August 2022

Fashion designer

Batman has a new god Mister Miracle Moonlighting as clothing designer

The following article contains spoilers for “Blood in & Blood Out” in Batman: Urban Legends #18, on sale now.

In his civilian identity of Bruce Wayne, Batman is known for being flashy and charismatic. Yet very little has been said about what goes into the creation of the billionaire playboy character. During “Blood in & Blood Out” by Batman: Urban Legends #18 (by Henry Barajas, Serg Acuna, Dave McCaig, and Hassan Otsmoane-Elhaou), readers got to learn who designed the various Bruce Wayne costumes, and the answer is quite shocking.

Asked by the paparazzi who he wore, referring to who designed his costume, Bruce replied “Scott Free. I think”. As many fans will notice, Scott Free is the civil name of Mister Miracle, a new god and the son of Highfather. Learning that a higher being like Scott Free designs men’s formal wear in his spare time is surprising to say the least, but at the same time, it opens some much-needed doors for Scott in his personal life.

RELATED: Gotham’s Bonnie & Clyde Are a Perfectly Subversive Addition to Batman’s Rogues

As Mister Miracle, Scott can escape anything, it’s his main power. However, he still needs a normal life away from the violence of his own. Very few stories have actually looked at what Scott would do for a living outside of being a hero, because realistically putting on a colorful costume and punching aliens doesn’t pay much. A career in costume design might seem like it came out of nowhere, but it might just seem perfectly logical.

Scott has spent most of his life running from place to place, breaking the prison he’s been put in this time around. It goes without saying that he would like to do something for once. The act of creation, even of making oneself, can even be therapeutic for one who has endured so much suffering during his life. Plus, having one of the most distinctive costumes in the entire DC Universe, Scott has perhaps been pondering what can be called fashion for quite some time. Maybe he thought that if he could pull off his shiny suit, making a simple black and white tuxedo would be simple. Or maybe he just wanted to make a costume that didn’t stand out too much.

RELATED: Batman Struggles To Keep His Robins Straight

Then there’s the question of how long he’s been doing this. Designing for someone as high-profile as Bruce Wayne is no mean feat. This means that Scott has connections and is talented enough to be confidently carried into a televised public gathering. Bruce’s uncertain answer to who he was wearing could imply it’s a recent development in his life, but it could also just be him playing the role. Scott could have been its only designer for years.

Making formal wear doesn’t have to be what he’s limited to either. Scott has a habit of bringing New God technology back with him. If he really wanted to, he could open a business making custom costumes for the heroic community. Not just civilian clothes, but also costumes. He could redesign the suits in new and exciting ways and even implement New God technology for defensive purposes, while charging a reasonable cost. It would definitely be an interesting way to further flesh out his character, as well as provide him with personal stability and community.

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French fashion

How Napoleon’s death in exile became a controversial mystery

When I noticed that August 15 was Napoleon’s 253rd birthday, I remembered a dinner I had several years ago with an elderly surgeon. He had amassed a remarkable collection of historical medical artifacts, and after we had our entries, he confessed that his most treasured memory was a piece cut from the body of Napoleon Bonaparte – good manners prevent me from specifying who Part of the body. Suffice to say that I was sick enough not to want dessert.

The surgeon whispered his intention to analyze the anatomical specimen in an attempt to understand the cause of Napoleon’s death in 1821, which has long been one of the most controversial mysteries in French historical circles.

I thought my Napoleonic encounters were over until I found myself in Paris recently. In my spare time, I made a visit to Napoleon’s Tomb, the Dôme des Invalides and the shadow of the Eiffel Tower. Looking at the polished red quartzite sarcophagus containing the remains of the old man, the question began to plague me: what did he die of, after so many years in exile?

Napoleon was only 51 when he died on the island of Saint Helena, where he was out of power and exiled from his beloved France. On May 5, 1821, he had been increasingly ill for several months, suffering from recurrent abdominal pain, progressive weakness, and persistent constipation. Her final weeks were marked by vomiting, incessant hiccups, and blood clots, or thrombophlebitis, in various parts of her body.

The doctors who carried out Napoleon’s autopsy on May 6, 1821 concluded that his death was due to stomach cancer, exacerbated by bleeding from gastric ulcers, after a huge dose of calomel – a compound containing mercury that was used as a medicine – was administered to him the day before his death. Since then, armchair pathologists have wondered if this is indeed the case. Many physicians have come up with a multitude of diagnoses that have literally filled books and journals over the past century.

Napoleon I, Emperor of France, in exile. Image via Ann Ronan Pictures/Print Collector/Getty Images

More infamously, in 1961, a Swedish dentist named Sten Forshufvud, working with Drs. Hamilton Smith of Glasgow and Anders Wassen of Sweden, made international headlines with an article they published in Nature magazine. Applying the latest technology to analyze a lock of the emperor’s hair, “probably taken immediately after his death”, they announced that Napoleon may have died of arsenic poisoning.

Forshufvud and colleagues initially reported that it was impossible to tell from sample results alone “whether the arsenic was evenly distributed (as expected in continuous exposure) or localized to one point (as it would be). in one large exhibition)”. A second article from the same team analyzed a different hair sample supposedly taken from Napoleon’s head. Again they found high levels of arsenic and suggested that he had been intermittently exposed to the poison for, possibly, four months prior to his death and that the arsenic “could not have been added by afterwards, by spraying, dusting or dipping, as suggested by some reviewers.” Subsequent hair samples showed similar results, although the provenance of all of these samples isn’t exactly definitive and could easily be from other heads.

Decades later, chemists J. Thomas Hindmarch and John Savory wrote a rebuttal of claims of arsenic poisoning. It is important to note, they reminded their readers, that in the bad old days of medicine – when bleeding and cupping were still major treatment modalities – arsenic was a common, albeit ill-advised, drug. often packaged as a known tonic. as Fowler’s solution. It was also widely used in rodenticides, insecticides, clothing dyes, and “even candy wrappers.” Additionally, French aristocrats, including Napoleon, wore arsenic-based face and hair powder. There may also have been arsenic in the water supply, the wallpaper covering Napoleon’s bedroom, in the coal smoke heating his rooms, and post-mortem exposure due to the arsenic content of the ground covering his coffin, while he was still buried in Saint Helena. before being brought back to Paris. And to make matters more confusing, there was also the 19th century practice of preserving strands of hair in arsenical solutions and hair powders.

Nonetheless, journalists and history buffs have embraced various conspiracy theories involving arsenic poisoning. Some claim that the alleged murderer (perhaps by accident) was Charles Tristan, Marquis de Montholon, who was Napoleon’s favored companion when they were both on the island of Saint Helena. A motive was even worked out in that Napoleon left Montholon 2 million francs in his will.

It’s a big story, but probably just that – a story – and at the expense of the historical reputation of the Marquess. Alas, as Napoleon supposedly once said, the story is a fable that people have agreed upon. (This line, by the way, has been attributed in different forms to a number of prominent French figures.) Given the ubiquity of arsenic at this time, Napoleon’s family medical history of carcinomas stomach cancer and the advanced state of his stomach cancer and hemorrhagic stress. ulcers, exacerbated by all the prescriptions of his doctors, the first autopsy results still seem the most probable.

Napoleon was the author of several revolutionary achievements and a godlike reputation in power, but history also recognizes that he was a tyrannical despot and a warmonger. In the end, debating the cause of his death may be the ultimate fool’s errand. His giant and impressive tomb reminds us too well that it is high time to leave the man alone.

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Fashion brand

Meet the founder of cult jewelry brand Missoma, Marisa Hordern

It is this genuine desire to create something different for the market that has seen Missoma act as a pioneer in the category. It was one of the first brands to embrace influencer collaborations, bringing tastemaker Lucy Williams into the fold eight years ago. Williams’ editions of simple but remarkable coins have been the core of Missoma’s business (and I say this as someone who has purchased countless gold crescents and Roman coin necklaces for the anniversary of ‘friends and big occasions), with people always eager to buy it first collection today.

Longevity and authenticity are obviously a big part of success. “Who has that kind of relationship with a brand?” Hordern asks. “We were together talking about new designs and we’re both still as excited as we were when we first met around my kitchen table with sand and seashells and ideas of what we wanted to create.”

Now, this focal point of the jewelry industry is booming, with many other brands offering a version of the Missoma aesthetic. Thin necklaces layered with mismatched pendants, a series of chubby hoops climbing up to the ear, stacks of vintage-inspired bracelets and rings. However, it is Hordern’s vision for the future and the people she chooses to work with that are driving the brand forward. Collaborators like Harris Reed, who worked with Missoma just at the tipping point of her stratospheric rise to fashion stardom, on a stellar collection of pieces that looked incredibly like Missoma, but were also unmistakably Harris Reed.

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Fashion style

Fashion: Stripes Take Over: How to Style the Season’s Biggest Print Trend

By Katie Wright, PA Fashion and Beauty Editor

August 15, 2022 03:00

DESIGNERS went wild for stripes on the Spring/Summer 2022 catwalks, with everything from monochrome to multi-coloured – in understated striped shirts and bold, disco-tastic dresses.

With summer in full swing, it’s the perfect time to try out the trend, whether you’re looking for vacation wear, weekend outfits or the perfect party dress.

Here’s how to incorporate stripes into your summer wardrobe…


As seen at Wales Bonner and JW Anderson, navy blue and white nautical stripes never go out of style.

This season, the classic Breton long-sleeved top gives way to cute, summery tank tops, tees and co-ords. Pair with white jeans and espadrilles for a chic seaside look.

Tu Nautical Stripe Drop Shoulder Coord T-Shirt, £6.40 (was £16); Nautical Stripe Coord Shorts, £5.60 (was £14), Sainsbury’s

M&Co Striped Woven Sleeveless T-Shirt, £26

Oliver Bonas Mono Striped Ivory Knit Top, £39.50


The seaside inspiration continues with vertical deckchair-style stripes. Flowing dresses caused a stir at Schiaparelli and Tory Burch, while striped separates were layered at Jil Sander and Kenneth Ize.

Embrace the contrasting runway look by pairing contrasting tops and bottoms, or keep it simple with a striped midi dress and tonal accessories.

Lyle and Scott women’s striped cardigan, ecru, £36 (was £90)

Crew Clothing Red and Pink Striped Sundress, £69


Albaray linen striped dress, £75 (was £130)

Always a stylish combination, black and white stripes were seen on everything from sassy mini dresses (Balmain and Courrèges) to sweeping dresses (Erdem and Tory Burch).

Take your pick from bodycon dresses (for work or play) to casual linen day dresses.

Lascana Long Sleeve Striped Cardigan, £38; Lascana striped t-shirt dress, £38, Freemans

Karen Millen Compact Stripe Pencil Midi Dress, £117 (was £195)


Going the retro route for Spring/Summer 22, Fendi models Brandon Maxwell and Jil Sander walked the runway in bright, dramatic dresses.

The coolest way to wear formal wear this summer, a striped maxi dress in bright or pastel hues is perfect for weddings and garden parties.

Play up the 70s disco vibe with metallic platform heels and a pair of hoop earrings.

Chi Chi London Striped One Shoulder Long Sleeve Midi Dress in Pink, £40 (was £65)

White Roman Stripe Ruffle Maxi Dress, £40 (was £48)

Love Mark Heyes Stripe Ruffle Midi Dress, £49; Kaleidoscope Rose Gold Tone Metallic Wedge Sandals, £45, Freemans

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Fashion designer

Anne Roose obituary | Fashion

My mother, Anne Roose, who died aged 90, was a fashion designer who helped reinvent Welsh wool with her elegant contemporary designs inspired by Celtic tradition.

She was instrumental in saving the rare breed of Jacob sheep, working with Araminta, Lady Aldington and the Holywell Textile Mill in North Wales to turn the distinctive but rough fleece into beautiful fabric in natural tones , which resulted in her famous Anna Roose Jacob collection (she used Anna as her professional first name).

Anne was born in Blackheath, south London, to Muriel (née Richards) and Ralph Paton, who worked for the Mazawattee Tea Company. Her younger sister was Jane Paton, the prolific children’s book illustrator of the 1960s and 1970s. Shrewsbury area.

While at school, Anne and her sister learned that their father had gone missing, they were thought to be dead, and their mother eventually remarried. However, in the mid-1950s, when Anne was the subject of a newspaper article about her work, she received a phone call. She knew immediately that it was her father. Once reunited, they had a warm relationship. But it was never explained to Anne what had happened.

Anne Roose, far left, showing a cape from the Anna Roose Jacob collection to a group including Araminta, Lady Aldington in the early 1970s

Anne attended Shrewsbury High School, then transferred to Croydon High School once the war was over. She showed a great aptitude for art and, in 1946, after obtaining her school certificate, she was sent to France to continue her studies, staying with families in Paris via a student exchange. The first family were active Communists, which came as less of a shock to Anne than to her own family – then based in Purley, Surrey – when it was their turn to reciprocate.

Sketch by Anne Roose of a design from a 1950s Parisian haute couture catwalk
Sketch by Anne Roose of a design from a 1950s Parisian haute couture catwalk

As a student in Paris, Anne got her first taste of the haute couture world and even met Coco Chanel. Back in England, she enrolled at St Martin’s School of Art. After graduating, she got a job as a designer for a London fashion company, which sent her to haute couture shows in Paris. Every evening, she returned to her room to sketch the drawings from memory to post in London.

In 1954 Anne married Richard Roose, who worked in human resources. She soon combined running an increasingly successful business with raising three children in a sprawling arts and crafts house in Oxted, Surrey. The door was never locked, with family and friends of the children – and, later, grandchildren – always welcome at Sunday lunches around a large Welsh farmhouse dining table. Later Anne and Richard moved to Rye in East Sussex to be close to me.

Even in retirement, Anne remains busy making clothes – often in wool – for her grandchildren, to whom she is deeply devoted. Jacob’s sheep are now a familiar sight in the British countryside.

Richard passed away in 2009. Anne is survived by her children, Anthony, Simon and I, seven grandchildren and five great-grandchildren.

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French fashion

It’s not that people are more sensitive these days. Some things aren’t funny anymore | Marthe Gill

JThe idea that young people are exceptionally pampered and go to great lengths to protect themselves from the realities of life – to the detriment of the rest of us – has long been ingrained in the minds of the nation, where in some cases , it seems to have hardened into an immovable plate.

I was hit by a meeting with former Python Terry Gilliam. After years of irreverent truth (recent views: #MeToo was a witch hunt, Harvey Weinstein’s victims were “adults who have made choiceshe was a black lesbian himself), Gilliam had suddenly encountered a new, censored generation, the first of its kind, who were simply too soft and closed-minded to accept him. They couldn’t handle his truth.

“In universities, when a lecturer comes in, the ideas are so disturbing that the students have to go to a safe room, where they can hold hands and recover from those ideas,” he said.

You will have heard it already: Gilliam is following in the footsteps of John Cleese and many other actors and writers (last week, it was the turn of the novelist Anthony Horowitz lament the problem in an interview). A Telegraph the editorial complains about a trigger warning on a French class as proof that students are overprotected. It is worth challenging because several mistakes are made at once.

First: the inherent contradiction. Can a generation be both fatally unprepared for the real world and so powerful that they can shape that world entirely in their own image? Isn’t it actually people like Gilliam who are ill-prepared for the realities of today’s world?

There is also a misunderstanding about how young people are pampered. Growing up on the internet and in a country where the groups of politicians who win elections hold very different views from the typical “student liberal,” young people have perhaps never been so exposed to alternative thinking. Debates of the kind Gilliam may have first encountered in college raged around them all their lives. They’re also much more accustomed to what you might call “shattering content” than any college course. Extreme porn, racist rants, sexist trolling – all of this will be deeply familiar to those currently in college. No wonder the concept of “draw the line somewhere” appeals more to this generation than previous ones.

It is of course deeply alarming that books have been removed from reading lists because they might be offensive, two cases of which were found in a Time survey last week. But trigger warnings are not censorship; in fact, they can help broaden the audience for certain texts. Those who have had an unpleasant personal experience – rape, racism, homophobia – will always have struggled to handle debates on these topics with the kind of unbiased intellectual rigor that university courses demand. It is a good thing that lecturers and tutors are now aware of this obstacle. This should help learning, not hinder it.

We should also note that our time is not only censored. There was never a time in history when comedians like Gilliam could just say whatever they wanted. Society has always had its taboos and they have always been respected. Even when Gilliam was at the height of his powers, he would have been kicked out for blacking out, for example, or for denying the Holocaust. (“You can’t say anything these days”, you can imagine a disgruntled artist saying like The Black and White Minstrel Show was launched off the BBC, just four years after the last series of Monthy Python’s flying circus.) Gilliam longs for a time that never was.

Admittedly, certain types of taboos seem to accumulate in the West. In progressive societies, ridiculing certain oppressed groups tends to become increasingly taboo as these groups gain status, civil rights and respect. Racism, homophobia, sexism and ableism have all gone out of fashion. (These kinds of changes have always tended to be led by young liberal groups. Gilliam should note that students have always been more censored than others when it comes to offending minorities.)

But other kinds of taboos are loosening, those once imposed by dominant groups and societal orthodoxies (and those that proliferate under repressive regimes). Jokes about Christianity, the monarchy and sex, including women joking about their body parts and bodily functions, have become less and less taboo. Like swearing.

Frank Skinner recently recalled a concert in the 80s where the host apologized to the crowd after Skinner played some risque material about sex, before launching into a series of racist jokes that brought down the home. This type of change has also always tended to be driven by young people. It is possible that the number of taboos in circulation at any time is in fact neutral, even if their topics change. Gilliam and his colleagues should consider that the sensation they feel is not canceled but simply old-fashioned.

Should taboos exist? It is clear that they are extremely harmful to freedom of expression and contribute to hindering debates on which society has not yet made a decision. Progressive societies should resist them as much as possible. But there is still a place for them. There are times in history when certain issues and topics become taboo not because something interesting is hidden there or because people are afraid of it, but because a debate is downright closed. One side won.

Is racism good? Did the Holocaust take place? Was Weinstein a monster? Should black lesbians be ridiculed by Gilliam? In Britain, these debates kicked the bucket. They got rid of their mortal shell and joined the invisible choir. These are old debates. Tediously reviving them is actually detrimental to free speech (and offensive) because it suggests that public debate can never progress. All questions are open, forever.

Martha Gill is a political journalist and former lobby correspondent

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Fashion brand

The ultra-rich continue to buy luxury despite inflation and fears of recession

Prices for food, gas and travel have soared over the past year, but the wealthy seem to be shying away and still fueling sales at luxury companies, where sneakers can cost $1,200 and sports cars easily exceed $300,000.

Companies that cater to the ultra-rich, including Ferrari and parent companies of Dior, Louis Vuitton and Versace, are seeing strong sales or raising their profit forecasts. The upbeat results come even as recession fears weigh on the economy, with Walmart, Best Buy, Gap and others slashing their financial outlook, citing a pullback in spending by low-income consumers squeezed by inflation.

The unwavering strength of the luxury category is consistent with past economic downturns, experts say, with the wealthy often the last to feel the effects due to the cushion their extreme wealth provides. Among the jet set, ongoing spending also indicates how expensive purchases often serve as status symbols.

“Having symbols of power within your tribe is a powerful thing,” said Milton Pedraza, founder and CEO of Luxury Institute, a market research and business management firm. “These symbols of power still matter a lot among the tribes of the ultra-rich.”

Louis Vuitton, for example, offers a pair of sneakers for $1,230, as well as a bag for $2,370. The parent company of haute couture brand LVMH, which also owns Christian Dior, Fendi and Givenchy, posted organic revenue growth of 21% to 36.7 billion euros ($37.8 billion) in the first half of 2022 compared to a year ago.

At Versace, where the price of a pair of shoes or a collared shirt can easily exceed $1,000, quarterly revenue rose nearly 30% to $275 million from a year ago. , after removing the effect of currency movements. Its parent company Capri Holdings, which also owns Michael Kors and Jimmy Choo, said its overall revenue rose 15% to $1.36 billion in the period.

Despite the wider economic uncertainties, Capri CEO John Idol said the company remained confident in its long-term goals due to “the proven resilience of the luxury industry”.

“None of us know what’s going to happen in the second half of the year with the consumer, but it looks like the luxury industry is pretty robust and healthy,” Capri said during an interview. an earnings call this week.

Earlier this month, Italian supercar maker Ferrari also raised its full-year guidance after revenue hit a record 1.29 billion euros ($1.33 billion) in the second quarter. The automaker’s 75-year-old 2022 Ferrari 296 GTB, which has plug-in hybrid capabilities, starts at $322,000, according to Car and Driver, while its 2022 Ferrari 812 GTS starts at around $600,000. Even used Ferraris sell for hundreds of thousands of dollars.

Outside of the luxury world, some companies are also noting the strength of more expensive options. Delta Air Lines, for example, cited stronger revenue recovery for offerings such as business class and premium economy class, compared to its other coach tickets.

While the luxury industry has always had a degree of resilience, the growing wealth disparity fueled by the pandemic is adding to the sector’s current strength, said Amrita Banta, managing director of Agility Research & Strategy, which specializes in affluent consumers.

“The disposable income of the most affluent and wealthy (affluent) consumers increased as they spent less on travel,” she said.

Additionally, she said there has been a cultural shift since the 2008 recession and today’s affluent consumers are less guilty of spending in downturns and “feel empowered to spend their wealth.” She said that’s partly a reflection of people in developing countries, where wealth is growing.

Luxury companies could notice a slowdown in spending among the 80% of their customers who are “nearly affluent”, said Pedraza of the Luxury Institute. But he said those consumers typically account for around 30% of sales.

Instead, he said luxury brands often rely on just 20% of their customer base – the ultra-rich and the super-rich – for the majority of their sales. And because that framework is much more resilient to inflation and recession, luxury companies tend to experience a downturn last, he said.

“The type of customers and amount of sales they represent at real luxury brands makes them super resilient,” he said. “Not immune, but super tough.”

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Fashion style

5000+ timeless fashion trends from Mohammed Cap Mart Hyderabad

`Dushman, Maine Pyar Kiya: Hyderabads 5000+ Timeless Fashion Trends Mohammed Cap Mart

Hyderabad: Caps never go out of style. The same goes for the Mohammed Cap Mart (MCM). Whatever the occasion, here you get the cap that matches your personality. Whether it is the traditional baseball cap, beanies, visors, bucket cap, safari cap, Rampuri cap, Jinnah cap, Afghan cap, Omani cap, the Sudanese cap, the Shergola cap, the embroidered cap, the designer Rumi topi, the graduation cap, the police cap or the cowboy. Hats. You name it, MCM has it. With 5000 varieties of corks to choose from, you really are spoiled for choice here.

In its 120th year, the MCM still remains the top choice for people looking for a new headgear. Recently, during a wedding in a certain Sexena family in the old town, a problem arose because the old “Gundi cap” turned out to have worn out. There is a tradition in this family that the bride and groom don the Gundi cap on D-Day. The family immediately got in touch with Ilyas Bukhari, the owner of MCM. And in no time the bonnet was fixed and the groom was riding happily through the baraat with his head held high.

This run-down Patharghatti market in the heart of the old town is a one-stop-shop for all headwear needs. Whether it’s a religious program you want to attend, a traditional wedding, a sporting event, or just want to impersonate your favorite hero, MCM is the right place. Some people have a fetish for hats and go on a collecting spree. Dev Anand’s Jewel Thief cap was all the rage in the 60s, as was the Nepali cap worn by Rajesh Khanna in the movie Dushman. Bukhari remembers selling thousands of these caps.

Even now youngsters come here in search of Salman Khan’s Maine Pyar Kiya cap and caps of other Bollywood celebrities like Ranbir Kapoor, Hrithik Roshan, Amitabh Bachan. There is also demand for our very own Hyderabadi star – the Gullu Dada cap.

You want to equip yourself with the right headgear, there is no better place than the MCM. There are caps and caps of all shapes and sizes here. From a crocheted cap costing only Rs. 60 to a leather cap worth Rs. 75,000 – the price range and variety is really wide. If you want custom made hats with a printed company logo, MCM is for that too.

Hats off to Ilyas Bukhari, the MCM keeps pace with the latest headwear trends. When the elections come around, the MCM becomes a hive of activity. Not just caps, it provides T-shirts, flags, kanduvas and banners for all major political parties. On the streets, candidates from rival parties may be at each other’s throats, but they all come to the MCM for their election needs. Bukhari never lets them down. It engages additional hands for the manufacture of electoral material.

It was in 1902 that Peer Mohammed founded the cap shop. It was the time when everyone wore one cap or the other – no matter what religion they belonged to. No one left their house bareheaded those days. The 6th Nizam, Mir Mehboob Ali Khan and his son, the last Nizam, Mir Osman Ali Khan, wore red Rumi Topi – also called “fez” and a Turkish cap. They were a bit short so opted for 6 inch tall Rumi Topi so that when interacting with foreign dignitaries they could look them straight in the eye. The Salar Jungs sported elegant sherwanis and dastars (headgear).

Sign of aristocracy and tehzeeb Hyderabadi, the Rumi Topi has lost none of its charm. On the contrary, he made his comeback. Late youngsters can be seen making a style statement with it. There is a story of how Rumi Topi connotes different things depending on how one wears it. If you keep his phunna (glans) at the back, it means you are a serious and worthy man. If the cap is worn at a slender angle, it indicates the wearer is a single, fun-seeking man, Bukhari says.

The MCM was originally located at Machili Kaman near Charminar before moving to its current premises near the Taj Building in 1939. And today it has grown into an iconic store spread over 35,000 square feet. The four-story department store offers different products on each floor. Bukhari still has his thinking hat on. Although caps are his USP, he didn’t stop there.

Over the years, he has diversified his business by offering a full range of goods and services under one roof. From caps to prayer rugs, school bags, jackets, rugs, home furnishings, ethnic wear, rainwear and Haj ‘ihram’ – there is a mind-boggling variety of products which can be found here.

Initially, along with Ilyas Bukhari, his other three brothers – Ayub Bukhari, Yunus Bukhari and Yousuf Bukhari were all in the same profession. But their father, Mohammad Yakub Bukhari, handed the MCM to Ilyas Bukhari as he believed he would take it to greater heights.

The latter lived up to expectations and added many new products to the cap shop. In 2015, he opened an exclusive ethnic clothing for the modern man under the brand – Jahanpanah. Today it has 29 branches in the Twin Cities and other parts of Telangana. Jahanpanah also has its footprints in Bangalore, Pune, Chennai, Vishakapatnam and Vijayawada. Another showroom is in sight at Behrampur in Orissa. His two sons, Ishaq Bukhari and Ibrahim Bukhari run the Jahanpanah clothing line.

Bukhari wears many hats. For the past two decades, he has specialized in selling velor prayer rugs. Come Ramzan, a month-long exhibition with sale of imported prayer rugs is unveiled. One can get the best prayer rugs from Saudi Arabia, Turkey, Iran, Iraq and Belgium at prices that are not heavy on the pocket. “One can offer ‘namaz’ on the same type of carpets as those laid in the great mosques of Mecca and Medina,” Bukhari says.

Starting from a minimum of Rs. 40 square feet to Rs. 200, ‘musallas’ are available in different price ranges. Not just Ramzan, in other seasons devotees also head to MCM to get prayer rugs for their homes and local mosques. A good number of NRIs also donate it to mosques on behalf of their deceased relatives. There is no limit to his creativity and passion. In recent times, Bukhari has made MCM a hub for the sale of Ihram, the unstitched two-piece cloth for Haj and Umrah pilgrims. Not only that, it also provides necessary items for pilgrims undertaking the Badrinath yatra.

Twenty five different items like bag, gloves, socks, jacket, caps come in a kit costing Rs. 4500. That is not all. You can also buy colorful abayas, quality rainwear and winter jackets here. Starting from as little as Rs. 750 to Rs. 3500, they are available in various styles and designs. To mark the 75th anniversary of India’s independence, the MCM has decided to offer a 10% discount on a wide range of its products.

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Fashion designer

Video interview with Alex Bovaird (Costumer of the Lotus Blanc)

“It’s a really fun time for contemporary costume design,” says first-time Emmy-nominated costume designer Alex Bovaird (“The White Lotus”) on the state of contemporary costume design. For our recent online chat, she adds: “I’ve noticed that people take a lot more risks. People maybe want to be a little more upbeat, a little more colorful,” she says. “There’s just a lot of variety compared to 10 years ago. I remember walking through Barneys New York and everything was dark. Absolutely everything. I think it’s quite different now. It’s a fun time for fashion and I’ve noticed people are making all kinds of interesting choices. Watch our exclusive video interview above.

SEE over 200 interviews with 2022 Emmy nominees

“The White Lotus” was created by Mike White, who wrote and directed all six episodes of the anthology drama. The series follows a week in the life of the employees of the fictional White Lotus resort on Maui and the guests who look forward to a week of rest and relaxation among the swaying palm trees, cocktails and idyllic sunsets of this getaway on a tropical island. However, things aren’t quite what they seem at first, as we learn more about the dysfunctional vacationers and the resort’s beleaguered staff, all of whom come to a head in the series finale. dynamite series as the identity of the mysterious corpse that features in the series’ opening scene is finally revealed.

The streak of 20 Emmy nominations includes eight of the actors, with Murray Bartlett, Jacques Lacy and Steve Zahn competing in the race for Best Limited Series/Movie Supporting Actor, while legendary comedian Jennifer Coolidge, Connie Breton, Alexandra Daddario, Natasha Rothwell and Sydney Sweeney occupy all but two spots in the corresponding women’s roster, marking the first time that five women have been nominated in a single series in a category. Seven of the nominated actors are also debutants, with only Britton being a past nominee (for “Friday Night Lights,” “American Horror Story” and “Nashville”). White is also an Emmy debutant, nominated three times, for Producer in Best Limited Series and also in the Writing and Directing categories. And of course, Bovaird herself is up for her first nomination alongside industry peers from “black-ish,” “Euphoria,” “Hacks,” “Only Murders in the Building” and “Pam & Tommy”.

Bovaird is thrilled that the Emmys include a category for contemporary costume, celebrating the nuanced and subtle work that is often overlooked in catch-all costume design categories where period and fantasy work often eclipses their more modern brethren. . “Because everyone dresses up, they don’t have as much respect for contemporary costume. I think it’s actually harder to do in my experience, I find it harder to work on contemporary projects, sometimes because everyone has a point of view. Everyone has something to say,” she explains. “So it can be quite difficult to get out of it.”

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French fashion

Cafe Degas buys Fair Grinds and plans a new French-style grocery store for Faubourg St. John | Where NOLA eats

For nearly 40 years, Café Degas has been a mainstay of French cuisine in New Orleans. Soon, the Faubourg Saint-Jean restaurant will have a new way to showcase these flavors.

Co-owner Jacques Soulas has confirmed plans to take over the former home of the Fair Grinds Coffeehouse just across the street at 3133 Ponce de Leon St.

The move will serve two purposes. First, it will increase the capacity of the Café Degas kitchen itself, which currently operates from a shoebox-sized kitchen.

Fair Grinds Coffeehouse was a Faubourg St. John café for more than 20 years before closing in 2022. (Staff photo by Ian McNulty, | The Times-Picayune)

The next phase will add a casual cafe with a counter service grocery store. The focus will be on sandwiches and French pastries with coffee drinks.

Soulas said many details of the new concept are still in development, including the name.

Soulas said breakfast is a possibility at the new cafe, depending on the staff. He said the lunch menu would bring sandwiches like pate, French salami, ham and brie (ham and butter, which was a specialty of Mayhew Bakery, a café-bakery in the nearby neighborhood that just closed permanently ).

“We’re thrilled that Café Degas is taking over and can’t wait to see what they’ll do there,” said Wade Rathke, who ran Fair Grinds from 2011 until the cafe closed this spring.

degas the garden

Cafe Degas, Faubourg St. John’s longtime French restaurant, is known for its rich flavors and lush ambiance. (Staff photo by Ian McNulty, | The Times-Picayune)

Soulas and his business partner Jerry Edgar opened Café Degas in 1986 in the tiny confines of a former hair salon on Esplanade Avenue. It has grown over time and has become an essential neighborhood restaurant.

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But his kitchen space hasn’t grown much. From a seat at the bar or at one of the outdoor tables, it’s common to see cooks carrying supplies across Ponce de Leon Street from a hidden pantry.

The home of the Fair Grinds Coffeehouse had a long history of coffee, dating back to at least the 1970s when it was the original location of True Brew Coffee.

It became Fair Grinds in 2000, originally opened by Robert Thompson and Elizabeth Herod. Rathke, who heads the activist group Acorn International, took over in 2011.

The cafe, and in particular its room on the second floor, had been used for many years for art exhibitions, meditation groups, and other community organizations.

post degassing

Café Degas, the longtime French restaurant in Faubourg Saint-Jean, is decorated for July 14. (Staff photo by Ian McNulty, | The Times-Picayune)

The cafe closed after Jazz Fest, and soon the property was on the market.

A second Fair Grinds location at 2221 Saint-Claude Avenue also closed during the pandemic. Rathke said that second location may return in the future, but he has no immediate plans to reopen.

When Mayhew Bakery opened on Faubourg St. John in the fall of 2019, it was part of a hopeful surge of small artisan bakeries helping to rekindle the…

Going down the Voie Verte Lafitte on foot or by bike, or perhaps in the adjacent street with the windows down, you first feel a puff of roasting…

One of my favorite windows in New Orleans is next to the bar at Café Degas, the French bistro in Faubourg Saint-Jean, overlooking a nearby block…

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Fashion brand

Comoli’s FW22 clothing collection epitomizes Japanese minimalism

I like to think I know a thing or two about Japanese fashion. That’s why I care a little about clothes and that remains my main objective, much more than anything that happens on the Paris catwalks. To date, I only really use social media to follow Japanese fashion brands and stores – it’s that deep.

So, safe to say I’m a little jaded. I’m not often impressed with a lot of new stuff, frankly, although there are a lot that I like at first glance.

Comoli, designed by Keijiro Komori, isn’t a particularly obscure brand and doesn’t require a ton of Japanese fashion experience to check out. It is, however, a deliberately difficult etiquette to study without some knowledge of Japanese and a great case study for what works in Japanese fashion,

Although Comoli’s products are sold online through a variety of retailers, including international stockists Neighbor and Rendezvous, the brand does not use social media.

Komori himself isn’t online either, which underscores Comoli’s need-to-know aesthetic.

This intentionally primitive presence emphasizes Comoli’s product: the clothes must speak for themselves, since the brand deliberately remains mummy.

Comoli’s clothes do it very well.

As you can see from the no-frills lookbook images, Comoli doesn’t make flashy statement pieces.

It focuses entirely on bespoke fabrication, comfortable silhouettes and the same kind of minimalism embodied by, say, Martin Margiela’s run at Hermès.

Felted wools, crisp poplins, hairy knit cotton, neppy corduroy, undulating lambskin.

Comoli approaches clothing in the same way as a painter approaches a canvas. The idea is to physically manifest a personal expression.

The silhouettes are often the same – Comoli rarely strays from its comfort zone of familiar shapes rooted in European and American menswear history – but the construction and textile selection are second to none.

These are not clothes for the masses and therefore Comoli does not use social media. He doesn’t need to communicate anything that his clothes alone can’t convey.

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Fashion style

When Justin Bieber inspired the streetwear style in us with this sleeveless tee that flexed his biceps, baggy jeans and chunky sneakers

Justin Bieber proved he’s a style icon in this colorful outfit (photo credit – Instagram)

Justin Bieber has impeccable fashion taste that fans get a glimpse of from time to time. Not only does the pop singer know how to wear a suit, but his relaxed cuts are a huge fashion inspiration for many. Her Instagram is an abode for those who want a note or two on how to make streetwear.

Bieber, with his strong style game, proves that menswear goes beyond just a shirt, straight pants and sneakers. It also tends to follow current trends. In recent months, we have witnessed the rise of brand names in the foreground of clothing.

Be it Drew, Supreme, Off-White or more, one can find their names not only on the labels but also on the fabric. Speaking of Justin Bieber, the Baby singer once wowed us in an outfit we wish we owned. The singer shared snaps of himself boarding a helicopter on his Instagram in May this year.

Justin Bieber went with comfort as he wore big baggy jeans with ruffles on the bottom. On top, he wore a sleeveless t-shirt. It was the popping color that sold all the attention. The light blue and bold yellow stripes looked amazing. He showed off his biceps and arms, which were covered in tattoos.

He accompanied this relaxed fit with chunky sneakers, a white collar, black shades and a red baseball cap. Justin was also carrying a Louis Vuitton duffel bag. Speaking of trends, sneakers, especially Air Jordan, are the fashion staples. Wide, baggy jeans can never go wrong either.

While we love how Justin Bieber styled this look, there are also multiple ways to wear each piece. Chunky jeans can go well over a crop top, and these sneakers can go well with a dress. Do you like this look or not?

Must read: Kareena Kapoor Khan is truly a sight to behold in a white Salwar suit as she appears for the screening of Laal Singh Chaddha giving off ‘Nawabi’ vibes!

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Fashion designer

Fashion designer Zac Posen is engaged to ballet dancer Harrison Ball

Zac Posen and Harrison Ball are ready to start their next chapter together. The couple announced their engagement on social media yesterday, August 8.

In a Captioned the Instagram post “Engaged 8.8.22”, the fashion designer tagged her fiancé and, in a slideshow of photos, he shared some of their memories leading up to the big moment. Ponser’s post was showered with love from her fans and peers.

His former ‘Project Runway’ colleague Heidi Klum commented heartily, writing, “OMG I’m so happy for you two. CONGRATULATIONS.”

Along with Klum, Reese Witherspoon and Nina Dobrev also congratulated the couple.

Harrison Ball had a similar situation post on his Instagram which featured the couple standing in front of two giant arrows with the caption: “ATTACKING – CUPID’S ARROW(S)”.

The famous fashion designer known for the red carpet looks of Katie Holmes, Rihanna and Sarah Jessica Parker, worked with the New York City Ballet, the company for which Harrison is a principal dancer. While the exact date the couple started dating is unconfirmed, they went public with their relationship with a post on Ball’s instagram in April 2021. A few months later, in September 2021, the couple shared a nude photo on Instagram of Posen in honor of the premiere of a ballet in which their significant other starred.

Coincidentally, weddings have recently been a focus of Posen’s career. Released last June, Posen has collaborated with Blue Nile in a new line of inclusive wedding jewelry. He said, in an interview with Brides“With so many of us celebrating togetherness and love this month, it was the right time to release an inclusive range of engagement and wedding rings, a collection deliberately designed to represent love, regardless of gender.”

Posen went on to say that her line was inspired by “unique, ageless designs that also celebrate love, unity and marriage for all.”

He was also behind the looks of Ellen Degeneres and Portia di Rossi on their wedding day and designed wedding dress collections with White One Bridal and David’s Bridal.

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French fashion

Russians are buying the latest products from H&M and IKEA as stores close

MOSCOW (AP) — Russians are grabbing Western fashion and furniture this week as H&M and IKEA sell the last of their inventory in Russia, continuing their exit from the country after sending troops to Ukraine.

H&M, based in Sweden, and IKEA, based in the Netherlands, had suspended sales in Russia after the start of the military operation and are now looking to offload their stocks of clothing and home furnishings as they end it, claiming that the future is unpredictable. IKEA’s sales are online only, while the H&M store in Moscow’s Aviapark mall saw a steady stream of young shoppers on Tuesday.

Shelves and shelves were well stocked at the clothing retailer. Nearby stores were closed, including Zara, Oysho, Bershka, Pull&Bear and Uniqlo, while New Yorker, Finn Flare, Marks & Spencer and Mango were open.

“I’m going to start looking at Russian brands,” said one H&M customer, who only gave her first name Anya, after walking out of the store. Another customer, who only gave his name Leonid, said he was “very hurt” that H&M was closing: “A good store is going”.

Both companies are laying off staff as they scale back operations in Russia. H&M said on Tuesday that 6,000 workers would be affected and it was working out the details of an offer of continued support in the coming months.

IKEA said in June that many workers would lose their jobs and guaranteed them six months’ pay, plus basic benefits. He said this week that he had 15,000 workers in Russia and Belarus, but he did not immediately confirm how many would be laid off.

“We are deeply saddened by the impact this will have on our colleagues and very grateful for all their hard work and dedication,” H&M Group CEO Helena Helmersson said last month.

Many Western companies have vowed to leave Russia after sending troops to Ukraine, taking months to wind down operations and often selling stakes to Russian companies. McDonald’s has sold its 850 restaurants to a Russian franchise owner, who is preparing to reopen them under the name of Vkusno-i Tochka. British energy giants Shell and BP are taking billions of dollars in fees to exit investments and stakes in Russia.

During this time, some Western companies have remained in Russia or are partially functioning. French home improvement retailer Leroy Merlin has maintained its 112 stores in Russia, for example, while PepsiCo, Nestlé and drugmaker Johnson & Johnson are supplying essentials like medicine and baby formula while halting unsold sales. essential.

H&M said it expects costs related to leaving Russia to reach around 2 billion Swedish crowns ($197 million), which will be included as one-time costs in its third-quarter results this year.

IKEA announced in June that it would start looking for new owners for its four factories in Russia and close its purchasing and logistics offices in Moscow and Minsk, Belarus, a key Russian ally.

Russian President Vladimir Putin has pushed for years to develop and deploy Russian substitute goods and services to offset the loss of Western imports, which has taken on new urgency as companies like H&M and IKEA go out of business.

It can be difficult to tell when stores in Russia are closed. In the famous boutique-lined GUM department store in Red Square, most of the closed display cases still have the lights on and a clerk or guard inside.

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Fashion brand

Issey Miyake, Japanese fashion designer, dies at 84

TOKYO — Issey Miyake, the Japanese designer famous for his pleated clothing style and cult fragrances, and whose name became a global synonym for avant-garde fashion in the 1980s, died Friday in Tokyo. He was 84 years old.

The death was announced Tuesday by the Miyake Design Studio, which said the cause was liver cancer.

Mr. Miyake is perhaps best known for his micro pleats, which he first unveiled in 1988 but has recently seen a resurgence in popularity with a new, younger consumer base.

His proprietary heat treatment system meant that the accordion pleats of his designs could be machine washed, would never lose their shape and offered the ease of loungewear. He also produced the black turtleneck that became part of the signature look of Apple co-founder Steve Jobs.

Her Bao Bao bag, made from mesh fabric layered with small, colorful triangles of polyvinyl, has long been a go-to accessory for the creative industries.

Released in 1993, Pleats Please, a clothing line featuring cascades of razor-sharp pleats, became her most recognizable look.

Mr Miyake’s designs have appeared everywhere, from factory floors – he designed a uniform for workers at Japanese electronics giant Sony – to dance floors. His insistence that clothing was a form of design was considered avant-garde in the early years of his career, and he had notable collaborations with photographers and architects. His designs found their way onto the 1982 cover of Artforum – unheard of for a fashion designer at the time – and into the permanent collection of the Museum of Modern Art in New York.

Mr. Miyake was honored in Japan for creating a global brand that contributed to the country’s efforts to become an international destination for fashion and pop culture. In 2010, he received the Order of Culture, the highest artistic honor in the country.

Kazunaru Miyake was born on April 22, 1938. He limped heavily after surviving the atomic bomb dropped on Hiroshima, his hometown, on August 6, 1945. His mother died three years later of radiation poisoning.

Mr. Miyake rarely discussed that day – or other aspects of his personal history – “preferring to think of things that can be created, not destroyed, and which bring beauty and joy”, he wrote in a 2009 opinion piece in The New York Times. .

He graduated in 1963 from Tama Art University in Tokyo, where he majored in design. After studying in Paris during the student protests of 1968, and a stint in New York, he founded the Miyake Design Studio in 1970. He was one of the first Japanese designers to parade in Paris and was part of a revolutionary wave of designers who brought Japanese fashion to the rest of the world, opening the door to later contemporaries like Yohji Yamamoto and Rei Kawakubo.

He has often stressed that he does not consider himself “a fashion designer“.

“Everything that is “in fashion” goes out of style too quickly. I don’t do fashion. I make clothes,” Mr. Miyake told Parisvoice magazine in 1998.

“What I wanted to do weren’t just clothes for people with money. It was things like jeans and t-shirts, things that were familiar to a lot of people, easy to wash and easy to use,” he told Japanese daily The Yomiuri Shimbun in a 2015 interview. .

Yet he was perhaps best known as a designer whose styles combined the discipline of fashion with technology and artistry. His animating idea was that clothes should be made from a single piece of fabric, and he pursued designs – such as his famous pleats – that incorporated new techniques and fabrics to accomplish this ambition.

There was no immediate information detailing Mr. Miyake’s survivors. A notoriously private person, the designer was known for his close relationships with longtime colleagues and collaborators, which he credited as essential to his success. He was most closely associated with Midori Kitamura, who started as a fit model in his studio, worked with him for almost 50 years and is now president of his design studio.

Throughout his life, “he never shied away from his love, the process of making things,” Mr Miyake’s office said in a statement.

“I’m mostly interested in people and the human form,” Mr. Miyake told The Times in 2014. “Clothes are the closest thing to all humans.”

Hikari Hida contributed reporting from Tokyo.

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Fashion designer

“Fashion in the Pines” returns to Fire Island – WWD

After a nine-year hiatus, “Fashion of the Pines” returns to Fire Island on August 20.

Approximately 200 people are expected to attend “A Day in the Pines” during the event at Whyte Hall and the Albert Lepage Pavilion which will feature a nod to the past with a modern twist. While many well-known designers have ties to the island, the show will spotlight young queer minority founders, designers and artists.

The show is an orchestrated production in association with the Fire Island Arts Project, an organization that has been organizing events and performances on the island for 35 years. JD Winston, board member, producer and former multidisciplinary performer, and Ryan Espinosa, fellow FIPAP board member and owner of the Denizen store on the island, are overseeing the revival of the event.

The track will feature items from the store and other stores, as well as donated parts. “We don’t sell a particular brand. Essentially, it’s a celebration of where we are as an island in this truly expressive moment of individuality. The island is very DIY. People will put on a headband, maybe a pair of designer shorts and the rest will be made as they go,” Espinosa said. “If you’ve spent a lot of time here, you know what can happen in a very free and safe space. The rules are abandoned [behind] when you get off the ferry.

Dating back to the 70s, “Fashion of the Pines” was an annual celebration of local style. The late Fire Island developer and former model John Whyte was instrumental in creating the show and hosting the pool festivities at the Botel.

The “Day in the Pines” theme was first used in the late 80s by Russell Graham. Andy Baker and Ward Auerbach helped plant the seeds to revive the event, which Denizen is touting. Winston said he and Espinosa started talking about the Fashion of the Pines events that ran from the ’80s to the early ’90s, and the prospect of having them again. The event started in the 70s but the onset of AIDS led to its suspension.

The duo pitched the idea to some of the people who experimented with the original shows, like Bob Howard and Scott Bromley, and gleaned some ideas. Some people from the Fire Island community have been enlisted to serve as role models. They will be showcasing Pins-related sports fashion, including a few styles from past Fashion of the Pines events.

An open bar with DJ and a silent auction will take place during the first hour of the first hour of this month. Guests will also find nostalgic ephemera from Fashion of the Pines events from years past. Once the crowd has moved inside, Luis Villabon will perform “My Strongest Suit” from the musical “Aida” in drag and Hal Rubenstein and Espinosa will host the event.

Noting how Fire Island first became a popular getaway for many gay artists, designers and celebrities in the 70s, Winston said it was known as a haven to escape, feel safe and be yourself. -even, “when it wasn’t the easiest thing to do” at that time.

In the 1980s, proceeds from the annual exposition went to the Pines Conservation Society. In recognition of this, the benefits of the 2022 edition will go to this organization and to FIPAP.

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French fashion

Josephine Baker was the star France wanted and the spy she needed


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The ghostwriter, historically, has always been in the business of espionage. Subordinates survive by being vigilant and suspiciously gathering intelligence about those they work for. Flight from bondage, even from an identity, also involves espionage. Harriet Tubman was named Moses for a liberator who escaped caste boundaries when his mother placed him undercover among the reeds in this pitch-smeared basket. Brown skin could be covered in soot and stereotyping or scholarly tunes. George Harris, one of Harriet Beecher Stowe’s very yellow fugitives, achieved an inscrutable weirdness with the help of walnut bark: “A slight change in the hue of his skin and the color of his hair had metamorphosed into the Spanish-looking man he then appeared; and as grace of movement and courteous manners had always been perfectly natural to him, he found no difficulty in playing the bold part he had adopted.

In this respect, Joséphine Baker, who made her way to the heart of the Roaring Twenties—Roaring Twenties France—and played the civilized primitive when she arrived there, might have been the sweetest operator of the twentieth century. The most famous dancer, singer and nightclub entertainer of her time, she was both inescapable and elusive. She seduced Parisians for the first time in 1925 when she appeared on the stage of the Théâtre des Champs-Élysées, naked except for her feathers. The following year, at the Folies Bergère, audiences saw expanses of brown skin interspersed with pearls and a skirt strung with tumescent bananas. As her star rose, Baker was known to walk the streets of Paris with her companion Chiquita, a cheetah tied by a rope of diamonds. Without really laying eyes on the woman, a visitor to Paris would see her everywhere: in the photographs and on those Paul Colin posters, like a doll in a shop window, like Parisiennes wrapping their heads in Bakerfix ointment.

Who was she, really? Baker’s tributes are generally unsubtle and beatific, embodied by contemporary black inhabitants of the arts who have managed to do what Baker could not: carve out a stardom on American soil. Diana Ross, Beyoncé and Rihanna have starred in her figure; Lynn Whitfield received an Emmy when she starred in HBO’s “The Josephine Baker Story” (1991). In “Frida” (2002), Baker maintains an affair with the main character, a nod to the free sexuality of each; she rumbas through “Midnight in Paris” (2011). Cush Jumbo directed an acclaimed tribute show, “Josephine and I,” in 2015, and Carra Patterson recently played her, with bizarre showgirl unease, in an episode of the horror series “Lovecraft Country.” Ruth Negga and Janelle Monáe are now set to take their turn, in a pair of TV series about her. Last November, Baker was inducted into the French Pantheon, the first woman of color to grace the hallowed monument, among figures such as Victor Hugo and Marie Curie. “The stereotypes, Josephine Baker takes them up,” said President Macron. “But she jostles them, digs them, transforms them into sublime burlesque. A spirit of the Enlightenment ridiculing the colonialist prejudices on the music of Sidney Bechet.

Even if Baker’s career had been limited to his role as an artist, it would have had the feel of a thriller. The racing profession of the time was bound to involve espionage: all identities are shams, and Baker had a chameleon gift for moving among them. But during the war years, she was also – as a new book, “Agent Josephine” (PublicAffairs), by British journalist Damien Lewis, recounts in plenty of fresh detail – a spy in the most literal sense. There was, after all, little that La Bakaire didn’t understand about the resistance.

“This is not a book telling the life story of Josephine Baker,” warns Lewis. Its saga, though it spans five hundred pages, is mostly about Baker’s service as a secret agent, and mostly confined to the dark years of World War II. There is also another sense, in which it is not the story of his life: the narrative is largely told by an assemblage of third parties. Lewis’s bibliography and notes clearly show how much he drew on interviews with veterans, the memoirs of agents, the private family archives of a British spymaster and the war records of the offices of intelligence, some of which was only made available to the public in 2020. But Baker maintained a code of silence about the seven years she spent fighting the Nazis and, Lewis writes, “went on her falls in 1975 taking many of these secrets with her”.

She might also be sneaky about other facts. Like many women of color eager to shape their destinies, Baker subjected her origin story to numerous revisions. “I’m not lying,” she said. “I make life better.” Her autobiographies can generously be described as free collaborations: “Les Mémoires de Joséphine Baker”, published in 1927, when she was twenty-one, and updated in the following years, was in draft form before she and her co-author, Marcel Sauvage, do not share a language. And once they did? “It would be completely funny then – and sometimes very difficult,” Sauvage wrote in the preface to the book. “Miss Baker doesn’t like to remember.” Her third autobiography, “Joséphine”, was published in 1977, two years after her death, compiled from files of notes, press clippings, documents and the draft of a memoir that her last husband, Jo Bouillon, had collected with the help of a co-author. The resulting baker is another assemblage, an “I” placed next to the testimony of other people who were enlisted, as Bouillon writes, “whenever information was missing”. More candid was the biography “Josephine: The Hungry Heart”, published in 1993 and written by her adopted son Jean-Claude Baker with journalist Chris Chase; the effort to sort through his mother’s various fictions is noted in its pages. “Josephine was a fabulist,” he wrote. “You couldn’t ask him for a strict count like you would a tailor measuring slipcovers.”

She had her reasons. “A black childhood is always kind of sad,” Baker told Sauvage. Hers began on June 3, 1906, in St. Louis, when a locally famous dancehall girl, Carrie McDonald, delivered a baby she named Freda Josephine. The baby was plump and ended up being called Tumpy (for Humpty Dumpty), a nickname that persisted long after poverty had thinned her into a wanderer. The identity of his father remains contested, and becomes for Baker the occasion to improvise. Lewis notes: “She had variously claimed that her father was a famous black lawyer, a Jewish tailor, a Spanish dancer or a white German then residing in America. The shifting mythos was reflected in the ethnic promiscuity of her screen roles: the tropical daughter of a colonial official, possibly Spanish, in “La Sirene des Tropiques” (1927), a Tunisian Eliza Doolittle, in “Princess Tam-Tam” (1935).

Little Tumpy wanted to dance, but the opportunities were few. By 1921 Baker had fled her life in St. Louis and her second husband – she was all fifteen when she married the man, William Howard Baker – and was performing as a comedy choir among the Dixie Steppers, a traveling vaudeville troupe . Aiming higher, she booked a one-way ticket to New York, where she ended up working as a backstage dresser for the all-black revue “Shuffle Along.” When a touring cast member fell ill – it was only a matter of time – Baker stepped in with bubbly style. After the success of the series, she landed a role in the 1924 Broadway musical “The Chocolate Dandies”, playing a blackface version of Topsy. She was nineteen when she was recruited by a socialite and impresario named Caroline Dudley Reagan for a new production across the Atlantic. “La Revue Nègre” opened in Les Champs on October 2 of the same year. That evening, a featured was born.

Surely you must have been there. Reviewers have stumbled over gerunds in their efforts to validate the wriggling thing to print. In the jungle dreamscape “Danse Sauvage”, Baker, clad in little more than a feathered loincloth, stepped onto her male dance partner’s shoulders, upside down and in a split. André Levinson, perhaps the greatest ballet critic of the time, wrote:

It was as if the jazz, capturing the vibrations of this body in flight, interpreted word for word his fantastic monologue. . . . The gyrations of this cynical but joyful mountebank, the good-natured smile of his big mouth, suddenly give way to visions where good humor is totally absent. In the court pas de deux of the savages, which came in the finale of the Revue Nègre, there was a savage splendor and a magnificent animality.

He was sure he had glimpsed “the black Venus that haunted Baudelaire.”

At a certain moment, its efflorescence seems to deviate from linear narration, requiring a form adapted to the artistic flights of the time: collage. The appeal of La Joséphine—in Europe, at least; America has never run so hot for her – hyperbole exhausted. “The most sensational woman ever seen,” said Ernest Hemingway. “Beyond time in the sense that emotion is beyond arithmetic” was EE Cummings’ assessment. Le Corbusier, one of her lovers, dressed as a drag Baker, blackening his skin and wearing a feathered sash. George Balanchine gave her dance lessons; Alexander Calder sculpted it in wire. Adolf Loos, after a chance meeting, began sketching an architectural marvel called Baker House, with picture windows cut into an indoor swimming pool. But Baker’s power was not a matter of being lifted onto the shoulders of great men; she regarded most of them with equal indifference. In a 1933 interview, she missed the name of a famous Spanish painter: “You know, Pinazaro, or what’s his name, the one everyone talks about?” As Margo Jefferson observed of Baker, “She was her own devoted muse.”

In the thirties, Baker refined his visual signature. The show “Paris Qui Remue”, at the illustrious Casino de Paris, made this plain. The feathers had disappeared. Writing for this magazine, in 1930, Janet Flanner reported: “His caramel-colored body which overnight became a legend in Europe is still magnificent, but it has become lean, trained, almost civilized. A Parisian critic announced with more enthusiasm: “She left us a negress, funny and primitive; she returns a great artist.

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Fashion brand

‘House of Zana’ wins court battle against Zara after high street giant tries to order it to rename it

A fashion boutique has won a legal battle against retail giant Zara after it was threatened with legal action over its brand image.

Multibillion-pound fashion giant Zara, which has stores around the world, has tried to order Amber Kotrri, who runs ‘House of Zana’, which specializes in handmade kimonos, to change name.

Zara objected to Ms Kotrri’s trademark application when she said her store’s name was “conceptually identical” to theirs and the average customer would likely confuse their two marks.

He also urged Ms Kotrri to remove any branding – but determined to fight her corner and maintain her brand, she claimed it would cause ‘irreparable damage’ to her business and bore no similarity to the brand name of Zara.

Ms Kotrri, from Darlington, who has received worldwide support for her fight against Zara, announced her happy news today saying: ‘We did it!’

House of Zana’s Amber Kotrii (left), won her case against fashion giant Zara over the name of her store (pictured alongside business partner Erin Harper of Rejoy)

Zara was opposing their trademark application when they said the name

Zara objected to its trademark application when they said the name ‘House of Zana’ (pictured in Ms Kotrri’s store sign) was ‘conceptually identical’ to theirs and the average customer would likely confuse their two brands.

Zara (pictured at one of its stores) claimed Ms Kotrii's store name was

Zara (pictured at one of its stores) claimed Ms Kotrii’s store name was ‘conceptually identical’ to theirs and wanted her to change it

In a social media post, she said: “We made it!!! Thank you all for your support.

“All kind words of strength, those who signed our petition, shared the news and to all news outlets who covered this story.

“You all gave me the courage to take on the fashion giants Zara and I will be forever grateful.” WE WON!! With so much love from Amber xxx.’

In a letter sent to Ms. Kottri, Zara also said there is a risk that “consumers may misread, mishear, mispronounce and/or otherwise perceive House of Zana as ZARA” and that the brand name “dilutes the character distinctive feature and reputation of the ZARA brand”. .

In a letter sent to Ms Kottri, Zara also said there is a risk that

In a letter sent to Ms. Kottri, Zara also said there is a risk that “consumers may misread, mishear, mispronounce and/or otherwise perceive House of Zana as ZARA” and that the brand name “dilutes the character distinctive feature and reputation of the ZARA brand”. .

Before the case was heard, she defended her small brand saying, “Our name is very meaningful and personal to us and poses no commercial threat to multi-billion dollar clothing company ZARA and its huge market.”

Having originally launched their business online in 2018, House of Zana specializes in high quality, sustainable and ethically sourced clothing.

The success of his concept store in Grange Road, Darlington saw him expand to Teesside Airport and reach a global audience online.

The former art and design student plays a pivotal role in day-to-day operations, from clothing design to fabric selection.

Meanwhile, the word Zana means “fairy” in Albanian – the country where the company was born and has a manufacturing workshop.

Ms Kotrri said in April: “We don’t think anyone will confuse or confuse House of Zana with Zara. We are a small business specializing in handmade kimonos.

“We have a small concept store in the North East of England and a website to help promote our products, while Zara is a world famous fashion brand with over 2,000 retail stores worldwide and a vast collection of products.

“There is no risk of us being confused with Zara, so why should a giant company be allowed to prevent a small company from using a name that does not resemble its own at all and which would destroy our brand ?”

“We know we’re not a threat to them, but they could destroy everything we’ve worked so hard for.”

The success of House of Zana led to a concept store in Grange Road, Darlington, which saw it expand to Teesside Airport and reach a global audience online

The success of House of Zana led to a concept store in Grange Road, Darlington, which saw it expand to Teesside Airport and reach a global audience online

Ms Kotrri also added ahead of the ruling: “We don’t think anyone has or will confuse House of Zana with Zara. We are a small company specializing in handmade kimonos.

“We have a small concept store in the North East of England and a website to help promote our products, while Zara is a world famous fashion brand with over 2,000 retail stores worldwide and a vast collection of products.

“There is no risk of us being confused with Zara, so why should a giant company be allowed to prevent a small company from using a name that does not resemble its own at all and which would destroy our brand ?”

“We know we’re not a threat to them, but they could destroy everything we’ve worked so hard for.”

She added: ‘We’ve been working hard to create this unique brand, and coming from battling the pandemic, the last thing we want to do is be forced to rebrand, remove all the labels that are stitched together in our stock, change our social media names and storefront.

“It would cause irreparable damage to our beloved small business. We have spent years developing our dream and employing a great team. We have never and still do not see any similarity between the House of Zana name or logo and that of Zara.

“I’ve built a full team and a life for me and they can just take it away from me.

“It’s the name I built and everyone knows us because of it – how can I just change that?”

Ms Kotrri represented herself in court at a hearing

Ms Kotrri represented herself in court at a hearing

In 2016, a company in Barnard Castle, County Durham, was forced to change its name to ‘Zara Countrywear’ after being threatened by the same company.

In April, Inditex, the owner of Zara, defended its decision to hire Ms Kotrri.

A spokesperson then said: “We opposed the ‘House of Zana’ trademark application at this early stage due to its similarity to the Zara trademark name.

“We wish the company every success and continue to make efforts to contact the company directly to resolve the situation amicably.”

The MailOnline also contacted them about this recent announcement.

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Fashion style

How to style the latest print trend

Designers went wild for stripes on the Spring/Summer 2022 catwalks, with everything from monochrome to multi-coloured – in understated striped shirts and bold, disco-tastic dresses.

With summer in full swing, it’s the perfect time to try out the trend, whether you’re looking for vacation wear, weekend outfits or the perfect party dress.

Here’s how to incorporate stripes into your summer wardrobe…


As seen at Wales Bonner and JW Anderson, navy blue and white nautical stripes never go out of style.

This season, the classic Breton long-sleeved top gives way to cute, summery tank tops, tees and co-ords. Pair with white jeans and espadrilles for a chic seaside look.

vertical stripes

The seaside inspiration continues with vertical deckchair-style stripes. Flowing dresses caused a stir at Schiaparelli and Tory Burch, while striped separates were layered at Jil Sander and Kenneth Ize.

Embrace the contrasting runway look by pairing contrasting tops and bottoms, or keep it simple with a striped midi dress and tonal accessories.


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Always a stylish combination, black and white stripes were seen on everything from sassy mini dresses (Balmain and Courrèges) to sweeping dresses (Erdem and Tory Burch).

Take your pick from bodycon dresses (for work or play) to casual linen day dresses.

Ceremonial clothes

Barbie Ferreira wearing Fendi at the 2022 Vanity Fair Oscar Party (Alamy/PA)

Going the retro route for Spring/Summer 22, Fendi models Brandon Maxwell and Jil Sander walked the runway in bright, dramatic dresses.

The coolest way to wear formal wear this summer, a striped maxi dress in bright or pastel hues is perfect for weddings and garden parties.

Play up the 70s disco vibe with metallic platform heels and a pair of hoop earrings.

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Fashion designer

Handcrafted Lehenga and Choli in USA | Launch of the Indian wedding wear collection

With the launch of the new collection of bridal lehengas, Chiro’s By Jigyasa helps every Indian bride stay connected to her rich heritage and celebrate individuality. Lehenga designers embrace the diversity of Indian culture and traditions through their immense color variations, range of high quality fabrics and intricate bead and thread work.

More details can be found at

Chiro’s By Jigyasa strives to provide global and local customers with quality traditional Indian fashion that is hard to find in their area. Their new collection features a wide range of designs, from traditional lehengas to more contemporary designs for brides and bridesmaids.

Because every dress is designed and manufactured at Chiro, all new wedding and bridal lehengas can be customized to fit any size, body type or personal preference. Some of the designs featured include a festive red and gold silk lehenga embroidered with gold. This elegant lehenga is accompanied by a light green dupatta which is also made from a luxurious silk fabric also embroidered with gold, giving it a festive look.

Another standout set from the new collection is a printed georgette lehenga that has a gray color fade. It has a ruffled dupatta and a matching choli, both in silky and soft pure georgette. This new lehenga set is suitable for a variety of occasions, including weddings and traditional parties.

Because floral hand embroidery is a hallmark of Indian clothing, Chiro’s lehenga choli designs also feature a wide range of handcrafted floral embroidery.

Plus, Chiro’s By Jigyasa online store offers a 30-day hassle-free return policy, to ensure that every customer can find their fit and style.

About Chiro’s By Jigyasa

Traditional Indian clothing and accessories are the focus of Indian fashion brand, retailer and distributor Chiro’s By Jigyasa. Chiro’s goal is to design and distribute Indian clothing to women in the United States and around the world. Because they believe that every woman deserves to feel beautiful and confident, the brand offers everyone access to high quality Indian clothing.

A company representative said, “We have all the latest trends in Indian wedding wear for men, women and children. Our dresses are designed by us, so you can find something special for everyone. The prettiest outfits imaginable await you as you browse our selection of ethnic ensembles that will have you falling head over heels in love right away without even trying them on. We ship within 24 hours from our headquarters in Houston to all states and worldwide.

Chiro’s designers are dedicated to creating eye-catching looks using vibrant colors, prints and embellishments, under the guidance of Chief Fashion Designer Jigyasa.

Interested persons can find more details of the new wedding lehenga collection by visiting

Contact information:
Name: Jigyasa Anand
E-mail: Send an email
Organization: Chiro’s By Jigyasa
Address: 19822 Almond Park Drive, Katy, TX 77450, USA
Phone: +1-281-975-7595

Build ID: 89079678

If you detect any problems, problems or errors in the content of this press release, please contact [email protected] to let us know. We will respond and rectify the situation within the next 8 hours.

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French fashion

Downtown Des Moines Farmer’s Market welcomes 16 new mid-season vendors

Coffee, French pastries, barbecue and jewelry – the Downtown Farmers Market will introduce 16 new local vendors to the lineup starting Saturday morning at the open-air market that stretches from Water Street’s Court Avenue to Fifth Avenue.

The decision to add new local vendors comes ahead of National Farmers’ Market Week, which runs August 7-13.

A mid-season judging panel comprised of vendor committee members, sponsor representatives, farmers’ market partners and community members selected the new vendors, marking the first time a vendor judging panel stood at the mid-season.

Applications reopened in June to fill a limited number of spots “with the goal of adding new, more diverse vendors for market enthusiasts to enjoy and support,” said Kyle Oppenhuizen, director of communications for the Greater Des Moines Partnership, in A press release.

“The Downtown Farmers’ Market team is thrilled to welcome these new vendors to our already incredible lineup at the market,” Downtown Farmers’ Market manager Megan Renkel said in the press release. . “The new vendors bring a wide variety of products and experiences that we hope will reinforce the value our vendors offer throughout The Market season.”

The Downtown Farmer’s Market, which spans nine blocks in historic Des Moines, supports more than 290 local small business owners, including farmers, bakers and artists who represent 50 Iowa counties . The market typically attracts 25,000 buyers every week.

The new vendors will join the Downtown Des Moines Farmer’s Market on August 6.

After:Find the best summer produce and more at any of these 16 Des Moines and Metro Farmers’ Markets

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Meet the new vendors at the local Farmer’s Market

At Natural Healing & Wellness will join the Downtown Des Moines Farmer’s Market to promote better physical and mental health through natural herbs, essential oils and crystals. The company too sells healing and wellness products on its website and at the Valley Junction Farmers Market.

Big Daddy’s Original BBQ, a Des Moines staple since 1983, is another new addition to the Downtown Farmers’ Market lineup featuring chicken dinners or a pulled pork sandwich smothered in sweet and smoky barbecue sauce. Big Daddy’s sauces are also available at Hy-Vee stores in the Midwest and local Fareway and Price Chopper stores.

BLACK and bold offers specialty coffee and tea while donating 5% of its proceeds to nonprofit youth organizations across America. The Company offers subscription services on its website,

Shoppers walk past the StoryBook Orchard booth on opening day of the 2022 Downtown Farmer's Market in Des Moines on Saturday, May 7.

After:Off-peak hours: where to find delicious treats at the downtown farmer’s market and 2 new brunches

The sweets of Cie Cie offers a rotating hot menu as well as a wide variety of treats, such as cookies, cupcakes and chocolate-covered strawberries at the Farmer’s Market as well as on line.

Chicken and GG wafflesfounded in 2019, brings big flavor to Des Moines with chicken and waffles, chicken sandwiches and wings.

Iowa Cookie Co. offers six-ounce cookies, with a full box weighing nearly five pounds. This lovely company has a rotating list of unique flavorsincluding Colossal Monster, Holy Roller, Dirt Worm, Sugar Daddy, Main Squeeze, Double Stuffed and Bronco.

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Ken Supply Co. is a Des Moines-based clothing brand that specializes in “raised graphic tees that anyone can wear, no matter what stage of life you’re in,” according to its website. The new addition also sells his signature t-shirts and tote bags online.

Knotted dough & Co. specializes in kringlas, a traditional Norwegian pastry. Twisted pastries are also sold at the Ames Farmers Market and Valley Junction Farmers Market. Knotted Dough & Co. also offers delivery through its Etsy Page, KnottedDough.

Lyela’s kitchen is a halal cooking and catering company that serves Pakistani, Indian and Chinese dishes, as well as desserts. Lyela’s kitchen can also be found at the Valley Junction Farmer’s Market.

A couple hold hands as they walk along Court Avenue during the opening day of the 2022 Downtown Farmers' Market in Des Moines on Saturday, May 7.

Macaroon Club, established in 2020, is a gourmet dessert company focused on “elevating the taste of luxury to higher standards,” according to its website. Macaron Club’s classic French macaroons and gourmet baklava, a layered pastry dessert, are also sold online and the Valley Junction Farmers Market.

McCabe’s art was created in 2020 at the start of the pandemic to allow owner Ashley McCabe, a West Des Moines art teacher, to stay creative, according to its website. The small business creates handmade, lightweight jewelry that can also be purchased on her website Where Etsy shop, McCabeArtistry.

Nadia’s French Bakery in Altoona brings its selection of classic French pastries to the farmers market. From croissants and chocolatines to quiches and pies, Nadia’s French Bakery is committed to offering “tasty, delicious, varied and quality pastries,” according to its website. Some products are also available for purchase online at

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Shay Design Studio provides arts education services to the Downtown Farmers’ Market. The studio offers art education in courses from Paint & Sip to illustration and graphic design services.

The joy of loops creates natural, plant-based hair products for curly hair, but its mission doesn’t stop there. The Joy of Curls also donates its hair products to children in the foster care system through its premier community partner, Foster the Love Louisiana. Hair products are available for purchase at

Tranzitions Wellness & Beauty Bar specializes in all-natural wellness products such as crystals and stones, handmade candles and natural beauty products. The company also offers hairstyling and extension services, with appointments available online.

A cyclist rides on Court Avenue during the opening day of the 2022 Downtown Farmers' Market in Des Moines on Saturday, May 7.

Wof Cafe is a local small-batch coffee roaster that believes “coffee is a science, but it’s also an art,” according to its website. Wof Coffee also makes regular appearances at Ames Main Street Farmers’ Market Different and Cedar Rapids Downtown Farmers’ Market. Coffee flavors, each with a unique doodle design on the front, are available for purchase at

Grace Altenhofen is a reporter for the Des Moines Register. She can be reached at [email protected] or on Twitter @gracealtenhofen.

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Fashion brand

Celebrity-Backed Startup NOWwith Ink Deals for Fashion Brands in SoHo – Trade Observer

Alex Rodriguez– backed e-commerce start-up Now withmen’s clothing brand Rodd and Gunn and women’s clothing line Line get dressed 177 rue La Fayette — the building that once housed We workfirst location.

The three companies each took 4,386 square feet to The Eretz group-property in SoHo, also known as 154 Grand Street, learned Commercial Observer. The asking rent in the building ranges from $75 to $80 per square foot, depending on the landlord broker JLL.

NOWwith nabbed the entire third floor of the six-story building between Broome and Grand streets under a five-year lease. The company, which provides software for celebrities to sell products on their social media feeds, has already moved into the space before its Launch in Augustaccording Platinum PropertiesHiro Nishida, who represented the tenant in the transaction. NOWwith, who lifted $18 million in two rounds of seed funding in May, transferred from another SoHo office, Nishida said.

“It’s a one-of-a-kind building in SoHo…with windows on two sides,” Nishida said. “It’s no wonder WeWork’s first location was this location.”

New Zealand-based menswear brand Rodd & Gunn has signed a seven-year deal for offices across the entire sixth floor of the building as it seeks to expand its retail footprint in New York. The brand has a handful of locations in Manhattan and Brooklyn, including an independent outpost in 81 Front Street in Dumbo, Brooklyn.

Finally, La Ligne, a seller of dresses and knitwear launched by two former vogue staff members, also entered into a five-year contract to relocate its offices to the entire second floor of the property. La Linge, which has a retail store in 996 Madison Avenuemoved into the building earlier this year, although it was not immediately clear where its former offices were.

The Lafayette Street building was where the WeWork co-founders Adam Neumann and Miguel McKelvey created the coworking company’s first 3,000 square foot site in 2010, before the rapid rise and fall of WeWork became the subject of books and even inspired the stars AppleTV+ adaptation, “WeCrashed”. We work firm the outpost in July 2020 as it reduced its office portfolio.

JLL’s Paul Glickman, Benjamin Bass, Kip Orban, Kristen Morgan and Thomas Swartz negotiated the three transactions for the owner. SavillsJordan Weiss handled the deal for Rodd & Gunn while the Runyon Groupit is Isabelle Solmonson represented The Line.

Savills declined to comment. NOWwith, La Ligne, Rodd & Gunn and Solmonson did not immediately respond to requests for comment.

Celia Young can be contacted at [email protected].

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Fashion style

Ginger Spice turns 50: Geri Horner’s style evolution from the 1990s to today

Arriving on the pop scene in 1994 as the fifth of the Spice Girls, Geri Horner (née Halliwell) has been in the spotlight for over 25 years.

Meanwhile, the showbiz star – who turns 50 on August 6 – has been a veritable fashion chameleon, often switching up her style to suit her career and personal life.

To mark this milestone anniversary, we are going back to her clothing evolution.

1990s: Ginger Spice

The Spice Girls at the 1997 Cannes Film Festival (Neil Munns/PA)

Taking the pop world by storm in the mid-1990s – alongside Spice Girls bandmates Melanie Brown, Melanie Chisholm, Emma Bunton and Victoria Beckham – Horner was given the nickname “Ginger Spice” in honor of her fiery red hair.

The 20-something pop star was all about attention-grabbing outfits, often sporting the brightest and loudest ensembles of the bunch.

Geri Halliwell aka Ginger Spice performing at the 1997 Brit Awards (Fiona Hanson/PA)

Her most iconic Spice Girls look is undoubtedly the extremely short Union Jack mini dress she donned to perform at the 1997 Brit Awards, paired with bright red platform boots.

To widespread shock, Horner left the phenomenally successful girl group in 1998 and quickly set about reinventing herself.

Geri Halliwell on stage at a royal gala in honor of the Prince of Wales’ 50th birthday (Stefan Rousseau/PA)

Showing off a sleek new look later that same year, she sang happy birthday to Prince Charles on his 50th birthday, wearing a stunning midnight blue strapless dress with a huge skirt.

2000s: Solo star

Geri Halliwell performing at Party in the Park 2001 (William Conran/PA)

Embarking on a solo pop career, the singer formerly known as Ginger Spice embraced all the biggest trends of the 2000s, including halter tops, low-rise jeans and mini kilts.

Geri Halliwell braves the rain to greet fans and promote her album Scream If You Wanna Go Faster in 2001 (Haydyn West/PA)

Swapping out her bright red hair for honey blonde streaks, the pop star’s off-duty style was decidedly more demure, and on the red carpet, she favored glamorous, body-hugging dresses.

The Spice Girls during a photocall at the Royal Observatory in 2007 (Joel Ryan/PA)

In 2007, the Spice Girls announced that they would be reforming. Horner, who had given birth to her first child, Bluebell Madonna, the previous year, looked somewhat out of place during the reunion photocall, wearing a flowing white maxi dress – while the other members chose bold black and red outfits.

2010s: Olympic glory

Geri Haliwell at Newbury Racecourse in 2010 (Steve Parsons/PA)

Horner’s style continued to evolve in the 2010s and she experimented with the blonde and bronzed baby look.

Geri Halliwell launched her clothing line with Next in 2011 (Ian West/PA)

The Spice Girls returned to center stage once again with their epic performance at the closing ceremony of the London 2012 Olympic Games. Ginger Spice recalled her iconic British look in a red mini dress, with the bustle of the Union flag.

Geri Halliwell of the Spice Girls performs during the closing ceremony of the London 2012 Olympics (Anthony Devlin/PA)

In 2015, she chose British designer Phillipa Lepley to create the lace-trimmed wedding dress for her wedding to Red Bull Formula 1 boss Christian Horner.

Spice Girl Geri Halliwell arrives for her wedding to Formula 1 boss Christian Horner (Chris Radburn)

Now: minimalist chic

Geri Horner in the royal box at Wimbledon (Steven Parsons/PA)

These days, Horner will wear any color…as long as it’s white. Or cream. Or ivory. Rarely depicted in anything other than these pale hues, Horner has found her fashion groove, and it’s a far cry from her Spice Girls style.

The mother-of-two (she gave birth to son Montague in 2017) is all about luxe loungewear, flowing blouses, swishy skirts and white jodphurs (the longtime riding enthusiast owns several horses).

Christian Horner and Geri Horner attending the world premiere of No Time To Die (Alamy/PA)

Horner also loves the all-white look on red carpet appearances, often styling a chic column dress with a sleek updo and bold red lip.

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Fashion designer

woman helps Carpenter with ‘electricity bill payment’, loses 3l | Bombay News

Mumbai: A fashion designer lost almost Rs 3 lakh of her family’s money trying to help a carpenter who was a potential target of a cyber crook. A criminal offense has been filed at Sick police station.
The 26-year-old fashion designer lives in sick west with her family. She had hired a carpenter to make furniture in her home. On Tuesday morning, while the carpenter was at work, he received an SMS from an unknown number informing him that the electricity supply to his home would be cut off because he had not paid the bill.
A phone number was mentioned in the text and the carpenter dialed it. But he couldn’t understand what the person on the other end of the line was saying. He handed the phone to the fashion designer and asked her to speak on his behalf.
The man pretended to be from the power company and asked the fashion designer to download an app called Quick Support. Little did she know that the app would give her remote access to the carpenter’s phone screen.
He asked her to pay Rs 10 to prevent the power supply from being cut off. She added her father’s debit card number and paid Rs 10. But soon after, three more transactions took place and around Rs 70,000 was debited from her father’s account.
The fashion designer confronted the scammer about the deductions he offered to refund the money to her via her digital wallet. “He then asked her to download the Quick Support app on her handset, which she did, allowing him to access her phone remotely as well. This time, three debit transactions totaling Rs 2.24 lakh was made on his account,” a policeman said.
The fraudster then disconnected the call and his phone was turned off.
The fashion designer then rushed to the Malad police station the same day and filed a fraud complaint.


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French fashion

The Case of the Artist and the True Crime Documentary

If you’re the kind of viewer — like me — who watches true-crime documentaries and spends all of your time wondering exactly how you’re being manipulated, this week offers an opportunity to peek behind the curtain.

It comes in the form of two very good series, one released last year and one premiering in America on Thursday, about a harrowing and seemingly never-ending case, the 1996 murder of Sophie Toscan du Plantier at her vacation home on the south coast of Ireland.

The case contains so many ingredients of true-crime fascination that it barely feels real. The victim was beautiful, semi-famous (her husband, Daniel, was one of France’s leading film producers) and far from home in a hauntingly dramatic landscape. The murder, two days before Christmas, was brutal and without eyewitnesses.

One suspect, a freelance journalist named Ian Bailey, who aggressively reported on the murder, was arrested twice by police and released without charge each time by prosecutors. The investigation by the Garda, Ireland’s national police, has been dogged by accusations of incompetence and corruption. Bailey went to court twice, suing a newspaper group and then the police; he lost each time, cementing his status in the public mind as a murderer who got away with it.

Meanwhile, members of Toscan du Plantier’s bereaved family waited anxiously in France for Ireland to find his killer. Completely convinced of Bailey’s guilt, they pushed for him to be tried in absentia in France, where he was found guilty and sentenced to 25 years. Arrested again by the Garda, he was again released by the Irish State, which refused to extradite him. This is where things stand today, a quarter of a century after the murder.

It’s a lot. I have it all in my head because it’s all covered, cohesively and dramatically, in all three episodes “Sophie: Murder in West Cork”, which came to Netflix last year, and the five episode “Murder at the Cottage: The Search for Justice for Sophie”, premiering on the streamer shop after it aired last year in Britain.

But while the two basically tell the same story, they leave you with very different feelings about Ian Bailey. By the end of “Sophie,” you’re likely to see him as a strange, off-putting character and reasonably convinced of his guilt. By the end of “Murder at the Cottage,” you’re more likely to see his guilt as possible but unproven and weigh his eccentric behavior against the undeniable toll the case has taken on him, guilty or not.

Part of this difference has to do, as you would expect, with selection and emphasis. Suggestions that the victim knew Bailey, which he denies, are further aired in “Sophie”. A report of a speeding Ford Fiesta, driver unknown, near the victim’s house the night of the murder only appears in “Murder at the Cottage”. There are many other examples.

It has even more to do with representation. “Sophie” gets closer to the point of view of Toscan du Plantier’s parents, son and other relatives, interviewing them at length and closely following their crusade. The main characters of “Murder at the Cottage” are Bailey and her faithful romantic partner in most cases, Jules Thomas. (The victim’s family members were interviewed for “Murder at the Cottage” but asked that the footage be deleted after the series preview; it appears in archival interviews.)

But perhaps the most important element is provenance. “Sophie,” directed by John Dower (“Thrilla in Manila”), is a solid example of Netflix’s true-crime style. It’s leaning towards drama and surprise, without being overtly sensational; it’s polished and crisp but not particularly inventive or inquisitive, being more concerned with presenting story elements in a familiar, easily digestible form.

And its focus is on culpability – on identifying a suspect or suspects and building a case. It’s the truest crime MO, to take on the role of prosecutor and heighten the emotions of us, the jury, and steer them in a particular direction. In the case of “Sophie”, the simplest – and perhaps the correct – direction is toward Bailey’s guilt.

But guilt isn’t the central issue in “Murder at the Cottage,” which fulfills the demands of true-crime documentary without being captive to the format. It is, in a descriptive sense, a work of art, written and directed by talented Irish filmmaker Jim Sheridan, who appears onscreen as narrator, interviewer and spiritual guide. It’s also clearly a passion project, which Sheridan had been working on since at least 2015, and you wonder about its relationship to his film career, which got off to a brilliant start – ‘My Left Foot’, ‘In the Name of the Father “, “In America” – but has lost momentum in the last decade.

In the Netflix series, the information is expertly arranged to embody an existing story, which had already been told by the media over the years, and to fit in with an existing moral calculus. In “Murder at the Cottage”, Sheridan goes in search of a story that will make sense of the maddening events. Her approach is actually simpler than that of “Sophie”, which jumps in time to increase the surprise. It goes from station to station, chronologically, sacrificing some drama for the sake of clarity.

His progress is guided by his own ideas and feelings, in a way that runs counter to easy answers or epiphanies. He cannot contain his irritation at what he sees as the shoddy and possibly unscrupulous workmanship of the Garda, or the authoritarian actions of the French court. But he’s scrupulous about maintaining perspective. At a crucial moment, a reporter appears onscreen to point out that there’s no reason why “the Garda is corrupt” and “Ian Bailey is guilty” can’t both be true. (This summer the Garda announced that they would formally look into the matter.)

More problematic – certainly for Toscan du Plantier’s family – he has a storyteller’s eye for the character, and Bailey, erratic, imposing and undeniably charismatic, holds the screen in a way that buttoned-up, pensive family members they do not do. Sheridan and Bailey have clearly grown close over the years of filming — during the French trial, Sheridan phones Bailey for updates, supposedly to get her answers on the film — and Sheridan surely knows that screen time and intimacy will generate sympathy for the accused killer. But Sheridan is just following the story where his instincts and circumstances lead him.

Along the way, viewers will appreciate the textures Sheridan brings to a genre usually run by numbers. Pictorially, visually and rhythmically, the series is a pleasure. And the ideas arise and mix with an unusual subtlety. At the start of the series, Bailey says, “It’s hard, the gap between knowing something and being able to prove it.” Several episodes later, when the head cop on the case talks about feeling helpless over the corruption charges, you realize his complaint is the same as Bailey’s.

Other choices by Sheridan are more immediate and vivid, such as a photo of Bailey pulling out one of his own teeth with pliers which is paired with a discussion of the French court’s description of him as borderline psychotic. But again, it’s complicated: it could be evidence of a psychosis, or it could just be evidence of a sharp theatrical personality that turns people against itself.

In a rumination towards the end of the series, Sheridan addresses the uncertainties of the story and his role in it: “Is he capable of killing? Aren’t we all? Is he guilty? I do not know. I don’t think we can say for sure. If “Murder at the Cottage” isn’t, ultimately, something more than a particularly well-made and nuanced example of the true-crime series, it’s because of another question Sheridan leaves unanswered: why he cares so much.

He hints at a personal connection and speaks of his rage at the lack of justice for Toscan du Plantier, but something is missing, a level of emotion that would justify the effort. We can still get the answer because it would be still following the case.

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Fashion brand

Fashion brand acquired, securing Australian following

Global restructuring firm Gordon Brothers has acquired the global Orsay brand, archives, associated trademarks and other intellectual property from Orsay GmbH.

The company partnered with Scayle to continue its growth in addition to maintaining existing Orsay franchisees.

Gordon Brothers chairman Tobia Nanda said the acquisition allows the Orsay brand to develop new apparel, footwear and accessories – and continue to be available globally and to customers in Australia, where it has a dedicated clientele.

“We have been following the Orsay story for years and have always been impressed by the brand’s powerful connection with consumers.

“The Orsay brand has been successful across regions, countries and distribution channels, and we are thrilled to partner with Scayle for its next chapter of growth.”

Scayle co-CEO Tarek Muller praised the partnership.

“Throughout this process, Gordon Brothers has shown enthusiasm for the Orsay brand, flexibility and willingness to ensure its continued presence in the European market.

“The agile strategy and growth objectives fit perfectly with SCAYLE’s modern business setup and rapid use cases.”

Gordon Brothers has been actively investing in brands since 2003, partnering with companies to help revive and reinvent brands such as Laura Ashley (pictured) and Nicole Miller.

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Fashion style

9 of the biggest 90s fashion trends that are making a comeback

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

If you’ve looked at TikTok or Instagram (or flipped through a fashion magazine) lately, you’ve probably noticed that the 90s are back. More than 20 years after the decade ended, many of its most iconic fashions (think scrunchies and Mom jeans) that were once mocked are now embraced by Gen Z.

Such is the cyclical nature of fashion, and with looks – from grunge to goth to hip-hop, and more – throughout the decade, there’s sure to be plenty of inspiration to draw from. Here are just a few of the many 90s trends that have re-entered the culture lately. Don’t wear them all at once!


Pro tip: You can also accessorize by wearing one on your wrist. / Ivyu / Amazon

Once famously mocked in a 2003 episode of sex and the city, this humble and stretchy fabric hair tie has since become popular again. More comfortable and forgiving on sensitive manes than the typical elastic, the scrunchie has been rediscovered for its versatility, ease of wear, and ability to add an extra touch of style to a casual outfit.

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Brown Birkenstocks on a white background.

A true classic never really goes out of style. / Birkenstock / Urban Outfitters

These comfy sandals, easily recognizable by their cork soles and buckles, were a staple of the ’90s hippie wardrobe, but today you’re more likely to see them worn by a more fashion-forward crowd. Birkenstocks fit right in with the so-called “normcore” concept of unassuming, comforting 90s clothing, in fact subversively styled. While classic Birkenstocks come in dull earth tones, today you can buy them in a wide variety of colors and styles.

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Dr. Marten 1460 smooth leather platform boot on a white surface.

Channel your inner Daria with iconic Docs. / Dr. Marten’s / Urban Outfitters

Platform shoes, which were once all the rage in the 70s, reached new heights (pun intended entirely) in the 90s. Platforms were seen everywhere, from grunge children’s Doc Martens to sneakers dizzying ravers (and the Spice Girls!), and even the Mary Janes and moccasins of fashionable teenage girls. Given the popularity of spindly designer stilettos of the 2000s, it only makes sense that the more fashion-forward and comfortable clumsy shoe is finally coming back into fashion. And unlike the 90s, you can now get Docs in vegan leather, as the brand has offered it as an option since 2011.

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Posh Spice at VH1 Party

If Victoria Beckham (aka Posh Spice) wore them back then, you know they were in style. / Dave Hogan/GettyImages

These seductive, often gothic-looking necklaces were all the rage in the 90s. The tattoo choker in particular – a looped plastic variation, cheaply made on the theme – was particularly ubiquitous later in the decade. . These necklaces, along with the more traditional velvet and rhinestone ones, have become popular again, mostly worn by teenage girls and young women looking to add a bold accessory to their respective outfits.

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Mom jeans (or as they were called in the 90s, simply “jeans”) have gone from object of derision (most memorably derided in 2004 Saturday Night Live sketch seen above) to a must-have cool-girl. Jeans used to be high waisted and stiff by default, but as stretchier fabrics came along, skinny jeans became popular, and by the 2000s they were a staple. Low rises were also the norm at the time, and the high rises of so-called Mom jeans have proven to be more flattering and comfortable for many, and can have a surprisingly timeless feel.

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Princess Diana in bike shorts.

Style icon Princess Diana helped make bike shorts look super chic, even for casual outfits. / Anwar Hussein/GettyImages

These stretchy, form-fitting shorts were the pinnacle of athleisure before that word even existed. Often paired with oversized t-shirts or sweatshirts, bike shorts are comfortable and relaxed, with a hint of sexiness in their fitted silhouette. Many people have discovered the benefits of bike shorts during the pandemic as they are a good alternative to pantsless on Zoom calls. They can also have an understated, chic quality outside the home, as evidenced by the many photos of ’90s style icon Princess Diana in bike shorts that often circulate on Instagram.

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Drew Barrymore, Eric Erlandson, Hole

Slip dresses were huge in the 90s, popularized by ‘it girl’ Drew Barrymore (pictured here with Hole’s Eric Erlandson). / Steve Granitz/GettyImages

Loved by ’90s it girls like Courtney Love and Drew Barrymore, the slip dress is both underwear and outerwear at its best. The silky fabrics and spaghetti straps of these dresses have a flirty vibe without much effort, and they’re easy to slip on and dress up with a few accessories. The slip dress can look like Old Hollywood or riot grrrl, depending on how it’s styled, and its versatile sexiness and association with ’90s rebels has led to a new appreciation for the style.

Shop: Urban Outfitters

Stacey Dash and Alicia Silverstone in "Distraught."

The 1995 hit “Clueless” is a treasure trove if you’re looking for ’90s style inspiration. /Paramount Home Entertainment

Plaid has always been around, but in the 90s it was everywherefrom the grunge musicians flannel shirts to the famous yellow skirt suit worn by Alicia Silverstone in clueless. Donning a plaid piece is an easy shortcut to edgy ’90s style, as evidenced by pop star and Gen Z fashion maven Olivia Rodrigo’s penchant for plaid dresses and miniskirts.

Shop: Nordström

Frequently associated with the aforementioned high-waisted jeans in the 90s, the bodysuit gave casual outfits a more polished look. While some may scoff at the downsides of a bodysuit when it comes to using the bathroom, these body-conscious pieces (which can be minimalist, athletic, or boudoir-ready) are making a comeback via brands backed by celebrities like Kim Kardarshian’s SKIMS and others. .


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Fashion designer

Lewis Hamilton Goes Pink With Zendaya In Groundbreaking Collab With Billion-Dollar Fashion House

Formula 1 has completed 13 rounds and is in its summer break, which shuts down all activity in the F1 world. Drivers are using this time to disconnect from the sport and recharge before returning to one of the fiercest competitions in the world. In his spare time, Lewis Hamilton extends his collaboration with Maison Valentino.


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The seven-time world champion has often amazed fans with his on-track results. However, off-road, it never disappoints in preparation for a Grand Prix. The F1 paddocks often see the Brit making a new fashion statement at the track he is visiting.


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New big title made him the face of Pierpaolo Piccioli’s ‘Valentino Pink PP Collection’. Notably, Hamilton is Valentino’s DI.VAs (meaning DI.fferent VA.lues), a term coined by Piccioli to refer to the main faces of the House of Valentino.

Besides, the Italian designer is also featuring American actress Zendaya to promote his new clothing line. The two superstars in their respective fields can help the designer achieve multiple strands.

Lewis Hamilton: DI.VAs

When not in racing suits, Hamilton is very much engaged in his off-road passions. He is very into creative fields like music and fashion and is an adrenaline junkie when skydiving. The Mercedes ace likes to contribute to society and never backs down from a new challenge.

For many years, the Brit has spoken openly about racism, diversity and social injustice. He is a leader who sets the benchmark in everything he puts his heart into. The Italian fashion designer is a big fan of these qualities he shows and is full of praise for his DI.VAs.


$20m partnership between Fernando Alonso and Aston Martin features sneaky details

in about 1 hour


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piccoli said, “Lewis is a performer; he is able to use his energy to express his authentic and precious self. The talent that he spreads with all his personality goes far beyond his sporting excellence and embraces everything he does. Lewis believes in what he does and shows it with effortless intensity.

I saw him commit to social causes with great independence. I saw him wear a total pink look and make it personal. I saw him smile and chat with people in a very casual way. By doing whatever pleases him, he pleases us. As a DI.VA testimonial, it represents diversity, equality and, above all, love.

Watch this story: Lewis Hamilton joins Zendaya as the new face of fashion house Maison Valentino


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“I couldn’t think of a better friend for this campaign. It will give an empathetic, human, inspiring message and it will be true”, Valentino’s creative director concluded.

The collaboration is a big hit in the fashion world and we can’t wait to see what the duo release next. What’s your favorite Lewis Hamilton haircut?

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French fashion

Black Girls Surf Founder Amplifies Athletes’ Voices

Sports Illustrated and Empower Onyx highlight the diverse journeys of black women in sports – from veteran athletes to rising stars, coaches, executives and more – in the series, She-evate: 100 Influential Black Women in Sports.

When Rhonda Harper, founder and director of Black Girls Surf, used to sit with her siblings in her Kansas home watching a series of TV shows, she had no idea what to enjoy the specials. beach from his landlocked living room would lead to the most exhilarating sport of his life: surfing. When skateboarding took a step back and the search for black female riders began, Harper began designing an organization that reached out to more than just black girls with the right to compete. Its roots, deep in social justice, continue to instill fairness in the global surf industry.

“In the ’70s, Stevie Wonder, the NAACP, and civil rights were huge in Kansas City,” Harper says. “I was watching Muscle Beach Party and little Stevie Wonder debuted. That was the connection for me.

Harper adds that she started buying surf magazines with the money she earned on her paper route. “There were no black people surfing in the whole movie. The only time I saw someone black was when I saw Stevie play. I already wanted to surf, but it’s not it was when I saw Stevie that I realized I could be in that scenario,” she says.

Harper’s family moved to California when she was 10. They had a pool in their backyard, a far cry from the separate pool two blocks from their former home in Kansas City. “I learned to swim in a black community pool in Parkwood, three miles from my house instead of the one that was only two blocks away,” says Harper. “My father, who was a retired coast guard, taught me.”

When they arrived at their new home in San Jose, the pool water was green. So her mother took the family to the beach, and swimming became Harper’s sport until she graduated from high school. “I was probably the only senior with a grad ring that has a surfer on the side,” Harper says.

“I started at 7, just watching movies, and then I moved to San Jose, 20 minutes from the beach,” says Harper. “My whole life has changed.” As the junior activist grew into a teenager, her upbringing for social justice left little patience for inequity. Her rebellious spirit prompted her parents to send her to live with her 19-year-old sister Natalie in Oahu, Hawaii. Harper is still amused when she recalls how they fired her “to punish her.”

Her father nicknamed her “Rocky” because she was constantly fighting at school. “When I came to California it was even worse because everyone had their mouths open and there was no segregation,” she says. Living with Natalie, a student in Oahu, was paradise for Harper. She stayed until she graduated from high school, and her love of the ocean and surfing brought her peace and clarity. The ocean was a mile away and the bus was only 25 cents, Harper recalls.

“I learned a lot about myself,” she says. “First, I’m there by myself. No lifeguards. It’s just me in the water. There’s a lot of anger that I brought back in my suitcase about why I had to move. I could feel him go. A lightness came over me, as the days went by, and I was getting better and better. I just felt a lot calmer. There was a level of maturity that set in. Harper’s sister told him not to go into the water without her. Nevertheless, caution was thrown to the waves. A determined Harper used to hide her used $25 board in thick brush next to the apartment, never bringing it inside. And his sister was never the wiser.

After graduating, Harper went to the Fashion Institute of Design and Merchandising and worked with her older brother, Keith, who was already making clothes for Bobby Brown and New Edition. Harper’s list of celebrity clients has grown and spanned from actor Eddie Murphy to rapper Heavy D.

After 25 years in the field, she decided to launch her own line of surf clothing. All she needed was a black surfer to model her clothes on. That’s when she discovered how hard they were to find.

“I wanted an Afro-centric, surf-influenced clothing line for black people who surf,” she says. While researching her niche market, she came across archival information about Inkwell Beach in Santa Monica, a place where black people congregated during segregation. “There was another article I had read about this first surfer of African and Latino descent, Nick Gabaldon, who surfed this same beach.

Harper began to connect her main passions – activism, surfing, fashion and writing – into a journey that changed her life. After leading the charge to place a memorial plaque at Inkwell Beach in Santa Monica for 24-year-old Gabaldon, whom Harper says was “overdone on a big wave day, [when] he hit the Malibu pier and died. She continued to support and coach black surfers while seeking out her female counterparts. It was important for them to have a space to showcase their athleticism. Harper’s quest would open the floodgates for women who had gone unrecognized in the surfing world. From the start, Harper felt this sense of exclusion.

“I tried to make the swim team in high school, but I didn’t look the same as my white counterparts in their bathing suits,” she recalled. “So I always got teased by the coach, who was already racist. He always had something to say about black bodies and black people. I told my mum I didn’t want to be in that environment. So I quit.” Harper was grateful that surfing was an individual sport rather than a team sport, and she said she preferred surfing because it gave her a sense of peace.

The writing was really on the wall when someone from a black athlete sports network read Harper’s press release on Gabaldon’s plaque and asked him to report on black surfers. “I started looking for a surfer, and I couldn’t find one that fit that category,” she says. “It’s the beginning of my career as a journalist, so I can explain why there are no black surfers. still no blacks on these pages.

She took a course with the International Surfing Association, part of the International Olympic Committee, and became the first black surfing judge. She decided to use this title to set up a platform, The Africa Surf International, which allows black surfers to show their talent. The ASI was going to be a competition held in Sierra Leone for a specific reason: it was where the Africans were all separated and taken to different parts of the world, Harper explains. “I learned that they discovered surfing in Ghana before Hawaii,” she adds. “We were already surfing, but this information was hidden from us.”

Years later, Harper realized something else that was hidden in plain sight: Afro-Latina surfers. She was “looking” for a black community surfing the waves, and it already existed. As her duties as a judge increased, she discovered the mystery. “I discovered that there were black surfers all over the world,” she says. “Some of them didn’t identify themselves, because it was the early 2000s and we weren’t yet calling people who lived in Venezuela and Brazil Afro-Latin or Afro-Brazilian. I was seeing these surfers when I was a journalist, and I missed it.

“There was literally a black surfer, Suelen Naraísa, who carried the Olympic torch in 2016,” she says. “When I talk about culture and black people in surfing, I can’t leave out the Brazilian community because they have been building it for a very long time.” The discovery inspired Harper to continue her fight.

She went to the International Surfing Association games in 2005 and 2006, where she noticed the absence of black women competing. Finally, Harper has found enough girls to turn up a heat. In 2014, she encouraged her team to do an exhibition that would allow girls to “go out and win trophies”. And Harper hoped that “maybe it would spark a new generation of people seeing black women surfing.”

Then Ebola hit the country and suspended the ASI contest. It was then that Harper decided to bring two of the West African girls to California for training and “proper” exposure. (One of them ended up not coming to the United States due to the travel ban and the closure of embassies). Over the next few years, Black Girls Surf began to take shape. “Even though everything was shut down, I continued to work to bring awareness to black women,” Harper says. She could never have seen what was to follow: COVID-19, which stranded Harper in Senegal for two years.

“Everything you see on Black Girls Surf now was done from an apartment in Senegal because I was trapped,” says Harper, who planned a quick trip to the country to film Khadjou Sambe, the Senegalese surfer she trains for the Olympics and the World Surfing Pro League. “I had been there for two years when the country closed. I couldn’t go home. Yet its social justice has transformed and flourished during the pandemic. “I trained girls in Senegal,” she says. “We don’t speak the same language. I don’t know Wolof. I don’t know French. But I know direction, compassion and empathy.

According to Harper, Sambe’s surf trip will ultimately change the Senegalese Federation. “Senegalese girls are not registered with their federation,” says Harper. “They didn’t want Black Girls Surf to be part of this federation because they know it’s going to change the country. It’s already changing,” says Harper, who made a global paddle for George Floyd.

“The surfing industry was so locked into environmental justice that they didn’t realize it went hand in hand with social justice,” she says. “We know this because there are dumps in black and brown communities. It’s not just about the ocean. It is about the environment and its totality. I watched my white counterparts talk about whale kills. And on the other side, all my black friends were crying because black people were being killed.

Her unwavering activism continues to push the boundaries as she moves the needle of her Black Girls Surf mission with unique programs like surf therapy; GROMS, an NFT collection; surf camps, like the one at Bowdoin College in Maine; and of course her clothing line, Hurley Black Girls Surf.

Bryna Jean-Marie is a contributor for Strengthen Onyxa diverse multi-channel platform celebrating the stories and transformative power of sport for black women and girls.

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Fashion brand

Historic Leather Manufacturer Buys Luxury Fashion Brand | South West Deals

A historic producer of high-tech and luxury leather goods, headquartered in Yeovil, has acquired the brand and assets of a contemporary luxury fashion business.

Pittards opted for Hill & Friends, founded in 2015 by Emma Hill and Georgia Fendley.

Hill & Friends’ line of handbags and accessories is said to have a “distinctive aesthetic, proven pedigree and loyal following while offering the potential for material international growth”.

Co-founder Emma Hill’s philosophy of believing in fair trade and ethical practices is believed to be “in line with Pittards’ long-term strategy to drive sustainable growth”.

Pittards itself was established in 1826 and has a heritage of developing and manufacturing performance leathers that are used by top brands around the world.

The acquisition allows the company to add another luxury fashion brand to its growing portfolio.

Pittards Managing Director Reg Hankey said: “Maintaining our strong balance sheet, this acquisition has been fully funded from the company’s existing cash.

“This complementary acquisition represents a compelling opportunity to further expand our offering, building on our success with our luxury men’s brand Daines and Hathaway.

“We are excited to work with Emma to expand the breadth of our offering in the fashion industry while generating new synergy benefits and unlocking shareholder value through increased scale.”

Details of the advisers who worked on the deal were not disclosed.

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Fashion style

Toronto-based clothing brand creates hype around four-letter words

What makes a hoodie unique?

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What makes a hoodie unique?

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According to Rachel Walderman, founder of 4 Letter Series, it is a four-letter word. The Toronto-based apparel and lifestyle brand offers limited-edition clothing collections designed to feature “four words that compile four letters, telling a short story.”

We caught up with Walderman to find out more.

Q. For those who don’t know, what is 4 Letter Series?

A. 4 Letter Series (4LS) is a premium apparel and lifestyle brand that offers locally made, handcrafted products designed to bring you ultimate comfort and joy, with an emphasis on storytelling. We’ve had four drops so far, with a primary focus on hoodies, crew necks, and zippers. As part of the creative process, we collaborate with community leaders to make our drops unique and multifaceted. We launch our products with a story to share with our community.

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Q. What makes it unique?

A. Our concept is what makes us unique. There are endless lines of hoodies on the market, but no one else does. Each drop highlights four words that compile four letters, telling a short story. With each drop, the story constantly evolves and changes, like our own lives. Each of our clients resonates differently with the stories, making them their own. It’s such a beautiful thing to celebrate the interpretation and power of words, while tying that together with high quality clothing and creating something that can be worn with pride.

Q. When and why did you launch the brand?

A. I launched 4LS in the fall of 2021, but technically I launched the brand eight months before that. I always wanted to make something my own, but it took me time to develop the confidence to do so. Being in the fashion industry for 11 years, I was starting to feel demotivated by my lack of purpose. I wanted to create something more than just beautiful clothes. 4LS creates products that have personal meaning.

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Q. Who is the target customer?

A. Anyone can wear the 4LS, but we’ve found our current client to be between the ages of 25 and 45, of all gender identities and expressions.

Q. What can you share about product collaborations?

A. To date, we have had the privilege of collaborating with community leaders and creatives, all of whom happen to be extremely talented Canadian women, including Bianca Sparacino, Rachel Joanis, Madeleine Gross and Noah Lehava. Whatever the partnership with 4LS, we do so with deep thought and intent to ensure it is aligned with the brand. We are always looking for artists, graphic designers, illustrators and more to improve our clothes and make them even more special.

Q. The products are all made in Toronto. Why was this important to you?

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A. When it came to the original delivery of hoodies and crewnecks, I knew I wanted to find a local manufacturer who believed in my creative vision and was willing to go the extra mile to create special pieces. Part of that meant I really needed to be involved in the process from start to finish of the garment’s journey. My manufacturer for all of our hoodies, crewnecks and zippers is a small team of four people. This means that everything is designed and created with the utmost attention and care, and every detail is considered. Making clothes locally in Canada is not the easy way, because we don’t have the same resources as abroad, but if it was easy, everyone would be doing it, right? ? There is so much talent in our backyard that can be used and supported. For our collaborations in other categories, like our candles and vintage jewelry, we’ve also worked with local businesses.

Q. Finally, what is the price range of your products — and where can people find them?

A. Our candles are $68, our clothes range from $115 to $175. We also sell vintage solid gold jewelry and chains, which start at $175 all the way up to $510.

[email protected]

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French fashion

Kaia Gerber models silk boxers, high boots and sunglasses for French fashion house Celine

Kaia Gerber wears silk boxers, knee high boots and sunglasses in chic black and white photos for French fashion house Celine

Kaia Gerber showed off the latest looks from French luxury brand Celine’s winter collection on social media.

The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted to Instagram on Saturday.

The brunette beauty also presented a new Céline chain box bag from the winter 2022 collection available in stores and on from August 26.

French brand: Kaia Gerber unveiled the latest looks from French luxury brand Céline on social media” class=”blkBorder img-share” style=”max-width:100%” />

French brand: Kaia Gerber unveiled the latest looks from French luxury brand Céline on social media

Kaia was also shown in a close-up profile posted on Instagram by Céline on Sunday for the brand’s estimated 4.9 million followers.

She wore Celine cat-eye sunglasses with a cashmere turtleneck and signature necklace in the black and white image by Hedi Slimane Photography.

Hedi, 54, has been Céline’s creative, art and image director since February 2018.

The French ready-to-wear and luxury leather goods brand was founded in 1945 by Céline Vipiana and her husband Richard.

Silk boxers: The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted on Instagram on Saturday

Silk boxers: The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted on Instagram on Saturday

Celine has belonged to the LVMH group since 1996 and the brand has approximately 180 stores worldwide.

Kaia is the daughter of model Cindy Crawford, 56, and businessman Rande Gerber, 60.

She has an older brother Presley, 23.

Model mom: Kaia was shown last November with her supermodel mom Cindy Crawford

Model mom: Kaia was shown last November with her supermodel mom Cindy Crawford

Kaia has been in a relationship with actor Austin Butler, 30, after they were first romantically linked in December 2021.

Austin recently traveled to Budapest, Hungary to shoot the Dune sequel.

Kaia has also made a name for herself as an actress. She stars in the new short film The Palisades, which premiered last week at the LA Shorts International Film Festival. The 13-minute feature is billed on IMDb as “an exploration of the intricacies of female friendship” and was directed by Carissa Gallo.

Last year, the Los Angeles native also starred in three episodes of American Horror Stories and four episodes of American Horror Story: Double Feature.

She also has a recurring role in the Apple TV+ period comedy miniseries, Mrs. American Pie, which began filming in May. The series stars Kristen Wiig, Laura Dern, Allison Janey, Leslie Bibb, Ricky Martin and Carol Burnett.

Family portrait: Rande Gerber, Cindy, Kaia and Presley Gerber appear in December 2018 in London

Family portrait: Rande Gerber, Cindy, Kaia and Presley Gerber appear in December 2018 in London


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