Hazel J. Edmonds

Fashion designer

AOC’s “Tax the Rich” dress designer company has accumulated $ 130,000 in back taxes

The 37-year-old fashion designer behind the controversial “Tax the Rich” by Representative Alexandria Ocasio-Cortez that she wore to the Met Gala has been accused of avoiding paying taxes owed by her business and has debts in several states.

Aurora James said the dress sent a “powerful message,” but her own overdue tax bills seem to show she didn’t take it to heart. The debts of the successful designer are mainly owed to an LLC she formed in 2011 – Cultural Brokerage Agency – to serve as the parent company of her fashion brand, Brother Vellies.

According to New York Post, as Beyonce, Rihanna and Meghan Markle became fan favorites of James’ luxury brand, the company racked up three open arrest warrants in New York state for failing to withhold income tax employees for a total amount of $ 14,798.

The Department of Taxation and Finance told The Post that the unpaid payments dated back to 2018 and 2019, but the LLC has been hit with a total of 15 terms since 2015.

In the two years leading up to the pandemic, the Internal Revenue Service (IRS) also placed six federal liens – the government’s legal claim against your property when you don’t pay a tax debt – on the LLC in the amount of 103,220 $. According to the publication, the liens indicated that the company had not sent employee payroll taxes.

Aurora James (left), 37, said the controversial dress she designed for Rep. Alexandria Ocasio-Cortez (right) to attend the Met Gala sent a ‘powerful message’, but her own bills overdue tax show she didn’t take it to heart

While Beyonce, Rihanna and Meghan Markle have become fan favorites of James' luxury brand Brother Vellies, the company has racked up three open arrest warrants in New York state for failing to withhold taxes on employee salaries totaling $ 14,798.

While Beyonce, Rihanna and Meghan Markle have become fan favorites of James’ luxury brand Brother Vellies, the company has racked up three open arrest warrants in New York state for failing to withhold taxes on employee salaries totaling $ 14,798.

The IRS declined The Post’s request for comment.

However, the Canadian has proven that she has no problem taking taxpayer dollars as her business has received $ 41,666 in pandemic assistance, according to The Post.

Perhaps this is why AOC called James a “working class” designer in an interview with Vogue as they made waves on the Met’s red carpet.

AOC, the 31-year-old socialist fire brand, came under fire for wearing the socialist slogan dress at a $ 35,000-a-ticket event, despite receiving a free ticket to the glitzy gala.

Despite James’ tax worries, the designer was still able to buy a $ 1.6 million Hollywood Hills home in September 2020 – on which The Post reported she currently owed $ 2,504 in property taxes.

The 7,095 square foot property features three bedrooms, two bathrooms, a fireplace in the master bedroom, and a hot tub in the backyard.

The cultural brokerage agency’s problems are said to be deeper, as the company is also accused of not paying the benefits to which its employees are entitled.

In October 2019, the Workers ‘Compensation Board fined the company $ 17,000 for failing to purchase workers’ compensation insurance – which is paid when an employee is injured on the job and has to leave. accordingly – from March 2017 to February 2018.

David Cenedella, a tax lecturer from Baruch College, explained: “Just because they take it off your paycheck doesn’t mean they send it to the government.

“It’s definitely not something you want. I wouldn’t say your average business has this. Something went wrong.

AOC called James a 'working class' designer at the Met Gala, but oddly, James bought a $ 1.6 million Hollywood Hills home in September 2020

AOC called James a ‘working class’ designer at the Met Gala, but oddly, James bought a $ 1.6 million Hollywood Hills home in September 2020

She would still have $ 2,504 in property taxes on the property

She would still have $ 2,504 in property taxes on the property

The 7,095 square foot property features three bedrooms, two bathrooms, a fireplace in the master bedroom, and a hot tub in the backyard.

The 7,095 square foot property features three bedrooms, two bathrooms, a fireplace in the master bedroom, and a hot tub in the backyard.

An ex-employee said James would ask him to do things outside of anyone's job description, like schedule his gynecological appointments, and a former intern called the boss

An ex-employee said James would ask him to do things outside of anyone’s job description, like schedule his gynecological appointments, and a former intern called the boss “pretty cold”

But that didn’t put James, who hasn’t made a single payment out of the $ 62,722 she owes the board, a spokesperson told The Post.

Former employees have compared Brother Veillies to a sweatshop relying heavily on unpaid full-time interns.

A former worker, who was fired, told The Post: “I suffered a lot of harassment while working for her. Aurora would ask me to do things that were not in anyone’s job description, like scheduling gynecological appointments.

“The work environment was so hostile that I was afraid to ask for my check.

An intern who also worked for James called her “pretty cold.”

“She never gives recognition or recognition to her team,” he said.

She also does not pay her rent, according to the records. In August 2020, James’ owner filed papers to evict Brother Vellies from his location at 71 Franklin Street in Brooklyn, New York, and demanded over $ 25,000 plus interest to stay past the end of his lease, reported The Post.

The case was settled, but the details of the settlement were not immediately clear.

Two years earlier, in February 2018, James was sued for over $ 5,000 in unpaid rent at her old New York store address at 209 West 38th Street.

James has yet to comment on the allegations regarding his finances.

She also does not pay her rent, according to the records.  In August 2020, James' owner filed papers to evict Brother Vellies from his Brooklyn location and demanded more than $ 25,000.  Two years earlier, in February 2018, James was sued for over $ 5,000 in unpaid rent at her old Manhattan store address.

She also does not pay her rent, according to the records. In August 2020, James’ owner filed papers to evict Brother Vellies from his Brooklyn location and demanded more than $ 25,000. Two years earlier, in February 2018, James was sued for over $ 5,000 in unpaid rent at her old Manhattan store address.

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French fashion

The Crocs Hidden Valley Ranch now exists. Here’s how to score a pair.

The subset of humans who love both the ranch and the hooves will be excited about this new collaboration between food and fashion. Rapper Saweetie has teamed up with Crocs and Hidden Valley Ranch to create a new creamy clog.

Crocs described the white green-speckled shoes as their “most ranchist ever.”

“Crocs with a ranch side, or a ranch with a Crocs side?” The answer is both, ”the foam clog supplier wrote of the new shoes. “Our love of Hidden Valley Ranch knows no bounds, so we’ve teamed up to create an inexplicably alluring collaboration with Hidden Valley Ranch.”

The condiment-inspired clogs are adorned with charms featuring foods often soaked and sprinkled on a ranch – fries, nuggies, veggies, and of course pizza.

“Much like Hidden Valley Ranch, these clogs can go with anything if you like them enough,” the company wrote.

Have a crush on ranch-inspired shoes? Enter this drawing for the chance to buy a pair. The draw began on September 16 and will end at 11 a.m. on September 20. Winners will be selected at random and notified within 12 hours of the end of the draw.

A d

Copyright 2021 by KPRC Click2Houston – All rights reserved.

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Fashion style

Deborah Hutton on her wardrobe essentials, favorite fashion designers and style inspirations

Each week, we quiz a prominent person about their style and the inspiration behind it. In front, Georgie Gordon chats with TV presenter Deborah Hutton.

Deborah’s favorite scent is Bondi 3 natural oil from The Raconteur.Credit:David Gubert

How would you describe your style?
Sleek and relaxed, with a big nod to casual comfort.

What’s the oldest thing in your wardrobe?
A beautiful Indian scarf was given to me by a friend in the early 80’s.

And the most recent addition?
A duck egg blue Saba coat.

Who is your favorite fashion icon?
I am not attracted to women for what they wear; the qualities most appealing to me are confidence, maturity and self-esteem, women who are good about themselves. Carla Zampatti, for example, has always held up well.

What is your favorite fashion era?
The 80s. I liked it. You couldn’t have enough hair or shoulder pads, or wear enough gold – it was hysterical. I had it all, I thought it was so cool, then the ’90s came along and it looked so stylish. But some come back: the pleated pants, the oversized jacket …


What would you wear …
… On the first date? I would be me: jeans, a T-shirt, a tailored jacket, a low heel. Putting on a little heel is dressy for me these days!
… on a plane? I don’t dress to travel like I used to, I just want comfort – soft pants, a T-shirt, a long cardigan, sneakers. In the bag I have everything: pajamas, earplugs, eye mask, a change of clothes and always a big cashmere scarf to snuggle up.
… On the red carpet? Black. I have a few meetings with Carla Zampattis.

Who is your favorite designer?
I love what Zimmermann does – it’s beautiful, sophisticated and relaxed.

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Fashion brand

Knwls Spring 2022 Ready-to-Wear Collection

Charlotte Knowles and Alexandre Arsenault of the (now mononym) Knwls brand have a knack for an appropriate collector’s title, this season settling on the word ‘adrenaline’. As the thrill of the live London fashion shows returned for the first time after the pandemic, the duo wanted to bring back all the visceral excitement of a high octane runway experience. “We always had these talks during the lockdown where people were asking, do you like the digital program? But for us, it’s like going to a rock concert rather than watching it on YouTube; it’s just not the same, ”says Arsenault. “The experience is so much more amplified when it’s live.

Obviously, they know a thing or two about creating a show. Marking their first time at an independent venue, Knowles and Arsenault opted for the bowels of an underground car park near Oxford Circus, where the models walked through specks of light on a thunderous industrial soundtrack, making it the one of London Fashion Week’s most exciting montages so far. This helped the frame to harmonize perfectly with the collection, which one could imagine being worn by a Mad Max firecracker not afraid to flash a bit (well, a lot) of flesh on a street race through the wet and concrete belly of the city.

Knwls’ signatures – waist-high bustiers, drop-waist pants cut in sheer mesh, elaborate riffs on underwear as outerwear – were all catered for, with a few surprises as well. There was an expansion of their distinctively earthy color palette to hot pink accessories, light blue jeans, and a final look of ghostly, ethereal whites and creams. A clever play of textures was also present, with thicker fabrics treated to appear oil-stained or speckled with acid, capped in ultralight stretch jerseys. The brand’s increasingly ambitious work with leather has been another highlight, from paneled mini dresses to a striking pair of webbed pants, fringed with leather tassels from the waist up. at the ankle.

Part of Knwls’ distinctive aesthetic is their ability to combine various influences in a way that never seems fancy. There was a touch of the Wild West in the raw, ready-made snakeskin cowboy hats and loosely laced suede effect dividers in Leatherface style, or their shiny riff on a bomber jacket, here with shoulders. in cocoon-style leather with elasticated rib panels extending to the armpit. A collaboration with white-hot jeweler Marco Panconesi resulted in gorgeous earrings and bracelets dripping with stones and colorful crystals that managed to feel both effortlessly bohemian and ready for the dance floor at Studio 54. .

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Fashion designer

“At 22, I was already the mother of a one-year-old daughter,” says Neeta Lulla.

Where have you been in terms of your career?

I was already working with Juhi Chawla and Sridevi. I was insanely busy with a lot of actors.

It was a roller coaster ride because I was also married and had two children; my daughter was born when I was 21. Fortunately, I was able to attend both as my workshop was one of my rooms at home. I started with a machine; but at 22 I was three.

Neeta poses in her precious midnight blue saree given by her mother

What was your bank balance?

I invested all the money I made into the clothes I made as a fashion designer. My bank balance has been the amazing response to my job.

With Aishwarya Rai while filming a song for Jeans in Egypt in the 90s
With Aishwarya Rai while filming a song for Jeans in Egypt in the 90s

What about your relationship status?

There was romanticism in my life. The beauty of being married into a supportive family was that my in-laws took such good care of my children.

Crowned Mrs. St. Anne's Secunderabad in farewell to school with teacher Mrs. D'Souza and principal Sister Mary
Crowned Mrs. St. Anne’s Secunderabad in farewell to school with teacher Mrs. D’Souza and principal Sister Mary

Which senior actors would you like to have styled?

Madhubala and Vyjayanthimala because they were the epitome of beauty. The style of Vyjayanthimala in Amrapali always stayed with me.

(At her wedding reception with Dr Shyam Lulla
(At her wedding reception with Dr Shyam Lulla

What was your goal in life then?

Work and family. I did several missions with different actors, so I had to perform several tasks: explaining to tailors, draping outfits, buying fabrics, doing my accounts and being on the sets. And there were no cell phones or pagers. If it was urgent, you would stop your car to make a phone call!

In addition, I had to meet the needs of my children and sometimes help them with their homework. My husband and I were leaving Mumbai with them for the holidays.

In Panchgani on vacation with her sister Pooja Jaising, her cousin Amit Chhabria and her daughter Nishka in the 90s
In Panchgani on vacation with her sister Pooja Jaising, her cousin Amit Chhabria and her daughter Nishka in the 90s

A fashion from the era that you now watch with fun?

Balloon skirts. Everyone wore them but they didn’t agree with my sensitivity.

Give Juhi a Last Minute Touch for a Movie Magazine Photoshoot
Give Juhi a Last Minute Touch for a Movie Magazine Photoshoot

What was your fashion sense?

Very weird. There was a lot of power dressing, a lot of boots. My fashion idols were Cyndi Lauper and Madonna, so the styles I wore were very edgy: a saree with a denim jacket and boots or pants with a dupatta draped like a sari.

With her newborn baby, Siddharth
With her newborn baby, Siddharth

A memorable experience with a star?

My biggest dream in college was to design for Sridevi. When I was 22, I had started working with her and she really taught me a lot. Her reference for colors would be – to give you an example – a fresh green leaf that she had spotted during a shoot. When you saw the result on the screen, that would be absolutely correct. I urgently had to make her a white outfit for a Tandav sequence. I went completely crazy buying all kinds of whites and didn’t realize I had combined four different color gradients. No one other than Sridevi could spot him. She was very upset. I respect Sridevi; she was one of my best gurus.

From Brunch HT, September 19, 2021

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French fashion

Two women based in France to tackle a women’s off-road race in the Sahara desert

Two British and New Zealand women residing in Deux-Sèvres (New Aquitaine) leave today to participate in an all-female all-terrain car rally that will take place in the Sahara Desert in Morocco.

Briton Helen Tait Wright and New Zealander Susan Alemann, both in their 50s, will drive a 4X4 Land Rover for a total distance of 7,100 km from France to Morocco, where they will then take part in the Rallye Aicha des Gazelles.

The teams are leaving from Nice today (September 18).

The actual race will take place over six stages and last nine days, between September 22 and 30. They will travel around 1,500 km of the Sahara Desert, and will only have a compass and a map from the 1950s to complete this race.

The two women, who have lived in France for three years, first met at a wine tasting two years ago.

“I knew straight away that I was going to be his sailor, but it took a while for her to realize it,” Ms Alemann told Ouest France before the race.

Ms Alemann is the first person from New Zealand to participate in the race, which she said was a motivator to participate.

Ms. Tait Wright has competed before, in 2019.

“I’ve done it before, so I know it won’t be easy,” Ms. Tait Wright told The Connexion.

“So yeah, there’s a little bit of excitement. I can’t wait to go back to Morocco and go back to the desert.

“Sue is nervous because she’s never done it before. I kind of know what’s coming up. There are some things that worry me but I’m not really nervous about that, if that makes sense. I know the things that are going to be difficult.

The women donated € 3,000 to a project run by the Bioparc, a zoo in Doué-la-Fontaine (Maine-et-Loire). The project involves efforts to slow the invasion of prickly pears in West Africa, which threatens the habitats of dama gazelles. It is the largest of the gazelles and the most endangered, according to the biopark website.

Queens of the desert

The two women based in France make up just one team out of a total of 190 all-female teams.

This is the 30th edition of the Rallye Aicha des Gazelles, which has been repeatedly delayed in 2020 due to the Covid pandemic.

Ms Tait Wright will drive her own car, which she nicknamed Priscilla, named after the 1994 Australian film “The Adventures of Priscilla, Queen of the Desert”.

Ms Tait Wright is not currently working, but said her “real job” was to work as a UK fashion designer specializing in wedding dresses and special occasion wear.

Ms. Alemann works as a consultant.

You can follow their evolution on their Facebook page here.

An action program is organized around the Rallye des Gazelles, to provide medical assistance to isolated populations.

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Fashion style

Your style: Nicholas Molina | Publish the newsletter

“I moved around a lot because my parents, who are doctors at the Mayo Clinic, had taken the steps in their medical training,” Molina said. “In total, I have lived in eight cities” – Rochester, Cincinnati, North College Hill (Ohio), San Antonio, Iowa City, Milwaukee, St. Paul and Medellín, Colombia. That’s where his parents, younger brother and all of his extended family come from, he said.

After attending high school and high school here, the 2009 Lourdes graduate was gone for almost a decade before returning. He attended the University of Iowa in Iowa City, lived in Medellín, then moved to Milwaukee where he earned a journalism degree from Marquette University.

Today, outside of the GDR, Molina is Vice President of the Alliance of Chicanos, Hispanics and Latin America (ACHLA) and is also involved in events at Threshold Arts at the Castle.

Tell us a bit about your style.

I would say my main style is a straight oiler. On top of that, I oscillate between business casual, artsy and athletic levels. This year we had a lot warmer and nicer weather so I explored short sleeve flower buds.

Nicholas Molina Tuesday September 14, 2021, in Rochester.  Joe Ahlquist / Post Bulletin

Nicholas Molina Tuesday, September 14, 2021, in Rochester. Joe Ahlquist / Post Bulletin


My family in Colombia has a great style, which has influenced the styles I mix and the colors I try. There are also other key figures, friends, who also helped shape it.

The Colombian style, I would say, takes a lot of influence from European styles. Typically you see a lot of designer clothes – polo shirts are common – although personally I don’t wear polo shirts. Most of the time you see colorful, bright shirts – T-shirts and polo shirts – with dark jeans and white sneakers and a leather motorcycle jacket. I only take a little of this style. I would say my style is reminiscent of Latin America as a whole rather than being more attached to a Colombian style.

What do you hope your style communicates?

Without going too far, I would say the ability to combine opposing styles and find a nice mix of them. I see it as my cross-cultural narrative of being a first generation American and growing up between the two cultures.

What are the most important items in your work wardrobe?

Blazers and sports jackets. I think they add another dimension to the style of work. And, too, they can add a level of formality – for certain times when it’s needed.

And outside of work?

It depends on the season. Right now, for the summer, her ripped jeans with floral buttonholes and battered ankle boots. In the fall and winter, I start to go for jackets and pea coats and buttons with long sleeves.

Nicholas Molina Tuesday September 14, 2021, in Rochester.  Joe Ahlquist / Post Bulletin

Nicholas Molina Tuesday September 14, 2021, in Rochester. Joe Ahlquist / Post Bulletin

What should every well-dressed man have in his wardrobe?

Some blazers. A good pair of boots – remember the more battered they are, the cooler they look. And men’s jewelry. I personally collect watches, but recommend something to add to your individual style.

Are you the bow tie or tie type?

Tie, certainly!

Tell us a bit about your favorite shoes.

I’m a real boot lover, especially anything that sounds vintage style. I especially like the lace-up shoes in the combat / old-school military style.

Do you have one or more priceless sentimental items?

I have some parts like old skeleton keys and coins that I turned into necklaces, I wear them a little because I am afraid of losing them.

Nicholas Molina Tuesday September 14, 2021, in Rochester.  Joe Ahlquist / Post Bulletin

Nicholas Molina Tuesday September 14, 2021, in Rochester. Joe Ahlquist / Post Bulletin

Is there something surprising in your wardrobe?

I have bright red chinos that I wore once in Colombia – and unfortunately I don’t think I’ll be wearing them again.

How do you see the Rochester style in downtown and around town?

I think Mayo continues to grow and attract more staff from all over the world and local universities continue to grow, I think we will start to see more and more styles from different parts of the country and the world.

Farewell thoughts or advice for readers?

I would recommend finding a good barber or hairstylist. It’s crazy to me how many people go for a basic haircut just because “that’s how they always have it”. Instead, go ahead and explore a bit – and maybe you just might find something really amazing.

Do you know someone who has a unique style? Send nominations to [email protected] with “Your Style” in the subject line.

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Fashion brand

Garment workers in America’s fashion capital can earn just $ 6 an hour. New law could change that | California

THEos Angeles is considered the center of clothing manufacturing in America, employing more than 40,000 people to make clothes for fashion brands such as Reformation, Forever 21, Charlotte Russe and Wet Seal.

But for decades, these workers have operated under a system that sees them paid by the piece they build, which means they often earn less than $ 6 an hour, according to a study by the ‘University of California, Los Angeles – less than half the California minimum wage.

Now a new law could change that.

California lawmakers recently approved the Garment Worker Protection Act, which would eliminate the piece-rate pay system and ensure workers receive a minimum hourly wage. The bill would also expand who is responsible for stolen wages – meaning that a brand like Charlotte Russe, for example, would share responsibility for paying for wage theft claims filed by workers who make their clothes at factories such as than those in downtown Los Angeles. Right now, these claims are being made against the factories themselves, but can languish for years before being paid, if ever they are.

Marissa Nuncio, director of the Garment Worker Center and co-sponsor of the bill, says the latter part is essential because brands have long been able to protect themselves by blaming the factories that make their clothes. “Thanks to outsourcing, they are really able to protect themselves and escape any form of legal liability for inappropriate wages,” explains the nuncio.

Garment workers and advocates say the current system was designed to induce rapid production while exploiting workers – most of whom are immigrants and women of color.

Workers like Santiago Puac, an immigrant from Guatemala who has worked in the garment industry for 17 years. Pauc works on a single-needle sewing machine, attaching zippers and tags to dresses and other small finishing details. He says it’s a job that takes a lot of skill to learn, as details like that can get complicated.

But the job only earns him 15 cents or less per coin, which means that even on very productive days, he only earns $ 75 a day.

“It would be such a big change in my life,” Puac told The Guardian in Spanish of the proposed law. “Knowing that I could have a secure income, a set number of hours of work and a fair wage. “

The Garment Workers Protection Act has already approved the state legislature and is now awaiting the signature of Governor Gavin Newsom, who has until October to approve it.

The bill, which garment workers helped craft, would add weight to an existing law, passed in 1999, which also aimed to tackle wage theft in the industry by creating a restitution fund for claims for theft of wages to which fashion companies pay. But advocates say fashion brands have spent 20 years circumventing it by hiring subcontractors and claiming they don’t fall under its definition of “clothing manufacturer.”

The law would require brands to share joint responsibility with their subcontractors for unpaid wages, other compensation, interest and penalties. Photograph: Wavebreakmedia Ltd UC103 / Alamy Stock Photo

The new bill seeks to refine this definition by requiring brands to share joint responsibility with their subcontractors for unpaid wages, other compensation, interest and penalties.

The bill’s author, State Senator María Elena Durazo, said it was originally aimed at making brands fully responsible for the lost wages, but was later changed.

“Although personally I think they should be responsible for everything, it recognizes that the immediate employer would face sanctions and brands would face lost wages,” says Durazo.

While the California Chamber of Commerce, a business lobbying organization, called the bill a “job killer,” many fashion brands have come out in favor of the bill, saying the bill this law would not only help workers, but would level the playing field between companies that pay a living wage and those that do not.

In July, a coalition of at least 70 fashion companies wrote an open letter to the Chamber of Commerce saying: century. “

Senator Durazo says these business owners are often women whose brand is built on their image of environmental sustainability and cares about their employees. The nuncio said more bluntly: “They don’t want to compete with the sweatshop users.

The Covid-19 pandemic has also added to the urgency of the problem. Thousands of people continued to work throughout the California lockdowns, many turning to mask making. Poor working conditions have caused many textile workers to contract the virus.

“The pandemic has exposed the inequalities in our economy and rather than turning its back on these workers, now is the time to address them,” said Durazo. “If we want to give real meaning to the word ‘essential workers’ then let’s do so by helping them support their families. “

Puac says the financial boost would help her better support her six children, most of whom still live in Guatemala. “I could be more with my family, eat nutritious food,” he said, adding that fashion brands should be happy that workers have more money in their pockets; they might even spend it on new clothes.

“I think the brand that sells the clothes also benefits, because having a minimum wage would mean we buy more of their products. All of us who will have money because we earn the wages we deserve, we too will have money to spend.

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Art Decoded at ‘Enchante 2021’ Annual Fashion Show by SIDT

Bombay (Maharashtra) [India], September 18 (ANI / PNN): The Sasmira Design and Textile Institute (SIDT) in its continued efforts to promote the pool of design literate human resources in today’s competitive market hosted Enchante 2021 on September 17 in Mumbai.

The central theme of the Fashion Collection 2021 was “Art Decoded”. During this annual festival, students had the opportunity to present their creations and collections. Dr Shivram Garje of the University of Mumbai, Maganlal H Doshi, President, SASMIRA; Mihir Mehta, Vice President, SASMIRA; Dr UK Gangopadhyay, Executive Director, SASMIRA; Dr Kamal Tandon, Director – Education, SASMIRA was the guest of honor.

Special guests were Ammit Dolaawat, Indian actor; Rituraj Mohanty, Bollywood Playback singer and winner of the reality show “India’s Raw Star”; Kunal Pandit, singer, songwriter, music producer and performer. Rituraj and Kunal sang some Bollywood songs to encourage the participating students and filled the atmosphere with joy and happiness.

The prominent members of the jury present at the event were Manali Jagtap (award-winning fashion designer and political artist); Reshma Bombaywalla (Former Indian model, jewelry designer); Asif Merchant (Founder and Managing Director of India’s Leading Fashion Footwear Brand for Women “CATWALK WORLDWIDE”); Lokesh Kerkar (one of the pioneers of the Indian visual artist industry).

There were 18 fashion show sequences which were led by Shie Lobo and his fantastic team to choreograph the sequences with panache and grandeur.

Uma, Shreya, Shailaja won the title “Most Commercially Viable Collection” for presenting an Indo-Western collection representing the face of urban women today; Meenakshi, Shilpa won the title “Best Surface Decoration” for showcasing an urban and avant-garde style collection using the art of origami; Prithi, Darshana, Rutuja won the title ‘The Best Ramp Appeal’, they presented a collection of party clothes using geometric and ornamental designs Klimits and Gaurav, Imran, Riddhi won the title ‘The Best Collection Fashion’ for presenting a super cool streetwear collection inspired by the works of the famous American painter Jackson Pollock and his signature Drip Technique.

Mihir Mehta, Vice President of SASMIRA was of the opinion that “In India, the fashion industry is in its infancy. There are many opportunities when we compare it with other countries. What is essential is the dedication and vision to analyze the opportunity. Our students are very focused and hardworking and our faculties try to train them not only on clothes and fashion, but also on textiles, fabrics, yarns and other important aspects “Krishnendu Datta, Dean SIDT said:” The students and faculties of SIDT have worked extremely hard, despite the difficult times of the pandemic, to put together an excellent fashion collection to showcase their design creativity. Enchante 2021 celebrates the positive attitude – “never say-die” of the Sasmira Design and Textiles Institute. “Due to COVID, entry was limited to a limited audience on the ground, but more than 1,400 people participated online; comprised of board members, industry leaders, partners and parents. was very well organized by Tefla’s, a renowned Mumbai-based event management group. Aseem Singh, Director of Tefla’s, said: “It was a challenge and a moral responsibility for us to manage and run the event. in accordance with government standards imposed due to Covid. We are happy to have been successful and look forward to running other events. We wish the students of SASMIRA all the best and congratulate all winners and participants for their valuable contribution to the success of the trade fair. Mills’ Research Association (SASMIRA) is a cooperative enterprise in the artificial textile industry and is a versatile and multifunctional research institute to meet its scientific and technological needs. logical. It was established on January 12, 1950 and is linked to the Ministry of Textiles, Govt. from India.

Sasmira has established itself as a renowned institute in the field of textiles, including fashion design and clothing merchandising. The Institute’s mission is to promote a pool of human resources literate in design for today’s competitive market.

The Sasimra Design and Textile Institute (SIDT) is a sister company of Sasmira; SIDT is dedicated to the Design and Textile vertical.

This story is provided by PNN. ANI will not be responsible for the content of this article in any way. (ANI / PNN)

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French fashion

Brooke Museum Continues WWII Education | News, Sports, Jobs

TITLES OF STORY – Jim Brockman, executive director of the American Defenders of Bataan and Corregidor Museum, Education and Research Center, and Chloe Cross, intern at the Franciscan University of Steubenville, examine some of the many newspapers and magazines in the Second World War I era donated by the family of the late Matt Camilletti. They are among the many artifacts that help the museum tell the story of the many veterans and others who lived during World War II. – Warren Scott

WELLSBURG – Located in the Brooke County Public Library, the American Defenders of Bataan and Corregidor Museum, Education and Research Center was established to remember the many American servicemen who fought the Japanese invaders of the Philippine Islands during the Second World War.

As part of the library building, the museum was closed for some time due to the pandemic, but it has reopened and welcomes visitors and contributions of items that can help it tell the story not only of these veterans, but other aspects of the war, said Jim Brockman, its executive director.

The museum began in 2002 as a large exhibit created by the late Ed Jackfert and his wife, Henrietta, to educate people about the atrocities suffered by tens of thousands of Allied soldiers held in Japanese POW camps. .

Among them were approximately 72,000 US servicemen and Filipino scouts who took part in Bataan’s infamous death march.

Captured following a three-month battle with the Japanese, troops were forced to march 65 miles in the grueling heat to a train station to be transported in suffocating wagons to POW camps.

But before that, more than 10,000 died of illness, starvation or dehydration or were killed when they tried to get water or fell behind.

Although he did not participate in the death march, Jackfert, an Army Air Corps infantryman, was imprisoned in such a camp and said he was transported to a “Hell ship”.

He said the ships earned the name not only for their inhuman conditions, but also because they were not marked, as prescribed by the Geneva Convention, to deter fire from Allied forces.

Jackfert said the poor conditions experienced by prisoners of war were exacerbated by the fact that they were forced to work for Japanese companies which contributed to that nation’s war effort and benefited financially from their work. slave.

As the leader of the US defenders of Bataan and Corregidor, a national group of surviving prisoners of war, Jackfert campaigned for the Japanese government to issue an apology in 2009.

It was followed in 2015 by another from Mitsubishi Materials Corp., which also donated $ 50,000 to the museum.

Two years later, the Hubbard and Meriwether families collectively donated $ 500,000 for a museum and library expansion that allowed the museum to display several of the hundreds of artifacts that were donated by others. ADBC members and many other veterans and their descendants.

In recent years, the museum has expanded its collection to include other items reflecting the service and experiences of others during the war.

Brockman said his most recent addition is an extensive collection of newspapers and magazines published during the war and in the years leading up to it.

The periodicals were owned by Matt Camilletti, longtime owner of City Plumbing, Heating and Supply and an active member of the community, who died on March 7. They were donated by Margaret White on behalf of her family.

They relate the main developments of the war.

An October 17, 1941 issue of the Herald-Star reports that the torpedoing of the USS Kearney, an American destroyer responding to an attack by German forces on British and Canadian ships near Iceland, led Congress to demand the armament of Merchant ships.

The same issue reported on the efforts of Communist troops to repel a Nazi invasion of the Soviet Union.

The problem predates the United States’ entry into the war following the Japanese attacks on Pearl Harbor on December 7, 1941.

A December 22, 1941 issue of Life magazine rescued by Camilletti includes an article on “Defenders of the Philippines”, photos of soldiers killed at Pearl Harbor; and stories designed to prepare readers for war.

A special edition of the Herald-Star in Camilletti’s collection bears the title, “Continent invaded. Allied forces land in France.

Dated June 6, 1944, it announced the landing of thousands of soldiers in Normandy, the first step in the liberation of France occupied by the Nazis, during what many call D-Day.

Camilletti’s collection includes April 13, 1945 issues of the Wheeling Intelligencer and the Pittsburgh Post-Gazette reporting the death of President Franklin D. Roosevelt.

“There was a huge funeral when FDR passed away. They spared neither time nor expenses ”, Brockman noted.

The April 4, 1945 issue of the Wheeling Intelligencer reported on the surrender of Germany in what seemed to many to be the end of the war.

But the battle against Japan will continue for several months until the Wellsburg Daily Herald can proclaim on August 15, 1945, “The world is at peace. Japan surrenders. The big guns are still here after 12 long years.

One story below is titled by “Town and county celebrate end of war with parades.”

“Each of these (problems) is important because it tells an important story in history”, said Brockman.

He and Chloe Cross, an intern at Franciscan University of Steubenville, noted that other stories and magazine advertisements tell a lot about life in America at the time.

For example, a survey of the 1930s Cosmopolitan issues reveals not only that women’s fashion has changed a lot, but also that the magazine was less about fashion and more of a showcase for fiction at the time.

In addition to Cross, Brockman is helped by two other interns: Brody Hynes, also from Franciscan, and Jonathan Wynn from West Liberty University.

“We have excellent students and others want to come here” said Brockman.

He explained that the students will help him create a digital record of the periodicals and place them in protective sleeves.

He noted that while many of them are in surprisingly good condition, having been stored with very little protection, their thin, yellowed pages nonetheless have brittle edges and would not stand up to frequent handling.

Brockman has said so often that such things are found in the attics and basements of their original owners by descendants who do not know what to do with them.

Among the items that bolster the museum’s efforts to educate about history, he said, “We’re very happy to have this stuff. We don’t want it to rot. “

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