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Hazel J. Edmonds

Fashion designer

Batman has a new god Mister Miracle Moonlighting as clothing designer

The following article contains spoilers for “Blood in & Blood Out” in Batman: Urban Legends #18, on sale now.

In his civilian identity of Bruce Wayne, Batman is known for being flashy and charismatic. Yet very little has been said about what goes into the creation of the billionaire playboy character. During “Blood in & Blood Out” by Batman: Urban Legends #18 (by Henry Barajas, Serg Acuna, Dave McCaig, and Hassan Otsmoane-Elhaou), readers got to learn who designed the various Bruce Wayne costumes, and the answer is quite shocking.

Asked by the paparazzi who he wore, referring to who designed his costume, Bruce replied “Scott Free. I think”. As many fans will notice, Scott Free is the civil name of Mister Miracle, a new god and the son of Highfather. Learning that a higher being like Scott Free designs men’s formal wear in his spare time is surprising to say the least, but at the same time, it opens some much-needed doors for Scott in his personal life.

RELATED: Gotham’s Bonnie & Clyde Are a Perfectly Subversive Addition to Batman’s Rogues

As Mister Miracle, Scott can escape anything, it’s his main power. However, he still needs a normal life away from the violence of his own. Very few stories have actually looked at what Scott would do for a living outside of being a hero, because realistically putting on a colorful costume and punching aliens doesn’t pay much. A career in costume design might seem like it came out of nowhere, but it might just seem perfectly logical.

Scott has spent most of his life running from place to place, breaking the prison he’s been put in this time around. It goes without saying that he would like to do something for once. The act of creation, even of making oneself, can even be therapeutic for one who has endured so much suffering during his life. Plus, having one of the most distinctive costumes in the entire DC Universe, Scott has perhaps been pondering what can be called fashion for quite some time. Maybe he thought that if he could pull off his shiny suit, making a simple black and white tuxedo would be simple. Or maybe he just wanted to make a costume that didn’t stand out too much.


RELATED: Batman Struggles To Keep His Robins Straight

Then there’s the question of how long he’s been doing this. Designing for someone as high-profile as Bruce Wayne is no mean feat. This means that Scott has connections and is talented enough to be confidently carried into a televised public gathering. Bruce’s uncertain answer to who he was wearing could imply it’s a recent development in his life, but it could also just be him playing the role. Scott could have been its only designer for years.

Making formal wear doesn’t have to be what he’s limited to either. Scott has a habit of bringing New God technology back with him. If he really wanted to, he could open a business making custom costumes for the heroic community. Not just civilian clothes, but also costumes. He could redesign the suits in new and exciting ways and even implement New God technology for defensive purposes, while charging a reasonable cost. It would definitely be an interesting way to further flesh out his character, as well as provide him with personal stability and community.


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French fashion

How Napoleon’s death in exile became a controversial mystery

When I noticed that August 15 was Napoleon’s 253rd birthday, I remembered a dinner I had several years ago with an elderly surgeon. He had amassed a remarkable collection of historical medical artifacts, and after we had our entries, he confessed that his most treasured memory was a piece cut from the body of Napoleon Bonaparte – good manners prevent me from specifying who Part of the body. Suffice to say that I was sick enough not to want dessert.

The surgeon whispered his intention to analyze the anatomical specimen in an attempt to understand the cause of Napoleon’s death in 1821, which has long been one of the most controversial mysteries in French historical circles.

I thought my Napoleonic encounters were over until I found myself in Paris recently. In my spare time, I made a visit to Napoleon’s Tomb, the Dôme des Invalides and the shadow of the Eiffel Tower. Looking at the polished red quartzite sarcophagus containing the remains of the old man, the question began to plague me: what did he die of, after so many years in exile?

Napoleon was only 51 when he died on the island of Saint Helena, where he was out of power and exiled from his beloved France. On May 5, 1821, he had been increasingly ill for several months, suffering from recurrent abdominal pain, progressive weakness, and persistent constipation. Her final weeks were marked by vomiting, incessant hiccups, and blood clots, or thrombophlebitis, in various parts of her body.

The doctors who carried out Napoleon’s autopsy on May 6, 1821 concluded that his death was due to stomach cancer, exacerbated by bleeding from gastric ulcers, after a huge dose of calomel – a compound containing mercury that was used as a medicine – was administered to him the day before his death. Since then, armchair pathologists have wondered if this is indeed the case. Many physicians have come up with a multitude of diagnoses that have literally filled books and journals over the past century.

Napoleon I, Emperor of France, in exile. Image via Ann Ronan Pictures/Print Collector/Getty Images

More infamously, in 1961, a Swedish dentist named Sten Forshufvud, working with Drs. Hamilton Smith of Glasgow and Anders Wassen of Sweden, made international headlines with an article they published in Nature magazine. Applying the latest technology to analyze a lock of the emperor’s hair, “probably taken immediately after his death”, they announced that Napoleon may have died of arsenic poisoning.

Forshufvud and colleagues initially reported that it was impossible to tell from sample results alone “whether the arsenic was evenly distributed (as expected in continuous exposure) or localized to one point (as it would be). in one large exhibition)”. A second article from the same team analyzed a different hair sample supposedly taken from Napoleon’s head. Again they found high levels of arsenic and suggested that he had been intermittently exposed to the poison for, possibly, four months prior to his death and that the arsenic “could not have been added by afterwards, by spraying, dusting or dipping, as suggested by some reviewers.” Subsequent hair samples showed similar results, although the provenance of all of these samples isn’t exactly definitive and could easily be from other heads.

Decades later, chemists J. Thomas Hindmarch and John Savory wrote a rebuttal of claims of arsenic poisoning. It is important to note, they reminded their readers, that in the bad old days of medicine – when bleeding and cupping were still major treatment modalities – arsenic was a common, albeit ill-advised, drug. often packaged as a known tonic. as Fowler’s solution. It was also widely used in rodenticides, insecticides, clothing dyes, and “even candy wrappers.” Additionally, French aristocrats, including Napoleon, wore arsenic-based face and hair powder. There may also have been arsenic in the water supply, the wallpaper covering Napoleon’s bedroom, in the coal smoke heating his rooms, and post-mortem exposure due to the arsenic content of the ground covering his coffin, while he was still buried in Saint Helena. before being brought back to Paris. And to make matters more confusing, there was also the 19th century practice of preserving strands of hair in arsenical solutions and hair powders.

Nonetheless, journalists and history buffs have embraced various conspiracy theories involving arsenic poisoning. Some claim that the alleged murderer (perhaps by accident) was Charles Tristan, Marquis de Montholon, who was Napoleon’s favored companion when they were both on the island of Saint Helena. A motive was even worked out in that Napoleon left Montholon 2 million francs in his will.

It’s a big story, but probably just that – a story – and at the expense of the historical reputation of the Marquess. Alas, as Napoleon supposedly once said, the story is a fable that people have agreed upon. (This line, by the way, has been attributed in different forms to a number of prominent French figures.) Given the ubiquity of arsenic at this time, Napoleon’s family medical history of carcinomas stomach cancer and the advanced state of his stomach cancer and hemorrhagic stress. ulcers, exacerbated by all the prescriptions of his doctors, the first autopsy results still seem the most probable.

Napoleon was the author of several revolutionary achievements and a godlike reputation in power, but history also recognizes that he was a tyrannical despot and a warmonger. In the end, debating the cause of his death may be the ultimate fool’s errand. His giant and impressive tomb reminds us too well that it is high time to leave the man alone.

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Fashion brand

Meet the founder of cult jewelry brand Missoma, Marisa Hordern

It is this genuine desire to create something different for the market that has seen Missoma act as a pioneer in the category. It was one of the first brands to embrace influencer collaborations, bringing tastemaker Lucy Williams into the fold eight years ago. Williams’ editions of simple but remarkable coins have been the core of Missoma’s business (and I say this as someone who has purchased countless gold crescents and Roman coin necklaces for the anniversary of ‘friends and big occasions), with people always eager to buy it first collection today.

Longevity and authenticity are obviously a big part of success. “Who has that kind of relationship with a brand?” Hordern asks. “We were together talking about new designs and we’re both still as excited as we were when we first met around my kitchen table with sand and seashells and ideas of what we wanted to create.”

Now, this focal point of the jewelry industry is booming, with many other brands offering a version of the Missoma aesthetic. Thin necklaces layered with mismatched pendants, a series of chubby hoops climbing up to the ear, stacks of vintage-inspired bracelets and rings. However, it is Hordern’s vision for the future and the people she chooses to work with that are driving the brand forward. Collaborators like Harris Reed, who worked with Missoma just at the tipping point of her stratospheric rise to fashion stardom, on a stellar collection of pieces that looked incredibly like Missoma, but were also unmistakably Harris Reed.

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Fashion style

Fashion: Stripes Take Over: How to Style the Season’s Biggest Print Trend

By Katie Wright, PA Fashion and Beauty Editor

August 15, 2022 03:00

DESIGNERS went wild for stripes on the Spring/Summer 2022 catwalks, with everything from monochrome to multi-coloured – in understated striped shirts and bold, disco-tastic dresses.

With summer in full swing, it’s the perfect time to try out the trend, whether you’re looking for vacation wear, weekend outfits or the perfect party dress.

Here’s how to incorporate stripes into your summer wardrobe…

NAUTICAL

As seen at Wales Bonner and JW Anderson, navy blue and white nautical stripes never go out of style.

This season, the classic Breton long-sleeved top gives way to cute, summery tank tops, tees and co-ords. Pair with white jeans and espadrilles for a chic seaside look.

Tu Nautical Stripe Drop Shoulder Coord T-Shirt, £6.40 (was £16); Nautical Stripe Coord Shorts, £5.60 (was £14), Sainsbury’s

M&Co Striped Woven Sleeveless T-Shirt, £26

Oliver Bonas Mono Striped Ivory Knit Top, £39.50

VERTICAL STRIPES

The seaside inspiration continues with vertical deckchair-style stripes. Flowing dresses caused a stir at Schiaparelli and Tory Burch, while striped separates were layered at Jil Sander and Kenneth Ize.

Embrace the contrasting runway look by pairing contrasting tops and bottoms, or keep it simple with a striped midi dress and tonal accessories.

Lyle and Scott women’s striped cardigan, ecru, £36 (was £90)

Crew Clothing Red and Pink Striped Sundress, £69

monochrome

Albaray linen striped dress, £75 (was £130)

Always a stylish combination, black and white stripes were seen on everything from sassy mini dresses (Balmain and Courrèges) to sweeping dresses (Erdem and Tory Burch).

Take your pick from bodycon dresses (for work or play) to casual linen day dresses.

Lascana Long Sleeve Striped Cardigan, £38; Lascana striped t-shirt dress, £38, Freemans

Karen Millen Compact Stripe Pencil Midi Dress, £117 (was £195)

SECOND-HAND CLOTHING

Going the retro route for Spring/Summer 22, Fendi models Brandon Maxwell and Jil Sander walked the runway in bright, dramatic dresses.

The coolest way to wear formal wear this summer, a striped maxi dress in bright or pastel hues is perfect for weddings and garden parties.

Play up the 70s disco vibe with metallic platform heels and a pair of hoop earrings.

Chi Chi London Striped One Shoulder Long Sleeve Midi Dress in Pink, £40 (was £65)

White Roman Stripe Ruffle Maxi Dress, £40 (was £48)

Love Mark Heyes Stripe Ruffle Midi Dress, £49; Kaleidoscope Rose Gold Tone Metallic Wedge Sandals, £45, Freemans

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Fashion designer

Anne Roose obituary | Fashion

My mother, Anne Roose, who died aged 90, was a fashion designer who helped reinvent Welsh wool with her elegant contemporary designs inspired by Celtic tradition.

She was instrumental in saving the rare breed of Jacob sheep, working with Araminta, Lady Aldington and the Holywell Textile Mill in North Wales to turn the distinctive but rough fleece into beautiful fabric in natural tones , which resulted in her famous Anna Roose Jacob collection (she used Anna as her professional first name).

Anne was born in Blackheath, south London, to Muriel (née Richards) and Ralph Paton, who worked for the Mazawattee Tea Company. Her younger sister was Jane Paton, the prolific children’s book illustrator of the 1960s and 1970s. Shrewsbury area.

While at school, Anne and her sister learned that their father had gone missing, they were thought to be dead, and their mother eventually remarried. However, in the mid-1950s, when Anne was the subject of a newspaper article about her work, she received a phone call. She knew immediately that it was her father. Once reunited, they had a warm relationship. But it was never explained to Anne what had happened.

Anne Roose, far left, showing a cape from the Anna Roose Jacob collection to a group including Araminta, Lady Aldington in the early 1970s

Anne attended Shrewsbury High School, then transferred to Croydon High School once the war was over. She showed a great aptitude for art and, in 1946, after obtaining her school certificate, she was sent to France to continue her studies, staying with families in Paris via a student exchange. The first family were active Communists, which came as less of a shock to Anne than to her own family – then based in Purley, Surrey – when it was their turn to reciprocate.

Sketch by Anne Roose of a design from a 1950s Parisian haute couture catwalk
Sketch by Anne Roose of a design from a 1950s Parisian haute couture catwalk

As a student in Paris, Anne got her first taste of the haute couture world and even met Coco Chanel. Back in England, she enrolled at St Martin’s School of Art. After graduating, she got a job as a designer for a London fashion company, which sent her to haute couture shows in Paris. Every evening, she returned to her room to sketch the drawings from memory to post in London.

In 1954 Anne married Richard Roose, who worked in human resources. She soon combined running an increasingly successful business with raising three children in a sprawling arts and crafts house in Oxted, Surrey. The door was never locked, with family and friends of the children – and, later, grandchildren – always welcome at Sunday lunches around a large Welsh farmhouse dining table. Later Anne and Richard moved to Rye in East Sussex to be close to me.

Even in retirement, Anne remains busy making clothes – often in wool – for her grandchildren, to whom she is deeply devoted. Jacob’s sheep are now a familiar sight in the British countryside.

Richard passed away in 2009. Anne is survived by her children, Anthony, Simon and I, seven grandchildren and five great-grandchildren.

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French fashion

It’s not that people are more sensitive these days. Some things aren’t funny anymore | Marthe Gill

JThe idea that young people are exceptionally pampered and go to great lengths to protect themselves from the realities of life – to the detriment of the rest of us – has long been ingrained in the minds of the nation, where in some cases , it seems to have hardened into an immovable plate.

I was hit by a meeting with former Python Terry Gilliam. After years of irreverent truth (recent views: #MeToo was a witch hunt, Harvey Weinstein’s victims were “adults who have made choiceshe was a black lesbian himself), Gilliam had suddenly encountered a new, censored generation, the first of its kind, who were simply too soft and closed-minded to accept him. They couldn’t handle his truth.

“In universities, when a lecturer comes in, the ideas are so disturbing that the students have to go to a safe room, where they can hold hands and recover from those ideas,” he said.

You will have heard it already: Gilliam is following in the footsteps of John Cleese and many other actors and writers (last week, it was the turn of the novelist Anthony Horowitz lament the problem in an interview). A Telegraph the editorial complains about a trigger warning on a French class as proof that students are overprotected. It is worth challenging because several mistakes are made at once.

First: the inherent contradiction. Can a generation be both fatally unprepared for the real world and so powerful that they can shape that world entirely in their own image? Isn’t it actually people like Gilliam who are ill-prepared for the realities of today’s world?

There is also a misunderstanding about how young people are pampered. Growing up on the internet and in a country where the groups of politicians who win elections hold very different views from the typical “student liberal,” young people have perhaps never been so exposed to alternative thinking. Debates of the kind Gilliam may have first encountered in college raged around them all their lives. They’re also much more accustomed to what you might call “shattering content” than any college course. Extreme porn, racist rants, sexist trolling – all of this will be deeply familiar to those currently in college. No wonder the concept of “draw the line somewhere” appeals more to this generation than previous ones.

It is of course deeply alarming that books have been removed from reading lists because they might be offensive, two cases of which were found in a Time survey last week. But trigger warnings are not censorship; in fact, they can help broaden the audience for certain texts. Those who have had an unpleasant personal experience – rape, racism, homophobia – will always have struggled to handle debates on these topics with the kind of unbiased intellectual rigor that university courses demand. It is a good thing that lecturers and tutors are now aware of this obstacle. This should help learning, not hinder it.

We should also note that our time is not only censored. There was never a time in history when comedians like Gilliam could just say whatever they wanted. Society has always had its taboos and they have always been respected. Even when Gilliam was at the height of his powers, he would have been kicked out for blacking out, for example, or for denying the Holocaust. (“You can’t say anything these days”, you can imagine a disgruntled artist saying like The Black and White Minstrel Show was launched off the BBC, just four years after the last series of Monthy Python’s flying circus.) Gilliam longs for a time that never was.

Admittedly, certain types of taboos seem to accumulate in the West. In progressive societies, ridiculing certain oppressed groups tends to become increasingly taboo as these groups gain status, civil rights and respect. Racism, homophobia, sexism and ableism have all gone out of fashion. (These kinds of changes have always tended to be led by young liberal groups. Gilliam should note that students have always been more censored than others when it comes to offending minorities.)

But other kinds of taboos are loosening, those once imposed by dominant groups and societal orthodoxies (and those that proliferate under repressive regimes). Jokes about Christianity, the monarchy and sex, including women joking about their body parts and bodily functions, have become less and less taboo. Like swearing.

Frank Skinner recently recalled a concert in the 80s where the host apologized to the crowd after Skinner played some risque material about sex, before launching into a series of racist jokes that brought down the home. This type of change has also always tended to be driven by young people. It is possible that the number of taboos in circulation at any time is in fact neutral, even if their topics change. Gilliam and his colleagues should consider that the sensation they feel is not canceled but simply old-fashioned.

Should taboos exist? It is clear that they are extremely harmful to freedom of expression and contribute to hindering debates on which society has not yet made a decision. Progressive societies should resist them as much as possible. But there is still a place for them. There are times in history when certain issues and topics become taboo not because something interesting is hidden there or because people are afraid of it, but because a debate is downright closed. One side won.

Is racism good? Did the Holocaust take place? Was Weinstein a monster? Should black lesbians be ridiculed by Gilliam? In Britain, these debates kicked the bucket. They got rid of their mortal shell and joined the invisible choir. These are old debates. Tediously reviving them is actually detrimental to free speech (and offensive) because it suggests that public debate can never progress. All questions are open, forever.

Martha Gill is a political journalist and former lobby correspondent

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Fashion brand

The ultra-rich continue to buy luxury despite inflation and fears of recession

Prices for food, gas and travel have soared over the past year, but the wealthy seem to be shying away and still fueling sales at luxury companies, where sneakers can cost $1,200 and sports cars easily exceed $300,000.

Companies that cater to the ultra-rich, including Ferrari and parent companies of Dior, Louis Vuitton and Versace, are seeing strong sales or raising their profit forecasts. The upbeat results come even as recession fears weigh on the economy, with Walmart, Best Buy, Gap and others slashing their financial outlook, citing a pullback in spending by low-income consumers squeezed by inflation.

The unwavering strength of the luxury category is consistent with past economic downturns, experts say, with the wealthy often the last to feel the effects due to the cushion their extreme wealth provides. Among the jet set, ongoing spending also indicates how expensive purchases often serve as status symbols.

“Having symbols of power within your tribe is a powerful thing,” said Milton Pedraza, founder and CEO of Luxury Institute, a market research and business management firm. “These symbols of power still matter a lot among the tribes of the ultra-rich.”

Louis Vuitton, for example, offers a pair of sneakers for $1,230, as well as a bag for $2,370. The parent company of haute couture brand LVMH, which also owns Christian Dior, Fendi and Givenchy, posted organic revenue growth of 21% to 36.7 billion euros ($37.8 billion) in the first half of 2022 compared to a year ago.

At Versace, where the price of a pair of shoes or a collared shirt can easily exceed $1,000, quarterly revenue rose nearly 30% to $275 million from a year ago. , after removing the effect of currency movements. Its parent company Capri Holdings, which also owns Michael Kors and Jimmy Choo, said its overall revenue rose 15% to $1.36 billion in the period.

Despite the wider economic uncertainties, Capri CEO John Idol said the company remained confident in its long-term goals due to “the proven resilience of the luxury industry”.

“None of us know what’s going to happen in the second half of the year with the consumer, but it looks like the luxury industry is pretty robust and healthy,” Capri said during an interview. an earnings call this week.

Earlier this month, Italian supercar maker Ferrari also raised its full-year guidance after revenue hit a record 1.29 billion euros ($1.33 billion) in the second quarter. The automaker’s 75-year-old 2022 Ferrari 296 GTB, which has plug-in hybrid capabilities, starts at $322,000, according to Car and Driver, while its 2022 Ferrari 812 GTS starts at around $600,000. Even used Ferraris sell for hundreds of thousands of dollars.

Outside of the luxury world, some companies are also noting the strength of more expensive options. Delta Air Lines, for example, cited stronger revenue recovery for offerings such as business class and premium economy class, compared to its other coach tickets.

While the luxury industry has always had a degree of resilience, the growing wealth disparity fueled by the pandemic is adding to the sector’s current strength, said Amrita Banta, managing director of Agility Research & Strategy, which specializes in affluent consumers.

“The disposable income of the most affluent and wealthy (affluent) consumers increased as they spent less on travel,” she said.

Additionally, she said there has been a cultural shift since the 2008 recession and today’s affluent consumers are less guilty of spending in downturns and “feel empowered to spend their wealth.” She said that’s partly a reflection of people in developing countries, where wealth is growing.

Luxury companies could notice a slowdown in spending among the 80% of their customers who are “nearly affluent”, said Pedraza of the Luxury Institute. But he said those consumers typically account for around 30% of sales.

Instead, he said luxury brands often rely on just 20% of their customer base – the ultra-rich and the super-rich – for the majority of their sales. And because that framework is much more resilient to inflation and recession, luxury companies tend to experience a downturn last, he said.

“The type of customers and amount of sales they represent at real luxury brands makes them super resilient,” he said. “Not immune, but super tough.”

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Fashion style

5000+ timeless fashion trends from Mohammed Cap Mart Hyderabad

`Dushman, Maine Pyar Kiya: Hyderabads 5000+ Timeless Fashion Trends Mohammed Cap Mart

Hyderabad: Caps never go out of style. The same goes for the Mohammed Cap Mart (MCM). Whatever the occasion, here you get the cap that matches your personality. Whether it is the traditional baseball cap, beanies, visors, bucket cap, safari cap, Rampuri cap, Jinnah cap, Afghan cap, Omani cap, the Sudanese cap, the Shergola cap, the embroidered cap, the designer Rumi topi, the graduation cap, the police cap or the cowboy. Hats. You name it, MCM has it. With 5000 varieties of corks to choose from, you really are spoiled for choice here.

In its 120th year, the MCM still remains the top choice for people looking for a new headgear. Recently, during a wedding in a certain Sexena family in the old town, a problem arose because the old “Gundi cap” turned out to have worn out. There is a tradition in this family that the bride and groom don the Gundi cap on D-Day. The family immediately got in touch with Ilyas Bukhari, the owner of MCM. And in no time the bonnet was fixed and the groom was riding happily through the baraat with his head held high.

This run-down Patharghatti market in the heart of the old town is a one-stop-shop for all headwear needs. Whether it’s a religious program you want to attend, a traditional wedding, a sporting event, or just want to impersonate your favorite hero, MCM is the right place. Some people have a fetish for hats and go on a collecting spree. Dev Anand’s Jewel Thief cap was all the rage in the 60s, as was the Nepali cap worn by Rajesh Khanna in the movie Dushman. Bukhari remembers selling thousands of these caps.

Even now youngsters come here in search of Salman Khan’s Maine Pyar Kiya cap and caps of other Bollywood celebrities like Ranbir Kapoor, Hrithik Roshan, Amitabh Bachan. There is also demand for our very own Hyderabadi star – the Gullu Dada cap.

You want to equip yourself with the right headgear, there is no better place than the MCM. There are caps and caps of all shapes and sizes here. From a crocheted cap costing only Rs. 60 to a leather cap worth Rs. 75,000 – the price range and variety is really wide. If you want custom made hats with a printed company logo, MCM is for that too.

Hats off to Ilyas Bukhari, the MCM keeps pace with the latest headwear trends. When the elections come around, the MCM becomes a hive of activity. Not just caps, it provides T-shirts, flags, kanduvas and banners for all major political parties. On the streets, candidates from rival parties may be at each other’s throats, but they all come to the MCM for their election needs. Bukhari never lets them down. It engages additional hands for the manufacture of electoral material.

It was in 1902 that Peer Mohammed founded the cap shop. It was the time when everyone wore one cap or the other – no matter what religion they belonged to. No one left their house bareheaded those days. The 6th Nizam, Mir Mehboob Ali Khan and his son, the last Nizam, Mir Osman Ali Khan, wore red Rumi Topi – also called “fez” and a Turkish cap. They were a bit short so opted for 6 inch tall Rumi Topi so that when interacting with foreign dignitaries they could look them straight in the eye. The Salar Jungs sported elegant sherwanis and dastars (headgear).

Sign of aristocracy and tehzeeb Hyderabadi, the Rumi Topi has lost none of its charm. On the contrary, he made his comeback. Late youngsters can be seen making a style statement with it. There is a story of how Rumi Topi connotes different things depending on how one wears it. If you keep his phunna (glans) at the back, it means you are a serious and worthy man. If the cap is worn at a slender angle, it indicates the wearer is a single, fun-seeking man, Bukhari says.

The MCM was originally located at Machili Kaman near Charminar before moving to its current premises near the Taj Building in 1939. And today it has grown into an iconic store spread over 35,000 square feet. The four-story department store offers different products on each floor. Bukhari still has his thinking hat on. Although caps are his USP, he didn’t stop there.

Over the years, he has diversified his business by offering a full range of goods and services under one roof. From caps to prayer rugs, school bags, jackets, rugs, home furnishings, ethnic wear, rainwear and Haj ‘ihram’ – there is a mind-boggling variety of products which can be found here.

Initially, along with Ilyas Bukhari, his other three brothers – Ayub Bukhari, Yunus Bukhari and Yousuf Bukhari were all in the same profession. But their father, Mohammad Yakub Bukhari, handed the MCM to Ilyas Bukhari as he believed he would take it to greater heights.

The latter lived up to expectations and added many new products to the cap shop. In 2015, he opened an exclusive ethnic clothing for the modern man under the brand – Jahanpanah. Today it has 29 branches in the Twin Cities and other parts of Telangana. Jahanpanah also has its footprints in Bangalore, Pune, Chennai, Vishakapatnam and Vijayawada. Another showroom is in sight at Behrampur in Orissa. His two sons, Ishaq Bukhari and Ibrahim Bukhari run the Jahanpanah clothing line.

Bukhari wears many hats. For the past two decades, he has specialized in selling velor prayer rugs. Come Ramzan, a month-long exhibition with sale of imported prayer rugs is unveiled. One can get the best prayer rugs from Saudi Arabia, Turkey, Iran, Iraq and Belgium at prices that are not heavy on the pocket. “One can offer ‘namaz’ on the same type of carpets as those laid in the great mosques of Mecca and Medina,” Bukhari says.

Starting from a minimum of Rs. 40 square feet to Rs. 200, ‘musallas’ are available in different price ranges. Not just Ramzan, in other seasons devotees also head to MCM to get prayer rugs for their homes and local mosques. A good number of NRIs also donate it to mosques on behalf of their deceased relatives. There is no limit to his creativity and passion. In recent times, Bukhari has made MCM a hub for the sale of Ihram, the unstitched two-piece cloth for Haj and Umrah pilgrims. Not only that, it also provides necessary items for pilgrims undertaking the Badrinath yatra.

Twenty five different items like bag, gloves, socks, jacket, caps come in a kit costing Rs. 4500. That is not all. You can also buy colorful abayas, quality rainwear and winter jackets here. Starting from as little as Rs. 750 to Rs. 3500, they are available in various styles and designs. To mark the 75th anniversary of India’s independence, the MCM has decided to offer a 10% discount on a wide range of its products.

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Fashion designer

Video interview with Alex Bovaird (Costumer of the Lotus Blanc)

“It’s a really fun time for contemporary costume design,” says first-time Emmy-nominated costume designer Alex Bovaird (“The White Lotus”) on the state of contemporary costume design. For our recent online chat, she adds: “I’ve noticed that people take a lot more risks. People maybe want to be a little more upbeat, a little more colorful,” she says. “There’s just a lot of variety compared to 10 years ago. I remember walking through Barneys New York and everything was dark. Absolutely everything. I think it’s quite different now. It’s a fun time for fashion and I’ve noticed people are making all kinds of interesting choices. Watch our exclusive video interview above.

SEE over 200 interviews with 2022 Emmy nominees

“The White Lotus” was created by Mike White, who wrote and directed all six episodes of the anthology drama. The series follows a week in the life of the employees of the fictional White Lotus resort on Maui and the guests who look forward to a week of rest and relaxation among the swaying palm trees, cocktails and idyllic sunsets of this getaway on a tropical island. However, things aren’t quite what they seem at first, as we learn more about the dysfunctional vacationers and the resort’s beleaguered staff, all of whom come to a head in the series finale. dynamite series as the identity of the mysterious corpse that features in the series’ opening scene is finally revealed.

The streak of 20 Emmy nominations includes eight of the actors, with Murray Bartlett, Jacques Lacy and Steve Zahn competing in the race for Best Limited Series/Movie Supporting Actor, while legendary comedian Jennifer Coolidge, Connie Breton, Alexandra Daddario, Natasha Rothwell and Sydney Sweeney occupy all but two spots in the corresponding women’s roster, marking the first time that five women have been nominated in a single series in a category. Seven of the nominated actors are also debutants, with only Britton being a past nominee (for “Friday Night Lights,” “American Horror Story” and “Nashville”). White is also an Emmy debutant, nominated three times, for Producer in Best Limited Series and also in the Writing and Directing categories. And of course, Bovaird herself is up for her first nomination alongside industry peers from “black-ish,” “Euphoria,” “Hacks,” “Only Murders in the Building” and “Pam & Tommy”.

Bovaird is thrilled that the Emmys include a category for contemporary costume, celebrating the nuanced and subtle work that is often overlooked in catch-all costume design categories where period and fantasy work often eclipses their more modern brethren. . “Because everyone dresses up, they don’t have as much respect for contemporary costume. I think it’s actually harder to do in my experience, I find it harder to work on contemporary projects, sometimes because everyone has a point of view. Everyone has something to say,” she explains. “So it can be quite difficult to get out of it.”

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French fashion

Cafe Degas buys Fair Grinds and plans a new French-style grocery store for Faubourg St. John | Where NOLA eats

For nearly 40 years, Café Degas has been a mainstay of French cuisine in New Orleans. Soon, the Faubourg Saint-Jean restaurant will have a new way to showcase these flavors.

Co-owner Jacques Soulas has confirmed plans to take over the former home of the Fair Grinds Coffeehouse just across the street at 3133 Ponce de Leon St.

The move will serve two purposes. First, it will increase the capacity of the Café Degas kitchen itself, which currently operates from a shoebox-sized kitchen.






Fair Grinds Coffeehouse was a Faubourg St. John café for more than 20 years before closing in 2022. (Staff photo by Ian McNulty, NOLA.com | The Times-Picayune)


The next phase will add a casual cafe with a counter service grocery store. The focus will be on sandwiches and French pastries with coffee drinks.

Soulas said many details of the new concept are still in development, including the name.

Soulas said breakfast is a possibility at the new cafe, depending on the staff. He said the lunch menu would bring sandwiches like pate, French salami, ham and brie (ham and butter, which was a specialty of Mayhew Bakery, a café-bakery in the nearby neighborhood that just closed permanently ).

“We’re thrilled that Café Degas is taking over and can’t wait to see what they’ll do there,” said Wade Rathke, who ran Fair Grinds from 2011 until the cafe closed this spring.







degas the garden

Cafe Degas, Faubourg St. John’s longtime French restaurant, is known for its rich flavors and lush ambiance. (Staff photo by Ian McNulty, NOLA.com | The Times-Picayune)


Soulas and his business partner Jerry Edgar opened Café Degas in 1986 in the tiny confines of a former hair salon on Esplanade Avenue. It has grown over time and has become an essential neighborhood restaurant.

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But his kitchen space hasn’t grown much. From a seat at the bar or at one of the outdoor tables, it’s common to see cooks carrying supplies across Ponce de Leon Street from a hidden pantry.

The home of the Fair Grinds Coffeehouse had a long history of coffee, dating back to at least the 1970s when it was the original location of True Brew Coffee.

It became Fair Grinds in 2000, originally opened by Robert Thompson and Elizabeth Herod. Rathke, who heads the activist group Acorn International, took over in 2011.

The cafe, and in particular its room on the second floor, had been used for many years for art exhibitions, meditation groups, and other community organizations.







post degassing

Café Degas, the longtime French restaurant in Faubourg Saint-Jean, is decorated for July 14. (Staff photo by Ian McNulty, NOLA.com | The Times-Picayune)


The cafe closed after Jazz Fest, and soon the property was on the market.

A second Fair Grinds location at 2221 Saint-Claude Avenue also closed during the pandemic. Rathke said that second location may return in the future, but he has no immediate plans to reopen.

When Mayhew Bakery opened on Faubourg St. John in the fall of 2019, it was part of a hopeful surge of small artisan bakeries helping to rekindle the…

Going down the Voie Verte Lafitte on foot or by bike, or perhaps in the adjacent street with the windows down, you first feel a puff of roasting…

One of my favorite windows in New Orleans is next to the bar at Café Degas, the French bistro in Faubourg Saint-Jean, overlooking a nearby block…

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Fashion brand

Comoli’s FW22 clothing collection epitomizes Japanese minimalism

I like to think I know a thing or two about Japanese fashion. That’s why I care a little about clothes and that remains my main objective, much more than anything that happens on the Paris catwalks. To date, I only really use social media to follow Japanese fashion brands and stores – it’s that deep.

So, safe to say I’m a little jaded. I’m not often impressed with a lot of new stuff, frankly, although there are a lot that I like at first glance.

Comoli, designed by Keijiro Komori, isn’t a particularly obscure brand and doesn’t require a ton of Japanese fashion experience to check out. It is, however, a deliberately difficult etiquette to study without some knowledge of Japanese and a great case study for what works in Japanese fashion,

Although Comoli’s products are sold online through a variety of retailers, including international stockists Neighbor and Rendezvous, the brand does not use social media.

Komori himself isn’t online either, which underscores Comoli’s need-to-know aesthetic.

This intentionally primitive presence emphasizes Comoli’s product: the clothes must speak for themselves, since the brand deliberately remains mummy.

Comoli’s clothes do it very well.

As you can see from the no-frills lookbook images, Comoli doesn’t make flashy statement pieces.

It focuses entirely on bespoke fabrication, comfortable silhouettes and the same kind of minimalism embodied by, say, Martin Margiela’s run at Hermès.

Felted wools, crisp poplins, hairy knit cotton, neppy corduroy, undulating lambskin.

Comoli approaches clothing in the same way as a painter approaches a canvas. The idea is to physically manifest a personal expression.

The silhouettes are often the same – Comoli rarely strays from its comfort zone of familiar shapes rooted in European and American menswear history – but the construction and textile selection are second to none.

These are not clothes for the masses and therefore Comoli does not use social media. He doesn’t need to communicate anything that his clothes alone can’t convey.

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Fashion style

When Justin Bieber inspired the streetwear style in us with this sleeveless tee that flexed his biceps, baggy jeans and chunky sneakers

Justin Bieber proved he’s a style icon in this colorful outfit (photo credit – Instagram)

Justin Bieber has impeccable fashion taste that fans get a glimpse of from time to time. Not only does the pop singer know how to wear a suit, but his relaxed cuts are a huge fashion inspiration for many. Her Instagram is an abode for those who want a note or two on how to make streetwear.

Bieber, with his strong style game, proves that menswear goes beyond just a shirt, straight pants and sneakers. It also tends to follow current trends. In recent months, we have witnessed the rise of brand names in the foreground of clothing.

Be it Drew, Supreme, Off-White or more, one can find their names not only on the labels but also on the fabric. Speaking of Justin Bieber, the Baby singer once wowed us in an outfit we wish we owned. The singer shared snaps of himself boarding a helicopter on his Instagram in May this year.

Justin Bieber went with comfort as he wore big baggy jeans with ruffles on the bottom. On top, he wore a sleeveless t-shirt. It was the popping color that sold all the attention. The light blue and bold yellow stripes looked amazing. He showed off his biceps and arms, which were covered in tattoos.

He accompanied this relaxed fit with chunky sneakers, a white collar, black shades and a red baseball cap. Justin was also carrying a Louis Vuitton duffel bag. Speaking of trends, sneakers, especially Air Jordan, are the fashion staples. Wide, baggy jeans can never go wrong either.

While we love how Justin Bieber styled this look, there are also multiple ways to wear each piece. Chunky jeans can go well over a crop top, and these sneakers can go well with a dress. Do you like this look or not?

Must read: Kareena Kapoor Khan is truly a sight to behold in a white Salwar suit as she appears for the screening of Laal Singh Chaddha giving off ‘Nawabi’ vibes!

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Fashion designer

Fashion designer Zac Posen is engaged to ballet dancer Harrison Ball

Zac Posen and Harrison Ball are ready to start their next chapter together. The couple announced their engagement on social media yesterday, August 8.

In a Captioned the Instagram post “Engaged 8.8.22”, the fashion designer tagged her fiancé and, in a slideshow of photos, he shared some of their memories leading up to the big moment. Ponser’s post was showered with love from her fans and peers.

His former ‘Project Runway’ colleague Heidi Klum commented heartily, writing, “OMG I’m so happy for you two. CONGRATULATIONS.”

Along with Klum, Reese Witherspoon and Nina Dobrev also congratulated the couple.

Harrison Ball had a similar situation post on his Instagram which featured the couple standing in front of two giant arrows with the caption: “ATTACKING – CUPID’S ARROW(S)”.

The famous fashion designer known for the red carpet looks of Katie Holmes, Rihanna and Sarah Jessica Parker, worked with the New York City Ballet, the company for which Harrison is a principal dancer. While the exact date the couple started dating is unconfirmed, they went public with their relationship with a post on Ball’s instagram in April 2021. A few months later, in September 2021, the couple shared a nude photo on Instagram of Posen in honor of the premiere of a ballet in which their significant other starred.

Coincidentally, weddings have recently been a focus of Posen’s career. Released last June, Posen has collaborated with Blue Nile in a new line of inclusive wedding jewelry. He said, in an interview with Brides“With so many of us celebrating togetherness and love this month, it was the right time to release an inclusive range of engagement and wedding rings, a collection deliberately designed to represent love, regardless of gender.”

Posen went on to say that her line was inspired by “unique, ageless designs that also celebrate love, unity and marriage for all.”

He was also behind the looks of Ellen Degeneres and Portia di Rossi on their wedding day and designed wedding dress collections with White One Bridal and David’s Bridal.

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French fashion

Russians are buying the latest products from H&M and IKEA as stores close

MOSCOW (AP) — Russians are grabbing Western fashion and furniture this week as H&M and IKEA sell the last of their inventory in Russia, continuing their exit from the country after sending troops to Ukraine.

H&M, based in Sweden, and IKEA, based in the Netherlands, had suspended sales in Russia after the start of the military operation and are now looking to offload their stocks of clothing and home furnishings as they end it, claiming that the future is unpredictable. IKEA’s sales are online only, while the H&M store in Moscow’s Aviapark mall saw a steady stream of young shoppers on Tuesday.

Shelves and shelves were well stocked at the clothing retailer. Nearby stores were closed, including Zara, Oysho, Bershka, Pull&Bear and Uniqlo, while New Yorker, Finn Flare, Marks & Spencer and Mango were open.

“I’m going to start looking at Russian brands,” said one H&M customer, who only gave her first name Anya, after walking out of the store. Another customer, who only gave his name Leonid, said he was “very hurt” that H&M was closing: “A good store is going”.

Both companies are laying off staff as they scale back operations in Russia. H&M said on Tuesday that 6,000 workers would be affected and it was working out the details of an offer of continued support in the coming months.

IKEA said in June that many workers would lose their jobs and guaranteed them six months’ pay, plus basic benefits. He said this week that he had 15,000 workers in Russia and Belarus, but he did not immediately confirm how many would be laid off.

“We are deeply saddened by the impact this will have on our colleagues and very grateful for all their hard work and dedication,” H&M Group CEO Helena Helmersson said last month.

Many Western companies have vowed to leave Russia after sending troops to Ukraine, taking months to wind down operations and often selling stakes to Russian companies. McDonald’s has sold its 850 restaurants to a Russian franchise owner, who is preparing to reopen them under the name of Vkusno-i Tochka. British energy giants Shell and BP are taking billions of dollars in fees to exit investments and stakes in Russia.

During this time, some Western companies have remained in Russia or are partially functioning. French home improvement retailer Leroy Merlin has maintained its 112 stores in Russia, for example, while PepsiCo, Nestlé and drugmaker Johnson & Johnson are supplying essentials like medicine and baby formula while halting unsold sales. essential.

H&M said it expects costs related to leaving Russia to reach around 2 billion Swedish crowns ($197 million), which will be included as one-time costs in its third-quarter results this year.

IKEA announced in June that it would start looking for new owners for its four factories in Russia and close its purchasing and logistics offices in Moscow and Minsk, Belarus, a key Russian ally.

Russian President Vladimir Putin has pushed for years to develop and deploy Russian substitute goods and services to offset the loss of Western imports, which has taken on new urgency as companies like H&M and IKEA go out of business.

It can be difficult to tell when stores in Russia are closed. In the famous boutique-lined GUM department store in Red Square, most of the closed display cases still have the lights on and a clerk or guard inside.

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Fashion brand

Issey Miyake, Japanese fashion designer, dies at 84

TOKYO — Issey Miyake, the Japanese designer famous for his pleated clothing style and cult fragrances, and whose name became a global synonym for avant-garde fashion in the 1980s, died Friday in Tokyo. He was 84 years old.

The death was announced Tuesday by the Miyake Design Studio, which said the cause was liver cancer.

Mr. Miyake is perhaps best known for his micro pleats, which he first unveiled in 1988 but has recently seen a resurgence in popularity with a new, younger consumer base.

His proprietary heat treatment system meant that the accordion pleats of his designs could be machine washed, would never lose their shape and offered the ease of loungewear. He also produced the black turtleneck that became part of the signature look of Apple co-founder Steve Jobs.

Her Bao Bao bag, made from mesh fabric layered with small, colorful triangles of polyvinyl, has long been a go-to accessory for the creative industries.

Released in 1993, Pleats Please, a clothing line featuring cascades of razor-sharp pleats, became her most recognizable look.

Mr Miyake’s designs have appeared everywhere, from factory floors – he designed a uniform for workers at Japanese electronics giant Sony – to dance floors. His insistence that clothing was a form of design was considered avant-garde in the early years of his career, and he had notable collaborations with photographers and architects. His designs found their way onto the 1982 cover of Artforum – unheard of for a fashion designer at the time – and into the permanent collection of the Museum of Modern Art in New York.

Mr. Miyake was honored in Japan for creating a global brand that contributed to the country’s efforts to become an international destination for fashion and pop culture. In 2010, he received the Order of Culture, the highest artistic honor in the country.

Kazunaru Miyake was born on April 22, 1938. He limped heavily after surviving the atomic bomb dropped on Hiroshima, his hometown, on August 6, 1945. His mother died three years later of radiation poisoning.

Mr. Miyake rarely discussed that day – or other aspects of his personal history – “preferring to think of things that can be created, not destroyed, and which bring beauty and joy”, he wrote in a 2009 opinion piece in The New York Times. .

He graduated in 1963 from Tama Art University in Tokyo, where he majored in design. After studying in Paris during the student protests of 1968, and a stint in New York, he founded the Miyake Design Studio in 1970. He was one of the first Japanese designers to parade in Paris and was part of a revolutionary wave of designers who brought Japanese fashion to the rest of the world, opening the door to later contemporaries like Yohji Yamamoto and Rei Kawakubo.

He has often stressed that he does not consider himself “a fashion designer“.

“Everything that is “in fashion” goes out of style too quickly. I don’t do fashion. I make clothes,” Mr. Miyake told Parisvoice magazine in 1998.

“What I wanted to do weren’t just clothes for people with money. It was things like jeans and t-shirts, things that were familiar to a lot of people, easy to wash and easy to use,” he told Japanese daily The Yomiuri Shimbun in a 2015 interview. .

Yet he was perhaps best known as a designer whose styles combined the discipline of fashion with technology and artistry. His animating idea was that clothes should be made from a single piece of fabric, and he pursued designs – such as his famous pleats – that incorporated new techniques and fabrics to accomplish this ambition.

There was no immediate information detailing Mr. Miyake’s survivors. A notoriously private person, the designer was known for his close relationships with longtime colleagues and collaborators, which he credited as essential to his success. He was most closely associated with Midori Kitamura, who started as a fit model in his studio, worked with him for almost 50 years and is now president of his design studio.

Throughout his life, “he never shied away from his love, the process of making things,” Mr Miyake’s office said in a statement.

“I’m mostly interested in people and the human form,” Mr. Miyake told The Times in 2014. “Clothes are the closest thing to all humans.”

Hikari Hida contributed reporting from Tokyo.

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Fashion designer

“Fashion in the Pines” returns to Fire Island – WWD

After a nine-year hiatus, “Fashion of the Pines” returns to Fire Island on August 20.

Approximately 200 people are expected to attend “A Day in the Pines” during the event at Whyte Hall and the Albert Lepage Pavilion which will feature a nod to the past with a modern twist. While many well-known designers have ties to the island, the show will spotlight young queer minority founders, designers and artists.

The show is an orchestrated production in association with the Fire Island Arts Project, an organization that has been organizing events and performances on the island for 35 years. JD Winston, board member, producer and former multidisciplinary performer, and Ryan Espinosa, fellow FIPAP board member and owner of the Denizen store on the island, are overseeing the revival of the event.

The track will feature items from the store and other stores, as well as donated parts. “We don’t sell a particular brand. Essentially, it’s a celebration of where we are as an island in this truly expressive moment of individuality. The island is very DIY. People will put on a headband, maybe a pair of designer shorts and the rest will be made as they go,” Espinosa said. “If you’ve spent a lot of time here, you know what can happen in a very free and safe space. The rules are abandoned [behind] when you get off the ferry.

Dating back to the 70s, “Fashion of the Pines” was an annual celebration of local style. The late Fire Island developer and former model John Whyte was instrumental in creating the show and hosting the pool festivities at the Botel.

The “Day in the Pines” theme was first used in the late 80s by Russell Graham. Andy Baker and Ward Auerbach helped plant the seeds to revive the event, which Denizen is touting. Winston said he and Espinosa started talking about the Fashion of the Pines events that ran from the ’80s to the early ’90s, and the prospect of having them again. The event started in the 70s but the onset of AIDS led to its suspension.

The duo pitched the idea to some of the people who experimented with the original shows, like Bob Howard and Scott Bromley, and gleaned some ideas. Some people from the Fire Island community have been enlisted to serve as role models. They will be showcasing Pins-related sports fashion, including a few styles from past Fashion of the Pines events.

An open bar with DJ and a silent auction will take place during the first hour of the first hour of this month. Guests will also find nostalgic ephemera from Fashion of the Pines events from years past. Once the crowd has moved inside, Luis Villabon will perform “My Strongest Suit” from the musical “Aida” in drag and Hal Rubenstein and Espinosa will host the event.

Noting how Fire Island first became a popular getaway for many gay artists, designers and celebrities in the 70s, Winston said it was known as a haven to escape, feel safe and be yourself. -even, “when it wasn’t the easiest thing to do” at that time.

In the 1980s, proceeds from the annual exposition went to the Pines Conservation Society. In recognition of this, the benefits of the 2022 edition will go to this organization and to FIPAP.

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French fashion

Josephine Baker was the star France wanted and the spy she needed

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The ghostwriter, historically, has always been in the business of espionage. Subordinates survive by being vigilant and suspiciously gathering intelligence about those they work for. Flight from bondage, even from an identity, also involves espionage. Harriet Tubman was named Moses for a liberator who escaped caste boundaries when his mother placed him undercover among the reeds in this pitch-smeared basket. Brown skin could be covered in soot and stereotyping or scholarly tunes. George Harris, one of Harriet Beecher Stowe’s very yellow fugitives, achieved an inscrutable weirdness with the help of walnut bark: “A slight change in the hue of his skin and the color of his hair had metamorphosed into the Spanish-looking man he then appeared; and as grace of movement and courteous manners had always been perfectly natural to him, he found no difficulty in playing the bold part he had adopted.

In this respect, Joséphine Baker, who made her way to the heart of the Roaring Twenties—Roaring Twenties France—and played the civilized primitive when she arrived there, might have been the sweetest operator of the twentieth century. The most famous dancer, singer and nightclub entertainer of her time, she was both inescapable and elusive. She seduced Parisians for the first time in 1925 when she appeared on the stage of the Théâtre des Champs-Élysées, naked except for her feathers. The following year, at the Folies Bergère, audiences saw expanses of brown skin interspersed with pearls and a skirt strung with tumescent bananas. As her star rose, Baker was known to walk the streets of Paris with her companion Chiquita, a cheetah tied by a rope of diamonds. Without really laying eyes on the woman, a visitor to Paris would see her everywhere: in the photographs and on those Paul Colin posters, like a doll in a shop window, like Parisiennes wrapping their heads in Bakerfix ointment.

Who was she, really? Baker’s tributes are generally unsubtle and beatific, embodied by contemporary black inhabitants of the arts who have managed to do what Baker could not: carve out a stardom on American soil. Diana Ross, Beyoncé and Rihanna have starred in her figure; Lynn Whitfield received an Emmy when she starred in HBO’s “The Josephine Baker Story” (1991). In “Frida” (2002), Baker maintains an affair with the main character, a nod to the free sexuality of each; she rumbas through “Midnight in Paris” (2011). Cush Jumbo directed an acclaimed tribute show, “Josephine and I,” in 2015, and Carra Patterson recently played her, with bizarre showgirl unease, in an episode of the horror series “Lovecraft Country.” Ruth Negga and Janelle Monáe are now set to take their turn, in a pair of TV series about her. Last November, Baker was inducted into the French Pantheon, the first woman of color to grace the hallowed monument, among figures such as Victor Hugo and Marie Curie. “The stereotypes, Josephine Baker takes them up,” said President Macron. “But she jostles them, digs them, transforms them into sublime burlesque. A spirit of the Enlightenment ridiculing the colonialist prejudices on the music of Sidney Bechet.

Even if Baker’s career had been limited to his role as an artist, it would have had the feel of a thriller. The racing profession of the time was bound to involve espionage: all identities are shams, and Baker had a chameleon gift for moving among them. But during the war years, she was also – as a new book, “Agent Josephine” (PublicAffairs), by British journalist Damien Lewis, recounts in plenty of fresh detail – a spy in the most literal sense. There was, after all, little that La Bakaire didn’t understand about the resistance.

“This is not a book telling the life story of Josephine Baker,” warns Lewis. Its saga, though it spans five hundred pages, is mostly about Baker’s service as a secret agent, and mostly confined to the dark years of World War II. There is also another sense, in which it is not the story of his life: the narrative is largely told by an assemblage of third parties. Lewis’s bibliography and notes clearly show how much he drew on interviews with veterans, the memoirs of agents, the private family archives of a British spymaster and the war records of the offices of intelligence, some of which was only made available to the public in 2020. But Baker maintained a code of silence about the seven years she spent fighting the Nazis and, Lewis writes, “went on her falls in 1975 taking many of these secrets with her”.

She might also be sneaky about other facts. Like many women of color eager to shape their destinies, Baker subjected her origin story to numerous revisions. “I’m not lying,” she said. “I make life better.” Her autobiographies can generously be described as free collaborations: “Les Mémoires de Joséphine Baker”, published in 1927, when she was twenty-one, and updated in the following years, was in draft form before she and her co-author, Marcel Sauvage, do not share a language. And once they did? “It would be completely funny then – and sometimes very difficult,” Sauvage wrote in the preface to the book. “Miss Baker doesn’t like to remember.” Her third autobiography, “Joséphine”, was published in 1977, two years after her death, compiled from files of notes, press clippings, documents and the draft of a memoir that her last husband, Jo Bouillon, had collected with the help of a co-author. The resulting baker is another assemblage, an “I” placed next to the testimony of other people who were enlisted, as Bouillon writes, “whenever information was missing”. More candid was the biography “Josephine: The Hungry Heart”, published in 1993 and written by her adopted son Jean-Claude Baker with journalist Chris Chase; the effort to sort through his mother’s various fictions is noted in its pages. “Josephine was a fabulist,” he wrote. “You couldn’t ask him for a strict count like you would a tailor measuring slipcovers.”

She had her reasons. “A black childhood is always kind of sad,” Baker told Sauvage. Hers began on June 3, 1906, in St. Louis, when a locally famous dancehall girl, Carrie McDonald, delivered a baby she named Freda Josephine. The baby was plump and ended up being called Tumpy (for Humpty Dumpty), a nickname that persisted long after poverty had thinned her into a wanderer. The identity of his father remains contested, and becomes for Baker the occasion to improvise. Lewis notes: “She had variously claimed that her father was a famous black lawyer, a Jewish tailor, a Spanish dancer or a white German then residing in America. The shifting mythos was reflected in the ethnic promiscuity of her screen roles: the tropical daughter of a colonial official, possibly Spanish, in “La Sirene des Tropiques” (1927), a Tunisian Eliza Doolittle, in “Princess Tam-Tam” (1935).

Little Tumpy wanted to dance, but the opportunities were few. By 1921 Baker had fled her life in St. Louis and her second husband – she was all fifteen when she married the man, William Howard Baker – and was performing as a comedy choir among the Dixie Steppers, a traveling vaudeville troupe . Aiming higher, she booked a one-way ticket to New York, where she ended up working as a backstage dresser for the all-black revue “Shuffle Along.” When a touring cast member fell ill – it was only a matter of time – Baker stepped in with bubbly style. After the success of the series, she landed a role in the 1924 Broadway musical “The Chocolate Dandies”, playing a blackface version of Topsy. She was nineteen when she was recruited by a socialite and impresario named Caroline Dudley Reagan for a new production across the Atlantic. “La Revue Nègre” opened in Les Champs on October 2 of the same year. That evening, a featured was born.

Surely you must have been there. Reviewers have stumbled over gerunds in their efforts to validate the wriggling thing to print. In the jungle dreamscape “Danse Sauvage”, Baker, clad in little more than a feathered loincloth, stepped onto her male dance partner’s shoulders, upside down and in a split. André Levinson, perhaps the greatest ballet critic of the time, wrote:

It was as if the jazz, capturing the vibrations of this body in flight, interpreted word for word his fantastic monologue. . . . The gyrations of this cynical but joyful mountebank, the good-natured smile of his big mouth, suddenly give way to visions where good humor is totally absent. In the court pas de deux of the savages, which came in the finale of the Revue Nègre, there was a savage splendor and a magnificent animality.

He was sure he had glimpsed “the black Venus that haunted Baudelaire.”

At a certain moment, its efflorescence seems to deviate from linear narration, requiring a form adapted to the artistic flights of the time: collage. The appeal of La Joséphine—in Europe, at least; America has never run so hot for her – hyperbole exhausted. “The most sensational woman ever seen,” said Ernest Hemingway. “Beyond time in the sense that emotion is beyond arithmetic” was EE Cummings’ assessment. Le Corbusier, one of her lovers, dressed as a drag Baker, blackening his skin and wearing a feathered sash. George Balanchine gave her dance lessons; Alexander Calder sculpted it in wire. Adolf Loos, after a chance meeting, began sketching an architectural marvel called Baker House, with picture windows cut into an indoor swimming pool. But Baker’s power was not a matter of being lifted onto the shoulders of great men; she regarded most of them with equal indifference. In a 1933 interview, she missed the name of a famous Spanish painter: “You know, Pinazaro, or what’s his name, the one everyone talks about?” As Margo Jefferson observed of Baker, “She was her own devoted muse.”

In the thirties, Baker refined his visual signature. The show “Paris Qui Remue”, at the illustrious Casino de Paris, made this plain. The feathers had disappeared. Writing for this magazine, in 1930, Janet Flanner reported: “His caramel-colored body which overnight became a legend in Europe is still magnificent, but it has become lean, trained, almost civilized. A Parisian critic announced with more enthusiasm: “She left us a negress, funny and primitive; she returns a great artist.

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Fashion brand

‘House of Zana’ wins court battle against Zara after high street giant tries to order it to rename it

A fashion boutique has won a legal battle against retail giant Zara after it was threatened with legal action over its brand image.

Multibillion-pound fashion giant Zara, which has stores around the world, has tried to order Amber Kotrri, who runs ‘House of Zana’, which specializes in handmade kimonos, to change name.

Zara objected to Ms Kotrri’s trademark application when she said her store’s name was “conceptually identical” to theirs and the average customer would likely confuse their two marks.

He also urged Ms Kotrri to remove any branding – but determined to fight her corner and maintain her brand, she claimed it would cause ‘irreparable damage’ to her business and bore no similarity to the brand name of Zara.

Ms Kotrri, from Darlington, who has received worldwide support for her fight against Zara, announced her happy news today saying: ‘We did it!’

House of Zana’s Amber Kotrii (left), won her case against fashion giant Zara over the name of her store (pictured alongside business partner Erin Harper of Rejoy)

Zara was opposing their trademark application when they said the name

Zara objected to its trademark application when they said the name ‘House of Zana’ (pictured in Ms Kotrri’s store sign) was ‘conceptually identical’ to theirs and the average customer would likely confuse their two brands.

Zara (pictured at one of its stores) claimed Ms Kotrii's store name was

Zara (pictured at one of its stores) claimed Ms Kotrii’s store name was ‘conceptually identical’ to theirs and wanted her to change it

In a social media post, she said: “We made it!!! Thank you all for your support.

“All kind words of strength, those who signed our petition, shared the news and to all news outlets who covered this story.

“You all gave me the courage to take on the fashion giants Zara and I will be forever grateful.” WE WON!! With so much love from Amber xxx.’

In a letter sent to Ms. Kottri, Zara also said there is a risk that “consumers may misread, mishear, mispronounce and/or otherwise perceive House of Zana as ZARA” and that the brand name “dilutes the character distinctive feature and reputation of the ZARA brand”. .

In a letter sent to Ms Kottri, Zara also said there is a risk that

In a letter sent to Ms. Kottri, Zara also said there is a risk that “consumers may misread, mishear, mispronounce and/or otherwise perceive House of Zana as ZARA” and that the brand name “dilutes the character distinctive feature and reputation of the ZARA brand”. .

Before the case was heard, she defended her small brand saying, “Our name is very meaningful and personal to us and poses no commercial threat to multi-billion dollar clothing company ZARA and its huge market.”

Having originally launched their business online in 2018, House of Zana specializes in high quality, sustainable and ethically sourced clothing.

The success of his concept store in Grange Road, Darlington saw him expand to Teesside Airport and reach a global audience online.

The former art and design student plays a pivotal role in day-to-day operations, from clothing design to fabric selection.

Meanwhile, the word Zana means “fairy” in Albanian – the country where the company was born and has a manufacturing workshop.

Ms Kotrri said in April: “We don’t think anyone will confuse or confuse House of Zana with Zara. We are a small business specializing in handmade kimonos.

“We have a small concept store in the North East of England and a website to help promote our products, while Zara is a world famous fashion brand with over 2,000 retail stores worldwide and a vast collection of products.

“There is no risk of us being confused with Zara, so why should a giant company be allowed to prevent a small company from using a name that does not resemble its own at all and which would destroy our brand ?”

“We know we’re not a threat to them, but they could destroy everything we’ve worked so hard for.”

The success of House of Zana led to a concept store in Grange Road, Darlington, which saw it expand to Teesside Airport and reach a global audience online

The success of House of Zana led to a concept store in Grange Road, Darlington, which saw it expand to Teesside Airport and reach a global audience online

Ms Kotrri also added ahead of the ruling: “We don’t think anyone has or will confuse House of Zana with Zara. We are a small company specializing in handmade kimonos.

“We have a small concept store in the North East of England and a website to help promote our products, while Zara is a world famous fashion brand with over 2,000 retail stores worldwide and a vast collection of products.

“There is no risk of us being confused with Zara, so why should a giant company be allowed to prevent a small company from using a name that does not resemble its own at all and which would destroy our brand ?”

“We know we’re not a threat to them, but they could destroy everything we’ve worked so hard for.”

She added: ‘We’ve been working hard to create this unique brand, and coming from battling the pandemic, the last thing we want to do is be forced to rebrand, remove all the labels that are stitched together in our stock, change our social media names and storefront.

“It would cause irreparable damage to our beloved small business. We have spent years developing our dream and employing a great team. We have never and still do not see any similarity between the House of Zana name or logo and that of Zara.

“I’ve built a full team and a life for me and they can just take it away from me.

“It’s the name I built and everyone knows us because of it – how can I just change that?”

Ms Kotrri represented herself in court at a hearing

Ms Kotrri represented herself in court at a hearing

In 2016, a company in Barnard Castle, County Durham, was forced to change its name to ‘Zara Countrywear’ after being threatened by the same company.

In April, Inditex, the owner of Zara, defended its decision to hire Ms Kotrri.

A spokesperson then said: “We opposed the ‘House of Zana’ trademark application at this early stage due to its similarity to the Zara trademark name.

“We wish the company every success and continue to make efforts to contact the company directly to resolve the situation amicably.”

The MailOnline also contacted them about this recent announcement.

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Fashion style

How to style the latest print trend

Designers went wild for stripes on the Spring/Summer 2022 catwalks, with everything from monochrome to multi-coloured – in understated striped shirts and bold, disco-tastic dresses.

With summer in full swing, it’s the perfect time to try out the trend, whether you’re looking for vacation wear, weekend outfits or the perfect party dress.

Here’s how to incorporate stripes into your summer wardrobe…

Nautical

As seen at Wales Bonner and JW Anderson, navy blue and white nautical stripes never go out of style.

This season, the classic Breton long-sleeved top gives way to cute, summery tank tops, tees and co-ords. Pair with white jeans and espadrilles for a chic seaside look.

vertical stripes

The seaside inspiration continues with vertical deckchair-style stripes. Flowing dresses caused a stir at Schiaparelli and Tory Burch, while striped separates were layered at Jil Sander and Kenneth Ize.

Embrace the contrasting runway look by pairing contrasting tops and bottoms, or keep it simple with a striped midi dress and tonal accessories.

monochrome

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Always a stylish combination, black and white stripes were seen on everything from sassy mini dresses (Balmain and Courrèges) to sweeping dresses (Erdem and Tory Burch).

Take your pick from bodycon dresses (for work or play) to casual linen day dresses.

Ceremonial clothes

Barbie Ferreira wearing Fendi at the 2022 Vanity Fair Oscar Party (Alamy/PA)

Going the retro route for Spring/Summer 22, Fendi models Brandon Maxwell and Jil Sander walked the runway in bright, dramatic dresses.

The coolest way to wear formal wear this summer, a striped maxi dress in bright or pastel hues is perfect for weddings and garden parties.

Play up the 70s disco vibe with metallic platform heels and a pair of hoop earrings.

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Fashion designer

Handcrafted Lehenga and Choli in USA | Launch of the Indian wedding wear collection

With the launch of the new collection of bridal lehengas, Chiro’s By Jigyasa helps every Indian bride stay connected to her rich heritage and celebrate individuality. Lehenga designers embrace the diversity of Indian culture and traditions through their immense color variations, range of high quality fabrics and intricate bead and thread work.

More details can be found at https://chirosbyjigyasa.com/collections/wedding-lehenga

Chiro’s By Jigyasa strives to provide global and local customers with quality traditional Indian fashion that is hard to find in their area. Their new collection features a wide range of designs, from traditional lehengas to more contemporary designs for brides and bridesmaids.

Because every dress is designed and manufactured at Chiro, all new wedding and bridal lehengas can be customized to fit any size, body type or personal preference. Some of the designs featured include a festive red and gold silk lehenga embroidered with gold. This elegant lehenga is accompanied by a light green dupatta which is also made from a luxurious silk fabric also embroidered with gold, giving it a festive look.

Another standout set from the new collection is a printed georgette lehenga that has a gray color fade. It has a ruffled dupatta and a matching choli, both in silky and soft pure georgette. This new lehenga set is suitable for a variety of occasions, including weddings and traditional parties.

Because floral hand embroidery is a hallmark of Indian clothing, Chiro’s lehenga choli designs also feature a wide range of handcrafted floral embroidery.

Plus, Chiro’s By Jigyasa online store offers a 30-day hassle-free return policy, to ensure that every customer can find their fit and style.

About Chiro’s By Jigyasa

Traditional Indian clothing and accessories are the focus of Indian fashion brand, retailer and distributor Chiro’s By Jigyasa. Chiro’s goal is to design and distribute Indian clothing to women in the United States and around the world. Because they believe that every woman deserves to feel beautiful and confident, the brand offers everyone access to high quality Indian clothing.

A company representative said, “We have all the latest trends in Indian wedding wear for men, women and children. Our dresses are designed by us, so you can find something special for everyone. The prettiest outfits imaginable await you as you browse our selection of ethnic ensembles that will have you falling head over heels in love right away without even trying them on. We ship within 24 hours from our headquarters in Houston to all states and worldwide.

Chiro’s designers are dedicated to creating eye-catching looks using vibrant colors, prints and embellishments, under the guidance of Chief Fashion Designer Jigyasa.

Interested persons can find more details of the new wedding lehenga collection by visiting https://chirosbyjigyasa.com/collections/wedding-lehenga

Contact information:
Name: Jigyasa Anand
E-mail: Send an email
Organization: Chiro’s By Jigyasa
Address: 19822 Almond Park Drive, Katy, TX 77450, USA
Phone: +1-281-975-7595
Website: https://chirosbyjigyasa.com

Build ID: 89079678

If you detect any problems, problems or errors in the content of this press release, please contact [email protected] to let us know. We will respond and rectify the situation within the next 8 hours.

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French fashion

Downtown Des Moines Farmer’s Market welcomes 16 new mid-season vendors

Coffee, French pastries, barbecue and jewelry – the Downtown Farmers Market will introduce 16 new local vendors to the lineup starting Saturday morning at the open-air market that stretches from Water Street’s Court Avenue to Fifth Avenue.

The decision to add new local vendors comes ahead of National Farmers’ Market Week, which runs August 7-13.

A mid-season judging panel comprised of vendor committee members, sponsor representatives, farmers’ market partners and community members selected the new vendors, marking the first time a vendor judging panel stood at the mid-season.

Applications reopened in June to fill a limited number of spots “with the goal of adding new, more diverse vendors for market enthusiasts to enjoy and support,” said Kyle Oppenhuizen, director of communications for the Greater Des Moines Partnership, in A press release.

“The Downtown Farmers’ Market team is thrilled to welcome these new vendors to our already incredible lineup at the market,” Downtown Farmers’ Market manager Megan Renkel said in the press release. . “The new vendors bring a wide variety of products and experiences that we hope will reinforce the value our vendors offer throughout The Market season.”

The Downtown Farmer’s Market, which spans nine blocks in historic Des Moines, supports more than 290 local small business owners, including farmers, bakers and artists who represent 50 Iowa counties . The market typically attracts 25,000 buyers every week.

The new vendors will join the Downtown Des Moines Farmer’s Market on August 6.

After:Find the best summer produce and more at any of these 16 Des Moines and Metro Farmers’ Markets

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Meet the new vendors at the local Farmer’s Market

At Natural Healing & Wellness will join the Downtown Des Moines Farmer’s Market to promote better physical and mental health through natural herbs, essential oils and crystals. The company too sells healing and wellness products on its website and at the Valley Junction Farmers Market.

Big Daddy’s Original BBQ, a Des Moines staple since 1983, is another new addition to the Downtown Farmers’ Market lineup featuring chicken dinners or a pulled pork sandwich smothered in sweet and smoky barbecue sauce. Big Daddy’s sauces are also available at Hy-Vee stores in the Midwest and local Fareway and Price Chopper stores.

BLACK and bold offers specialty coffee and tea while donating 5% of its proceeds to nonprofit youth organizations across America. The Company offers subscription services on its website, blkandbold.com.

Shoppers walk past the StoryBook Orchard booth on opening day of the 2022 Downtown Farmer's Market in Des Moines on Saturday, May 7.

After:Off-peak hours: where to find delicious treats at the downtown farmer’s market and 2 new brunches

The sweets of Cie Cie offers a rotating hot menu as well as a wide variety of treats, such as cookies, cupcakes and chocolate-covered strawberries at the Farmer’s Market as well as on line.

Chicken and GG wafflesfounded in 2019, brings big flavor to Des Moines with chicken and waffles, chicken sandwiches and wings.

Iowa Cookie Co. offers six-ounce cookies, with a full box weighing nearly five pounds. This lovely company has a rotating list of unique flavorsincluding Colossal Monster, Holy Roller, Dirt Worm, Sugar Daddy, Main Squeeze, Double Stuffed and Bronco.

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Ken Supply Co. is a Des Moines-based clothing brand that specializes in “raised graphic tees that anyone can wear, no matter what stage of life you’re in,” according to its website. The new addition also sells his signature t-shirts and tote bags online.

Knotted dough & Co. specializes in kringlas, a traditional Norwegian pastry. Twisted pastries are also sold at the Ames Farmers Market and Valley Junction Farmers Market. Knotted Dough & Co. also offers delivery through its Etsy Page, KnottedDough.

Lyela’s kitchen is a halal cooking and catering company that serves Pakistani, Indian and Chinese dishes, as well as desserts. Lyela’s kitchen can also be found at the Valley Junction Farmer’s Market.

A couple hold hands as they walk along Court Avenue during the opening day of the 2022 Downtown Farmers' Market in Des Moines on Saturday, May 7.

Macaroon Club, established in 2020, is a gourmet dessert company focused on “elevating the taste of luxury to higher standards,” according to its website. Macaron Club’s classic French macaroons and gourmet baklava, a layered pastry dessert, are also sold online and the Valley Junction Farmers Market.

McCabe’s art was created in 2020 at the start of the pandemic to allow owner Ashley McCabe, a West Des Moines art teacher, to stay creative, according to its website. The small business creates handmade, lightweight jewelry that can also be purchased on her website Where Etsy shop, McCabeArtistry.

Nadia’s French Bakery in Altoona brings its selection of classic French pastries to the farmers market. From croissants and chocolatines to quiches and pies, Nadia’s French Bakery is committed to offering “tasty, delicious, varied and quality pastries,” according to its website. Some products are also available for purchase online at nadiasfrenchbakery.com.

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Shay Design Studio provides arts education services to the Downtown Farmers’ Market. The studio offers art education in courses from Paint & Sip to illustration and graphic design services.

The joy of loops creates natural, plant-based hair products for curly hair, but its mission doesn’t stop there. The Joy of Curls also donates its hair products to children in the foster care system through its premier community partner, Foster the Love Louisiana. Hair products are available for purchase at thejoyofcurls.shop.

Tranzitions Wellness & Beauty Bar specializes in all-natural wellness products such as crystals and stones, handmade candles and natural beauty products. The company also offers hairstyling and extension services, with appointments available online.

A cyclist rides on Court Avenue during the opening day of the 2022 Downtown Farmers' Market in Des Moines on Saturday, May 7.

Wof Cafe is a local small-batch coffee roaster that believes “coffee is a science, but it’s also an art,” according to its website. Wof Coffee also makes regular appearances at Ames Main Street Farmers’ Market Different and Cedar Rapids Downtown Farmers’ Market. Coffee flavors, each with a unique doodle design on the front, are available for purchase at wofcoffee.com.

Grace Altenhofen is a reporter for the Des Moines Register. She can be reached at [email protected] or on Twitter @gracealtenhofen.

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Fashion brand

Celebrity-Backed Startup NOWwith Ink Deals for Fashion Brands in SoHo – Trade Observer

Alex Rodriguez– backed e-commerce start-up Now withmen’s clothing brand Rodd and Gunn and women’s clothing line Line get dressed 177 rue La Fayette — the building that once housed We workfirst location.

The three companies each took 4,386 square feet to The Eretz group-property in SoHo, also known as 154 Grand Street, learned Commercial Observer. The asking rent in the building ranges from $75 to $80 per square foot, depending on the landlord broker JLL.

NOWwith nabbed the entire third floor of the six-story building between Broome and Grand streets under a five-year lease. The company, which provides software for celebrities to sell products on their social media feeds, has already moved into the space before its Launch in Augustaccording Platinum PropertiesHiro Nishida, who represented the tenant in the transaction. NOWwith, who lifted $18 million in two rounds of seed funding in May, transferred from another SoHo office, Nishida said.

“It’s a one-of-a-kind building in SoHo…with windows on two sides,” Nishida said. “It’s no wonder WeWork’s first location was this location.”

New Zealand-based menswear brand Rodd & Gunn has signed a seven-year deal for offices across the entire sixth floor of the building as it seeks to expand its retail footprint in New York. The brand has a handful of locations in Manhattan and Brooklyn, including an independent outpost in 81 Front Street in Dumbo, Brooklyn.

Finally, La Ligne, a seller of dresses and knitwear launched by two former vogue staff members, also entered into a five-year contract to relocate its offices to the entire second floor of the property. La Linge, which has a retail store in 996 Madison Avenuemoved into the building earlier this year, although it was not immediately clear where its former offices were.

The Lafayette Street building was where the WeWork co-founders Adam Neumann and Miguel McKelvey created the coworking company’s first 3,000 square foot site in 2010, before the rapid rise and fall of WeWork became the subject of books and even inspired the stars AppleTV+ adaptation, “WeCrashed”. We work firm the outpost in July 2020 as it reduced its office portfolio.

JLL’s Paul Glickman, Benjamin Bass, Kip Orban, Kristen Morgan and Thomas Swartz negotiated the three transactions for the owner. SavillsJordan Weiss handled the deal for Rodd & Gunn while the Runyon Groupit is Isabelle Solmonson represented The Line.

Savills declined to comment. NOWwith, La Ligne, Rodd & Gunn and Solmonson did not immediately respond to requests for comment.

Celia Young can be contacted at [email protected].

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Fashion style

Ginger Spice turns 50: Geri Horner’s style evolution from the 1990s to today

Arriving on the pop scene in 1994 as the fifth of the Spice Girls, Geri Horner (née Halliwell) has been in the spotlight for over 25 years.

Meanwhile, the showbiz star – who turns 50 on August 6 – has been a veritable fashion chameleon, often switching up her style to suit her career and personal life.

To mark this milestone anniversary, we are going back to her clothing evolution.

1990s: Ginger Spice

The Spice Girls at the 1997 Cannes Film Festival (Neil Munns/PA)

Taking the pop world by storm in the mid-1990s – alongside Spice Girls bandmates Melanie Brown, Melanie Chisholm, Emma Bunton and Victoria Beckham – Horner was given the nickname “Ginger Spice” in honor of her fiery red hair.

The 20-something pop star was all about attention-grabbing outfits, often sporting the brightest and loudest ensembles of the bunch.

Geri Halliwell aka Ginger Spice performing at the 1997 Brit Awards (Fiona Hanson/PA)

Her most iconic Spice Girls look is undoubtedly the extremely short Union Jack mini dress she donned to perform at the 1997 Brit Awards, paired with bright red platform boots.

To widespread shock, Horner left the phenomenally successful girl group in 1998 and quickly set about reinventing herself.

Geri Halliwell on stage at a royal gala in honor of the Prince of Wales’ 50th birthday (Stefan Rousseau/PA)

Showing off a sleek new look later that same year, she sang happy birthday to Prince Charles on his 50th birthday, wearing a stunning midnight blue strapless dress with a huge skirt.

2000s: Solo star

Geri Halliwell performing at Party in the Park 2001 (William Conran/PA)

Embarking on a solo pop career, the singer formerly known as Ginger Spice embraced all the biggest trends of the 2000s, including halter tops, low-rise jeans and mini kilts.

Geri Halliwell braves the rain to greet fans and promote her album Scream If You Wanna Go Faster in 2001 (Haydyn West/PA)

Swapping out her bright red hair for honey blonde streaks, the pop star’s off-duty style was decidedly more demure, and on the red carpet, she favored glamorous, body-hugging dresses.

The Spice Girls during a photocall at the Royal Observatory in 2007 (Joel Ryan/PA)

In 2007, the Spice Girls announced that they would be reforming. Horner, who had given birth to her first child, Bluebell Madonna, the previous year, looked somewhat out of place during the reunion photocall, wearing a flowing white maxi dress – while the other members chose bold black and red outfits.

2010s: Olympic glory

Geri Haliwell at Newbury Racecourse in 2010 (Steve Parsons/PA)

Horner’s style continued to evolve in the 2010s and she experimented with the blonde and bronzed baby look.

Geri Halliwell launched her clothing line with Next in 2011 (Ian West/PA)

The Spice Girls returned to center stage once again with their epic performance at the closing ceremony of the London 2012 Olympic Games. Ginger Spice recalled her iconic British look in a red mini dress, with the bustle of the Union flag.

Geri Halliwell of the Spice Girls performs during the closing ceremony of the London 2012 Olympics (Anthony Devlin/PA)

In 2015, she chose British designer Phillipa Lepley to create the lace-trimmed wedding dress for her wedding to Red Bull Formula 1 boss Christian Horner.

Spice Girl Geri Halliwell arrives for her wedding to Formula 1 boss Christian Horner (Chris Radburn)

Now: minimalist chic

Geri Horner in the royal box at Wimbledon (Steven Parsons/PA)

These days, Horner will wear any color…as long as it’s white. Or cream. Or ivory. Rarely depicted in anything other than these pale hues, Horner has found her fashion groove, and it’s a far cry from her Spice Girls style.

The mother-of-two (she gave birth to son Montague in 2017) is all about luxe loungewear, flowing blouses, swishy skirts and white jodphurs (the longtime riding enthusiast owns several horses).

Christian Horner and Geri Horner attending the world premiere of No Time To Die (Alamy/PA)

Horner also loves the all-white look on red carpet appearances, often styling a chic column dress with a sleek updo and bold red lip.

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Fashion designer

woman helps Carpenter with ‘electricity bill payment’, loses 3l | Bombay News

Mumbai: A fashion designer lost almost Rs 3 lakh of her family’s money trying to help a carpenter who was a potential target of a cyber crook. A criminal offense has been filed at Sick police station.
The 26-year-old fashion designer lives in sick west with her family. She had hired a carpenter to make furniture in her home. On Tuesday morning, while the carpenter was at work, he received an SMS from an unknown number informing him that the electricity supply to his home would be cut off because he had not paid the bill.
A phone number was mentioned in the text and the carpenter dialed it. But he couldn’t understand what the person on the other end of the line was saying. He handed the phone to the fashion designer and asked her to speak on his behalf.
The man pretended to be from the power company and asked the fashion designer to download an app called Quick Support. Little did she know that the app would give her remote access to the carpenter’s phone screen.
He asked her to pay Rs 10 to prevent the power supply from being cut off. She added her father’s debit card number and paid Rs 10. But soon after, three more transactions took place and around Rs 70,000 was debited from her father’s account.
The fashion designer confronted the scammer about the deductions he offered to refund the money to her via her digital wallet. “He then asked her to download the Quick Support app on her handset, which she did, allowing him to access her phone remotely as well. This time, three debit transactions totaling Rs 2.24 lakh was made on his account,” a policeman said.
The fraudster then disconnected the call and his phone was turned off.
The fashion designer then rushed to the Malad police station the same day and filed a fraud complaint.

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French fashion

The Case of the Artist and the True Crime Documentary

If you’re the kind of viewer — like me — who watches true-crime documentaries and spends all of your time wondering exactly how you’re being manipulated, this week offers an opportunity to peek behind the curtain.

It comes in the form of two very good series, one released last year and one premiering in America on Thursday, about a harrowing and seemingly never-ending case, the 1996 murder of Sophie Toscan du Plantier at her vacation home on the south coast of Ireland.

The case contains so many ingredients of true-crime fascination that it barely feels real. The victim was beautiful, semi-famous (her husband, Daniel, was one of France’s leading film producers) and far from home in a hauntingly dramatic landscape. The murder, two days before Christmas, was brutal and without eyewitnesses.

One suspect, a freelance journalist named Ian Bailey, who aggressively reported on the murder, was arrested twice by police and released without charge each time by prosecutors. The investigation by the Garda, Ireland’s national police, has been dogged by accusations of incompetence and corruption. Bailey went to court twice, suing a newspaper group and then the police; he lost each time, cementing his status in the public mind as a murderer who got away with it.

Meanwhile, members of Toscan du Plantier’s bereaved family waited anxiously in France for Ireland to find his killer. Completely convinced of Bailey’s guilt, they pushed for him to be tried in absentia in France, where he was found guilty and sentenced to 25 years. Arrested again by the Garda, he was again released by the Irish State, which refused to extradite him. This is where things stand today, a quarter of a century after the murder.

It’s a lot. I have it all in my head because it’s all covered, cohesively and dramatically, in all three episodes “Sophie: Murder in West Cork”, which came to Netflix last year, and the five episode “Murder at the Cottage: The Search for Justice for Sophie”, premiering on the streamer shop after it aired last year in Britain.

But while the two basically tell the same story, they leave you with very different feelings about Ian Bailey. By the end of “Sophie,” you’re likely to see him as a strange, off-putting character and reasonably convinced of his guilt. By the end of “Murder at the Cottage,” you’re more likely to see his guilt as possible but unproven and weigh his eccentric behavior against the undeniable toll the case has taken on him, guilty or not.

Part of this difference has to do, as you would expect, with selection and emphasis. Suggestions that the victim knew Bailey, which he denies, are further aired in “Sophie”. A report of a speeding Ford Fiesta, driver unknown, near the victim’s house the night of the murder only appears in “Murder at the Cottage”. There are many other examples.

It has even more to do with representation. “Sophie” gets closer to the point of view of Toscan du Plantier’s parents, son and other relatives, interviewing them at length and closely following their crusade. The main characters of “Murder at the Cottage” are Bailey and her faithful romantic partner in most cases, Jules Thomas. (The victim’s family members were interviewed for “Murder at the Cottage” but asked that the footage be deleted after the series preview; it appears in archival interviews.)

But perhaps the most important element is provenance. “Sophie,” directed by John Dower (“Thrilla in Manila”), is a solid example of Netflix’s true-crime style. It’s leaning towards drama and surprise, without being overtly sensational; it’s polished and crisp but not particularly inventive or inquisitive, being more concerned with presenting story elements in a familiar, easily digestible form.

And its focus is on culpability – on identifying a suspect or suspects and building a case. It’s the truest crime MO, to take on the role of prosecutor and heighten the emotions of us, the jury, and steer them in a particular direction. In the case of “Sophie”, the simplest – and perhaps the correct – direction is toward Bailey’s guilt.

But guilt isn’t the central issue in “Murder at the Cottage,” which fulfills the demands of true-crime documentary without being captive to the format. It is, in a descriptive sense, a work of art, written and directed by talented Irish filmmaker Jim Sheridan, who appears onscreen as narrator, interviewer and spiritual guide. It’s also clearly a passion project, which Sheridan had been working on since at least 2015, and you wonder about its relationship to his film career, which got off to a brilliant start – ‘My Left Foot’, ‘In the Name of the Father “, “In America” – but has lost momentum in the last decade.

In the Netflix series, the information is expertly arranged to embody an existing story, which had already been told by the media over the years, and to fit in with an existing moral calculus. In “Murder at the Cottage”, Sheridan goes in search of a story that will make sense of the maddening events. Her approach is actually simpler than that of “Sophie”, which jumps in time to increase the surprise. It goes from station to station, chronologically, sacrificing some drama for the sake of clarity.

His progress is guided by his own ideas and feelings, in a way that runs counter to easy answers or epiphanies. He cannot contain his irritation at what he sees as the shoddy and possibly unscrupulous workmanship of the Garda, or the authoritarian actions of the French court. But he’s scrupulous about maintaining perspective. At a crucial moment, a reporter appears onscreen to point out that there’s no reason why “the Garda is corrupt” and “Ian Bailey is guilty” can’t both be true. (This summer the Garda announced that they would formally look into the matter.)

More problematic – certainly for Toscan du Plantier’s family – he has a storyteller’s eye for the character, and Bailey, erratic, imposing and undeniably charismatic, holds the screen in a way that buttoned-up, pensive family members they do not do. Sheridan and Bailey have clearly grown close over the years of filming — during the French trial, Sheridan phones Bailey for updates, supposedly to get her answers on the film — and Sheridan surely knows that screen time and intimacy will generate sympathy for the accused killer. But Sheridan is just following the story where his instincts and circumstances lead him.

Along the way, viewers will appreciate the textures Sheridan brings to a genre usually run by numbers. Pictorially, visually and rhythmically, the series is a pleasure. And the ideas arise and mix with an unusual subtlety. At the start of the series, Bailey says, “It’s hard, the gap between knowing something and being able to prove it.” Several episodes later, when the head cop on the case talks about feeling helpless over the corruption charges, you realize his complaint is the same as Bailey’s.

Other choices by Sheridan are more immediate and vivid, such as a photo of Bailey pulling out one of his own teeth with pliers which is paired with a discussion of the French court’s description of him as borderline psychotic. But again, it’s complicated: it could be evidence of a psychosis, or it could just be evidence of a sharp theatrical personality that turns people against itself.

In a rumination towards the end of the series, Sheridan addresses the uncertainties of the story and his role in it: “Is he capable of killing? Aren’t we all? Is he guilty? I do not know. I don’t think we can say for sure. If “Murder at the Cottage” isn’t, ultimately, something more than a particularly well-made and nuanced example of the true-crime series, it’s because of another question Sheridan leaves unanswered: why he cares so much.

He hints at a personal connection and speaks of his rage at the lack of justice for Toscan du Plantier, but something is missing, a level of emotion that would justify the effort. We can still get the answer because it would be still following the case.

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Fashion brand

Fashion brand acquired, securing Australian following

Global restructuring firm Gordon Brothers has acquired the global Orsay brand, archives, associated trademarks and other intellectual property from Orsay GmbH.

The company partnered with Scayle to continue its growth in addition to maintaining existing Orsay franchisees.

Gordon Brothers chairman Tobia Nanda said the acquisition allows the Orsay brand to develop new apparel, footwear and accessories – and continue to be available globally and to customers in Australia, where it has a dedicated clientele.

“We have been following the Orsay story for years and have always been impressed by the brand’s powerful connection with consumers.

“The Orsay brand has been successful across regions, countries and distribution channels, and we are thrilled to partner with Scayle for its next chapter of growth.”

Scayle co-CEO Tarek Muller praised the partnership.

“Throughout this process, Gordon Brothers has shown enthusiasm for the Orsay brand, flexibility and willingness to ensure its continued presence in the European market.

“The agile strategy and growth objectives fit perfectly with SCAYLE’s modern business setup and rapid use cases.”

Gordon Brothers has been actively investing in brands since 2003, partnering with companies to help revive and reinvent brands such as Laura Ashley (pictured) and Nicole Miller.

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Fashion style

9 of the biggest 90s fashion trends that are making a comeback

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

If you’ve looked at TikTok or Instagram (or flipped through a fashion magazine) lately, you’ve probably noticed that the 90s are back. More than 20 years after the decade ended, many of its most iconic fashions (think scrunchies and Mom jeans) that were once mocked are now embraced by Gen Z.

Such is the cyclical nature of fashion, and with looks – from grunge to goth to hip-hop, and more – throughout the decade, there’s sure to be plenty of inspiration to draw from. Here are just a few of the many 90s trends that have re-entered the culture lately. Don’t wear them all at once!

Scrunchies

Pro tip: You can also accessorize by wearing one on your wrist. / Ivyu / Amazon

Once famously mocked in a 2003 episode of sex and the city, this humble and stretchy fabric hair tie has since become popular again. More comfortable and forgiving on sensitive manes than the typical elastic, the scrunchie has been rediscovered for its versatility, ease of wear, and ability to add an extra touch of style to a casual outfit.

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Brown Birkenstocks on a white background.

A true classic never really goes out of style. / Birkenstock / Urban Outfitters

These comfy sandals, easily recognizable by their cork soles and buckles, were a staple of the ’90s hippie wardrobe, but today you’re more likely to see them worn by a more fashion-forward crowd. Birkenstocks fit right in with the so-called “normcore” concept of unassuming, comforting 90s clothing, in fact subversively styled. While classic Birkenstocks come in dull earth tones, today you can buy them in a wide variety of colors and styles.

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Dr. Marten 1460 smooth leather platform boot on a white surface.

Channel your inner Daria with iconic Docs. / Dr. Marten’s / Urban Outfitters

Platform shoes, which were once all the rage in the 70s, reached new heights (pun intended entirely) in the 90s. Platforms were seen everywhere, from grunge children’s Doc Martens to sneakers dizzying ravers (and the Spice Girls!), and even the Mary Janes and moccasins of fashionable teenage girls. Given the popularity of spindly designer stilettos of the 2000s, it only makes sense that the more fashion-forward and comfortable clumsy shoe is finally coming back into fashion. And unlike the 90s, you can now get Docs in vegan leather, as the brand has offered it as an option since 2011.

Shop: Urban Outfitters

Posh Spice at VH1 Party

If Victoria Beckham (aka Posh Spice) wore them back then, you know they were in style. / Dave Hogan/GettyImages

These seductive, often gothic-looking necklaces were all the rage in the 90s. The tattoo choker in particular – a looped plastic variation, cheaply made on the theme – was particularly ubiquitous later in the decade. . These necklaces, along with the more traditional velvet and rhinestone ones, have become popular again, mostly worn by teenage girls and young women looking to add a bold accessory to their respective outfits.

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Mom jeans (or as they were called in the 90s, simply “jeans”) have gone from object of derision (most memorably derided in 2004 Saturday Night Live sketch seen above) to a must-have cool-girl. Jeans used to be high waisted and stiff by default, but as stretchier fabrics came along, skinny jeans became popular, and by the 2000s they were a staple. Low rises were also the norm at the time, and the high rises of so-called Mom jeans have proven to be more flattering and comfortable for many, and can have a surprisingly timeless feel.

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Princess Diana in bike shorts.

Style icon Princess Diana helped make bike shorts look super chic, even for casual outfits. / Anwar Hussein/GettyImages

These stretchy, form-fitting shorts were the pinnacle of athleisure before that word even existed. Often paired with oversized t-shirts or sweatshirts, bike shorts are comfortable and relaxed, with a hint of sexiness in their fitted silhouette. Many people have discovered the benefits of bike shorts during the pandemic as they are a good alternative to pantsless on Zoom calls. They can also have an understated, chic quality outside the home, as evidenced by the many photos of ’90s style icon Princess Diana in bike shorts that often circulate on Instagram.

Shop: Athlete

Drew Barrymore, Eric Erlandson, Hole

Slip dresses were huge in the 90s, popularized by ‘it girl’ Drew Barrymore (pictured here with Hole’s Eric Erlandson). / Steve Granitz/GettyImages

Loved by ’90s it girls like Courtney Love and Drew Barrymore, the slip dress is both underwear and outerwear at its best. The silky fabrics and spaghetti straps of these dresses have a flirty vibe without much effort, and they’re easy to slip on and dress up with a few accessories. The slip dress can look like Old Hollywood or riot grrrl, depending on how it’s styled, and its versatile sexiness and association with ’90s rebels has led to a new appreciation for the style.

Shop: Urban Outfitters

Stacey Dash and Alicia Silverstone in "Distraught."

The 1995 hit “Clueless” is a treasure trove if you’re looking for ’90s style inspiration. /Paramount Home Entertainment

Plaid has always been around, but in the 90s it was everywherefrom the grunge musicians flannel shirts to the famous yellow skirt suit worn by Alicia Silverstone in clueless. Donning a plaid piece is an easy shortcut to edgy ’90s style, as evidenced by pop star and Gen Z fashion maven Olivia Rodrigo’s penchant for plaid dresses and miniskirts.

Shop: Nordström

Frequently associated with the aforementioned high-waisted jeans in the 90s, the bodysuit gave casual outfits a more polished look. While some may scoff at the downsides of a bodysuit when it comes to using the bathroom, these body-conscious pieces (which can be minimalist, athletic, or boudoir-ready) are making a comeback via brands backed by celebrities like Kim Kardarshian’s SKIMS and others. .

Shop: SKIMS

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Fashion designer

Lewis Hamilton Goes Pink With Zendaya In Groundbreaking Collab With Billion-Dollar Fashion House

Formula 1 has completed 13 rounds and is in its summer break, which shuts down all activity in the F1 world. Drivers are using this time to disconnect from the sport and recharge before returning to one of the fiercest competitions in the world. In his spare time, Lewis Hamilton extends his collaboration with Maison Valentino.

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The seven-time world champion has often amazed fans with his on-track results. However, off-road, it never disappoints in preparation for a Grand Prix. The F1 paddocks often see the Brit making a new fashion statement at the track he is visiting.

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New big title made him the face of Pierpaolo Piccioli’s ‘Valentino Pink PP Collection’. Notably, Hamilton is Valentino’s DI.VAs (meaning DI.fferent VA.lues), a term coined by Piccioli to refer to the main faces of the House of Valentino.

Besides, the Italian designer is also featuring American actress Zendaya to promote his new clothing line. The two superstars in their respective fields can help the designer achieve multiple strands.

Lewis Hamilton: DI.VAs

When not in racing suits, Hamilton is very much engaged in his off-road passions. He is very into creative fields like music and fashion and is an adrenaline junkie when skydiving. The Mercedes ace likes to contribute to society and never backs down from a new challenge.

For many years, the Brit has spoken openly about racism, diversity and social injustice. He is a leader who sets the benchmark in everything he puts his heart into. The Italian fashion designer is a big fan of these qualities he shows and is full of praise for his DI.VAs.

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piccoli said, “Lewis is a performer; he is able to use his energy to express his authentic and precious self. The talent that he spreads with all his personality goes far beyond his sporting excellence and embraces everything he does. Lewis believes in what he does and shows it with effortless intensity.

I saw him commit to social causes with great independence. I saw him wear a total pink look and make it personal. I saw him smile and chat with people in a very casual way. By doing whatever pleases him, he pleases us. As a DI.VA testimonial, it represents diversity, equality and, above all, love.

Watch this story: Lewis Hamilton joins Zendaya as the new face of fashion house Maison Valentino

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“I couldn’t think of a better friend for this campaign. It will give an empathetic, human, inspiring message and it will be true”, Valentino’s creative director concluded.

The collaboration is a big hit in the fashion world and we can’t wait to see what the duo release next. What’s your favorite Lewis Hamilton haircut?

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French fashion

Black Girls Surf Founder Amplifies Athletes’ Voices

Sports Illustrated and Empower Onyx highlight the diverse journeys of black women in sports – from veteran athletes to rising stars, coaches, executives and more – in the series, She-evate: 100 Influential Black Women in Sports.


When Rhonda Harper, founder and director of Black Girls Surf, used to sit with her siblings in her Kansas home watching a series of TV shows, she had no idea what to enjoy the specials. beach from his landlocked living room would lead to the most exhilarating sport of his life: surfing. When skateboarding took a step back and the search for black female riders began, Harper began designing an organization that reached out to more than just black girls with the right to compete. Its roots, deep in social justice, continue to instill fairness in the global surf industry.

“In the ’70s, Stevie Wonder, the NAACP, and civil rights were huge in Kansas City,” Harper says. “I was watching Muscle Beach Party and little Stevie Wonder debuted. That was the connection for me.

Harper adds that she started buying surf magazines with the money she earned on her paper route. “There were no black people surfing in the whole movie. The only time I saw someone black was when I saw Stevie play. I already wanted to surf, but it’s not it was when I saw Stevie that I realized I could be in that scenario,” she says.

Harper’s family moved to California when she was 10. They had a pool in their backyard, a far cry from the separate pool two blocks from their former home in Kansas City. “I learned to swim in a black community pool in Parkwood, three miles from my house instead of the one that was only two blocks away,” says Harper. “My father, who was a retired coast guard, taught me.”

When they arrived at their new home in San Jose, the pool water was green. So her mother took the family to the beach, and swimming became Harper’s sport until she graduated from high school. “I was probably the only senior with a grad ring that has a surfer on the side,” Harper says.

“I started at 7, just watching movies, and then I moved to San Jose, 20 minutes from the beach,” says Harper. “My whole life has changed.” As the junior activist grew into a teenager, her upbringing for social justice left little patience for inequity. Her rebellious spirit prompted her parents to send her to live with her 19-year-old sister Natalie in Oahu, Hawaii. Harper is still amused when she recalls how they fired her “to punish her.”

Her father nicknamed her “Rocky” because she was constantly fighting at school. “When I came to California it was even worse because everyone had their mouths open and there was no segregation,” she says. Living with Natalie, a student in Oahu, was paradise for Harper. She stayed until she graduated from high school, and her love of the ocean and surfing brought her peace and clarity. The ocean was a mile away and the bus was only 25 cents, Harper recalls.

“I learned a lot about myself,” she says. “First, I’m there by myself. No lifeguards. It’s just me in the water. There’s a lot of anger that I brought back in my suitcase about why I had to move. I could feel him go. A lightness came over me, as the days went by, and I was getting better and better. I just felt a lot calmer. There was a level of maturity that set in. Harper’s sister told him not to go into the water without her. Nevertheless, caution was thrown to the waves. A determined Harper used to hide her used $25 board in thick brush next to the apartment, never bringing it inside. And his sister was never the wiser.

After graduating, Harper went to the Fashion Institute of Design and Merchandising and worked with her older brother, Keith, who was already making clothes for Bobby Brown and New Edition. Harper’s list of celebrity clients has grown and spanned from actor Eddie Murphy to rapper Heavy D.

After 25 years in the field, she decided to launch her own line of surf clothing. All she needed was a black surfer to model her clothes on. That’s when she discovered how hard they were to find.

“I wanted an Afro-centric, surf-influenced clothing line for black people who surf,” she says. While researching her niche market, she came across archival information about Inkwell Beach in Santa Monica, a place where black people congregated during segregation. “There was another article I had read about this first surfer of African and Latino descent, Nick Gabaldon, who surfed this same beach.

Harper began to connect her main passions – activism, surfing, fashion and writing – into a journey that changed her life. After leading the charge to place a memorial plaque at Inkwell Beach in Santa Monica for 24-year-old Gabaldon, whom Harper says was “overdone on a big wave day, [when] he hit the Malibu pier and died. She continued to support and coach black surfers while seeking out her female counterparts. It was important for them to have a space to showcase their athleticism. Harper’s quest would open the floodgates for women who had gone unrecognized in the surfing world. From the start, Harper felt this sense of exclusion.

“I tried to make the swim team in high school, but I didn’t look the same as my white counterparts in their bathing suits,” she recalled. “So I always got teased by the coach, who was already racist. He always had something to say about black bodies and black people. I told my mum I didn’t want to be in that environment. So I quit.” Harper was grateful that surfing was an individual sport rather than a team sport, and she said she preferred surfing because it gave her a sense of peace.

The writing was really on the wall when someone from a black athlete sports network read Harper’s press release on Gabaldon’s plaque and asked him to report on black surfers. “I started looking for a surfer, and I couldn’t find one that fit that category,” she says. “It’s the beginning of my career as a journalist, so I can explain why there are no black surfers. still no blacks on these pages.

She took a course with the International Surfing Association, part of the International Olympic Committee, and became the first black surfing judge. She decided to use this title to set up a platform, The Africa Surf International, which allows black surfers to show their talent. The ASI was going to be a competition held in Sierra Leone for a specific reason: it was where the Africans were all separated and taken to different parts of the world, Harper explains. “I learned that they discovered surfing in Ghana before Hawaii,” she adds. “We were already surfing, but this information was hidden from us.”

Years later, Harper realized something else that was hidden in plain sight: Afro-Latina surfers. She was “looking” for a black community surfing the waves, and it already existed. As her duties as a judge increased, she discovered the mystery. “I discovered that there were black surfers all over the world,” she says. “Some of them didn’t identify themselves, because it was the early 2000s and we weren’t yet calling people who lived in Venezuela and Brazil Afro-Latin or Afro-Brazilian. I was seeing these surfers when I was a journalist, and I missed it.

“There was literally a black surfer, Suelen Naraísa, who carried the Olympic torch in 2016,” she says. “When I talk about culture and black people in surfing, I can’t leave out the Brazilian community because they have been building it for a very long time.” The discovery inspired Harper to continue her fight.

She went to the International Surfing Association games in 2005 and 2006, where she noticed the absence of black women competing. Finally, Harper has found enough girls to turn up a heat. In 2014, she encouraged her team to do an exhibition that would allow girls to “go out and win trophies”. And Harper hoped that “maybe it would spark a new generation of people seeing black women surfing.”

Then Ebola hit the country and suspended the ASI contest. It was then that Harper decided to bring two of the West African girls to California for training and “proper” exposure. (One of them ended up not coming to the United States due to the travel ban and the closure of embassies). Over the next few years, Black Girls Surf began to take shape. “Even though everything was shut down, I continued to work to bring awareness to black women,” Harper says. She could never have seen what was to follow: COVID-19, which stranded Harper in Senegal for two years.

“Everything you see on Black Girls Surf now was done from an apartment in Senegal because I was trapped,” says Harper, who planned a quick trip to the country to film Khadjou Sambe, the Senegalese surfer she trains for the Olympics and the World Surfing Pro League. “I had been there for two years when the country closed. I couldn’t go home. Yet its social justice has transformed and flourished during the pandemic. “I trained girls in Senegal,” she says. “We don’t speak the same language. I don’t know Wolof. I don’t know French. But I know direction, compassion and empathy.

According to Harper, Sambe’s surf trip will ultimately change the Senegalese Federation. “Senegalese girls are not registered with their federation,” says Harper. “They didn’t want Black Girls Surf to be part of this federation because they know it’s going to change the country. It’s already changing,” says Harper, who made a global paddle for George Floyd.

“The surfing industry was so locked into environmental justice that they didn’t realize it went hand in hand with social justice,” she says. “We know this because there are dumps in black and brown communities. It’s not just about the ocean. It is about the environment and its totality. I watched my white counterparts talk about whale kills. And on the other side, all my black friends were crying because black people were being killed.

Her unwavering activism continues to push the boundaries as she moves the needle of her Black Girls Surf mission with unique programs like surf therapy; GROMS, an NFT collection; surf camps, like the one at Bowdoin College in Maine; and of course her clothing line, Hurley Black Girls Surf.

Bryna Jean-Marie is a contributor for Strengthen Onyxa diverse multi-channel platform celebrating the stories and transformative power of sport for black women and girls.

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Fashion brand

Historic Leather Manufacturer Buys Luxury Fashion Brand | South West Deals



A historic producer of high-tech and luxury leather goods, headquartered in Yeovil, has acquired the brand and assets of a contemporary luxury fashion business.

Pittards opted for Hill & Friends, founded in 2015 by Emma Hill and Georgia Fendley.

Hill & Friends’ line of handbags and accessories is said to have a “distinctive aesthetic, proven pedigree and loyal following while offering the potential for material international growth”.

Co-founder Emma Hill’s philosophy of believing in fair trade and ethical practices is believed to be “in line with Pittards’ long-term strategy to drive sustainable growth”.

Pittards itself was established in 1826 and has a heritage of developing and manufacturing performance leathers that are used by top brands around the world.

The acquisition allows the company to add another luxury fashion brand to its growing portfolio.

Pittards Managing Director Reg Hankey said: “Maintaining our strong balance sheet, this acquisition has been fully funded from the company’s existing cash.

“This complementary acquisition represents a compelling opportunity to further expand our offering, building on our success with our luxury men’s brand Daines and Hathaway.

“We are excited to work with Emma to expand the breadth of our offering in the fashion industry while generating new synergy benefits and unlocking shareholder value through increased scale.”

Details of the advisers who worked on the deal were not disclosed.

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Fashion style

Toronto-based clothing brand creates hype around four-letter words

What makes a hoodie unique?

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What makes a hoodie unique?

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According to Rachel Walderman, founder of 4 Letter Series, it is a four-letter word. The Toronto-based apparel and lifestyle brand offers limited-edition clothing collections designed to feature “four words that compile four letters, telling a short story.”

We caught up with Walderman to find out more.

Q. For those who don’t know, what is 4 Letter Series?

A. 4 Letter Series (4LS) is a premium apparel and lifestyle brand that offers locally made, handcrafted products designed to bring you ultimate comfort and joy, with an emphasis on storytelling. We’ve had four drops so far, with a primary focus on hoodies, crew necks, and zippers. As part of the creative process, we collaborate with community leaders to make our drops unique and multifaceted. We launch our products with a story to share with our community.

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Q. What makes it unique?

A. Our concept is what makes us unique. There are endless lines of hoodies on the market, but no one else does. Each drop highlights four words that compile four letters, telling a short story. With each drop, the story constantly evolves and changes, like our own lives. Each of our clients resonates differently with the stories, making them their own. It’s such a beautiful thing to celebrate the interpretation and power of words, while tying that together with high quality clothing and creating something that can be worn with pride.

Q. When and why did you launch the brand?

A. I launched 4LS in the fall of 2021, but technically I launched the brand eight months before that. I always wanted to make something my own, but it took me time to develop the confidence to do so. Being in the fashion industry for 11 years, I was starting to feel demotivated by my lack of purpose. I wanted to create something more than just beautiful clothes. 4LS creates products that have personal meaning.

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Q. Who is the target customer?

A. Anyone can wear the 4LS, but we’ve found our current client to be between the ages of 25 and 45, of all gender identities and expressions.

Q. What can you share about product collaborations?

A. To date, we have had the privilege of collaborating with community leaders and creatives, all of whom happen to be extremely talented Canadian women, including Bianca Sparacino, Rachel Joanis, Madeleine Gross and Noah Lehava. Whatever the partnership with 4LS, we do so with deep thought and intent to ensure it is aligned with the brand. We are always looking for artists, graphic designers, illustrators and more to improve our clothes and make them even more special.

Q. The products are all made in Toronto. Why was this important to you?

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A. When it came to the original delivery of hoodies and crewnecks, I knew I wanted to find a local manufacturer who believed in my creative vision and was willing to go the extra mile to create special pieces. Part of that meant I really needed to be involved in the process from start to finish of the garment’s journey. My manufacturer for all of our hoodies, crewnecks and zippers is a small team of four people. This means that everything is designed and created with the utmost attention and care, and every detail is considered. Making clothes locally in Canada is not the easy way, because we don’t have the same resources as abroad, but if it was easy, everyone would be doing it, right? ? There is so much talent in our backyard that can be used and supported. For our collaborations in other categories, like our candles and vintage jewelry, we’ve also worked with local businesses.

Q. Finally, what is the price range of your products — and where can people find them?

A. Our candles are $68, our clothes range from $115 to $175. We also sell vintage solid gold jewelry and chains, which start at $175 all the way up to $510.

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French fashion

Kaia Gerber models silk boxers, high boots and sunglasses for French fashion house Celine

Kaia Gerber wears silk boxers, knee high boots and sunglasses in chic black and white photos for French fashion house Celine

Kaia Gerber showed off the latest looks from French luxury brand Celine’s winter collection on social media.

The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted to Instagram on Saturday.

The brunette beauty also presented a new Céline chain box bag from the winter 2022 collection available in stores and on Celine.com from August 26.

French brand: Kaia Gerber unveiled the latest looks from French luxury brand Céline on social media” class=”blkBorder img-share” style=”max-width:100%” />

French brand: Kaia Gerber unveiled the latest looks from French luxury brand Céline on social media

Kaia was also shown in a close-up profile posted on Instagram by Céline on Sunday for the brand’s estimated 4.9 million followers.

She wore Celine cat-eye sunglasses with a cashmere turtleneck and signature necklace in the black and white image by Hedi Slimane Photography.

Hedi, 54, has been Céline’s creative, art and image director since February 2018.

The French ready-to-wear and luxury leather goods brand was founded in 1945 by Céline Vipiana and her husband Richard.

Silk boxers: The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted on Instagram on Saturday

Silk boxers: The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted on Instagram on Saturday

Celine has belonged to the LVMH group since 1996 and the brand has approximately 180 stores worldwide.

Kaia is the daughter of model Cindy Crawford, 56, and businessman Rande Gerber, 60.

She has an older brother Presley, 23.

Model mom: Kaia was shown last November with her supermodel mom Cindy Crawford

Model mom: Kaia was shown last November with her supermodel mom Cindy Crawford

Kaia has been in a relationship with actor Austin Butler, 30, after they were first romantically linked in December 2021.

Austin recently traveled to Budapest, Hungary to shoot the Dune sequel.

Kaia has also made a name for herself as an actress. She stars in the new short film The Palisades, which premiered last week at the LA Shorts International Film Festival. The 13-minute feature is billed on IMDb as “an exploration of the intricacies of female friendship” and was directed by Carissa Gallo.

Last year, the Los Angeles native also starred in three episodes of American Horror Stories and four episodes of American Horror Story: Double Feature.

She also has a recurring role in the Apple TV+ period comedy miniseries, Mrs. American Pie, which began filming in May. The series stars Kristen Wiig, Laura Dern, Allison Janey, Leslie Bibb, Ricky Martin and Carol Burnett.

Family portrait: Rande Gerber, Cindy, Kaia and Presley Gerber appear in December 2018 in London

Family portrait: Rande Gerber, Cindy, Kaia and Presley Gerber appear in December 2018 in London

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Fashion brand

Designer Kunal Rawal talks about his brand philosophy, his inspiration | Way of life

New Delhi: Renowned menswear designer Kunal Rawal’s mood board may change every season, but some elements remain intact: versatility, gender fluidity and functionality.

Her recent couture outing at FDCI India Couture Week 2022 also marked her 15 years in the industry. Drawing inspiration from our diverse cultures and traditions, her collection, “Dear Men,” was dominant in structured pieces finished with exquisite embroidery and clever layering. Actor Arjun Kapoor closed the designer’s show in a tonal sherwani.

In an exclusive chat with IANSlife, Rawal spoke about his brand philosophy, inspiration and the things that matter.

How would you describe your aesthetic?

We are a contemporary luxury brand that places great importance on functionality. We don’t like to lock our product into a certain aesthetic – we want to cater to everyone.

Men’s fashion is undergoing a healthy turn. What is the trend according to you?

There are always new and different trends emerging. However, being true to your own style is something that truly reigns supreme. Covid has made us look deeper into our lives and as a result we have become more in tune with ourselves. People dress for themselves and don’t just follow fashions. Mood Dressing is also important – people wear what makes them happy. Finally, I think of functionality, because people are looking for luxurious and versatile products. They want something that gives them more value for their money; something that can be reused and reused.

Your stylistic inspiration?

I am inspired by the people I see or with whom I interact. It’s a very layered approach, but we try to work that into our storyline. India has such an authentic street style that is so fascinating. Each state has a different language, culture and dress. Plus, I’m hugely inspired by Mumbai – its people, its architecture, its sea, and everything in between.

Please elaborate on phosphorescent technology.

As a brand, we like to play with technology. Since childhood I have been fascinated by textiles, what more can be created and what can be done using technology. We have been exploring the phosphorescent collection for a year and a half and playing with the pigments and mixing them with our threads to create unique hand embroideries. It was very fun !

Your top three best dressed?

Well, that keeps changing. I think a lot of people dress well. Ranveer Singh because he dresses according to his mood and for himself. Top Gun’s Miles Teller dresses really cool. And, I don’t dress too badly myself at the moment. So maybe me?


What is your vision of sustainable fashion?

It is the need of the hour. As a brand, we have always believed in conscious production. Today more than ever, the industry is moving towards sustainability. Additionally, consumers are making ethical choices – this will automatically curb fast fashion. I think the conversation around sustainability has been so strong over the past few years in India that it’s now more than just a concept. We have customers who want to know more about the product, materials, sourcing, etc.

What have been your lessons from the pandemic?

It was difficult for everyone. The new normal has put a lot of things into perspective. It taught me to have a plan A and a plan B – something I had never believed in before. It is important to have a solid backup plan in place. Another great learning was “concentration”. There’s so much to do and there always will be, but until you prioritize and focus on the things that matter, you won’t see movement.

What future plans for the brand?

Well, there is so much to do because our 15 year journey has been about finding acceptance for our aesthetic, pushing the boundaries of contemporary Indian menswear. While we’ve made our mark and have a strong and discernable consumer base, I feel like we haven’t even scratched the surface when it comes to design.

Therefore, we will focus on growing our aesthetic and applying it to different types of clothing and other products. We cater to occasions and functions and yet our range is so diverse – from modern luxury to deeply rooted traditional. We plan to build on that aesthetic and bring it to people who relate to it.

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Fashion style

5 essential bottoms in your wardrobe | fashion trends

Stockings are an essential part of women’s clothing as they make up around 50% of outfits. Having durable, classic pieces in your wardrobe adds variety, makes dressing easier, faster, and also helps you save money. So whether you prefer skirts or sweatpants, take a look at these must-have bottoms for women and add them to your wardrobe to complement your personal sense of style.

1. Wide Leg Pants

It is currently one of the most demanded garments. They are flattering, lightweight and comfortable. Instead of skirts or dresses, it can be a great alternative. You can pair it with shirts, kurtis, crop tops and t-shirts. There’s something for every style and dress code, including pairs with patterned designs, pull-on choices, and waist belts.

2. Ripped Jeans

Every woman should own a pair of fashionable ripped jeans. They are durable and suitable for all seasons, whether it is hot, rainy, summer or cold. There are many kinds of ripped jeans, from heavily worn jeans to distressed ankle-length denim. They are simple to style; you can wear them with a crop top, leather jacket, kurta, loose sweater, etc.

3. Leather pants

The leather pants trend is one that is not going away any time soon. They are ideal for a cold night. Straight leg, high waisted, slim and slim fit leather pants are just a few of the many styles available. Leather joggers or leggings are also available. Although black leather pants are the most popular models, they can also be found in brown, beige, white, red and navy blue. They instantly give any garment a more chic party vibe and can elevate it. They look best when worn with a fitted blazer, a slim jacket, a simple white t-shirt or a brightly colored turtleneck.

4. Cargo pants

Cargo pants are the ideal choice for you if you prefer fashionable comfort. They are comfortable yet stylish. They usually come with plenty of pockets and are great for everyday use. They are trendy and can be used for clubbing or just hanging out with your friends. They are mainly preferred in traditional colors such as beige or black, but if you want to experiment, you can opt for a bright color such as red or purple. They are usually worn with a t-shirt, crop top or tank top. They look best with sneakers.

5. Pencil skirts

The name “pencil skirt” refers to the item’s distinctive cut style. Fashion and practicality are combined in women’s pencil skirts. One of the greatest qualities of pencil skirts is one of the greatest qualities of pencil skirts. The same skirt can be worn in different ways as the design, fabric and attitude can vary wildly. Fabrics and prints have a significant impact on the look of the outfit as a whole. You will never go out of style if your wardrobe includes pencil skirts.

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Fashion designer

Ranveer Singh hugs Deepika Padukone as they walk the ramp at Mijwan 2022

Deepika Padukone looked royal as she walked the ramp with Ranveer Singh at the Mijwan Fashion Show 2022 in Mumbai on Friday. From holding hands to Ranveer kissing Deepika as they starred at the star-studded event, the couple’s PDA was one of the highlights of Mijwan 2022. The couple wore outfits by fashion designer Manish Malhotra during the annual gala, which returned with its first edition in three years due to the Covid-19 pandemic. Read more: Deepika Padukone and Ranveer Singh Represent ‘Glam and Power’, Shabana Azmi Says of Mijwan’s Latest Hits

Many celebrities including Gauri Khan, Karan Johar, Vidya Balan, Nora Fatehi and Ishaan Khatter were spotted in the audience at the fashion show organized by Shabana Azmi in association with her NGO Mijwan Welfare Society. In one of the most emotional moments from the fashion show, Ranveer could be seen walking towards her mother Anju Bhavnani, who was seated in the front row near Gauri and Ishaan. The actor leaned in to kiss her before touching her feet. Fans reacted to Ranveer’s sweet gesture and commented on their video shared by a paparazzi account on Instagram. “Bahut sanskari hain (He is well cultured),” one person wrote. Another said, “Ranveer is a great actor and a nice human being.”

Meanwhile, many paparazzi and social media fan pages have shared images of Deepika Padukone and Ranveer’s ramp. In some videos, the actors were seen walking hand-in-hand as spectators amid cheers from the audience. As they posed on the ramp together, Ranveer was seen kissing Deepika on the cheek as the two smiled. Ranveer was dressed in a black sherwani with white embroidery and sported a ponytail. While Deepika wore a glamorous white and gold lehenga with heavy embellishments and a statement necklace.

Deepika also shared photos of herself and Ranveer from their special night. In a series of photos she posted to Instagram, the actors posed together in their Manish Malhotra looks. In one of the photos, Deepika and Ranveer looked lost in each other’s eyes. In another, the couple showed off the elaborate designer outfits.

Ranveer Singh and Deepika Padukone walked the ramp together in Manish Malhotra looks at Mijwan 2022.

Ranveer and Deepika have become stars for Manish Malhotra, who presented his latest collection at the Mijwan Fashion Show 2022, hosted by Shabana Azmi. In a recent interview, the veteran actor said the couple represented “glamour, power and courage” and their Mijwan fashion show was the “biggest event yet”. While praising Deepika and Ranveer, Shabana told Mid-day. “Deepika is sensitive to the cause of empowering women and girls. Individually and together, they represent glamour, power and courage.

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French fashion

Live Updates: Procter & Gamble warns of consumer reluctance to accept price hikes

©Bloomberg

Colgate-Palmolive raised its full-year guidance after pledging to pass on rising raw material and logistics costs by further raising prices for its products.

The consumer goods group, whose brands include Speed ​​Stick deodorant and Softsoap, raised its forecast for full-year organic sales growth by 1 percentage point to between 5 and 7%, but maintained its net sales growth forecast in the 1-4% range.

The toothpaste maker reported second-quarter net sales up 5.5% to $4.48 billion, above analyst estimates of $4.35 billion, according to a Refinitiv poll, and up 5.5% year-on-year. Organic sales increased 9%, with growth across all divisions.

Colgate reported higher raw material, packaging and logistics costs in the quarter, as well as a 3.5% negative impact on net sales due to currency volatility .

“We have acted boldly on pricing and are accelerating our plans to manage revenue growth, including additional pricing, for the remainder of the year,” chief executive Noel Wallace said in a statement.

On a call with analysts, he said price increases would be “broad across the world” in the second half.

“It’s an unpredictable environment relative to where we see consumers moving, where we see inflation moving,” he said. “But the good news is that we took the awards and have other awards planned around the world for the second half.”

The New York-based company reported diluted earnings of 72 cents per share, better than forecast 71 cents.

Colgate is the latest consumer goods company to pass on rising inflationary costs to customers, following moves by Nestlé, Kraft Heinz, Danone and Unilever.

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Fashion brand

This brand of granola is causing a stir on social networks

To say that advertising executive Tom Bannister loves granola is a huge understatement. What started as a simple appreciation of breakfast cereals has become “true love” (his words!) over the years. Whenever he traveled with his wife Eva Chen, they always made it a point to sample the local granola. “I’ve had granola from Tokyo to Detroit and everywhere in between,” Bannister said. Chen, the director of fashion partnerships at Instagram and a fashion influencer in her own right, was filming tongue-in-cheek TED Talk-style Instagram stories of him criticizing granola.

Unable to find the perfect granola (and with more free time due to a global pandemic), Bannister began making his own with the “help” of his three children and Tom’s Perfect 10 was born. When he first launched the subscription-based Flavor of the Month Granola Club, he had a waiting list of over 17,000 people and became known as the “Birkin of Granolas”. Beyond launching a new flavor each month, the brand is unique in that it includes a scorecard that allows customers to rate the granola out of 10 in six categories that include taste and creativity. Once monthly flavors run out, they are gone forever, but exceptional flavors that score a perfect 10 become permanent and will still be available for purchase. “I was overwhelmed with the responses, advice and general encouragement I received from followers on IG on this granola-making journey,” Bannister said. Since the brand’s launch in October 2020, more than 50,000 orders have been fulfilled, representing approximately 15 tons of granola.

To date, there are 20 flavors of Tom’s Perfect 10 granola, the newest of which is Island Acai. Only three flavors earned a perfect 10: Ginger Zing, Classic, and Golden Apple Cider, though Bannister notes that Black and White Matcha came very close. Other past flavors include Blueberry Lemon, Chocolate Peppermint (his wife’s favourite), Horchata Fig, Blackberry Chai, Flaming Chocolate, Piña Colada, Mangonada, Last Tango (a tangy blend of strawberry, kiwi and balsamic vinegar) , Salted Caramel, Black Forest, Smoky Chocolate, Tea My Dear (bergamot, dried lemon and yogurt) and Chai Colada.

“I find inspiration everywhere,” Bannister said. “Tea My Dear was inspired by Sting’s song an Englishman in New York, stroll around New York and browse the local tea shops. I try to make my flavors seasonal; the flavor this July was Chai Colada and last July we did Mangonada. I like to use unique ingredients and spices and try to surprise my audience with unusual pairings and flavor combinations. Sometimes it works, and other times it’s a little too experimental for people’s tastes.

I had the opportunity to connect with Bannister and chat about all things granola and Tom’s Perfect 10. I’ll let him take it from here.

Abigail Abesamis Demarest: Tell me about the brand name and your obsession with “perfect” granola flavors.

Tom Banister: We felt the name Tom’s Perfect 10 reflected the story behind the brand. It’s a nod to the granola TOMtalks I used to do, which always ended in a score. My wife and I are both storytellers. Eva is a children’s book writer and former fashion editor and I’m a producer. We’ve spent most of our career in the creative arts, so we see brands, products and the world through the lens of stories. I believe there is a perfect granola for everyone!

The heart of the brand is the story of my journey to discover that perfect granola and invite people to take the tour. But I also think the brand is flawed. I am not a great cook. I learned to do it in public outside of my comfort zone, so in many ways, Tom’s Perfect 10 is about accepting being imperfect. It took me a long time to learn to be comfortable with being imperfect and unmanicured on Instagram’s very public forum.

Demarest: What does the R&D process look like? How far in advance should flavors be finalized?

Ramp: Sometimes it’s easy and I nail the recipe on the first try (Piña Colada was an example). Other times, I might find myself making the recipe 20 times until I get it right (like Baby Blue, a flavor I made in honor of the birth of my son River). Other factors also come into play, such as the availability of bulk ingredients and preparation time. My wife and I once personally zested 300 lemons – never again! My wife Eva always tells me not to think too much. Sometimes you can get attached to an idea. For example, I’ve always wanted to make a granola inspired by a Dark ‘n’ Stormy, but I just can’t get the flavors in this cocktail to work like a granola. I’ll also be totally honest – I had a flop or two too. I made a smoky chocolate flavor that was polarizing (some people like a salty chocolate some don’t like a smoky vibe) and a recipe I made last summer called Last Tango with Strawberries and balsamic vinegar was not as popular. The nature of the feedback loop and dashboard process allowed me to improve my granola making skills much faster.

At some point, I refine two or three different flavors. It’s late July now and we’re charting through September. As we continue the process, I imagine that I will work further!

Demarest: For you, what makes a perfect granola?

Ramp: My “perfect” granola is less about a flavor profile and more about the texture and joy of each bite. Each bite should be unique and have a unique taste. No bite should be the same, almost like a little mini adventure for the taste buds. I tried to capture that feeling in the marketing and storytelling around our “Classic” flavor. I consider Classic an almost all-American taste road trip and close to what most would consider “perfect”. It’s wholesome but still slightly adventurous with chocolate, cherries and golden raisins. There is also a touch of cinnamon, which gives a mystical touch.

Demarest: What’s your favorite way to enjoy granola?

Ramp: I’m a granola purist and tend to eat it alone, in handfuls. I can’t lie, our apartment has a thin layer of granola crumbs on the floor at all times, but I think that comes down to testing the product frequently.

Demarest: What’s next for Tom’s Perfect 10?

Ramp: I’m not one to dominate the world, I love creating things that people enjoy. We’re starting to think about retail partnerships, but in a similar way to how we got started. We want to start small and make decisions based on what suits the core of the brand. We also have fun collaborations with like-minded brands in the fall. And we have our first holiday launch coming up! This trip has been so unexpected for us and truly so fun and rewarding. I never thought I would turn my granola obsession into an actual product that thousands of people enjoy.

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Fashion style

I’m a fashion fan and had an amazing summer Tesco transport and everything looked so beautiful and is mega easy to style

WITH summer in full swing, fashion fans are looking for stylish outfits that are also comfortable in the heat.

Now a fashionista has revealed how she managed to strike the perfect balance with her awesome Tesco summer style.

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Chloe was a huge fan of her Tesco transportCredit: glowybychloe/Tik Tok

Chloe Mitchell, who regularly shares style videos on social media including the outfit of the day, got her hands on Florence and Fred’s latest looks.

Chloe, whose TikTok profile is @glowybychloe, then shared the different outfits with her 395,000 followers trying on each one and giving her feedback.

First up, Chloe stepped out in a pair of boldly patterned monochrome wide leg pants.

She said: “I knew I was going to love them – absolutely gorgeous.”

Chloe then added that they scored extra points because they were extremely easy to style.

She explained, “These are flowy pants and with a black tank top, I think it will be really nice.”

And it was exactly the same for the next item of clothing – an orange and pink patterned shirt.

While Chloe said it wasn’t her usual style, she said it would work perfectly once styled.

She continued: “I’m considering – what am I going to say? – a white tank top, denim shorts and having it either off the shoulder or tucked in a bit.

A similar pattern was also featured when Chloe tried on a dress, and once again she was won over.

Although she pointed out that she would have an additional fan that she could complement more – her mother.

Elsewhere, Chloe also splurged on a “stunning” green, satiny, ruched skirt that she said she was “obsessed with”.

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She also gave a big thumbs up to a red spaghetti strap summer dress that was light and flowy.

She concluded: “I love, love, love everything about this dress. I literally love the way [the middle] waist swans.

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“I love everything about it.”

Chloe’s followers were also big fans of Tesco clothing, saying each outfit was super flattering and made her look “stunning”.

Chloe said she was thrilled to style the shirt

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Chloe said she was thrilled to style the shirtCredit: glowybychloe/Tik Tok
The green skirt was a big hit

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The green skirt was a big hitCredit: glowybychloe/Tik Tok
The patterned shirt dress was also talked about

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The patterned shirt dress was also talked aboutCredit: glowybychloe/Tik Tok
Chloe left the best to last with her favorite red dress

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Chloe left the best to last with her favorite red dressCredit: glowybychloe/Tik Tok
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Fashion designer

9 fashion designers who created costumes for movies

Fashion and cinema have always been interconnected over the decades. It’s no secret that costume design is an important part of filmmaking. A well-designed costume can bring characters to life, transport the viewer to another time or place, and most importantly lend integrity to a director’s creative vision. Additionally, well-executed costumes can have a huge impact on how a movie looks. Take Breakfast at Tiffany’sfor example: despite being filmed in the 60s, the costumes remain timeless and modern and still as fashionable as ever, and undoubtedly cemented the film’s reputation as a Hollywood romantic classic.



Over the years, several top fashion designers have lent their creativity to film, from French couturiers to high-end shoe designers. In some cases, costume design launched their American careers, and some were already established designers before making the leap to filmmaking. In any case, these artists have definitely marked Hollywood. From Jean Paul Gaultier’s futuristic cuisine to Miuccia Prada’s reimagining of a Shakespearean classic to Paco Rabanne’s otherworldly wonders, the creativity of these designers knows no bounds. To commemorate these top designers and their incredible contribution to cinematic history, we’ve put together a list of nine groundbreaking films and the famous fashion designers who brought the costumes to life. Here are nine fashion designers who have created costumes for movies.


9 Jean Paul Gaultier – The Fifth Element

Whereas jean paul Gaultier collaborated on several films throughout his career, the most notable being Luc Besson’s 1997 sci-fi thriller The fifth Element. Not only has the film itself become cult, but so have Gaultier’s innovative costumes. Tasked with designing the costumes for the four main characters, Gaultier exceeded expectations when he designed over 1,000 costumes for the film, paying attention to the main cast and extras. His work on the film won him a second César for best costume. If you want to relive the fashion extravaganza, you can see the film in theaters this year for its 25th anniversary.

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8 Hubert de Givenchy – Breakfast at Tiffany’s

Breakfast at Tiffany’s is based on a short story of the same name by Truman Capote, which follows the life of elegant but fickle socialite Holly Golightly (Audrey Hepburn) as she falls in love with her neighbor and struggling writer Paul Varjak (George Peppard). Although the movie itself is a classic, there’s no denying that it gets most of its notoriety from its chic and feminine fashion. Key elements of Hepburn’s wardrobe in the film were designed by Hepburn’s friend and Parisian fashion designer Hubert de Givenchyincluding the long black evening dress in the film’s opening sequence which is widely considered to be one of the most iconic fashion pieces in history.


seven Tom Ford – Specter

Aspiring author and fashion designer Tom Ford collaborated with costume designer Jany Temime on the 24th installment of the James Bond franchise, Spectrum, in which Daniel Craig’s Bond reveals the existence of an underground criminal organization called Spectre. Temime discussed his partnership with Ford in a 2015 interview with Squirestating, “It’s very good for me because I can design whatever I want and he just does what I like. Because he’s a director himself, he respects the role of the costume designer a lot.”

Related: A Single Man and Nocturnal Animals: How Tom Ford Went From Designer to Director

6 Giorgio Armani – American Gigolo

Giorgio ArmaniFilm’s love affair began with designing Paul Schrader’s 1980 film wardrobe american gigolo. The film’s main protagonist, Julian Kaye, embodied the spirit of an Armani man, and the film’s influence would go on to help launch Armani’s career in America. The famed designer would continue to work in film throughout his career and would go on to design costumes for the 1980s television series. miami viceand movies like The Incorruptibles, The bodyguard, The wolf of Wall Street, and inglorious bastards, to name a few. The film recently inspired a TV series remake on Showtime, also called american gigolowith Jon Bernthal as Julian Kaye.


5 Paco Rabanne – Barbarella

Designate Paco Rabanne was one of the co-creators of the 1960s space age fashion movement. Who better to design the costumes for Barbarelle, which follows a futuristic astronaut on a mission to save the galaxy from evildoers. Rabanne’s inventive costumes, including skin-tight jumpsuits, chainmail mini-dresses and metallic boots, have become as iconic as the film itself.

4 Miuccia Prada – Romeo and Juliet

Miuccia Prada collaborated with director Baz Luhrmann on several of his films including Romeo and Juliet, Gatsby the magnificent, and Luhrmann’s latest film Elvis. Prada, the creative director behind Miu Mui and Prada, first worked with Luhrmann in Romeo and Juliet design Juliet’s signature white dress and angel wings, and Romeo’s navy blue wedding suit. On their second collaboration for Gatsby the magnificent, Prada revamped 40 dresses from its archives to feature in the film and recreated a dress from their Spring/Summer 2010 collection to feature on star Carey Mulligan. The infamous pair teamed up again recently for Elvis to recreate the iconic King of Rock n’ Roll costumes.

Related: Best Costume Design In Baz Luhrmann Movies, Ranked

3 Christian Dior – Stage fright

Christian Dior took advantage of his friendship with Stage fright leading lady Marlene Dietrich, who insisted that director Alfred Hitchcock hire Dior to outfit her for the film with the famous words “No Dior. No Dietrich!”. With that, Dior would continue to dress the German-American actress in its popular “new look” silhouette which featured nipped-in waists and flared-skirted dresses.

2 Coco Chanel – Last Year in Marienbad

famous designer Coco Chanel has a long history of involvement in film. According vanity lounge, film mogul Samuel Goldwyn of United Artists believed that “women went to the movies to see how other women dressed”, and so in 1931 he offered Chanel a whopping million-dollar contract to outfit his Hollywood starlets, both on and off screen, convinced she would bring class back to Hollywood. In 1961, she resumed the role of costume designer for the film Last year in Marienbadwhich features gorgeous dresses made from luxurious fabrics such as chiffon, tulle and lace, with its signature bead detailing of course.


1 Manolo Blahnik – Marie Antoinette

The name Manolo Blahnik stands for high fashion footwear. While the well-established designer designed shoes for big names such as Twiggy and Bianca Jagger in the 70s, Blahnik’s popularity grew in the 90s due to the increased visibility of popular television series. absolutely fabulous and sex and the city. In 2006, Blahnik will lend his creative forces to Sofia Coppola’s visual masterpiece Marie Antoinette. The veteran designer’s stunning period shoes paired beautifully with Oscar-winning costumes by Italian costume designer Milena Canonero.

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French fashion

French clothing retailer Decathlon launches rental service

Image courtesy: activities.decathlon.ca

Decathlon is there with a rental service to make a range of sports products more accessible and affordable.

The French clothing retailer’s decision should help Britons in this tough cost of living crisis.

Notably, customers can “pay as you go” on the service which bills every 24 hours, instead of hourly.

Here it should be clarified that the first 24 hours – for a kayak – are charged at £30, then only £15 on the second day.

On subsequent days it’s £10 per day. A one week rental would therefore cost 56p per hour.

Although the service is currently available in London, Poole, Glasgow and Southampton, it will soon be rolled out to other stores.

Decathlon is offering products such as stand-up paddle boards (SUPs), kayaks and e-bikes as part of its new rental service to make it more accessible to shoppers.

The retailer believes that its mission is not only to make the sport more accessible to as many people as possible, but also to offer rental services in the most environmentally friendly way.

With over 1,697 stores in 60 countries and regions, Decathlon is the world’s largest sporting goods retailer.

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Fashion brand

7-Eleven Continues Brainfreeze Season With Snack-Inspired Fashion Collabs

IRVING, TX, July 26, 2022 /PRNewswire/ — To keep fans feeling hot and cool this Brain Freeze Season™, 7-Eleven, Inc. launches unexpected and exclusive collaborations with fan-favorite snack and drink brands to bring wardrobes to an ELEVEN. Customers who purchase products participating in 7Eleven®, Speedway® Where Stripes® stores can win bespoke apparel and accessories inspired by the snacks they know and love.

Are you looking for a unique companion? Sneakerheads are in for a treat as a few lucky customers will win a personalized pair of adorable (and unique!) kicks, including:

  • Slurpee® x What the Fanta: Conceived by Jake Danklefs by Dank & Co.these trainers are adorned with Slurpee drink branding and shapes that mimic splashing water.
  • 7-Eleven x Dunkaroos™: Nostalgic for the 90s? These kicks, designed by partner creative agency Select and hand painted by Tyler Wallachfeature Fred, the brand’s iconic frozen drink mascot, surrounded by confetti-like designs.
  • shoe surgeon x Reese: These shoes are as irresistible as the candy itself – with orange mesh panels, chocolate colored sides and a peanut butter colored ankle panel with a button pocket.

Do you care more about the “fit?” Customers also have a chance to win a show inspired by break dancing Red Bull BC One capsule featuring Fred, complete with hoodie, drawstring backpack and hat to keep fans dancing all summer long. Or, add a little spice with the Flamin’Hot x Braille Collectionincluding a crew neck sweatshirt, hat, skateboard and shoes with flame print laces.

“Brainfreeze Season is our opportunity to help our customers quench their thirst for Slurpee drinks…music…and, of course, fashion,” said Marissa Jarratt, Executive Vice President and Chief Marketing Officer of 7-Eleven. “We know our customers are always on the cutting edge of culture and style, and are looking for ways to connect even more closely with the brands they love – so what better way to reward our loyal fans than with these one-of-a-kind pieces. drawings?”

For a chance to win, 7‑Eleven, Speedway or Stripes customers must purchase certain items through the 7Rewards® and Quick Rewards® loyalty programs or via 7NOW® delivery. Participating products include Big Gulp® fountain drinks, Slurped drinks, Red Bull, Fanta, Reese’s, Dunkaroos, all Doritos, Ruffles and Cheetos varieties, and more. Even better, when customers purchase the featured product on their 7-Eleven and Speedway app each week, they earn double entries for a double chance to win*.

For more details on how fashionistas can pull off the hottest looks of the season, visit 7-Eleven.com/Catch-The-Collab or download the 7-Eleven and Speedway apps from the App Store or Google Play, or by visiting 7Rewards.com Where SpeedyRewards.com.

*NO PURCHASE NECESSARY TO ENTER OR WIN. Begin 05/25/22 at 00:00:01 CT & ends 09/06/22 at 23:00:00 CT. Open to legal residents of the United States physically residing in the 50 United States or DC ages 13 and older (minors must have parental consent to participate). Odds of winning depend on the number of eligible entries. Sponsor: 7-Eleven, Inc. For complete rules, free and other methods of entry, complete prize details and restrictions, see the official rules at https://bit.ly/SZN-22.

About 7-Eleven, Inc.
7-Eleven, Inc. is the premier name in the convenience retail industry. Situated at Irving, TX7-Eleven operates, franchises and/or licenses more than 13,000 stores in the United States and Canada. In addition to 7-Eleven® stores, 7-Eleven, Inc. operates and franchises Speedway®, Stripes®, Laredo’s Taco Company® and Raise the Roost® Chicken and Cookies Locations. Known for its iconic brands such as Slurpee®, Big Bite® and Big Gulp®, 7-Eleven has expanded to premium sandwiches, salads, sides, cut fruit and protein boxes, as well as pizza, chicken wings and mini beef tacos. 7-Eleven offers customers industry-leading private label products under the 7-Select™ brand, including healthy options, decadent treats and everyday favorites at an exceptional value. Customers can earn and redeem points on various items at stores nationwide through its 7Rewards® loyalty program with over 50 million members, place an order in the 7NOW® delivery app in over 2,000 cities or rely on 7-Eleven for bill payment service, self-service lockers and other convenient services. Learn more online at www.7-eleven.com.

SOURCE 7-Eleven, Inc.

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Fashion style

Taylor Swift wore a patchwork dress for Selena Gomez’s birthday

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Gomez turned 30 on July 22 and her longtime friend Swift, 32, helped her commemorate the major milestone. The Rare Beauty founder shared two fun photos of the duo celebrating in what looks like an intimate gazebo decorated with twinkling lights. She captioned the silly snaps, “30s, nerdy and dignified” on Instagram.

The birthday girl dressed up for the occasion, wearing a pleated $5,400 Gucci dress with balloon sleeves, while Swift opted for a more relaxed puff-sleeve midi dress – although still dear to $498 – with a tiered skirt and patchwork design. She paired the breezy number with Cathy Waterman earrings and loose pigtail braids to complete her signature cottagecore aesthetic.

Swift has flipped between many styles throughout her time in the spotlight, from sparkly dresses and cowboy boots to cat-eye sunglasses and bold red lips to all-black during her Reputation the era of dip dyed hair Lover. But for the past few years, the songwriter has stuck to his folksy, prairie-girl vibe, and this latest sighting is no exception.

The “All Too Well” singer is on to something with the patchwork print on her midi dress: unlike traditional patterns like stripes or polka dots, patchwork garments look completely different from piece to piece. Each patchwork dress, top or skirt is completely unique, so there’s an option for everyone – and you’ll always stand out.

Take this $60 pick, for example: With soft orange, blue and white floral patches, the A-line midi dress is retro and perfect for making a statement in the office.

With a brown, cream and blue patchwork print, this satin slip dress from Free People exudes western spirit, and the cutout at the back makes it on-trend. But if mini dresses are your thing, this balloon-sleeve pick from Banana Republic is romantic and flattering with a sweetheart neckline and twist detailing.

Whichever patchwork dress you choose, you’re sure to turn heads in one-of-a-kind style. Enjoy this rare sighting of Taylor Swift and copy her summer look by shopping more patchwork dresses below. Then you can go back to wondering what she got Selena.

Buy it! River Island Metallic Patchwork Maxi Dress, $108; nordstrom.com

Buy it! Lucky Brand Patchwork Print Midi Dress, $129; nordstrom.com

Buy it! Banana Republic Ramie Twist Dress in Patchwork Blue, $129.97 (orig. $200); bananarepublic.com

Buy it! Anna Corrinne Butterflies Patchwork Smock Dress, $158; freepeople.com

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Fashion designer

Learn to shop consciously on a luxury website VERS

As shoppers, we’re all becoming more aware of the downsides of fast fashion: environmental degradation, labor issues. Buying from ethical brands seems like an answer, but it can be difficult, if not impossible, to understand what it means when a company claims to be “sustainable”. Ana Kannan, founder of the luxury e-commerce platform TOWARD, has come up with her own solution.

Kannan’s upbringing inspired his passion for sustainability. Her car seats were leather, her entire family was vegetarian, and her mother always emphasized keeping clothes in your closet for as long as possible. She went to the University of Southern California to study STEM, but when she took a course on sustainability in fashion, her mental wheels started turning.

“I found myself asking questions,” Kannan explained, “like what percentage of [a brand’s] supply chain really trace? Are these materials really certified responsible? What stops a brand from lying? And I realized that there had to be some kind of space where brands could be independently vetted, and consumers could trust that those brands were really responsible.

To the fall lookbook

She created TOWARD to tackle this mission. On the website, TOWARD’s clothes strike a delicate balance between earth tones and more modern hues — think sleek strappy dresses, wide-leg pants and puffy pastel baby bags. The digital store has tabs labeled “Clothing”, “Shoes” and “Bags & Accessories” like any shopping platform, but it also offers consumers a “Liability”. tab, describing what sustainability means to the company. Kannan says that for her, the term “responsibility” goes far beyond just sustainable branding. “It really refers to the holistic impact of each element of the supply chain. Our framework is how we assess whether a brand is right for us.

To help conduct this assessment, the TOWARD team has developed nine pillars to assess all areas of a brand’s sustainability, ensuring that every designer TOWARD wears meets its standards. These pillars include worker rights, organics, water conservation and animal welfare.

To ensure that a brand is responsible enough to join the TOWARD platform, Kannan’s team, along with environmental experts, created over 100 questions for each brand to answer with documentary evidence. From this sustainability questionnaire, TOWARD determines which of its nine pillars the brand adheres to and whether it can be included on the site.

two models stand in the greenery one wears a brown jumpsuit and the other a long silver dress

To the fall lookbook

Not only do these pillars act as markers for brands driven by TOWARD, but, as Kannan explained, they also act as a roadmap for all brands “as they seek to improve their corporate responsibility practices. coming. They can see ‘What pillars am I excelling in at the moment? What pillars should I work on?“and then they can adapt and adjust their plans going forward.” His company is successfully setting a universal sustainability standard for the fashion world, while educating luxury consumers about brand transparency and responsibility.

In addition to opening its first store on Melrose Avenue in West Hollywood, TOWARD has big plans for the future. Staying committed to sustainability means going back and forth with our world, and, says Kannan, “we’re currently working on revamping our accountability framework based on the most up-to-date climate information and all of the sustainability research.” .

She hopes TOWARD can act as a “one-stop shop for buying fashion and beauty responsibly”, but she also sees it as a resource for anyone who wants to update their knowledge. The hope is that consumers will be inspired to move fully into the sustainable fashion space.

ana kannan

Ana Kannan

“I’m very excited for the future of sustainable fashion,” Kannan said. “I believe transparency is the number one priority in fashion. If brands aren’t able to disclose anything and everything about their practices, then it’s harder to trust them. So, I imagine a very transparent future for fashion, one where all brands use the latest and greatest materials and innovation, and truly move the needle TOWARDS a more responsible future.

You can shop TO here. To get you started, these picks are some of Ana Kannan’s current favorites on her site.

This content is created and maintained by a third party, and uploaded to this page to help users provide their email addresses. You may be able to find more information about this and similar content on piano.io

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French fashion

Why You Should Bring Back the Classic Alarm Clock

Written by Jessica Bumpus, CNN

I reset the alarm clock. An overlooked mechanism in today’s technologically synchronized world, your phone does everything, it tells the time, it wakes you up, it’s decentralized from a phone. That’s wonderful.

Why? Because before I brought an analog clock back to my bedroom, I spent an average of two hours and 56 minutes in front of a screen a week, and my phone would tell me every Monday, moments after my alarm went off.

And, every morning, when I was only trying to press “snooze”, I would be faced with a flurry of notifications piling up one behind the other like a game of solitaire cards on the screen. My phone was telling me my friends were feeling chatty last night with over 34 Whatsapp messages; there would be Instagram alerts and dozens of emails from multiple accounts. The notifications filled me with dread and stress about the day ahead before I even had my morning coffee.

Sleeping troubles? Try These 4 Easy Stretches Before Bed

I hadn’t realized it at the time, but my old analog clock – a compact travel model – was an understated luxury.

Its design would have paled in comparison to the latest iPhones, but it did its job very well; its piercing, shrill cry was effective in waking me up every morning. Relevantly, it didn’t fill my mind with chatter, bad news, and delays before the day started.

Changing habits

I switched from alarm clock to phone about 10 years ago after telling someone what I thought was a funny story about how my alarm clock once went off in my suitcase while I was in the trunk of a taxi, forcing us to stop if I could retrieve it. The story caused perplexity. “Are you using a real alarm clock?” they asked, as if it were a fax machine. “Why don’t you use your phone?” Ah, I thought. Why not me ? I probably didn’t even know I could at the time. But I succumbed to peer pressure and deleted my old clock. And that’s when the luxury of waking up without notifications ended and the misery of staring at them in the middle of the night when I checked the time on my phone began.

“Reintroducing an alarm clock gives me the time, space and separation that my phone didn’t have.”

As our use of cell phones continues to grow (a 2018 report by Deloitte found that US smartphone users check their phones 14 billion times a day, up from 9 billion in the same 2016 report), health experts -be say it negatively impacts our morning routines.

“When you wake up the first thing, the ideal thing is to wake up and spend some time in your mind before you are bombarded with everything that is going on in the world. Give yourself a chance to adapt to the waking world.” said Lily Silverton, mental health and wellness coach. “Historically, we weren’t used to being so diverted from our attention as we are today.”

Before alarms, it was roosters, church bells, door knockers (people who were paid to wake you up by tapping on the door or window with a long stick, which happened until the 1970s in the industrial Britain) and even our own bladders that got us out of bed. Clockmaker Levi Hutchins of Concord, New Hampshire is widely believed to have invented one of the first alarm clocks in 1787. His design rang only once at 4 a.m., his favorite wake-up time. Little is known about the details of the actual design, but he wrote: “It was the idea of ​​a clock that could sound an alarm that was difficult, not the execution of the idea. It was the very simplicity of arranging the bell to ring at the predetermined time.” Hutchins never patented or manufactured this clock.

It was years later, in 1874, that French inventor Antoine Redier became the first to patent an adjustable mechanical alarm clock. And in 1876, a small mechanical wind-up clock was patented in the United States by Seth E. Thomas, which prompted the great American watchmakers to start making small alarm clocks. German watchmakers would soon follow and by the end of the 1800s the electric alarm clock had been invented.

5 things we’re still wrong about sleep, according to an expert

Buy clocks

Today, alarm clocks come in a number of designs. From riffs on the Panasonic RC-6025 clock radio, immortalized in the 1993 film Groundhog Day, to more retro designs from classic brands like Roberts. A quick Etsy search reveals new designs in the shape of robots, owls, or even bunnies.

Elsewhere, more modern designs include the addition of colored nightlights, projectors (to project the time onto your ceiling or wall! No, thanks), speakers with USB ports, climate and power control. humidity, and even teen-proof bed shakers.

Last year, the late Virgil Abloh’s Off-White label teamed up with Braun to release a pair of stylish, limited-edition alarm clocks. In orange and blue, the design is based on the brand’s classic BC02 alarm clock which, strikingly simple, was originally designed by Dieter Rams and Dietrich Lubs in the 1980s. Fashion label Paul Smith has also released its version of the clock in 2020.

All I was looking for, however, was a simple alarm clock, much like my original. And I got one from the local homewares store nearby for £8.50 (just over $10). The first night I used it, I felt oddly excited as I physically hurt the decor instead of sliding across a screen. The next morning, in a kind of anti-climax, I woke up before the alarm clock. But I already felt like I had conquered the day, instead of continuing it.

According to Silverton, “Technology exploits our psychological weaknesses.” And being connected, she noted, is amazing but terrible at the same time. “It’s about managing that and creating a routine that works for you.”

What I think I have now. Reintroducing an alarm clock gives me the time, space, and separation that my phone didn’t have. Even though my phone is still next to the bed, the difference is that it’s not the first thing I look for anymore. My first utterance of the day is no longer blaspheming over an email and feeling my blood boil, I find myself quietly pondering what I might have for breakfast. Which gave me a sense of control and calm. Oddly, it made me feel younger – I guess because the experience is nostalgic, or maybe because I sleep better. And what could be more luxurious than that?

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Fashion brand

Mom created a sustainable clothing brand when she couldn’t find any

  • When I was pregnant with my first child, I looked for sustainable baby brands.
  • Not finding any, I decided to create my own.
  • We use unsold fabric, recycled plastic bottles and fishing nets to make our clothes.

I was shopping for children’s clothing when I was pregnant with my first child when I noticed the lack of sustainable clothing brands that existed for children. It was 2018 and many brands were starting to use organic cotton, a good start towards sustainability, but not the complete answer.

There was a gap in the market for a line of sustainable children’s clothing that not only prioritized the environment, but also used materials destined for landfill. Mon Coeur — French for my heartwas created to meet this need and give a second life to discarded materials.

I grew up traveling a lot

My childhood started in the south of France in a small town called Mougins located between the mountains and the Mediterranean Sea. I have always enjoyed the sounds and sights of nature; it was inspiring and the perfect contrast to the hours I spent in a studio practicing ballet until I moved back to New York at the age of 18.

From studying in Washington DC to moving between Paris, Dubai, Hong Kong and back to New York, I pursued my education in business and hospitality, and I hadn’t realized how much I had seen the world.

I saw first hand the beauties that nature has to offer untouched lands and the disastrous impact that global warming was having on overcrowded cities.

When it came to launching Mon Coeur, I drew inspiration and knowledge from my experiences and made it my mission to create a holistic, traceable source of children’s fashion for the modern, eco-friendly kid. and elegant.

I wanted to keep materials out of landfills

When I launched the brand, I approached it similarly to my upbringing. I spent three years researching the technology and turning existing materials from landfills into clothing.

Through my research, I discovered that we could transform plastic bottles into polyester used in outerwear and raincoats – by melting PET bottles which create filaments – or use cotton scraps intended for landfill and use them in our yarn to avoid using and creating any virgin fabrics.

I was fascinated to discover every day that I could use anything that was already made and give it a second life.

We also want to venture into new territories and strive to find new sustainable materials from which we can make clothes. For the very first time, we released swimsuits made from recycled fishing nets.

While designing our spring-summer collection, I watched this documentary about marine animals trapped by fishing nets at the bottom of the ocean. Then I researched how we could find a way to get those finishing nets out of the ocean and give them a purpose.

The future of sustainability and our planet is in the hands of younger generations and they are making more conscious choices when it comes to their purchasing decisions. It is important that beyond sustainable practices, we continue to explain why it is important to preserve mother earth, but also to create a sense of community – we are in this together.

Since launching Mon Coeur, I have learned so much, my family has grown with the birth of my daughter, and most importantly, I have realized that parents want better options for themselves and their children, and it fills my heart.

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Fashion style

Pretty in any color: women in basketball make style rules

WNBA players, with a maximum base salary of around $230,000, earn significantly less than their millionaire NBA counterparts, which makes marketing dollars even more important. The WNBA has a pool of $1 million that it must spend on player marketing deals, and each team must spend between $50,000 and $100,000 a year on player marketing deals. Any unspent amount is carried over to the next season in addition to the minimum.

The league said it selects players to participate in marketing efforts based on a variety of factors: performance on the field, an established personal brand with an active fanbase, and willingness to travel and attend league events. league.

“Ideas about the body manifest most explicitly about the bodies of athletes — ideas that are harmful and also ideas that are positive,” Jackson said. “That’s another way it can be a space for conflict and a space for evil too, depending on how these ideas are packaged and sold.”

Tiffany Mitchell likes to feel the swing of her ponytail as she runs down the court.

Mitchell, who is black, has often worn her hair in long, braided styles past her waist since playing in South Carolina from 2012 to 2016. This type of protective hairstyle allows her to go longer between restylings and can avoid breakage during the season grind with the WNBA’s Indiana Fever.

Those swinging braids became a problem during the WNBA’s off-season in December when she competed with the Melbourne Boomers, a professional women’s team in Australia. Basketball Australia, the sport’s governing body, said players in the league had to tie their hair back, mistakenly attributing the policy to a FIBA ​​rule that was no longer in effect. Mitchell, one of three black players on the Boomers roster, felt targeted because she had never had to change her hairstyle for other international competitions. Basketball Australia later apologized and reversed what it said was a “discriminatory” policy.

“They have no idea what a black woman goes through, let alone an athlete,” Mitchell said. “So I think bringing it to their attention has called for ignorance because there have been players in this league who have had braids before me, and it’s never been an issue.”

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Fashion designer

Marilyn Jean Robbins | Obituary

Marilyn Jean Robbins of Lancaster died at home on July 12, 2022, surrounded by her children. She was born in Grand Rapids, MI to the late Leland R. Ferguson and Edna W. Carter.

Marilyn was a talented costume designer and skilled seamstress for the Millersville Costume Shop who loved fashion and sewed her own clothes. When she wasn’t creating drawings, Marilyn liked to spend her time gardening outside, growing beautiful flowers. She was also an avid golfer and skier as well as a hand model and participated in many beauty pageants. She liked to dance and read. Due to her love of antiques, she was a strong supporter of historic preservation and was also a member of Lancaster Elks Lodge #134.

She has donated her time to many organizations including Water Street Mission, The Iris Club, Questers and The Elks club. Being a woman of faith, she willingly volunteered her time within her church/community. Marilyn was a loving mother who cherished her friends and family.

Marilyn is survived by her children: Lynn M. McDonough (wife of Larry) of Mars, PA, Jeffrey W. Robbins of Lancaster, PA, and Jill S. Young (wife of William) of San Antonio, TX.; three grandchildren; Kelsey L. McDonough, Reed G. McDonough, and Colton M. Trego; and a great-granddaughter, Rhiannon M. Trego.

Besides her parents, Marilyn is preceded in death by her brother, Robert Ferguson.

In honor of Marilyn, please leave your sadness at the door and come wearing beautiful bright colors to celebrate her life on Saturday, July 30, 2022 at Charles F. Snyder, Jr. Funeral Home, 3110 Lititz Pike, Lititz, PA at 3:00 p.m. h. A visit will take place one hour before the celebration.

In lieu of flowers, donations may be made to Lancaster Elks Lodge #134, 219 N Duke St., Lancaster, PA 17602; the Questers, 210 Quince St., Philadelphia, PA 19107, or A Living Tribute at https://www.alivingtribute.org/

Online condolences can be made at: SnyderFuneralHome.com

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French fashion

Angelina Jolie Wins Brad Pitt’s Legal Battle for Wine Estate: Details

A victory. Angelina Jolie has won her legal battle against Brad Pitt over their winery. The ex-couple fought for their prized vineyard amid their lengthy divorce.

The legal process has been emotional as their French wine estate, Chateau Miraval, was where the couple married in 2014. The couple bought the estate in 2008, but are in the midst of a dramatic divorce process that started in 2016. Angelina sold her stake. in the cellar in Stoli but has since been in legal battles with Brad and his business partners. Angelina’s team subpoenaed documents to Brad, his business manager and his company, Mondo Bongo. On July 22, 2022, the judge assigned to the case told Brad to turn over the documents despite the protests of the Once upon a time… in Hollywood actor.

A source familiar with the matter said Page 6 on July 22, 2022, that Brad has an ongoing grudge against Angelina. “Any rational human being would be happy if Stoli [be a partner in their business. They have top-notch marketing and distribution,” the insider explained. “He just can’t see past his hatred of Jolie.” The source then explained the benefits of the stake when it comes to their six kids. “The best way to retain value for [their kids] is that parents retain full ownership of this increasingly valuable and expanding asset. »

Angelina filed for divorce from Pitt in 2016 after an altercation on their private jet with their oldest son, Maddox, and Brad. A source said People at the time Brad was allegedly “drunk,” the insider said, “and there was an argument between him and Angelina.” According to the source, the eldest son intervened and “there was a parent-child argument that was not handled in the right way and escalated more than it should have.”

Angelina might have filed an investigation against Brad in one of her legal battles against him. The lawsuit is filed under the Freedom of Information Act “about the agency’s investigation of an incident of domestic violence that occurred several years ago involving the complainant and her minor children as victims and witnesses”. The reasoning behind the lawsuit concerned “the agency’s investigation of a domestic violence incident that occurred several years ago involving the complainant and her minor children as victims and witnesses.”

“There is little precedent for the FBI to share information about an investigation that was closed without charge,” a legal source said. Page 6. “Angelina is probably looking for a piece of information, something else to use against Brad, to hurt him. It’s about a desperate fishing expedition trying to find something that probably doesn’t exist. not in the FBI notes and make it public.

Brad and Angelina are also in a custody battle for their six children: Maddox, 20, Pax, 17, Zahara, 16, Shiloh, 15, and twins Knox and Vivienne, 13. In May 2021, a judge ruled in favor of Brad to share custody with Angelina. However, the decision was returned to court in July after the judge handling the case, Judge John W. Ouderkirk, was removed from office due to his past professional relationship with Brad.

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Fashion brand

Lily Collins wore white Veja V-10 sneakers on Instagram

Every product we feature has been independently selected and reviewed by our editorial team. If you make a purchase using the included links, we may earn a commission.

Lily Collins can’t escape her French persona, even when she’s not on duty.

Last week the Emily in Paris star, 33, shared a photo of herself on Instagram enjoying an ice cream cone on a sunny summer day. “Screaming for (lavender) ice cream…” she captioned the sweet pic. And while her purple-hued treat looked refreshing, what really caught our eye was what she was wearing.

There’s a reason celebrities keep opting for the brand’s sneakers: the durable, ethically sourced leather upper offers a sleek silhouette, and they’re minimalist branded thanks to the subtle ‘V’ logo, which means they can be worn with just about anything.

Looking to invest in your own pair now? Well, you’re in luck, because a bunch of styles are currently on sale at Gilt and Rue La La. Just be sure to sign up for a free account first, as these deals are for members only.

Shop more pairs from the celebrity-loved brand below while these rarely reduced prices last!

Buy it! Veja V-10 Leather Sneaker in Extra White, $134.99 (original $155); gilt.com

Buy it! Veja V-10 Leather Sneakers in Extra White/Nautico/Beijing, $134.99 (origin $155-$180); gilt.com

Buy it! Veja V-12 Leather Sneaker in Extra White, $129.99 (original $155); gilt.com

Buy it! Veja V-10 Leather Sneakers in White/Camel, $129.99 (original $155); gilt.com

Buy it! Veja V-12 Leather Sneakers in Extra White/Cyprus, $134.99 (original $155); ruelala.com

Buy it! Veja V-10 Leather Sneakers in Extra White/Black, $134.99 (original $155); ruelala.com

Buy it! Veja V-12 Leather Trainers in Extra White/Steel Leather, $134.99 (original $155); ruelala.com

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Fashion style

Brad Pitt’s light linen skirt on the red carpet

Written by Lea Dolan, CNN

This week many of us have been dealing with record high temperatures that have battered Europe and parts of America. While the ominous heat may have you wishing you could pull the blinds, crank up the fan, and stay as still as possible, there are jobs to be worked and paychecks to be earned, and that’s Brad Pitt’s reality too.

On Tuesday, the star was in Berlin for the premiere of his new action flick ‘Bullet Train’ as the city hit highs in the mid-90s. Pitt kept a cool head by rocking a linen look head to toe with a maroon skirt, matching jacket and salmon button-down shirt neatly left ajar by slow fashion designer Haans Nicholas Mott.

Fans and critics took to the internet to weigh in on Pitt’s hemline, but the jury was out on whether the outfit ‘completely killed’ or should have come ‘with a warning’ , as some Twitter users said. The skirt even earned Pitt an eponymous trending hashtag on Twitter.

The all-linen look has raised a few eyebrows online. Credit: Tristar Media/WireImage/WireImage

But those shocked by Pitt’s skirt suit may be too young to remember it’s not a first. In 1999, to promote “Fight Club” — a film that at its core investigates the dangers of traditional masculinity and the obsession with achieving alpha status — Pitt featured Rolling Stone magazine in not a , but five mini-dresses. Taken by famed photographer Mark Seliger, Pitt’s photo shoot became a cultural touchstone that made a strong case for gender-neutral dress codes. And for anyone in doubt, his status as an international sex symbol remained intact, even when he wore a tight pink sequin dress.
Yet men in skirts continue to make headlines nearly 25 years later, whether it’s Harry Styles on the front of Vogue or Billy Porter’s tuxedo dress at the 2019 Oscars. Progress is slow, but the faster it comes , the less shocking they are. Many gender-defying fashion statements seem to be reserved for high-profile cultural events, but they seem to creep into more low-key events and everyday life. And why not? Sometimes, as was perhaps the case with Pitt, perhaps a man in a dress isn’t a subversive fashion statement at all, just a practical decision. If you can’t stand the heat, grab this linen skirt.
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Fashion designer

“Strap on and Enjoy the Ride”: Behind the Scenes of Jean Paul Gaultier’s Crazy Musical | Arrange

A Visiting a dance studio invariably conjures up images of ballet buns, leggings, and the kind of perfect posture that most of us will never achieve. Dance Attic Studios in West London on a Monday morning in early summer does not disappoint. Dancers gather outside to smoke and chat, wearing a mix of sportswear and crop tops. Inside, they practically float between the different spaces of the studio.

The main studio is particularly lively, thanks to rehearsals for Fashion Freak Show, the musical revue based on the life of former fashion designer Jean Paul Gaultier, which opens this month at the Roundhouse in Camden Town, north London. Choreographer Marion Motin, wearing a Manchester United track top, mismatched tracksuits and an in-the-zone expression, leads a group of dancers across a stage at the show. Set in a recreated version of the Palace – a nightclub often referred to as Paris’s Studio 54 – it features music from Prince, Chic, Grace Jones, Divine and (slightly anachronistic) Amy Winehouse. If the dancers initially seem lanky and out of sync with each other, after less than half an hour they look great on the dance floor. A man on rollerblades, with a plastic cocktail tray, only adds to the ambiance.

Gaultier watches quietly, periodically calling dancers to discuss hairstyles and costumes. Dressed in a dark chambray denim shirt and jeans, accessorized with a greasy Coke and rimless glasses, he is different from the enfant terrible in Breton portrayed by Pierre et Gilles in 1990, or the chappie presenter cheeky in Channel 4 Eurotrash kilt. But, he soon sweats, only a little. He still employs classic French phrases such as “Ooh, la, la!” and likes to make slightly outrageous statements. “London is sex,” he says at one point, with an irrepressible wink.

The Fashion Freak Show, first presented at the Folies Bergère in 2019, begins with Gaultier as a schoolboy designing cabaret outfits for his teddy bears and goes through this disco moment, the AIDS crisis and collaborations with Madonna, Kylie Minogue and Pedro Almodovar. In addition to live on stage, his famous friends – including Rossy de Palma and Catherine Deneuve – appear in music videos.

Gaultier retired from mainstream fashion in 2020 after 50 years in the industry. “I said, ‘Fifty years in fashion is good, now I’m using my passion for something else,'” he told me during a break from rehearsals. Going to the theater wasn’t too much of an adjustment. “I knew [the story] because it was my life,” he says. “I couldn’t write but I could say [the story] by tables. He worked with director Tonie Marshall, who died in March 2020, to flesh out the tableaux for a full-fledged production.

He says the show is “not the conclusion [of my career] but a full circle moment” and maintains that this is the project he has worked on all his life. “It originally goes back to when I was nine,” he says. “I saw the pictures [of Folies Bergère dancers] on TV and I said, “Oh, I’d love to do scenes like that.” The next day I went to school and drew [the dancers] during the class. One of the teachers made me stand up and she put my drawing on my back. She wanted to shame me but everyone came [up to me]. I wasn’t good at football – ‘We don’t want Gaultier’ – but with the sketches all the boys smiled at me, so I was integrated.

Fashion Freak Show – as the name suggests – is full of fashion moments. It includes a life-size version of Nana, Gaultier’s teddy bear, and her corset outfit that inspired the famous conical bra Madonna wore on her Blonde Ambition tour in 1990. There’s also a scene with a fashion editor much like that of Vogue. Anna Wintour.

The Fashion Freak Show cast members prepare for their 52 Roundhouse performances. Photography: Antonio Olmos / The Observer

A huge room in the rehearsal studio houses the 150 costumes used in the show, ranging from brightly colored feathered gear to garments from the Gaultier archives, including couture denim pieces with crystals and a leather jacket from his premiere. collection in 1976. Each cast member has between six and 10 costume changes per show. Motin worked on production when she was in Paris and worked on stage productions for Madonna and Christine and the Queens. Speaking on the phone a few days after the rehearsal, she says the costumes are part of what makes the show special. “It’s a complete show with dance, video, music, singing, theater. It’s quite different. It’s not a musical review, it’s a hybrid – like Jean Paul.

Gaultier spent time in London from the 1970s – it was his experience in sex clubs at the time that led to this earlier statement about the city – and feels at home in the British capital. “In London, I feel more freedom,” he says. He remembers seeing The Rocky Horror Picture Show at the Kings Road Theatre. “I saw the poster, a black face with red lips and blood. I said, ‘Wow, we have to see this.’ He says Rocky Horror influenced him ‘a lot’, as well as the Fashion Freak Show’s maximalism and abandonment – down to his catchphrase ‘Strap on, hold on tight and enjoy the ride’ – a la now classic musical sensation.

Fanny Coindet, assistant director of the show, starred in the 2019 production of The Fashion Freak Show. Over a dancer-friendly superfood salad lunch, she says working with Gaultier showed her how important it is to evolve. “He always questions everything and always wants to take the show somewhere else,” she says. “The show never sits in one place and that’s how I feel the show can live.” Coindet admits, smiling, that part of his job is to think: what would Jean Paul do? “It’s about how you try to project the way he thinks. If I were him, what would I say? I’m always wrong! Still, the duo form a tight unit – discussing costumes and the cast to polish the show for its new audience.

Models, actors and dancers in rehearsals for the Fashion Freak Show
Models, actors and dancers in rehearsals for the Fashion Freak Show. Photography: Antonio Olmos / The Observer

Among the costume changes, the story is an integral part of the Fashion Freak Show. “It’s about the life of someone who’s really been through all kinds of things,” says Motin. It takes rejection – Gaultier was first laid off in fashion in France because he didn’t attend fashion school, instead taking a job with Pierre Cardin at 18 – life as a LGBTQ+ person in 1970s France, and a love story between Gaultier and his partner Francis Menugé. The couple met in 1975 and Menuge played a pivotal role in the designer’s launch of his own brand. Menuge died in 1990 from complications related to AIDS. It’s also part of the Fashion Freak Show, with a stage dedicated to safe sex. In the Parisian production, condoms were thrown into the audience.

“[I didn’t include him] to revive it but to do it [part of the story]“, explains Gaultier. “I started collecting in my name because of him… He gave me [that] as a possibility. Not at all financially because we were poor, but psychologically… He was still younger than me but he was smart to give me confidence.

Gaultier says his experiences as a young gay man meant he was “attracted to people who were different…I remember a girl at school with a red afro and skin so pale you could see the veins. She was fabulous because she was different. Different kinds of intelligence always appeal to me too, that’s kind of a theme. It’s the one that continues in Fashion Freak Show. The cast is diverse across ethnicities and body types – a striking move with dancers traditionally considered size zero and white. “It should be because we don’t need everyone to look the same, because that’s life,” says Motin, “and it’s inspired by life.” Gaultier is however still not completely satisfied. “One is still missing,” pointing to the elderly. “It’s the last taboo, that wrinkles are not pleasant.”

Coindet says this inclusivity, something that has long been part of Gaultier’s universe, is particularly what audiences want now: “Everyone [came to see the show in Paris], from the oddball kids to his established fan base. I think it’s very multi-generational… For a lot of people it opened doors and freed some minds. With dancing teddy bears, a diverse cast, a strong story and a disco soundtrack, London’s Fashion Freak Show is likely to unleash a few more.

The Fashion Freak Show is at rotundaLondon, to August 28.

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French fashion

Kahii Kissaten Bistro is now a Japanese-style cafe by day and a French-inspired wine bar by night

There aren’t many places in the city that cater to both the before and after work crowd, but the newly renovated Kahii hopes to do just that. It has expanded its offering beyond tea, coffee, sandwiches and specialty pastries to a French-inspired evening wine and snack menu.

The younger sibling of the nearby Kuro bar and restaurant, the newly renamed Bistro Kahii Kissaten is on Kent Street and is named after the Kissaten Japanese cafes in Japan. A Kissaten is traditionally a vintage-themed café, with a strong emphasis on coffee, socializing and small bites – something the owners pay homage to in this decidedly sleek and modern take on the theme.

This small but perfectly laid out space now offers a menu for breakfast, lunch and afternoon tea. You can spend the morning with a coffee, a matcha and a croissant – and indulge in one of the famous katsu or three-cheese sandos for lunch.

As day turns to night, Kahii now transforms into a bistro with a largely French wine list carefully curated by their head sommelier and a small bites menu curated by Kuro. Snacks include appellation rock oysters, salmon confit with herbed tofu and seared trevally sashimi – or for something heartier, Kuro fried chicken and wagyu steak with crispy potatoes.

The owners hope Kahii’s new chapter will provide a stylish and relaxed space for punters to take a break from the day or relax before heading home.

Kahii Kissaten Bistro is located in the lobby of 364 Kent Street and is now open from 8 a.m. to 3 p.m. Monday through Friday, with the bistro open from 5 p.m. until late, Tuesday through Saturday.

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Fashion brand

The Brighton-based maternity clothing brand will launch this week

When Jessie Daavettila, 30, from Brighton, was first pregnant, it was a challenge to know what to wear.

She went to buy clothes that fit her and found nothing she liked.

“I wasn’t very impressed,” she said.

In her office in the basement, Jessie Daavettila has also set up a space to take pictures of her clothes with her children.

Many maternal options reminded her of clothes meant for older women.

She wore a lot of her husband Tim’s clothes when she was pregnant because she didn’t want to spend money on clothes she didn’t like.

“It felt like there was nothing in that space of the aesthetic that I had before,” she said. “I just wanted something that matched who we are as Millennials and even Gen-Z.”

Daavettila was years into a career in fashion wear; she previously worked for big brands like Nike and is now a freelance clothing entrepreneur.

She has sewn and designed clothes all her life. She even designed and sewed her own wedding dress.

So, faced with choices she didn’t like, she created something to fill the niche she thought was empty.

Jessie Daavettila grew up sewing, but for her new brand, RASKANA, she sends her creations to California.

Design as a consumer

Now Daavettila, who has three children – Jack, 2, Beatrice, 1, and Meredith, who is almost 2 months old – spends her days being a mom upstairs in her house and a clothing designer in her garage.

She designed the clothes for a new brand she created, RASKANA, which will be launched at the end of this week.

Some of the items she has designed include maternity leggings for $98, a thermal baby clothes set for $68, and a maternity tank top for $88.

The name of the brand comes from the Finnish word Raskaana, which means pregnancy. Daavettila’s parents are both Finnish, although she was born in Ann Arbor.

The clothes she designs are the same as those worn by Daavettila during her last two pregnancies.

“The one thing that makes our brand very different from a lot of other maternity brands is that literally everything is designed and developed and tested by me, the founder,” she said.

In Jessie Daavettila's basement garage, she has an office for her brand, RASKANA, where she keeps her designs and a stock of clothes.

One of the items she designed and wore during her pregnancies was a pair of leggings that stretched to fit her, and they still fit her well after she gave birth to her children.

“It’s really important to me as a consumer of the brand to have styles that work before, during and after pregnancy,” she said.

Another aspect of her clothing is that many items have zippers to allow for breastfeeding. In an effort to keep the items from looking too much like maternity clothes, she hid the zippers.

Daavettila said she has seen nursing clothes with zippers on a woman’s breasts, but she tries to make the items look like any other item of clothing.

“For me, an important part of our brand is creating clothes that are suitable for multiple stages of pregnancy and that don’t scream, ‘I’m pregnant,'” she said.

All materials are sourced from the USA and the items are made here.

RASKANA will launch on July 22 on Instagram and the website, Raskana.com.

Sophia Lada is a journalist at the Livingston Daily. Contact her at [email protected] or 517.377.1065. Follow her on Twitter @sophia_lada.

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Fashion style

Zipper skirts for fall 2022

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There’s something so elegant about a chic midi skirt. While I never say no to a good tennis skirt outfit, on days when I go more for a more mature look, I slip my body into a zipper skirt. They just command attention and respect in a way that jeans or mini skirts just can’t, IMO. Try one of the pull-on skirts we keep thinking about right now, and you’ll see (and feel!) what I’m talking about.

But before gorgeous slip skirts, let’s first distinguish what distinguishes the style from an ordinary long skirt. Strappy skirts, like strappy dresses, are made of sheer fabrics (like silk or satin) and are often cut on the bias for a flattering, hip-hugging fit. The tight piece is usually worn in hot weather. That being said, you can and should totally stun them once fall fashion returns, thanks to some savvy style tips, ahead. Think: a nice pair of boots and a light coat, and here!

Yes, the long dresses are everywhere these days, but the truth is that skirts just allow for more styling options. Can a skirt get you at least 20 outfits? Plus, they’re stylish enough to wear as a wedding guest and casual enough for your daily errands. Basically, there’s not much a pull-on skirt can’t do, so without further ado, here are 11 of our favorite versions you’ll want to put on and never take off.

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This floral stunner

Bec & Bridge long floral skirt

I am simply floored by this beauty covered in flowers. The blue and white pattern is exquisite, and thanks to its ankle-grazing length, you can absolutely wear it to a semi-formal event.

This transitional skirt

Mango printed fluid skirt

Here’s another stunning floral option, in a pretty cream and coral print that will transition smoothly from summer to fall. Now pair it with a tank for rooftop drinks and a chunky sweater for pumpkin picking when the weather turns cold.

This wrap skirt

Dia & Co. 11 Honoré Collection Anita Skirt

While many skirts are more fluid than flowy, this one in stretch satin has plenty of movement, so it will swing beautifully with every step you take. It wraps around the waist for a cool layered look, plus a subtle slit to show off some leg.

This dynamic option

Indah Mint Solid Bias Maxi Skirt

  • Floor hem can get dirty quickly

The purple hue of this maxi is very on-trend, and I love the asymmetrical cutout silhouette. I would pair it with my favorite beige sandals and walk around town with this look.

This green gem

Rezek Studio Emerald Shimmy Skirt

I can’t get enough of monochromatic outfits these days! Especially in this striking shade. The lush green hue will make a statement wherever you go.

This Champagne Knockout

Flounce London Plus Mink satin bias cut midi skirt – part of a set

If you’re looking for your very first slip skirt, I highly recommend going for (champagne) gold: this shimmering midi-length choice is just the right amount of flirtation and fun.

This playful number

NA-KD Printed split front midi skirt

This colorful slip skirt is sure to grab all the attention, especially if you wear it with the matching top. Add a pair of gold hoops and small heels to complete the look.

This ruffled skirt

ASTR The Label South Beach Tie Waist Midi Skirt

It’s all in the details here, from the ruffled slit to that cool loose waistband to the gorgeous olive green color! Wear it on a night out for drinks and dancing.

This fall favorite

Vince Paneled Slip Skirt

  • luxury hammered satin

Go for a black skirt like this chocolate brown one, then add boots in a contrasting, lighter color, and throw on a patterned coat, and guess what? You have an easy but totally stunning fall outfit.

This skirt is ready for the holidays

Andrea Iyamah Behati Skirt

This orange dream of a skirt, with a ruched, wood-accented waist detail, is giving major holiday vibes. If you’re planning a trip to a tropical destination, be sure to pack this skirt (and matching top!).

This sweet blue noon

Babaton Slip Midi Skirt

  • Non-refundable, store credit only

I like a sweet-meets-edgy combo. Bolster the soft blue hue of this satin midi with a black tube top and some shades.

How to style a slip skirt?

Love the idea of ​​suspender skirts, but not sure how to style them? Don’t worry, we’ve got you covered! Here’s how to use this versatile piece, which pairs with a wide variety of tops and shoes to create completely different looks in any season.

  • In autumn…Now is the time to break out your cute knit sweaters, maybe a button up, and boots, of course. Strappy skirts are a great layering staple, and fall is the ultimate layering season, so it’s a match made in heaven, basically.
  • If it’s winter…It is now the it’s time to bundle up in your favorite coat, plus a long skirt, wear tights, thick socks and combat boots. The length of the coat should be the same as (or a little longer) your skirt, so those legs get a bit more warmth.
  • For spring or summer…Tube tops, basic white tees and tank tops are your best bets. I love contrasting a flowing skirt with an elegant, form-fitting top. Slip into low heels or sandals for an effortless outfit.

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Fashion designer

Demnagram interview: talking to Saba Bakhia, founder of the creative director of Balenciaga instagram

In an age of social media overexposure, where sharing anything risks ruining the mystique of art, a designer’s digital footprint matters. We have already seen it, as Bottega Veneta, then under Daniel Lee, opted to literally go “off the grid”, deleting the brand’s Instagram account. Last summer, Balenciaga did something similar, an unsurprising decision given that its own creative director Demna’s IG grid is completely empty. Instead, her admirers went to @demnagramthe digital invention of georgian fashion obsession Saba Bakhiato keep up to date with his career.

The account — a support page, not a fan page, Saba points out — chronicles all developments in the world of Demna, whether it’s new Balenciaga collections, product launches and campaigns, or professional achievements, such as his recent place in the Time Influential people listing.

@demnagram’s bio reads: “Supporter of @Demna. SUPPORTED BY @BALENCIAGA. Since March 2022, Saba has worked with the house to ensure that the information reaching its nearly 200,000 followers is accurate and true to the spirit of the brand and its elusive creative director.

Here, the 22-year-old explains how a single Facebook post started his journey to becoming an essential part of the Balenciaga team, he and Demna’s shared Georgian heritage, and what it’s like to be invited to a show Balenciaga.

**You first communicated with Demna via Facebook during her early days at Balenciaga. Can you remember what you wrote in that message?
**My first communication with Demna dates back to 2016 via Facebook. I was amazed by his talent, and wanted to express my respect to him, so I texted him a sentence: “You are simply the best”. It was our first communication. Then, before @demnagram even existed, Demna sent me an inspiring message: “Believe in yourself and follow your dreams, they will always lead you to good places.” He gave me a whole new life.

**When you launched @demnagram, what were your intentions with the account?
**I wanted to pay tribute to what Demna does at Balenciaga. i think fashion [exists] before and after him. His vision of the brand is revolutionary and each show presented by Demna can be called a true artistic performance.

**You mentioned that @demnagram is a “support” account, not a “fan” account. Why was it important to establish this difference?
**For me, there is a big difference. Sometimes fan pages are like stalkers, gossiping and sharing very personal things about celebrities – but that’s not my style. I do not like it. Demna is an extremely private person. Demna is one of the artists who prefer to communicate through her work. That’s why @demnagram only focuses on Demna’s work, not her personal life.

** You share heritage with Demna – you are both from Georgia. What parts of your country’s DNA are found in Demna’s work?
**This is one of the reasons why his collections affect me differently. Georgia has played an important role in Demna’s personal and professional development; he grew up watching what Georgian women wore. Thus, each collection says a little about our country and our tastes, like an overview of what is fashionable here. Demna is a storyteller and a designer, and his stories are so personal. From the Georgian point of view — the feeling of dramatism; black color; oversized silhouettes; sadness and celebration at the same time – it’s so specific in our culture. In Georgia, black is everything. We wear it everywhere, from funerals to weddings.

Until recently, we didn’t have fashion magazines – but especially in the 90s, people didn’t know anything about fashion designers or trends, but we still wore oversized black clothes. If you weren’t super rich, your parents would buy clothes two or three years in advance, so you could grow into them. It may sound funny, but it was our reality. We wore clothes from cousins ​​who were four or five years older. So yeah, we didn’t know Margiela or Balenciaga shapes, but we still wore oversized t-shirts and pants. It’s very much alive and prominent in the Demna fashion world now.

Do you consider Instagram as a curatorial space in the same way as an art gallery?Nowadays, social media is such an important tool, but it’s not easy to do it right. It’s a new way for young creatives to discover their own style. In today’s reality, Instagram can be used as a curatorial space that is almost equivalent to an art gallery because Instagram has the power of visual storytelling. There are many examples of this, but I don’t see Demnagram that way. I think Demnagram is more of a media platform.

You are now working with Balenciaga on the page. When did they get involved? How does their influence affect him? In March, I started working with the brand. @demnagram is officially endorsed by Balenciaga, and it’s the greatest honor to work with the Demna team. Right from the start, he gave me freedom on my own, and that’s very important to me because I have my own strategy. The Balenciaga team is always with me to help me with anything. With their help, my page is more reliable than ever for people. They send me everything in advance for my account and that helps me a lot. I never post rumors, leaked images or anything that is not confirmed or published directly by Balenciaga.

**You are now invited to the shows. How does it feel to rub shoulders with others who have been co-signed by Demna?
**When I decided to create @demnagram, I never imagined that one day I would attend the Balenciaga show, have the chance to meet so many amazing people and start working with the brand . It’s more than a dream come true. I was invited by Demna himself; he knew what it would mean for me to be invited by him. I’ve never been to fashion weeks, not even in Georgia, so Balenciaga was my very first show. I met people who work with Demna and they were very nice to me. Obviously I was so nervous, but thanks to them everything went well.

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French fashion

This Hyderabad house marries French-style architecture with vernacular interiors

Naina Reddy and Rajat Sanghvi, founders and principal designers of MakeSpace Architects, decided to furnish their own home in Hyderabad in a way that showcased their personal style. The couple who recently became parents moved into a three-bedroom, 3,000-square-foot apartment in a swanky spot in town and managed to decorate their home in the space of two and a half months.

Named Stonebridge Abode, the house architecturally follows the French style with beautiful arched windows bringing in lots of light and opening up to endless views of the cityscape. “We imagined the apartment as a blank canvas, which led us to decorate it with different colors through the art we collected during our travels. The space not only reflects our personality, but expresses our dynamic yet simple way of life,” says Reddy.

The spacious living room has two sitting areas with a large open space with marble flooring further enhancing this visual.

Sankeerth Jonnada

Monochromatic Wonder

The main door is painted in a dark hue, but once inside the walls are a wave of white, complemented by a mirror-polished Vietnamese marble floor and sheer curtains against the large French windows that filter in a natural light abundant. “We really don’t use artificial lighting until the evening because there is enough sunlight during the day,” Sanghvi reveals. The use of white was a conscious decision in order to enhance the sense of space and draw attention to architectural features, especially arches. “The white base helps define the contemporary clean lines and simple geometry of the space. We kept the palette neutral and splashed as many colors throughout the home in the form of artwork and wallpaper” , he adds.

Greys, browns and greens fill the entrance to the house, melting it against the white canvas.

Sankeerth Jonnada
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Fashion brand

Can a new campaign help apparel manufacturers get paid fairly?

Opinion: Good Clothes Fair Pay wants Irish consumers to influence legislation requiring fashion brands to ensure garment workers are properly paid

By Alacoque McAlpine, TU Dublin; Kellie Dalton and Maeva Galvinfashion revolution

Wages have been a long-standing issue in fashion supply chains. Legal minimum wage levels are less than 50% of what is needed to ensure a decent living in the largest garment-producing countries. Consumers take low prices for granted and buy more each year. The industry is worth $3 trillion globally and global clothing consumption is expected to reach 102 million tons per year by 2030, the equivalent of 500 billion t-shirts.

Fashion shareholders reap the rewards of this consumption, but not those who make the clothes we buy. It now takes just four days for a CEO of one of the world’s top five fashion brands to earn what a Bangladeshi textile worker will earn in her lifetime. According Garment Worker Centre, approximately 85% of garment workers do not earn minimum wage.

Piece-rate payment terms have had a significant influence on lower wages and cheaper prices for consumers. This means garment workers are paid for every piece of clothing they make rather than having a set minimum hourly wage. In Los Angeles, for example, it could be between two and six cents for each item, or a monthly net salary of around $300. In January 2022, the Garment Worker Protection Act went into effect in California, banning piece-rate payment and requiring garment workers to be paid the minimum hourly wage.

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According to NBC News, garment workers say they are paid 3 cents per item

But piece-rate payments are still common in the industry globally. This is a global issue where women are disproportionately affected as they make up 80% of the workforce.

Bad practices and poverty wages

A previous Brainstorm article described how poor buying practices by global fashion brands, the most powerful players in apparel supply chains, have endemic exploitative working conditions and wages across the board. Of the industry. To meet brands’ demands for low-cost production, factory owners often reduce the most flexible cost; wages of workers.

NGO report that garment workers are running out of money before the end of the month, despite working 90-100 hour weeks. Many have to develop survival strategies such as taking out high-interest loans to pay for their children’s textbooks and bills, as well as avoiding the cost of necessary medical treatment. Garment workers can often only afford to eat half the calories needed to endure ten hours of industrial labor and often pass out on the job as a result.

A living wage has the potential to break this cycle of working poverty because it takes into account, country by country, the costs of food, housing, transport, health care and the margin for unforeseen events, for example example disease.

Countryside

The EU is the largest importer of clothing and textiles in the world, bringing in more than €80 billion of products annually, mainly from China, Bangladesh and Turkey. It has significant leverage to tackle the challenge of poverty wages and a coalition of NGOs, investors and living wage experts, including Fashion Revolution, Clean Clothes Campaign and Fairwear Foundation, wants to make sure this is the case.

The The Good Clothes, Fair Pay campaign is harnessing the power of EU citizens to call on the European Commission to introduce a new law requiring fashion brands and retailers to ensure people working in supply chains receive the less than a living wage. To do this, activists are using a European Citizens’ Initiative (ECI) allow citizens to approach the European Commission directly to propose legislation in an area of ​​EU competence. The campaign must collect at least one million signatures from EU citizens over a 12-month period from today. Ireland’s target is 9,165 signatures.

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From Fashion Revolution, an introduction to the Good Clothes Fair Pay campaign

What will this legislation mean for fashion brands?

If successful, this new legislation will make fashion brands and retailers liable for the wages of garment workers in their supply chains. They will no longer be able to consider salary issues as a problem that their suppliers must solve. More importantly, it will force brands and retailers to identify at-risk groups that are particularly affected by low wages, such as women and migrant workers.

What will this mean for garment workers?

If garment workers in global supply chains earned a living wage, it would lift entire families and communities out of poverty. It would also contribute to crucial economic and social development, in line with the United Nations Sustainable Development Goals.

Nasreen Sheikh, a survivor of modern slavery and now a strong advocate for human rights around the world, says, “People in garment factories are fed like animals and work like machines. In order to liberate them, we must provide them with a living wage as soon as possible. possible”.

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From RTÉ Radio 1’s Drivetime, Dr Dee Duffy, Lecturer in Retail Management at TUD and Director of Education at Junk Kouture, on the issues of fast fashion

What will this mean for consumers?

Good clothes Fair pay shifts the power of consumers to boycott brands and buy less, buy better to influence the law. Buyers don’t simply have to trust their favorite brands and retailers to uphold their values ​​and a simple signature could legally bind them to do so. If carried out by enough citizens, this small but potentially historic act could lift millions of working women around the world out of the fashion poverty trap. All without a significant increase in the prices paid at the checkout. A report from Oxfam found that paying decent wages to garment workers would increase the final cost of a garment by just 1%, the equivalent of a 10 cent increase on a €10 t-shirt.

Good Clothes, Fair Pay also offers citizens a unique opportunity to extend the wave of feminist and anti-racist solidarity we have seen in recent years to members of communities in the clothing supply chain, who are often overlooked in the name of “affordable” fashion. .

Here’s what you can do

Good Clothes, Fair Pay needs one million signatures from European citizens to push for legislation that could transform the lives of working women in the fashion industry globally.

(i) Sign the petition

(ii) If you are not an EU citizen, help us spread the word by forwarding to your friends and sharing our social media posts.

(iii) Follow us on Instagram and subscribe to our newsletter for updates

Alacoque McAlpine is a Senior Lecturer in Sustainable Supply Chain Management at TU Dublin’s Faculty of Commerce. Kellie Dalton is a sustainability strategist and responsible fashion advisor who works with brands, retailers and supply chains. Maeva Galvin is Director of Global Campaigns and Policy at Fashion Revolution and manages the Good Clothes, Fair Pay campaign.


The views expressed here are those of the author and do not represent or reflect the views of RTÉ


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Fashion style

From farm life to fashion icon, teenager Brodie brings style to the fore in West Gippsland

Brodie wants all LGBTQIA+ people living in the country to feel like they can belong.

The 14-year-old non-binary gay boy is well known in his hometown of Warragul, just east of Melbourne.

Last year he launched an awareness campaign for businesses in Gippsland battling the pandemic.

He is also an advocate for the LGBTQIA+ community and young people and has earned a reputation as a fierce fashionista.

Brodie talks about expressing himself through his clothes and feeling accepted in his regional community.

Brodie’s Story

When I was about three or four years old, I started playing the teacher – I was never the male teacher, I was always the female teacher.

I was always in the costume box and playing with all the dresses at Kinder… so it started there.

I was super shy back then and always wore women’s clothes in my bedroom, and no one really knew I was doing it.

Last year, I started finding some cool brands and things that I really liked and that really represented me as a person, and decided to start buying their products.

I love putting things together, playing with colors and being able to support businesses in Melbourne and Australia.

I love wearing high heels because they give me confidence and it shows everyone that it’s me.

Brodie says he always liked to dress in women’s clothes when he was a kid.(Provided: Brodie)

Dressing in feminine clothes, for me, shows my identity and gives me confidence.

I love watching all these catwalk videos and I’m like, “Yeah, that’s going to be me someday.”

learn to open up

When I started wearing dresses and things, I was very nervous about what people would think and say.

Being a rural community, people can be very opinionated. But it was a great reaction.

Brodie is an advocate for youth, LGBTQIA+ people and women.(ABC Gippsland: Madeleine Spencer)

The community has been so behind me that they are genuinely willing to talk to me, vouch for me, and support me.

I always encourage more people to be themselves because the community will support you. You will have people who will probably say a few mean things, but 90% of people will be there for you.

I think social media has been another way for me to learn to express myself, I’ve seen other celebrities dress in different ways and I’m like, ‘Wow, that’s cool, I’ll try”.

Rural connections

I love the farm, going there and getting in the mud is so much fun.

I’m there almost every weekend, I love mowing the lawns and riding my bike.

Being raised in a rural community also toughened me up a bit.

Brodie launched his Instagram account during lockdown to promote local businesses as they struggled.(ABC Gippsland: Madeleine Spencer)

Even though it shouldn’t happen, we get insults, we hear really awful things about us.

And I feel like being a little tougher, and being a little aware of these things, it can just prepare you for bigger situations in life.

I was just at a youth event in Bairnsdale and being able to meet so many young LGBTQIA+ people was amazing.

Brodie can help his aging grandparents on their farm after school or on weekends. (ABC Gippsland: Madeleine Spencer)

For me to hear their stories and for them to hear my story too, it was great to create new relationships and show me that I am not alone, there are many other people like me.

Growing up in a rural community showed me that you don’t have to live in the city to feel like yourself.

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Fashion designer

NeNe Leakes lists Atlanta House – DIRT


She only bought it just over eight months ago for $1.75million, but reality TV personality, actress, comedian and entrepreneur Nene Leakes has already knocked down her luxury villa in the Waldorf Astoria Atlanta Buckhead returned to the market at a profit of $2.5 million.

The “Real Housewives of Atlanta” OG, who deceased the drama series in 2020 and earlier this year for follow-up the companies behind the hit show, citing workplace discrimination, bought the townhouse in the months after her husband Gregg Leakes died in September. (As of late June, the trial was ongoing negotiated.)

That the SWAGG boutique owner, back on the reality TV carousel and currently doing her thing on the BET+ series “College Hill: Celebrity Edition,” decided to sell out so quickly may or may not have something to do with she The new boyfriend of dapper fashion designer Nyonisela Sioh, who doesn’t live in Atlanta but about 250 miles away in Charlotte, North Carolina.

One of the five-star hotel’s three private villas, the 4,000-square-foot townhouse’s three levels of living space sit atop a four-car secure underground garage where Leakes parks his Range Rover next to his over $300,000 Rolls Royce Wraith. (She is, after all, “rich, bitch!”) Guests arrive through the hotel and into a private gated courtyard, while a private elevator makes navigating the villa’s four floors in spiked Louboutins an easier and less painful experience than the stairs.

Wide-plank wood floors add coziness to the living room and dining room combination that showcases a high ceiling accented with cove molding, a well-stocked bar, and a minimalist fireplace wrapped in gray marble. Given his predilection for OTT luxury, it’s no surprise the decor is glamorous, with a curvaceous ivory leather sofa, two mirrored coffee tables, barrel chairs upholstered in alligator-patterned leather, and a chandelier. in the shape of a shimmering drum above the dining table.

Other highlights include a sparkling kitchen diner with snow-white cabinetry, cascading countertops and designer appliances, a downstairs study/office with access to the garden, and a family room.

There are three bedrooms and 4.5 bathrooms, according to listings held by Debra Johnson of Coldwell Banker Realty. They include a penthouse-level owner’s suite replete with a white marble bathroom, linear gas fireplace, small terrace, and spacious walk-in closet and walk-in closet. Also on this floor, and well suited to a “glamorous suite”, is a good sized room with a second kitchen as well as an adjoining bathroom and dressing room with washing machines.

Residents are pampered with a multitude of amenities, as told real estate agent.comthe first to experience the list, such a 24-hour concierge, indoor saltwater pool, full-service spa, state-of-the-art fitness center, and upscale restaurant that gives a French brasserie a fresh southern flair.

A few months after closing the townhouse, Leakes sold his 10,500 square foot mansion in Duluth, about 25 miles northeast of Buckhead, for $2.65 million; the sale price was a steep discount from the $4 million she originally wanted, but still a worthwhile amount compared to the nearly $2.1 million she paid in 2015.

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French fashion

Ferrari in form and Mercedes in the mix – 5 scenarios we’re excited about ahead of the French Grand Prix

The first part of the 2022 season will end with a double-header that begins with a trip to the south of France, so here are some of the topics that have us excited ahead of the French Grand Prix at Paul Ricard.

1. Ferrari is gaining momentum

Red Bull’s six-game winning streak had led some to argue that the fight for both championships was already over before we even reached mid-season. But that view ignored Ferrari and overlooked the threat they had posed in most of those six races.

It is true that Ferrari had failed to take a chance at that time, but that changed over the last two race weekends as Carlos Sainz won at Silverstone and Charles Leclerc took another victory in Austria to remind Red Bull that the Scuderia has not gone everywhere.

WATCH: The inside story of Carlos Sainz’s first Formula 1 victory at the British Grand Prix

The two teams have been very close for much of the season so far, and there’s no obvious reason to expect the situation to be any different heading to France, where Ferrari have had a hard time. struggled with tire wear a year ago, but learned some valuable lessons that helped them improve.

Leclerc is now second in the drivers’ championship and has closed the gap to Max Verstappen by 11 points – to 38 – in the last two races. Although you’d still prefer to be the championship leader, if Leclerc can salvage a few more points this weekend, the pressure could start to mount a bit on the defending champion.

Leclerc is now second in the Drivers’ Championship after winning in Austria

2. Mercedes should become strong again

I’m sure you don’t need to mention it, but at Silverstone we had an absolutely epic race as Mercedes managed to threaten the top two teams, while Lewis Hamilton looked to be in the hunt for victory.

In the end, Hamilton had to settle for third, but the British driver’s decision over Leclerc and Sergio Perez on the final corner as all three gave him up in front of a home crowd of supporters will long be remembered.

READ MORE: Mercedes becomes first global sports team to invest in sustainable aviation fuel

Luckily we don’t have to wait long for the chance to potentially see something similar, as Paul Ricard is a track that has some similarities to Silverstone, with high-speed corners and a smooth track surface that should play a part. in the hands of Mercedes. slightly more than Austria.

The top two teams will be worried, as Mercedes being in the mix and potentially taking points away from them adds unpredictability to the title fight. There is a chance that Hamilton or George Russell could take points off one of Red Bull or Ferrari, benefiting the other team and closing the standings or opening up even wider gaps.


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Mercedes’ improved performance could see them in Paul Ricard fight

3. French support for Alpine

A very strong double-points finish for Alpine in Austria saw the team draw with McLaren in the battle for fourth place in the Constructors’ Championship, with McLaren retaining the advantage thanks to Lando Norris’ podium at Imola.

But it looks like the momentum is with the French team, and heading into their home race they will be looking to get away from fourth-placed McLaren.

Grill the Grid: Watch the drivers play “higher or lower” with hilarious results.

The result in Austria was led by an excellent fifth-place finish from Esteban Ocon, who has continued his very strong season so far, but was supported by Fernando Alonso’s 10th-place finish from the back of the grid. And it was Alonso who gave Alpine more points than McLaren at Silverstone a week earlier, putting Norris in fifth place on that occasion on a track comparable to Paul Ricard.

The proud French backing will back their team at Le Castellet, and Ocon and Alonso’s performances so far this season provide plenty of reason to be optimistic as Alpine’s home race approaches.


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After taking fifth place in Austria, Esteban Ocon and Alpine will now return to France, where they can expect plenty of support this weekend.

4. Schumacher takes flight

Momentum seems to be the buzzword for the feature this week, and another driver who has plenty of it is Mick Schumacher. The young German has really found form in recent weeks, and while he’s had to wait 31 Grands Prix for his first points to finally arrive – courtesy of an eighth-place finish at Silverstone which also included a thrilling fight with Verstappen – he backed this in spectacular Austrian style.

A top-six finish for Schumacher at the Red Bull Ring was also part of a back-to-back Haas double score, dropping the team to seventh in the constructors’ championship, having been ninth before the Grand Prix of Great Britain. Brittany. . And rather than a pair of lucky results, they feel like a simple reward for the potential Haas has shown so far this season.

READ MORE: Vasseur confirms he is seeking an FP1 exit for F2 star Pourchaire in 2022

And don’t forget, Paul Ricard was the scene of Schumacher’s first ‘appearance’ in Q2 last year. Okay he crashed out in Q1 whilst in the top 15 and the ensuing red flag saw him advance but unable to participate – but it was a more competitive performance despite the relative lack of pace of the 2021 Haas, so there’s every chance the race continues for a 2020 Formula 2 champion who is clearly gaining in confidence.


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Mick Schumacher has been in fine form in recent races, with two top 10 finishes at Silverstone and Austria

5. Silly Pilot Season Developments

Between leaving the Formula 1 paddock to leave Austria and settling in France, a lot has happened at McLaren. IndyCar star Colton Herta tested a 2021 car for the team at Portimao last week, then just after that test was completed they announced the signing of reigning IndyCar champion Alex Palou to their program wider race.

Although there are still contractual issues to be worked out with Palou and no clarity on where he will be racing, the announcement stated that he will also be testing a 2021 car at some point, which only increases the expectations. speculation over Daniel Ricciardo’s future.

READ MORE: Ricciardo says he’s ‘committed’ to McLaren for 2023 as he insists he’s ‘not stepping away from the sport’

Ricciardo came out and said he’s not going anywhere because he has a tight contract until the end of 2023. But it’s no secret he and the team aren’t happy with the how this season has gone so far.

Such speculation only leads to scrutiny of other seats and potential moves, with multiple world champions Alonso and Sebastian Vettel two yet to confirm their future plans – and seats still technically available in six of the teams. on the grid.


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Riccairdo has already confirmed his intention to stay at McLaren for the 2023 season
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Fashion brand

Il Borro, London: “The music was bad, the pasta terrible” – restaurant review | Food

Il Borro, 15 Berkeley Street, London W1J 8DY. Starters £14-£35, pasta £17-£53, second £29-£75, desserts £11-£16, wines from £50

It was when they started pumping a sweet, melodious cover of Joy Division’s Love Will Tear Us Apart into the dining room that I really started to lose the will to live. We had already been subjected to sterilized versions of Madonna classics. Now the Il Borro DJ was giving us an ugly, disfigured cover of Manchester gloomster’s finest. I wasn’t sure which was worse: the lousy music or the seafood pasta with just a langoustine, prawn, three clams and three mussels for £46. In fact, I was sure. The music was very bad. The average pasta was really pathetic.

Il Borro opened last November in a cavernous two-storey marble and blonde wood site near London’s Berkeley Square, and is a spin-off of upscale Italian winery Il Borro near Arezzo, owned of the luxury fashion brand Salvatore Ferragamo. In Mayfair, this last sentence functions as preliminaries. The restaurant’s website says it wants to introduce us all to their ‘Tuscan way of life’. This Tuscan way of life involves enough beige furniture to excite a White Company buyer, terrible tartan suits for the head waiters, and a menu whose price is partly bored by the wealthy.

“Big Chunks That Dry Your Mouth”: Braised Beef Stew. Photography: Sophia Evans/The Observer

So why go there? Two reasons. First, this man can’t live off small plates and “tidy” lists of natural wines served only in old warehouses. Shadow and light, people. Light and shadow. And second, Il Borro has the words “Tuscan Bistro” above the door. It’s intriguing because London had one just two months before it opened. Russell Norman’s Brutto is something of an elbow-room spot on the table in Clerkenwell, knocking out robust plates of panzanella for £8.40 and penne for ten. The basic proposition is exactly the same; the price and the approach, a little less. Obviously, Il Borro has Mayfair rents and laundry fees to meet and a DJ with extremely questionable tastes to support. But even taking that into account, I wanted to know: does more money buy you better food?

No. It lets you into a strange, roaring alternate reality, where tables of open-necked men stare at their phones, their faces bathed in a blue glow, or bark at each other about the latest best deals. HSBC Global. Vaguely terrified-looking waiters walk around with decanters of aggressively priced reds, their beaks so long and slender you don’t know if they’ll fill punters’ glasses or probe them. Maybe I fantasized there.

'Limp': fried calameretti.
‘Limp’: fried calameretti. Photography: Sophia Evans/The Observer

We get exuberant talk about how all the ingredients are organic, in keeping with the winery’s deep commitment to sustainability, and how much is transported from the winery itself. One dish mentions the “little Tuscan chicken”. I ask the waiter if that means the chicken is literally from Tuscany, a feat considering the current state of air travel. He checks with the kitchen. Yes, he said enthusiastically, it’s a Tuscan chicken. Because obviously no mediocre British chicken will do. If the hens made the trip, none of the whites on the estate did. They are not on the list. Other things are. The cheapest bottle here is £50. I find a delightful Villa Sparina Gavi for £80, which I could retail for £16.45. It would therefore only be an increase of a factor of four. Shut up and drink your wine.

Anyway, we’re here for dinner, so let’s go. Sometimes, when an experience goes from mediocrity to “I want mommy”, I fear that a superb dish will present itself, the praise of which will interfere with the flow of my rantings. I have to be fair. At Il Borro, that never happens. It starts with an average selection of poorly made breads, including swabs of focaccia with the dense, moist texture of a soggy Tena pad. It’s strange. London is full of great focaccia. Tuscany too for that matter. How can they think that big piece of blood sausage is OK?

'Lean': linguine with seafood.
‘Lean’: linguine with seafood. Photography: Sophia Evans/The Observer

Beginners take an age to keep up with servers giving out unrequested updates. Unfortunately, they eventually arrive. Calamaretti and gamberi fritti are soft, as if the bright surroundings gave them performance anxiety. This suggests that they sat on the pass for a while, long enough for the thinly sliced ​​fried zucchini filling to take on a strong fishy flavor.

Then there’s this skinny seafood pasta for £46. When you find yourself counting seashells and you only get to three, something happens. The sauce is dull and sweet; the modest amount of al dente pasta is the only solid part of the dish. This extremely well traveled chicken is described on the menu as spicy. What happens is dull and numb. He made the trip in vain. The most extraordinary is the peposo, a famous Tuscan stew of braised beef and peppercorns. At Brutto, it’s a luscious and comforting winter stew, full of tangled meat and bright spices. It costs £15.80. At Il Borro, the braised meat is in chunky, mouth-drying chunks. It costs £41. Blimey, eating like a rustic Italian is expensive these days.

“Thunderclap”: tiramisu.
“Thunderclap”: tiramisu. Photography: Sophia Evans/The Observer

The peposo comes with tanned, hard-cornered fried polenta bricks, like Jenga blocks, but not nearly as fun to play. A humble Italian ingredient was engineered within an inch of its life to become less food and more a fashion item. Wear it as a brooch. As a consolation prize we order a £9 side of their triple baked fries with rosemary salt. They, too, arrive lukewarm and chewy and, for what it’s worth, without a hint of rosemary. I don’t usually complain about mediocre dishes lest I tell them everything is less than happy. I’m afraid they don’t cooperate when we ask to send a photographer. These are so ridiculously bad I can’t help it. I invite the server to try them. Why should I suffer alone? They are removed from the bill. From a list of uninspiring desserts, complete with cheesecake and panna cotta, we split a £12 tiramisu.

The bill is £334 with no surprises. What’s really depressing is the lack of ambition in a city full of great Italian restaurants. What is even more depressing is that he is doing a roaring trade. It’s full of people eating lousy food without caring about the prices. But the most depressing thing, at least for me, is that nothing I say about any of this will make the slightest difference. There was only one thing to do. I went home and listened to Joy Division to cheer me up.

News

One of the founders of Toklas in London, rated very positively on this page a few weeks ago, is behind a new business which will open next month in Margate. The Fort Road Hotel, located inside one of the oldest buildings in the city, describes itself as an “art and gastronomic destination” thanks to the involvement of Curly magazine founder Matthew Slotover of Toklas and artist Tom Gidley. There will be artwork by Margate-born Tracey Emin and a pork terrine menu with pickled cherries, clay oven-baked sea trout and wild blackberry pancakes. To fortroadhotel.com.

Robbie Lorraine, last seen cooking up a slightly crazy but utterly compelling menu at his Only Food and Courses restaurant in Brixton, will be the head chef at Boys Hall, a new hotel which will also open in Kent in September. Its menu will include lobster fritters alongside braised pork belly with bacon jam, black pudding and pork crockery. Visit boys-hall.com.

Generally, crowdfunders are used to help open restaurants. Perhaps it’s a sign of the times that chef Damian Wawrzyniak started one to help close his own. Faced with rising costs on all fronts, Wawrzyniak has decided that the last service at his modern Polish restaurant House of Feasts in Peterborough will take place on August 21. In a new venture that may not be welcomed positively by all, he is now looking to raise £50,000 to help pay his staff and suppliers. He then intends to find a new location. You can read all about it here.

Email Jay at [email protected] or follow him on Twitter @jayrayner1

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Fashion style

BLACKPINK’s Lisa is a style icon in a stylish outfit for stunning black and white photos, BLINK says “Why so hot?” | fashion trends

BLACKPINK member Lisa posted black and white photos of herself on Instagram today. They showed the rapper looking like a total style icon in a chic combination of tank top and denim.

The combination of white tops and denim jeans will forever remain iconic. It’s a style statement that has become almost a fashion adage at this point, and it’s easy to guess why. It is one of the most comfortable and fashionable trends that has always been a favorite of fashion enthusiasts over the years because one can easily go from a dressy look to a casual look in this cut. And BLACKPINK member Lisa understands that better than anyone. Today, the rapper took to her Instagram page to drop some black and white photos in this jumpsuit and garnered plenty of praise from BLINKs.



On Sunday, Lisa proved she’s a true style icon after posting several black and white photos from a new shoot. They showed the BLACKPINK member standing in front of a mirror and performing stunning poses for the camera. She donned a casual-chic look for the photos, a perfect choice to beat the summer heat in style. Check out the photos below. (Also read: BLACKPINK’s Lisa in the Coolest Outfit Enjoys a Great View of the Eiffel Tower While in Paris: All Photos Inside)



Lisa chose a white tank top with dark denim pants for the black and white photos. While the sleeveless top features a round neckline, wide straps and a fitted silhouette, the denim jeans feature a low rise, loose distressed detailing and a quirky waistband. In the end, Lisa chose open center tresses, black winged eyeliner and minimal makeup to complete the whole thing.

After Lisa shared the footage, BLINKs took to the comments section to compliment the musician’s post. One fan wrote: “Why is it so hot?” Another commented, “WE LOVE YOU LISA.” Many fans reacted to the photos by dropping heart and heart emojis.

Earlier, Lisa shared photos from her time in Paris. They showed the rapper posing on the terrace of the Bvlgari hotel in Paris with the Eiffel Tower in the background. She wore a gold sequin jacket with dark blue flared jeans and a black top for the photoshoot. Check out the images below.



Meanwhile, Lisa traveled to Paris last month to attend Celine’s menswear show. BTS’s V, aka Kim Taehyung, and actor Park Bo-gum accompanied Lisa. The trio wore stylish outfits to attend the glamorous fashion show.

Additionally, K-pop group BLACKPINK is gearing up to make their comeback this year in August. This will be their first album after almost two years.





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Fashion designer

Fall River native building on his success as a fashion designer

FALL RIVER — Last year, Fall River native Jeremy Lavoie had his big chance as a fashion designer. Now he’s building on that success and bringing it back to his hometown as much as he can.

“It’s so overwhelming, but it’s also such a good feeling,” he said.

In 2021, Lavoie, worked with his brother, Jonathan Lavoie, and another partner, Stephan Solway, to launch JL Creative Studios to sell clothes he designed.

In the months that followed, his brand quickly grew, with requests for his custom canvas jackets and vests coming from NBA players and musical artists.

And, he started working as a personal stylist for the likes of professional basketball player Ta’Quan Zimmerman and famed auto broker Brandon Medford. He broke into this business by connecting with people who bought him custom jackets.

“Now it has become a partnership,” he said.

“It all started with an artist”:Fall River native Jeremy Lavoie is launching a fashion label

Now Lavoie is getting noticed by bigger companies, including Carhartt, Fashion Nova and Ethika, who work with him and supply clothes to his clients.

Lavoie, a graduate of BMC Durfee High School, began working with his alma mater’s fashion department last year to teach students about the industry as well as sewing and design classes. He has also worked with other schools in the city, including Talbot Middle School and Resiliency Preparatory Academy.

On July 30, he’ll be hosting an outdoor event (likely in Kennedy Park) to talk to kids about the fashion industry, with plans for a few NBA players to attend. Later this year, he also hopes to hire a few students from Fall River as interns and bring them to fashion events in New York and to his embroidery shop in Providence.

Ta'Quan Zimmerman wearing a custom canvas jacket made by Fall River native Jeremy Lavoie.

In addition to teaching them the ins and outs of the industry, Lavoie also wants to encourage young people to develop their own personal style and have the confidence to promote themselves and build relationships that can help them in the future.

“I get these questions all the time, ‘how did you meet all these people?'” he said. “I want kids to really see, ‘You can do it too. You can make those connections too if you put the work into it.’”

Six weeks before the start of the school year:Fall River scrambles for pre-K class space after lone bidder drops out

Audrey Cooney can be reached at [email protected]. Support local journalism by purchasing a digital or print subscription to The Herald News today.

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French fashion

What to watch this weekend: Dakota Johnson’s Persuasion, a French thriller, and Mrs. Harris goes to Paris

Ready to settle in with a good movie or TV show as the week draws to a close and the summer heat sets in? vogueThis weekend’s choices lean heavily towards the cinema and will particularly appeal to all Francophiles. First there’s Claire Denis’ latest film, a subversive romantic drama starring Juliette Binoche, as well as the charming comedy Mrs. Harris goes to Paris starring Lesley Manville and Isabelle Huppert, both in theaters now. But there’s also something you can watch from the comfort of your couch, namely Dakota Johnson’s delicious (if divisive) new riff on Jane Austen. Persuasion, which premiered on Friday via Netflix.

Here, find vogue‘s recommendations on what to watch this weekend, whether it’s a Saturday night or a lazy Sunday morning.

Persuasion

Dakota Johnson as Anne Elliot, Izuka Hoyle as Henrietta Musgrove, Nia Towle as Louisa Musgrove and Mia McKenna-Bruce as Mary Elliot in Persuasionon Netflix on July 15.Photo: Nick Wall / Courtesy of Netflix

When the first trailer for the new adaptation of Jane Austen’s beloved latest novel, Persuasion, debuted in June, it sent the internet into a wave with its inclusion of Flea bag– stylistic asides and intentionally ahistorical costumes. vogue was the first to get the scoop on the new version of the film about Regency England. “With period pieces, I’m always interested in the connection between then and now,” said director, Carrie Cracknell. vogue in June. “I think period films often teach you as much about when they were made as when they are reproduced, in one way or another.” So what are you waiting for? Come to your own conclusions after watching this weekend.

Persuasion is streaming on Netflix now.

Both sides of the blade

Grégoire Colin as François and Juliette Binoche as Sara in Both sides of the blade.Photo: Courtesy of Curiosa Films

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Fashion brand

The high-end fashion brand opens its first airport store in Terminal 2 in Munich

High-end fashion brand Windsor, part of the Swiss Holy Fashion Group, has opened its first airport store in the departure area of ​​Terminal 2 (Level 4) at Munich Airport, Germany.

The 60m2 The store offers exclusive designer clothing for men and women and will be operated by eurotrade, Munich Airport’s retail subsidiary.

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Jan Mangold, Chief Brand Officer, Windsor, Holy Fashion Group, said: “Windsor has steadily expanded its international presence in recent years and Munich is our second home, so to speak. Therefore, the Munich Airport store is the perfect combination of both and marks our first step into travel retail. I look forward to introducing our collections to Munich locals and international travelers with eurotrade.

Dr Jan-Henrik Andersson, Chief Commercial and Security Officer at Munich Airport, said: “We are very pleased that together with Windsor we have acquired one of the premium brands of the Holy Fashion Group for our airport. With its exclusive range of products, the attractive boutique in Windsor perfectly matches the quality that passengers expect from Munich Airport as a 5-star airport.

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Fashion style

Nina Ricci brings a new wave of beach style


Nina Ricci’s Spring/Summer 2023 ready-to-wear collection was a celebration of pastel colors



LAST PUBLISHED
15.07.2022 | 4:03 p.m. HST

Presented against the backdrop of the Salin d'Aigues-Morte, designer Nana Baehr's collection has taken the nautical style to a luxurious version

Presented against the backdrop of the Salin d’Aigues-Morte, designer Nana Baehr’s collection has taken the nautical style to a luxurious version
(GoRunway.com)

The designer combined pastel colored accessories with parachute silk garments to create unique ensembles.

The designer combined pastel colored accessories with parachute silk garments to create unique ensembles.
(GoRunway.com)

Lightweight silk dresses in floral prints were among the highlights of the showcase

Lightweight silk dresses in floral prints were among the highlights of the showcase
(GoRunway.com)

By combining metallics with pastels, the brand brought a different freshness to ready-to-wear

By combining metallics with pastels, the brand brought a different freshness to ready-to-wear
(GoRunway.com)

Monochromatic and minimalist touches overshadowed the collection.

Monochromatic and minimalist touches overshadowed the collection.
(GoRunway.com)

Next story

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Fashion designer

Steadfast in Artistic Activities | Borneo Online Newsletter

Izah Azahari

Two years after facing the pandemic head-on in the Sultanate and successfully managing every wave that has hit the country, people are starting over as they refuse to let COVID-19 hamper their daily lives.

After practicing standard operating procedures (SOPs) since the start of the first wave, the population is now used to health guidelines as they seek to move on with their lives.

The creative industry is no different. Individuals keep trying to make a name for themselves.

In the music industry, local singers were recognized and honored at the coveted Pelangi Awards in June. Local artist Putri Norizah received an exclusive award in recognition of her contribution to the business both locally and internationally.

Faizul Razali won the Chosen Male Vocal Award; Eia won the chosen female award; and Asmai, Waz, Swanz and Aziz Harun won the Chosen Duo/Group Vocal Award.

Meanwhile, Rizal Rasid received the New Artist Award; while Khilaf, composed by Faizul Razali and Fadil A Band Once, won the chosen song award. Satu, composed by Juan Madial and performed by Habib Adanan, won the Chosen Inspirational Song Award; and Perbatasan, produced by The Content Fuel and directed by Nazmo and Hanif Iqbal, won the Chosen Music Video Award.

Local artists performing at the recent Pelangi Awards. PHOTO: IZAH AZAHARI
Children from SMARTER Brunei paint the wall under the watchful eye of the Sketchone Studio team. PHOTOS: JAMES KON & IZAH AZAHARI
Deputy Permanent Secretary (Culture) at the Ministry of Culture, Youth and Sports Dr Siti Norkhalbi binti Haji Wahsalfelah presents the exclusive award to Putri Norizah

Held every two years and organized by Radio Television Brunei (RTB), the Pelangi Awards serve as an extension of appreciation for local artists active in the musical arts, including singing and song-making.

He hopes to encourage local talents to produce more high-quality works and improve the local entertainment arena.

On the international stage, Brunei artist Dila Junaidi and her band, The Stars, took part in the 2021 Round of the ASEAN-Korea Music Festival in January, where she performed five songs.

Featuring 15 Korean and nine ASEAN musicians, the six-hour online festival was organized by public broadcaster KBS and sponsored by the Korean Ministry of Foreign Affairs, the ASEAN-Korea Cooperation Fund (AKCF) and the ASEAN secretariat.

AKCF hoped that the 2021 Round would strengthen the cultural bond and support between ASEAN and Korea through music, while providing the young generation from various countries with the opportunity to communicate through music and promote the formation of an active pop music network linking countries.

In film and cinematography, Mahakarya Institute of the Arts Asia (MIAA) actively cultivates local talent and skills, including through collaborations with Universiti Islam Sultan Sharif Ali (UNISSA) and Kolej International Graduate Studies (KIGS ) in its most recent Brunei Islamic Film Festival (BIFF) in March.

Entitled “Islamic Film Genre: Issues, Possibilities and Implications for the Brunei Screen Industry”, MIAA presented the Sultanate Film Festival dedicated to Islamic content as part of the annual Brunei Film Blitz.

The festival kicked off with a symposium allowing participants to explore the concept of film genre and what it means to have a Bruneian Islamic screen identity, with the aim of opening a roadmap for scholarly inquiry into the identity of Bruneian Islamic screen.

The symposium ended with a filmmaking workshop where participants applied what was discussed at the symposium and put it into practice.

During the workshop, participants were given various filmmaking exercises such as ideation, cinematography, sound recording and editing.

Mentorships were available for participants over the next two weeks as they produced their Islamic short films, which were screened in late March.

The BIFF Awards Night screening saw Q Fikri’s Langkah win the Islamic Short Film award, while Muhammad Haziq Aniq bin Hanip’s Hati-Hati Dengan Mata received the Jury Prize.

With BIFF, it was discovered that there were still many stories to be told as mentors explored ideas with participants who offered different perspectives and chose to tell stories in their own way as various genres were incorporated. in Brunei Islamic content.

The shortlisted films explored various Islamic themes including love, conversion to Islam, mental health, life struggles and daily Islamic practices.

The event aimed to encourage Islamic cinema in the Sultanate to provide a starting point for future academic studies.

Meanwhile, Universiti Brunei Darussalam (UBD) has encouraged, fostered and cultivated the various art forms through its annual Spectrum event, which provides an opportunity to showcase the individual and collective skills gathered over the four years of students study at UBD while serving as a means for them to express themselves through their disciplines.

Fifty-three final year students from UBD’s Design and Creative Industries (DCI) program unveiled their graduation exhibition “Spectrum 2022: Infinite” following the motto “Exploring the Unbounded Depth of Creativity” for the Spectrum of this year, delving beyond the limitation of artistic ideals in a contemporary way through their creative projects.

Works featured fine art, media arts and design, installations, media production to publication, product design, conceptual architecture and interior design, and fashion design .

The exhibition was open to the public from May 23 to June 23 and also featured gallery talks which saw six to seven students share their creative and artistic practices as well as the process of creating the works on display.

Although there has been no significant fashion movement since the start of the pandemic, as travel restrictions have prevented local fashion designers from traveling to showcase their designs, discussions of sustainability of the fashion industry are actively conducted with fashion designers from Brunei. , Indonesia, Malaysia and the Philippines.

One such talk was held virtually as part of the 3rd Brunei Darussalam-Indonesia-Malaysia-Philippines East ASEAN Growth Area (BIMP-EAGA) Budayaw Festival in December 2021 on the impact of COVID-19 on the industry. of fashion.

Fadzil Hadin of Dubai-based Chantique Brunei, Indonesian fashion designer Emmy Thee known for showcasing sustainable fashion, Emi Eglis representing the Philippines known for her use of traditional fashion in modern design and owner Anna Sue Couture, Dr. Sharifah Shukran, better known as Anna Sue in the fashion world, attended the event.

The dialogue sessions featured discussions on how COVID-19 has affected the fashion industry, particularly the cancellation of fashion shows.

Designers said the pandemic has pushed them to be more creative, adapt to the new normal using technology and hold virtual fashion shows.

Designers were also pushed to think outside the box by collaborating with other creatives such as photographers and videographers.

Fashion designers agreed that COVID-19 has brought people in the industry closer together and better prepared them to tackle challenges together.

The event also showcased the designers’ collections via a fashion short film.

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French fashion

French Ceva Logistics acquires Spedag Interfreight

As part of its growth plan, the French Ceva Logistics has finalized the acquisition of Spedag Interfreight, an expert in international freight transport covering several countries in East Africa. The announcement comes after all customary closing conditions have been finalized, including obtaining regulatory approvals from relevant authorities.

Ceva acquired the logistics entity from the M+R Spedag group, a family-owned transport and logistics company headquartered in Switzerland. Spedag Interfreight is one of the most capable and reliable logistics providers in East Africa with dedicated industry teams with leading expertise in relevant vertical markets including energy and infrastructure, aid and relief, oil and gas and raw materials. Approximately 400 employees across 24 locations in Kenya, Uganda, Tanzania, Rwanda and South Sudan joined Ceva following the closing of the transaction, Ceva said in a press release.

Ceva remains committed to a “think global, act local” growth strategy by adding Spedag Interfreight’s local market understanding to Ceva’s premier global network. The acquisition strengthens Ceva’s end-to-end global logistics capabilities. Ceva Logistics is now present in 44 African countries.

As part of its growth plan, the French Ceva Logistics has announced that it has completed the acquisition of Spedag Interfreight, an expert in international freight transport covering several countries in East Africa. The announcement comes after all customary closing conditions have been finalized, including obtaining regulatory approvals from relevant authorities.

The company’s ambition is to make the African market a significant part of its turnover by 2025, and Spedag Interfreight will open up new opportunities for East Africa’s growth potential. For example, Kenya acts as a key maritime gateway for East Africa. Thanks to a recent expansion and modernization project, the port of Mombasa is expected to carry over 1.7 million TEUs in 2023. The Kenya Ports Authority expects the port to handle 47 million tonnes of cargo by 2032, an increase of 57% over current levels.

Ceva continues to implement its strategic growth plan under the vision of the CMA CGM group. With the support of the group, Ceva welcomed more than 20,000 new employees thanks to the acquisitions of the former commerce and lifecycle services business of Ingram Micro and Colis Privé, France’s leading private last mile provider.

In addition, the CMA CGM group announced in April that it had signed an agreement to acquire nearly 100% of the capital of GEFCO, European leader in automotive logistics and international expert in multimodal supply chain solutions. The European Commission has authorized the group to immediately acquire the capital of GEFCO, pending final approval.

“With the addition of Spedag Interfreight in East Africa, we continue to execute key regional initiatives in our strategic growth plan. This acquisition is a perfect continuation of our organic growth and M&A activity in Africa over the past two years, as well as the recent acquisitions of Ingram Micro CLS and Colis Privé. Our global reach allows us to offer a wide range of responsive logistics solutions thanks to our experienced local teams”, Mathieu Friedberg, CEO, Cevasaid.

Fibre2Fashion Information Desk (GK)

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Fashion brand

What the hell happened to the Gap?

Fisher planned to call the store Pants and Discs, but his wife Doris came up with the winning name: “The Gap,” short for generation gap.

The Gap capitalized on the rise of denim as a go-to look for a generation of young Americans, then expanded into khakis, t-shirts, tops, hoodies and other basics. The brand has won over everyone from moms to office workers to celebrities like Sharon Stone, who wore a black Valentino skirt and $26 Gap faux turtleneck to the 1996 Oscars.
At the time, it was a symbol of cool, laid-back style. “As ubiquitous as McDonald’s, as centralized as the former Soviet Union, and as American as Mickey Mouse, The Gap Inc. has you covered, from cradle to grave,” The New York Times said in 1992.

But sales for the flagship Gap brand have plummeted for years and it’s become an afterthought for many American shoppers. The company’s other brands, including Old Navy and Banana Republic, also struggled.

On Monday, the company announced that CEO Sonia Syngal would step down after less than three years. She will be replaced by an interim CEO while the company searches for a permanent leader.

Here’s what the next CEO will fall into Difference (GPS).

Overexpansion and competition

The Gap benefited from the expansion of suburban malls in the 1980s and 1990s, becoming one of the largest mall stores in the United States. Its fortunes are therefore largely linked to that of shopping malls – good news in the 90s, but terrible news now. Malls quickly lost customers to online shopping and big box stores.

Gap said in 2020 that it would close 30% of its Gap and Banana Republic stores in North America by 2024 – mostly in malls.

In the decades since the heyday of the malls, Gap has lost touch with the baby boomers who grew up with the brand and failed to appeal to the Gen Z and millennials who are at home. origin of fashion trends today, according to analysts.

At the same time, brands and retailers such as Levi (LEVI), Target (TGT) and fast-fashion sellers H&M and Zara lured denim shoppers from Gap. Direct-to-consumer online brands have also reduced Gap’s audience.

“When they were great, there just wasn’t the ecosystem for smaller, niche players,” said Ken Pilot, former Gap chairman and longtime company executive. “Gap was competing with department stores and killing them.”

Gap has also cannibalized its own brand with similar styles at Old Navy and Banana Republic, he added: “It was smart the way they built their portfolio, but even these created their own form of competition to the Gap brand.”

Gap has tried several strategies to revitalize its flagship brand, including partnering with Kanye West for a Yeezy-branded clothing line. But the partnership did not significantly increase sales.

Its initiatives “have been piecemeal rather than part of a larger, cohesive revitalization plan,” GlobalData Retail analyst Neil Saunders said in a note to clients on Monday.

Moreover, the flagship brand is less and less important for the company. Old Navy and Athleta are its future: Together they will account for about 70% of Gap’s total sales by 2023, according to the company.

Leadership faux pas

Whoever becomes Gap’s new leader will not be the first of its CEOs to face challenges.

Mickey Drexler, known as the “Merchant Prince”, was the person who made Gap a powerhouse in the 1990s. First president of the Gap division and then CEO of the company from 1995, Drexler has pushed Gap to expand beyond jeans into khakis and oversaw the creation of budget chain Old Navy in 1994.

But it was also during Drexler’s tenure that Gap lost its connection with its key customers. He suffered 24 consecutive quarters of declining same-store sales towards the end of his reign, and he resigned in 2002.
The company then brought in several CEOs, including former disney (SAY) executive Paul Pressler, pharmacy executive Glenn Murphy and Gap veteran Art Peck. Sonia Syngal succeeded Peck in 2020.

“Gap’s failure is entirely due to its lack of leadership,” said Mark Cohen, director of retail studies at Columbia University’s business school. “They had a brilliant period of growth and popularity, which they squandered.”

More recently, Gap attempted to spin off from Old Navy, which is now the company’s largest brand. But it reversed course in 2020 after sales plummeted.
Since then, Old Navy has continued to struggle, including with a failed attempt to revamp sizing to make it more inclusive. The move was initially welcomed, but the brand ended up offering too many extra-small and extra-large items and not enough of its most popular medium sizes. In May, Old Navy announced that it would revisit this strategy.

Old Navy’s “challenges are taking much longer than expected to resolve,” B. Riley Financial analyst Susan Anderson said in a note to clients on Tuesday. “A fresh look across the whole business could be good for the brand.”

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Fashion style

RK Jewelers stages royal elegance | fashion trends

With a passion for jewelry and a desire to create timeless jewelry, RK Jewelers was established in 1993, with its flagship store in South Extension II. Over its three decades of existence, the brand has gradually carved out a place for itself, built a business on artistic excellence, exceptional craftsmanship, trust and relationships.



The RK Jewelers workshop is known for its unparalleled designs, meticulous craftsmanship and natural purity. With a wide, exotic range of timeless pieces, she epitomizes elegance and taste in an effortless combination of heritage and contemporary influences. Today, she prides herself on being a shining beacon of what a premium jewelry brand should be.


RK Jewelers store in South Ex, New Delhi



Association with IMS

Jewelry is a very important part of style, giving it class and timelessness. Therefore, RK Jewelers is delighted to be associated with the Hindustan Times India’s Most Stylish (IMS) Awards. It was something they wanted to do, because this platform really recognizes various personalities for their style quotient.

Jewelery launch at IMS

By honoring generations and evoking reverence, antique jewelry transcends time without losing its charm. This is the kind of jewelry they will present at this event. Heirlooms preserve the memories attached to them, as they are passed down from generation to generation. There’s something amazing about how personalized jewelry can bridge the generational gap.


Royal gold and kundan necklace in 22k hallmarked gold


A rose cut diamond necklace with Colombian emeralds



The showrunners in the foreground

Rohan Sharma and Prakshi Sharma are at the forefront and run the show. Prakshi is an award-winning designer from the Fashion Institute of Technology in New York (USA) and leads all design and creative aspects of the business, while Rohan is an engineer and gemologist by training and takes care of the commercial part. . Together, they have taken the brand forward, also internationally, by adding a modern style.

The brand vision for IMS

With IMS, the brand wants to celebrate and honor the achievements in different areas of the fashion industry who work tirelessly to entertain us and make us proud. With an awareness of fashion today, they aim to bring the best in fashion and style that will transform the jewelry industry. The vision of RK Jewelers is to bring everyone together on this great platform and celebrate people’s outstanding contribution.



Disclaimer: Content in partnership

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Fashion designer

Confronting Stereotypes of Asian Women through Fashion Design

This article is part of Concentrate’s Voices of Youth series, which features content created by Washtenaw County youth in partnership with Concentrate staff mentors, as well as stories from adult writers who examine issues important to youth. local young people. In this episode, student artist Ella Yip shares her design for a dress that challenges common stereotypes of Asian women.

For more on this topic from Ella, check out the story she and fellow Voices of Youth participant Thylicia Babumba wrote about how stereotypes affect the Asian American and Pacific Islander community.

Ella explains each of the elements of her design as follows:

High: The shirt underneath represents who you really are, the design showing the complexity of all identity and personality. The layered chemise, made of a flowing light pink sheer tulle, shows how one identity can be masked by the prejudices and stereotypes of others. This top is inspired by the traditional Chinese dress, a Cheongsam, representing Asian heritage.

Cut: The waist of the dress has a corset look. This represents a stereotype/beauty norm that Asian women face regarding their expected body appearance and the stereotypes that surround their figure.

Left trouser leg: Represents words, sayings and opinions that can be internalized to combat stereotypes. The volume of the pants should represent the size or the amount of ways anyone can push back the stereotypes.

Right trouser leg: These pants are tight to represent the “real skin” and the complexity of a person: not how others see you, but who you really are.

Form: The train is made of a dark black mesh, burlap material, representing how stereotypes follow all Asian women and how they can sometimes feel. However, the fabric is porous with many gaps, which accounts for the fault and the lack of real evidence to support the stereotypes faced by Asian identities.

Color pallet: The color scheme, consisting of almost all red hues, is another way of representing Asian, especially Chinese, heritage. Red is a prominent color, considered to bring good luck, and the color is worn on almost all special occasions, weddings, etc.

Artist Statement:

I have loved fashion design almost all my life. I drew dresses as soon as I had the materials, making patterns on my baby blankets. I learned to sew around 6 years old when my mother got tired of me cutting my dolls’ clothes because I was playing “couturier”.

As an artist, speaking through something other than words inspires me. I like to see how I can make people think just by looking at something. Spreading a message with more than just words is something I hope to take even further in the future and even hopefully bring these pieces to life!

Concentrate staff member Yen Azzaro mentored Ella’s Voices of Youth on this project.

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French fashion

Before Our Homes Got Smart: 7 Vintage Appliances Reminiscent of a Bygone Era

Written by Jacopo Prisco, CNN

Dutch designer Jaro Gielens’ basement is a sight to behold: the 1,000 square foot space has been converted into a vault for one of the world’s largest collections of small appliances from the 1960s to the 1990s – with mostly items in mint- condition. A niche activity, you might think, but together these objects hold stories that go far beyond the walls of one’s home.

“A unique fact is that all items are complete with original packaging,” he said in an email interview. “The images and graphics on the box best illustrate how these products were presented and marketed, and often indicate which period the product originated from.”

The collection now has 1,370 references, covering all product categories except vacuum cleaners and microwave ovens. The largest group represented is coffee makers, followed by hair dryers, blenders and dental appliances. Some of the most iconic items are featured in the new collector’s book, “Sweet electronics.”

Gadgets speak to a very different era of product design that coincided with new consumer behaviors and needs.

Unlike the expected obsolescence associated with today’s devices, these older models were built to last – Gielens uses some of them and says many still work as intended to this day. This fits with one of the great design principles promulgated in the late 1970s by Dieter Rams, the influential designer whose work at Braun was often praised by former Apple design director Jony Ive. Good design, Rams said, meant making products that were useful, understandable, durable and environmentally friendly.

At the same time, according to Gielens, the introduction of new materials has allowed manufacturers to offer more products. “New and better types of plastics and smaller electrical components have helped designers make devices for all types of tasks. And changes in lifestyle, hobbies and fashion have demanded and provided opportunities for these new devices,” he said.

Remarkably, he only started the collection five years ago. Since there was very little information available on many of the products he found, he decided to create a online catalog which includes them all.

His book contains a selection of around 100 objects from the cache, all filled with promise for a much improved, efficient or glamorous home life, dominated by curved lines and bright colors – beautiful relics of a simpler world. and more carefree.

Below, the collector shared a few of his favorite things.

Dame Braun Luftkissen HLH 1

“Perhaps the best example of a ‘Soft Electronics’ product. A revolutionary design combined with a completely new form of use: hands-free hair drying. The transparent helmet gives it a very futuristic look. This design was copied by almost all other manufacturers in the second half of the 1970s.”

(Picture above)

Bosch coffee maker K12

Bosch Kaffeemühle K12. Credit: Jaro Gielens/Soft Electronics/gestalten

“In my opinion, the perfect coffee grinder for filter coffee. You can grind the coffee directly in a filter holder which can be placed under the grinder. The design has a very elegant geometry with the large transparent cylinder integrated into the shape otherwise more rectangular from the base.”

Philips Ladyshave HP 2111

The Philips Ladyshave HP 2111.

The Philips Ladyshave HP 2111. Credit: Studio Sucrow/Soft Electronics/Gestalten

“Philips has sold tens of millions of women’s cosmetic shavers worldwide. They were six years ahead of Braun with this new product, having been competitors to men’s electric shavers for a few years already. The design of the HP 2111 is the result of a major design harmonization project with Philips in the mid-1970s. Fun fact: all Ladyshavers were produced in Philips factories in Austria (instead of the Netherlands).

SEB Filter Coffee Maker

SEB Filter coffee maker.

SEB Filter coffee maker. Credit: Studio Sucrow/Soft Electronics/Gestalten

“The first device with an anti-drip mechanism. Many manufacturers would eventually add this feature, but they were all trying to solve it differently. The design shows how small French manufacturers were catching up in terms of production quality. The large colored plastic and transparent plastic parts are all of very high quality.And SEB has succeeded in developing a unique style for its products.

Kenwood Deluxe Cheffettte

Kenwood Cheffette de Luxe.

Kenwood Cheffette de Luxe. Credit: Jaro Gielens/Soft Electronics/gestalten

“There have been several Kenwood Chefette mixers over the years, and they’re still sold today. But this really is the best version: in beige and country brown, with the updated octagonal shape. more modernist than you might wish.”

Philips BOX 2 HR 2010

Philips BOX 2 HR 2010.

Philips BOX 2 HR 2010. Credit: Studio Sucrow/Soft Electronics/Gestalten

“At the beginning of the 1980s, Philips developed a whole product line: the Box series. All versions were based on two main sections: a foldable stand and a motor module. It was a real transformer-type product, multifunctional and The largest and most complete version would make a complete kitchen machine, with many add-ons and even a custom storage cabinet.Unfortunately the whole series was discontinued after just one year.

Braun 550

The cover of "Sweet electronics" by gestalten and Jaro Gielens presents the Braun 550 hair dryer.

The cover of “Soft Electronics” by gestalten and Jaro Gielens presents the Braun 550 hair dryer. Credit: Studio Sucrow/Jaro Gielens/Soft Electronics/gestalten

“Hairdryers of the mid-1970s were much smaller, and the cord storage in the handle is a fine example of preparing these appliances as travel accessories. The shape is unique as it is perfectly rounded and completely free of surfaces flat or united.”

“Soft Electronics” by Jaro Gielens is published by gestalten.

Top image caption: The Lady Braun Luftkissen HLH 1.

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Fashion brand

New balance; NOWinSA brand failure of the month, or is it? – fashion beauty

Coming soon: New Balance Teddy Santis 990v3

First of all, where is Craig Bowen? Well, for those who may not know who Craig Bowen is, he is the boss of New Balance South Africa. Nonetheless, you can be forgiven for not knowing him or not having come across his name to begin with since he gave us nothing, us New Balance fans in South Africa, to remember him by.

New Balance SA is deaf

Unfortunately, New Balance South Africa keeps rubbing salt on customers’ wounds over and over again, making it seem like it’s some kind of brand that doesn’t take its SA fan base seriously, so much so that she seems willing to mislead both her existing and potential customers just to direct them to their website.

What am I talking about, you might ask? For months New Balance had been floating around with images of the New Balance 550 successor, the 650R.

Successor to New Balance 550, the 650R.

It was highly anticipated and as a die-hard fan myself, I did some groundwork to get a pair for me and one for our lucky reader. In one of my previous communications – via Twitter DM – with New Balance SA, I was assured (as noted in the tweet below) that they would let customers know when the shoes were available.

Fast forward to May 5, 2022, without any warning as previously promised, New Balance SA posted a link on their Twitter page which I immediately followed and got a message saying “this item is no longer available” .

Keep in mind that there was no email correspondence. Then about a week later they made sure to let us know that they would be posting the silhouette 327 restock, along with the xc72, but no updates on the ALD 650 R.

So I tweeted them again, only to have them tell me they were all sold? How? I was on the page the minute the link went live, I called all of their experience stores and none of them had stock or even knew what the 650 R was .

At this point I was livid because it costs double the price to import New Balance sneakers into South Africa, that is if you can find a pair that doesn’t cost twice or three times the Retail price. And it turns out we weren’t the only ones frustrated by this. Even well-known SA personality George Mguni aka @Okay_wasabi previously lamented the unavailability of another popular silhouette (Salehe Bembury).

Wasabi also shared her struggles to find a pair from another popular New Balance collaboration, saying, “I’m ashamed I have nothing but love for you New Balance SA. You are amazing. But you betrayed me by not bringing the shoes too. I am hurt.”

The most popular New Balance silhouettes have gone MIA

Where are Joe Fresh Goods 9060? What about the general release of the Sea Salt 9060s? For starters, New Balance SA doesn’t have an active Instagram page, so it’s no surprise that they seem to be dead out of tune with what people want. To simply break it down for anyone who cares to listen, we want access to JJJJound, Aime Leon Dore, Kith, Stray Rats, Basement collabs. We want someone who will go to bat for the South African sneaker community, in this case diehard New Balance fans.

According to this article, I have previously written about New Balance and alluded to the fact that they may not be aware of the potential they have to dominate the South African market. To me, it’s become clear that this isn’t going to happen anytime soon unless the executives of New Balance SA have some idea of ​​what’s going on in sneaker culture – unless all they want us to do is give, these are running shoes.

Where are Joe Fresh Goods 9060?

Perhaps it’s the old age story of not having enough representation in senior offices or companies that has made them so detached from sneakerhead culture. It doesn’t help that they isolated themselves and are not reachable like other big brands. There is not so much as a contact number. It’s discouraging to say the least.

Until they sat down with key figures in the local sneaker community like Rohin Ramjee, Okay Wasabi and Joshua Dunn to discuss a way forward.

Better yet, how about New Balance SA throwing an event at one of its experience stores to appease fans and make enough pairs of Joe Fresh Goods and Teddy Santis available on the day. We’re not asking for free stuff, we just want to be on par with our American and European counterparts at New Balance.

So for this never-ending disappointment, and more so against my will, I’m dubbing it our NOWinSA Brand Failure of the Month. Hold your L, NB team!

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Fashion style

Harry Styles can get away with wearing a skirt. But can I? | men’s fashion

I likes clothes, including those defined as feminine. I rarely wear such things outside, because who has the guts? Now could be the time. Gendered fashion is, it seems, dead. After wearing sweatpants for two years, men want to free their legs. To test the cultural temperature, I borrowed a long black skirt from my friend Rowena, and I’m wearing it in South London, to see if anyone cares. They do. Men in skirts might have a moment, but my experience is excruciating. Passers-by look at me with narrowed eyes, as if I were a piece of long division.

It looks so easy on magazine covers. Harry Styles, Pete Davidson and NBA star Russell Westbrook have burned the menswear rulebook, while celebrities such as Kid Cudi, Lewis Hamilton and Oscar Isaac are also celebrated as skirt kings straight male. Thom Browne, Raf Simons, Yohji Yamamoto and Comme des Garçons have all pushed the look in the latest collections. But catwalks and red carpets are one thing, Peckham Rye in a split maxi is another. I might as well wear a colander for a wreath.

The skirt itself is great. Free, airy and elegant. “Is it a man’s skirt?” asks a woman sitting in front of a store. “Unisex,” I reply, telling a white lie. “Sounds good,” she decides. It’s hard to tell what people are thinking just from their expression. There is also another complication. In most parts of the world, much of which is warm, it is normal for men to wear airy clothing on their legs. Religious clothing often has a dress form. People might try to find out if I’m wearing a jalabiya or a jubba or even a sarong. I could be a funky clergyman. I’m basically wearing a skirt with an exit clause. It’s time to go bold.

Work… Rhik Samadder. Photograph: Alicia Canter/The Guardian

I return the laundry number to Rowena and we go shopping. At a charity shop, I’m drawn to an animal print Lipsy number. “It’s a Wag prosecco dress,” laments Rowena, who doesn’t believe in mince words. “And not your role model.” I take a midi paisley, in white and coral. Sweet, sort of 90s and fun. I buy it, but not everyone is sold. “Maybe we do,” my friend said at home, pulling out some pins and taking it 25cm. She ties my T-shirt in a crop top that reveals the belly. “Now that’s a look.”

I could wear this near art school and blend in. But where would the fun be in that? I’m taking a trip to east London, to an old fashioned fruit and veg market. Traders look at me, but no one tells me to put away my plums. Similarly, in a crowded greasy spoon. Some of the older clientele seem a little offended, which doesn’t do any good. I don’t want to upset anyone. But I’m only wearing a skirt. Men in shorts run topless wherever they want and no one bats an eyelid.

In public transport, no one says anything. Then again, you could wear a pillowcase like a chef’s toque and talk to a blancmange on a bus and no one would notice. In the street, there are more interactions. An elderly Chinese woman staggers to tell me that I look good. I ask if the skirt is too short. “No. Pretty,” she says. What a baller. (For what it’s worth, another older woman shouts “What’s that?” in my direction.)

Young people are usually on board. “Slay,” smiled a teenage girl shyly. There are quite a few “work it!” to balance the disgust. School kids are the worst, bless their ailing hearts, but most are just curious.

I think gender roles are prisons, and we should all wear what we want. And I doubt I’m alone. I went to drama school and I would say about 100% of the boys were there so they could wear dresses. By the way, I am confusing two different garments here. Is there more of a cultural model for “the man in a dress” as opposed to a skirt? The aesthetic unity of dresses has always appealed to me, more so than skirts. In any case, we aspire to the forbidden.

There could be another reason for the confused faces. It is unusually cold for the season and it is raining. I don’t feel a pleasant lightness; the wind whips between my legs. Maybe I just look chilly.

Other steep learning curves include knowing how to sit on public transport (place bag on lap, not between), thigh modesty, and where in the hell’s teeth to put my stuff. It’s nothing if not a great lesson in empathy. Everyone should experience the exposure, scrutiny, and restricted movement that skirt wearers endure.

While time is the most hostile force I encounter, I wouldn’t say men in skirts are normalized. “What is that ?” is dehumanizing language, not good for old self-esteem. At first, I shrink. Then I straighten up. Look at me and I’ll look back at you. But distrust is tiring, and it saddens me that a man cannot wear a beautiful garment without arming himself with this combative attitude. I don’t have the energy for that every day. I can’t say what I’ll be wearing tomorrow, but I do know this: there will be fucking pockets on it.

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Fashion designer

“Folklore lends itself to it”: Irish horror films enjoy mainstream success | Ireland

A century after Bram Stoker introduced Dracula to the world, Irish storytellers are once again conjuring up vampires – along with zombies, ghosts, changelings and macabre and mysterious diseases – and this time on the big screen.

Young directors are channeling Ireland’s dark folklore and contemporary social ills into a wave of horror films that are finding mainstream audiences overseas.

The country’s small film industry has made 20 horrors in the past six years, with two more slated for release in the fall. The output ranges from slashers to horror comedies to psychological thrillers with supernatural elements.

Four of the 11 films presented at the FrightFest festival in Glasgow earlier this year were made in Ireland and Northern Ireland. American network TBS, which is part of Warner Bros, is turning a 2019 film, Extra Ordinary, into a television series.

You Are Not My Mother, which was a finalist for an Audience Award at the Toronto International Film Festival, recently landed on Netflix.

“Irish folklore is particularly dark and lends itself to horror,” said the film’s writer and director Kate Dolan, 31. “Not a lot of happy endings – a lot of people are dragged down to their loss.”

A scene from the 2018 film The Hole in the Ground. Photography: Screen Ireland

Her debut feature, which cost €400,000 (£340,000), tells the story of a bullied teenage girl in a Dublin suburb who grows alarmed at her mother’s transformation, hinting at causes supernatural, mental illness and social alienation. The New York Times called it awesome, creepydeeply metaphorical and genuinely harrowing.

Dolan grew up in Dublin listening to her grandmothers’ stories of changelings, diseases and curses, which led her to question the origin and power of such beliefs. “I grew up in a row of townhouses and the idea that anything could happen there, and you’d be as isolated as you would be in a cabin in the woods, with no one to help you – I think I’ve found that even scarier.”

Dolan is currently writing screenplays for two horror-tinged films with LGBTQ themes.

Hollywood noted emerging talent from Ireland. Lee Cronin, who made a name for himself with the 2019 chiller The Hole in the Ground, set in rural Ireland, has directed the upcoming Evil Dead Rise, the latest in the Evil Dead franchise.

The ability to make small budgets and tap into ancient and contemporary Irish anxieties has drawn filmmakers into horror, said Louise Ryan, spokeswoman for Screen Ireland, a state agency that has funded many films. “The flexibility of the genre has attracted a lot of directors.”

Vivarium, a 2019 sci-fi horror starring Jesse Eisenberg and Imogen Poots that premiered in Cannes, was inspired by ghost housing estates in Ireland, which were abandoned during a financial crash. “It was a way of talking about the social contract and people being trapped by a system,” said director Lorcan Finnegan, 43.

Jesse Eisenberg and Imogen Poots in the 2019 film Vivarium
Jesse Eisenberg and Imogen Poots in the 2019 film Vivarium. Photography: Screen Ireland

His next film, Nocebo, is about a London fashion designer who seeks help from a Filipino nanny for a tick-related illness. Filmed in Dublin and Manila, and starring Eva Green and Mark Strong, it explores cultural exploitation.

It took a long time for Irish filmmakers to embrace the Irish heritage of storytelling and folklore, Finnegan said. “I grew up hearing stories from my parents about banshees and fairy curses, but it wasn’t really depicted in movies until 10 or 15 years ago.”

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Let the Wrong One In, a Dublin vampire horror-comedy set to be released around Halloween, paid tribute to Dubliner Bram Stoker by filming a scene at Dracula’s Castle, a tourist attraction in Dublin that claims have the only Bram Stoker Dracula in the world. vampire museum.

“It always seemed strange to me growing up that there were no Irish horror films,” said Let the Wrong One In director Conor McMahon, 42. When he started making short films as a teenager, he noticed that horrors had the best response. .

“All of my feature films have been in the horror genre and I’ll probably stay there. That’s what I like to do. There are so many subgenres that it never feels like you’re doing the same thing.

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French fashion

The Russian alternative to McDonald’s in the face of the shortage of fries

The recently opened Russian alternative to McDonald’s – which left the country in May because of Russia’s war in Ukraine – is both a fast-food chain and a currency in Moscow’s propaganda campaigns.

In a shortage forged by symbolism, Vkusno i Tochka, which translates to “Tasty and that’s it”, is limiting the sale of fries this summer because it is unable to stock up on potatoes in quantity sufficient, the company told Russian news agency Tass Friday.

The Russian franchise said it was running out of country-style potatoes on the menu, its thicker cousin the Americanized fry, due to supply chain disruptions caused in part by war and Western sanctions.

The fast-food chain, which opened archless in June, said it generally seeks domestic sources for its products. But a poor potato harvest last year left Russia with a limited supply, Vkusno i Tochka told Tass, and the company was unable to fill the void with starch imports. .

Vkusno i Tochka said potatoes will fully return to its menu this fall, after the next harvest. Other “major players” in the market are facing similar difficulties, the company told Tass.

On Telegram, however, the Russian Ministry of Agriculture denied the news of a shortage of potatoes, The BBC reported.

Moscow’s former McDonald’s reopens without Big Macs

Countries from Japan to Kenya have reported potato and chip shortages in recent months, also citing supply chain and environmental factors.

But Vkusno i Tochka’s burger and fries were also meant to be a token of Russian self-reliance, forged in the middle of the output of more than 1,000 companiesincluding McDonald’s, and series of Western sanctions designed to punish and isolate Russia for its war in Ukraine.

McDonald’s is looking to sell a Russian company that is ‘no longer tenable’

By the time Moscow invaded on February 24, McDonald’s employed approximately 62,000 people in 850 communities across Russia, according to a statement from the company.

Nearly two weeks after the war began, on March 8, the Chicago-based franchise temporarily suspended operations in Russia. The $180.8 billion company said it would continue to pay the salaries of Russian and Ukrainian employees and pledged to send aid to the latter.

In the third month of the war, McDonald’s general manager Chris Kempczinski declared that the company was leaving Russia altogether. It was “no longer financially tenable” to operate and “impossible to ignore the humanitarian crisis caused by the war in Ukraine”, he said in a statement.

McDonald’s decision in mid-May to pull out of Russia marked the first time the 40,000+ store franchise has left a major international market.

After more than three decades of investment, it only took a few days for McDonald’s announce that he had reached an agreement with a Russian licensee. Alexander Govor, who previously ran 25 McDonald’s branches in Siberia, has agreed to buy the fast food chain’s portfolio and run the stores under a new brand.

McDonald’s is closing in Russia. His first restaurant in the USSR caused a sensation.

Vkusno i Tochka opened its first 15 locations in Moscow’s former McDonald’s restaurants in mid-June. Much of the menu has remained the same, minus the hallmark of the American franchise “Mc” and “Mac”. At the end of the month, the company said Tass it had opened 142 branches and aimed to reach 1,000.

Back when McDonald’s founding branch opened near the Kremlin in February 1990, thousands of Muscovites lined up for their first taste of capitalism in the final months of the Soviet Union, The Post reported. . The 900-seat restaurant was the franchise’s largest at the time.

Advertisements on a recently opened commercial TV channel urged, “If you can’t go to America, come to McDonald’s in Moscow.”

Annabelle Chapman contributed reporting from Luxembourg.

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Fashion brand

Vanguard! From surplus to stunning: GENERATION pots | Camber

GENERATION takes a small step toward sustainability, while an Instep resident takes leaps toward carefree comfort.

In an effort to become more eco-friendly, eco-conscious ready-to-wear brand GENERATION has made several efforts to embrace sustainable fashion. Among them is the use of excess fabrics to create accessories, including these small potlis.

These small drawstring pouches are part of the company’s reGENERATE effort, which is a group of products introduced to stores that use surplus and CMT (Cut, Make, Trim) fabrics in order to make their core clothing line zero fabric waste.

Vanguard!  From surplus to stunning: GENERATION pots

These little drawstring pouches are part of the company’s regeneration effort, which is a group of products introduced to stores that use surplus and CMT (Cut, Make, Trim) fabrics in order to make their clothing line main zero fabric waste..

The potlis come in several vibrant colors – the ones sent to us were a bright orange and beautiful blue – and feature a floral pattern with striking gold detailing as well as a twisted gold drawstring. They are ideal for giving small gifts or keeping keepsakes. And they give you the added satisfaction of being part of an initiative that helps save the planet!

We love when brands are responsible and try to minimize the negative impact of their products and production processes. And it certainly helps when they give you such bright and colorful treats that they embrace a greener future.

(Although we think it would be helpful if these potlis came with a “keep out of reach of furry children” warning as our feline couldn’t keep her little paws away from those irresistible pouches!)

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Fashion style

The sports presenter on her style and favorite fashion moments

Roz’s work wardrobe is largely made up of “feminine suits” which she pairs with heels or sneakers.Credit:Jennifer Sou

Who is your favorite fashion designer? I love Anine Bing’s collection. She is effortlessly glamorous; I draw a lot of inspiration from her.

What is your favorite perfume ? Maison Francis Kurkdjian Baccarat Red.

Do you remember a favorite outfit when you were a kid? Anything tie-dye or fluoro. That’s probably why I’m having trouble opting for color now – I have scars!

And your worst fashion mistake? 2000s pink high heel flip flops. Thought I was cool wearing them to nightclubs. Now I’m cracking up.

A Celine bag

A Céline “Pico” bag is on Roz’s wish list, but with two young children, now is not the time.

Is there a current trend that you love? I am very happy that the jeans and trainers look has become fashionable.

Is there anything you would never wear? I admire girls who can wear a crop top or a midriff, but there’s no way you’ll see me in it.

What’s on your wishlist? I eyed a Celine “Pico” bag, but with two young boys, I feel like I can’t have nice things, so I’m holding back.

What shoes do you wear most often? New Balance “327” sneakers or Birkenstocks for every day; black Prada pumps for work.

What do you sleep in? My husband’s shirts.

Who is your favorite fashion icon? Jackie Kennedy for her refined and glamorous style. Plus, for a modern style icon, Harry Styles rocks it; I admire her clothing choices.

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What do you wear on a typical workday? I like simple, well-structured outfits; comfortable suits – I call them my “woman suits” – that work with heels and sneakers. Scanlan Theodore, Ginger & Smart and Boss.

What’s your favorite Sunday look? It starts with a women’s suit and full make-up for Sports Sunday, then it goes downhill from there — tights, t-shirt, sneakers — when I get home to hang out with the boys.

9News sports presenter Roz Kelly hosts Channel 9’s Wimbledon coverage. The men’s singles final will air on July 10 at 10.30pm.

To know more about Sunday life magazine, Click here.

Get the most out of your health, relationships, fitness and nutrition with our Live Well newsletter. Receive it in your mailbox every Monday.

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Fashion designer

When Gauri Khan said being called a ‘star wife’ drove her ‘crazy’

Gauri Khan, interior designer and wife of actor Shah Rukh Khan, once said the term “star wife” drives her “crazy”. In an old interview with filmmaker Karan Johar for Hindustan Times, he asked her to be a “star wife”. Calling it strange, Gauri added that she wants people to treat her like “a normal human being”. Speaking about her work, she said that when designing a space she wanted people to feel it was the best they had seen. (Also read | Shah Rukh Khan photobombs the return photo of Gauri Khan, Namrata Shirodkar and Sangeeta Bijlani)

Speaking to Karan for the Hindustan Times, Gauri Khan said: “The term drives me crazy. It seems very strange to me. If only people could treat me like a normal human being, treat me like a modern day woman instead of calling me a star wife. I don’t start with anyone and I’m not too ambitious either. All I need is to wake up in the morning, hit the gym, feel healthy, get to work, be creative, go home with the kids. “

She also added, “I want to do a really good job. I might not become a world famous designer because I didn’t start in my twenties. But it’s never too late to do anything. either in life and when I design a space, I want it to be the best home or the best office they’ve seen. When people walk into my new store, they have to say it’s the best store I’ve ever seen. they’ve seen. Everything I touch must turn to gold or be beautiful. I have a purpose, something to look forward to. It’s fulfilling and I feel like a complete woman today.

Gauri is an alumnus of the National Institute of Fashion Technology (NIFT). Over the years Gauri has designed several spaces for many celebrities. She designed the nursery for Karan’s children, the homes of actors Ranbir Kapoor and Sidharth Malhotra, and remodeled actress Jacqueline Fernandez’s apartment. She also designed a party room for Antilia by Nita and Mukesh Ambani. Gauri was named on Fortune India’s Most Powerful Women list a few years ago.

Gauri often travels with his friends. Recently, she met fashion designer Manish Malhotra and actor-turned-author Twinkle Khanna in London. Earlier, Gauri traveled for a vacation in Rome and posted photos with Amitabh Bachchan’s daughter, Shweta Bachchan. Before that, she went on a trip to Milan.

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French fashion

Hrithik Roshan takes his girlfriend Saba Azad on a ZNMD-style scenic drive in France

Saba Azad, Hrithik Roshan

Even though Hrithik Roshan and Saba Azad haven’t made an official announcement regarding their romantic relationship, the duo haven’t been shy about pda on social media as well as in real life.

Rumors of the two first surfaced in February this year when they were spotted out to dinner in Mumbai. Since then, the lovebirds have made several appearances together in addition to displaying their affection for each other on social networks.

Hrithik and Saba turned heads when they went hand in hand to Karan Johar’s 50th birthday party, which was attended by the who’s who of Bollywood. And now the two B-Town stars have flown off to Europe for a romantic getaway.

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Hrithik Roshan parties with ex-wife Sussanne Khan and beau Arslan Goni in LA – see pic

Hrithik Roshan parties with his ex-wife Sussanne Khan and beau Arslan Goni in Los Angeles – see photo

Giving a glimpse of their vacation, Saba shared photos and videos on her Instagram. She recently dropped a clip of their long drive they took on the scenic roads of France. Saba’s caption read, “That’s how it is!!”

Although their faces are not visible in the video, we can see Hrithik in the driver’s seat as he takes off his hat when Saba points the camera at him.

Watch the video here –

As expected, it didn’t take much longer for Saba’s aesthetic video to go viral. Fans, who have been shipping Hrithik and Saba together for a while now, flooded the comments section with their messages. The major shelled clip Zindagi Na Milegi Dobara the vibes and netizens have certainly noticed.

“Thank you for sharing these moments…wish you both all the happiness and love,” one social media user wrote while another said, “Znmd vibes.”

Earlier, Saba had shared a candid photo of herself clicked by Hrithik, from Paris. “Not a selfie, not my coffee: Image by @hrithikroshan,” she wrote.

Meanwhile, on the labor front, Hrithik will soon be seen in Vikram Veda with Saif Ali Khan. The superstar also has Fighter opposite Deepika Padukone in her kitty.

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