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Knwls Spring 2022 Ready-to-Wear Collection

Charlotte Knowles and Alexandre Arsenault of the (now mononym) Knwls brand have a knack for an appropriate collector’s title, this season settling on the word ‘adrenaline’. As the thrill of the live London fashion shows returned for the first time after the pandemic, the duo wanted to bring back all the visceral excitement of a high octane runway experience. “We always had these talks during the lockdown where people were asking, do you like the digital program? But for us, it’s like going to a rock concert rather than watching it on YouTube; it’s just not the same, ”says Arsenault. “The experience is so much more amplified when it’s live.

Obviously, they know a thing or two about creating a show. Marking their first time at an independent venue, Knowles and Arsenault opted for the bowels of an underground car park near Oxford Circus, where the models walked through specks of light on a thunderous industrial soundtrack, making it the one of London Fashion Week’s most exciting montages so far. This helped the frame to harmonize perfectly with the collection, which one could imagine being worn by a Mad Max firecracker not afraid to flash a bit (well, a lot) of flesh on a street race through the wet and concrete belly of the city.

Knwls’ signatures – waist-high bustiers, drop-waist pants cut in sheer mesh, elaborate riffs on underwear as outerwear – were all catered for, with a few surprises as well. There was an expansion of their distinctively earthy color palette to hot pink accessories, light blue jeans, and a final look of ghostly, ethereal whites and creams. A clever play of textures was also present, with thicker fabrics treated to appear oil-stained or speckled with acid, capped in ultralight stretch jerseys. The brand’s increasingly ambitious work with leather has been another highlight, from paneled mini dresses to a striking pair of webbed pants, fringed with leather tassels from the waist up. at the ankle.

Part of Knwls’ distinctive aesthetic is their ability to combine various influences in a way that never seems fancy. There was a touch of the Wild West in the raw, ready-made snakeskin cowboy hats and loosely laced suede effect dividers in Leatherface style, or their shiny riff on a bomber jacket, here with shoulders. in cocoon-style leather with elasticated rib panels extending to the armpit. A collaboration with white-hot jeweler Marco Panconesi resulted in gorgeous earrings and bracelets dripping with stones and colorful crystals that managed to feel both effortlessly bohemian and ready for the dance floor at Studio 54. .

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Garment workers in America’s fashion capital can earn just $ 6 an hour. New law could change that | California

THEos Angeles is considered the center of clothing manufacturing in America, employing more than 40,000 people to make clothes for fashion brands such as Reformation, Forever 21, Charlotte Russe and Wet Seal.

But for decades, these workers have operated under a system that sees them paid by the piece they build, which means they often earn less than $ 6 an hour, according to a study by the ‘University of California, Los Angeles – less than half the California minimum wage.

Now a new law could change that.

California lawmakers recently approved the Garment Worker Protection Act, which would eliminate the piece-rate pay system and ensure workers receive a minimum hourly wage. The bill would also expand who is responsible for stolen wages – meaning that a brand like Charlotte Russe, for example, would share responsibility for paying for wage theft claims filed by workers who make their clothes at factories such as than those in downtown Los Angeles. Right now, these claims are being made against the factories themselves, but can languish for years before being paid, if ever they are.

Marissa Nuncio, director of the Garment Worker Center and co-sponsor of the bill, says the latter part is essential because brands have long been able to protect themselves by blaming the factories that make their clothes. “Thanks to outsourcing, they are really able to protect themselves and escape any form of legal liability for inappropriate wages,” explains the nuncio.

Garment workers and advocates say the current system was designed to induce rapid production while exploiting workers – most of whom are immigrants and women of color.

Workers like Santiago Puac, an immigrant from Guatemala who has worked in the garment industry for 17 years. Pauc works on a single-needle sewing machine, attaching zippers and tags to dresses and other small finishing details. He says it’s a job that takes a lot of skill to learn, as details like that can get complicated.

But the job only earns him 15 cents or less per coin, which means that even on very productive days, he only earns $ 75 a day.

“It would be such a big change in my life,” Puac told The Guardian in Spanish of the proposed law. “Knowing that I could have a secure income, a set number of hours of work and a fair wage. “

The Garment Workers Protection Act has already approved the state legislature and is now awaiting the signature of Governor Gavin Newsom, who has until October to approve it.

The bill, which garment workers helped craft, would add weight to an existing law, passed in 1999, which also aimed to tackle wage theft in the industry by creating a restitution fund for claims for theft of wages to which fashion companies pay. But advocates say fashion brands have spent 20 years circumventing it by hiring subcontractors and claiming they don’t fall under its definition of “clothing manufacturer.”

The law would require brands to share joint responsibility with their subcontractors for unpaid wages, other compensation, interest and penalties. Photograph: Wavebreakmedia Ltd UC103 / Alamy Stock Photo

The new bill seeks to refine this definition by requiring brands to share joint responsibility with their subcontractors for unpaid wages, other compensation, interest and penalties.

The bill’s author, State Senator María Elena Durazo, said it was originally aimed at making brands fully responsible for the lost wages, but was later changed.

“Although personally I think they should be responsible for everything, it recognizes that the immediate employer would face sanctions and brands would face lost wages,” says Durazo.

While the California Chamber of Commerce, a business lobbying organization, called the bill a “job killer,” many fashion brands have come out in favor of the bill, saying the bill this law would not only help workers, but would level the playing field between companies that pay a living wage and those that do not.

In July, a coalition of at least 70 fashion companies wrote an open letter to the Chamber of Commerce saying: century. “

Senator Durazo says these business owners are often women whose brand is built on their image of environmental sustainability and cares about their employees. The nuncio said more bluntly: “They don’t want to compete with the sweatshop users.

The Covid-19 pandemic has also added to the urgency of the problem. Thousands of people continued to work throughout the California lockdowns, many turning to mask making. Poor working conditions have caused many textile workers to contract the virus.

“The pandemic has exposed the inequalities in our economy and rather than turning its back on these workers, now is the time to address them,” said Durazo. “If we want to give real meaning to the word ‘essential workers’ then let’s do so by helping them support their families. “

Puac says the financial boost would help her better support her six children, most of whom still live in Guatemala. “I could be more with my family, eat nutritious food,” he said, adding that fashion brands should be happy that workers have more money in their pockets; they might even spend it on new clothes.

“I think the brand that sells the clothes also benefits, because having a minimum wage would mean we buy more of their products. All of us who will have money because we earn the wages we deserve, we too will have money to spend.

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Walk a mile in our nine favorite Made In Italy shoe brands!

We’re still on top of New York Fashion Week, but we can’t help but transport ourselves across the pond to Italy, where time goes slower but fashion is still going strong. amazing! Lucky for you, we’re bringing you the 50 Made in Italy brands ready to be showcased at COTERIE, which is set to return to in-person format in New York from September 19-21. Last on our list: stylishly ready shoes for all seasons, in fine Italian leather included!

Donna Caroline

Designed for all occasions, Donna Caroline offers an impressive and diverse range of footwear, all at an affordable price. Whether you’re looking for crisp white sneakers, suede ankle boots, or pointed toe leather flats, you might get lucky with a Donna Carolina tag. [Agent name: Valentina Vanin]

Henri ayden

A boot mark made in the boot itself ?! How about! Quickly seizing the Italian fashion world with its Milan-based offering Henri ayden merges Italian art with a geometric touch and a rock-n-roll attitude. [Agent name: Martina]


A quick glance at any Manas duo will prove its long-standing philosophy: contemporary charm blends harmoniously with a timeless attitude. Inventory, you ask? The scarpe che desideri (the shoes you want)! Specifically, an urban-chic repertoire of boots, sneakers, heels and more! [Agent name: Alessandra Albano]


From high-top shoes to platforms, from laces to elastics, MoaconceptThe towering shoe collection houses it all under the Tuscan sun. Contemporary designs and urban spirit aside, the Florence-based label is also proud of its commitment to diversity, inclusion, the environment and support for independent artists. Talk about a one stop shop! [Agent name: Elisa Zanetti]

No Red

Think everyday shoes, but refined with a Venetian touch. Located in the heart of Veneto, No Red is an Italian shoe brand with an impressive collection and an even more impressive story under its sole. Inspired by the Venetian maestros of before and the city’s medieval past, Pas De Rouge has a unique character that shines in every shoe. [Agent name: Stefano Zampieri]

Thierry rabotin

TO Thierry rabotin, everything revolves around the art of shoemaking. With a selection of perfect everyday companions, the Italian-made shoe supplier whose sole motive is to find the perfect balance between form, function and design. Mission accomplished! Experimental design, sensible style and top-notch comfort? Count us on! [Agent name: Emanuela Balbini]

White Veil

As if we weren’t already sold on the whole “one sneaker per day” trend, White Veil is there to remind us that a pair of kicks can’t hurt, especially with their tag perfectly visible. The brand’s offering includes everything from work-friendly styles and hero leathers to city walkers and chunky soles. Timeless and chic! [Agent name: Scocco Ombretta]


Handcrafted and using the most precious of premium leathers, Donatello shoes are found where craftsmanship and style meet. Think about it: perforated oxfords and moccasins adorned with tassels. Sold! [Agent name: Scott Prentige]


Over 40 years in the making, Thera the leather sandals have a certain way about them. Simple in appearance, each shoe is meticulously designed with calculated points and inspired by the authenticity of nature. Made purely in Italy, each shoe with a Thera’s tag is a gentle reminder of the feel, look and look of leather. [Agent name: De Bari Mauro]

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A fashion brand that reflects Gaza’s forgotten past

Meera Adnan designs clothes that tell the story of her family in the 1980s in Gaza, a city under Israeli occupation.

One day, about a year and a half ago, Meera Adnan, a young Palestinian fashion designer, browsed through her family photos taken in the 1980s. She was intrigued by the sartorial sense of her mother, aunt and His grand-parents.

Around the same time, Meera made her debut in the fashion world with a brand under her own name. She found inspiration in images of her family members, who wore an attractive combination of clothing that defined the 1980s era when Gazans navigated a brutal occupation of Israel.

“Gaza doesn’t openly inspire my designs,” Meera says, “but you notice them indirectly.”

“Sometimes you can find it in embroidery or in the visual elements that I add to photos before posting it.”

The colors of Gaza, the beloved city of Meera, often appear in his designs. There is a tinge of green, the central color of Gaza’s identity, in many of Meera’s designs. It symbolizes the olive trees that abound in Gaza.

Every time Meera visits Gaza, she returns to Istanbul, feeling inspired to create new designs that reflect the city’s survival spirit. (Courtesy: Meera.Adnan.Label)

There are about 33,000 square meters of land with olive trees, according to Gaza’s agriculture ministry.

The famous Gaza Sea is also not absent from Meera’s drawings.

“This dark green blazer is thankful for the Palestinian olive tones and the homeland,” Meera says.

“Mother of pearl buttons inspired by the seashells of Gaza beach. Puff sleeves are our favorite on-trend touch with this collection, inspired by the Palestinian fashion scene of the 80s.”

It is the ordinary Gaza detail that shaped Meera Adnan's work.

It is the ordinary Gaza detail that shaped Meera Adnan’s work. (Courtesy: Meera.Adnan.Label)

Meera, 28, obtained her bachelor’s degree in accounting in Gaza. She later pursued her Masters in International Business in the UK.

She moved between Gaza, Jordan, the UK and Germany. For a while she worked in a fashion marketing company in Hamburg.

But her love for fashion made her think of creating her own brand. So she moved to Istanbul to start working on it.

At that point, his dream was about to come true.

“Clothes express what I mean without having to talk. That’s what I love about fashion.” Meera tells TRT World. “It tells a story that has to do with life, society, politics, the environment, history and even the art that surrounds us.”

Meera designs her collections in Istanbul and then takes them to Gaza. Each time, she comes back with a new inspiration which is in some way linked to the Palestinian cause.

Meera chooses fabrics and supplies from Turkey for her designs. Then the production process starts in Istanbul while the sale is online.

“My designs are sold in many countries around the world, such as Europe, America, Gulf countries and Arab countries,” she says.

Ameera Adnan's grandmother in the middle holding her mother on the left and her uncle on the right.  Old photos of his family played a major role in shaping his creative output.

Ameera Adnan’s grandmother in the middle holding her mother on the left and her uncle on the right. Old photos of his family played a major role in shaping his creative output. ()

She does not approach fashion only commercially but as works of art as she describes it.

“I want people to keep what they buy from my designs. I want it to be precious so that they can one day pass it on to their grandchildren,” she adds.

Meera Adnan's mother at her high school.

Meera Adnan’s mother at her high school. (Courtesy: Meera.Adnan)

Although it is difficult to travel to and from Gaza due to the imposed blockade, Meera prefers to live there.

Meera has already achieved some international recognition as she has appeared in several fashion magazines.

His designs have appeared in American, Italian and Arabic publications of Vogue magazine. The prestigious magazine Marie Claire has also published her profile.

“It exceeded my expectations and I’m so happy with what I accomplished. I never imagined I would get there in such a short time,” Meera says.

The heart of Meera Adnan's work is rooted in reflecting the feelings of the people of the Gaza Strip.

The heart of Meera Adnan’s work is rooted in reflecting the feelings of the people of the Gaza Strip. (Courtesy: Meera Adnan)

She doesn’t want to show her work in a showroom. She thinks her story has reached people online, and she would rather it stay that way.

“All I want is to create more. I live the dream, I do what I love and I don’t think about it commercially,” explains the beautiful brunette fashion designer.

Although she is happy with what she has achieved so far, Meera is looking to reach more people with her unique and daring collections.

Source: TRT World

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The Nana & Bird multi-label boutique invites you to join them

PHOTO: Nana and the bird

SINGAPORE – When we stumbled upon a store that feels like browsing a friend’s expansive wardrobe with every item that catches your eye, we know it’s a winner. Housed in the airy and spacious Yong Siak location, Nana & Bird is the place to venture when you need retail inspiration or to chat with the friendly owners, Georgina Koh and Tan Chiew Ling.

In addition to its eponymous clothing brand, Nana & Bird, the local multi-brand boutique also houses local and international brands. Over the past 11 years, from their beginnings as a weekend pop-up store in Georgina’s Tiong Bharu apartment, the brand has consistently responded to the needs of its customers by introducing relevant and thoughtful items in addition to offering engaging store experiences. From its roots in clothing, the fashion brand has branched out into accessories, children’s clothing and home goods. Faithful to their spirit of innovation, they recently launched three lines: Momentum, Essence and Re / love. These three new launches cover their fifth capsule collection, their home brand of perfumes and home care, as well as a pre-loved segment.


Born from a difficult year that the whole world went through, the aptly named Momentum is “inspired by the proposal to regain its momentum in 2021 after having survived the uncertainties of 2020”. The founders seek to instill a sense of hope and positivity by bringing lightness and forward momentum. The fifth capsule, a 30-piece collection, features easy-to-wear outfits, with funky prints and a colorful color palette. You’ll find tops, bottoms, outerwear and dresses designed with work from home in mind (wfh). Not quite loungewear, the Momentum collection is made for zoom-ready wfh situations, with a touch of elegance thanks to luxury materials such as jacquard.

On the one item every woman should own during this pandemic, Georgina shares her choice for a casual blazer that will get her through business meetings online quickly. Chiew Ling’s choice goes to a pair of comfortable house pants that can be dressed easily, which are also iron-free.

Prices start from S $ 115.


A single scent can evoke memories and inspire emotions. The same can be said of the Nana & Bird signature fragrance. After years of reviews from regulars who adore the boutique fragrance created by the founders, the bespoke store fragrance brand “RENEW” was born. Developed with Singapore-based essential oil company Ollie, RENEW is formulated with pure, natural lavender, eucalyptus and tea tree essential oils. By working with farmers and distillers around the world, customers can take comfort in bringing this familiar, chemical-free blend into their homes. Calming, relaxing and yet refreshing, Nana & Bird’s unique blend will definitely come in handy during this pandemic.

The “RENEW” range includes a room mist (S $ 25 for 50 ml), an essential oil (S $ 25 for 10 ml), an aromatic roller (S $ 18 for 10 ml) and the ESSENCE RENEW kit (60 S $ for all three products).

Re / like

In these uncertain times when people are starting to reassess their priorities in life, the founders recognize that fashion circularity is timely. Just as the preservation of products is due to the founders’ shared passion for fashion, the desire of the founders is for their fans to build a modern female wardrobe that can stand the test of time. This is done by injecting novelty in a sustainable way. For the founders, each item in the Re / love category is about celebrating moments, an item that evolves with you through the different stages of life and should remain relevant for years to come. Preserving rare, timeless and authentic pre-owned pieces from top luxury brands at affordable prices is more than owning a luxury piece. It is also about giving new life to each of the objects.

“The fashion industry is at a crossroads when it comes to assessing its footprint and its impact on the environment. As parents, we think about the world we want to create for our children. But as consumers ourselves, we cannot deny the joy of discovering new brands and new products, ”says Chiew Ling. “We believe the dichotomy between the two can be resolved by promoting fashion circularity. We can buy with intention, use with caution, and distribute responsibly.

Customers can follow the brand’s Instagram account, @relove_by, and schedule an appointment to view the items in store.

PHOTO: Nana and the bird

PHOTO: Nana and the bird

Meeting challenges together

The creative duo make entrepreneurship accessible to anyone considering doing the same. Please note that the two founders have full-time jobs and are each the mother of two children. So how did the two of them hit the jackpot with their shop? Far from chance, the success of Nana & Bird is the culmination of various factors, a large part of which lies in their chemistry and self-confidence.

Their 25 years of friendship have been built on a solid foundation, having met during their college years. Along with their promise to put friendship ahead of business from the start, their mutual respect has allowed them to build on each other’s strengths. But more importantly, both have their own ways of using time to their advantage.

A keeper of your time

For Chiew Ling, compartmentalizing her time in untouchable niches intended for her children, her husband and her business has done wonders. “You have to be aware of blocking your time and establishing the barrier,” enthuses the guardian of her time. The dynamic entrepreneur even manages to set aside time for his daily K-drama patch. Imagine having a full-time career, a thriving retail and online store, and juggling a family with kids, all while enjoying my free time. Go figure it out.

Georgina is aware of taking care of her energy level and being present at everything she does – whether it is focusing on the job during working hours, spending quality time with family or working on Nana & Bird operations and formulating business plans. This characteristic of being present has allowed her to focus on the issues at hand and to devote herself 100% to whatever she does. She repeats that when she dies, she really means it. “You have to think about how you use your time,” shares multitasking. While her business partner catches up with K-Dramas, Georgina enjoys relaxing with a glass of wine with her husband the evening after the kids have fallen asleep.

Understandably, both entrepreneurs credit their husbands with support and patience who willingly take on most of the babysitting duties, especially on weekends. Fortunately, the duo have established an am / pm time slot, so they can relieve themselves and enjoy some precious family time on the weekends.

Women lift women

PHOTO: Nana and the bird.  The founders (from left to right): Georgina and Chiew Ling.

PHOTO: Nana and the bird. The founders (left to right) Georgina and Chiew Ling.

Based on advice for aspiring female entrepreneurs, the founders would like to call on their female colleagues to embrace their ideas and actively seek out ways to manifest them.

“Don’t be afraid to have ambition. Don’t dwell on your ideas, just do it. Honor that energy and that instinctive feeling. Never doubt your instincts, protect it and see how it grows, ”Chiew Ling shares.

Georgina agrees: “We have to support each other. Women should not criticize other women but uplift each other. People are more than willing to share. When you’re stuck, talk to someone. Trust and reiterate your ideas along the way. “

The Nana & Bird community

On how they wish to bring Nana & Bird into the next decade, the founders have big plans. Recognizing that women are multi-faceted, they understand that having a highly organized offering is only the tip of the iceberg, their offerings also need to be sharp and different. Their dream for Nana & Bird is to build a strong community of women who will come together in a space to relax, even with their children. A unique destination where women not only get their dose of fashion, but also a place for their beauty needs. Most importantly, Nana & Bird will be a space where women can come together and support each other.

We can’t wait to see Nana & Bird take off.

PHOTO: Nana and the bird

PHOTO: Nana and the bird

Nana & Bird

1M Yong Siak St, Singapore 168641

Phone. : 9117-0430

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Who decides the war Spring 2022 men’s clothing collection

Who Decides War presented its fourth collection at sunset on the Intrepid, the disused WWII aircraft carrier turned museum. The combination of “war” in brand name and location might have suggested a display of aggression, but the lineup of Everard Best (aka Ev Bravado) and Téla D’Amore was more of an offer of peace – or a march, as Best suggested, of the “army of God”.

Yes, there were military references. The first exit featured a bag of missiles, but when that arched shape returned later, it looked like a stained glass window. Best explained that he was “brought up in church and in a tailoring shop” (his parents are in the ministry). D’Amore’s grandfather, meanwhile, was a first lieutenant during World War II. He described the collection as “the culmination of everything we’ve been through and things that really matter to us”.

After ditching fall 2021 to allow for some soul-searching into the direction of the brand, this spring collection is kind of a reboot. Best said they approached him saying, “Let’s just be us, and do what feels right and true to us, and has always served us, and that’s denim and embroidery.”

“And New York! D’Amore added.

“One of my biggest inspirations,” said Best, “is Ralph Lauren. Enter this collection [we asked ourselves], how to do like our Polo, but for 2021? When people ask the pair to describe the brand, he continued, “We say this is the Americana redefined through our lens as people of color.”

The show included references to Tuskegee aviators and black civil rights leaders, whose portraits were sewn into embroidered stained glass panels made in collaboration with artist Steven Barter of Barriers. Legacy informs everything WDW does, starting with the team’s design philosophy. “Ingenuity in general is all that our cultures are built on,” D’Amore said. “I think in general that’s the broadest comment, because when we were creating in our last two seasons it was like we had to be resourceful because we had no other choice. ” They called on Virgil Abloh and Kerby Jean-Raymond (who attended the show) for their active and essential support.

At WDW, a lot of ingenuity and attention is paid to the materials, as evidenced by the look of the brand on display at the Met. Thrift materials and animal corpses are combined with pure, non-stretch cotton. Their denim is embellished with patchwork and embroidery based on original designs scanned and machine-sewn. All the making of the brand’s samples is done by hand, as is the skating, which Best does himself with his assistant.

Because there is so much “intention” and manual work in every piece, maybe the real question WDW is asking itself is who decides what art is? “It’s not streetwear, it’s not haute couture, it’s really art,” D’Amore said. “The same way someone spends days on a canvas, we spend days on a jacket, or days on a pair of jeans.”

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Crocs to Change Hoof Ingredients to be Biobased by 2022 | Fashion

Crocs – the previously hated shoe company that became a fashion success story during the pandemic – is drastically changing the ingredients of clogs and will be fully bio-based by 2022.

The shoe, named one of Time magazine’s worst inventions of 2010, will be remade using a natural blend. The new material, called Ecolibrium, is constructed from hydrocarbons extracted from renewable resources and wastes such as palm oil and pulp. The company qualifies the new production process as “negative carbon”.

Managing Director Andrew Rees called on other companies for “greenwashing,” distinguishing between those actively trying to reduce their carbon emissions and those trying to achieve zero carbon through offset initiatives. such as recycling old items. “Our net zero includes the entire footprint, not just how we operate the business, but also all of our products,” he said.

The brand has been transparent about its carbon footprint: around 3.94 kg of CO2 per pair – already low for the fashion industry – and says it is not only trying to lower that figure but to be completely neutral in carbon by 2030.

However, Greenpeace UK has criticized Crocs’ use of palm oil in the new ingredients. “Substituting palm oil will not solve Crocs’ contribution to climate change,” said Anna Jones, head of forestry. “This ignores the fact that the expansion of land use for oil palm plantations is a driver of deforestation which has direct consequences fueling the climate crisis.”

She added that the palm oil industry was not transparent and “extremely complicated”. Jones said supply chains are poorly monitored and regulations designed to preserve forests are poorly implemented and contain a series of loopholes that allow companies to largely ignore them. “Securing a reliable supply of sustainably produced palm oil in today’s market is nearly impossible, and until the industry is properly regulated and the growing demand for palm oil subsides, any claim about” sustainable palm oil ”will probably be snake oil. ,” she said.

There will be no price hike for the new Crocs, unlike other shoe brands such as Nike and Converse which produce more environmentally friendly ranges of their existing shoes (Space Hippie and Renew, respectively) and sell them at a higher price in part because of the renewable ingredients. are more expensive. “Most companies do it so they can charge a premium,” Rees told Fast Company. “We like to use the line, ‘green comes in all colors’.”

After being mocked for years, the Crocs became a pop culture phenomenon, beloved by celebrities such as Justin Bieber and Nicki Minaj, and gained popularity during the pandemic as people flocked to “comfort clothing.” “. The company said its projected revenue would be £ 4.2 billion ($ 5 billion) by 2026.

The fashion industry continues its efforts to improve its sustainability record. In October, New York Fashion Week was estimated to have caused between 40 and 48,000 tonnes of carbon dioxide emissions, according to a report by the Council of Fashion Designers of America and the Boston Consulting Group. Six areas for improvement were highlighted by the report, including increased on-site recycling and reduced transportation, which were implemented during the NYFW which took place over the weekend.

In response to the use of palm oil, a spokesperson for the Crocs company told The Guardian: “Crocs has worked with Dow, a global materials science company, to incorporate new Ecolibrium technology that transforms sustainably sourced waste and by-products into a shoe that has all the comfort you expect from Crocs, but with fewer emissions. Dow ensures that all of the bioresidues and by-products it sources from can be obtained in a sustainable and certified manner. In addition, they only use by-products that do not compete with the food chain, and by finding a use for materials that would otherwise be wasted, they are able to ensure that these products are part of the food chain. circular economy. “

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Met Gala: Billie Eilish wears Oscar de la Renta

Against the backdrop of red carpets, it might seem odd to imagine that wearing a ball gown is a risky choice. But that’s how Billie Eilish saw it.

When Mrs. Eilish, the 19 year old gothic pop star, decided to wear an Oscar de la Renta nude tulle dress, “she was very interested in surprising everyone with a look she had never done before. “said Fernando Garcia. , creative director of the brand, describing the dress as “very clean and sensual”.

“It was like a risk for her – it was like something that made her nervous in a good way,” he said. “At the end of the day, she’s a girl and she wants to be pretty.”

Ms. Eilish has never worn Oscar de la Renta on a red carpet. She’s more of a logo enthusiast, historically opting for oversized and monochrome pants and jacket sets from Gucci, Burberry and Chanel, and occasionally matching her clothes with her black and neon green hair.

Except Mrs. Eilish’s hair hadn’t looked like this for a while. This summer, she showcased a new, bulging blonde look on the cover of British Vogue, dressed in pink lingerie and nude latex. During her Met Gala debut, she sought out another traditionally feminine aesthetic, providing Oscar de la Renta with benchmark images of Grace Kelly and Marilyn Monroe during the design process.

“She was super excited to wear a beautiful dress,” said Laura Kim, the brand’s other creative director – a statement that would have been somewhat unbelievable two years ago. But when she walked the museum’s red carpet on Monday night as the gala’s youngest co-chair, Ms Eilish looked like the glamorous starlet.

Her corseted dress had a gargantuan skirt with a 15 foot train. Seeing Ms. Eilish in such a grown-up ensemble, it’s easy to forget that she’s still a teenager. When she first met the creators, she brought her mother, who took so many pictures her phone froze, Ms Kim said.

Ms. Eilish is also perhaps the only Met Gala guest in history to bring about a change in a company’s ethics policy as a condition of wearing her dress to the fashionable version of the Super Bowl.

Oscar de la Renta will end all fur sales at the request of Ms Eilish, who is a vegan and animal rights activist. Mr Garcia and Ms Kim haven’t used fur in their designs for a few years now – ever since they told Alex Bolen, the brand’s general manager, that they don’t find fur chic, modern or relevant. Mr Bolen disagreed, he said, but told them it was okay to stop using fur on the track. However, the company still sold fur products in stores. While declining to provide figures, Mr Bolen said fur represented “a significant amount of sales and profit” for Oscar de la Renta.

For years, Mr Bolen has advocated for stopping the use of fur, including from his wife, Eliza, a longtime company executive, and his stepmother, Annette de la Renta (Oscar’s widow), who told him the practice was barbaric.

Mr Bolen thought it over but ultimately resisted those calls, until this summer, when Ms Eilish’s team informed the company that they did not work with brands in the fur business. He realized that maybe now was a good time to quit.

“I thought a lot about what Oscar said – he was a huge fan of fur, by the way – that the only thing that really worried him in the fashion business was that his eye was getting old,” he said. Mr Bolen said. It reminded him to listen to what young people, in particular, had to say. “I have to surround myself with people with different points of view.”

Ms Eilish said in a statement to The Times that she found it “shocking that wearing fur is not completely banned at this point in 2021” and “I am honored to have been a catalyst and to have been heard on that question . “

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Former homeless fashion designers open clothing store in SoHo

They went from rags to loot.

A pair of former Manhattan homeless are back in the Big Apple during New York Fashion Week to celebrate their new clothing line – a favorite of high-profile celebrities including Rihanna, Post Malone, Bella Hadid and Jay Z .

It’s a far cry from their old days in New York.

“We were homeless for about two years,” Jimbo Williams, co-designer of LaRopa, told The Post, explaining that he and his business partner Aristotle Sanchez frequently spent the night in subways or parks.

“I never felt unsafe,” said Williams, now 28. “Maybe the only dangerous thing was the rats. If you sleep in the park, they will try to crawl on you.

He and Sanchez, 22, came from Toronto to New York in 2016, with $ 500 and the clothes on their backs, determined to make their way as designers. They started with a group of artists from Canada, but their friends all returned north of the border after deciding that life on the streets was not for them.

Williams and Sanchez started LaRopa while homeless in Manhattan.
Stephen Yang for NY Post

When they were lucky, Williams and Sanchez snuck into a quiet area of ​​the Pennsylvania Hotel. Unused conference rooms were ideal, except when Williams’ snore alerted people to his presence. Sometimes the men would throw parties and meet local college kids willing to give them a night of radical-chic entertainment on their parents’ credit card.

“We slept in NYU and the girls checked us in in the dorms,” recalls Williams, a college dropout. (Sanchez dropped out of high school at age 17.)

A jacket from LaRopa.
A jacket from LaRopa.
Stephen Yang for NY Post

The couple – who are self-taught in terms of sewing and design skills – have spent their waking hours jostling each other in thrift stores and repurposing used clothes for sale on Instagram. Eventually, they created their own website.

They missed a McDonald’s Wi-Fi near Astor Place, spending hours on social media building the brand.

“We used to sneak into NYU and use the film scanner in the Tisch building,” Sanchez recalls, saying the technology was invaluable in bringing out their early designs. “You ask someone to connect you and you polish it up a bit.”

Williams and Sanchez moved from Toronto to New York in 2016 to launch their brand.
Williams and Sanchez moved from Toronto to New York in 2016 to launch their brand.
Stephen Yang for NY Post

With their penchant for entrepreneurship, the couple said they had never shared much with other members of the city’s homeless population, many of whom either suffer from mental illness or “would just do heroin. “, as Williams said.

“Me and Jimbo were so determined. We felt deep in our hearts that we had to be in New York and stay no matter what, ”Sanchez said. “It takes a lot of courage to be broke and homeless and know it will be worth it one day. “

They named the brand LaRopa – in Spanish for “clothes -” because, said Sanchez, “we are the masters of the clothes.”

Bella Hadid wearing a LaRopa hat in New York City.
Bella Hadid wearing a LaRopa hat in New York City.
GC Images / Getty Images
Erika Jayne wearing a LaRopa shirt that says "P - builds strong bones."
Erika Jayne wearing a LaRopa shirt that says “P-sy Builds Strong Bones”.
Spartano / BACKGRID

Things took off around 2019 after rapper Playboi Carti started appearing on social media in their merch. A net of celebrities turned into a flood.

Eventually, there was enough stuff on the duo’s website to get them off the streets. But after an apartment in Brooklyn broke down, the designers took it as a sign and headed out west.

“We went to Los Angeles. The motels there are quite cheap and it was a big step in bringing us to a more stable way of life. And then we had a studio in LA, ”Sanchez told the Post.

Williams and Sanchez now employ 15 people and operate two stores in Los Angeles. They have a brand new store in Soho, which will open next month. Plans are underway for outposts in Las Vegas and Miami in 2022.

50 other stores around the world now carry their products, which are made in the United States. The line gained enough cult status in Los Angeles that someone spray-painted it outside the Chateau Marmont.

Jake Paul donned LaRopa during his brother’s infamous fight against Floyd Mayweather in June. Supermodel Hadid graces the company’s Instagram account in a LaRopa trucker hat and has also been pictured in her beanies.

Jake Paul wearing a LaRopa hat at a press conference ahead of his brother Logan Paul's boxing match with Floyd Mayweather.
Jake Paul wearing a LaRopa hat at a press conference ahead of his brother Logan Paul’s boxing match with Floyd Mayweather.
Larry Marano for NY Post

Incredibly, the designers did everything without outside investors. Williams credits “the power of people and the power of the Internet.” We had no dollars, but we had PhotoShop and Instagram and a website, and people were buying our products.

Many threads are adorned with eye-catching slogans like “P – sy Builds Strong Bones”, their most famous logo.

“It means empowering women. It’s the easiest way to look at it, ”said Williams. “Without p – sy, none of us would be here. It is our ode to women.

La Ropa trucker hats that sell for between $ 80 and $ 250.
La Ropa trucker hats that sell for between $ 80 and $ 250.
Stephen Yang for NY Post

Although their store’s smooth opening takes place during iconic New York Fashion Week, the couple said their clothes rejected the “pretense” of the event.

That doesn’t mean their business is cheap, however. A denim jacket with 15 pockets sells for $ 2,000. Trucker hats sell for between $ 80 and $ 250. A signature “P — y Builds Strong Bones” rhinestone tee costs $ 100, with a tank top version available for $ 60.

LaRopa's Soho boutique opens just before New York Fashion Week.
LaRopa’s Soho boutique opens just before New York Fashion Week.
Stephen Yang for NY Post

Williams said the ideal client is “young, free-spirited, stylish” and ready to “challenge authority.” New age punk kids.

He gives them a little advice on life: “Never give up. If you have a dream and you can see it, you can make it come true.

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Luxury fashion brand RooomXIX urges the fashion community to ‘own your story’ in new TV commercial.

Understanding who you are and what you believe in is essential to making your story your own. It means focusing on yourself and ignoring the naysayers. That was the idea behind the new TV commercial titled “Make your story your own”. It means expressing yourself through your dress sense. Even if those who don’t understand insult you, paint pictures and tell your story with your outfit. RooomXIX supports your taste for urban streetwear.

It has been said that what we wear impacts our psychology, brain, and lifestyle in general, so it’s crucial to do and wear what makes you feel special. Being stylish involves more than just following the latest fashion trends, it also involves a sense of self-expression. And that’s what RooomXIX is.

Rooomxix recognizes who you are and curates outfits that match your streetwear cravings. The brand believes that wearing what you feel is appropriate because you demonstrate self-awareness, understanding and expression of your fashion alter ego.

There is a style for everyone. So choose what identifies you rather than what others prefer. Dare to be different. You are more daring than you think, accept and display your personal flair. Roomxix has all the street wear you need to stand out.

“Own your story. Create your story with what you wear, be intentionally unique with the way you dress. Dress appropriately for your story, be proud of it, and stand tall. What you believe in automatically gives you strength, it doesn’t matter what someone says or thinks as long as it’s your story. Own!”

To see the best fashion trends, shop for urban street clothes, follow RooomXIX now on Instagram. Or visit the website

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