helped to perpetuate a Euro-centric beauty standard that is white, thin and cis.

Multidisciplinary artist Tanya Barlow hosts a panel discussion on the state of waist inclusion.  *Disposable Fashion Festival*

Things

Multidisciplinary artist Tanya Barlow hosts a panel discussion on the state of waist inclusion. *Disposable Fashion Festival*

Things are changing, and the key to that change is increased korero around these sometimes uncomfortable topics – and one of them is the topic of size, and the place of size and release inclusivity fats in the fashion space.

READ MORE:
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* Fashion Festival: Behind the scenes of The Ensemble Edit fashion show
* New Year, New You, Same Clothes: How to Make Your Existing Wardrobe Work
* Why has #BodyPositivity failed to make us body positive?

In the New Zealand fashion industry, some figureheads are leading these conversations and encouraging others – from fashion designers to stylists to the media – to look at their own internalized fatphobia.

These are conversations we had honored to welcome on Ensembleand we wanted to continue as part of the Fashion Festival with a panel discussion featuring five incredible and opinionated wāhine.

The conversation was led by “fat babe” and multi-disciplinary artist Tanya Barlow, who was joined by plus-size designer and label founder Sarah-Jane Duff lost and misplacedQiane Matata-Sipu, founder of NUKU and social activist, Jess Molina, writer, influencer and activist, and Kaarina Parker, model and writer.

Their conversation was wide-ranging, addressing the state of size inclusivity today and whether it has gotten better and better, whether brands that use terms like “for everyone” and ” inclusive size”, while offering limited extended sizes simply cash in, and whether consumers should pressure brands to extend sizes or focus on supporting existing inclusive brands.

Duff, who was a plus size fashion designer for 15 years, offered a unique perspective. “I meet these women and I see these women and I try to make clothes that actually match their bodies, rather than fashion-matching them,” she said.

Through her wardrobe, Jess Molina chooses to challenge preconceived notions of inherent style.

Lawrence Smith / Stuff

Through her wardrobe, Jess Molina chooses to challenge preconceived notions of inherent style.

Molina, who is widely respected in the local industry for her perspective on the lack of visibility of fat bodies in fashion, spoke about the possible emptiness of the buzzword “inclusiveness” and her own personal experiences.

“To feel like I have to fight and really be heard for brands to be like, ‘oh, actually, we’re going to meet your needs,’ it’s so exhausting,” she said.

“Existing in a fat body, it’s a privilege to go into a store and have something that you can physically try on,” she says. “I love things made to order, bespoke and having that option, but at the same time if you’re in a slump you just want to look sexy on a date, I want to go to a store and buy something off the rack. There aren’t a lot of options for that.

As a “curved” model, Parker also had a unique grip. “So often the style of curvy, plus-sized people, as a model, I’ve experienced that too – the focus is on hiding your body, or trying to make you look as small as physically possible, or over coverage of areas that people consider to be “undesirable”.

'Curve' model Kaarina Parker shared her experience in the industry.

Becki Moss/Supplied

‘Curve’ model Kaarina Parker shared her experience in the industry.

“I want to see everyday clothes designed to fit our bodies,” Matata-Sipu commented. “I want to wear well-fitting, beautifully made clothes that I can wear every day, and be proud of who made them, how they were made, but also know that I look good and that I feel good when I’m in it.”

We’re excited to share this important kōrero as part of the Stuff Festival of Fashion, and will post the full panel conversation at Together next week.

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Fashion designer

Nino Cerruti gave elegance a good reputation

Elegance, said Nino Cerruti, got on his nerves. It was the kind of remark you can afford to make when you’re easily the most elegant man in the room. And Mr. Cerruti, who died last month at the age of 91, embodied that attribute, a quality rarely encountered but undeniable when you are in his presence.

“It can be learned, but you have to have a natural disposition for it,” he said in a interview at L’Officiel USA last year.

Although sartorial elegance is an instinct, as Mr. Cerruti suggested, it can be anatomized. It stems from knowing yourself and staying true to yourself; to ruthlessly assess physical flaws and strengths in order to understand the effect of your body moving through space. It depends, to some extent, on learning the basics of dress-up before throwing it.

As we enter the third year of a still, mostly pandemic, sitting at home in our relaxed duds, it might seem that having an aptitude for elegance is as useful as knowing how to prune a bonsai tree.

Yet, as recent menswear and couture shows across Europe suggest, a stylish mirage looms on the horizon. Designers, experts and consumers are looking for reasons to dress up again – regularly and in public. By this one, we don’t mean for Instagram selfies or red-letter events like, say, the Met Gala, which has come to look like the fashion version of Comic Con.

On the catwalks and showrooms of Milan and Paris, brands like Prada, Louis Vuitton and Tod’s represented individual visions of clothing that nodded obliquely at Mr. Cerruti, who insiders know he laid the foundations of a post-war Italian ready-to-wear industry that produced Italian clothing. elegance a global identity.

“I’m very drawn to this idea of ​​chic,” Tod’s creative director Walter Chiapponi said last month in Milan after previewing a beautiful capsule collection of reworked classics that could have been hacked into wardrobes. of a certain type of Italian. of a particular pedigree – someone like Nino Cerruti. “These northern Italians traditionally had that quality,” Mr. Chiapponi said. ” It is a question of culture.

The poster of this form of chic was by reflex Gianni Agnelli, the industrialist and heir to Fiat. Mr. Agnelli, however, was a showboat, partly a creation of a post-war tabloid culture fascinated by the doings of a newly minted cosmopolitan jet set.

The contrast between the two men is also instructive. Where Mr. Agnelli’s signatures (knotted-shoulder sweaters, denim skiwear, soft-soled driving shoes, ties tucked into waistbands, wristwatches worn on a shirt cuff) came together as expressions of sprezzatura, an overused term for elegance thrown wide, Mr. Cerruti’s was more authentic and relaxed. He dressed so as not to be noticed. Yet when you were with him, you wondered why he looked so much better than anyone else in sight.

“He was the most stylish man I’ve ever met,” said Emanuele Farneti, fashion and style editor at Italian daily La Repubblica. “He was the symbol of a certain elegance specific to regions and generations, such as Milan and Turin. It’s a kind of chic that’s the opposite of showing off.

In a sense, Mr Farneti said, it’s no surprise that Cerruti “discovered Armani”, whom the older man spotted as a relative stranger employed at the La Rinascente department store and hired to design menswear. for his Hitman label. In his 50-year career, Giorgio Armani has rarely strayed from a calm basic aesthetic. When critics criticize the apparent monotony of his work, they also tend to overlook his early innovations.

More than any other designer, Mr. Armani can be credited with popularizing the deconstructed suit. And, intentionally or not, contemporary designers like Jerry Lorenzo at Fear of God or Mike Amiri at Amiri nod to his legacy with each new collection of their high-end streetwear. Mr. Armani did not “invent” deconstruction, however. If anyone, Nino Cerruti did it. “He was the trailblazer,” said Nick Sullivan, Esquire’s creative director.

Coming from a family of industrialists whose Lanificio Cerruti woolen mills were founded in 1881 in the northern town of Biella, Mr. Cerruti was the first to notice the potential to diversify from fabric manufacturing to tailoring. “With Walter Albini, he was the forerunner of what became Italian ready-to-wear,” Sullivan said. “He was a rock star in the late 60s.”

Among the innovations Mr. Cerruti pioneered were wetsuits stripped of their rigid interior structures. “He was among the first to deconstruct the jacket,” said Angelo Flaccavento, an Italian style writer.

Unlike the soft Neapolitan shirt tailoring popular since the 1920s, when upper-class Englishmen sent their tailors to Naples to copy local techniques, Mr. Cerruti retained the structure of his suits while relaxing them. The simple decision to remove linen, flannel, horsehair and other basic elements from traditional suits ultimately affected the course of modern menswear.

Mr. Cerruti was a pioneer in many other ways. In the early days of the asexual fashion concept, which he called “couples’ clothing,” he also regularly dressed celebrities, including Anita Ekberg, Jean-Paul Belmondo, and Harrison Ford, and not because his publicists stalked them for lucrative endorsements. Many of his star customers, he says, “came as customers of my Paris boutique.”

Curiously, given that he has provided clothing for countless films, his cinematic contribution has generally gone unrecognized. “So many things that people think Armani was in the movies were Cerruti,” designer Umit Benan noted last week by phone from Milan.

Although it was costume designer Marilyn Vance who chose the ‘Pretty Woman’ wardrobe, it was her choice of the Cerruti costume that dignified the millionaire played by Richard Gere and gave an enduring elegance to an essentially generic character. .

Cerruti designs have appeared in films as disparate as “Wall Street” and “The Silence of the Lambs” and have been worn by generations of fashionable men. Yet no one has ever managed to look as stylish as the designer himself. There were her sorbet-colored sweaters draped (but not tied) over the shoulders. There were her quirky polka dot green socks worn with gray flannel pants. There were his pinstriped shirts invariably worn over a dark T-shirt and under a tweed jacket, with no tie. There were his Yohji Yamamoto sneakers and the sewing tricks that few experts could detect.

“He was very aware of his body and his figure and how to work with it,” Flaccavento said.

Tall and lanky, Mr. Cerruti was long in the chest and dressed in a way that minimized the flaws in his figure. “In my mind, I see him in a soft suit, usually gray, with an open-necked shirt with a contrasting dark T-shirt underneath,” said Peter Speliopoulos, former creative director of DKNY and who was one of the many talents. (Véronique Nichanian of Hermès and Narciso Rodriguez were others) spotted or hired early on by Mr. Cerruti.

“He belted his high pants, wore a well-worn leather belt, to accentuate his waist – or give the illusion of really long legs,” Mr Speliopoulos said.

Until the end, he smoked like a fiend and lit his cigarettes with matches, somehow lending an element of chic even to this habit. “He was devilishly elegant,” said Mr. Flaccavento, who in 2015 organized an exhibition at Florence’s Museo Marino Marini of clothes from Mr. Cerruti’s personal wardrobe – he rarely threw anything away – which included suits, jackets, pants, evening wear. and capes tracing the evolution of Italian menswear through six decades.

Among the most fascinating items on display in this exhibit was a moth-ventilated frayed woolen jacket. Humble as he was, there was elegance in the designer’s shameless decision to not just keep an old garment, but to display it as representative of himself.

“I kept it for a simple reason,” Mr. Cerruti told that reporter at the time. “I’ve always loved this fabric.”

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Fashion designer

The first posthumous retrospective devoted to designer Virgil Abloh will be presented at the Brooklyn Museum this summer

This summer, the Brooklyn Museum will stage a version of the first institutional survey devoted to the late fashion designer and creative visionary Virgil Abloh. The exhibit, titled “Virgil Abloh: Figures of Speech,” will build on an earlier exhibit of the same name that opened at MCA Chicago in 2019 and later traveled to ICA Boston, the High Museum in Atlanta and Qatar Museums.

Installation view, Virgil Abloh: “Figures of Speech”, MCA Chicago. Photo: Nathan Keay, ©MCA Chicago.

Just two and a half months after the show opened in Abloh’s native Illinois, more than 100,000 visitors had already attended, and show dates were extended to accommodate interest. The Brooklyn Museum presentation is curated by writer and curator Antwaun Sargent and will be the first museum exhibit since Abloh’s death in November at the age of 41.

Installation view "Virgil Abloh: Figures of speech" at MCA Chicago.  © Nathan Keay, courtesy of MCA Chicago

Installation view of “Virgil Abloh: Figures of Speech” at MCA Chicago. © Nathan Keay, courtesy of MCA Chicago.

Abloh earned a degree in civil engineering and trained as an architect before turning to a career in the fashion world. In “Figures of Speech” – which was originally conceived as a mid-career survey, but is now a posthumous retrospective – Abloh’s prodigious output over two decades is exposed, showing how the creator has frequently bridged the gaps between streetwear and high fashion.

There will be doors in the MCA exhibit with labels: one that says “Tourist” and the other “Purist”, both of which are ways Abloh has described himself at different times in his career, in looking like an outsider, and later looking at the empire he created.

Virgil Abloh: “Figures of Speech” is on view at the Brooklyn Museum from July 1, 2022 through January 29, 2023.

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Fashion designer

TALK OF THE TOWN: Controversial Downing Street designer Lulu Lytle fights back

TALK OF THE TOWN: Controversial Downing Street designer Lulu Lytle fights back










Downing Street designer Lulu Lytle has fought back after her style was denounced as ‘imperial nostalgia’.

Author Sathnam Sanghera tweeted the term and described the prime minister’s apartment she helped decorate and furnish – above Chancellor Rishi Sunak’s office – as the ‘ultimate brown person’s nightmare’.

My photo, below, shows an example of Lulu’s style.

She tells me that her work is “underpinned by research and discussions with experts on global influences on design and the exchange of ideas”.

She called on textile expert Karun Thakar to defend her and he messaged me saying, “We need individuals like Lulu who are aware of and support these struggles.”

Downing Street designer Lulu Lytle has fought back after her style was denounced as ‘imperial nostalgia’

She tells me that her job is

She tells me her work is “underpinned by research and discussions with experts on global influences on design and the exchange of ideas”

Thandiwe’s tattoo is completely insane

When I first spotted this Instagram snap of Line Of Duty star Thandiwe Newton I thought she had gone to a children’s party and let one of the youngsters get carried away with crayons .

In fact, this engraving of the cartoon character Touché Turtle looks like a real tattoo, which won’t wash off with soap and water.

The 49-year-old Bafta-winning actress said the heroic fencing reptile was her “childhood favourite” and had been inked at the Frith Street Tattoo in London’s Soho.

It will be interesting to see how this matches up with her upcoming red carpet dress.

When I first spotted this Instagram snap of Line Of Duty star Thandiwe Newton I thought she had gone to a children's party and let one of the youngsters let loose carried away by colored pencils.

When I first spotted this Instagram snap of Line Of Duty star Thandiwe Newton I thought she had gone to a children’s party and let one of the youngsters s’ pack with crayons

Daisy Lowe claimed she was ‘Covid tested and ready to party’ when she took this bathroom selfie.

I’d say she wasn’t quite ready because she’s missing something quite important – her clothes.

The 33-year-old model and former Strictly Come Dancing contestant, daughter of rocker Gavin Rossdale and fashion designer Pearl Lowe, was dressed in nothing but a black bra, high-waisted underwear and tights.

Later that week, she posted her first-ever TikTok video dressed in not much else once again.

“I recommend shaking off those gray days by dancing in your underwear,” she wrote. Daisy will be chilled to the bone if she continues like this.

Daisy Lowe claimed she was

Daisy Lowe claimed she was ‘Covid tested and ready to party’ when she took this bathroom selfie

Advertising

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Fashion designer

Tod’s supports young creative talents with a regeneration project – WWD

MILAN — Tod’s continues to support the creativity of young talent with its Re-Generation project.

With a focus on sustainability, Tod’s Academy selected 20 young students from Istituto Marangoni in Milan and Florence to interpret the brand codes on a range of different new products.

This is the second such project for Tod’s Academy, following the Legacy chapter in collaboration with Central Saint Martins University of Arts in London last year.

Students come not only from Italy but also from other countries, from Taiwan and India to China, Azerbaijan, Iran and Brazil.

A sketch of the Tod’s Academy project
ONSTAGESTUDIO – image courtesy of Tod’s

Carlo Alberto Beretta, Tod’s brand general manager, said the aim of the Re-Generation project was to “stimulate young creative people from all over the world who come to Italy to study and create products with a strong focus on sustainability, a subject that is increasingly more central to all the initiatives that Tod’s has been carrying out for some time.These students, in collaboration with our craftsmen, express the best of themselves using the techniques and know-how artisans.

Beretta also sees this project as a way to help students enter the job market. “They are an inexhaustible source of ideas and innovation,” he added.

The students, who were looking to find environmentally friendly materials, were mentored throughout the project, with the possibility of approaching the world of design and production through an experience at the company’s headquarters and to see the craftsmen at work. Mentors ranged from Laura Brown, Editor-in-Chief of InStyle USA, to Gianluca Longo, Editor-in-Chief of British Vogue and Style Director of The World of Interiors, and Simone Marchetti, Editor-in-Chief of Vanity Fair Italia and European Editorial Director of Vanity Fair, among others.

Stefania Valenti, Managing Director of Istituto Marangoni, said the project “gave the students such a level of awareness and a truly immersive knowledge of product development. In particular, the experience at the Tod’s Group headquarters in Marche gave them a unique opportunity to deal with the craftsmen who are the custodians of the brand’s heritage and from which any possible evolution begins.Thanks to this exchange, our students were able to finalize their creative proposals, be offered a vision of a concrete project and, potentially, a production.

The Tod’s Academy, based at the brand’s headquarters in the Marche region, was conceived with the aim of protecting and extending Italian craftsmanship from generation to generation, combined with the creativity of young designers.

The products will be unveiled Friday on Tod’s digital channels and an experience at Tod’s headquarters will be offered to some of the most talented students.

Tod's

A sketch of the Tod’s Academy project.
ONSTAGESTUDIO – image courtesy of Tod’s

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Fashion designer

Using fashion to cultivate self-love

The concept of self-esteem is not new; however, it has grown in popularity in recent years. We are in a time when people are finally realizing that cultivating love within us is essential to being able to love and be loved by others. While it can certainly be difficult, it is an empowering and helpful practice, especially when it comes to improving mental health. I used the Self love workbook in my private practice for years and have seen how this investment often serves as a cornerstone in moving from battling mental illness to thriving with mental wellness. People who can hone their self-esteem often experience benefits such as improved confidence, motivation, and happiness, as well as reduced anxiety, depression, and suicidal tendencies.

One of the many tricky aspects of self-love is inherent in the term: it relates to the self. What self-love looks like to me may not be what it looks like to you. The growing popularity of self-love has been helpful in highlighting the concept, but the trend is that we often explore self-love as it relates to mental health, and therefore suggest strategies alongside common methods in counseling and psychology (eg, meditation, gratitude, reframing). In this series of articles, I explore creative methods for fostering self-love through interviews with experts in their respective fields, including deeper reflection on how to leverage their creative strategies to cultivate love of self.

Source: Image used with permission from Karla Quinones

Karla Quinones is a wedding dress designer and fashion blogger who has been in the industry for 11 years. Since childhood, she dreamed of becoming a fashion designer and started designing dresses at the age of 10. Inspired by romance and elegance, after graduating in fashion design, she began her career in the wedding industry. Passionate about creating beautiful pieces and expressing her style through creative mediums, she has also started a blog, KQNStyle. She hopes to inspire others to use creativity as a form of self-love and pursue their dreams.

Can you tell us a bit about your mental wellness journey?

I knew I wanted to be a fashion designer from a young age. Looking back, I didn’t really know what that entailed. Society tends to glorify the industry, but in reality, the challenges are many. I put my heart into my work. Not only can it be exhausting, but you are constantly criticized for your creations. I noticed that I was starting to show signs of anxiety: my blood pressure was rising and I had racing thoughts. I realized that if I wanted to continue doing this job, something had to change. Now I spend more time trying to prioritize myself. If I can take care of myself, I can create better work, withstand tough feedback, and cushion the pressure of competition in the industry.

What does self-love look like to you?

Now that I know I need to prioritize my mental health, self-love comes in many forms for me. I make sure to prioritize breaks. On a normal day, that might feel like giving me permission to take a break or walk around the block, but I also live for the holidays when I can explore the world and unplug. I have also noticed that I am influenced by the company I keep. For this reason, not only do I need strong boundaries with myself, but also with others. I started prioritizing keeping supportive family and friends in my life and setting boundaries to maintain my balance. One thing that is consistent is that I always do what I love. It’s possible because I do what I can to take care of myself.

What can people in your field of work use to improve their self-esteem and well-being?

1. Immerse yourself in a creative outlet. One of the most creative parts of my career is the sketching process. When you allow yourself the freedom to explore, you bring to light something that wasn’t there before. You create something out of nothing. At that time, the immersion prevents you from concentrating on anything else. In this way, it is a very conscious practice. You can quiet the noise in your mind by immersing yourself in something creative. To me it’s drawing, but it might look different to someone else.

2. Create a mood board. A key part of my creative process is the research period. It is important for me to draw inspiration from various sources and to be able to compile my overall vision. Especially when you are struggling to describe something, a visual representation can help bring it to light when words may fail you. I noticed that I started doing this in other areas of my life as well. While many of my mood boards are about wedding dress designs, my most recent boards have also helped me realize the vision for my own upcoming wedding.

Image used with permission from Karla Quinones

Source: Image used with permission from Karla Quinones

3. Pull clothes like a pro. As a designer and fashion blogger, I didn’t realize that some of my habits were hard to break. A lot of my outfits, especially if they’re for a special occasion, are shot the same way. Create the intention to choose a complete outfit that looks like you. One way to honor your self-esteem is to consider a word you’re trying to convey with this look: Is it bold? It’s stylish ? Set aside some time and browse what you have to browse potential options for head-to-toe dressing. Lay out all the options where you can mix and match to explore. Don’t skip the most important step: try your options. Notice how this look and each piece makes you feel. Don’t like what you have? Use your mood board to explore what a new look would be like for you.

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Children’s Mercy Park will host christianMICHEAL’s runway review

Children’s Mercy Park will host christianMICHEAL’s Runway Review, an immersive two-hour fashion show experience with over 100 models wearing up to 15 looks from 12 local and national designers on a 200-foot runway positioned on the stadium grounds, on Saturday September 24.

Born and raised in Kansas City, fashion designer Christian Micheal Shuster grew up ChristianMICHEAL design label into one of the most recognized and respected in the region. Focused on intricate design with high-quality craftsmanship, christianMICHEAL is a modern men’s and women’s clothing brand for the style-conscious and fashion-forward.

Tickets for the christianMICHEAL Runway Review, presented by Audi Shawnee Mission, are available for purchase online at SeatGeek.comincluding VIP, Premium VIP and Suite Level seating amenities and accommodation.

Doors will open at 7 p.m. with premium bar and food selections, a vendor showcase, and networking opportunities for attendees. The event will kick off at 9 p.m. and stream throughout the venue, including on stadium video panels, and the party will continue indoors with two levels of event spaces highlighted by a live DJ and a dance floor.

About Sporting Club Special Events
Established in 2020, Sporting Club Special Events (SCSE) is a division of Sporting Kansas City that promotes, plans and executes community experiences at Children’s Mercy Park and throughout the greater Kansas City area. SCSE is an experiential events company created by a diverse group of hospitality and operations professionals who share a belief in the power of experiences and connecting people. Focusing on thinking outside the “bowl”, SCSE events are designed to utilize all the world-class amenities and spaces at Children’s Mercy Park with festivals, dinner series, concerts, community programs and more. . Our mission is to create lasting memories for all attendees with an emphasis on best-in-class products, exceptional service, flawless presentation and excellent storytelling.

About christianMICHEAL
christianMICHEAL is a modern men’s and women’s clothing brand for style-conscious, fashion-forward modern men and women. Born and raised in Kansas City, Missouri, fashion designer Christian Micheal Shuster discovered a love of art and fashion at a young age. A self-taught designer, Christian has spent the past 10 years learning the art of sewing and developing his skill level on the cutting table and the sewing machine. Focused on intricate design with high quality craftsmanship, the christianMICHEAL design brand has quickly become one of the most recognized and respected design brands in Kansas City and the Midwest. Showcasing menswear and womenswear collections on the runway with Kansas City Fashion Week, Omaha Fashion Week and Northwest Arkansas Fashion Week.

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Fashion designer

Parisian museums pay tribute to legendary couturier Yves Saint Laurent

Nestled like Easter eggs in the most prestigious Parisian museums, a unique commemoration of designer Yves Saint Laurent cements his status among the greats of French cultural history.

“I’m totally eclectic,” the designer once said, and the fact is proven by how easily his clothes fit into museums spanning vastly different eras and artistic styles.

In the Louvre’s Galerie d’Apollon, alongside the crowns and jewels of France’s kings and queens, the almost absurdly ornate “Versailles vest” covered in gold leaf and rock crystals looks right at home. .

The Louvre is one of the six museums participating in this unique collaboration marking the 60th anniversary of the designer’s first fashion show, when he was 26 years old.

Cross the city to the Center Pompidou, France’s mecca for modern art, and you’ll discover a very different Saint Laurent. Dresses in the abstract styles of Piet Mondrian, Sonia Delaunay and American pop artists rub shoulders with the portraits that inspired them.

Read more: Famous fashion designer Manfred Thierry Mugler dies at 73

Saint Laurent has often been ahead of the game: its Mondrian collection received rave reviews in 1965, four years before the Dutch artist, who died in 1944, had his first career retrospective at the Musée de l’Art. ‘Orangery.

“It was precisely then that fashion changed and began to become an art in its own right,” said Aurélie Samuel, from the Yves Saint Laurent museum, which is exhibiting some of her designs as part of the city-wide exhibition, which runs through May.

His creations have also found their way into the museums of Orsay, Picasso and Contemporary Art.

The creation of the jacket

‘Something different’

This is not the first time that Saint Laurent, who died in 2008, has been granted the imprimatur of the artistic establishment.

In 1983, barely two decades after his first exhibition, he became the first living designer to see his work presented in a major artistic institution, the Metropolitan Museum in New York.

The Petit Palais in Paris organized a career retrospective in 2010.

“The house has already celebrated so many anniversaries. I wanted to do something different,” said Madison Cox, president of the Pierre Berge-Yves Saint Laurent Foundation.

Read more: ‘Vogue’ legend and fashion icon Andre Leon Talley dies at 73

Many influences were made explicit by Saint Laurent at the time – others were chosen for their harmony.

Among them are the dresses he made for the “Bal de Proust”, one of the most decadent social events in France of the last century, organized by the Rothschild family on the occasion of the author’s 100th birthday.

These dresses are now on display alongside Belle Epoque masterpieces by Monet, Degas and Renoir on the top floor of the Musée d’Orsay.

“It would have been boring to just find an empty space, create a setting, and fill it with her clothes,” Cox said. “It was important to integrate them into permanent collections.” -AFP

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Fashion designer Ocoee launches new line | West Orange Times & Observer

World Tour Fashion Show Designer Santia McKoy released their new “The Game” collection today.

McKoy, who we first told you about here, was born and raised in Haiti from humble beginnings.

After the success of the first World Tour Fashion Show, which we told you about here, the resident of Ocoee knew that with the momentum gained by the parade, it was time for the next collection.

The ‘The Game’ collection will include five designs to begin with, with additional pieces to be released live at S&M Custom Design’s upcoming annual World Tour fashion show at the Doubletree by Hilton at SeaWorld.

After countless hours penning the concepts and designs for the line, McKoy has come to a crossroads in terms of naming the new collection. She said she decided to take a walk, enjoy nature and have a conversation with God, in which the name “The Game” came to mind.

I find that nothing in life is worth doing unless you take risks,” the fashion designer said. “My family inspired me to create this collection. Of course, family is everything. My family is also the face of my brand. Without them, I wouldn’t be where I am today, and I’m very grateful for that.”

The new collection is made with bespoke fabric, specially created for the brand.

S&M Custom Design Manager and Coordinator Tiffany O’Connor explained that all collections feature unique custom fabrics made specifically for S&M Custom Design.

“That way our customers will always have a one-of-a-kind fabric that they’ll never be able to get anywhere else,” O’Connor said.

The second World Tour Fashion Show will take place on June 18, 2022. For tickets, click here.

For more information on the line or to place an order, click here.

The Observer has invested in new technologies, so you can enjoy a more personalized online experience. By creating a user profile on OrangeObserver.comyou can manage settings, customize content, enter contests and more, while still enjoying all the local news that matters to you — .

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She grew up watching her parents work in garment factories. Now she designs clothes for the rich and famous

Beverly Hills, California — Fashion designer Johana Hernandez spends her days designing glamorous clothes, but she has never forgotten her humble beginnings.

Hernandez grew up watching her immigrant parents sew clothes in Los Angeles garment factories. She now has her own fashion boutique, Glaudi, in the heart of Beverly Hills.

The name of his shop pays homage to his mother, Gladis, who now works alongside him. Hernandez also created a men’s line inspired by his father, who recently passed away from COVID-19.

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Fashion designer Johana Hernandez grew up watching her immigrant parents sew clothes in Los Angeles garment factories.

CBS News


“I just saw, like my parents or Latinos working as laborers, like I never thought I could have my own business or make a living making nice clothes,” Hernandez told CBS News.

She spent her early years in Compton, as did tennis great Serena Williams, who now sports her designs.

“She’s earned her spot. And I think that’s how I’d like to be seen,” Hernandez said. “I earned this through hard work.”

She’s also the first Salvadoran to walk Paris Fashion Week and helped build a school in her parents’ homeland.

“I just wanted to do something that empowers the community and allows those who are silent to be heard through me,” she said. “It’s very empowering to let people be proud of where they come from.”

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Nine-year-old Florissant fashion designer goes viral on TikTok

FLORISSANT, Colo. (KRDO) – She’s only nine years old, but a young Florissant fashionista is already making millions from her articles about clothing design on ICT Tac.

“I wanted to be a fashion designer since I was four and I’ve been sewing on and off since I was five,” Aragon said.

Kaia Aragon says she makes an average of one dress a day and has no plans to stop. She transformed a hallway in her home into a runway, designing her dresses from the comfort of her bedroom.

“I basically just start pinning my model and rolling around with whatever comes to mind,” Aragon explained.

Over the past two weeks, his designs have taken off on ICT Tac.

“It’s interesting how his mind worked,” said Tonya Aragon, his mother. “I would just hand her a piece of fabric and within an hour she would have this beautifully designed piece because I thought it was unique, I thought it was worth sharing.”

Her TikTok fans call her a young fashion prodigy, even fashion designer Vera Wang noticed.

“I’m happy because people all over the world see my creations,” said Aragon.

However, the young designer said she has no plans to attend Fashion Week anytime soon.

“I don’t know what I’m going to do next, but whenever I feel like it, I just start draping myself over my mannequin,” Aragon said.

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Nino Cerruti, designer who revolutionized men’s fashion, dies at 91

Mr. Cerruti was born on September 25, 1930 in Biella to Silvio Cerruti and Silvia (Tomassini) Cerruti. He is survived by his longtime partner, Sibylla Jahr; a son, Julian, and a daughter, Silvia; his brothers Alberto and Attilio, and two grandsons. His marriages to Diana Gates and Chantal Dumont ended in divorce.

Blue-eyed and over six feet tall, Mr Cerruti has always been a dazzling figure, having skied and played tennis like a pro. (He made sportswear for these and other sports, and sponsored players like Jimmy Connors.) “He’s so gorgeous,” Elaine Kaufman, owner of Elaine’s, the celebrity cantina on Manhattan’s Upper East Side, told Margaret Muldoon, her longtime American publicist, whenever he visited her restaurant. , as Ms Muldoon recalled in a telephone interview.

Over the decades, Mr. Cerruti had many designers, including a young Giorgio Armani, who worked for Mr. Cerruti’s company in the 1960s. For a few years in the mid-1990s, Narciso Rodriguez was the lead designer and notably designed Carolyn Bessette’s pearl-hued silk crepe wedding dress for her wedding to John F. Kennedy Jr. in 1996.

In addition to men’s and women’s apparel, Mr. Cerruti’s company had numerous licensing deals that included accessories, fragrances and eyewear, and boutiques around the world.

“I like to describe my operation as a modern take on the artisanal bodegas of centuries ago,” Mr. Cerruti told Esquire magazine in 1987. “It’s important to know every link in the chain. I consider myself very close to the theory of industrial design: using modern technology to reach the market. It is a very modern challenge: the continuous harmonization between the rational or scientific world and the emotional or artistic world.

In 1994 he was the official designer of the Ferrari Formula 1 team. Among many accolades, Mr. Cerruti was named Cavaliere del Lavoro, or Knight of Labour, by the President of Italy, in 2000. The following year the brand was sold in a forced takeover to Fin.part, an Italian conglomerate, which had bought 51% of the company the previous year and paid $67 million for the remaining shares, Women’s Wear Daily reported at the time.

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Cruella’s costume designer Jenny Beavan revisits the London fashion scene of the 70s [Interview]


Oh wow. And then, of course, that spectacular military outfit.

Oh yes.

I know Emma [Stone] talked about that and how crazy it was. Did you have to train her to move that? Because I remember doing plays and being trained to throw a dance loop, and all sorts of things like that.

We tried everything, including the garbage truck outfit on the stunt double, if there was one, or one from our own team. But I think this one, we did a lot of testing on it, because it had to be light enough for her to walk on the car, but heavy enough to nose down and land in the right place. My memory is that she only did it in the daytime, and did it for real because we tested it on… I can’t remember exactly who tested it.

It was probably a stuntman who did the tests. But everything was tested, and she was wearing Doc Marten boots, which are pretty good and sturdy, and not heels or anything. And the jacket. Oh, it was a work of art. Wonderful Jonathan Burniston [junior costume maker] did it and got completely carried away with the shoulder pads. I mean, it’s complete little towns on each shoulder. But that was all part of the fun. It’s almost my favorite.

It was amazing. Some of the costumes though aren’t quite as dramatic but still really stand out. Can you talk a bit about Anita Darling [Kirby Howell-Baptiste], Jasper [Joel Fry], and Horace [Paul Walter Hauser], and what kind of design?

Well, I loved Anita. I was in Los Angeles and… Was it Atlanta? No, we went to Atlanta to outfit Walter Hauser. I’ve found this amazing fabric store called Mood. And we just found stuff that looked like the 70s. And I had taken some real vintage stuff to try it out. And we knew she looked great in pantsuits, but we didn’t have anything that was right. And then we found these amazing fabrics that would just speak of the 70s. And so, they were all made in London for her. And then, of course, this kind of crazy big hair, which of course we all had, and anyone who’s Afro-Caribbean would have had in the ’70s. So that was just awesome. And she’s a lovely, lovely actress. So that was fun.

Jasper and Horace, if you sort of see them, and you know. And again, in Atlanta, we only got to see Paul at night. And we had been there since, I think, even the day before because I was coming from Los Angeles on my way back to London. And I said to the person helping us, local customer, I said, “Is there a store for people a little taller?” And we went to this place, and it was absolutely full of the most wonderful kind of ordinary Horace-y polo shirts, and dark greens and reds. Oh my god, that was brilliant. So we had a real hit there. And probably spent around $20. I mean, it was so cheap.

And actually a lot of that is in the movie, and I said, ‘Well, while we’re here, why not buy three? Why buy one when at this price we we could just get duplicates in case we needed them.” And actually, that fitting that night was so much fun. I have never met him before. He brought his sister, I think. And we ordered food and drink, and we just had a ball in this hotel room, and we used a lot of these clothes. And then Jasper was obviously the sharpest. And this kind of little squares… I can’t find the word, but there is a kind of coat in England that sportsmen wear. And it’s a little sharp and a little sassy. And I thought it just had to be Jasper in a way, because he really aspires to be the gentleman. Rather than Horace who aspires to be the thug and the thief. So yeah, I mean, they kind of found each other.

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I dress for myself: Param Sahib Singh | fashion trends

Param Sahib Singh is okay with not being liked by everyone. The queer artist’s colorful illustrations defying oppressive gender norms infuriated many, but he wouldn’t cover up reality just to please others, he says. “I have been abused, attacked and threatened because of my works and my opinions on sexuality. All of this has only made me stronger. I am proud that I did not give in to bullying and to to have remained faithful to my work and my know-how”, declares the 30-year-old who stands out for his maximalist and uncompromising style.

Param’s art often reflects his own personal experiences. “It’s an honest sentiment put on canvas. That’s why people can relate to it on a larger scale. My art gives me the feeling of being myself without any inhibitions. That’s the thing with art. It’s always fearless,” he says.

Param is happy that although he has haters who cannot tolerate him, he has tremendous support online and offline from his friends, fans and those who work to protect the law. . “That’s why I don’t feel intimidated. As an artist, I am able to bring out the truth without saying too much. It doesn’t sit well with some, but the way it inspires others to believe in themselves is what keeps me going,” says the designer, whose contemporary and offbeat take on Indian outfits has made him a favorite with brides. new age looking designs. with an element of surprise. His vibrant designs are often interspersed with wearable art that makes them look fantastic and turn heads.

“I am able to give work to more than 40 families and I hope that we will continue to grow,” says the designer.

Not an easy trip

Finding his place and establishing himself as a designer was not easy, however. Param quit her BA in English (Honours) to pursue a career in fashion. After graduating from NIFT Bangalore, Param interned with fashion designer Manish Arora and later led his Indian design team. Param says the veteran designer and his business partner failed to settle his debts, tried to pull his stock from stores and slandered him endlessly when he decided to start his own brand.

“I worked with Arora for over four years as her right-hand man. Besides leading the Indian design team, I managed her internal public relations and helped establish her Indian fashion brand. I idolized her and the opportunity to work for him meant a lot to me. Everything was going well until I decided to leave the company and go freelance,” Param shares.

“Arora and her business partner Deepak Bhagwani have decided to make my life hell. They made sure I couldn’t store in any of the Indian market stores or websites. They did not clear my pending bills, profits and funds. They also said bad things about me everywhere. It was a lot to deal with, but I didn’t break up,” he says.

The first two and a half years of creating his eponymous label were extremely trying for Param. “It was difficult to survive. My mother sold her jewelry to help me make the first investments. But God had good plans for me. All I wanted was to keep going and keep my creative hunger alive and luckily I never stopped,” says Param.

He is grateful to God for what he accomplished today, he said. “I am able to give work to more than 40 families and I hope that we will continue to grow,” he says.

Finding optimism

From his own wardrobe to the clothes he designs to his works of art, Param selects the brightest and most cheerful colors. True to his “more is more” philosophy, he uninhibitedly and instinctively brings together multiple colors that clash to create stunning images.

Param’s shameless and bold use of color is inspired by his childhood memories. “I grew up surrounded by colors! As a child, I spent a lot of time in my village in Punjab, in my grandparents’ house, where we had so much vibrancy to soak up our culture and our clothes. We Punjabis have dopamine in our blood I guess,” the creator says.

Bright, bold colors are also a way for Param to rekindle optimism in a pandemic-stricken world. “Nothing says happy like colors. People feel happy when they wear bright, happy colors. Celebrating pop colors in clothes instantly lifts your spirits,” says Param.

Glamour, the perfect antidote to gloom

Pandemic fashion has the power to defeat despair and infuse us with hope, says Param, who thinks we’ll wholeheartedly celebrate the aesthetics of excess this year. “After what we’ve been through, maximalism is going to be a big trend. We will overcome the lethargy induced by the pandemic and we will have fun expressing ourselves by dressing in the most exuberant way, ”explains the creator.

To those who want to shamelessly express themselves through fashion and art but are afraid of societal backlash, Param says it’s time they listened to their hearts. “You would evoke all kinds of reactions and comments, but what would keep you going would be your instincts, your thirst to be your creative best self,” Param says.

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Sébastien Jondeau tackles Athleisure design for Karl Lagerfeld

A fitness enthusiast and sports enthusiast since his teenage years, Sébastien Jondeau has always recoiled from the idea of ​​his clothes and other personal belongings getting mixed up with sneakers in his sports bag.

As the Karl Lagerfeld The brand’s newly appointed product consultant tackled the problem: a trapezoidal bag with a separate zippered compartment for sneakers is among 16 items in his first design effort, an athleisure capsule that’s part from the men’s pre-fall 2022 collection which hits stores in June.

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The Karl Lagerfeld sports bag has a zipped compartment for sneakers.  - <a class=Credit: Courtesy of Karl Lagerfeld” src=”https://s.yimg.com/ny/api/res/1.2/p52CiAWyA61dkUh1KnJsVg–/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTk2MA–/https://s.yimg.com/uu/api/res/1.2/qwI0CYxNp3fLpEKG9TMm5g–~B/aD01MDA7dz01MDA7YXBwaWQ9eXRhY2h5b24-/https://media.zenfs.com/en/wwd_409/dd8e495a8ca8dcc9e5d3674b242e7152″/>

The Karl Lagerfeld sports bag has a zipped compartment for sneakers. – Credit: Courtesy of Karl Lagerfeld

Courtesy of Karl Lagerfeld

Burly Jondeau, a longtime ambassador for menswear brand Karl Lagerfeld, is also a major fashion icon, his wardrobe brimming with Tom Ford suits, Saint Laurent shirts and plenty of on-trend brands worn by his boss. very generous, died early 2019.

After spending 20 years working alongside the legendary German designer, as his bodyguard, confidant and personal secretary, Jondeau learned a lot about the fashion system, how to dress for various occasions and the creative process. He was particularly interested in the highly technical sketches Lagerfeld made alongside his dreamlike, hand-colored fashion illustrations for Chanel, Fendi and its eponymous brand.

“I really go into detail in my sketches,” said Jondeau, who also strives to marry aesthetics with utility in his designs. “When I think of clothes, of course I want them to look great, but they have to be functional at the same time.

“When I was a kid, I drew everything – cars, dogs, things around me, and my mother kept all my drawings,” he noted. “Whenever I have an idea, I can do a lot of sketches. I love doing it.

A look from the Rue St. Guillaume Menswear Athleisure line.  - Credit: Courtesy of Karl Lagerfeld

A look from the Rue St. Guillaume Menswear Athleisure line. – Credit: Courtesy of Karl Lagerfeld

Courtesy of Karl Lagerfeld

In an exclusive interview about his nomination, Jondeau marveled at his good fortune, having worked his way from a tough upbringing to working for one of the world’s biggest fashion designers – and now perpetuating his legacy as a member of the Karl Lagerfeld design team.

According to the company, Jondeau provided “significant creative input throughout the design and development phases” of the first athleisure capsule, which will sell for 100 euros to 250 euros.

“I think Karl would be very proud of me,” he said in a video call from Milan, where he contributes to the creative team at Fendi on sports clothing and accessories.

Sportswear and sports leisure will also be at the center of his concerns at Karl Lagerfeld, which is second nature to him.

“The only sports I don’t play are tennis and golf,” said Jondeau, who enjoys boxing, kite surfing, foil boarding, jet skiing, mountain biking, motocross and all kinds of other sports. workouts and extreme sports. “My first approach to fashion was that of athletics.”

His first capsule, dubbed the Rue St. Guillaume Menswear Athleisure collection, nods to boxing, running and cycling, he said, though windbreakers, jogging pants and the sweatshirts are stylish enough to be worn on any casual and sweat-free occasion.

There’s also a two-tone parka that can be zipped up to create a shorter, bomber-like jacket. “I love multi-purpose and transformable clothing,” Jondeau said. “I’m always looking for ways to look different with the same clothes.”

This Karl Lagerfeld quilted coat can be worn in two lengths.  - Credit: Courtesy of Karl Lagerfeld

This Karl Lagerfeld quilted coat can be worn in two lengths. – Credit: Courtesy of Karl Lagerfeld

Courtesy of Karl Lagerfeld

The collection also includes sweatshirts, t-shirts, hoodies and shorts with a hidden zip pocket to store small essentials while exercising.

Asked about his design methods, as he had no formal training, Jondeau said he collaborated with Karl Lagerfeld’s teams in Amsterdam, led by design director Hun Kim, contributing sketches, helping to fabric selection and color choices, and advising on graphics. The latter includes a more active iteration of the Rue Saint-Guillaume logo that references the address of Karl Lagerfeld’s Paris headquarters.

According to Kim, “Sebastien brings a very personal and valuable creative contribution to the new collection, offering ideas that showcase his extensive background as an athletic-minded person, combined with his genuine love of fashion.”

Jondeau is certainly not a fan of “over-thought-out” modes or superfluous details, appreciating portability and thoughtful features. He noted that many designer brands offer sports collections, but not all of them are functional.

In line with the company’s sustainability ambitions, approximately two-thirds of the fabrics used for the athleisure capsule are organic or low-impact, the brand noted.

Jondeau will focus on Karl Lagerfeld menswear, but he noted that some styles, like anoraks, are gender neutral. “I used to do a lot of sports with girls. I know how they use the clothes and I know what they like to look like,” he said.

Jondeau must continue his role as brand ambassador and is honored to do so. “It continues the family story,” he said.

He began modeling for Karl Lagerfeld’s menswear in 2005, with Lagerfeld shooting the campaign images. His first attempt in the field of design dates back to 2018 when he unveiled the Karl Lagerfeld Curated by Sébastien Jondeau collection at the Pitti Uomo show.

SEE ALSO:

Karl Lagerfeld was a “warrior” in the face of the disease

Sébastien Jondeau: from bodyguard to model

Sébastien Jondeau returns to Pitti Uomo for Karl Lagerfeld

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Fashion designer Panos Papadopoulos shares entrepreneurial advice in his autobiography Panos: My Life, My Odyssey

Fashion designer Panos Papadopoulos has thrived throughout his career in large part due to his innate ability to listen to advice from fellow successful entrepreneurs who openly shared their experiences and advice with him and the world. The acclaimed businessman is now sharing his own knowledge and advice on the world of entrepreneurship in his forthcoming autobiography, “Panos: My Life, My Odyssey,” which he co-wrote with Jack Yan.

The book, which will be released in hardcover form on October 25, 2022, follows the story of Papadopoulos’ life from rags to riches. The autobiography tells how he was born to a father with only three years of schooling and an illiterate mother in a Greek village. His parents’ down-to-earth Greek values ​​formed the foundation of his career as a businessman who went on to build a multi-million dollar fashion empire.

“Panos: my life, my odyssey” then shows how the designer launched the successful company, Panos Emporio, in 1986 in Gothenburg, Sweden. The brand, which is currently the leading Scandinavian fashion house, specializes in swimwear and beach accessories. The brand is characterized by innovation and distinct designs that emphasize style, quality and individuality. Scandinavia’s largest swimwear supplier also combines simplicity and sophisticated clean lines with exceptional quality and fit. The company’s unique, high-quality designs have earned it an extremely loyal fan base, which ranges from Hollywood stars and celebrity models to world-famous athletes and royalty.

Papadopoulos established his empire in his new home, Sweden, in record time, as his company became known for its innovative designs, skillful entrepreneurship, and groundbreaking marketing. By telling how Panos Emporio quickly became so successful, he provides valuable lessons of success and advice for other entrepreneurs that can be applied to industries beyond fashion.

One of the main tips Papadopoulos shares in “Panos: My Life, My Odyssey” is that truth goes a long way in helping people succeed as entrepreneurs. He thinks this is especially true when it comes to people sharing information about their upbringing and how they got involved in business.

“I’ve always been fascinated by entrepreneurs, and one thing many think they have in common is that they went through a tough time as young people. Some sort of desire for revenge seems (the) ignite, and from there many skilled entrepreneurs are born… without a single shortcut,” noted the founder of Panos Emporio.

Papadopoulos added: “Physically, my odyssey has taken me from sunny, shimmering Greece, blessed by the Mediterranean Sea, to Sweden, close to the North Pole. A country where the sun shines dreary for six months of the year,” he noted.

“Mentally, I traveled much further. The road was never straight and there were obstacles along the way,” the fashion designer continued. “But the energy I gained in working alongside many of the brightest people in the world has strengthened me in the face of adversity and paved the way for success.”

Papadopoulos also revealed that “desperation was the starting point of my odyssey: a driving force that metamorphosed into prosperity and a richness of quality of life that is still hard for me to grasp. Thank you, desperation, for putting me on the right track.

Swedish model Victoria Silvstedt praised ‘Panos: My Life, My Odyssey’, saying: ‘The journey of an eventful life, full of drama, tragedy and triumph, yet grounded in principles , family values ​​and human philosophy, told in a masterful style. . A must read!”

The entrepreneur finally sold Panos Emporio last year, 35 years after its launch. The brand is still thriving and items can be purchased on its official site. More information about Papadopoulos can be found on his personal website.

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After cries for help, Bronx Fire Building tenants get cash assistance

Every household in the Bronx skyscraper, where a smoky blaze killed 17 people last weekend, is set to get $2,250 in immediate financial relief, Mayor Eric Adams said Friday.

The money will be distributed directly to residents of the building’s 118 apartments in the form of prepaid debit cards starting Saturday, officials said. A fund overseen by the mayor’s office has so far raised more than $2 million to support tenants.

“The team is working 24/7 to distribute the remaining funds, but we wanted to provide immediate relief,” said Kate Smart, spokeswoman for Mr Adams.

Mr Adams’ announcement came a day after a group of tenants, joined by community activists and religious leaders, held a press conference to complain that financial aid had been slow to arrive and that some of them were encouraged to return to the building too soon.

Speaking at the press conference, Souleiman Konaté, a local imam, said the city’s relief efforts had been disorganized and diverted and had complicated tenants’ efforts to regroup in the wake of the fire. . He called for direct cash assistance so people can make their own decisions about how to meet their needs.

“Keep your pledge or your promise,” Konaté said. “We need you more than anything. In a few days, you will disappear. We will be here, we will not go anywhere, because there are people in our community – Muslims, Latinos, African Americans – we are in the same boat.

The financial assistance announced by Mr. Adams on Friday includes $1,000 per household of Mayor’s Fund to Move New York City Forward, $1,050 each from Bank of America and $200 from the Met Council on Jewish Poverty. The mayor’s fund will also cover the cost of domestic burials for those who died in the fire as well as the repatriation of those who will be buried overseas.

Dozens of unofficial relief efforts sprung up in the days following the fire, whose victims included eight children.

Neighborhood gardens and political parties, breweries and cafes, celebrities and activists all raised money as well as clothing, diapers, formula and other items including building tenants might need. The artists raffled off their work; public defenders provided free legal services. More than one Real Housewife of New York participated. Over $1.5 million was raised through GoFundMe alone.

Bronx native rappers Fat Joe and Peter Gunz have harnessed their star power to help relief efforts. Fat Joe, who worked with City Hall to raise funds, said in an interview that he went through his entire “Rolodex” in his search for donations. Mr. Gunz, a Bronx bodega owner, handed out hot meals.

The scale of the relief efforts has both impressed and overwhelmed organizers, many of whom hope support will continue.

“People will need help not just for the first week, but for months and even years to come,” Ariana Collado, executive director of the Bronx Democratic Party, said in an interview.

Contributions of items like food, clothing and even pet supplies flooded local organizers, so much so that some fundraising sites began to refuse donors. The Anthony Avenue Community Garden posted several messages on its Instagram page asking donors to stop depositing physical goods as there was no more space for them. The Red Cross said it would now only accept cash donations.

While organizers of the relief effort had hoped the donations were made in the best of spirits, some non-monetary donations were below average, creating even more tension.

While most of the donations “are brand new, many people took the opportunity to clean out their closets and basically donate trash,” one person posted on Instagram. “We only accept NEW ITEMS and NO clothing.”

The Gambian Youth Organization, a local nonprofit, launched a GoFundMe campaign immediately after the fire. Many residents of the building are of Gambian origin, as are many of those who have died.

After raising over $1 million, the group has stopped receiving additional donations for the time being and is instead directing donors to other efforts, many of which are aimed at helping specific families.