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& Other Stories collaborates with Minju Kim for Spring 2022

& Other Stories is about to bring romance and whimsy to your spring wardrobe with a special collaboration designed by Minjukim. The Seoul-based designer, who was the first Netflix winner Next in fashion, has created a playful spring collection of ready-to-wear and accessories inspired by its fairytale aesthetic.

In addition to winning Next in fashion, Minju Kim won the H&M Design Award 2015 and launched her eponymous brand the same year. Kim was also a semi-finalist of the LVMH Prize for Young Fashion Designers. “Since Next in Fashion, many fans around the world, including those who weren’t interested in fashion before, have sent me messages,” Kim said in a press release. “I am delighted that the co-lab allows all those MINJUKIM lovers to easily access and experience our creations and gives us the opportunity to show our clothes to a wider audience. I was waiting for this kind of opportunity for a long time. and I’m so glad it’s with & Other Stories! “

According to Rocky af Ekenstam Brennicke, Brand Manager and Creative at & Other Stories, the Colab Minjukim is a wearable synergy between playfulness and avant-garde haute couture in a modern and appealing way to women. We expect it to feature Kim’s iconic puffed sleeves, smocked silhouettes, calming colors, and fun prints. Available in select stores and on Stories.com, the Colab Minjukim & Other Stories collection will be available from spring 2022.

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Pera Museum exhibit shines a light on Byzantine heritage in popular culture

Istanbul’s popular art center, Pera Museum, has launched two exhibitions on Byzantine art simultaneously in collaboration with the Istanbul Research Institute. While the first, “From Istanbul to Byzantium: Paths to Rediscovery, 1800–1955,” focuses on Byzantine artifacts in Istanbul archaeological museums and sheds light on the development of Byzantine studies in Istanbul, the second show , “What is Byzantinism in Istanbul!” : Byzantium in Popular Culture “explores the representation of Byzantium and the Byzantines in popular culture.

Jonathan Godoy, “The Byzantine Stones”, 2007, fountain pen, with real textures, added colors and digital effects. (Courtesy of the Pera Museum)

Organized by Emir Alışık, “What is Byzantinism in Istanbul!” The exhibition brings together common themes of Byzantine perception in different fields ranging from literature to video games, from comics to music, from cinema to fashion. Initially exploring the multiple and contradictory meanings of Byzantinism, the show later examines popular culture’s interaction with Byzantine heritage.

The exhibition is named after a novel by the famous Turkish novelist Yakup Kadri Karaosmanoğlu. In his novel “Panorama”, Karaosmanoğlu recounts the social and political upheavals of the post-war years. The protagonist of the story says at one point: “What is Byzantium? With this expression, the author, through his character, tries to recount the sharpening of the cultural separation between the citizens of the young republic, their identity crisis and their attachment to blind beliefs as a remedy.


Movie poster 'Bizans Çöküyor', Arzu Film, 1973 (<a class=Credit
: Pera Museum)” onerror=”this.style.display=’none’;” style=”max-width: 273px; height: 400px;;width: 100%;height: auto;object-fit: cover;”/>
Poster from the movie “Bizans Çöküyor”, Arzu Film, 1973. (Credit: Pera Museum)

The exhibition, which deals with the concept of Byzantium with its different faces and manifestations, reveals how the symbols and values ​​that represent or are attributed to Byzantium find their place in different artistic mediums. Noting that Constantinople (Istanbul) was naturally – historically and geographically – home to Byzantism, curator Alışık sums up the idea behind the exhibition: having repercussions on a wide variety of artistic expressions like painting, l architecture, theater, music and literature, curiosity for Byzantium and the Byzantines has amplified over time and flourished in new directions, improbable musical and literary genres and techniques of painting and painting. production of films to textile production and new narrative mediums such as graphic novels. Although Byzantine history is sometimes used to ignite hostilities through the manipulation of historical facts, Byzantine heritage is frequently used to reflect on complex socio-political issues, too. And this exhibit reveals how Byzantinism is a stretching phenomenon to be encountered even in places it doesn’t seem usual. “

Icons and superheroes


Benjamin Baumhauer, “Neo-Constantinople”, 2020. (Courtesy of the Pera Museum)
Benjamin Baumhauer, “Neo-Constantinople”, 2020. (Courtesy of the Pera Museum)

“What is Byzantinism in Istanbul! Opens onto an iconostasis, which is a wall of religious icons and paintings that separates the main space from the section where only the clergy can enter Byzantine churches. Traditionally covered with images depicting the holy scriptures, this wall, prepared in a contemporary design at the Pera Museum, showcases the influence of Byzantine icons on iconic figures and superheroes of our time.

The exhibition features works by over 50 artists, writers, illustrators, musicians, filmmakers and fashion designers who interpret and visualize the uniqueness and exoticism attributed to Byzantium from different angles.


Necdet Yılmaz, “Seraphim Gli”, 2020, 0.05 micron pencil on A4 paper.  (Courtesy of the Pera Museum)
Necdet Yılmaz, “Seraphim Gli”, 2020, 0.05 micron pencil on A4 paper. (Courtesy of the Pera Museum)

Max Bedulenko, Aliusio Cervalle Santos and Yurii Nikolaiko bring new perspectives to the Byzantine city and its monumental architecture with their digital illustrations. As Jonathan Godoy, Stelios Faitakis, Taha Alkan and Xanthe P. Russell transform scenes from the holy book with their art, Peter Tirpak portrays a pop-art icon as a saint. Aleksandar Todorovic, like Tirpak, portrays Facebook founder Mark Zuckerberg as a saint. Known for his extraordinary portraits, Scadarts plays with the mosaic of Empress Irene via iPhone. Fashion designer Özgür Masur’s Byzantium’20 collection and Victoria & Albert Museum-awarded “Hagia Sophia” design by Dice Kayek highlight the reflections of Byzantine iconography in fashion. While the photograph taken by Marco D’Amico for Vogue Italy highlights the Byzantine image, the historical adventure written by Romain Sardou and illustrated by Carlos Rafael Duarte represents the reflections of this iconography in the world of comics.

Illustrator-designer Necdet Yılmaz portrays the famous cat of Hagia Sophia, Gli, who died last year, as a celestial being. The cover of the book “Theodora, The Love God of Byzantium”, published in 1948 by the journalist and novelist Murat Sertoğlu, known for his serials, and the poster of the film “Bizans Çöküyor” (“Byzantine collapses”), featuring in scene the character of the Hunnic warrior Tarkan played by the actor Kartal Tibet, are presented as examples using Byzantium as an antithesis in the exhibition.


Peter Tirpak, “ICNE!  THE POP-ART ICON !, '2018-2019, mixed media (acrylic + gold) on canvas, 50 by 60 centimeters.  (Courtesy of the Pera Museum)
Peter Tirpak, “ICON! THE POP-ART ICON!”, 2018-2019, mixed media (acrylic + gold) on canvas, 50 by 60 centimeters. (Courtesy of the Pera Museum)

The catalog accompanying the exhibition brings together the articles of 10 researchers who examine and interpret all these representations of 50 artists in various fields of art. Articles discussing and classifying “Byzantinism” which appear in many fields of popular culture bear the signatures of Roland Betancourt, Felice Lifshitz, Brigitte Pitarakis, Sinan Ekim, Yağmur Karakaya, Elif Demirtiken, Jeremy J. Swist, Marco Fasolio, Haris Theodorelis-Rigas and Emir Alik.

“What is Byzantinism in Istanbul! : Byzantium in Popular Culture ”will remain open to visitors at the Pera Museum until March 6. The Pera Museum can be visited from Tuesday to Saturday from 10 a.m. to 7 p.m. and from 12 p.m. to 6 p.m. on Sunday. On Fridays, as part of “Long Friday”, all visitors are welcomed between 6 p.m. and 10 p.m. and on Wednesdays, as part of “Young Wednesday”, all students can visit the museum free of charge.

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Creativity, style at the Rhoda Michael show | The Guardian Nigeria News

Fashion designer Rhoda Michaels recently hosted a show for her graduate students to showcase their talents and skills.

The 52 graduate students, at the event, paraded with models displaying designs. Among them was a 15-year-old boy, who also showed his skills. Wedding dresses, children’s wear, casual wear, red carpet outfits, men’s and women’s clothing were on display at the show.

The event was organized to help them launch their brands and showcase the practicality of what they learned.
CEO Rhoda Michaels frowned at the mistaken belief that tailoring / fashion design was for school dropouts.

He said, “Fashion is science. It’s math. You can’t be here if you don’t know math. We teach pattern drawing, which is similar to technical drawing. If you are not smart, you cannot get away with it. The 15-year-old was trained for three weeks while others learned for three months, six months and even a year and a half …

“The Nigerian fashion industry has evolved tremendously. Gone are the days when you saw older designers, but now you see younger designers everywhere. I see our designers competing on the world stage. They will excel because they have been properly trained.

Nollywood actors Yinka Quadri, Muka Ray Eyiwunmi and Wale Sanusi graced the occasion.


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Rising designer Sophie Ashby transforms Georgian-era London home for her young family

A short stroll from the hustle and bustle of Brick Lane in London’s East End – where the sweet and spicy scent of the famous Bangladeshi curry houses of the street fills the air – hides a magnificent Georgian-era gem of a home that British interior designer Sophie Ashby and her husband, fashion designer Charlie Casely-Hayford, currently share with their daughter, Gaia, born last May, and Rainbow, Casely-Hayford’s seven-year-old daughter, when she comes to stay for the weekend.

Having moved past their one-bedroom apartment in west London, the family rented the place in February 2020, just weeks before the world went to a halt. “We could have bought a house, but I knew it wouldn’t have been a house I would have been happy to live in for the next five to ten years,” says Ashby. Instead, they decided to “just sit back and trace and plan,” she explains, while testing the area for a possible permanent move.

Surrounded by a leafy courtyard of magnolias, fig trees and laurels, the former home of the brewer they now call their home adjoins a small pub and 19th century brewery next door, currently being transformed by the duo of artists Gilbert & George in gallery. “I couldn’t believe my eyes when we walked in,” recalls Ashby. The simplicity of the walls, ceilings and floors, washed in cool neutral hues by the current owner, as well as “antiquity,” as Ashby describes it, original bones with clean lines and generous proportions, was “so sophisticated, ”she gushes. “I was just thinking, we have to make this work.”

A photograph of Lakin Ogunbanwo hangs over the fireplace in the living room. A bespoke yellow Pierre Frey velvet sectional wraps around a cocktail table by Dirk Van der kooij. sheep sculpture found on Etsy; large floor lamp (in the back corner) by Bofred; Sister vintage kilim patchwork rug by Studio Ashby.

© simonupton

Signature Full Back Sofa with Straight Top

Sheepskin footrest natural oak

Part of the house’s charm, including the fireplaces lined with pretty Delft tiles and the kitchen cabinets recycled from old iroko wood chemistry labs, owes a lot to the eclectic touches left by the late Jocasta Innes, author of the 80s Seminal Guide to DIY Specialist Painting. effects Magic of painting, who saved the house from dereliction in the late 1970s. “The combination of Jocasta and our owner’s good taste created the perfect backdrop,” says Ashby. “It just spoke to us.”

So aside from “little tweaks” like repainting a few cupboards and a floor here and there, Ashby was free to focus on the furniture, lighting and art. In a high-low mix of re-upholstered vintage chairs and antique cabinetry, affordable street shopping and bespoke sofas, the designer injected
bright colors such as fiery orange and banana yellow alongside sophisticated shades of fuchsia, sea green and gold, all inspired by paintings and photography, mostly from emerging artists, the couple hooked up almost all the walls.

Ashby and her husband Charlie Casely-Hayford
with baby Gaia and daughter Rainbow from Casely-Hayford

© simonupton

The 1960s Entrance Hall Brass and Etched Glass Pendant was purchased on Etsy. The antique clock above the door was a gift from Ashby’s father, and the Tiger Bank sculptures are from Liberty London.

© simonupton

Quail Tiger salt and pepper shakers

Titus Organic Brown Printed Jacket

“This is how every piece begins,” says Ashby of the couple’s long-standing mutual love for art, as both studied art history at college and Casely-Hayford did an internship at the prestigious White Cube gallery in London. Works by London painter Tomo Campbell, South African artist Lunga Ntila and Spanish photographer Salva López draw a common thread running through each space. Even the large family bathroom, where a gallery-style installation of framed drawings and exhibition prints, combined with period furniture and contemporary lighting, feels “more like a living room,” she says.


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Obituary Annemarie Bucher (1933 – 2021) – Windsor, CA

Born November 3, 1933 in the small town of Inwil, Switzerland, Annemarie Stuber-Bucher grew up enjoying cycling, ice skating, sewing, singing, playing the guitar and mandolin, and performing in the theater. . Her father was the area’s postmaster, so she grew up knowing everyone in town and beyond, even helping deliver mail on his bike when her father needed extra help. Her heart has always held a special place for the country and the mountains that she first called home.
She immigrated from Switzerland to the United States in 1956 at the age of 23 after completing her studies as a fashion designer / dressmaker in Lucerne, Switzerland. As her first job in the US, she worked as an au pair in San Francisco for the Bullis family looking after their 6 young children. While taking care of the children, her future husband worked as a driver and gardener for the same family. Ultimately, she married Josef Bucher, also from Inwil, Switzerland, in San Francisco on December 27, 1958, at the Sainte-Cécile Catholic Church located on 17th Avenue in San Francisco near the family home. Bullis Sea Cliff where the reception was held in their ballroom. In January 1959, they moved to Healdsburg, California, and had 3 children whom they raised on a dairy farm just outside of town which they built together and grew into a successful business.
While holding many positions including that of the farm’s chief accountant for many decades, Annemarie also sewed beautiful clothes for many clients. She will always be known for her incredible dressmaking skills which she used to dress her children during their younger years. She even made special dresses and wedding attire for her children and friends, as well as for her grandchildren’s school plays and special events such as First Communion. She was an excellent cook and baker and always loved to party with others, especially the family.
Annemarie was very proud of her Swiss heritage, always making traditional Swiss treats and making special Swiss dishes that many of her grandchildren still ask for today on their birthdays. However, Annemarie was also proud to obtain her U.S. citizenship later in her life. She was a strong woman with a deeply rooted faith who was always extremely generous with her time and resources to anyone in need.
Annemarie is survived by her 3 children, Heidi (Guy) Benjamin, John (Diane) Bucher and Tim (Mary Louise) Bucher, as well as her 8 grandchildren: Elizabeth, Hannah, Jack, Steven, Jenna and Mikayla, Hannah Klisura , and Tony Klisura. She adored her grandchildren more than anything in life and never stopped saying how proud she was of all of her children and grandchildren. She passed away peacefully at her Healdsburg home on December 5, 2021, while keeping an amazing spirit until the very end.
The funeral will be on Thursday, December 16, 2021 at 11 a.m. at St. John the Baptist Catholic Church in Healdsburg, Calif., Immediately followed by a luncheon reception in the school gymnasium. In lieu of flowers, donations can be made on his behalf to St. John’s School (217 Fitch Street, Healdsburg, CA 95448) or St John the Baptist Catholic Church (208 Matheson Street, Healdsburg, CA 95448) .

Posted by Windsor & Healdsburg Mortuary / Crematorium on January 4, 2022.


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5 fashion and beauty women we loved in 2021, Lifestyle News

These women, from generation to generation and from different parts of the world, have captured our attention in 2021.

From the founder of a start-up celebrating the legacy of jade jewelry to an acclaimed British fashion designer who seems destined for even bigger things, read on to find inspiring stories from five inspiring women of substance.

Jade jewelry for the 21st century: The story of the start-up Ren

Crystal Ung knew the history of her grandfather’s lucky jade ring and was drawn to jewelry made with this gemstone, but found it old-fashioned. The successful entrepreneur founded Ren to make jade jewelry with contemporary appeal. The anti-Asian racism unleashed by Covid-19 made it personal. Read more.

The British designer worn by Meghan Markle, supervised by LVMH

Grace Wales Bonner graduated from Central Saint Martins in London and founded her namesake menswear brand in 2014. When she won the LVMH Prize for Young Fashion Designers a year later, Delphine Arnault of Louis Vuitton said that “the jury thinks she has great potential in women’s fashion.” .

The Londoner dove into women’s fashion in 2018, and a year later Meghan Markle wore Wales Bonner for baby Archie’s debut. Subtle and timeless are the words used to describe her designs, and Wales Bonner says: “Working with tailoring is like having a conversation with history. ”

READ ALSO: Souvenir of Virgil Abloh: the highlights of his tenure at Louis Vuitton

Traditional Chinese medicine brought the healer closer to her culture

Taiwan-born Traditional Chinese Medicine (TCM) practitioner Debbie Kung spent her childhood in the United States trying to fit in with her friends and “didn’t think much about being Asian.”

She discovered Chinese medicine while working with fashion designer Diane von Furstenberg – acupuncture made her glow and put her on a different path in life. She received a Masters Degree in Acupuncture in Austin, Texas, where she has a thriving TCM practice.

Fashion legend Mimi Tang on Gucci’s success story in Asia

In addition to the murder, House of Gucci, Ridley Scott’s opera flick about the Gucci family and his fashion brand depicts the ousting of legendary designer Tom Ford and CEO Domenico De Sole after their successful turnaround from the luxury brand Italian in the 1990s. They couldn’t have done it without Mimi Tang, who joined Gucci in 1998 and became its Asia-Pacific manager.

Fashion legend Tang recalled in an interview with the Post that Ford has an irresistible charm and that De Sole is a rare CEO who respects local management. And she revealed that one particular scene in House of Gucci rings very true to her.

Why Susie Bubble only dresses for herself, never for boys

In her secondary school yearbook in London, Susanna Lau was voted “more likely to be… the next Donna Karan”. As a teenager, she admits that she “never really had the idea of ​​dressing to attract the opposite sex”. She always saw fashion as a hobby, even after starting her blog, Style Bubble, which introduced her to fashion journalism.

Against all odds, the mother-of-one, better known as Susie Bubble, recently opened a bubble tea café in London with a friend from Hong Kong.

This article first appeared in South China Morning Post.


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Stars in your eyes and ears – The New Indian Express

Express news service

It really is a cosmic fantasy. As a myriad of shiny and delicate gold chains rise, surrounded by sparkling stars and delicate drops, encircling your front and slimmest fingers in fine adjustable curls with a gold bar to wrap it around. – the “sparkling ring” from jewelry designer Aphelion Vanraj Zaveri collection is a virtual spectacle. One of a cornucopia of 36 designs in 18 karat hallmarked light gold.

Diamonds are in his DNA, being the great-grandson of Shrikant Zaveri who founded Tribhovandas Bhimji Zaveri & Sons 150 years ago, but he has decided to step away from the past and look to the future. “After a while, the journey with the family brand became a bit restrictive for me and I wanted to break out of the mold. I believe jewelry is made to be worn and celebrated, not to be relegated to secure lockers. This is how my brand Zaavorr was born, ”explains Vanraj, a Gemological Institute of America alumnus who launched this brand in 2019.

His first collection, Aphelion – the point in the orbit of a planet, asteroid or comet at which it is furthest from the sun – is inspired by the moon and stars. An impressive range of rings, pendants, earrings, necklaces and body harnesses, all laced with precious and semi-precious stones such as tiny diamonds, white quartz, aquamarines and amethysts, as opposed to emeralds, rubies and parent’s usual pearls mark.

The versatility and interplay of textures of each avant-garde piece is stunning. Imagining what the moon’s crater-covered surface would look like, Vanraj used a cuttlefish bone to carve into it. “This idea was born on one of our scuba diving trips,” he says, of his annual vacation with his fashion designer wife, Kresha Bajaj, both of whom are passionate about scuba diving. . Due to its organic origin, cuttlefish bone has growth rings, like the grain of wood.

This distinctive “fingerprint” made with the entirely hand-made cuttlebone molding technique has been obtained the appearance of different layers to create an uneven surface like the moon. And since each cuttlebone is different from the others, Vanraj had to slice it into 20-25 bones to get the perfect texture for each piece. By the way, being an underwater environmentalist, he also made sure that the cuttlefish bones used were thrown away by the fishmongers.


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Charlotte Church’s plans for green retreat rejected over road problems

Singer Charlotte Church’s dream of opening an eco-wellness retreat in the Welsh countryside is at stake after motorway officials clashed with her plans.

The Voice of an Angel star has spent £ 1.5million on the former home of fashion designer Laura Ashley in Elan Valley, Powys.

The 35-year-old plans to transform Rhydoldog House into a carbon neutral place of wellness and healing, including four log cabins on the grounds as tourist accommodation.

Agents on Ms Church’s behalf submitted a planning request to Powys County Council for approval.

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The Voice of an Angel star hopes to open a wellness retreat in Powys (Dominic Lipinski / PA)

Pennsylvania

The Voice of an Angel star hopes to open a wellness retreat in Powys (Dominic Lipinski / PA)

But highway officials opposed the request over concerns about the adequacy of retirement access from a narrow country road, the C1219.

They said the locations of the proposed additional vehicle crossing points were inappropriate and also questioned the estimated additional daily traffic volume.

“The transport declaration includes a map showing the existing and proposed additional crossing points along the C1219,” wrote a motorway official.

“A recent inspection of the site by the road authority concluded that many of these locations were, in fact, in third-party areas and, as such, could not be considered official transit points.

“Also, a number of locations were just grass walkways, which is also not acceptable.

“The applicant proposed the creation of two additional bays towards the end of C1219.

Based on the above, the road authority does not support this request, on the grounds that the development as proposed, will create an unacceptable risk to road safety.Road officials

In addition, part of passage one would be on third party land and it should be noted that a notice was not served on the landowner.

In the app, it is estimated that the retreat and log cabins would create a total of 30 vehicle movements per day – 15 arrivals and 15 departures.

“The road authority notes the submission of travel rate data in the transport declaration and, although its limitations in the data available are recognized, it would argue that the locations chosen are not sufficiently comparable to this site. ‘application,’ the official said.

“It is argued that the actual vehicle movements generated by this proposal would be significantly higher than the 22 per day quoted in the transport declaration.

“Based on the above, the road authority does not support this request, on the grounds that the development as proposed will create an unacceptable risk to road safety. “

Natural Resources Wales also expressed “concerns” about the request due to “inadequate information” provided in the supporting documents.

“To overcome these concerns, you need to request more information from the applicant regarding protected sites,” the agency said.

“If this information is not provided, we will oppose this development request.

“We also advise that based on the information submitted to date, a condition regarding protected species should be attached to any building permit granted.”

If the retreat gets the green light from planners, it will provide accommodation for up to 17 people for three- or four-day residential courses. There will also be four one-bedroom log cabins.

Senior town planner Llinos Hallett, of Asbri Planning Ltd, said in documents submitted to the board: “The client aims to restore both buildings and the sensitive landscape, enhancing biodiversity and conserving and celebrating the history of the house; in particular in reference to his property passed by the Laura Ashley family.

“The proposal contributes to the county’s vibrant tourism economy and is based on the principles of sustainable tourism providing a quality experience.

“The Wellness Retreat will complement several existing tourism assets and is located in the recognized regional growth area of ​​Mid-Wales which supports tourism development.

“The proposal is considered to provide a distinctive healing and mindfulness experience to its visitors and further adds a very unique offering to the county tourism portfolio and in turn helps indirectly support the local rural economy.”

Planning officials have set a deadline of January 25 to determine demand.


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The second edition of the India Designer Show featured seamless fashion statements | AFN News

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Eduvacancy-India’s first education sector job search platform, officially unveiled

The second edition of the India Designer Show featured transparent fashion statements

Posted on December 30, 2021

New Delhi: The second edition of the India Designer Show ended on a sparkling note with spectacular and avant-garde lines from Indian designers. The one-day fashion exhibition was hosted by Modern Stage Events By Ronit Aggarwal, showcasing stylish collections from some well-known and up-and-coming Indian designers in the fashion block.

The great extravaganza of fashion presentation started with an eccentric collection by Ms. Rosy Ahluwalia for which the very gorgeous Munmun Dhamecha paraded in an alluring outfit. Next in line was a nice offering from Kailash Chand Warq Wala, a concept designer who highlighted Gold and Silver Warq as Body Wraps by famed Mr. Sanjay Mittal Show Stopper Priyanka Munjal

The bouncy show was a sight to see with impressive Indo-ethnic collections from various designers. Australia’s Coco by Bawa by Surjeet Bawa label was one such collection featuring trendy and eye-catching Indo-Western and traditional outfits.

Shalini Poddar later presented her Spring 2022 collection revoking the importance of expressions through her aesthetic concepts of colors and silhouettes under the Aashvik Opulence label. Her collection reflects the young, confident, but culturally rooted aspects of India and therefore resonated well with the country’s youth. Plus, this was Shalini’s very first collection, dedicated to celebrating freedom and open-mindedness. Her parade was followed by an access ramp presenting contemporary fusion collections under Yashika Nijhawan’s AS Couture label. The collection was all about bliss with all the fabric and design with a contemporary twist to returning fashion trends, making it friendly to fashion-inspired men and women.

The second runway show featured some stylish fashion statements in wedding and party outfits from top designers like Amit Talwarr whose cosmopolitan couture label featured Mehrunissa. The collection featured an assortment of hand-crafted silhouettes, intricately designed and accented with sequential embroidery that demonstrates panache and elegance. Later, models took to the ramp wearing Poshak Bridal Emporio collections by Monika Bhatia with Show Stopper Bollywood Celebrity Stefy Patel. Brand Bare and Blur Couture by designer Arshi Singhal showcased a collection of exquisite designer evening wear, flaunting shades of sherbet adorned with beautiful embroidery and intricate workmanship throughout. These shades are not only pleasing to the eye, but a perfect shade to dress for on those upcoming outings in the sun. Designer Arshi Singhal with her label Bare and Blur promises to deliver modern trends in the truest traditional sense.

The third show of the evening added an impeccable element of glamor by showcasing classic Indian collections like sarees, suits and kurta pajamas for men by Angad Creation of Jammu Show Stopper Bollywood Celebrity Dr Elakshi Gupta and unique Indo-Western dresses. under the luxury couture brand KARIGIRI by the sister duo Sulakshana & Arpita. KARIGIRI is an ethnic women’s clothing with a touch of contemporary style for today’s fashion-savvy women. The sister duo presented the Spring / Summer 2022 “KASTOORI” collection which is inspired by the regal beauty of Taj Lake Palace, Udaipur. The collection of dresses, lehangas and curtains took the audience to a picturesque location and the stunning artwork of the design with the essence of the Taj Lake Palace added drama to the overall decor. Sulakshana and Arpita with their brands have been featured in Wedmegood and Shaadiwish and are worn by many celebrities as well.

The show also saw beautiful collections of diamond jewelry from Vaasu Jewels by Renu Jalan. The jewelry was inspired by Lord Krishna. Some of the jewelry masterfully expresses the impression and expression of the Lord.

With the intention of bringing together the elements of luxury, sophistication and opulence of today’s global fashion life on one platform, the second edition of this designer show was a great success with a few designers. exciting. Sharing the enthusiasm for the completion of the second edition, Ronit Aggarwal, Founder and Organizer of IDS, said: “We envisioned this platform to create a common global stage where our extremely talented Indian designers showcase their magnificent collections showcasing Indian culture and sophisticated glamor. Happy and honored with yet another successful edition, we aim to make this platform worldwide recognition with a strong Indian root showcasing intricate handwork and craftsmanship.

The event was sponsored by AB Motoss, supported by E Smart Consulting Group, Interior and IDS Set designer by TiJiL Interior by Nipa Jain, SK Events and Productions by Simran Kaushik. Roseate House was the site partner. Angooor Kitchen Lounge and Bar by the Gupta Brothers – Sumit Gupta and Yash Gupta provide support throughout the event. Trendz Salon Shalimar Bagh & Scudo Bags was the associated partner for the gifts.


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Visa Fashion Week in Almaty puts Kazakhstan on the global fashion map

Despite all the fabulous optimism broadcast live, the fashion industry is struggling to cope with the negative impact of the global pandemic. From supply chain disruptions to anxious consumer confidence, the latest forecast from the McKinsey Global Fashion Index “an uneven recovery”After a 20% market loss over the past two years. While luxury conglomerates may better withstand uncertainty, smaller players and newcomers need extra support and attention. This is especially true for emerging markets. This is why the latest edition of Visa Fashion Week Almaty was a successful case study of how local governments can engage transnational capital to stimulate the needs of its creative community in these difficult times. Since Kazakhstan hosted the World EXPO and I spoke about it as “an emerging fashion destination for travelers from all over the world”, designers have benefited from Almaty, the former Kazakh capital, strengthening its role as center of traditional and modern expression of Central Asian cultures. What does it take to organize an event of this magnitude these days?

Kazakhstan, a country of 19 million people, has reported nearly one million cases of COVID since the start of the pandemic. With 47% of the population vaccinated, strict restrictions on movement and public gatherings are in effect. Although the event took place in compliance with all preventive measures, its capacity and scope were limited as many international power players fear to travel beyond the industrial bubbles of Paris or London. Bauyrjan Shadibekov, CEO of Visa Fashion Week Almaty, noted that the team always preferred the in-person format over the virtual-only option, as personal connections are important to any creative endeavor. In fact, a smaller audience allowed for more interaction between audience, press and talent.

Among the distinguished guests was the photographer André Barbier whose work has appeared in most major fashion publications, Anastasia Fedoseeva, founder of Street Pie, an avant-garde boutique and agency in Moscow, and Nino Sichinava, Associate Editor-in-Chief of London magazine Schon. As exposure and access to international media, buyers and direct customers are essential to building a nation’s style brand, all of the catwalks were broadcast live on #VFWAlmaty social media platforms.

Among the national highlights was a collection of cruises by Saken Zhaksybaev. Its label ZhSaken focused on monochrome dresses accented with yellow as an exploration of Spanish and Portuguese heritage in European royal histories. “Black, as the deepest color, awakens feminine beauty and is in itself a powerful accord, and when presented in a fabric such as velvet, it gives the image even more mystery”, explains the creator.

Former Kazakh student of the Beijing Institute of Fashion Technology, Tatiana yan immersed in the treasure of fairy tales. “The older we get, the more we notice that history is not going anywhere: good triumphs over evil, after darkness comes to light, actions are stronger than words. Only his characters change over time, but now we need them more than ever, ”remarked Yan. Designate Ainur Turisbek experimented with a new approach to co-branding the collections. “ALMA: powered by Jusan InvestIs a reference both to his mother and to the nourishing story of the generosity of the Medici family “sponsoring” the Renaissance.

Historical crossroads between the mythical East and West, Kazakhstan has continued to master fashion diplomacy by inviting great Ukrainian, Georgian and Uzbek designers. It was a powerful and welcome gesture of goodwill to every country navigating a geopolitical stalemate with Russia. Designate Lilia Litkovskaya and his “bold clothes fit for a city shaman” have become one of Ukraine’s most recognizable style business cards. Inspired by Keith Haring and the poppy fields in bloom, his optimistic vision for the future is decidedly triumphant.

Georgia Datuna Sulikashvili is a sought-after ambassador of the new sense of Georgian style. Working in silk and cashmere, he is building a stellar brand reputation on several international platforms. Uzbekistan was represented by the two best-selling brands in the country.

dressmaker Lali Fazylova envisioned the contemporary youth of old megalopolises like Tashkent and Samarkand. His fine collection emphasized the use of adras, traditional Uzbek hand-dyed textiles, and alo-bakhmal, a royal technique of velvet weaving.

Since 2007, kasimova dildo launched successful ready-to-wear collections to a growing audience of loyal customers and fans. Her fashion philosophy being a holistic lifestyle and not just a profession, she is one of the most followed style influencers in Central Asia, capturing the modern air of the Silk Road.

Looking and moving forward, Bauyrzhan Shadibekov, CEO of Visa Fashion Week Almaty, has the utmost confidence in the platform as he cites a few of his long-term project partners as Kaz visit, Citix, and Dyson, and its benefits to participating designers and national fashion industries in the region. From next year, a partnership with the Camera Nazionale della Moda Italiana will allow a season-winning designer to present at a special showcase during Milan Fashion Week. An example of the international solidarity of the fashion industry, it signals a desire to make the economic recovery less “uneven” by prioritizing the future of emerging talents.



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