August 2022

Fashion style

New fashion trend sees women turning semen into jewelry

Sick and tired of the jewelry that everyone already has? Then look no further than this TikToker, which will provide you with the most personalized coins you can find…

Jeweler and sculptor Amanda Booth recently took to TikTok to share her latest jewelry line with her followers.

Appropriately called ‘Jizzy Jewellery’, the Canadian jeweler uses – you guessed it – sperm to build her extremely unique parts derived from the penis.

In an interview with Vice, Booth explained, “Fresh samples are one thing, but when they’ve been in the mail for a little while, I mean…smells like cum, you know what I mean?”

Diving a little deeper into the manufacturing process, Booth added, “We treat them [semen samples] at the end of the day, otherwise we’re sitting in the smell all day and it’s just… We did it in the morning one day and it was like, ‘No, I’ll never do that again ‘.

After finally perfecting the right “clay to cum ratio,” Booth was ready to open up to custom orders and has since revealed her DMs have been inundated with requests.

After finally perfecting the right “clay-to-cum ratio,” Booth was ready to open custom orders. Credit: amandaldbooth/TikTok

While style choices differ and trends come and go, this TikTok trend has definitely got the internet talking.

With the original video amassing over 5.8 million views, people were eager to dig into the latest bling fashion.

Some found the semen samples completely bizarre and even disgusting.

“I’m boring, because the hell no!” wrote a TikTok user.

Another posted: ‘What’s wrong with people?

“It’s a hard no from me,” added a third.

Others, however, totally agreed with Booth’s thinking outside the box.

One person commented, “Brings a WHOLE new meaning to pearl necklace,” followed by laughing emojis.

“I love it, lol, take it girl!” wrote another in support.

Already sold on the idea and vouching for its popularity in relationships, one TikTok user commented, “I need to save up to buy some. My man thinks it’s hot.”

Amanda’s website explains to customers, “Like all of our personal creations, you can totally customize your pieces exactly how you want them. Whether you prefer a single drop, a full bead necklace, or sculpt something fun with your cum!

“Get yours today! Take your photo for a consultation!” the site advertises.

Whether you’re into the idea or not, you can’t deny that the idea is definitely a brave one.

If you fancy custom Jizzy jewelry for yourself, head over to Amanda’s website: Trinkets by Amanda Booth.

Talk about a custom order…

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French fashion

Beauty Bar: Mint Verbena Exfoliating Shower Gel L’Occitane

Content of the article

What it is: A new shower gel from the French brand L’Occitane that contains “purifying and revitalizing” mint essential oils in addition to an organic verbena extract from Provence, France.

Content of the article

Part of a limited-edition line of product additions to the brand’s best-selling Verbena line, the exfoliating shower gel is touted as being free of parabens, phenoxyethanol and phthalates. The seasonal launch of Verbena Mint also included a refreshing body gel and an eau de toilette.

Content of the article

What we say: Packaged in an easy-to-use squeeze bottle, our tester found this freshly scented shower gel left her skin feeling “clean, refreshed and smooth.” The refreshing, minty scent lingers pleasantly on the skin.

Boasting small exfoliating particles, our tester found the product to gently peel away from summer-dried skin, leaving the surface noticeably softer, without feeling overly scrubbed.

Where to get it: L’Occitane stores,

What it will cost you: $26.

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Fashion brand

LATAM and Caribbean brands are making waves in New York – WWD

Latin American and Caribbean designers are ready to conquer the United States

For decades, the fashion industry has been concentrated almost exclusively in the world’s most populated cities and major fashion hubs such as Paris, Milan, London, New York, Tokyo, Los Angeles, Stockholm, Copenhagen and Seoul. More recently, designers from the Middle East, South Africa and West Africa have started to emerge, earning nominations for the prestigious LVMH award.

Today, creatives with roots in Latin America and the Caribbean take center stage.

Brands such as A Lot Studio in Colombia, Wavey LA (born in Los Angeles and based in Mexico City) and Rebels to Dons, based in New York with roots in Trinidad and Tobago, are making their mark. They join more established actors such as Brooklyn, NY-based Kerby Jean-Raymond; who has Haitian roots; Fe Noel, who draws influence from his Grenadian heritage; Gabriela Hearst of Uruguay; LVMH Prize finalists Kika Vargas and Johanna Ortiz from Colombia and Victor Barragán and Barbara Sanchez-Kane from Mexico.

Many of these LATAM and Caribbean designers enter the United States via New York and pave the way for others in the region to follow in their footsteps.

A Lot Studio co-founder Valentina Ramirez, of Bogota, Colombia, graduated from Parsons School of Design, designed at Urban Zen under Donna Karan, worked for Oscar de la Renta, Proenza Schouler and Claudia Li and made her brand by creating a collection for Clara by Rihanna. Lionel Foundation. She co-founded A Lot Studio in 2019, initially producing the collection in India, but moved the brand to Colombia during lockdown in 2020 after acquiring her co-founder’s stake in the business.

Since the brand’s inception, she’s curated 15 pop-ups, including five in New York at Wolf & Badger, Flying Solo, Canal Street Market, 3NY, and a standalone multi-brand boutique where she’s stocked her brand with other Latin labels. -Americans. The next step for the brand is Madrid Fashion Week, where many Peruvian, Mexican and South American brands are expected to participate, according to the designer.

“New York City is an aspiration for so many other counties and societies,” Ramirez said. “If your customer can somehow associate the brand with New York, they see the added value. Having a presence here makes the community proud to wear the brand, especially the younger generation.

A Lot Studio participated in Coterie as Ramirez seeks to expand the brand’s wholesale presence. “I already know a lot of Colombian designers at big retailers like Saks and Bloomingdale’s. Bulk orders allow them to grow faster.

Lots of studio

Courtesy picture

Like A Lot Studio, Wavey LA also hosted pop-ups in New York.

Founder Talulah Rodriguez-Anderson established her brand in 2015 while completing her undergraduate studies at the Otis College of Art & Design. She also started a career as a DJ and offered merchandise including branded baseball caps.

Rodriguez-Anderson was born in Puerto Vallarta, Mexico, and moved as a child to San Diego and later to Miami. After creating the brand, she returned to Mexico to develop the line with designer Paulo Succar. Wavey LA held its first fashion show in 2018, opened a flagship store in Juarez, Mexico City in 2021, and this year opened a workshop in Roma, Mexico City.

“I don’t consider Wavey to be typical streetwear and I think the landscape is too saturated in LA,” Rodriguez-Anderson said. “I didn’t want to look like any other up-and-coming designer. When I decided to return to Mexico, I took the brand with me. I realized there was no streetwear here and we were the only brand doing that kind of stuff.

This summer, the brand hosted a stand-alone pop-up and a second at Laams on Manhattan’s Lower East Side.

“I feel like New York is one of the fashion capitals of the world and I feel like if you get here, you can get anywhere in the world,” she said. added.

Rebels to Dons founder Joshua Joseph moved to New York as a teenager and grew up in a family of artisans who ran a shop in Brooklyn where they sold items celebrating the African diaspora. Their items have appeared in films such as “Do the Right Thing”, “Predator”, “Predator 2” and “Coming to America”.

He started sewing at 16 and worked in retail at Uniqlo, Feit and Dunk Exchange before launching his line in 2017.

The brand recently teamed up with Ronnie Fieg and Kith Clarks on a footwear collaboration that launched at Blue in Green in New York and Soho Beach House in Miami.

“It’s very important to have this presence in New York, because it’s a melting pot of the United States for me,” Joseph said. “I would tell any business owner that New York is a place to understand. You can be an international brand and come here, but if you don’t have the right people in the store, you won’t attract good people.

Courtesy picture

Joseph thinks Caribbean designers are well represented and growing, but they still have work to do to increase their visibility. For Rebels to Dons, the designer is partnering with the Trinidad Tourism Board to build a section at Carnival in 2024.

Rodriguez-Anderson agreed that LATAM designers and people of color are making progress, but thinks they still lag behind white designers who have “more opportunities or the right connections to get things done faster.”

She added, “It’s harder as a Latina who’s not from New York trying to make that happen, because I don’t know a ton of people and I’m not friends with top photographers and models, but I’m willing to put in the work and keep pushing for the goals I have.

Ramirez sees the US market’s interest in South American brands, but that’s often just seasonal. “When it’s October, there’s a huge press for me, because all the media is looking for Hispanic Heritage Month stories,” she said. “After October, it’s much harder for South American creators to get that kind of exposure. We see it with other topics like Pride in June or February for Black History Month. It would be great if the news was broadcast all year round.

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Fashion style

Fall 2022 Bag Trends: A Fashion Editor-Approved Guide

I would call myself a handbag lover – IMO the accessory is so much more than something to just hold your stuff. And while I might get poetic about the many merits of carrying just the right tote or pulling out the clutch, I have a more pressing PSA to consider: Fall 2022 is full of bag trends that will enhance your look.

I have the next New York Fashion Week to prepare and I plan to roll out the most perfect handbags this season to elevate every outfit I wear. After all, as minimal, practical pieces began to seep into my aesthetic – T-shirts, jeans, shirts, etc. – I need some great extra accents to decorate them and make them more exciting. In the same boat? Keep scrolling for a sampling of the bags of the moment I can’t wait to get my hands on, including styles that incorporate denim, crystal, metallics, and fuzzy textures.

(Disclaimer: All that said, of course, pragmatism is also important when it comes to the grueling schedule of racing between shows and presenting NYFW. My typical day can consist of more than eight shows. , previews, and events scheduled on the hour every hour from 9:00 a.m. to 10:00 p.m. So I’ll probably carry most of my life in a functional tote bag next to my small backpack. hand from which I refuse to part.)

We may receive a portion of sales if you purchase a product through a link in this article.

Shine on

shiny objects never hurt, and complementing a cozy fall look with a sparkly bag is a simple yet opulent way to update a neutral look. Nina Ricci and Bottega Veneta were among the designers who opted for metallic colors on the Fall/Winter 2022 catwalk. I, for one, will save a bright bag for the end of fashion week when I have need a pick-me-up to accent what will surely be a last-ditch set.

Let’s get textured

My current favorite “pillow” bag from Poppy Lissiman is definitely on the agenda for the busy weeks ahead. As woven accessories continue their reign, choosing an unexpected texture like popcorn, crochet or beads is the perfect refresh. Bright hues and unexpected materials make these pieces lively additions to any look.

New Moon

The unmistakable shape of the It bag for fall is the curved crescent. A welcome update to the shoulder bag, this spherical silhouette comes in everything from logo-covered leather to classic matte leather. This bag will definitely be layered over my go-to fashion week tote bag.

Fill your own good

One of my favorite things about fall is all the textures and tones that come with casual outfits – it doesn’t have to be limited to knits and coats. Shearling and fuzzy pieces come in both shoes and bags this season, I expect to see all of the above.

great jeans

Denim is a staple in my wardrobe. But lately, I’m adding denim accessories to reinvent my current (and forever) obsession: the Canadian tuxedo. During fashion week, I always find myself in several all-denim looks for convenience, so a bag will definitely add an intentional element to the mix. Thus, many designers have released their classics in blue-jean versions, including the Jackie bag by Gucci and the Le Cagole bag by Balenciaga.

Everything that shines

Embellished pieces and going out apparel are a post-pandemic staple and, as a maximalist, I’m totally here for it. Currently, I think there’s nothing cooler than a white t-shirt, vintage jeans, old sneakers, and a blind crystallized sleep bag. Brands like Cult Gaia, Kara, and Benedetta Bruzziches have perfected the party bag, and at least one of them is sure to accent my after-hours NYFW outfits.

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Fashion designer

A poignant piece of history – Whanganui Chronicle News

Whanganui Regional Museum Archivist Sandi Black with Weldon’s Ladies Journal from August 2, 1897. Photo/Paul Brooks

Walter Weldon was known in some circles as an industrial chemist: it was he who developed the Weldon process for producing chlorine by boiling hydrochloric acid with manganese dioxide.

But this gentleman from Victorian England also set up Weldon and Company, producing sewing patterns. This extraordinary guy founded Weldon Ladies Journal which was a model for the women’s weeklies we have seen over the past few decades.

The Whanganui Regional Museum has original copies of the newspaper, and museum archivist Sandi Black chose the exhibit for this month’s WRM showcase.

“What we’re looking at is a women’s fashion magazine from 1897,” she says. “There are two currently on display in consecutive months: one in July, the other in August.”

It seems that Walter Weldon refused to be defined.

“He was a chemist, then became a journalist, then became a fashion designer…but he started this magazine to promote his own business, his own patterns that he designed.”

The pages of the magazine are rich with intricate line drawings of dozens of women’s clothing designs: the details are stunning but well printed with 19th century newsprint technology.

The magazine is filled with current fashion.

“It would come with a free pattern so you could make your own, or you could send the patterns for other images that were there.

“Everyone has advice on what kind of fabric would work best and how to structure it and make it so that women can get it, go home and order the fabric and make it themselves, or they can make it themselves. bring to their seamstress…”

Sandi says it was not unusual for men, and only men, to design clothes for women back then, but it was still a time of slow but significant change. It was “the good old days”, when fashion designers started to emerge.

“These date from the 1890s, but it wasn’t until the 1870s and 1880s that seasonal fashion became a ‘thing’, so there was winter wear, as opposed to summer wear, and Weldon’s was one of the first women’s fashion magazines to promote a little more equality.

“It’s not shown here, but there are women who go hiking, mountaineering, skiing and all those things: in fact, they let them out of the kitchen and the nursery to be more independent.

“There is also an undercurrent of rising feminism and equality.”

Sandi says Weldon’s Ladies’ Journal was published from 1875 to 1954 and had a worldwide circulation.

“So it covers almost 80 years, both wars. Elsewhere in the collection we have a First World War knitting pattern, by Weldon, for a Fair Isle jumper, and the jumper that was made from it.

“It’s more than a magazine.”

Weldon Ladies Journal also advertised sewing machines, fabric suppliers and gave advice on hair, makeup and cooking recipes.

“I think it’s really fascinating. It’s the precursor to women’s magazines that you can buy in any supermarket and dairy these days. We’re always very interested in what people are wearing.

“We don’t know where they come from, but I like the idea of ​​them being sent to colonial New Zealand so they can follow the high British fashion, in a way.

“I love that it’s representative of the turning point in women’s clothing; it was before women’s pants were acceptable, it didn’t come for a few decades, but the promotion of women’s sportswear instead of staying home and looking like an ornament on the couch.

“The level of detail is amazing. As a hobby seamstress, I like that they give advice on what fabrics are suitable and how to put a garment together.

“I imagine his wife would have been extremely well dressed.”

Sandi says part of the fascination of working in the museum industry is the “then and now”.

“So you look at this and it’s all variations on a theme: it’s all very long skirts, they all have very long sleeves, slightly puffy shoulders and a cinched waist, whereas fashion for women of today…wear what you want.

“The difference in attitude around what women wore kinda slaps me.”

The magazines and more are part of an upstairs exhibit titled Dressed for the thrill. There are cabinets on display, but the magazines are kept in large document drawers which museum visitors are encouraged to open and peruse.

“As an archivist, I promote paper. A lot of people still come to museums to look at objects, but quite often paper also has a story to tell. You look at this and you think: “Oh, it’s a stupid magazine,” but when you put it in the context of women’s freedom, suffrage, and fashion as a whole, it’s a pretty historic document. It’s a poignant piece.

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French fashion

The “most beautiful” girl Thylane Blondeau spotted in a bikini on a yacht in France

The “most beautiful girl” in the world was spotted enjoying a day on a yacht with her boyfriend Ben Attal.

Thylane Blondeau is currently enjoying the warm weather in St Tropez where temperatures are still in the low 20s (C) despite the fact that summer is almost over in the northern hemisphere.

The French model, 20, hit the water in a black Hunza G bikini that retails for $285.

It features a scoop neckline and thick straps for added support with high waisted bottoms.

Her long hair was tied in a messy bun and she accessorized with a simple necklace.

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In one photo, Thylane – who rose to fame aged just six when photos of her went viral thanks to her bright blue eye – can be seen basking in the sun with a group of friends on the deck of the yacht.

She also enjoys a tender kiss with her 25-year-old other half.

Thylane appears to be taking a break from her successful modeling career which has really taken off in recent months.

On social media, she shared a series of casual snaps, most recently posting a photo of herself in a black cutout dress.

In another photo, she rocks a pink bikini and statement sunglasses while relaxing on an outdoor couch.

The daughter of French footballer Patrick Blondeau and TV presenter Veronika Loubry began her modeling career at the age of four when she took part in a fashion show for Jean Paul Gaultier.

At the age of six, she was named “the most beautiful girl in the world” by TC Candler’s 100 Most Beautiful Faces of the Year in 2007.

But her successful modeling career has not been without controversy. A French Vogue shoot featuring a 10-year-old Thylane wearing heavy makeup and adult clothes drew criticism at the time for being too adult.

In 2019, she once again topped TC Candler’s annual 100 Most Beautiful Faces of the Year list, writing on Instagram that she was so grateful to be number one again.

“Can’t believe it myself… thank you so much @tccandler and everyone who voted,” Thylane wrote. “I am grateful to you all.”

Today, Thylane is represented by top modeling agency IMG alongside Kaia Gerber and Gigi Hadid.

She also has her own fashion label, No Smile Clothing, which sells bathrobes and tracksuit sets.

Earlier this month she was spotted swimming in the ocean with her boyfriend Ben who she has been dating since 2020.

Thylane dazzled in a green two-piece, which she accessorized with a pair of sunglasses.

The emerald green swimsuit featured a crop-top style top paired with a Brazilian-style bottom.

She also wore a thick necklace, two bracelets, and an assortment of earrings and rings.

However, she recently announced that she had undergone surgery following a secret health battle, telling fans on Instagram that she had a large ovarian cyst removed.

“This year, I saw three different gynecologists, I saw more than four radiology centers in Paris and they all said the same thing: ‘Don’t worry, you have nothing, it’s all in your head’ “, she writes.

However, the pain continued and she was eventually sent for an MRI. He was shown to have a cyst measuring over 5cm touching his ovary – and doctors took her back to the operating room for another emergency operation.

“Today I finally feel better, I finally feel free,” she added.

“I really thought I was crazy complaining about my stomach for so long. Glad I never gave up.

She advised her followers that it’s important to listen to your body.

“From this experience I learned that when your body is hurting you, don’t let it slip and take care of it, you have to go to different doctors until some of them find the problem and cure it. Any pain, even the smallest, can hide something much more important.

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Fashion brand

Celebrities are tapping into the second-hand clothing trend by selling on pre-loved sites | vintage fashion

Would you buy a pair of Christian Dior sneakers previously worn by Lily Allen? How about a playsuit worn by Olivia Rodrigo or cropped jeans by Maisie Williams?

The ability to buy clothes directly from a celebrity has become a new shopping option, thanks to a slew of famous names partnering with websites that sell second-hand clothes.

Love Island star Tasha Ghouri has become eBay’s first “pre-loved ambassador”. Photo: Matt Frost/ITV/Rex

Celebrity designer Harry Lambert, whose clients include Harry Styles and actress Emma Corrin, launched his first personal boutique on second-hand clothing site Depop last week. The same week, the American resale site ThredUp unveiled its latest partnership featuring stranger things actor Priah Ferguson. Created to discourage Gen Z from buying fast fashion, it features a “faith hotline” where users will hear advice directly from Ferguson on how to make smarter choices. They can also buy from a curated edition of used pieces chosen by the actor.

Elsewhere, the the island of love Runner-up Tasha Ghouri was recently named eBay’s first-ever “pre-loved ambassador.” This is the first partnership with a non-fast fashion brand to come out of the cult TV series.

Lambert’s wardrobe items included a yellow Prada tote bag (£1,000), a black hoodie (£140) from cult London streetwear brand Liam Hodges and a bespoke t-shirt (90 £) made for big little lies star Alexander Skarsgård for a magazine shoot. Within hours most of the items had sold out. “The first piece to sell was Harry Styles’ cover of Beauty Papers. It is an authentic and limited edition biannual magazine, therefore a very rare collector’s item. I’m not surprised he was picked up pretty quickly,” Lambert says.

Celebrity collaborations with brands aren’t new, but this latest crop marks a notable shift in the types of partnerships stars are willing to promote. A-listers are quickly beginning to associate themselves with the resale market.

A blonde Kim Kardashian in Portofino, Italy, in a tight top and leggings
Kim Kardashian launched Kloset in 2019 but drew criticism for its gluttony. Photo: NINO/GC Images

“They can see the backlash against fast fashion, so they want to align with the tidal wave where the next generation of consumers want to spend their time and money,” says Alex Goat, CEO of fashion specialist Livity. youth culture. “It’s circular, in a way. Celebrities have followers in their own right, but they also gain more influence by being on these reselling platforms.

For young buyers, the combination of fame and resale is a winning one. “It’s like borrowing a memory from the Hard Rock Cafe,” says behavioral psychologist Dr. Carolyn Mair. “As a fan, getting an item of clothing that a celebrity has owned is the closest thing to touching their body.”

In 2019, when the Kardashian family launched the Kardashian Kloset, an online space dedicated to selling their used clothes, they immediately drew criticism for their greed. Kim’s net worth alone is estimated at $1.4 billion. Barely two years later, it is no longer a taboo. Goat says it’s because it makes celebrities easier to relate to — they’re like the sites’ own users buying and selling items. “Before, maybe it was seen as desperation, whereas now it’s like ‘cool, just like me, they’re part of the circular fashion discussion’.”

Not all celebrities choose to profit from the sale of their used merchandise. Lambert decided to donate all proceeds from her Depop sales to the LGBTQ+ charity Mermaids. Former collaborators, including singers Rodrigo and Charli XCX, also donated all proceeds to charity.

Goat adds that it appeals to Gen Z’s sense of authenticity.

Olivia Courtney, a 19-year-old marketing trainee from Newcastle, follows Lambert on social media because of her association with Styles. As soon as her store opened, she bought a £15 tote bag emblazoned with the word ‘Pleasing’ from Styles’ official brand.

“It’s cool to say that I bought Harry Lambert something. I asked if he could write me a little message in it. Knowing that he works with Harry makes it more special somehow. of another.

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Fashion style

The Popularity of Princess Diana’s Black Sheep and I’m a Luxury Sweater

In the vast library of style-inspired images from the late Princess of Wales, photos that are pasted on vision boards, influencing fashion editorials and proliferating on Instagram and TikTok, some resonating more than others. There’s the Revenge Dress, and its particular style of bike shorts and ruffled blouses galore. But Princess Diana has also carved out a laid-back signature with the on-trend jumper.

When you say the words “Princess Diana trendy sweater”, two immediately come to mind. You can probably imagine them already, but if a refresh is needed, the two sweaters in question are: a cherry red sweater with a white sheep – and a small black sheep on the front – designed by Joanna Osborne and Sally Muir of Warm & Wonderful, and a soft peachy pink knit with the bold text “I’m a Luxury” printed on the front and “Few Can Afford” printed on the back. The latter was created by former MP, writer and broadcaster Gyles Brandreth and George Hostler, who founded Gyles & Brandreth.

Both pieces eventually went out of production and weren’t widely available (except as knockoffs or on eBay) until fall 2020, when the famously preppy brand with an irreverent twist Rowing Blazers teamed up to labels for their very first womenswear collection, and they so foresightedly resurrected sweaters for production.

An image of a young Princess Diana wearing the original Warm & Wonderful Black Sheep sweater in the 1980s.

Courtesy of the brands//Getty Images

Auspiciously timed to coincide with season four of The crown, in which Emma Corwin, who played a young Diana Spencer, appeared in the Warm & Wonderful Black Sheep sweater, the Rowing Blazers revival was a smash hit. The blockbuster sales weren’t fully anticipated by Rowing Blazers founder Jack Carlson, who argues the collection’s debut in tandem with Diana’s arrival on the popular Netflix drama was just a coincidence. “It was our first foray into women’s fashion and I approached the collection with Princess Diana as my muse, and it made me think the images of her really resonate with me,” Carlson said. “There are a lot of very famous red carpet images of the princess, but the ones that appealed to me were laid back and colorful, and that was also relevant to the world of Rowing Blazers.”

Carlson was clear in wanting to collaborate with the original creators of the styles, both Gyles Brandreth of Gyles & George and Joanna Osborne & Sally Muir of Warm & Wonderful, to make authentic recreations – not just copies, and from there, the collaboration took on a life of its own. At launch, the pieces instantly sold out. “Before we released the sweaters,” says Carlson, “I was worried that I would have too much stock. But they sold out within minutes of launch, and we quickly decided to take pre-orders to meet the overwhelming demand. ” And so evolved not just a limited capsule for Rowing Blazers, but an ongoing partnership for the brand with Warm & Wonderful and Gyles & George.

princess diana statement sweaters

A front and back view of the I’M a Luxury—Few Can Afford sweater.

Courtesy of Gyles & George

For Brandreth, the continued popularity of the “I’m a Luxury” sweater isn’t limited to placing the late Princess of Wales in the immortal pantheon of mega-watt celebrities gone too soon. Lured by a cheeky cockatoo sweater in the window of the Gyles & George store, which was conveniently located near Kensington Palace, Diana initially bought a number of pieces, Brandreth says, but she was never photographed wearing the sweater pink and blue graphic. “She had a great sense of humor and I think she loved that it was witty sweaters,” he explains. Joy was a crucial element in his aesthetic choice. “Through her downfall and her tragedy, there’s this wonderful photo of her with her two boys, whom she adored. And she sends herself saying, ‘I’m a luxury, not many people can afford it. “It’s sassy and people like that about her.”

Brandreth speculates that by wearing the sweaters, people feel close to the late icon. “These sweaters turn out to be the things that make people feel like they can be like her too: they can wear what she wore and they can have a bit of Diana to themselves,” he explains. -he.

For the founders of Warm & Wonderful, the experience of shoppers feeling a kinship with the Princess of Wales rings true. They also attribute the interest in their sweater to its unique design. “It’s so graphic,” Osborne says, “it stands out.” Also, adds Muir, emotion plays a role. “Everyone likes to think they’re different, and not part of the herd, even if not individual. There’s a bit of that too, isn’t there?”

And of course, like Brandreth, Osborne and Muir all mentioned the lightweight nature of these knits. “The relaunch came at a time of COVID when everyone needed a little humor. People needed a smile,” says Osborne.

These drawings represent a continuous thread between the past and the present. The jerseys are not dated; both humor and style are modern. They’re just as easily a popular piece for regal-minded impersonators back when she wore them as they are now. And for Muir, there’s accessibility. “It’s accessible. You can get a new version of a piece she wore for quite an affordable price, unlike a lot of what Princess Diana has been photographed wearing.”

Discover Princess Diana’s iconic sweaters
Warm & Wonderful sheepskin sweater for women
Warm & Wonderful sheepskin sweater for women
Gyles & George Woman "i am a luxury" Sweater
Gyles & George Women’s “I’m a Luxury” Sweater
Warm & Wonderful Men's Sheepskin Sweater
Warm & Wonderful sheepskin sweater for men
Gyles & George for men "i am a luxury" Sweater
Gyles & George Men’s “I’m a Luxury” Sweater

For Carlson, a genuine partnership with the original creators of the Princess Diana sweaters was paramount. “The ‘I’m a Luxury’ sweater and the Black Sheep sweater were copied by many brands, almost directly, and I didn’t just do that,” he says. In other words, connecting to two original brands, each with their own rich history made all the difference. “People love that the sweaters are actually designed by the same people who designed the ones Princess Diana actually wore.”

So how much do people really relate to these sweaters? Rowing Blazers declined to divulge specifics, but shared the following numbers: Warm & Wonderful and Gyles & George achieved over $8 million in sales with over 25,000 customers through their partnership with Rowing Blazers.

Despite the exact mathematical breakdown, that’s a lot of sweaters. One such sweater owner, Tariro Mzezewa, a freelance journalist living in Atlanta, recounts GTC which influenced her purchase of the “I’m a Luxury” sweater. “The sweater is pink—my favorite color!—and it has a fun message that makes me feel elated,” she said, adding, “I love the words on it, but more than that, I love that Princess Diana wore it for so long Every time I see someone wearing the same sweater, or when someone else sees me on it and comments, there’s a connection and bond shared around the love of the same cultural icon.

These days, fans of Princess Diana can take her personal style in new directions. As part of their ongoing partnership with Rowing Blazers, Warm & Wonderful and Gyles & George have expanded their ranges based on the original designs, with their signature prints now appearing on everything from belts, alternate colorways, beanies and tees. shirts, even soap. And with these new iterations comes all kinds of new possibilities to connect with Princess Diana through her personal tastes. All you have to do is choose the design that speaks to you the most.

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Fashion designer

Fashion: Anti-fit: The right fit

If you had grown up in the past two decades, you would have worn skin-tight, form-fitting clothes. The rise of the anti-fit trend is a direct reaction to this, aided by hip-hop fashion, athleisure and then, largely thanks in part to the pandemic, people working more from home and the need for absolute comfort. , while still seeking put together. Well, according to all the fashion bibles of this year, now you can wear baggy, oversized clothes and look fashionable. The anti-fit macro trend is actually the most followed fashion trend of this century. What a victory!

First and foremost, anti-fit doesn’t mean oversized bag-like silhouettes that have no pattern detail; they just aren’t made to exactly match the contour of your body, and the fit is such that it doesn’t cling to the body. This doesn’t mean you look “messy” or unkempt. It’s all about being comfortable and looking good.

The seven anti-adjustment styles we present to you today are easy to put on, trendy and above all comfortable.

The Tiffany Trench

Pair it with bucket hats, sneakers and fanny packs to up the effortlessly cool look; United Colors of Benetton trench and trousers; Oversized Apartments by Charles & Keith (Hari Nair)

The fashion industry has been obsessed with it ever since Audrey Hepburn donned a Burberry trench coat in Breakfast at Tiffany’s. The iconic designs from the film are still impacting our wardrobes 60 years later.

remove it

1. Contemporary interpretations of the trouser-trench combo with embellishments like colorful turn-ups are the anti-fit “it” look.

2. With oversized clothes, less is more. Keep accessories to a minimum and opt for simple clutches and shoes.

3. Neutral tones like grays, whites, and earthy tones are the best color choices for a look like this.

Expert advice

Kunal Anil Tanna

“Anti-fit works for all body types; it’s a versatile silhouette. You can pair it with bucket hats, sneakers and fanny packs to enhance the effortlessly cool and comfy look. Avoid adding belts or anything too structured to the look,” suggests fashion designer Kunal Anil Tanna.

The long white shirt

You need to be aware of how you are playing with your body volume; Shirt by Genes Lecoanet Hemant; Pants by United Colors of Benetton; Shoes by Onitsuka Tiger (Hari Nair)

Dior Homme, George Condo, Dries van Noten and Yusuke Takahashi for Issey Miyake all created white shirts with an anti-fit twist for their Spring/Summer 22/23 collections, but it’s always been a staple in anti-fit wardrobes. .

Dior Homme, George Condo, Dries van Noten and Yusuke Takahashi for Issey Miyake all created white shirts with an anti-fit twist

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1. You can never go wrong with the timeless pairing of an oversized white button down shirt with classic jeans.

2. Pair it with large clutches, watches, hats, earrings and bags.

3. Boots, sneakers, or heels are all appropriate finishing touches.

Expert advice

Shivan and Narresh

“When pairing anti-fit clothing, you need to be aware of how you are playing with your body volume. For example, if you intend to increase the volume at the top, it is important to ensure that the bottom is relatively straighter to restore proportionate balance. On the contrary, picking up a bulky bottom can work well with a tight-fitting knit top or even a tapered top with a relaxed fit.

“It should be an extension of your personality, because if you wear anti-fit fashion that doesn’t match your style, you can feel like you’re floating in the outfits,” say fashion designers Shivan & Narresh.

New York Style

If you are plus size, buy oversized jackets and shirts and pair them with any of your outfits. Combination at noon of November; Pero’s overcoat; Earrings by The Jewel Factor; Apartments by Charles & Keith (Hari Nair)

A memorable look of Carrie Bradshaw from sex and the city is her vintage-inspired, shimmering paneled linen jumpsuit designed by Claud Montanna.

A silk floral blazer by Dries Van Noten was layered over the jumpsuit, which created style history and was imitated by people around the world. Here’s how easy it is to do.

A memorable Carrie Bradshaw look from Sex and the City is her vintage-inspired paneled linen jumpsuit designed by Claud Montanna

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1. Choose a jumpsuit in a solid color; opt for high-quality materials that are structured and thus complement your shape.

2 . Wear it with a straight cardigan or a waterfall jacket and long cardigans.

Expert advice

Shahin Mannan

“Anti-adjustment garments are always a great choice, if styled appropriately. If you are plus size, buy oversized jackets and shirts and pair them with any of your outfits,” says fashion designer Shahin Mannan.

Timeless styling

If you are short, never wear an oversized outfit with another oversized item; Jacket by Shahin Manan; Dress by Genes Lecoanet Hemant; Bracelet and earrings by Forest of Chints; Rings by The Jewel Factor; Shoes by Charles & Keith (Hari Nair)

A whole generation of American women put a lot of effort into dressing like Jacqueline Kennedy, the former first lady of the United States of America and the most influential fashion icon of the 1960s and 1970s. blazers, tailored coats, strapless skirts and pillbox hats epitomized the Jackie-O look.

The Jackie-O look

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1. The all-black look is elevated when it includes a black skirt and a cape blazer.

2. Complete the look with leather sandals, lipstick and a matching leather handbag.

Expert advice

“Thin patterns can help you balance out an oversized ensemble. You can wear a baggy shirt with skinny pants, a pencil skirt, or leggings. If you’re petite, never wear an oversized outfit with another oversized item,” explains fashion designer Shahin Mannan.

The Madrasi throw

Remember to balance the proportions while mixing and having fun in bright and energetic combinations; United Colors of Benetton skirt and top; Coat by Limerick; Shades by Emporio Armani; Earrings by The Jewel Factor; Shoes by Charles & Keith (Hari Nair)

According to color theorists, wearing a bright outfit can lift your mood, so if you’re looking for brighter colors to uplift your spirit, check out Tory Burch’s Fall 22 collection for colorful Madras throws.

Tory Burch’s Fall 22 Collection

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1. Create a vibrant and colorful anti-fit look in a ruched Madras plaid skirt with oversized jackets or classic trench coats.

2. Wear it with a printed top or a shirt with a plaid skirt.

3. You can even wear printed shoes or carry a printed bag with this look.

Expert advice

Amritha Ram

“The mix of prints and checks always creates an illusion, which also works great for larger sizes. Remember to balance the proportions while mixing and having fun in bright and energetic combinations,” says fashion designer Amritha Ram.

cool kaftans

Combine a kaftan or an oversized shirt with a sensual shift dress and a large obi belt (Hari Nair)

Elizabeth Taylor-inspired kaftans are becoming wardrobe staples as fashion trends shift in favor of comfort, without compromising its romantic elegance. In the 1950s, Elizabeth Taylor donned a kaftan for the first time, and they quickly became famous as her signature style. People all over the world love the comfort and femininity inherent in caftans.

Elizabeth Taylor-inspired caftans; Hoodie and pants by Pèro; Sneakers by Onitsuka Tiger; Earrings by The Jewel Factor

remove it

1. The right fit depends on your body type; size up if you want to follow the oversize trend.

2. Kaftans have a variety of sleeve styles; choose them according to your body shape and size. You can wear a sleeve with batwings if you want a bigger frame. Women of average size should opt for bell sleeve kaftans, and to look petite they can opt for cap or sleeveless kaftans.

3. Wear a solid color under sheer caftans. For example, if you wear a kaftan with white pants, you should also wear a white camisole.

4. Hoodies are another fun addition to kaftans. Don’t forget to add some jute espadrilles or Mary-Janes.

Expert advice

Nida Mahmoud

“Combine a caftan or oversized shirt with a sultry shift dress. Using a wide obi sash, cinch your waist. Wear ankle boots and a shoulder satchel bag to mimic my signature style,” says fashion designer Nida Mahmood.


Wear oversized jackets with thigh-high dresses, patterned t-shirts and sneakers; On Rhea: layer before noon November; Dress by Limerick; Earrings by The Jewel Factor; Shoes by Charles & Keith; On Sahil: pants by United Colors of Benetton; Shirt and coat before noon November; Sneakers by Onitsuka Tiger (Hari Nair)

The Great Coat, which served as a reference to Belstaff’s iconic Milford coat, has been recreated in the Sherlock houses television series starring actor Benedict Cumberbatch and has since been associated with the character of Sherlock Holmes. Follow in the fashion detective’s footsteps to achieve this look.

The Great Coat, which served as a reference to Belstaff’s iconic Milford coat, was recreated in the Sherlock Homes TV series with actor Benedict Cumberbatch.

remove it

1. Keep in mind that the shoulders of the coat should slope down and the sleeves should end at the top of the wrist bone. You can also take a larger size.

2. Play around with fabrics, but this coat’s staples like the double-breasted closure and structured collar shouldn’t be messed with.

3. Try it with a long shirt or kurta and classic pants or harem pants.

4. Women can include colorful prints and a stylish sleeve in the blazer.

Expert favorite:

“I personally like to wear oversized jackets with thigh high dresses, patterned t-shirts and sneakers,” reveals fashion designer Nida Mahmood.

From HT Brunch, August 27, 2022

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French fashion

Tan France on exploring style and identity with diamond jewelry for Vogue India’s Diamond Festival

There is an undeniable link between the tangible and the intangible when it comes to dressing up (or dressing up). It’s no secret that the clothes we wear also reflect our personality, mood and character. Three exceptional designers who use style and diamond jewelry as a form of expression, have come together to voguefrom the style guide panel for the Diamond Festival, and told us what it’s like to express yourself through jewelry and style.

Tan France, a global fashion guru and style icon inspiring people to be unabashedly themselves, highlighted how he likes to use accessories as a tool to embrace his striking personality. He explained why it’s not necessarily necessary to “fit in” in today’s world of TikTok and Instagram. Whether it’s delving into the blurry boundaries between masculine and feminine or finding inspiration at your fingertips, France believes that discovering your style identity in the post-Zoom world is just a simple scroll.

Revolutionary jewelry designer Ana Khouri, a woman whose bold yet minimalist designs are worn by twins Olsen and Nicole Kidman, thought about jewelry as an extension of wearable art. Hanut Singh, a man known for creating worlds within worlds by bridging modern and ancient to evoke timelessness with jewelry, even made Madonna a fan. He sees his creations as a well-organized cocktail. “A mix of ideas intertwined with architectural inspiration, shaken with abstract colors and stirred with Art Nouveau and Deco aids,” explains the designer. When it comes to diamonds, pearls or stones, the panel agrees that it is not just an accessory in the female wardrobe, but rather an asset and an asset. a reflection of your identity.

“I’m guilty of wearing things that aren’t the most comfortable. It’s not about comfort in that sense, it’s about comfort in wearing something that feels most authentic to you. So I think the word for me is more authenticity than comfort. And I think that’s where we see the younger generation. Even the way they use accessories, diamonds, jewelry, they become much more playful,” adds Tan France.


This content can also be viewed on the website comes from of.

Read also :

Vogue India and Natural Diamond Council are back with the second edition of the Diamond Festival

Natural Diamond Jewelery You Should Invest In Now And Why

Here’s why natural diamonds will never lose their sparkle

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Fashion brand

23 Best Latinx-Owned Fashion and Clothing Brands to Buy

Luis AlvarezGetty Images

Fashion isn’t just clothes we wear on our bodies, it’s an extension of our personalities, who we are and maybe even where we come from. From bold colors and patterns to muted tones with clean designs, what we wear is more than meets the eye. For these Latinx Owned Fashion Brands, each founder represents who they are and what they represent in their unique clothing line. From graphic tees that say “Latina Power” to mixed metals bound together in a necklace that symbolize both backgrounds, fashion is a place where voices are heard – especially in the Latinx community.

With Hispanic Heritage Month beginning in September, it’s the perfect time to highlight these Latinx-owned businesses, so you can buy and support these brands now and always. But why stop at fashion? Add a new favorite eyeshadow palette to your beauty bag of Latinx-owned beauty brands or treat yourself to personal care products with these Latinx-owned wellness brands loaded with unique finds.

So the next time you want to treat yourself to a new t-shirt, handbag, pair of earrings, or need a Latinx-owned gift, check out these fashion brands from the founders of Latinx that all have something amazing to offer.

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Bella Dona

Virgencita unisex t-shirt


Cut + Clarity

boobs necklace



Double Buckle Mini Bag



Tyler High Rise Vintage Straight – Mystic Canyon


Farm Rio

Red organic cotton midi dress Secret Garden



One-piece swimsuit Genevieve



Soft Pink Power Latina T-Shirt


children of immigrants

This is for our family t-shirt


Mi Vida

Chingona Turq unisex t-shirt


Mixed Millennial

Signature Necklace


America Candy Cocktail Ring


Rayza’s art studio

Gatsby earrings


someone somewhere

Pima Olive Box Cut Tee


Viva La Bonita

Black Allergic to Pendejadas T-shirt


Xio by Ylette

Latin necklace


Yo Soy Afro Latina

Morenita t-shirt



Agave Triangle Tote in Burgundy Red


The Gotta

Odonata Multicolored Lizard Top



Plitka belted cotton trousers



Nicole floral-print midi dress

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Fashion designer

Lourdes Leon apparently references Lady Gaga on her debut single

Madonna’s daughter, Lourdes “Lola” Leon, makes her first foray into music with her debut single “Lock&Key.”

The 25-year-old dancer and model collaborated with Eartheater on the songwriting and music video, featuring her choreography and direction for Eartheater.

The song was released under the stage name Lolahol through the Chemical X label, which is owned by Eartheater, who is an experimental artist and producer.

Lola is the daughter of legendary pop star Madonna and Carlos Leon, a dancer and physical trainer.

The futuristic “Lock&Key” features experimental sounds that create a fresh, hypnotic vibe supported by her ethereal, light vocals and cool girlish visuals.

The music video sees her on the beach, on top of a car under stormy skies, and in a graveyard.

Midway through the song, the lyrics also appear to reference Lady Gaga’s popular “no sleep” meme.

“No sleep, bus, club, ‘another club, ‘another club, plane, next place, no sleep, no fear,” says Lady Gaga’s quote.

The lyrics of “Lock&Key” reproduce a slightly modified version of the iconic quote with: “No sleep, next plane, no sleep, makeup, next club, next car, next plane, no sleep, no fear.”

One of her music video looks, a shimmering silver jacket, is also apparently a nod to Gaga’s. Notoriety time.

Previously, in reference to his career goals in an interview with Interview magazine, she said: “Honestly, the actors really piss me off and I can’t be with them. As for the music, I can sing. I don’t care. Maybe it’s too close to home me.”

“I’ve always been a big fan of house and techno, ever since I was young,” she said Interviewprefiguring the atmosphere of his debut.

Meanwhile, Lola is still pursuing her other areas of passion, including modeling and dancing, and previously said, “I want to create a world where models have more power over what they do, and it’s not just silent clothes. It’s the age we’re entering the world of fashion: models as personalities and artists.”

Watch the video clip below:

Children of famous musicians

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French fashion

In the new Roche Bobois showroom in Back Bay


A former bank in Back Bay has been transformed into a welcoming new Roche Bobois showroom.

Photo by Greg Premru

Inspired by the designs of the Bauhaus and other modernists, the French furniture line Roche Bobois creates refined and detailed pieces; furnishings are sleek and contemporary in style, but with a casual nature, making them coveted living room pieces. The luxury maker was launched in the early 1960s, and Boston’s first outpost was established in 1974.

Having lived in a few different places in town over the years, Roche Bobois was in the leather district for over a decade. “It was a good region for us at one time,” says Pierre Berardo, general manager Northeast of Roche Bobois. But foot traffic had declined in recent years, and most of the brand’s competitors were in the Back Bay.

In the spring of 2021, Roche Bobois had also obtained space in the district. Once the lease was signed for 5,400 square feet of the Park Square Building on Arlington Street, work to reconfigure it to suit Roche Bobois began in earnest. Architect Leslie Saul designed the construction of the space – a former bank. “The safes were located in the basement, and there was an elevator and a nice staircase that took you to that level,” Saul explains. To meet all the space needs of the showroom, the staircase has been removed.

Courtesy picture

Courtesy picture

A hodgepodge of five different types of flooring was removed and replaced with glossy oak which was also used as the vertical flooring. There is a “green” plant wall and large windows on three sides of the building provide abundant natural light.

Saul has worked on builds for five Roche Bobois sites in Boston and Natick, which allowed for a fairly seamless design phase. “The blueprints for the store design concept are created at Roche Bobois headquarters in Paris,” says Saul, noting that his team is tasked with interpreting them in a way that can be built here. Although there were some supply chain issues, the space opened within two months of its target date in March 2022.

The intent of the showroom atmosphere, Berardo says, is to relieve the stress of going to a high-end retailer. “We installed a huge fireplace to give a feeling of warmth and to make people feel at home.”

Courtesy picture

Courtesy picture

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Fashion brand

I’m a fashion guru – bought Lululemon dupes from an unexpected brand for a fraction of the price

LULULEMON is highly regarded – known for its high-quality yoga pants and other offerings, the sportswear brand is more expensive.

A fashion-loving bargain hunter has discovered a brand that offers amazing Lululemon dupes that will save you tons of money.


A Fashion Enthusiast Shared a Retailer Who Has Lululemon Super DupesCredit: Tiktok/@jazrabarnes

“So I saw this video where this girl was like ‘you’re literally sleeping on Old Navy clothes, they’re literally selling Lululemon dupes right now,'” Jaz Barnes said in a TikTok recording uploaded to her 165,000 followers.

“So obviously I ran over there, and I’m going to do a little haul.”

Introducing his first purchase, Barnes noted that the item was “literally Lululemon quality”.

She tried on the pair of white animal print joggers, as well as a white sports bra.

“These are like the Lululemon joggers, and then I have this sports bra too.”

Barnes also bought a pair of black shorts which she modeled for viewers.

“They also had a bunch of flip flops and this pair of flip flops that I really wanted, but they didn’t have them in my size. So I’m going to check online, and you should too because this stuff is really good,” a- she concluded.

Viewers in the comments section of Barnes’ video commented on his discovery, with one highlighting a supposed similarity between Lululemon and Old Navy.

They wrote: “Old Navy, Gap and Lulu use the same hardware.”

A second user was grateful for the fashion finds, writing: “Obsessed I go like [right now].”

A gender-specific dupe mentioned in Barnes’ video has already been spotted by a Reddit user.

If you’re looking for a dupe for the Lululemon Align High-Waisted Leggings ($98-$118), you can pick up the Old Navy Extra High-Waisted PowerLite Hidden Pocket Leggings ($49.99) which are a fraction of the price.

Barnes wore a pair of white animal print joggers


Barnes wore a pair of white animal print joggersCredit: Tiktok/@jazrabarnes
She also bought a pair of black shorts which she modeled for viewers


She also bought a pair of black shorts which she modeled for viewersCredit: Tiktok/@jazrabarnes
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Fashion style

The military has long-standing ties to the fashion industry


According to reports, the Army will offer its first uniform bra this fall, pending Army Uniform Board approval. The four prototypes of the bra, dubbed Army Tactical Brassiere (ATB), aim to provide optimal support, durability and comfort for training and combat. The ATB will be available in different designs and styles, including pullover and front closure options to accommodate different body types and to meet the needs of pregnant and nursing soldiers.

When developing the ATB, the Army collaborated with professional fashion designers and sought input from female soldiers to refine the design. According to Ashley Cushon, clothing designer and project manager for the ATB, feeling good about one’s clothes influences not only an individual’s mental health, but also “overall readiness and performance levels, enabling them to to focus on their mission.

The decision to create the ATB, along with other dress code changes implemented last year, is being touted as part of an increased effort by the military to improve inclusiveness and adapt to the growing diversity of its personnel and the varied needs of its soldiers. . This development suggests that the military, a traditionally conservative and male-dominated institution, has finally adopted a more informed perspective on the needs of women.

But, in fact, the creation of the ATB is actually the latest chapter in a long entanglement between the fashion industry and the military, spurred by the military’s attention to the appearance of its soldiers, especially its female soldiers.

During the American Civil War, the demand for hundreds of thousands of standardized uniforms catalyzed the ready-to-wear industry and led to a revolution in men’s fashion after the war. World War I men’s uniform styles brought new trends to women’s fashion and changed the silhouette in 1916, which also shaped the style of nurses’ uniforms – the first women’s uniforms issued by the military .

During World War II, as part of a national mobilization effort, the War Production Board issued Order L-85 which restricted the civilian use of fabrics, clothing and accessories to preserve materials for use military. Fashion designers, following the order, have found creative ways to circumvent this problem, such as using zippers instead of buttons, or introducing the now popular trend of ballerina-inspired ballerina flats, which do not were not rationed.

World War II also made the issue of women’s uniforms and the appropriate appearance of female soldiers urgent. For the first time in history, a significant number of women enlisted in the military ranks, serving primarily in the Women’s Army Auxiliary Corps (WAAC) and Women Accepted for Voluntary Emergency Service (WAVES) . These women needed uniforms that would fit their bodies while allowing them to perform their duties comfortably.

At first, the Office of General Quartermaster Service (OQMG), which oversaw the development of the women’s uniforms, simply made a few adjustments to the men’s uniforms, believing that would be enough. This was not the case.

After a year of blunders and in the absence of satisfactory results for military women (nearly 70% of uniforms had to be modified), the OQMG decided to recruit Dorothy Shaver – then vice-president of the Lord & Taylor department store – to serve of consultant. Shaver brought more than just her womenswear and manufacturing expertise. She also offered a feminist approach to uniform design, insisting that women’s military clothing should not mimic men’s uniforms, but rather draw inspiration from civilian sportswear and the “American look” that highlighted the emphasis on practicality and independence.

Shaver’s perspective was most evident in his design of a wrap dress for the Army Nurse Corps, a garment that could be adjusted to the individual figure for precise sizing with minimal alterations. She also persuaded military officials to include trousers in the official women’s wardrobe. Beginning in 1942, the Army provided trousers to women working in motor transport and pilot service units, and by 1944 trousers were a staple among all WAAC units.

Known as a big proponent of American fashion, Shaver enlisted America’s top haute couture designers such as Philip Mangone, Mollie Parnis and Mainbocher to create military uniforms. Their coveted designs became a useful recruiting tool, as every woman who joined the military knew she would get a designer outfit. Indeed, Mainbocher’s WAVES uniforms became so popular that civilian women tried to copy them, prompting the U.S. Navy to issue warnings and remind the public that “thoughtless people who appropriate the distinctive designs of any armed forces uniform violates federal law”.

As 1940s military uniform designers considered functionality, they also sought to create good-looking outfits, responding to government efforts to convince both military command and the public that service in the armed forces would not return more masculine women. To this end, the Army discouraged women in the WAAC from wearing their hair “too short” or adopting appearances registered as “mouth”, instead requiring minimum hair lengths and the application of makeup. Along the same lines, the L-85 regulations did not cover lipstick, nor did the government ration it, although lipstick did contain certain materials necessary for military purposes. As with hair and makeup, designers and military commanders believed that a carefully crafted uniform could allow women to look and feel feminine while providing enough comfort to help them do their jobs well.

The fashion industry has also benefited from its collaboration with the armed forces. As the Army worked to streamline uniform production, it began a size measurement and standardization program, which benefited ready-to-wear manufacturing for years to come. Couture designers also drew inspiration from military styles and created their own versions of uniforms for the parade, transforming the styles of female soldiers and war workers into an ideal of beauty. In 1944, for example, Harper’s Bazaar featured a velvet jumpsuit by Clare Potter “cut exactly like a mechanic’s suit”, as the chic choice for fashion-savvy women.

While women became a permanent part of the military during the Cold War, initially as part of the Women’s Army Corps (WAC), the military maintained its focus on creating comfortable and practical uniforms that also enabled WAC members to maintain a beautiful and feminine look. Yet when the WAC was disbanded in 1978 and women were integrated into male units and later into combat roles, the emphasis became less on femininity and more on efficiency. In the process, the military put the special needs of female soldiers on the backburner.

While it’s taken longer for the military to realize that bras are also part of soldiers’ tactical gear, recent ATB design efforts show they’ve gotten the memo. Much like the uniforms of the 1940s, it was the civilian market that provided both the knowledge and the inspiration for the ATB. Like the original sports bra, itself touted as feminist clothing in the 1970s, today’s military uses fashion to boost its image and appeal to recruits.

It might be a while before we see commercial versions of the ATB in stores, but as the long history of military involvement in our fashion trends shows, that day probably isn’t that far off. .

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Fashion designer

For Rick Owens, “commercial” is not a dirty word

Fashion designers are often accused of living in ivory towers, but few – if any – admit it. Yet that’s exactly how Rick Owens describes his apartment on the Venice Lido, perched atop an incongruously brutalist 1950s building in the suburbs, about a five-minute walk from the fantasia Scheherazade of the Excelsior hotel.

“You can see how I live,” says Owens. And his life is buried in white Sardinian stone and mirror, with a gym instead of a kitchen and felt military blankets stuck to the floor instead of rugs. Through the floor-to-ceiling windows there is a panorama of the Laguna di Venezia.

Owens is a designer whose clothes have reshaped the way people dress on almost every level. His business is privately held – ‘I could just burn this whole fucking place down,’ he once told me happily – and hasn’t disclosed his earnings since 2017, when they broke up. amounted to approximately $140 million. It’s a fraction of the sales made by conglomerate-backed rivals, but its creative impact is seismic, greater than that of many fashion behemoths.

Dripping silhouettes and Owens’ signature fabrics – boiled or ribbed cashmeres, washed leathers – are ubiquitous in the style of Gabrielle Chanel’s tweed suits in the 1960s. Rick’s ripoffs proliferate on the high street and in high fashion and had been for around 20 years – about a decade after Owens started his business in 1994. He was working in Los Angeles at the time – it was there that he met his wife, Michèle Lamy, a Frenchwoman at the extraordinary allure he calls Hun (as in Attila) and who is now working on various aspects of his business, including his furniture line and his own jewelry line, Hunrod. Her clothes retain a sense of city casualness at their core.

Owens was born in 1961 in Porterville, California, a small town about 160 miles north of Los Angeles. His American accent is strong, ideologically and literally, despite having lived and worked in Europe since 2003. It’s there in his daily wardrobe – usually baggy black shorts and vests, Californian stoner clothes meet high sewing. Yet it is also evident when he designs an undulating evening dress, a feathered tulle cape or an iridescent fishskin waistcoat. They are always grounded in reality.

This is why the ivory tower is ironic. Although Owens’ work and world can sometimes seem strange and distant, it is actually rooted in a sense of the here and now, witness to his times. His fall/winter 2022 fashion show, presented in March in Paris, is an example of this: Owens closed it with a pair of dresses in the colors of the Ukrainian flag having, at the last moment, swapped a cacophonous, even aggressive sound atmosphere —” that sounds a bit like machine gun fire” — for the plaintive tones of Mahler’s Fifth Symphony. Which, yes, was used in Death in Venice. It sounds like small gestures, but in an industry that was largely unaware of the ongoing conflict, they felt human and caring.

Owen’s clothes are often described as gothic and cult, but they clash with glam rock with artful references to couture © Luca Grottoli

Owens also smothered this show in fog – models carried moving fog machines that belched smoke at the audience, with photographers screaming as the mist wiped out entire outfits. “It was intrusive,” admits Owens. “Like that moment of thinking ‘a war, now, nowadays, after everything we’ve learned? How is that part of our world? That’s kind of how I felt the fog, too. And it’s ubiquitous.”

There is undeniably a darkness in Rick Owens. Her father, a social service worker, was a strict and conservative disciplinarian. He refused to allow a television in the house until Owens was 16 and forced his son to read the classics and listen to classical music – references to Huysmans, Wagner and Proust proliferate in his designs . So, however, give a nod to Iggy Pop and the Ramones. His father was not entirely successful in warding off the evils of the modern world from his son.

“I always thought my dad was a misanthrope, and I always felt like he infected me with it,” Owens says today. “And so I end up overcorrecting and then not making up my mind at all, because everything is fine. Everyone behaves in their own way and you have to respect that. Anyway, when I make clothes, I think what I do has always been an expression of that, of my experience of being judged and mocked, and that feeling of disgust that I felt in a conservative city.

The influence of religion also made its mark: Owens went to a Catholic school, which explains his obsession with trailing dresses, with belts and stoles and large fabric gestures. He even combined his fog machines with brutalist incense burners. Owens renounced religion for himself, albeit quietly, without violent rejection. “I appreciate it for what it is,” he says. “I see it as a system that people have developed to help each other, which I think is a beautiful thing.”

Rick Owens at home in one of his dripping figure jackets

Owens at home in one of his dripping silhouette jackets © Luca Grottoli

Nevertheless, recently Owens has been toying with the pentagram, the five-pointed star often seen as a symbol of the occult. He crisscrossed laces into his shape in a collaborative sneaker with Converse, and slapped it on the crotch of a white skintight brief. Even writing this expresses Owens’ wry sense of humor, but not everyone sees it that way. Father Vincent Lampert, a priest and, incidentally, the appointed exorcist of the Roman Catholic Archdiocese of Indianapolis, denounced Owens’ Converse. He said the drawings “create a fascination with evil”.

Owens rolls his eyes a little when I mention it. “I sometimes feel that some people think I take it very seriously. It’s not, it’s camp,” he says. “This pentagram is my camp symbol of rejection of moralism and judgment. Nobody gets it. I don’t believe in Satan. Come on!” Owens rips out the last syllable, in disbelief.

Owens started his business with no formal training in fashion design – he studied fine art at the Otis Art Institute at Parsons School of Design, Los Angeles. He did, however, study pattern cutting at trade school and then began working for the city’s counterfeit merchants, cutting copies of designer clothing patterns from cheaper fabrics.

Owens is still working on his clothes, draping and cutting, designing silhouettes and shapes. Few designers have the simple technical skills to do this, and it gives Owens a remarkable level of control. You feel it in all of his company, which includes pre-collections and all-important release lines Lilies and DRKSHDW, as well as a bunch of incredible and horribly expensive monolithic furniture. The latter includes an alabaster bed that required a client to reinforce the floor of his house to support his two-ton weight, and a rock crystal toilet. Prices for both are only available on request, but a rock crystal chalice costs $6,000. He sold out.

Rick Owens in his Venice apartment

The designer says his work has always centered around perceptions of beauty © Luca Grottoli

Commercial is not a dirty word for Owens. “I like things to sell,” he says. “I want it to sell, because it means people understand it and respond to it, and the message makes sense.” Nonetheless, Owens also understands the importance of not just selling schmattes, but also selling the dream. “We want aesthetic excellence,” he says.

Owens’ perceptions can be misleading. Her clothes are often described as gothic, sectarian, with a sense of restlessness and disorder – perhaps you can blame those campy pentagrams and trailing dresses. Indeed, his color palettes are often delicate, multicolored; his models may be shod in boots that look like stage costumes for Kiss, but the clothes clash with glam rock with artful references to the interwar couture of Charles James, Madeleine Vionnet and Alix. Sandstone. They are exquisitely made.

And while Owens himself may seem tough and unapproachable, in person he’s warm, unassuming, humorous and sincere about his love for what he does. “I think fundamentally the essence is that it’s always been about suggesting options to a very narrow, bigoted perception of what’s beautiful,” he says of his work. “I just want to go a little further.”

And sometimes “further” means a pentagram, on the crotch of a panty. “Come on,” Owens said again, laughing unexpectedly. “It’s hilarious.”

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French fashion

Team HRC’s Tim Gajser wins in exquisite style…

Although Team HRC’s Tim Gajser was crowned the 2022 MXGP World Champion last weekend in Finland, the riders still like to win, so for the team and for Gajser, it was business as usual.

In the first race of the MXGP, “Tiga” got off to a good start and finished the first lap in third place. The fast-paced and difficult French circuit proved to be a big challenge for overtaking this weekend and every position gained was a battle of attrition. Tim slipped to second on lap four and continued to fight for the win. Despite charging on the final lap, he crossed the line less than a second from victory, but proved his pedigree with a champion-class performance.

Australian Mitch Evans also got off to a great start in moto one, starting the first lap in fourth place and looking fast, strong and confident. He defended his position well throughout the race under pressure from the other riders. On lap 14, an unfortunate knockdown dropped Evans down to seventh where he again came under pressure from world-class MXGP competitors, but held onto his position until the end.

Rubén Fernández (Team Honda 114 Motorsport) continued his progress towards fitness and full racing speed today. After a tough first race, the Spaniard crossed the finish line in 12th place, still far from his potential.

In the MX2 class, Stephen Rubini of Shiptocycle Honda SR Motoblouz had another tough GP this weekend. Although his lap time was fast, the Frenchman failed to find his form in the qualifying race, giving him a poor starting choice for Sunday’s motos. Despite this, Rubini went from 10th place on the lap to finish the race in eighth place with hopes of an improvement at his home GP in race two.

As the gate lowered for the second race of the MXGP, Gajser and Evans didn’t quite get around the first corner of the lead group and gave themselves an unenviable task to move forward. Gajser drew first blood and slammed his CRF450R into fourth on lap two, but the excitement stayed until the end. First, the Slovenian took third place and put up effective flow and momentum that would prove both devastating and decisive for the race and the overall – and he really kept his best until the end. end. Two magnificent last-lap passes took him from third to first place. Not only did he win the race, but the five-time world champion took the overall victory to the delight of the HRC team and its growing fans.

Evans had another frustrating moto the second time around today. He struggled to find his rhythm and eventually came home in 11th, earning him ninth place overall. Meanwhile, Rubén Fernández did a bit better in race two today, first with a slightly better start that gave him good pace to take him back to ninth for 11th overall.

Stephen Rubini’s health issues continued into the second round of MX2 and although he started the race his stomach pains and discomfort were too bad to continue. Although he did not finish the race, the low number of drivers allowed him to score two points from the second heat and finish the day in 13th place overall. Stephen will see a doctor this week to try to identify the cause of the pain.

The final round of this year’s season heads to the Afyonkarahisar circuit for the BitCi MXGP of Turkey in two weeks.

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Fashion brand

Hailey Bieber’s gold hoop earrings are from this affordable luxury brand that Meghan Markle loves – see photos

Nathalie Salmon

Hailey Bieber the style is second to none, so it’s no surprise that when she posted a photo of her latest swoon-worthy gold hoop earrings on Instagram…we were instantly obsessed.

The 25-year-old model took to the social media platform to show off the gold jewelery which turned out to be from the British cult brand Missoma. Hailey posted behind-the-scenes photos from a shoot for her new Rhode skincare range. The style icon opted for the brand’s 18k gold-plated “Medium Chunky Ridge Hoop” earrings, from the brand’s collaboration with influencer Lucy Williams.

MORE: Hailey Bieber admits Princess Diana is her biggest style inspiration

RELATED: Bella Hadid Is Obsessed With This Product From Hailey Bieber’s Skincare Brand

“A best-selling design to enhance your ear stack,” Missoma says of the style on her website, “Iconic crest detailing adds depth and dimension to these unique sideburns, closing with a zipper butterfly. Wear these chunky Lucy Williams x Missoma hoops solo for a nostalgic nod to the 80s.”

The the jewels sell for £125, making it relatively affordable in case you want to get the look yourself. Don’t feel bad for being a Mrs. Bieber impersonator. Turns out everyone is there. Stylist Karla Welch, who worked with her husband justin bieber for years and with Hailey for many of her red carpet appearances explained, “She’s one of the most stylish women I know,” telling Harper’s Bazaar“I recently went to an event, and everyone looked like her. That’s how powerful and influential she is.”

MORE: Hailey Bieber’s Sunday uniform is everything and more

RELATED: Hailey Bieber Reveals Exactly How She Gets Her Signature Glazed Skin

Hailey showed off some BTS footage from her latest shoot in Rhode

Missoma is a demi-fine jewelry brand established in 2008, and is also a favorite of The Duchess of Sussex. All of their unique pieces are designed in-house at their London-based Notting Hill headquarters.

It turns out that’s not the only royal connection to Ms Bieber, in the same interview with Bazaar Hailey revealed that her fashion inspiration comes from none other than princess diana“I was really inspired by the fact that she was the most watched woman in the world at that time, of all time, and she did whatever she wanted with her style,” she said. told the magazine, “She really expressed herself through her style despite being in the position she was in.”

Discover Hailey Bieber’s golden hoops:

Chunky Ridge hoop earrings, £125, Missoma


The HELLO! is editorial and independently chosen – we only feature articles that our editors like and approve of. HELLO! may receive a share of sales or other compensation from the links on this page. To find out more visit our FAQs.

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Fashion style

Harry Styles is a date night style god

Harry Styles has a move for every occasion. The grail sweater for late night TV, the jaw-dropping dress for magazine covers, The Formal Pajamas were used in a music video. Styles is now showing off her expertise in date night style. What to wear when you go out and hope to “share kisses”, page 6 put it so elegantly? Look no further than Styles and her pinned up hair — optimizing the landing zone for those smooches — and a one-of-a-kind lace shirt from Bode.

New rule: a revealing crochet top is sexier than anything for a date. It’s the answer to the pressing question: how do you wear just enough while safely eliminating the saying no shirt, no service? The star of the lace top shines brighter than ever in menswear, but we still see them. stylishWith a shirt underneath. My two cents: if you’re going to wear a crochet shirt, don’t make the undershirt half-tailored. Be like Harry, go for it.

The crochet shirt is only part of this equation. Styles has a samurai-level ability to balance out the rest of this look. Styles manages to hit all the right trends simultaneously: oversized pants, homespun top and Friday Vans Authentic casual sneakers. (A good reminder that whether you’re looking for Adidas Sambas, Styles’ Authentics, or the latest New Balance, there’s no need to overpay for shoes in 2022.) It all fits together perfectly. It’s Hot Date style.


Hot topics

Coach Outlet Sale, 80s fashion trends are back, 90s fashion hip-hop style
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Fashion designer

From the catwalks of Suva to the pages of Vogue: the rising star of Fijian’s young fashion scene | Fiji

The hopes of Fiji’s fledgling fashion industry rest on the slender shoulders of a 25-year-old young man from Muaninuku village named Laisiasa Raibevu Davetawalu.

The young designer has achieved what so many people in the Pacific country have dreamed of but haven’t had the opportunity to do.

Sponsored by the entire Fijian fashion community, who recognized his promise and raised funds for his tuition, he trained at the Fashion Design Studio in Tafe NSW Australia., making him one of the few Fijian designers to have been able to access professional training.

The strength of his recent graduate collection, a sultry summer wardrobe for women with nods to Fijian design traditions, landed him in the pages of Australian Vogue and a job as a junior garment technician at Zimmermann, one of Australia’s most successful fashion brands.

“I am proud of my heritage and want to represent Fiji on the global fashion scene,” he says.

Laisiasa Davetawalu's latest collection, for her label Elaradi, on the catwalk at Fiji <a class=Fashion Week 2022.” src=”” height=”1229″ width=”2048″ loading=”lazy” class=”dcr-4zleql”/>
Laisiasa Davetawalu’s latest collection, for her label Elaradi, on the catwalk at Fiji Fashion Week 2022. Photography: Asvin Sing

Alongside his work at Zimmermann, Davetawalu has his own label Elaradi – a play on his initials, LRD.

In May, he brought an expanded version of his Sydney graduate collection to Suva for the Fiji Fashion Week closing show, where it was greeted by enthusiastic fans, well-wishers and supporters.

“Lai showed promise from the moment he launched his first collection as a student designer,” says Hosanna Kabakoro, a fellow designer, who makes resort wear under the brand name Duatani, Fijian for “something different”.

“Promise is something we see a lot here, but rarely has the opportunity to grow beyond that potential.”

And it grew, showing off sheer chiffon, intricate corsetry and hand-tied dresses that would look at home on a yacht anywhere from Ibiza to Barbados.

“He may be our first Fijian designer to really attract a general overseas market,” says Kabakoro.

by Davetawalu the designs made subtle nods to Fijian cultural influences. A fringed, high-neck dress, photographed for Australian Vogue’s annual New Graduate Fashion Portfolio to Watch, featured an intricate hand-knotting that took her four months to complete. It was the antithesis of fast fashion.

Davetawalu uses a hand-knotting technique that mimics Magi, a hand-woven coconut fiber rope. Photography: Asvin Sing

For the Fijians, the knots and fringes of the dress mimicked Magia hand-woven coir rope that is used in fishing nets, canoes and traditional architecture.

Other flowing chiffon pieces appeared to nod to traditional Indian dress, commonly seen across Fiji, due to the large Indo-Fijian population.

Not so long ago, Davetawalu was drawing pictures and reading fashion magazines while other boys were playing rugby at Queen Victoria School, a rural boys’ boarding school renowned as a bastion of indigenous masculinity that produced many iTaukei (indigenous Fijian) leaders.

“I was bullied a lot because I’m gay,” says Davetawalu. “They were like, ‘Why are you always designing dresses? Why not do something in a masculine way? One morning I ran away and never came back.

Davetawalu took a two-hour bus from the Lawaki countryside to downtown Suva, where he picked up the Fiji Fashion Week office, which had announced a student design competition.

He participated in the competition but did not win. With the support of those close to her, Davetawalu found a local school to go to and then presented her first full collection.

A number of fashion industry insiders, including Christine Evans, an Australian fashion designer then based in Suva, and Ellen Whippy-Knight, the indomitable founder of Fiji Fashion Week, took notice of Davetawalu’s talent. and took him under their wing.

Laisiasa (Lai) Raibevu Davetawalu, who now has a job at Zimmerman and has had her work featured in Australian Vogue.
Laisiasa (Lai) Raibevu Davetawalu, who now has a job at Zimmerman and has had her work featured in Australian Vogue. Photograph: Blake Sharp-Wiggins/The Guardian

Veteran Australian fashion educator Nicholas Huxley, who first met Davetawalu when he was running a mentorship program in Suva, calls him “the real deal”.

“He’s quite extraordinary and has an innate ability to see beyond the normal idea of ​​putting a garment on a body,” he says.

Whippy-Knight aims to bring fashion to the forefront of cultural conversation in Fiji. She lobbied for local fashion education and other initiatives to benefit the industry, such as the creation of a fashion council, an incubator for budding designers and greater support from the State.

It has held annual fashion shows since 2007 as a platform for up-and-coming designers like Davetawalu to showcase their craft and find buyers. As a result, a number of local designers – such as Samson Lee, Moira Solvalu and Michael Mausio, all of whom specialize in bold prints – have gone from showing at Fiji Fashion Week without formal design training to developing viable businesses. , although small. .

Fiji Fashion Week founder Ellen Whippy-Knight outside her home in Sydney
Ellen Whippy-Knight, the founder of Fiji Fashion Week, at her home in Sydney, Australia. She supported Davetawalu’s studies and career. Photograph: Carly Earl/The Guardian

The country’s fashion scene has also become a safe space for LGBTQI+ people to find community and express themselves without fear of reprisal.

Colorful native prints are what make Fijian fashion unique. For the Fijian and Pacific Islander wearer, they signify culture, identity and belonging, but local designers have had less success adapting these prints to Fiji’s tourist market, which sees nearly a million tourists a year.

The prints have global potential; which has already been exploited by foreigners. Ten years ago, sportswear giant Nike launched a line of printed leggings for women inspired by Fijian, Samoan and Maori tattoo designs; and in 2013, the now defunct New York womenswear brand Nanette Lepore castigated for cultural appropriation after using a Fijian Masi design (and mislabeling it as “Aztec”). Both companies pulled these products in response to outcry from Pacific communities.

For Davetawalu, the transition from a student designer to a young professional who dreams of one day having his own brand was not easy.

Models at Fiji Fashion Week
Fiji Fashion Week has held annual shows since 2007 as a platform for budding designers to develop their craft and find buyers. Composer: Asvin Singh

There was the issue of paying for a design school as an international student in Australia, which cost AU$70,000. The Fijian fashion community pitched in: Whippy-Knight provided Lai with accommodation in her home in Sydney, while the Fijian Fashion Foundation held annual fundraisers to pay for her tuition fees, raising around A$15,000 a year. year over four years.

Today, he is one of the few Fijians with formal training in fashion design. This is despite a local garment manufacturing industry worth FJ$100 million (US$50 million) which produces general clothing ranging from sportswear to uniforms for Australia and New Zealand.

A number of Fiji-based factories also manufacture fashion garments for brands such as Kookai, the trendy women’s brand co-owned by a Fijian-Australian; Bimbi and Roy, a women’s lingerie brand founded by two Australian sisters who grew up partly in Fiji; and Scanlan and Theodore, an established high-end womenswear brand with more than a dozen stores in Australia.

Despite local fashion manufacturing capabilities, there is a deep disconnect between the garment industry and Fiji’s nascent fashion design industry. The latter faces a number of constraints, including a lack of access to formal education and training, incubation and mentorship, quality fabrics and funding, and more strong state support for industry.

“Our employees are naturally creative,” says Whippy-Knight. “We have a strong tradition of craftsmanship and making things with our hands. A true fashion school for Fijian and Pacific designers is what we need.

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French fashion

The French right under fire from the demands of poor parents who waste money on school equipment | France

Right-wing opposition MPs in France have been accused of stigmatizing poorer people by suggesting that low-income families are fraudulently using a school supply allowance.

Government spokesman Olivier Véran said allegations that some families were spending money on TV and alcohol were “discrimination” and “an old chestnut”. He rejected suggestions that parents should receive basic supplies or vouchers for specific stores to reduce the risk of fraud.

“The back-to-school allowance is useful and fair. It is a precious aid for 3 million families to finance children’s supplies and cover back-to-school expenses. Stop stigmatizing them,” Veran tweeted.

Fourteen deputies from the opposition party Les Républicains tabled a bill at the beginning of the month aimed at “regulating the use of the school supply allowance and combating fraud”.

The signatories pointed to “the lack of control over what the money is spent on”, saying that this allowed beneficiaries “to use this benefit for purposes other than the educational needs of their children”.

Instead, they want families to receive a set of basic school supplies for each child, as well as “vouchers allowing parents to buy clothes or materials needed for their schooling”. Most French schools do not insist on uniforms.

Laurence Rossignol, the former family minister, now vice-president of the Socialist Party (PS) in the upper house of the Senate, said allegations of fraud by parents were an “old annual chestnut”.

“Every year parents are accused of buying flat screen televisions, new wheels for their cars, smartphones…it’s the same old story of poor people drinking their benefit money,” said Nightingale.

Another critic of the proposals, Sandrine Rousseau, MP for the Europe, Ecology, The Greens (EELV) party, added: “Behind this proposal are doubts about the ability of the poorest parents to take care of their children. And it’s serious. »

The annual list of school supplies (school supplies) is an end-of-summer puzzle for parents of school-aged children. Students are expected to arrive for the first day of term in September with the exact number, size and color of notebooks, pens, pencils and folders specified by the various teachers. At this time of year, supermarkets and stationers are full of frustrated parents looking for single/double A4 paper packs with small/large perforated/unperforated squares.

For low-income families, the cost is mitigated by allowance, paid in August, to parents with at least one school-age child. This year’s allowance has been increased by 4% to take account of inflation and amounts to €392.04 (£332) for each child under 10, €413.69 for each child aged 11 to 14 years old and €428.02 for each child from 15 to 18 years old. It is paid to households whose income is less than €25,730 with one child, €31,225 with two children, €37,080 with three and €42,935 with four or more children.

In addition to the school allowance, the French government approved an additional ‘exceptional’ payment of €100 (£85) plus €50 (£42) for each child to families on minimum income in September to help with the rising cost of life.

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Fashion style

The top 40 wardrobe essentials of the British – with black jeans and a list of cozy sweaters

Leather jackets and linen shirts also made the list, along with nautical striped tops, culottes and the ever-popular “sliders.”

Many in Scotland have parkas stashed away in their closets, with almost four in ten (39%) describing their style as ‘casual’.

And oversized hoodies and Nike trainers are both key elements of Welsh wardrobes – as more and more people in this part of the UK have admitted to liking their summer style more than summer clothes. winter.

Nationally, others are turning to gym leggings and ‘long sleeves’ – a shirt worn as a jacket – and more than four in ten (43%) have a selection of ‘go-to’ outfits .

In fact, nearly a third (31%) even have a tried-and-true sports outfit, while 36% loved an item so much they bought it more than once.

But one in four (24%) admitted to buying items JUST to post them on social media – and returning to their favorite outfit once ‘offline’.

The search was commissioned by clothing app Whering, which also created an interactive infographic displaying a breakdown of the results by UK region.

Bianca Rangecroft, Founder and CEO of the digital wardrobe service, said: “We have all these must-have items that we love to wear over and over again.

“Whether it’s because it goes with everything, can be dressed up for any season, or just fits well, our research shows there’s always an item people love to dress in.

“But sometimes when we do that, the clothes in the back of the wardrobe can get lost or forgotten.”

The study also revealed that comfort trumps style, as almost half (47%) describe their dress sense this way, while 38% take a ‘relaxed’ approach to how they dress. dress.

And just 12% opt for a ‘designer’ look, while one in seven (14%) would describe their ensembles as ‘trendy’.

As a result, almost three in five (58%) think the wardrobe basics of 2022 are different from the styles worn in 2017.

It also emerged that half of the respondents often choose the clothes that are on top of the pile in their drawers.

And 82% will never, or only occasionally, change their wardrobe to pull out old outfits they’ve long forgotten, resulting in 30% wearing the same clothes “on a loop”.

Of those who bring neglected items to the front of their cupboards and drawers, a quarter will do so every two to six months.

But one in ten (11%) mix things up every week, with 41% saying pulling out forgotten items makes them feel ‘new’.

Despite this, 36% of the typical adult wardrobe is made up of their essentials.

That leaves the other two-thirds rarely seeing the light of day, no matter what wardrobe change.

The research, conducted via OnePoll, found that more than one in ten people never get rid of their tired old clothes, but the 88% who do have one on average three times a year.

Charity shops are the first stop for giving old clothes a second life, then recycling them and listing them on sites like eBay or Depop.

Bianca Rangecroft added: ‘It’s good to have a little rotation of your wardrobe or a good cleaning to find those lost things.

“You might find that something you haven’t worn in years has made a comeback – and it’s time to show it off.”


  1. black jeans
  2. Cozy sweater
  3. Levi blue jeans
  4. polo shirt
  5. leather jacket
  6. Oversized sweater
  7. Jean jacket
  8. Nike sneakers
  9. Fitted white t-shirt
  10. chinos
  11. Oversized hoodie
  12. Long skirt
  13. linen shirt
  14. Top/sweater for DIY
  15. Converse sneakers
  16. Wrap dress
  17. Plaid/checkered shirt
  18. Flip flops
  19. Wide leg float pants/panties
  20. Nautical Stripe Top
  21. Oversized white t-shirt
  22. Shorts above the knee
  23. Oversized printed T-shirt
  24. Baseball cap or similar, such as snapbacks or flatpeak caps
  25. dr martens boots
  26. Free/branded t-shirts for pajama tops
  27. Shirt with logo – like Ralph Lauren or Tommy Hilfiger
  28. Quilted down jacket
  29. denim skirt
  30. Woolen/knitted hat
  31. fluffy socks
  32. Parka
  33. Shacket (shirt worn like a jacket)
  34. Floral trapeze skirt
  35. High waist sports leggings
  36. sports bra
  37. “Boyfriend”/oversized joggers
  38. Cap
  39. tank top
  40. Cursors
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Fashion designer

Fashion designer Rohit Verma recalls Nisha Rawal’s head bleeding after Karan Mehra hit her

New Delhi: TV actors Nisha Rawal and Karan Mehra have made headlines for accusing each other of different allegations regarding their troubled marriage. Last year, Nisha had filed an FIR against Karan who is best known for his role as Naitik in the daily soap opera ‘Yeh Rishta Kya Kehlata Hai’, accusing him of domestic violence and having an extramarital affair. Although he denied the charges, he was arrested by police and later released on bail.

In a recent interview with entertainment media portal PinkVilla, famed fashion designer Rohit Verma, who is a close friend of the estranged couple, opened up about Karan and Nisha’s equation and recalled the incident that sparked all lost. He recounted the incident when Karan hit Nisha after a fight and she was bleeding from the head.

He said: “I have the same love I have for Karan that I always had, although he filed a defamation suit against me. I am fighting. But at this time (describing a situation), the kind of situation that was, when you see a girl bleeding from the head, you don’t see left and right. I wasn’t in that fight.

Rohit then said that despite being hurt, Nisha asked Karan to “apologize and get it over with”, but things only got worse between the two. Being close friends with the couple, Rohit shared that he still wanted them to reconcile.

He further added, “When I got there, their friends in the building had already called the police. I stood silently and saw Nisha’s bleeding head. As Nisha was leaving, she told Karan to apologize and get it over with. But the situation that night was so bad that everyone lost their sanity. I just stood with my friend. Nisha is a grown person and she knows what is right and wrong for her. Everyone makes their own decisions. We just stand by our friends. But that doesn’t mean we’re involved in their controversy, which, in fact, is still ongoing. Both are very important to me. If I had a magic wand, I would want them both to patch themselves up.

While Karan accused Nisha of having an extramarital affair with Rohit Satia during a recent press conference, Rohit Verma refuted all the rumors and said that on the contrary, Karan Mehra has a daughter named ‘MM’ in his wife. life.

ALSO READ: Lawyer for Jacqueline Fernandez releases statement on her accusation in Sukesh Chandrashekhar money laundering case

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French fashion

Raider targets hot tubs in France to protest water use | France

They call it the “Jacuzzi Driller”: a hooded youth from northeast France who raids properties with outdoor swimming pools to protest the use of water.

The pools of eight chalets in the town of Gérardmer in the Vosges were vandalized by the intruder, who drilled a 2cm hole in each one. The saboteur left a note saying, “Water is for drinking!” You kill the Vosges. Seriously, the planet is sick. Wake up!”

Victims estimate the total cost of the damage at around €80,000 (£67,000).

One owner, Olivier Robert, told French television its security cameras had picked up the culprit at the property, which was empty at the time.

“An individual, young and acting alone, entered my property and others in my neighborhood. They stayed about an hour and a half in commando mode with a bandana over their eyes and latex gloves. robert said.

“I usually visit the place about once a week and don’t rent it out much. I find it a little scary that someone would come into your house at night for an act of sabotage and leave a Robin Hood message in the name of some pseudo ecological ideal.

“What is happening now is the result of several factors, but we are not responsible for the water shortage. Drought is the main cause, as well as the influx of tourists. They are attacking the property now; will they attack people next? »

Alain Richard, whose bathtub was also damaged, said“They drained a swimming pool that had chlorinated water in the ground, which is ridiculous. I think there’s an element of jealousy there.

Gérardmer, overlooking a large lake near the Franco-German border, is best known as an alpine ski resort. The city has reported an influx of summer tourists in recent years, boosting the population from 8,000 to 30,000 in July and August.

Stessy Speissman, the mayor of Gerardmer, said some residents were unhappy with competing demands for increasingly scarce water supplies. “Certainly local people feel that if there is a shortage of this resource, local people should take priority,” Speissmann said.

The authorities of Gérardmer resorted to pumping water from the lake to ensure the supply of local homes with tap water, but this was declared unfit for consumption.

There have been tensions over water use across France, with many departments facing restrictions due to a historically hot and dry summer.

climate activists filled the holes of the golf courses near Toulouse to protest against the exemption of golf greens from water bans during the severe drought. Activists have described golf as “the leisure industry of the most privileged”.

In a petition, campaigners said the exemption showed that “economic madness takes precedence over ecological reason”.

In July, 400 cubic meters of water reserved to help fight fires in the Ardèche disappeared and damage to water tanks on farms was reported.

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Fashion brand

As D2C Channel Gains Popularity, Fashion & Accessories Segment Sees Fastest Growth

By Kritika Arora

As the direct-to-consumer (D2C) channel grows in prominence, the fashion and accessories segment has become early adopters. The segment has seen an increasing number of D2C brands over the past two years, according to a joint report by Unicommerce and Wazir Advisors on retail and e-commerce trends in India.

In FY22, the fashion and accessories segment saw 89.5% year-over-year growth across brand websites, compared to 52.2% growth the previous year. Even major offline retail players are now focusing on selling through brand websites, according to the report. the fashion and accessories segment is the healthcare and pharmaceutical segment which saw order volume growth of 84.8% on brand websites, alongside its moderate growth of 9.2% on market places. The segment is largely dominated by consumers ordering nutraceuticals and health supplements. This leads to strong growth of brand websites as consumers prefer to order directly from the brand, according to the study. Another contributing factor to its growth is the emergence of many new nutraceutical players over the past year, he added. additionally, brands across all segments are establishing a strong online presence with a focus on direct-to-consumer sales and companies have realized the importance of investing in strong brand website operations to grow a connection with consumers.

Brand websites posted 80.4% year-on-year growth in FY22, while marketplaces saw 59.6% growth in the same period, according to the study .

However, marketplaces have historically generated the majority of e-commerce order volumes as they benefit from consumer trust with faster deliveries. They will continue to hold the majority share of order volume for the foreseeable future, according to the study.

In marketplaces, the beauty and personal care segment has grown faster than brand websites due to faster delivery processes and technologies.

Marketplaces continue to dominate the footwear segment and it saw order volume growth of 72.3%, compared to 42% growth on brand websites. Shoppers like to research multiple brands before making a purchasing decision, which explains the robust growth of the market, according to the study.

Read also : Chtrbox launches ChtrSocial to help brands become creators

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Fashion style

The best shirts for women

With the end of summer on the horizon, the fashion mind naturally turns to the transitional season – the time between the scorching days of summer and the time of autumn’s sweaters when the cool weather ushers in layering season. While we all love a good fall jacket, sometimes it can be hard to find one with the perfect weight to keep you warm in the breeze without breaking a sweat in the sun. It’s perhaps no surprise, then, that one of the biggest trends of the season aims to address this exact issue: the shirt.

Also known as the “shirt jacket”, this outerwear coat is ideal for days in between. Thicker than an overshirt but thinner than a jacket and perfectly oversized for an effortless layering look, shirts will help you take your sundresses and tees into the new season with a stylish new twist, and they will continue to bear fruit during the cold seasons. when they layer equally beautifully over turtlenecks and sweater dresses.

Here we’ve rounded up some of the most coveted shirt jackets to add to your wardrobe this season.

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Everyone’s Spring Shirt Jacket

Olive green Marant shirt jacket

Topshop oversized cotton jacket

Thread & Supply Checked Flannel Jacket

ASOS DESIGN linen suit jacket in neutral

Pilcro The Traveler Duster Shackle

Ames Oversized Denim Shirt-Vest in Corrigan Wash

Stand-up collar denim jacket

Hudson shirt jacket in recycled denim

Heritage Suede Shirt Jacket

Short buttoned corduroy shirt jacket Gihuo

Beaully Brushed Check Jacket

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Fashion designer

Batman has a new god Mister Miracle Moonlighting as clothing designer

The following article contains spoilers for “Blood in & Blood Out” in Batman: Urban Legends #18, on sale now.

In his civilian identity of Bruce Wayne, Batman is known for being flashy and charismatic. Yet very little has been said about what goes into the creation of the billionaire playboy character. During “Blood in & Blood Out” by Batman: Urban Legends #18 (by Henry Barajas, Serg Acuna, Dave McCaig, and Hassan Otsmoane-Elhaou), readers got to learn who designed the various Bruce Wayne costumes, and the answer is quite shocking.

Asked by the paparazzi who he wore, referring to who designed his costume, Bruce replied “Scott Free. I think”. As many fans will notice, Scott Free is the civil name of Mister Miracle, a new god and the son of Highfather. Learning that a higher being like Scott Free designs men’s formal wear in his spare time is surprising to say the least, but at the same time, it opens some much-needed doors for Scott in his personal life.

RELATED: Gotham’s Bonnie & Clyde Are a Perfectly Subversive Addition to Batman’s Rogues

As Mister Miracle, Scott can escape anything, it’s his main power. However, he still needs a normal life away from the violence of his own. Very few stories have actually looked at what Scott would do for a living outside of being a hero, because realistically putting on a colorful costume and punching aliens doesn’t pay much. A career in costume design might seem like it came out of nowhere, but it might just seem perfectly logical.

Scott has spent most of his life running from place to place, breaking the prison he’s been put in this time around. It goes without saying that he would like to do something for once. The act of creation, even of making oneself, can even be therapeutic for one who has endured so much suffering during his life. Plus, having one of the most distinctive costumes in the entire DC Universe, Scott has perhaps been pondering what can be called fashion for quite some time. Maybe he thought that if he could pull off his shiny suit, making a simple black and white tuxedo would be simple. Or maybe he just wanted to make a costume that didn’t stand out too much.

RELATED: Batman Struggles To Keep His Robins Straight

Then there’s the question of how long he’s been doing this. Designing for someone as high-profile as Bruce Wayne is no mean feat. This means that Scott has connections and is talented enough to be confidently carried into a televised public gathering. Bruce’s uncertain answer to who he was wearing could imply it’s a recent development in his life, but it could also just be him playing the role. Scott could have been its only designer for years.

Making formal wear doesn’t have to be what he’s limited to either. Scott has a habit of bringing New God technology back with him. If he really wanted to, he could open a business making custom costumes for the heroic community. Not just civilian clothes, but also costumes. He could redesign the suits in new and exciting ways and even implement New God technology for defensive purposes, while charging a reasonable cost. It would definitely be an interesting way to further flesh out his character, as well as provide him with personal stability and community.

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French fashion

How Napoleon’s death in exile became a controversial mystery

When I noticed that August 15 was Napoleon’s 253rd birthday, I remembered a dinner I had several years ago with an elderly surgeon. He had amassed a remarkable collection of historical medical artifacts, and after we had our entries, he confessed that his most treasured memory was a piece cut from the body of Napoleon Bonaparte – good manners prevent me from specifying who Part of the body. Suffice to say that I was sick enough not to want dessert.

The surgeon whispered his intention to analyze the anatomical specimen in an attempt to understand the cause of Napoleon’s death in 1821, which has long been one of the most controversial mysteries in French historical circles.

I thought my Napoleonic encounters were over until I found myself in Paris recently. In my spare time, I made a visit to Napoleon’s Tomb, the Dôme des Invalides and the shadow of the Eiffel Tower. Looking at the polished red quartzite sarcophagus containing the remains of the old man, the question began to plague me: what did he die of, after so many years in exile?

Napoleon was only 51 when he died on the island of Saint Helena, where he was out of power and exiled from his beloved France. On May 5, 1821, he had been increasingly ill for several months, suffering from recurrent abdominal pain, progressive weakness, and persistent constipation. Her final weeks were marked by vomiting, incessant hiccups, and blood clots, or thrombophlebitis, in various parts of her body.

The doctors who carried out Napoleon’s autopsy on May 6, 1821 concluded that his death was due to stomach cancer, exacerbated by bleeding from gastric ulcers, after a huge dose of calomel – a compound containing mercury that was used as a medicine – was administered to him the day before his death. Since then, armchair pathologists have wondered if this is indeed the case. Many physicians have come up with a multitude of diagnoses that have literally filled books and journals over the past century.

Napoleon I, Emperor of France, in exile. Image via Ann Ronan Pictures/Print Collector/Getty Images

More infamously, in 1961, a Swedish dentist named Sten Forshufvud, working with Drs. Hamilton Smith of Glasgow and Anders Wassen of Sweden, made international headlines with an article they published in Nature magazine. Applying the latest technology to analyze a lock of the emperor’s hair, “probably taken immediately after his death”, they announced that Napoleon may have died of arsenic poisoning.

Forshufvud and colleagues initially reported that it was impossible to tell from sample results alone “whether the arsenic was evenly distributed (as expected in continuous exposure) or localized to one point (as it would be). in one large exhibition)”. A second article from the same team analyzed a different hair sample supposedly taken from Napoleon’s head. Again they found high levels of arsenic and suggested that he had been intermittently exposed to the poison for, possibly, four months prior to his death and that the arsenic “could not have been added by afterwards, by spraying, dusting or dipping, as suggested by some reviewers.” Subsequent hair samples showed similar results, although the provenance of all of these samples isn’t exactly definitive and could easily be from other heads.

Decades later, chemists J. Thomas Hindmarch and John Savory wrote a rebuttal of claims of arsenic poisoning. It is important to note, they reminded their readers, that in the bad old days of medicine – when bleeding and cupping were still major treatment modalities – arsenic was a common, albeit ill-advised, drug. often packaged as a known tonic. as Fowler’s solution. It was also widely used in rodenticides, insecticides, clothing dyes, and “even candy wrappers.” Additionally, French aristocrats, including Napoleon, wore arsenic-based face and hair powder. There may also have been arsenic in the water supply, the wallpaper covering Napoleon’s bedroom, in the coal smoke heating his rooms, and post-mortem exposure due to the arsenic content of the ground covering his coffin, while he was still buried in Saint Helena. before being brought back to Paris. And to make matters more confusing, there was also the 19th century practice of preserving strands of hair in arsenical solutions and hair powders.

Nonetheless, journalists and history buffs have embraced various conspiracy theories involving arsenic poisoning. Some claim that the alleged murderer (perhaps by accident) was Charles Tristan, Marquis de Montholon, who was Napoleon’s favored companion when they were both on the island of Saint Helena. A motive was even worked out in that Napoleon left Montholon 2 million francs in his will.

It’s a big story, but probably just that – a story – and at the expense of the historical reputation of the Marquess. Alas, as Napoleon supposedly once said, the story is a fable that people have agreed upon. (This line, by the way, has been attributed in different forms to a number of prominent French figures.) Given the ubiquity of arsenic at this time, Napoleon’s family medical history of carcinomas stomach cancer and the advanced state of his stomach cancer and hemorrhagic stress. ulcers, exacerbated by all the prescriptions of his doctors, the first autopsy results still seem the most probable.

Napoleon was the author of several revolutionary achievements and a godlike reputation in power, but history also recognizes that he was a tyrannical despot and a warmonger. In the end, debating the cause of his death may be the ultimate fool’s errand. His giant and impressive tomb reminds us too well that it is high time to leave the man alone.

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Fashion brand

Meet the founder of cult jewelry brand Missoma, Marisa Hordern

It is this genuine desire to create something different for the market that has seen Missoma act as a pioneer in the category. It was one of the first brands to embrace influencer collaborations, bringing tastemaker Lucy Williams into the fold eight years ago. Williams’ editions of simple but remarkable coins have been the core of Missoma’s business (and I say this as someone who has purchased countless gold crescents and Roman coin necklaces for the anniversary of ‘friends and big occasions), with people always eager to buy it first collection today.

Longevity and authenticity are obviously a big part of success. “Who has that kind of relationship with a brand?” Hordern asks. “We were together talking about new designs and we’re both still as excited as we were when we first met around my kitchen table with sand and seashells and ideas of what we wanted to create.”

Now, this focal point of the jewelry industry is booming, with many other brands offering a version of the Missoma aesthetic. Thin necklaces layered with mismatched pendants, a series of chubby hoops climbing up to the ear, stacks of vintage-inspired bracelets and rings. However, it is Hordern’s vision for the future and the people she chooses to work with that are driving the brand forward. Collaborators like Harris Reed, who worked with Missoma just at the tipping point of her stratospheric rise to fashion stardom, on a stellar collection of pieces that looked incredibly like Missoma, but were also unmistakably Harris Reed.

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Fashion style

Fashion: Stripes Take Over: How to Style the Season’s Biggest Print Trend

By Katie Wright, PA Fashion and Beauty Editor

August 15, 2022 03:00

DESIGNERS went wild for stripes on the Spring/Summer 2022 catwalks, with everything from monochrome to multi-coloured – in understated striped shirts and bold, disco-tastic dresses.

With summer in full swing, it’s the perfect time to try out the trend, whether you’re looking for vacation wear, weekend outfits or the perfect party dress.

Here’s how to incorporate stripes into your summer wardrobe…


As seen at Wales Bonner and JW Anderson, navy blue and white nautical stripes never go out of style.

This season, the classic Breton long-sleeved top gives way to cute, summery tank tops, tees and co-ords. Pair with white jeans and espadrilles for a chic seaside look.

Tu Nautical Stripe Drop Shoulder Coord T-Shirt, £6.40 (was £16); Nautical Stripe Coord Shorts, £5.60 (was £14), Sainsbury’s

M&Co Striped Woven Sleeveless T-Shirt, £26

Oliver Bonas Mono Striped Ivory Knit Top, £39.50


The seaside inspiration continues with vertical deckchair-style stripes. Flowing dresses caused a stir at Schiaparelli and Tory Burch, while striped separates were layered at Jil Sander and Kenneth Ize.

Embrace the contrasting runway look by pairing contrasting tops and bottoms, or keep it simple with a striped midi dress and tonal accessories.

Lyle and Scott women’s striped cardigan, ecru, £36 (was £90)

Crew Clothing Red and Pink Striped Sundress, £69


Albaray linen striped dress, £75 (was £130)

Always a stylish combination, black and white stripes were seen on everything from sassy mini dresses (Balmain and Courrèges) to sweeping dresses (Erdem and Tory Burch).

Take your pick from bodycon dresses (for work or play) to casual linen day dresses.

Lascana Long Sleeve Striped Cardigan, £38; Lascana striped t-shirt dress, £38, Freemans

Karen Millen Compact Stripe Pencil Midi Dress, £117 (was £195)


Going the retro route for Spring/Summer 22, Fendi models Brandon Maxwell and Jil Sander walked the runway in bright, dramatic dresses.

The coolest way to wear formal wear this summer, a striped maxi dress in bright or pastel hues is perfect for weddings and garden parties.

Play up the 70s disco vibe with metallic platform heels and a pair of hoop earrings.

Chi Chi London Striped One Shoulder Long Sleeve Midi Dress in Pink, £40 (was £65)

White Roman Stripe Ruffle Maxi Dress, £40 (was £48)

Love Mark Heyes Stripe Ruffle Midi Dress, £49; Kaleidoscope Rose Gold Tone Metallic Wedge Sandals, £45, Freemans

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Fashion designer

Anne Roose obituary | Fashion

My mother, Anne Roose, who died aged 90, was a fashion designer who helped reinvent Welsh wool with her elegant contemporary designs inspired by Celtic tradition.

She was instrumental in saving the rare breed of Jacob sheep, working with Araminta, Lady Aldington and the Holywell Textile Mill in North Wales to turn the distinctive but rough fleece into beautiful fabric in natural tones , which resulted in her famous Anna Roose Jacob collection (she used Anna as her professional first name).

Anne was born in Blackheath, south London, to Muriel (née Richards) and Ralph Paton, who worked for the Mazawattee Tea Company. Her younger sister was Jane Paton, the prolific children’s book illustrator of the 1960s and 1970s. Shrewsbury area.

While at school, Anne and her sister learned that their father had gone missing, they were thought to be dead, and their mother eventually remarried. However, in the mid-1950s, when Anne was the subject of a newspaper article about her work, she received a phone call. She knew immediately that it was her father. Once reunited, they had a warm relationship. But it was never explained to Anne what had happened.

Anne Roose, far left, showing a cape from the Anna Roose Jacob collection to a group including Araminta, Lady Aldington in the early 1970s

Anne attended Shrewsbury High School, then transferred to Croydon High School once the war was over. She showed a great aptitude for art and, in 1946, after obtaining her school certificate, she was sent to France to continue her studies, staying with families in Paris via a student exchange. The first family were active Communists, which came as less of a shock to Anne than to her own family – then based in Purley, Surrey – when it was their turn to reciprocate.

Sketch by Anne Roose of a design from a 1950s Parisian haute couture catwalk
Sketch by Anne Roose of a design from a 1950s Parisian haute couture catwalk

As a student in Paris, Anne got her first taste of the haute couture world and even met Coco Chanel. Back in England, she enrolled at St Martin’s School of Art. After graduating, she got a job as a designer for a London fashion company, which sent her to haute couture shows in Paris. Every evening, she returned to her room to sketch the drawings from memory to post in London.

In 1954 Anne married Richard Roose, who worked in human resources. She soon combined running an increasingly successful business with raising three children in a sprawling arts and crafts house in Oxted, Surrey. The door was never locked, with family and friends of the children – and, later, grandchildren – always welcome at Sunday lunches around a large Welsh farmhouse dining table. Later Anne and Richard moved to Rye in East Sussex to be close to me.

Even in retirement, Anne remains busy making clothes – often in wool – for her grandchildren, to whom she is deeply devoted. Jacob’s sheep are now a familiar sight in the British countryside.

Richard passed away in 2009. Anne is survived by her children, Anthony, Simon and I, seven grandchildren and five great-grandchildren.

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French fashion

It’s not that people are more sensitive these days. Some things aren’t funny anymore | Marthe Gill

JThe idea that young people are exceptionally pampered and go to great lengths to protect themselves from the realities of life – to the detriment of the rest of us – has long been ingrained in the minds of the nation, where in some cases , it seems to have hardened into an immovable plate.

I was hit by a meeting with former Python Terry Gilliam. After years of irreverent truth (recent views: #MeToo was a witch hunt, Harvey Weinstein’s victims were “adults who have made choiceshe was a black lesbian himself), Gilliam had suddenly encountered a new, censored generation, the first of its kind, who were simply too soft and closed-minded to accept him. They couldn’t handle his truth.

“In universities, when a lecturer comes in, the ideas are so disturbing that the students have to go to a safe room, where they can hold hands and recover from those ideas,” he said.

You will have heard it already: Gilliam is following in the footsteps of John Cleese and many other actors and writers (last week, it was the turn of the novelist Anthony Horowitz lament the problem in an interview). A Telegraph the editorial complains about a trigger warning on a French class as proof that students are overprotected. It is worth challenging because several mistakes are made at once.

First: the inherent contradiction. Can a generation be both fatally unprepared for the real world and so powerful that they can shape that world entirely in their own image? Isn’t it actually people like Gilliam who are ill-prepared for the realities of today’s world?

There is also a misunderstanding about how young people are pampered. Growing up on the internet and in a country where the groups of politicians who win elections hold very different views from the typical “student liberal,” young people have perhaps never been so exposed to alternative thinking. Debates of the kind Gilliam may have first encountered in college raged around them all their lives. They’re also much more accustomed to what you might call “shattering content” than any college course. Extreme porn, racist rants, sexist trolling – all of this will be deeply familiar to those currently in college. No wonder the concept of “draw the line somewhere” appeals more to this generation than previous ones.

It is of course deeply alarming that books have been removed from reading lists because they might be offensive, two cases of which were found in a Time survey last week. But trigger warnings are not censorship; in fact, they can help broaden the audience for certain texts. Those who have had an unpleasant personal experience – rape, racism, homophobia – will always have struggled to handle debates on these topics with the kind of unbiased intellectual rigor that university courses demand. It is a good thing that lecturers and tutors are now aware of this obstacle. This should help learning, not hinder it.

We should also note that our time is not only censored. There was never a time in history when comedians like Gilliam could just say whatever they wanted. Society has always had its taboos and they have always been respected. Even when Gilliam was at the height of his powers, he would have been kicked out for blacking out, for example, or for denying the Holocaust. (“You can’t say anything these days”, you can imagine a disgruntled artist saying like The Black and White Minstrel Show was launched off the BBC, just four years after the last series of Monthy Python’s flying circus.) Gilliam longs for a time that never was.

Admittedly, certain types of taboos seem to accumulate in the West. In progressive societies, ridiculing certain oppressed groups tends to become increasingly taboo as these groups gain status, civil rights and respect. Racism, homophobia, sexism and ableism have all gone out of fashion. (These kinds of changes have always tended to be led by young liberal groups. Gilliam should note that students have always been more censored than others when it comes to offending minorities.)

But other kinds of taboos are loosening, those once imposed by dominant groups and societal orthodoxies (and those that proliferate under repressive regimes). Jokes about Christianity, the monarchy and sex, including women joking about their body parts and bodily functions, have become less and less taboo. Like swearing.

Frank Skinner recently recalled a concert in the 80s where the host apologized to the crowd after Skinner played some risque material about sex, before launching into a series of racist jokes that brought down the home. This type of change has also always tended to be driven by young people. It is possible that the number of taboos in circulation at any time is in fact neutral, even if their topics change. Gilliam and his colleagues should consider that the sensation they feel is not canceled but simply old-fashioned.

Should taboos exist? It is clear that they are extremely harmful to freedom of expression and contribute to hindering debates on which society has not yet made a decision. Progressive societies should resist them as much as possible. But there is still a place for them. There are times in history when certain issues and topics become taboo not because something interesting is hidden there or because people are afraid of it, but because a debate is downright closed. One side won.

Is racism good? Did the Holocaust take place? Was Weinstein a monster? Should black lesbians be ridiculed by Gilliam? In Britain, these debates kicked the bucket. They got rid of their mortal shell and joined the invisible choir. These are old debates. Tediously reviving them is actually detrimental to free speech (and offensive) because it suggests that public debate can never progress. All questions are open, forever.

Martha Gill is a political journalist and former lobby correspondent

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Fashion brand

The ultra-rich continue to buy luxury despite inflation and fears of recession

Prices for food, gas and travel have soared over the past year, but the wealthy seem to be shying away and still fueling sales at luxury companies, where sneakers can cost $1,200 and sports cars easily exceed $300,000.

Companies that cater to the ultra-rich, including Ferrari and parent companies of Dior, Louis Vuitton and Versace, are seeing strong sales or raising their profit forecasts. The upbeat results come even as recession fears weigh on the economy, with Walmart, Best Buy, Gap and others slashing their financial outlook, citing a pullback in spending by low-income consumers squeezed by inflation.

The unwavering strength of the luxury category is consistent with past economic downturns, experts say, with the wealthy often the last to feel the effects due to the cushion their extreme wealth provides. Among the jet set, ongoing spending also indicates how expensive purchases often serve as status symbols.

“Having symbols of power within your tribe is a powerful thing,” said Milton Pedraza, founder and CEO of Luxury Institute, a market research and business management firm. “These symbols of power still matter a lot among the tribes of the ultra-rich.”

Louis Vuitton, for example, offers a pair of sneakers for $1,230, as well as a bag for $2,370. The parent company of haute couture brand LVMH, which also owns Christian Dior, Fendi and Givenchy, posted organic revenue growth of 21% to 36.7 billion euros ($37.8 billion) in the first half of 2022 compared to a year ago.

At Versace, where the price of a pair of shoes or a collared shirt can easily exceed $1,000, quarterly revenue rose nearly 30% to $275 million from a year ago. , after removing the effect of currency movements. Its parent company Capri Holdings, which also owns Michael Kors and Jimmy Choo, said its overall revenue rose 15% to $1.36 billion in the period.

Despite the wider economic uncertainties, Capri CEO John Idol said the company remained confident in its long-term goals due to “the proven resilience of the luxury industry”.

“None of us know what’s going to happen in the second half of the year with the consumer, but it looks like the luxury industry is pretty robust and healthy,” Capri said during an interview. an earnings call this week.

Earlier this month, Italian supercar maker Ferrari also raised its full-year guidance after revenue hit a record 1.29 billion euros ($1.33 billion) in the second quarter. The automaker’s 75-year-old 2022 Ferrari 296 GTB, which has plug-in hybrid capabilities, starts at $322,000, according to Car and Driver, while its 2022 Ferrari 812 GTS starts at around $600,000. Even used Ferraris sell for hundreds of thousands of dollars.

Outside of the luxury world, some companies are also noting the strength of more expensive options. Delta Air Lines, for example, cited stronger revenue recovery for offerings such as business class and premium economy class, compared to its other coach tickets.

While the luxury industry has always had a degree of resilience, the growing wealth disparity fueled by the pandemic is adding to the sector’s current strength, said Amrita Banta, managing director of Agility Research & Strategy, which specializes in affluent consumers.

“The disposable income of the most affluent and wealthy (affluent) consumers increased as they spent less on travel,” she said.

Additionally, she said there has been a cultural shift since the 2008 recession and today’s affluent consumers are less guilty of spending in downturns and “feel empowered to spend their wealth.” She said that’s partly a reflection of people in developing countries, where wealth is growing.

Luxury companies could notice a slowdown in spending among the 80% of their customers who are “nearly affluent”, said Pedraza of the Luxury Institute. But he said those consumers typically account for around 30% of sales.

Instead, he said luxury brands often rely on just 20% of their customer base – the ultra-rich and the super-rich – for the majority of their sales. And because that framework is much more resilient to inflation and recession, luxury companies tend to experience a downturn last, he said.

“The type of customers and amount of sales they represent at real luxury brands makes them super resilient,” he said. “Not immune, but super tough.”

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Fashion style

5000+ timeless fashion trends from Mohammed Cap Mart Hyderabad

`Dushman, Maine Pyar Kiya: Hyderabads 5000+ Timeless Fashion Trends Mohammed Cap Mart

Hyderabad: Caps never go out of style. The same goes for the Mohammed Cap Mart (MCM). Whatever the occasion, here you get the cap that matches your personality. Whether it is the traditional baseball cap, beanies, visors, bucket cap, safari cap, Rampuri cap, Jinnah cap, Afghan cap, Omani cap, the Sudanese cap, the Shergola cap, the embroidered cap, the designer Rumi topi, the graduation cap, the police cap or the cowboy. Hats. You name it, MCM has it. With 5000 varieties of corks to choose from, you really are spoiled for choice here.

In its 120th year, the MCM still remains the top choice for people looking for a new headgear. Recently, during a wedding in a certain Sexena family in the old town, a problem arose because the old “Gundi cap” turned out to have worn out. There is a tradition in this family that the bride and groom don the Gundi cap on D-Day. The family immediately got in touch with Ilyas Bukhari, the owner of MCM. And in no time the bonnet was fixed and the groom was riding happily through the baraat with his head held high.

This run-down Patharghatti market in the heart of the old town is a one-stop-shop for all headwear needs. Whether it’s a religious program you want to attend, a traditional wedding, a sporting event, or just want to impersonate your favorite hero, MCM is the right place. Some people have a fetish for hats and go on a collecting spree. Dev Anand’s Jewel Thief cap was all the rage in the 60s, as was the Nepali cap worn by Rajesh Khanna in the movie Dushman. Bukhari remembers selling thousands of these caps.

Even now youngsters come here in search of Salman Khan’s Maine Pyar Kiya cap and caps of other Bollywood celebrities like Ranbir Kapoor, Hrithik Roshan, Amitabh Bachan. There is also demand for our very own Hyderabadi star – the Gullu Dada cap.

You want to equip yourself with the right headgear, there is no better place than the MCM. There are caps and caps of all shapes and sizes here. From a crocheted cap costing only Rs. 60 to a leather cap worth Rs. 75,000 – the price range and variety is really wide. If you want custom made hats with a printed company logo, MCM is for that too.

Hats off to Ilyas Bukhari, the MCM keeps pace with the latest headwear trends. When the elections come around, the MCM becomes a hive of activity. Not just caps, it provides T-shirts, flags, kanduvas and banners for all major political parties. On the streets, candidates from rival parties may be at each other’s throats, but they all come to the MCM for their election needs. Bukhari never lets them down. It engages additional hands for the manufacture of electoral material.

It was in 1902 that Peer Mohammed founded the cap shop. It was the time when everyone wore one cap or the other – no matter what religion they belonged to. No one left their house bareheaded those days. The 6th Nizam, Mir Mehboob Ali Khan and his son, the last Nizam, Mir Osman Ali Khan, wore red Rumi Topi – also called “fez” and a Turkish cap. They were a bit short so opted for 6 inch tall Rumi Topi so that when interacting with foreign dignitaries they could look them straight in the eye. The Salar Jungs sported elegant sherwanis and dastars (headgear).

Sign of aristocracy and tehzeeb Hyderabadi, the Rumi Topi has lost none of its charm. On the contrary, he made his comeback. Late youngsters can be seen making a style statement with it. There is a story of how Rumi Topi connotes different things depending on how one wears it. If you keep his phunna (glans) at the back, it means you are a serious and worthy man. If the cap is worn at a slender angle, it indicates the wearer is a single, fun-seeking man, Bukhari says.

The MCM was originally located at Machili Kaman near Charminar before moving to its current premises near the Taj Building in 1939. And today it has grown into an iconic store spread over 35,000 square feet. The four-story department store offers different products on each floor. Bukhari still has his thinking hat on. Although caps are his USP, he didn’t stop there.

Over the years, he has diversified his business by offering a full range of goods and services under one roof. From caps to prayer rugs, school bags, jackets, rugs, home furnishings, ethnic wear, rainwear and Haj ‘ihram’ – there is a mind-boggling variety of products which can be found here.

Initially, along with Ilyas Bukhari, his other three brothers – Ayub Bukhari, Yunus Bukhari and Yousuf Bukhari were all in the same profession. But their father, Mohammad Yakub Bukhari, handed the MCM to Ilyas Bukhari as he believed he would take it to greater heights.

The latter lived up to expectations and added many new products to the cap shop. In 2015, he opened an exclusive ethnic clothing for the modern man under the brand – Jahanpanah. Today it has 29 branches in the Twin Cities and other parts of Telangana. Jahanpanah also has its footprints in Bangalore, Pune, Chennai, Vishakapatnam and Vijayawada. Another showroom is in sight at Behrampur in Orissa. His two sons, Ishaq Bukhari and Ibrahim Bukhari run the Jahanpanah clothing line.

Bukhari wears many hats. For the past two decades, he has specialized in selling velor prayer rugs. Come Ramzan, a month-long exhibition with sale of imported prayer rugs is unveiled. One can get the best prayer rugs from Saudi Arabia, Turkey, Iran, Iraq and Belgium at prices that are not heavy on the pocket. “One can offer ‘namaz’ on the same type of carpets as those laid in the great mosques of Mecca and Medina,” Bukhari says.

Starting from a minimum of Rs. 40 square feet to Rs. 200, ‘musallas’ are available in different price ranges. Not just Ramzan, in other seasons devotees also head to MCM to get prayer rugs for their homes and local mosques. A good number of NRIs also donate it to mosques on behalf of their deceased relatives. There is no limit to his creativity and passion. In recent times, Bukhari has made MCM a hub for the sale of Ihram, the unstitched two-piece cloth for Haj and Umrah pilgrims. Not only that, it also provides necessary items for pilgrims undertaking the Badrinath yatra.

Twenty five different items like bag, gloves, socks, jacket, caps come in a kit costing Rs. 4500. That is not all. You can also buy colorful abayas, quality rainwear and winter jackets here. Starting from as little as Rs. 750 to Rs. 3500, they are available in various styles and designs. To mark the 75th anniversary of India’s independence, the MCM has decided to offer a 10% discount on a wide range of its products.

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Fashion designer

Video interview with Alex Bovaird (Costumer of the Lotus Blanc)

“It’s a really fun time for contemporary costume design,” says first-time Emmy-nominated costume designer Alex Bovaird (“The White Lotus”) on the state of contemporary costume design. For our recent online chat, she adds: “I’ve noticed that people take a lot more risks. People maybe want to be a little more upbeat, a little more colorful,” she says. “There’s just a lot of variety compared to 10 years ago. I remember walking through Barneys New York and everything was dark. Absolutely everything. I think it’s quite different now. It’s a fun time for fashion and I’ve noticed people are making all kinds of interesting choices. Watch our exclusive video interview above.

SEE over 200 interviews with 2022 Emmy nominees

“The White Lotus” was created by Mike White, who wrote and directed all six episodes of the anthology drama. The series follows a week in the life of the employees of the fictional White Lotus resort on Maui and the guests who look forward to a week of rest and relaxation among the swaying palm trees, cocktails and idyllic sunsets of this getaway on a tropical island. However, things aren’t quite what they seem at first, as we learn more about the dysfunctional vacationers and the resort’s beleaguered staff, all of whom come to a head in the series finale. dynamite series as the identity of the mysterious corpse that features in the series’ opening scene is finally revealed.

The streak of 20 Emmy nominations includes eight of the actors, with Murray Bartlett, Jacques Lacy and Steve Zahn competing in the race for Best Limited Series/Movie Supporting Actor, while legendary comedian Jennifer Coolidge, Connie Breton, Alexandra Daddario, Natasha Rothwell and Sydney Sweeney occupy all but two spots in the corresponding women’s roster, marking the first time that five women have been nominated in a single series in a category. Seven of the nominated actors are also debutants, with only Britton being a past nominee (for “Friday Night Lights,” “American Horror Story” and “Nashville”). White is also an Emmy debutant, nominated three times, for Producer in Best Limited Series and also in the Writing and Directing categories. And of course, Bovaird herself is up for her first nomination alongside industry peers from “black-ish,” “Euphoria,” “Hacks,” “Only Murders in the Building” and “Pam & Tommy”.

Bovaird is thrilled that the Emmys include a category for contemporary costume, celebrating the nuanced and subtle work that is often overlooked in catch-all costume design categories where period and fantasy work often eclipses their more modern brethren. . “Because everyone dresses up, they don’t have as much respect for contemporary costume. I think it’s actually harder to do in my experience, I find it harder to work on contemporary projects, sometimes because everyone has a point of view. Everyone has something to say,” she explains. “So it can be quite difficult to get out of it.”

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French fashion

Cafe Degas buys Fair Grinds and plans a new French-style grocery store for Faubourg St. John | Where NOLA eats

For nearly 40 years, Café Degas has been a mainstay of French cuisine in New Orleans. Soon, the Faubourg Saint-Jean restaurant will have a new way to showcase these flavors.

Co-owner Jacques Soulas has confirmed plans to take over the former home of the Fair Grinds Coffeehouse just across the street at 3133 Ponce de Leon St.

The move will serve two purposes. First, it will increase the capacity of the Café Degas kitchen itself, which currently operates from a shoebox-sized kitchen.

Fair Grinds Coffeehouse was a Faubourg St. John café for more than 20 years before closing in 2022. (Staff photo by Ian McNulty, | The Times-Picayune)

The next phase will add a casual cafe with a counter service grocery store. The focus will be on sandwiches and French pastries with coffee drinks.

Soulas said many details of the new concept are still in development, including the name.

Soulas said breakfast is a possibility at the new cafe, depending on the staff. He said the lunch menu would bring sandwiches like pate, French salami, ham and brie (ham and butter, which was a specialty of Mayhew Bakery, a café-bakery in the nearby neighborhood that just closed permanently ).

“We’re thrilled that Café Degas is taking over and can’t wait to see what they’ll do there,” said Wade Rathke, who ran Fair Grinds from 2011 until the cafe closed this spring.

degas the garden

Cafe Degas, Faubourg St. John’s longtime French restaurant, is known for its rich flavors and lush ambiance. (Staff photo by Ian McNulty, | The Times-Picayune)

Soulas and his business partner Jerry Edgar opened Café Degas in 1986 in the tiny confines of a former hair salon on Esplanade Avenue. It has grown over time and has become an essential neighborhood restaurant.

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But his kitchen space hasn’t grown much. From a seat at the bar or at one of the outdoor tables, it’s common to see cooks carrying supplies across Ponce de Leon Street from a hidden pantry.

The home of the Fair Grinds Coffeehouse had a long history of coffee, dating back to at least the 1970s when it was the original location of True Brew Coffee.

It became Fair Grinds in 2000, originally opened by Robert Thompson and Elizabeth Herod. Rathke, who heads the activist group Acorn International, took over in 2011.

The cafe, and in particular its room on the second floor, had been used for many years for art exhibitions, meditation groups, and other community organizations.

post degassing

Café Degas, the longtime French restaurant in Faubourg Saint-Jean, is decorated for July 14. (Staff photo by Ian McNulty, | The Times-Picayune)

The cafe closed after Jazz Fest, and soon the property was on the market.

A second Fair Grinds location at 2221 Saint-Claude Avenue also closed during the pandemic. Rathke said that second location may return in the future, but he has no immediate plans to reopen.

When Mayhew Bakery opened on Faubourg St. John in the fall of 2019, it was part of a hopeful surge of small artisan bakeries helping to rekindle the…

Going down the Voie Verte Lafitte on foot or by bike, or perhaps in the adjacent street with the windows down, you first feel a puff of roasting…

One of my favorite windows in New Orleans is next to the bar at Café Degas, the French bistro in Faubourg Saint-Jean, overlooking a nearby block…

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Fashion brand

Comoli’s FW22 clothing collection epitomizes Japanese minimalism

I like to think I know a thing or two about Japanese fashion. That’s why I care a little about clothes and that remains my main objective, much more than anything that happens on the Paris catwalks. To date, I only really use social media to follow Japanese fashion brands and stores – it’s that deep.

So, safe to say I’m a little jaded. I’m not often impressed with a lot of new stuff, frankly, although there are a lot that I like at first glance.

Comoli, designed by Keijiro Komori, isn’t a particularly obscure brand and doesn’t require a ton of Japanese fashion experience to check out. It is, however, a deliberately difficult etiquette to study without some knowledge of Japanese and a great case study for what works in Japanese fashion,

Although Comoli’s products are sold online through a variety of retailers, including international stockists Neighbor and Rendezvous, the brand does not use social media.

Komori himself isn’t online either, which underscores Comoli’s need-to-know aesthetic.

This intentionally primitive presence emphasizes Comoli’s product: the clothes must speak for themselves, since the brand deliberately remains mummy.

Comoli’s clothes do it very well.

As you can see from the no-frills lookbook images, Comoli doesn’t make flashy statement pieces.

It focuses entirely on bespoke fabrication, comfortable silhouettes and the same kind of minimalism embodied by, say, Martin Margiela’s run at Hermès.

Felted wools, crisp poplins, hairy knit cotton, neppy corduroy, undulating lambskin.

Comoli approaches clothing in the same way as a painter approaches a canvas. The idea is to physically manifest a personal expression.

The silhouettes are often the same – Comoli rarely strays from its comfort zone of familiar shapes rooted in European and American menswear history – but the construction and textile selection are second to none.

These are not clothes for the masses and therefore Comoli does not use social media. He doesn’t need to communicate anything that his clothes alone can’t convey.

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Fashion style

When Justin Bieber inspired the streetwear style in us with this sleeveless tee that flexed his biceps, baggy jeans and chunky sneakers

Justin Bieber proved he’s a style icon in this colorful outfit (photo credit – Instagram)

Justin Bieber has impeccable fashion taste that fans get a glimpse of from time to time. Not only does the pop singer know how to wear a suit, but his relaxed cuts are a huge fashion inspiration for many. Her Instagram is an abode for those who want a note or two on how to make streetwear.

Bieber, with his strong style game, proves that menswear goes beyond just a shirt, straight pants and sneakers. It also tends to follow current trends. In recent months, we have witnessed the rise of brand names in the foreground of clothing.

Be it Drew, Supreme, Off-White or more, one can find their names not only on the labels but also on the fabric. Speaking of Justin Bieber, the Baby singer once wowed us in an outfit we wish we owned. The singer shared snaps of himself boarding a helicopter on his Instagram in May this year.

Justin Bieber went with comfort as he wore big baggy jeans with ruffles on the bottom. On top, he wore a sleeveless t-shirt. It was the popping color that sold all the attention. The light blue and bold yellow stripes looked amazing. He showed off his biceps and arms, which were covered in tattoos.

He accompanied this relaxed fit with chunky sneakers, a white collar, black shades and a red baseball cap. Justin was also carrying a Louis Vuitton duffel bag. Speaking of trends, sneakers, especially Air Jordan, are the fashion staples. Wide, baggy jeans can never go wrong either.

While we love how Justin Bieber styled this look, there are also multiple ways to wear each piece. Chunky jeans can go well over a crop top, and these sneakers can go well with a dress. Do you like this look or not?

Must read: Kareena Kapoor Khan is truly a sight to behold in a white Salwar suit as she appears for the screening of Laal Singh Chaddha giving off ‘Nawabi’ vibes!

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Fashion designer

Fashion designer Zac Posen is engaged to ballet dancer Harrison Ball

Zac Posen and Harrison Ball are ready to start their next chapter together. The couple announced their engagement on social media yesterday, August 8.

In a Captioned the Instagram post “Engaged 8.8.22”, the fashion designer tagged her fiancé and, in a slideshow of photos, he shared some of their memories leading up to the big moment. Ponser’s post was showered with love from her fans and peers.

His former ‘Project Runway’ colleague Heidi Klum commented heartily, writing, “OMG I’m so happy for you two. CONGRATULATIONS.”

Along with Klum, Reese Witherspoon and Nina Dobrev also congratulated the couple.

Harrison Ball had a similar situation post on his Instagram which featured the couple standing in front of two giant arrows with the caption: “ATTACKING – CUPID’S ARROW(S)”.

The famous fashion designer known for the red carpet looks of Katie Holmes, Rihanna and Sarah Jessica Parker, worked with the New York City Ballet, the company for which Harrison is a principal dancer. While the exact date the couple started dating is unconfirmed, they went public with their relationship with a post on Ball’s instagram in April 2021. A few months later, in September 2021, the couple shared a nude photo on Instagram of Posen in honor of the premiere of a ballet in which their significant other starred.

Coincidentally, weddings have recently been a focus of Posen’s career. Released last June, Posen has collaborated with Blue Nile in a new line of inclusive wedding jewelry. He said, in an interview with Brides“With so many of us celebrating togetherness and love this month, it was the right time to release an inclusive range of engagement and wedding rings, a collection deliberately designed to represent love, regardless of gender.”

Posen went on to say that her line was inspired by “unique, ageless designs that also celebrate love, unity and marriage for all.”

He was also behind the looks of Ellen Degeneres and Portia di Rossi on their wedding day and designed wedding dress collections with White One Bridal and David’s Bridal.

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French fashion

Russians are buying the latest products from H&M and IKEA as stores close

MOSCOW (AP) — Russians are grabbing Western fashion and furniture this week as H&M and IKEA sell the last of their inventory in Russia, continuing their exit from the country after sending troops to Ukraine.

H&M, based in Sweden, and IKEA, based in the Netherlands, had suspended sales in Russia after the start of the military operation and are now looking to offload their stocks of clothing and home furnishings as they end it, claiming that the future is unpredictable. IKEA’s sales are online only, while the H&M store in Moscow’s Aviapark mall saw a steady stream of young shoppers on Tuesday.

Shelves and shelves were well stocked at the clothing retailer. Nearby stores were closed, including Zara, Oysho, Bershka, Pull&Bear and Uniqlo, while New Yorker, Finn Flare, Marks & Spencer and Mango were open.

“I’m going to start looking at Russian brands,” said one H&M customer, who only gave her first name Anya, after walking out of the store. Another customer, who only gave his name Leonid, said he was “very hurt” that H&M was closing: “A good store is going”.

Both companies are laying off staff as they scale back operations in Russia. H&M said on Tuesday that 6,000 workers would be affected and it was working out the details of an offer of continued support in the coming months.

IKEA said in June that many workers would lose their jobs and guaranteed them six months’ pay, plus basic benefits. He said this week that he had 15,000 workers in Russia and Belarus, but he did not immediately confirm how many would be laid off.

“We are deeply saddened by the impact this will have on our colleagues and very grateful for all their hard work and dedication,” H&M Group CEO Helena Helmersson said last month.

Many Western companies have vowed to leave Russia after sending troops to Ukraine, taking months to wind down operations and often selling stakes to Russian companies. McDonald’s has sold its 850 restaurants to a Russian franchise owner, who is preparing to reopen them under the name of Vkusno-i Tochka. British energy giants Shell and BP are taking billions of dollars in fees to exit investments and stakes in Russia.

During this time, some Western companies have remained in Russia or are partially functioning. French home improvement retailer Leroy Merlin has maintained its 112 stores in Russia, for example, while PepsiCo, Nestlé and drugmaker Johnson & Johnson are supplying essentials like medicine and baby formula while halting unsold sales. essential.

H&M said it expects costs related to leaving Russia to reach around 2 billion Swedish crowns ($197 million), which will be included as one-time costs in its third-quarter results this year.

IKEA announced in June that it would start looking for new owners for its four factories in Russia and close its purchasing and logistics offices in Moscow and Minsk, Belarus, a key Russian ally.

Russian President Vladimir Putin has pushed for years to develop and deploy Russian substitute goods and services to offset the loss of Western imports, which has taken on new urgency as companies like H&M and IKEA go out of business.

It can be difficult to tell when stores in Russia are closed. In the famous boutique-lined GUM department store in Red Square, most of the closed display cases still have the lights on and a clerk or guard inside.

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Fashion brand

Issey Miyake, Japanese fashion designer, dies at 84

TOKYO — Issey Miyake, the Japanese designer famous for his pleated clothing style and cult fragrances, and whose name became a global synonym for avant-garde fashion in the 1980s, died Friday in Tokyo. He was 84 years old.

The death was announced Tuesday by the Miyake Design Studio, which said the cause was liver cancer.

Mr. Miyake is perhaps best known for his micro pleats, which he first unveiled in 1988 but has recently seen a resurgence in popularity with a new, younger consumer base.

His proprietary heat treatment system meant that the accordion pleats of his designs could be machine washed, would never lose their shape and offered the ease of loungewear. He also produced the black turtleneck that became part of the signature look of Apple co-founder Steve Jobs.

Her Bao Bao bag, made from mesh fabric layered with small, colorful triangles of polyvinyl, has long been a go-to accessory for the creative industries.

Released in 1993, Pleats Please, a clothing line featuring cascades of razor-sharp pleats, became her most recognizable look.

Mr Miyake’s designs have appeared everywhere, from factory floors – he designed a uniform for workers at Japanese electronics giant Sony – to dance floors. His insistence that clothing was a form of design was considered avant-garde in the early years of his career, and he had notable collaborations with photographers and architects. His designs found their way onto the 1982 cover of Artforum – unheard of for a fashion designer at the time – and into the permanent collection of the Museum of Modern Art in New York.

Mr. Miyake was honored in Japan for creating a global brand that contributed to the country’s efforts to become an international destination for fashion and pop culture. In 2010, he received the Order of Culture, the highest artistic honor in the country.

Kazunaru Miyake was born on April 22, 1938. He limped heavily after surviving the atomic bomb dropped on Hiroshima, his hometown, on August 6, 1945. His mother died three years later of radiation poisoning.

Mr. Miyake rarely discussed that day – or other aspects of his personal history – “preferring to think of things that can be created, not destroyed, and which bring beauty and joy”, he wrote in a 2009 opinion piece in The New York Times. .

He graduated in 1963 from Tama Art University in Tokyo, where he majored in design. After studying in Paris during the student protests of 1968, and a stint in New York, he founded the Miyake Design Studio in 1970. He was one of the first Japanese designers to parade in Paris and was part of a revolutionary wave of designers who brought Japanese fashion to the rest of the world, opening the door to later contemporaries like Yohji Yamamoto and Rei Kawakubo.

He has often stressed that he does not consider himself “a fashion designer“.

“Everything that is “in fashion” goes out of style too quickly. I don’t do fashion. I make clothes,” Mr. Miyake told Parisvoice magazine in 1998.

“What I wanted to do weren’t just clothes for people with money. It was things like jeans and t-shirts, things that were familiar to a lot of people, easy to wash and easy to use,” he told Japanese daily The Yomiuri Shimbun in a 2015 interview. .

Yet he was perhaps best known as a designer whose styles combined the discipline of fashion with technology and artistry. His animating idea was that clothes should be made from a single piece of fabric, and he pursued designs – such as his famous pleats – that incorporated new techniques and fabrics to accomplish this ambition.

There was no immediate information detailing Mr. Miyake’s survivors. A notoriously private person, the designer was known for his close relationships with longtime colleagues and collaborators, which he credited as essential to his success. He was most closely associated with Midori Kitamura, who started as a fit model in his studio, worked with him for almost 50 years and is now president of his design studio.

Throughout his life, “he never shied away from his love, the process of making things,” Mr Miyake’s office said in a statement.

“I’m mostly interested in people and the human form,” Mr. Miyake told The Times in 2014. “Clothes are the closest thing to all humans.”

Hikari Hida contributed reporting from Tokyo.

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Fashion designer

“Fashion in the Pines” returns to Fire Island – WWD

After a nine-year hiatus, “Fashion of the Pines” returns to Fire Island on August 20.

Approximately 200 people are expected to attend “A Day in the Pines” during the event at Whyte Hall and the Albert Lepage Pavilion which will feature a nod to the past with a modern twist. While many well-known designers have ties to the island, the show will spotlight young queer minority founders, designers and artists.

The show is an orchestrated production in association with the Fire Island Arts Project, an organization that has been organizing events and performances on the island for 35 years. JD Winston, board member, producer and former multidisciplinary performer, and Ryan Espinosa, fellow FIPAP board member and owner of the Denizen store on the island, are overseeing the revival of the event.

The track will feature items from the store and other stores, as well as donated parts. “We don’t sell a particular brand. Essentially, it’s a celebration of where we are as an island in this truly expressive moment of individuality. The island is very DIY. People will put on a headband, maybe a pair of designer shorts and the rest will be made as they go,” Espinosa said. “If you’ve spent a lot of time here, you know what can happen in a very free and safe space. The rules are abandoned [behind] when you get off the ferry.

Dating back to the 70s, “Fashion of the Pines” was an annual celebration of local style. The late Fire Island developer and former model John Whyte was instrumental in creating the show and hosting the pool festivities at the Botel.

The “Day in the Pines” theme was first used in the late 80s by Russell Graham. Andy Baker and Ward Auerbach helped plant the seeds to revive the event, which Denizen is touting. Winston said he and Espinosa started talking about the Fashion of the Pines events that ran from the ’80s to the early ’90s, and the prospect of having them again. The event started in the 70s but the onset of AIDS led to its suspension.

The duo pitched the idea to some of the people who experimented with the original shows, like Bob Howard and Scott Bromley, and gleaned some ideas. Some people from the Fire Island community have been enlisted to serve as role models. They will be showcasing Pins-related sports fashion, including a few styles from past Fashion of the Pines events.

An open bar with DJ and a silent auction will take place during the first hour of the first hour of this month. Guests will also find nostalgic ephemera from Fashion of the Pines events from years past. Once the crowd has moved inside, Luis Villabon will perform “My Strongest Suit” from the musical “Aida” in drag and Hal Rubenstein and Espinosa will host the event.

Noting how Fire Island first became a popular getaway for many gay artists, designers and celebrities in the 70s, Winston said it was known as a haven to escape, feel safe and be yourself. -even, “when it wasn’t the easiest thing to do” at that time.

In the 1980s, proceeds from the annual exposition went to the Pines Conservation Society. In recognition of this, the benefits of the 2022 edition will go to this organization and to FIPAP.

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French fashion

Josephine Baker was the star France wanted and the spy she needed


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The ghostwriter, historically, has always been in the business of espionage. Subordinates survive by being vigilant and suspiciously gathering intelligence about those they work for. Flight from bondage, even from an identity, also involves espionage. Harriet Tubman was named Moses for a liberator who escaped caste boundaries when his mother placed him undercover among the reeds in this pitch-smeared basket. Brown skin could be covered in soot and stereotyping or scholarly tunes. George Harris, one of Harriet Beecher Stowe’s very yellow fugitives, achieved an inscrutable weirdness with the help of walnut bark: “A slight change in the hue of his skin and the color of his hair had metamorphosed into the Spanish-looking man he then appeared; and as grace of movement and courteous manners had always been perfectly natural to him, he found no difficulty in playing the bold part he had adopted.

In this respect, Joséphine Baker, who made her way to the heart of the Roaring Twenties—Roaring Twenties France—and played the civilized primitive when she arrived there, might have been the sweetest operator of the twentieth century. The most famous dancer, singer and nightclub entertainer of her time, she was both inescapable and elusive. She seduced Parisians for the first time in 1925 when she appeared on the stage of the Théâtre des Champs-Élysées, naked except for her feathers. The following year, at the Folies Bergère, audiences saw expanses of brown skin interspersed with pearls and a skirt strung with tumescent bananas. As her star rose, Baker was known to walk the streets of Paris with her companion Chiquita, a cheetah tied by a rope of diamonds. Without really laying eyes on the woman, a visitor to Paris would see her everywhere: in the photographs and on those Paul Colin posters, like a doll in a shop window, like Parisiennes wrapping their heads in Bakerfix ointment.

Who was she, really? Baker’s tributes are generally unsubtle and beatific, embodied by contemporary black inhabitants of the arts who have managed to do what Baker could not: carve out a stardom on American soil. Diana Ross, Beyoncé and Rihanna have starred in her figure; Lynn Whitfield received an Emmy when she starred in HBO’s “The Josephine Baker Story” (1991). In “Frida” (2002), Baker maintains an affair with the main character, a nod to the free sexuality of each; she rumbas through “Midnight in Paris” (2011). Cush Jumbo directed an acclaimed tribute show, “Josephine and I,” in 2015, and Carra Patterson recently played her, with bizarre showgirl unease, in an episode of the horror series “Lovecraft Country.” Ruth Negga and Janelle Monáe are now set to take their turn, in a pair of TV series about her. Last November, Baker was inducted into the French Pantheon, the first woman of color to grace the hallowed monument, among figures such as Victor Hugo and Marie Curie. “The stereotypes, Josephine Baker takes them up,” said President Macron. “But she jostles them, digs them, transforms them into sublime burlesque. A spirit of the Enlightenment ridiculing the colonialist prejudices on the music of Sidney Bechet.

Even if Baker’s career had been limited to his role as an artist, it would have had the feel of a thriller. The racing profession of the time was bound to involve espionage: all identities are shams, and Baker had a chameleon gift for moving among them. But during the war years, she was also – as a new book, “Agent Josephine” (PublicAffairs), by British journalist Damien Lewis, recounts in plenty of fresh detail – a spy in the most literal sense. There was, after all, little that La Bakaire didn’t understand about the resistance.

“This is not a book telling the life story of Josephine Baker,” warns Lewis. Its saga, though it spans five hundred pages, is mostly about Baker’s service as a secret agent, and mostly confined to the dark years of World War II. There is also another sense, in which it is not the story of his life: the narrative is largely told by an assemblage of third parties. Lewis’s bibliography and notes clearly show how much he drew on interviews with veterans, the memoirs of agents, the private family archives of a British spymaster and the war records of the offices of intelligence, some of which was only made available to the public in 2020. But Baker maintained a code of silence about the seven years she spent fighting the Nazis and, Lewis writes, “went on her falls in 1975 taking many of these secrets with her”.

She might also be sneaky about other facts. Like many women of color eager to shape their destinies, Baker subjected her origin story to numerous revisions. “I’m not lying,” she said. “I make life better.” Her autobiographies can generously be described as free collaborations: “Les Mémoires de Joséphine Baker”, published in 1927, when she was twenty-one, and updated in the following years, was in draft form before she and her co-author, Marcel Sauvage, do not share a language. And once they did? “It would be completely funny then – and sometimes very difficult,” Sauvage wrote in the preface to the book. “Miss Baker doesn’t like to remember.” Her third autobiography, “Joséphine”, was published in 1977, two years after her death, compiled from files of notes, press clippings, documents and the draft of a memoir that her last husband, Jo Bouillon, had collected with the help of a co-author. The resulting baker is another assemblage, an “I” placed next to the testimony of other people who were enlisted, as Bouillon writes, “whenever information was missing”. More candid was the biography “Josephine: The Hungry Heart”, published in 1993 and written by her adopted son Jean-Claude Baker with journalist Chris Chase; the effort to sort through his mother’s various fictions is noted in its pages. “Josephine was a fabulist,” he wrote. “You couldn’t ask him for a strict count like you would a tailor measuring slipcovers.”

She had her reasons. “A black childhood is always kind of sad,” Baker told Sauvage. Hers began on June 3, 1906, in St. Louis, when a locally famous dancehall girl, Carrie McDonald, delivered a baby she named Freda Josephine. The baby was plump and ended up being called Tumpy (for Humpty Dumpty), a nickname that persisted long after poverty had thinned her into a wanderer. The identity of his father remains contested, and becomes for Baker the occasion to improvise. Lewis notes: “She had variously claimed that her father was a famous black lawyer, a Jewish tailor, a Spanish dancer or a white German then residing in America. The shifting mythos was reflected in the ethnic promiscuity of her screen roles: the tropical daughter of a colonial official, possibly Spanish, in “La Sirene des Tropiques” (1927), a Tunisian Eliza Doolittle, in “Princess Tam-Tam” (1935).

Little Tumpy wanted to dance, but the opportunities were few. By 1921 Baker had fled her life in St. Louis and her second husband – she was all fifteen when she married the man, William Howard Baker – and was performing as a comedy choir among the Dixie Steppers, a traveling vaudeville troupe . Aiming higher, she booked a one-way ticket to New York, where she ended up working as a backstage dresser for the all-black revue “Shuffle Along.” When a touring cast member fell ill – it was only a matter of time – Baker stepped in with bubbly style. After the success of the series, she landed a role in the 1924 Broadway musical “The Chocolate Dandies”, playing a blackface version of Topsy. She was nineteen when she was recruited by a socialite and impresario named Caroline Dudley Reagan for a new production across the Atlantic. “La Revue Nègre” opened in Les Champs on October 2 of the same year. That evening, a featured was born.

Surely you must have been there. Reviewers have stumbled over gerunds in their efforts to validate the wriggling thing to print. In the jungle dreamscape “Danse Sauvage”, Baker, clad in little more than a feathered loincloth, stepped onto her male dance partner’s shoulders, upside down and in a split. André Levinson, perhaps the greatest ballet critic of the time, wrote:

It was as if the jazz, capturing the vibrations of this body in flight, interpreted word for word his fantastic monologue. . . . The gyrations of this cynical but joyful mountebank, the good-natured smile of his big mouth, suddenly give way to visions where good humor is totally absent. In the court pas de deux of the savages, which came in the finale of the Revue Nègre, there was a savage splendor and a magnificent animality.

He was sure he had glimpsed “the black Venus that haunted Baudelaire.”

At a certain moment, its efflorescence seems to deviate from linear narration, requiring a form adapted to the artistic flights of the time: collage. The appeal of La Joséphine—in Europe, at least; America has never run so hot for her – hyperbole exhausted. “The most sensational woman ever seen,” said Ernest Hemingway. “Beyond time in the sense that emotion is beyond arithmetic” was EE Cummings’ assessment. Le Corbusier, one of her lovers, dressed as a drag Baker, blackening his skin and wearing a feathered sash. George Balanchine gave her dance lessons; Alexander Calder sculpted it in wire. Adolf Loos, after a chance meeting, began sketching an architectural marvel called Baker House, with picture windows cut into an indoor swimming pool. But Baker’s power was not a matter of being lifted onto the shoulders of great men; she regarded most of them with equal indifference. In a 1933 interview, she missed the name of a famous Spanish painter: “You know, Pinazaro, or what’s his name, the one everyone talks about?” As Margo Jefferson observed of Baker, “She was her own devoted muse.”

In the thirties, Baker refined his visual signature. The show “Paris Qui Remue”, at the illustrious Casino de Paris, made this plain. The feathers had disappeared. Writing for this magazine, in 1930, Janet Flanner reported: “His caramel-colored body which overnight became a legend in Europe is still magnificent, but it has become lean, trained, almost civilized. A Parisian critic announced with more enthusiasm: “She left us a negress, funny and primitive; she returns a great artist.

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Fashion brand

‘House of Zana’ wins court battle against Zara after high street giant tries to order it to rename it

A fashion boutique has won a legal battle against retail giant Zara after it was threatened with legal action over its brand image.

Multibillion-pound fashion giant Zara, which has stores around the world, has tried to order Amber Kotrri, who runs ‘House of Zana’, which specializes in handmade kimonos, to change name.

Zara objected to Ms Kotrri’s trademark application when she said her store’s name was “conceptually identical” to theirs and the average customer would likely confuse their two marks.

He also urged Ms Kotrri to remove any branding – but determined to fight her corner and maintain her brand, she claimed it would cause ‘irreparable damage’ to her business and bore no similarity to the brand name of Zara.

Ms Kotrri, from Darlington, who has received worldwide support for her fight against Zara, announced her happy news today saying: ‘We did it!’

House of Zana’s Amber Kotrii (left), won her case against fashion giant Zara over the name of her store (pictured alongside business partner Erin Harper of Rejoy)

Zara was opposing their trademark application when they said the name

Zara objected to its trademark application when they said the name ‘House of Zana’ (pictured in Ms Kotrri’s store sign) was ‘conceptually identical’ to theirs and the average customer would likely confuse their two brands.

Zara (pictured at one of its stores) claimed Ms Kotrii's store name was

Zara (pictured at one of its stores) claimed Ms Kotrii’s store name was ‘conceptually identical’ to theirs and wanted her to change it

In a social media post, she said: “We made it!!! Thank you all for your support.

“All kind words of strength, those who signed our petition, shared the news and to all news outlets who covered this story.

“You all gave me the courage to take on the fashion giants Zara and I will be forever grateful.” WE WON!! With so much love from Amber xxx.’

In a letter sent to Ms. Kottri, Zara also said there is a risk that “consumers may misread, mishear, mispronounce and/or otherwise perceive House of Zana as ZARA” and that the brand name “dilutes the character distinctive feature and reputation of the ZARA brand”. .

In a letter sent to Ms Kottri, Zara also said there is a risk that

In a letter sent to Ms. Kottri, Zara also said there is a risk that “consumers may misread, mishear, mispronounce and/or otherwise perceive House of Zana as ZARA” and that the brand name “dilutes the character distinctive feature and reputation of the ZARA brand”. .

Before the case was heard, she defended her small brand saying, “Our name is very meaningful and personal to us and poses no commercial threat to multi-billion dollar clothing company ZARA and its huge market.”

Having originally launched their business online in 2018, House of Zana specializes in high quality, sustainable and ethically sourced clothing.

The success of his concept store in Grange Road, Darlington saw him expand to Teesside Airport and reach a global audience online.

The former art and design student plays a pivotal role in day-to-day operations, from clothing design to fabric selection.

Meanwhile, the word Zana means “fairy” in Albanian – the country where the company was born and has a manufacturing workshop.

Ms Kotrri said in April: “We don’t think anyone will confuse or confuse House of Zana with Zara. We are a small business specializing in handmade kimonos.

“We have a small concept store in the North East of England and a website to help promote our products, while Zara is a world famous fashion brand with over 2,000 retail stores worldwide and a vast collection of products.

“There is no risk of us being confused with Zara, so why should a giant company be allowed to prevent a small company from using a name that does not resemble its own at all and which would destroy our brand ?”

“We know we’re not a threat to them, but they could destroy everything we’ve worked so hard for.”

The success of House of Zana led to a concept store in Grange Road, Darlington, which saw it expand to Teesside Airport and reach a global audience online

The success of House of Zana led to a concept store in Grange Road, Darlington, which saw it expand to Teesside Airport and reach a global audience online

Ms Kotrri also added ahead of the ruling: “We don’t think anyone has or will confuse House of Zana with Zara. We are a small company specializing in handmade kimonos.

“We have a small concept store in the North East of England and a website to help promote our products, while Zara is a world famous fashion brand with over 2,000 retail stores worldwide and a vast collection of products.

“There is no risk of us being confused with Zara, so why should a giant company be allowed to prevent a small company from using a name that does not resemble its own at all and which would destroy our brand ?”

“We know we’re not a threat to them, but they could destroy everything we’ve worked so hard for.”

She added: ‘We’ve been working hard to create this unique brand, and coming from battling the pandemic, the last thing we want to do is be forced to rebrand, remove all the labels that are stitched together in our stock, change our social media names and storefront.

“It would cause irreparable damage to our beloved small business. We have spent years developing our dream and employing a great team. We have never and still do not see any similarity between the House of Zana name or logo and that of Zara.

“I’ve built a full team and a life for me and they can just take it away from me.

“It’s the name I built and everyone knows us because of it – how can I just change that?”

Ms Kotrri represented herself in court at a hearing

Ms Kotrri represented herself in court at a hearing

In 2016, a company in Barnard Castle, County Durham, was forced to change its name to ‘Zara Countrywear’ after being threatened by the same company.

In April, Inditex, the owner of Zara, defended its decision to hire Ms Kotrri.

A spokesperson then said: “We opposed the ‘House of Zana’ trademark application at this early stage due to its similarity to the Zara trademark name.

“We wish the company every success and continue to make efforts to contact the company directly to resolve the situation amicably.”

The MailOnline also contacted them about this recent announcement.

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Fashion style

How to style the latest print trend

Designers went wild for stripes on the Spring/Summer 2022 catwalks, with everything from monochrome to multi-coloured – in understated striped shirts and bold, disco-tastic dresses.

With summer in full swing, it’s the perfect time to try out the trend, whether you’re looking for vacation wear, weekend outfits or the perfect party dress.

Here’s how to incorporate stripes into your summer wardrobe…


As seen at Wales Bonner and JW Anderson, navy blue and white nautical stripes never go out of style.

This season, the classic Breton long-sleeved top gives way to cute, summery tank tops, tees and co-ords. Pair with white jeans and espadrilles for a chic seaside look.

vertical stripes

The seaside inspiration continues with vertical deckchair-style stripes. Flowing dresses caused a stir at Schiaparelli and Tory Burch, while striped separates were layered at Jil Sander and Kenneth Ize.

Embrace the contrasting runway look by pairing contrasting tops and bottoms, or keep it simple with a striped midi dress and tonal accessories.


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Always a stylish combination, black and white stripes were seen on everything from sassy mini dresses (Balmain and Courrèges) to sweeping dresses (Erdem and Tory Burch).

Take your pick from bodycon dresses (for work or play) to casual linen day dresses.

Ceremonial clothes

Barbie Ferreira wearing Fendi at the 2022 Vanity Fair Oscar Party (Alamy/PA)

Going the retro route for Spring/Summer 22, Fendi models Brandon Maxwell and Jil Sander walked the runway in bright, dramatic dresses.

The coolest way to wear formal wear this summer, a striped maxi dress in bright or pastel hues is perfect for weddings and garden parties.

Play up the 70s disco vibe with metallic platform heels and a pair of hoop earrings.

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Fashion designer

Handcrafted Lehenga and Choli in USA | Launch of the Indian wedding wear collection

With the launch of the new collection of bridal lehengas, Chiro’s By Jigyasa helps every Indian bride stay connected to her rich heritage and celebrate individuality. Lehenga designers embrace the diversity of Indian culture and traditions through their immense color variations, range of high quality fabrics and intricate bead and thread work.

More details can be found at

Chiro’s By Jigyasa strives to provide global and local customers with quality traditional Indian fashion that is hard to find in their area. Their new collection features a wide range of designs, from traditional lehengas to more contemporary designs for brides and bridesmaids.

Because every dress is designed and manufactured at Chiro, all new wedding and bridal lehengas can be customized to fit any size, body type or personal preference. Some of the designs featured include a festive red and gold silk lehenga embroidered with gold. This elegant lehenga is accompanied by a light green dupatta which is also made from a luxurious silk fabric also embroidered with gold, giving it a festive look.

Another standout set from the new collection is a printed georgette lehenga that has a gray color fade. It has a ruffled dupatta and a matching choli, both in silky and soft pure georgette. This new lehenga set is suitable for a variety of occasions, including weddings and traditional parties.

Because floral hand embroidery is a hallmark of Indian clothing, Chiro’s lehenga choli designs also feature a wide range of handcrafted floral embroidery.

Plus, Chiro’s By Jigyasa online store offers a 30-day hassle-free return policy, to ensure that every customer can find their fit and style.

About Chiro’s By Jigyasa

Traditional Indian clothing and accessories are the focus of Indian fashion brand, retailer and distributor Chiro’s By Jigyasa. Chiro’s goal is to design and distribute Indian clothing to women in the United States and around the world. Because they believe that every woman deserves to feel beautiful and confident, the brand offers everyone access to high quality Indian clothing.

A company representative said, “We have all the latest trends in Indian wedding wear for men, women and children. Our dresses are designed by us, so you can find something special for everyone. The prettiest outfits imaginable await you as you browse our selection of ethnic ensembles that will have you falling head over heels in love right away without even trying them on. We ship within 24 hours from our headquarters in Houston to all states and worldwide.

Chiro’s designers are dedicated to creating eye-catching looks using vibrant colors, prints and embellishments, under the guidance of Chief Fashion Designer Jigyasa.

Interested persons can find more details of the new wedding lehenga collection by visiting

Contact information:
Name: Jigyasa Anand
E-mail: Send an email
Organization: Chiro’s By Jigyasa
Address: 19822 Almond Park Drive, Katy, TX 77450, USA
Phone: +1-281-975-7595

Build ID: 89079678

If you detect any problems, problems or errors in the content of this press release, please contact [email protected] to let us know. We will respond and rectify the situation within the next 8 hours.

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French fashion

Downtown Des Moines Farmer’s Market welcomes 16 new mid-season vendors

Coffee, French pastries, barbecue and jewelry – the Downtown Farmers Market will introduce 16 new local vendors to the lineup starting Saturday morning at the open-air market that stretches from Water Street’s Court Avenue to Fifth Avenue.

The decision to add new local vendors comes ahead of National Farmers’ Market Week, which runs August 7-13.

A mid-season judging panel comprised of vendor committee members, sponsor representatives, farmers’ market partners and community members selected the new vendors, marking the first time a vendor judging panel stood at the mid-season.

Applications reopened in June to fill a limited number of spots “with the goal of adding new, more diverse vendors for market enthusiasts to enjoy and support,” said Kyle Oppenhuizen, director of communications for the Greater Des Moines Partnership, in A press release.

“The Downtown Farmers’ Market team is thrilled to welcome these new vendors to our already incredible lineup at the market,” Downtown Farmers’ Market manager Megan Renkel said in the press release. . “The new vendors bring a wide variety of products and experiences that we hope will reinforce the value our vendors offer throughout The Market season.”

The Downtown Farmer’s Market, which spans nine blocks in historic Des Moines, supports more than 290 local small business owners, including farmers, bakers and artists who represent 50 Iowa counties . The market typically attracts 25,000 buyers every week.

The new vendors will join the Downtown Des Moines Farmer’s Market on August 6.

After:Find the best summer produce and more at any of these 16 Des Moines and Metro Farmers’ Markets

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Meet the new vendors at the local Farmer’s Market

At Natural Healing & Wellness will join the Downtown Des Moines Farmer’s Market to promote better physical and mental health through natural herbs, essential oils and crystals. The company too sells healing and wellness products on its website and at the Valley Junction Farmers Market.

Big Daddy’s Original BBQ, a Des Moines staple since 1983, is another new addition to the Downtown Farmers’ Market lineup featuring chicken dinners or a pulled pork sandwich smothered in sweet and smoky barbecue sauce. Big Daddy’s sauces are also available at Hy-Vee stores in the Midwest and local Fareway and Price Chopper stores.

BLACK and bold offers specialty coffee and tea while donating 5% of its proceeds to nonprofit youth organizations across America. The Company offers subscription services on its website,

Shoppers walk past the StoryBook Orchard booth on opening day of the 2022 Downtown Farmer's Market in Des Moines on Saturday, May 7.

After:Off-peak hours: where to find delicious treats at the downtown farmer’s market and 2 new brunches

The sweets of Cie Cie offers a rotating hot menu as well as a wide variety of treats, such as cookies, cupcakes and chocolate-covered strawberries at the Farmer’s Market as well as on line.

Chicken and GG wafflesfounded in 2019, brings big flavor to Des Moines with chicken and waffles, chicken sandwiches and wings.

Iowa Cookie Co. offers six-ounce cookies, with a full box weighing nearly five pounds. This lovely company has a rotating list of unique flavorsincluding Colossal Monster, Holy Roller, Dirt Worm, Sugar Daddy, Main Squeeze, Double Stuffed and Bronco.

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Ken Supply Co. is a Des Moines-based clothing brand that specializes in “raised graphic tees that anyone can wear, no matter what stage of life you’re in,” according to its website. The new addition also sells his signature t-shirts and tote bags online.

Knotted dough & Co. specializes in kringlas, a traditional Norwegian pastry. Twisted pastries are also sold at the Ames Farmers Market and Valley Junction Farmers Market. Knotted Dough & Co. also offers delivery through its Etsy Page, KnottedDough.

Lyela’s kitchen is a halal cooking and catering company that serves Pakistani, Indian and Chinese dishes, as well as desserts. Lyela’s kitchen can also be found at the Valley Junction Farmer’s Market.

A couple hold hands as they walk along Court Avenue during the opening day of the 2022 Downtown Farmers' Market in Des Moines on Saturday, May 7.

Macaroon Club, established in 2020, is a gourmet dessert company focused on “elevating the taste of luxury to higher standards,” according to its website. Macaron Club’s classic French macaroons and gourmet baklava, a layered pastry dessert, are also sold online and the Valley Junction Farmers Market.

McCabe’s art was created in 2020 at the start of the pandemic to allow owner Ashley McCabe, a West Des Moines art teacher, to stay creative, according to its website. The small business creates handmade, lightweight jewelry that can also be purchased on her website Where Etsy shop, McCabeArtistry.

Nadia’s French Bakery in Altoona brings its selection of classic French pastries to the farmers market. From croissants and chocolatines to quiches and pies, Nadia’s French Bakery is committed to offering “tasty, delicious, varied and quality pastries,” according to its website. Some products are also available for purchase online at

Thousands of market visitors converged on downtown Des Moines on opening day of the 2022 Downtown Farmers' Market on Saturday, May 7.

Shay Design Studio provides arts education services to the Downtown Farmers’ Market. The studio offers art education in courses from Paint & Sip to illustration and graphic design services.

The joy of loops creates natural, plant-based hair products for curly hair, but its mission doesn’t stop there. The Joy of Curls also donates its hair products to children in the foster care system through its premier community partner, Foster the Love Louisiana. Hair products are available for purchase at

Tranzitions Wellness & Beauty Bar specializes in all-natural wellness products such as crystals and stones, handmade candles and natural beauty products. The company also offers hairstyling and extension services, with appointments available online.

A cyclist rides on Court Avenue during the opening day of the 2022 Downtown Farmers' Market in Des Moines on Saturday, May 7.

Wof Cafe is a local small-batch coffee roaster that believes “coffee is a science, but it’s also an art,” according to its website. Wof Coffee also makes regular appearances at Ames Main Street Farmers’ Market Different and Cedar Rapids Downtown Farmers’ Market. Coffee flavors, each with a unique doodle design on the front, are available for purchase at

Grace Altenhofen is a reporter for the Des Moines Register. She can be reached at [email protected] or on Twitter @gracealtenhofen.

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Fashion brand

Celebrity-Backed Startup NOWwith Ink Deals for Fashion Brands in SoHo – Trade Observer

Alex Rodriguez– backed e-commerce start-up Now withmen’s clothing brand Rodd and Gunn and women’s clothing line Line get dressed 177 rue La Fayette — the building that once housed We workfirst location.

The three companies each took 4,386 square feet to The Eretz group-property in SoHo, also known as 154 Grand Street, learned Commercial Observer. The asking rent in the building ranges from $75 to $80 per square foot, depending on the landlord broker JLL.

NOWwith nabbed the entire third floor of the six-story building between Broome and Grand streets under a five-year lease. The company, which provides software for celebrities to sell products on their social media feeds, has already moved into the space before its Launch in Augustaccording Platinum PropertiesHiro Nishida, who represented the tenant in the transaction. NOWwith, who lifted $18 million in two rounds of seed funding in May, transferred from another SoHo office, Nishida said.

“It’s a one-of-a-kind building in SoHo…with windows on two sides,” Nishida said. “It’s no wonder WeWork’s first location was this location.”

New Zealand-based menswear brand Rodd & Gunn has signed a seven-year deal for offices across the entire sixth floor of the building as it seeks to expand its retail footprint in New York. The brand has a handful of locations in Manhattan and Brooklyn, including an independent outpost in 81 Front Street in Dumbo, Brooklyn.

Finally, La Ligne, a seller of dresses and knitwear launched by two former vogue staff members, also entered into a five-year contract to relocate its offices to the entire second floor of the property. La Linge, which has a retail store in 996 Madison Avenuemoved into the building earlier this year, although it was not immediately clear where its former offices were.

The Lafayette Street building was where the WeWork co-founders Adam Neumann and Miguel McKelvey created the coworking company’s first 3,000 square foot site in 2010, before the rapid rise and fall of WeWork became the subject of books and even inspired the stars AppleTV+ adaptation, “WeCrashed”. We work firm the outpost in July 2020 as it reduced its office portfolio.

JLL’s Paul Glickman, Benjamin Bass, Kip Orban, Kristen Morgan and Thomas Swartz negotiated the three transactions for the owner. SavillsJordan Weiss handled the deal for Rodd & Gunn while the Runyon Groupit is Isabelle Solmonson represented The Line.

Savills declined to comment. NOWwith, La Ligne, Rodd & Gunn and Solmonson did not immediately respond to requests for comment.

Celia Young can be contacted at [email protected].

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Fashion style

Ginger Spice turns 50: Geri Horner’s style evolution from the 1990s to today

Arriving on the pop scene in 1994 as the fifth of the Spice Girls, Geri Horner (née Halliwell) has been in the spotlight for over 25 years.

Meanwhile, the showbiz star – who turns 50 on August 6 – has been a veritable fashion chameleon, often switching up her style to suit her career and personal life.

To mark this milestone anniversary, we are going back to her clothing evolution.

1990s: Ginger Spice

The Spice Girls at the 1997 Cannes Film Festival (Neil Munns/PA)

Taking the pop world by storm in the mid-1990s – alongside Spice Girls bandmates Melanie Brown, Melanie Chisholm, Emma Bunton and Victoria Beckham – Horner was given the nickname “Ginger Spice” in honor of her fiery red hair.

The 20-something pop star was all about attention-grabbing outfits, often sporting the brightest and loudest ensembles of the bunch.

Geri Halliwell aka Ginger Spice performing at the 1997 Brit Awards (Fiona Hanson/PA)

Her most iconic Spice Girls look is undoubtedly the extremely short Union Jack mini dress she donned to perform at the 1997 Brit Awards, paired with bright red platform boots.

To widespread shock, Horner left the phenomenally successful girl group in 1998 and quickly set about reinventing herself.

Geri Halliwell on stage at a royal gala in honor of the Prince of Wales’ 50th birthday (Stefan Rousseau/PA)

Showing off a sleek new look later that same year, she sang happy birthday to Prince Charles on his 50th birthday, wearing a stunning midnight blue strapless dress with a huge skirt.

2000s: Solo star

Geri Halliwell performing at Party in the Park 2001 (William Conran/PA)

Embarking on a solo pop career, the singer formerly known as Ginger Spice embraced all the biggest trends of the 2000s, including halter tops, low-rise jeans and mini kilts.

Geri Halliwell braves the rain to greet fans and promote her album Scream If You Wanna Go Faster in 2001 (Haydyn West/PA)

Swapping out her bright red hair for honey blonde streaks, the pop star’s off-duty style was decidedly more demure, and on the red carpet, she favored glamorous, body-hugging dresses.

The Spice Girls during a photocall at the Royal Observatory in 2007 (Joel Ryan/PA)

In 2007, the Spice Girls announced that they would be reforming. Horner, who had given birth to her first child, Bluebell Madonna, the previous year, looked somewhat out of place during the reunion photocall, wearing a flowing white maxi dress – while the other members chose bold black and red outfits.

2010s: Olympic glory

Geri Haliwell at Newbury Racecourse in 2010 (Steve Parsons/PA)

Horner’s style continued to evolve in the 2010s and she experimented with the blonde and bronzed baby look.

Geri Halliwell launched her clothing line with Next in 2011 (Ian West/PA)

The Spice Girls returned to center stage once again with their epic performance at the closing ceremony of the London 2012 Olympic Games. Ginger Spice recalled her iconic British look in a red mini dress, with the bustle of the Union flag.

Geri Halliwell of the Spice Girls performs during the closing ceremony of the London 2012 Olympics (Anthony Devlin/PA)

In 2015, she chose British designer Phillipa Lepley to create the lace-trimmed wedding dress for her wedding to Red Bull Formula 1 boss Christian Horner.

Spice Girl Geri Halliwell arrives for her wedding to Formula 1 boss Christian Horner (Chris Radburn)

Now: minimalist chic

Geri Horner in the royal box at Wimbledon (Steven Parsons/PA)

These days, Horner will wear any color…as long as it’s white. Or cream. Or ivory. Rarely depicted in anything other than these pale hues, Horner has found her fashion groove, and it’s a far cry from her Spice Girls style.

The mother-of-two (she gave birth to son Montague in 2017) is all about luxe loungewear, flowing blouses, swishy skirts and white jodphurs (the longtime riding enthusiast owns several horses).

Christian Horner and Geri Horner attending the world premiere of No Time To Die (Alamy/PA)

Horner also loves the all-white look on red carpet appearances, often styling a chic column dress with a sleek updo and bold red lip.

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Fashion designer

woman helps Carpenter with ‘electricity bill payment’, loses 3l | Bombay News

Mumbai: A fashion designer lost almost Rs 3 lakh of her family’s money trying to help a carpenter who was a potential target of a cyber crook. A criminal offense has been filed at Sick police station.
The 26-year-old fashion designer lives in sick west with her family. She had hired a carpenter to make furniture in her home. On Tuesday morning, while the carpenter was at work, he received an SMS from an unknown number informing him that the electricity supply to his home would be cut off because he had not paid the bill.
A phone number was mentioned in the text and the carpenter dialed it. But he couldn’t understand what the person on the other end of the line was saying. He handed the phone to the fashion designer and asked her to speak on his behalf.
The man pretended to be from the power company and asked the fashion designer to download an app called Quick Support. Little did she know that the app would give her remote access to the carpenter’s phone screen.
He asked her to pay Rs 10 to prevent the power supply from being cut off. She added her father’s debit card number and paid Rs 10. But soon after, three more transactions took place and around Rs 70,000 was debited from her father’s account.
The fashion designer confronted the scammer about the deductions he offered to refund the money to her via her digital wallet. “He then asked her to download the Quick Support app on her handset, which she did, allowing him to access her phone remotely as well. This time, three debit transactions totaling Rs 2.24 lakh was made on his account,” a policeman said.
The fraudster then disconnected the call and his phone was turned off.
The fashion designer then rushed to the Malad police station the same day and filed a fraud complaint.


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French fashion

The Case of the Artist and the True Crime Documentary

If you’re the kind of viewer — like me — who watches true-crime documentaries and spends all of your time wondering exactly how you’re being manipulated, this week offers an opportunity to peek behind the curtain.

It comes in the form of two very good series, one released last year and one premiering in America on Thursday, about a harrowing and seemingly never-ending case, the 1996 murder of Sophie Toscan du Plantier at her vacation home on the south coast of Ireland.

The case contains so many ingredients of true-crime fascination that it barely feels real. The victim was beautiful, semi-famous (her husband, Daniel, was one of France’s leading film producers) and far from home in a hauntingly dramatic landscape. The murder, two days before Christmas, was brutal and without eyewitnesses.

One suspect, a freelance journalist named Ian Bailey, who aggressively reported on the murder, was arrested twice by police and released without charge each time by prosecutors. The investigation by the Garda, Ireland’s national police, has been dogged by accusations of incompetence and corruption. Bailey went to court twice, suing a newspaper group and then the police; he lost each time, cementing his status in the public mind as a murderer who got away with it.

Meanwhile, members of Toscan du Plantier’s bereaved family waited anxiously in France for Ireland to find his killer. Completely convinced of Bailey’s guilt, they pushed for him to be tried in absentia in France, where he was found guilty and sentenced to 25 years. Arrested again by the Garda, he was again released by the Irish State, which refused to extradite him. This is where things stand today, a quarter of a century after the murder.

It’s a lot. I have it all in my head because it’s all covered, cohesively and dramatically, in all three episodes “Sophie: Murder in West Cork”, which came to Netflix last year, and the five episode “Murder at the Cottage: The Search for Justice for Sophie”, premiering on the streamer shop after it aired last year in Britain.

But while the two basically tell the same story, they leave you with very different feelings about Ian Bailey. By the end of “Sophie,” you’re likely to see him as a strange, off-putting character and reasonably convinced of his guilt. By the end of “Murder at the Cottage,” you’re more likely to see his guilt as possible but unproven and weigh his eccentric behavior against the undeniable toll the case has taken on him, guilty or not.

Part of this difference has to do, as you would expect, with selection and emphasis. Suggestions that the victim knew Bailey, which he denies, are further aired in “Sophie”. A report of a speeding Ford Fiesta, driver unknown, near the victim’s house the night of the murder only appears in “Murder at the Cottage”. There are many other examples.

It has even more to do with representation. “Sophie” gets closer to the point of view of Toscan du Plantier’s parents, son and other relatives, interviewing them at length and closely following their crusade. The main characters of “Murder at the Cottage” are Bailey and her faithful romantic partner in most cases, Jules Thomas. (The victim’s family members were interviewed for “Murder at the Cottage” but asked that the footage be deleted after the series preview; it appears in archival interviews.)

But perhaps the most important element is provenance. “Sophie,” directed by John Dower (“Thrilla in Manila”), is a solid example of Netflix’s true-crime style. It’s leaning towards drama and surprise, without being overtly sensational; it’s polished and crisp but not particularly inventive or inquisitive, being more concerned with presenting story elements in a familiar, easily digestible form.

And its focus is on culpability – on identifying a suspect or suspects and building a case. It’s the truest crime MO, to take on the role of prosecutor and heighten the emotions of us, the jury, and steer them in a particular direction. In the case of “Sophie”, the simplest – and perhaps the correct – direction is toward Bailey’s guilt.

But guilt isn’t the central issue in “Murder at the Cottage,” which fulfills the demands of true-crime documentary without being captive to the format. It is, in a descriptive sense, a work of art, written and directed by talented Irish filmmaker Jim Sheridan, who appears onscreen as narrator, interviewer and spiritual guide. It’s also clearly a passion project, which Sheridan had been working on since at least 2015, and you wonder about its relationship to his film career, which got off to a brilliant start – ‘My Left Foot’, ‘In the Name of the Father “, “In America” – but has lost momentum in the last decade.

In the Netflix series, the information is expertly arranged to embody an existing story, which had already been told by the media over the years, and to fit in with an existing moral calculus. In “Murder at the Cottage”, Sheridan goes in search of a story that will make sense of the maddening events. Her approach is actually simpler than that of “Sophie”, which jumps in time to increase the surprise. It goes from station to station, chronologically, sacrificing some drama for the sake of clarity.

His progress is guided by his own ideas and feelings, in a way that runs counter to easy answers or epiphanies. He cannot contain his irritation at what he sees as the shoddy and possibly unscrupulous workmanship of the Garda, or the authoritarian actions of the French court. But he’s scrupulous about maintaining perspective. At a crucial moment, a reporter appears onscreen to point out that there’s no reason why “the Garda is corrupt” and “Ian Bailey is guilty” can’t both be true. (This summer the Garda announced that they would formally look into the matter.)

More problematic – certainly for Toscan du Plantier’s family – he has a storyteller’s eye for the character, and Bailey, erratic, imposing and undeniably charismatic, holds the screen in a way that buttoned-up, pensive family members they do not do. Sheridan and Bailey have clearly grown close over the years of filming — during the French trial, Sheridan phones Bailey for updates, supposedly to get her answers on the film — and Sheridan surely knows that screen time and intimacy will generate sympathy for the accused killer. But Sheridan is just following the story where his instincts and circumstances lead him.

Along the way, viewers will appreciate the textures Sheridan brings to a genre usually run by numbers. Pictorially, visually and rhythmically, the series is a pleasure. And the ideas arise and mix with an unusual subtlety. At the start of the series, Bailey says, “It’s hard, the gap between knowing something and being able to prove it.” Several episodes later, when the head cop on the case talks about feeling helpless over the corruption charges, you realize his complaint is the same as Bailey’s.

Other choices by Sheridan are more immediate and vivid, such as a photo of Bailey pulling out one of his own teeth with pliers which is paired with a discussion of the French court’s description of him as borderline psychotic. But again, it’s complicated: it could be evidence of a psychosis, or it could just be evidence of a sharp theatrical personality that turns people against itself.

In a rumination towards the end of the series, Sheridan addresses the uncertainties of the story and his role in it: “Is he capable of killing? Aren’t we all? Is he guilty? I do not know. I don’t think we can say for sure. If “Murder at the Cottage” isn’t, ultimately, something more than a particularly well-made and nuanced example of the true-crime series, it’s because of another question Sheridan leaves unanswered: why he cares so much.

He hints at a personal connection and speaks of his rage at the lack of justice for Toscan du Plantier, but something is missing, a level of emotion that would justify the effort. We can still get the answer because it would be still following the case.

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Fashion brand

Fashion brand acquired, securing Australian following

Global restructuring firm Gordon Brothers has acquired the global Orsay brand, archives, associated trademarks and other intellectual property from Orsay GmbH.

The company partnered with Scayle to continue its growth in addition to maintaining existing Orsay franchisees.

Gordon Brothers chairman Tobia Nanda said the acquisition allows the Orsay brand to develop new apparel, footwear and accessories – and continue to be available globally and to customers in Australia, where it has a dedicated clientele.

“We have been following the Orsay story for years and have always been impressed by the brand’s powerful connection with consumers.

“The Orsay brand has been successful across regions, countries and distribution channels, and we are thrilled to partner with Scayle for its next chapter of growth.”

Scayle co-CEO Tarek Muller praised the partnership.

“Throughout this process, Gordon Brothers has shown enthusiasm for the Orsay brand, flexibility and willingness to ensure its continued presence in the European market.

“The agile strategy and growth objectives fit perfectly with SCAYLE’s modern business setup and rapid use cases.”

Gordon Brothers has been actively investing in brands since 2003, partnering with companies to help revive and reinvent brands such as Laura Ashley (pictured) and Nicole Miller.

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Fashion style

9 of the biggest 90s fashion trends that are making a comeback

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

If you’ve looked at TikTok or Instagram (or flipped through a fashion magazine) lately, you’ve probably noticed that the 90s are back. More than 20 years after the decade ended, many of its most iconic fashions (think scrunchies and Mom jeans) that were once mocked are now embraced by Gen Z.

Such is the cyclical nature of fashion, and with looks – from grunge to goth to hip-hop, and more – throughout the decade, there’s sure to be plenty of inspiration to draw from. Here are just a few of the many 90s trends that have re-entered the culture lately. Don’t wear them all at once!


Pro tip: You can also accessorize by wearing one on your wrist. / Ivyu / Amazon

Once famously mocked in a 2003 episode of sex and the city, this humble and stretchy fabric hair tie has since become popular again. More comfortable and forgiving on sensitive manes than the typical elastic, the scrunchie has been rediscovered for its versatility, ease of wear, and ability to add an extra touch of style to a casual outfit.

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Brown Birkenstocks on a white background.

A true classic never really goes out of style. / Birkenstock / Urban Outfitters

These comfy sandals, easily recognizable by their cork soles and buckles, were a staple of the ’90s hippie wardrobe, but today you’re more likely to see them worn by a more fashion-forward crowd. Birkenstocks fit right in with the so-called “normcore” concept of unassuming, comforting 90s clothing, in fact subversively styled. While classic Birkenstocks come in dull earth tones, today you can buy them in a wide variety of colors and styles.

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Dr. Marten 1460 smooth leather platform boot on a white surface.

Channel your inner Daria with iconic Docs. / Dr. Marten’s / Urban Outfitters

Platform shoes, which were once all the rage in the 70s, reached new heights (pun intended entirely) in the 90s. Platforms were seen everywhere, from grunge children’s Doc Martens to sneakers dizzying ravers (and the Spice Girls!), and even the Mary Janes and moccasins of fashionable teenage girls. Given the popularity of spindly designer stilettos of the 2000s, it only makes sense that the more fashion-forward and comfortable clumsy shoe is finally coming back into fashion. And unlike the 90s, you can now get Docs in vegan leather, as the brand has offered it as an option since 2011.

Shop: Urban Outfitters

Posh Spice at VH1 Party

If Victoria Beckham (aka Posh Spice) wore them back then, you know they were in style. / Dave Hogan/GettyImages

These seductive, often gothic-looking necklaces were all the rage in the 90s. The tattoo choker in particular – a looped plastic variation, cheaply made on the theme – was particularly ubiquitous later in the decade. . These necklaces, along with the more traditional velvet and rhinestone ones, have become popular again, mostly worn by teenage girls and young women looking to add a bold accessory to their respective outfits.

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Mom jeans (or as they were called in the 90s, simply “jeans”) have gone from object of derision (most memorably derided in 2004 Saturday Night Live sketch seen above) to a must-have cool-girl. Jeans used to be high waisted and stiff by default, but as stretchier fabrics came along, skinny jeans became popular, and by the 2000s they were a staple. Low rises were also the norm at the time, and the high rises of so-called Mom jeans have proven to be more flattering and comfortable for many, and can have a surprisingly timeless feel.

Shop: Levi’s

Princess Diana in bike shorts.

Style icon Princess Diana helped make bike shorts look super chic, even for casual outfits. / Anwar Hussein/GettyImages

These stretchy, form-fitting shorts were the pinnacle of athleisure before that word even existed. Often paired with oversized t-shirts or sweatshirts, bike shorts are comfortable and relaxed, with a hint of sexiness in their fitted silhouette. Many people have discovered the benefits of bike shorts during the pandemic as they are a good alternative to pantsless on Zoom calls. They can also have an understated, chic quality outside the home, as evidenced by the many photos of ’90s style icon Princess Diana in bike shorts that often circulate on Instagram.

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Drew Barrymore, Eric Erlandson, Hole

Slip dresses were huge in the 90s, popularized by ‘it girl’ Drew Barrymore (pictured here with Hole’s Eric Erlandson). / Steve Granitz/GettyImages

Loved by ’90s it girls like Courtney Love and Drew Barrymore, the slip dress is both underwear and outerwear at its best. The silky fabrics and spaghetti straps of these dresses have a flirty vibe without much effort, and they’re easy to slip on and dress up with a few accessories. The slip dress can look like Old Hollywood or riot grrrl, depending on how it’s styled, and its versatile sexiness and association with ’90s rebels has led to a new appreciation for the style.

Shop: Urban Outfitters

Stacey Dash and Alicia Silverstone in "Distraught."

The 1995 hit “Clueless” is a treasure trove if you’re looking for ’90s style inspiration. /Paramount Home Entertainment

Plaid has always been around, but in the 90s it was everywherefrom the grunge musicians flannel shirts to the famous yellow skirt suit worn by Alicia Silverstone in clueless. Donning a plaid piece is an easy shortcut to edgy ’90s style, as evidenced by pop star and Gen Z fashion maven Olivia Rodrigo’s penchant for plaid dresses and miniskirts.

Shop: Nordström

Frequently associated with the aforementioned high-waisted jeans in the 90s, the bodysuit gave casual outfits a more polished look. While some may scoff at the downsides of a bodysuit when it comes to using the bathroom, these body-conscious pieces (which can be minimalist, athletic, or boudoir-ready) are making a comeback via brands backed by celebrities like Kim Kardarshian’s SKIMS and others. .


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Fashion designer

Lewis Hamilton Goes Pink With Zendaya In Groundbreaking Collab With Billion-Dollar Fashion House

Formula 1 has completed 13 rounds and is in its summer break, which shuts down all activity in the F1 world. Drivers are using this time to disconnect from the sport and recharge before returning to one of the fiercest competitions in the world. In his spare time, Lewis Hamilton extends his collaboration with Maison Valentino.


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The seven-time world champion has often amazed fans with his on-track results. However, off-road, it never disappoints in preparation for a Grand Prix. The F1 paddocks often see the Brit making a new fashion statement at the track he is visiting.


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New big title made him the face of Pierpaolo Piccioli’s ‘Valentino Pink PP Collection’. Notably, Hamilton is Valentino’s DI.VAs (meaning DI.fferent VA.lues), a term coined by Piccioli to refer to the main faces of the House of Valentino.

Besides, the Italian designer is also featuring American actress Zendaya to promote his new clothing line. The two superstars in their respective fields can help the designer achieve multiple strands.

Lewis Hamilton: DI.VAs

When not in racing suits, Hamilton is very much engaged in his off-road passions. He is very into creative fields like music and fashion and is an adrenaline junkie when skydiving. The Mercedes ace likes to contribute to society and never backs down from a new challenge.

For many years, the Brit has spoken openly about racism, diversity and social injustice. He is a leader who sets the benchmark in everything he puts his heart into. The Italian fashion designer is a big fan of these qualities he shows and is full of praise for his DI.VAs.


$20m partnership between Fernando Alonso and Aston Martin features sneaky details

in about 1 hour


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piccoli said, “Lewis is a performer; he is able to use his energy to express his authentic and precious self. The talent that he spreads with all his personality goes far beyond his sporting excellence and embraces everything he does. Lewis believes in what he does and shows it with effortless intensity.

I saw him commit to social causes with great independence. I saw him wear a total pink look and make it personal. I saw him smile and chat with people in a very casual way. By doing whatever pleases him, he pleases us. As a DI.VA testimonial, it represents diversity, equality and, above all, love.

Watch this story: Lewis Hamilton joins Zendaya as the new face of fashion house Maison Valentino


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“I couldn’t think of a better friend for this campaign. It will give an empathetic, human, inspiring message and it will be true”, Valentino’s creative director concluded.

The collaboration is a big hit in the fashion world and we can’t wait to see what the duo release next. What’s your favorite Lewis Hamilton haircut?

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French fashion

Black Girls Surf Founder Amplifies Athletes’ Voices

Sports Illustrated and Empower Onyx highlight the diverse journeys of black women in sports – from veteran athletes to rising stars, coaches, executives and more – in the series, She-evate: 100 Influential Black Women in Sports.

When Rhonda Harper, founder and director of Black Girls Surf, used to sit with her siblings in her Kansas home watching a series of TV shows, she had no idea what to enjoy the specials. beach from his landlocked living room would lead to the most exhilarating sport of his life: surfing. When skateboarding took a step back and the search for black female riders began, Harper began designing an organization that reached out to more than just black girls with the right to compete. Its roots, deep in social justice, continue to instill fairness in the global surf industry.

“In the ’70s, Stevie Wonder, the NAACP, and civil rights were huge in Kansas City,” Harper says. “I was watching Muscle Beach Party and little Stevie Wonder debuted. That was the connection for me.

Harper adds that she started buying surf magazines with the money she earned on her paper route. “There were no black people surfing in the whole movie. The only time I saw someone black was when I saw Stevie play. I already wanted to surf, but it’s not it was when I saw Stevie that I realized I could be in that scenario,” she says.

Harper’s family moved to California when she was 10. They had a pool in their backyard, a far cry from the separate pool two blocks from their former home in Kansas City. “I learned to swim in a black community pool in Parkwood, three miles from my house instead of the one that was only two blocks away,” says Harper. “My father, who was a retired coast guard, taught me.”

When they arrived at their new home in San Jose, the pool water was green. So her mother took the family to the beach, and swimming became Harper’s sport until she graduated from high school. “I was probably the only senior with a grad ring that has a surfer on the side,” Harper says.

“I started at 7, just watching movies, and then I moved to San Jose, 20 minutes from the beach,” says Harper. “My whole life has changed.” As the junior activist grew into a teenager, her upbringing for social justice left little patience for inequity. Her rebellious spirit prompted her parents to send her to live with her 19-year-old sister Natalie in Oahu, Hawaii. Harper is still amused when she recalls how they fired her “to punish her.”

Her father nicknamed her “Rocky” because she was constantly fighting at school. “When I came to California it was even worse because everyone had their mouths open and there was no segregation,” she says. Living with Natalie, a student in Oahu, was paradise for Harper. She stayed until she graduated from high school, and her love of the ocean and surfing brought her peace and clarity. The ocean was a mile away and the bus was only 25 cents, Harper recalls.

“I learned a lot about myself,” she says. “First, I’m there by myself. No lifeguards. It’s just me in the water. There’s a lot of anger that I brought back in my suitcase about why I had to move. I could feel him go. A lightness came over me, as the days went by, and I was getting better and better. I just felt a lot calmer. There was a level of maturity that set in. Harper’s sister told him not to go into the water without her. Nevertheless, caution was thrown to the waves. A determined Harper used to hide her used $25 board in thick brush next to the apartment, never bringing it inside. And his sister was never the wiser.

After graduating, Harper went to the Fashion Institute of Design and Merchandising and worked with her older brother, Keith, who was already making clothes for Bobby Brown and New Edition. Harper’s list of celebrity clients has grown and spanned from actor Eddie Murphy to rapper Heavy D.

After 25 years in the field, she decided to launch her own line of surf clothing. All she needed was a black surfer to model her clothes on. That’s when she discovered how hard they were to find.

“I wanted an Afro-centric, surf-influenced clothing line for black people who surf,” she says. While researching her niche market, she came across archival information about Inkwell Beach in Santa Monica, a place where black people congregated during segregation. “There was another article I had read about this first surfer of African and Latino descent, Nick Gabaldon, who surfed this same beach.

Harper began to connect her main passions – activism, surfing, fashion and writing – into a journey that changed her life. After leading the charge to place a memorial plaque at Inkwell Beach in Santa Monica for 24-year-old Gabaldon, whom Harper says was “overdone on a big wave day, [when] he hit the Malibu pier and died. She continued to support and coach black surfers while seeking out her female counterparts. It was important for them to have a space to showcase their athleticism. Harper’s quest would open the floodgates for women who had gone unrecognized in the surfing world. From the start, Harper felt this sense of exclusion.

“I tried to make the swim team in high school, but I didn’t look the same as my white counterparts in their bathing suits,” she recalled. “So I always got teased by the coach, who was already racist. He always had something to say about black bodies and black people. I told my mum I didn’t want to be in that environment. So I quit.” Harper was grateful that surfing was an individual sport rather than a team sport, and she said she preferred surfing because it gave her a sense of peace.

The writing was really on the wall when someone from a black athlete sports network read Harper’s press release on Gabaldon’s plaque and asked him to report on black surfers. “I started looking for a surfer, and I couldn’t find one that fit that category,” she says. “It’s the beginning of my career as a journalist, so I can explain why there are no black surfers. still no blacks on these pages.

She took a course with the International Surfing Association, part of the International Olympic Committee, and became the first black surfing judge. She decided to use this title to set up a platform, The Africa Surf International, which allows black surfers to show their talent. The ASI was going to be a competition held in Sierra Leone for a specific reason: it was where the Africans were all separated and taken to different parts of the world, Harper explains. “I learned that they discovered surfing in Ghana before Hawaii,” she adds. “We were already surfing, but this information was hidden from us.”

Years later, Harper realized something else that was hidden in plain sight: Afro-Latina surfers. She was “looking” for a black community surfing the waves, and it already existed. As her duties as a judge increased, she discovered the mystery. “I discovered that there were black surfers all over the world,” she says. “Some of them didn’t identify themselves, because it was the early 2000s and we weren’t yet calling people who lived in Venezuela and Brazil Afro-Latin or Afro-Brazilian. I was seeing these surfers when I was a journalist, and I missed it.

“There was literally a black surfer, Suelen Naraísa, who carried the Olympic torch in 2016,” she says. “When I talk about culture and black people in surfing, I can’t leave out the Brazilian community because they have been building it for a very long time.” The discovery inspired Harper to continue her fight.

She went to the International Surfing Association games in 2005 and 2006, where she noticed the absence of black women competing. Finally, Harper has found enough girls to turn up a heat. In 2014, she encouraged her team to do an exhibition that would allow girls to “go out and win trophies”. And Harper hoped that “maybe it would spark a new generation of people seeing black women surfing.”

Then Ebola hit the country and suspended the ASI contest. It was then that Harper decided to bring two of the West African girls to California for training and “proper” exposure. (One of them ended up not coming to the United States due to the travel ban and the closure of embassies). Over the next few years, Black Girls Surf began to take shape. “Even though everything was shut down, I continued to work to bring awareness to black women,” Harper says. She could never have seen what was to follow: COVID-19, which stranded Harper in Senegal for two years.

“Everything you see on Black Girls Surf now was done from an apartment in Senegal because I was trapped,” says Harper, who planned a quick trip to the country to film Khadjou Sambe, the Senegalese surfer she trains for the Olympics and the World Surfing Pro League. “I had been there for two years when the country closed. I couldn’t go home. Yet its social justice has transformed and flourished during the pandemic. “I trained girls in Senegal,” she says. “We don’t speak the same language. I don’t know Wolof. I don’t know French. But I know direction, compassion and empathy.

According to Harper, Sambe’s surf trip will ultimately change the Senegalese Federation. “Senegalese girls are not registered with their federation,” says Harper. “They didn’t want Black Girls Surf to be part of this federation because they know it’s going to change the country. It’s already changing,” says Harper, who made a global paddle for George Floyd.

“The surfing industry was so locked into environmental justice that they didn’t realize it went hand in hand with social justice,” she says. “We know this because there are dumps in black and brown communities. It’s not just about the ocean. It is about the environment and its totality. I watched my white counterparts talk about whale kills. And on the other side, all my black friends were crying because black people were being killed.

Her unwavering activism continues to push the boundaries as she moves the needle of her Black Girls Surf mission with unique programs like surf therapy; GROMS, an NFT collection; surf camps, like the one at Bowdoin College in Maine; and of course her clothing line, Hurley Black Girls Surf.

Bryna Jean-Marie is a contributor for Strengthen Onyxa diverse multi-channel platform celebrating the stories and transformative power of sport for black women and girls.

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Fashion brand

Historic Leather Manufacturer Buys Luxury Fashion Brand | South West Deals

A historic producer of high-tech and luxury leather goods, headquartered in Yeovil, has acquired the brand and assets of a contemporary luxury fashion business.

Pittards opted for Hill & Friends, founded in 2015 by Emma Hill and Georgia Fendley.

Hill & Friends’ line of handbags and accessories is said to have a “distinctive aesthetic, proven pedigree and loyal following while offering the potential for material international growth”.

Co-founder Emma Hill’s philosophy of believing in fair trade and ethical practices is believed to be “in line with Pittards’ long-term strategy to drive sustainable growth”.

Pittards itself was established in 1826 and has a heritage of developing and manufacturing performance leathers that are used by top brands around the world.

The acquisition allows the company to add another luxury fashion brand to its growing portfolio.

Pittards Managing Director Reg Hankey said: “Maintaining our strong balance sheet, this acquisition has been fully funded from the company’s existing cash.

“This complementary acquisition represents a compelling opportunity to further expand our offering, building on our success with our luxury men’s brand Daines and Hathaway.

“We are excited to work with Emma to expand the breadth of our offering in the fashion industry while generating new synergy benefits and unlocking shareholder value through increased scale.”

Details of the advisers who worked on the deal were not disclosed.

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Fashion style

Toronto-based clothing brand creates hype around four-letter words

What makes a hoodie unique?

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What makes a hoodie unique?

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According to Rachel Walderman, founder of 4 Letter Series, it is a four-letter word. The Toronto-based apparel and lifestyle brand offers limited-edition clothing collections designed to feature “four words that compile four letters, telling a short story.”

We caught up with Walderman to find out more.

Q. For those who don’t know, what is 4 Letter Series?

A. 4 Letter Series (4LS) is a premium apparel and lifestyle brand that offers locally made, handcrafted products designed to bring you ultimate comfort and joy, with an emphasis on storytelling. We’ve had four drops so far, with a primary focus on hoodies, crew necks, and zippers. As part of the creative process, we collaborate with community leaders to make our drops unique and multifaceted. We launch our products with a story to share with our community.

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Q. What makes it unique?

A. Our concept is what makes us unique. There are endless lines of hoodies on the market, but no one else does. Each drop highlights four words that compile four letters, telling a short story. With each drop, the story constantly evolves and changes, like our own lives. Each of our clients resonates differently with the stories, making them their own. It’s such a beautiful thing to celebrate the interpretation and power of words, while tying that together with high quality clothing and creating something that can be worn with pride.

Q. When and why did you launch the brand?

A. I launched 4LS in the fall of 2021, but technically I launched the brand eight months before that. I always wanted to make something my own, but it took me time to develop the confidence to do so. Being in the fashion industry for 11 years, I was starting to feel demotivated by my lack of purpose. I wanted to create something more than just beautiful clothes. 4LS creates products that have personal meaning.

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Q. Who is the target customer?

A. Anyone can wear the 4LS, but we’ve found our current client to be between the ages of 25 and 45, of all gender identities and expressions.

Q. What can you share about product collaborations?

A. To date, we have had the privilege of collaborating with community leaders and creatives, all of whom happen to be extremely talented Canadian women, including Bianca Sparacino, Rachel Joanis, Madeleine Gross and Noah Lehava. Whatever the partnership with 4LS, we do so with deep thought and intent to ensure it is aligned with the brand. We are always looking for artists, graphic designers, illustrators and more to improve our clothes and make them even more special.

Q. The products are all made in Toronto. Why was this important to you?

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A. When it came to the original delivery of hoodies and crewnecks, I knew I wanted to find a local manufacturer who believed in my creative vision and was willing to go the extra mile to create special pieces. Part of that meant I really needed to be involved in the process from start to finish of the garment’s journey. My manufacturer for all of our hoodies, crewnecks and zippers is a small team of four people. This means that everything is designed and created with the utmost attention and care, and every detail is considered. Making clothes locally in Canada is not the easy way, because we don’t have the same resources as abroad, but if it was easy, everyone would be doing it, right? ? There is so much talent in our backyard that can be used and supported. For our collaborations in other categories, like our candles and vintage jewelry, we’ve also worked with local businesses.

Q. Finally, what is the price range of your products — and where can people find them?

A. Our candles are $68, our clothes range from $115 to $175. We also sell vintage solid gold jewelry and chains, which start at $175 all the way up to $510.

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French fashion

Kaia Gerber models silk boxers, high boots and sunglasses for French fashion house Celine

Kaia Gerber wears silk boxers, knee high boots and sunglasses in chic black and white photos for French fashion house Celine

Kaia Gerber showed off the latest looks from French luxury brand Celine’s winter collection on social media.

The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted to Instagram on Saturday.

The brunette beauty also presented a new Céline chain box bag from the winter 2022 collection available in stores and on from August 26.

French brand: Kaia Gerber unveiled the latest looks from French luxury brand Céline on social media” class=”blkBorder img-share” style=”max-width:100%” />

French brand: Kaia Gerber unveiled the latest looks from French luxury brand Céline on social media

Kaia was also shown in a close-up profile posted on Instagram by Céline on Sunday for the brand’s estimated 4.9 million followers.

She wore Celine cat-eye sunglasses with a cashmere turtleneck and signature necklace in the black and white image by Hedi Slimane Photography.

Hedi, 54, has been Céline’s creative, art and image director since February 2018.

The French ready-to-wear and luxury leather goods brand was founded in 1945 by Céline Vipiana and her husband Richard.

Silk boxers: The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted on Instagram on Saturday

Silk boxers: The 20-year-old model wore Celina silk boxers and high Celine boots in a black and white photo by Hedi Slimane Photography posted on Instagram on Saturday

Celine has belonged to the LVMH group since 1996 and the brand has approximately 180 stores worldwide.

Kaia is the daughter of model Cindy Crawford, 56, and businessman Rande Gerber, 60.

She has an older brother Presley, 23.

Model mom: Kaia was shown last November with her supermodel mom Cindy Crawford

Model mom: Kaia was shown last November with her supermodel mom Cindy Crawford

Kaia has been in a relationship with actor Austin Butler, 30, after they were first romantically linked in December 2021.

Austin recently traveled to Budapest, Hungary to shoot the Dune sequel.

Kaia has also made a name for herself as an actress. She stars in the new short film The Palisades, which premiered last week at the LA Shorts International Film Festival. The 13-minute feature is billed on IMDb as “an exploration of the intricacies of female friendship” and was directed by Carissa Gallo.

Last year, the Los Angeles native also starred in three episodes of American Horror Stories and four episodes of American Horror Story: Double Feature.

She also has a recurring role in the Apple TV+ period comedy miniseries, Mrs. American Pie, which began filming in May. The series stars Kristen Wiig, Laura Dern, Allison Janey, Leslie Bibb, Ricky Martin and Carol Burnett.

Family portrait: Rande Gerber, Cindy, Kaia and Presley Gerber appear in December 2018 in London

Family portrait: Rande Gerber, Cindy, Kaia and Presley Gerber appear in December 2018 in London


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