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April 2022

Fashion style

Facts About Anna Wintour, The Inspiration Behind The Devil Wears Prada

Honestly, each of these answers carries a grain of truth. But these associations only tell a fraction of the story of this fascinating fashion figure. Not only is Wintour a style icon in her own right, but she’s kept an incredibly low profile despite riding a shotgun on the celebrity roller coaster for decades. His American magazine voguereaches a jaw-dropping 12 million print readers and 1.2 million online visitors per month.

Here are some of the craziest things you’ve ever known about Anna Wintour.

Anna Wintour’s premiere vogue Cover shocked the world

Anna Wintour wouldn’t have a style career if it weren’t for her incredible ability to keep her finger on the pulse of fashion. Think of her as the true oracle of Delphi when it comes to “looks”. His ideas have sometimes proven to be very controversial, too. But that’s okay, because she doesn’t mind making things happen. Take, for example, the first cover she ever dropped as an American vogues chief editor.

Released in November 1988, it features pregnant model Michaela Bercu wearing a black mid-drift sweater with a showy jewel-encrusted crucifix applique, stonewashed Guess jeans, and the slightest hint of a baby bump. She wears very little makeup, has wisps of hair on her face, and smiles so broadly that her eyes seem half-closed.

This candid snap wouldn’t make anyone think twice today, but it sent shockwaves through the industry in 1988. After all, vogue daytime covers were heavy on makeup, jewelry and formality.

The magazine’s printers were so amazed that they called and asked sternly, “Was there a mistake? Despite the explicit criticism, Wintour held firm. In a recent issue of vogue commemorating the magazine’s 120th anniversary, she explained, “I had just looked at this photo and felt the winds of change.”

Anna Wintour is a high school dropout

At 15, Anna Wintour rocked the iconic chin-length bob that she still sports today. And she created her own apartment within her family home by transforming the servants’ quarters into a living space. This gave her the freedom to live independently until her mid-teens. Perhaps it also demonstrated a rebellious streak when it came to following arbitrary rules and the whims of authority figures.

In 1966, at the age of 18, this “series” came into full force in his relationship with a new headmistress at North London Collegiate School. After learning that Wintour sported a shorter hemline than the school allowed, the principal decided to make an example of her and ripped the hemline off Wintour’s skirt as punishment. This proved to be the final straw for Wintour, and she dropped out of school soon after.

Wintour described this period of his life as a very fragile start to his career, according to The Guardian. But she also credits her rise through the ranks of the fashion world to her geographic location. “I know now that this would never have happened in the United States, because one of the big differences between American and British journalism is the expectation of qualification.” (It also probably helped that his father, Charles Wintour, was the editor of the London Evening Standard.)

His annual clothing allowance could pay off your mortgage

According to New York magazine, Wintour reportedly received a salary of $2 million in 2011, and we can only imagine how much that has grown over the past eleven years. Plus, she’s now the artistic director of Condé Nast, which likely came with a significant pay raise or two (via the Independent). But that’s only part of his well-paying job.

Wintour also receives a clothing allowance of vogue that’s higher than its employees’ salaries and could significantly reduce your mortgage. According to Business Insider, the vogue the editor receives $200,000 a year to stay impeccably fashionable.

To give you some perspective, consider Condé Nast’s next highest-paid employee: A creative director earns a whopping $163,333 a year, as Who What Wear reports. Ultimately, Wintour is valued at $35 million.

Anna Wintour

Editorial credit: DKSStyle

She went crazy for Bob Marley

In 2005, Jerry Oppenheimer wrote Wintour’s biography, including amusing and surprising details about his private life. Title Front Row: What Lies Beneath the Vogue Editor-in-Chief’s Chic Facadethe book claims to delve behind the cool-chic facade that Wintour has cultivated over the years.

For example, Oppenheimer describes her enthusiastic adoration of Bob Marley, which motivated her to get a pass to hang out with him and the Wailers night after night during the artists’ week-long stay in Manhattan during their tour. .

According to sources close to Wintour, she treated Marley with a reverence bordering on profanity. “Anna met God. . . I don’t think anything moved her as much as Bob Marley. Rumor has it that she even hung out with Marley and her crew after the shows.

That said, Wintour has never been a drinker, and she’s also been adamant that nothing romantic happened between her and the iconic performer. So the nights spent hanging out together turned out to be relatively sweet.

Not just a devil dressed in Prada

It looks like Wintour walked away with part of Marley’s life philosophy. Despite its self-imposed cold plating, which The devil wears Prada didn’t help, rumor has it she has a soft side. In an interview with teen vogue, her daughter Bee Shaffer said, “I know she is the most generous person you will ever meet. It’s crazy. She always puts everyone before herself.

Between warm praise from her daughter and stories about Marley, Anna Wintour’s Ice Queen exterior quickly melts away, and we’re left with a portrait of a delightfully complex woman wearing Prada.


By Engrid Barnett, contributor for Ripleys.com

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Source: Facts About Anna Wintour, The Inspiration Behind The Devil Wears Prada

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Fashion designer

Fashion royalty gather in Harlem for the André Leon Talley memorial

The spirit and memory of André Leon Talley, the groundbreaking creative director, fashion designer, journalist, memoirist and media personality who died in January at the age of 73, was celebrated Friday at a memorial at the Abyssinian Baptist Church in Harlem. A who’s who from the fashion world was on hand to pay tribute to the famous black editor.

the New York Times reported this model Karlie Kloss was next to the old vogue creative director Grace Coddington “in the center of the church”. Bette Midler was also present, watching from the balcony. Naomi Campbell stopped at the neo-Gothic shrine on West 138th St. in an “all-white vintage Rolls-Royce” wearing a feathered outfit that evoked “an angelic swan heading for a gospel brunch,” as the Time Put the. Campbell was among those who spoke at the ceremony.

Anna Wintourglobal editorial director of vogue and global chief content officer of Condé Nast, was in attendance and also spoke, having worked with Talley for decades. (Talley was also previously a style editor for vanity lounge.) Julianne Moore, Marc Jacobs, Carolina Herrera, Diana of Furstenberg, Paula Wallace, Derek Blasberg, Zac Posen, Martha Stewart, Gayle King, Kimora Lee Simmons, Sandra Bernhard, Bethann Hardison, Kate Moss, Dario Calmese, Claire Sulmersand Emile Wilbekin were also present according to People, TMZand page 6.

Valerie Simpson paid a musical tribute by singing “Ain’t Nothing Like The Real Thing” while accompanying himself on the piano. Before it happens, she shared how Talley used to come to her living room candy bar and play the tambourine.

Pastor of the Abyssinian Baptist Church, the Reverend Calvin O. Butts, spoke of Talley’s character in his eulogy, according to the Time, who noted that Talley was private about his health issues before his death. “His transition was between him and God,” the Reverend mentioned.

Talley’s official Instagram, who lives on, shared the footage.

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French fashion

Overlooked No More: Ady Fidelin, black model “hiding in plain sight”

This article is part of Overlooked, a series of obituaries of notable people whose deaths, beginning in 1851, went unreported in The Times.

In a series of photographs from the summer of 1937, a group of close friends are captured enjoying a laid-back vacation in the south of France, swimming, relaxing and having fun. Most holidaymakers were artists, among them Man Ray, Picasso and Dora Maar (who was also Picasso’s lover at the time).

Part of this circle was a vivacious woman whose name is not well known, but who was nonetheless a key participant: Ady Fidelin, who also went by Adrienne. In the photos, she stands out for her beauty and also because, unlike her fellow vacationers, she was black.

Fidelin, a dancer, model and occasional actress, was Man Ray’s girlfriend and also posed frequently for him. In hundreds of her photographs, she dances or sits, sometimes holding props, like hula hoops and hats. Often she is naked or topless. In each image, his exuberance shines through.

Fidelin also posed for Man Ray’s circle of artists, including the photographer Lee Millera former girlfriend of Man Ray; Roland Penrose, who would later marry Miller; British surrealist artist Eileen Agar; and the artist Alfred Otto Wolfgang Schulze, who went through wols.

“She was a muse not just for Man Ray,” Andrew Strauss, consultant at Sotheby’s and chairman of the Man Ray Expert Committee, said over the phone, “but a muse for artists in general.”

In a striking image from that 1937 trip, Man Ray photographed Fidelin standing outside against a wall, naked except for flat shoes, bold earrings and a chunky chain-link necklace, with a long washboard spread over her legs like a metal maxiskirt. Her image in the photo bore a striking resemblance to a Picasso painting made shortly afterwards, “Woman Seated on a Yellow and Pink Background, II”.

“Ady is so present in the hundreds of photographs from this summer — photographs by Man Ray and Roland Penrose and Lee Miller and Eileen Agar,” said Wendy A. Grossman, senior fellow at the Metropolitan Museum of Art who has lectured and writes on Fidelin and who discovered the link between painting and photography. “It was inevitable that she would also be represented by Picasso.”

And yet “notably manifest in both photography and painting”, Grosman wrote: in 2020 in the journal Modernism/modernity, “it is the contradictory way in which the black female body has been folded into the modernist project as paradoxically ultramodern and ultra-‘primitive’ and objectified through a male gaze”.

Moreover, Grossman pointed out, Fidelin was “hidden in plain sight”, having never been identified as the subject of Picasso’s painting. But thanks in part to Grossman’s efforts, Fidelin is beginning to gain recognition, including in a 2019 exhibition on black models at the Musée d’Orsay in Paris.

For Fidelin, nothing was as groundbreaking as a photo of her that appeared in Harper’s Bazaar on September 15, 1937. It is believed to be the first time a black model has appeared in a major American fashion magazine. Today, however, the article would undoubtedly raise eyebrows. Under the title “The Bushongo of Africa sends his hats to Paris” are three photographs of white women wearing African hats. Fidelin, who was also wearing an African hat, appears on the opposite page, separated from the others, it seems, but in a much larger picture.

This editorial positioning and “Fidelin’s assimilation of identity into a homogenizing notion of blackness literally and figuratively sets her apart from similarly crowned white European role models,” Grossman wrote.

Casimir Joseph Adrienne Fidelin was born on March 4, 1915 in Pointe-a-Pitre, on the island of Grande-Terre in Guadeloupe, the French-ruled archipelago in the Caribbean. She was one of six children of Maxime Louis Fidelinwho worked in a bank, and Matilda Fidelin, housewife. Ady’s mother died in 1928 in a hurricane; his father died a few years later. Fidelin then emigrated to France, where a brother already lived.

The Paris of the 1930s was, for its time, racially inclusive, especially in Man Ray’s bohemian scene. Black artists like Aisha Goblet and Ruby Richards were popular, and Man Ray also photographed them. It’s unclear exactly how he met Fidelin, who was 25 years younger than him, but for him their relationship was stabilizing and optimistic, especially as World War II ensued.

Fidelin, writes Man Ray in a letter to Penrose, “prevents me from being pessimistic.”

“She does everything,” he says, “from polishing my shoes and bringing my breakfast to painting in the background in my large canvases! All to the tune of biguine or rumba.

According to the story, when Fidelin first met Picasso, who was a friend of Man Ray, she “came up to him, threw her arms around his neck and said, ‘I heard that you were a very good painter,’ Eileen Agar wrote. in his autobiography.

She was, Grossman said, “not intimidated by anyone.”

Fidelin was more than a pretty face. In 1940, during the war, Man Ray, Jewish and American (born Emmanuel Radnitzky in Philadelphia), left for the United States. Fidelin stayed behind, helping to protect many of his belongings, including negatives and prints.

“She kept everything, the whole studio,” Francis M. Naumann, an art historian and author of several books on Man Ray and his close friend Marcel Duchamp, said in an interview.

She wasn’t responsible for all the artwork – some was taken out of France, some was given to another friend – but, without her preservation, Strauss said, “we’d be missing a whole piece paintings, dada and surrealist drawings and objects.

And she was “quite smart”, said Ami Bouhassane, director of Farleys House & Gallery, which oversees the Lee Miller Archive, particularly in how she “navigated the strangeness of the Surrealist group and its politics”.

Fidelin also had a more pensive side – she used to stop at cemeteries from time to time. “It wasn’t that she was particularly pessimistic,” Agar wrote, “but rather that the cemeteries gave her a great sense of peace and calm.”

After Man Ray left, the couple wrote letters to each other – he called her ‘my darling love’ and she told him: ‘You still miss a certain little black girl very much’ – but most of the notes weren’t. not received, partly because of the chaos of war. By the time Man Ray returned to Paris for a visit in 1947, the two had other partners. Fidelin was dating André Art, a businessman, and had begun to drift away from his circle of artist friends, many of whom had dispersed during the war.

She married Art in 1958 and they moved to Albi, about 450 miles south of Paris, where they lived in council housing. At one point, she had health issues that required major surgery. Throughout her later years, she kept a low profile. In 1998, when a former assistant to Man Ray was asked about her, the assistant thought she was dead.

Fidelin died on February 5, 2004, in an assisted care facility not far from her home. She was 88 years old. No major newspaper reported his death.

“She was basically adrift of the creative community that she was such an integral part of,” Grossman said. “The end of her life was very distinct and far from the spotlight she had been involved with.”

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Fashion brand

Rumer Willis and Abigail Spencer attend Sezane’s LA boutique opening

Rumer Willis and Abigail Spencer stepped out on Thursday to celebrate the opening of Parisian fashion brand Sezane’s pop-up store in Los Angeles.

The Grand Opening Ceremony was held at the Ardor Restaurant in West Hollywood, where guests enjoyed “cutting-edge California cuisine” and dined among beautiful flower arrangements.

Willis, 33, modeled a white strappy dress with a colorful floral pattern, while Spencer, 40, stunned in a black and white polka dot dress.

Total Delight: The Grand Opening Ceremony was held at the Ardor Restaurant in West Hollywood, where guests enjoyed the

Grand opening: Rumer Willis and Abigail Spencer stepped out on Thursday to celebrate the opening of Parisian fashion brand Sezane’s pop-up store in Los Angeles. The grand opening ceremony took place at the Ardor Restaurant in West Hollywood, where guests enjoyed “cutting-edge California cuisine” and dined among stunning floral arrangements.

The daughter of Bruce Willis and Demi Moore donned a matching floral print blazer and slipped her feet into a pair of open toe suede wedge heels.

Willis stowed her belongings in a woven handbag with brown leather accents.

Her auburn hair was worn in her natural curls and she opted for minimal makeup.

The actress then took off her blazer once the afternoon temperatures started to warm up.

Flirty in floral: Willis, 33, modeled a white strappy dress with a colorful floral pattern

Flirty in floral: Willis, 33, modeled a white strappy dress with a colorful floral pattern

Matchy matchy: The daughter of Bruce Willis and Demi Moore layered up in a matching floral print blazer and slipped her feet into a pair of peep toe suede wedge heels

Matchy matchy: The daughter of Bruce Willis and Demi Moore layered up in a matching floral print blazer and slipped her feet into a pair of peep toe suede wedge heels

Spencer styled her midi dress with a trendy black blazer with silk lapels and a pair of gray suede boots.

The Suits star is accessorized with a silver choker chain and gold pendant necklace.

She had a black YSL handbag with gold hardware slung across her body.

Polka dot perfection: Meanwhile, Spencer, 40, stunned in a black and white polka dot dress

Polka dot perfection: Meanwhile, Spencer, 40, stunned in a black and white polka dot dress

Cozy: She was then captured getting closer to Willis at a picnic-style wooden table which rested on an elegant pink patterned rug

Cozy: She was then captured getting closer to Willis at a picnic-style wooden table which rested on an elegant pink patterned rug

Spencer’s dark brown hair was styled in voluminous waves that cascaded down her back and chest as she posed for photos at the star-studded celebration.

She was then captured snuggling up with Willis at a picnic-style wooden table that rested on an elegant rose-patterned rug.

Willis also tangled with actress/singer Rainey Qualley, who showed off a cashmere wrap skirt.

Mingling: Willis has also tangled with actress/singer Rainey Qualley

Wild: Her auburn hair was worn in her natural curls and she opted for minimal makeup

Mingling: Willis has also tangled with actress/singer Rainey Qualley

Leggy: Rainey put on a leggy display in a cashmere wrap skirt paired with a rust lace tube top and beige platform sandals

Leggy: Rainey put on a leggy display in a cashmere wrap skirt paired with a rust lace tube top and beige platform sandals

She also rocked a rust lace tube top and a pair of beige platform sandals.

Rainey’s brown hair was worn and swept from her face and she had two chains hanging around her neck.

Hilary Rhoda modeled the button-up version of Willis’ floral slip dress, which tied at the waist.

Nora Zehetner and Bre Blair were also present at the afternoon party. The duo posed for several photos with Spencer while catching up with the All My Children actress.

Chatty: Willis and Rainey were spotted chatting amid the grand opening celebration on Thursday

Chatty: Willis and Rainey were spotted chatting amid the grand opening celebration on Thursday

Styles for everyone: Hilary Rhoda modeled the button-up version of Willis' floral slip dress, which ties at the waist

Styles for everyone: Hilary Rhoda modeled the button-up version of Willis’ floral slip dress, which ties at the waist

The Sezane pop-up, which will remain open for five months, opened at the Platform Mall in Culver City on Thursday morning.

According to Fashion Network, the opening was a total success with around ‘400 customers in the store’ at 1pm PST.

Designer Morgane Sezalory was absent, which would have been a “disappointment” for some customers who were long-time fans of the brand.

The Sézane pop-up is “1000 m² of sales space” with “two large lounges fully furnished in rattan, flowered with lilacs and green plants and a large table presenting accessories and friendly brands”.

Gather around!  Nora Zehetner and Bre Blair were also present at the afternoon party.  The duo posed for several photos with Spencer while catching up with the All My Children actress

Gather around! Nora Zehetner and Bre Blair were also present at the afternoon party. The duo posed for several photos with Spencer while catching up with the All My Children actress

From Paris to Los Angeles: The Sezane pop-up, which will remain open for five months, opened Thursday morning at the Platform mall in Culver City.  According to Fashion Network, the opening was a total success with around '400 customers in the store' at 1pm PST;  Nora Zehetner, Bre Blair and Abigail Spencer pictured

From Paris to Los Angeles: The Sezane pop-up, which will remain open for five months, opened Thursday morning at the Platform mall in Culver City. According to Fashion Network, the opening was a total success with around ‘400 customers in the store’ at 1pm PST; Nora Zehetner, Bre Blair and Abigail Spencer pictured

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Fashion style

Photos, details over the years – WWD

Throughout the 74 years of the Met Gala, there have been many iconic looks on the red carpet, but music and fashion star Rihanna has managed to consistently produce the most stunning and impressive looks on the internet. year after year.

Rihanna is arguably the most anticipated guest at the Met Gala, with good reason given the number of spectacular looks she’s worn in recent years. While it’s unconfirmed if Rihanna will attend Monday’s Met Gala, which celebrates the “In America: An Anthology of Fashion” exhibit, she will likely be the most anticipated arrival of the evening.

The music icon, who is currently pregnant with her first child, began her Met Gala reign with more low-key, traditional red carpet styles before moving on to the dramatic, fashionable looks that onlookers have come to expect now.

Rihanna made her Met Gala debut in 2007 for the ‘Poiret: King of Fashion’ exhibition, which she attended wearing a white Georges Chakra dress embellished with silver gemstones and paired with cropped mesh gloves. Her next appearance was two years later for “The Model as Muse” exhibition, where she wore a fitted tuxedo with sculptural shoulders by Dolce & Gabbana. She opted for a more understated yet elegant red carpet style again in 2011 for the ‘Alexander McQueen: Savage Beauty’ exhibit, wearing a one-shoulder black lace Stella McCartney dress.

Her Met Gala red carpet style took a dramatic turn in 2015 for the ‘China: Through the Looking Glass’ exhibit. Rihanna stunned on the red carpet wearing a custom bright yellow Guo Pei gown, a look that has since become one of the most memorable of her overall style trajectory.

Rihanna in Guo Pei at the 2015 Met Gala.
Steve Eichner

Rihanna seemingly upped the ante for her upcoming Met Gala appearance in 2017 for the ‘Rei Kawakubo/Comme des Garçons: Art of the In-Between’ exhibit when she arrived on the red carpet looking edgy on the theme of the floral petals of Comme des Garçons.

For many, Rihanna’s 2018 Met Gala outfit is considered the best ever. For the ‘Heavenly Bodies: Fashion and the Catholic Imagination’ exhibit, Rihanna left her mark on the red carpet wearing a beaded and bejeweled white gown inspired by Maison Margiela Pope with a matching miter.

While waiting to see if Rihanna will return to the Met Gala this year, WWD takes a look back at the evolution of the music icon’s Met Gala style. Click on the gallery above to learn more.

LEARN MORE HERE:

The best Met Gala red carpet looks of all time

Everything you need to know about the 2022 Met Gala

A Complete History of the Met Gala

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Fashion designer

9-year-old fashion designer is making viral TikToks of her dresses

  • A nine-year-old fashion designer has received viral attention on her mother’s TikTok for her designs.
  • Kaia Aragon caught the eye of Vera Wang, who sent the young designer a sewing machine and a note.
  • Kaia said, “When I grow up, I hope to have a big fashion business with my best friend.”

It’s common for kids to fantasize about what they want to be when they grow up, but a 9-year-old fashion designer from Colorado is already making her dream career a reality.

Kaia Aragon made her first dress in November and now has a closet full of original designs, a sewing machine donated by Vera Wangand more than 600,000 subscribers on that of his mother Tonya Aragon TikTok account, @middle.mom.

Tonya posts “little designer” videos of Kaia making dresses that usually receive thousands, if not millions, of views. In January, a video of a pink and black dress she designed earned Kaia over 14.3 million views.

Kaia told Insider that she’s always been drawn to unique outfits, even before designing them for herself. “Whenever I could dress up, I always chose outfits that would stand out or make a statement,” she said.

Tonya said she taught Kaia how to use a sewing machine in November, but admitted her own skills were limited to making simpler quilts and blankets. After Kaia did her first dress, a black T-shirt dress with an orange fox print that had over 1.2 million views on TikTok on Thursday, she continued to get more adventurous with her designs.

Kaia Aragon in a black fox dress, the first dress she ever designed.

Kaia Aragon in a black fox print dress, the first dress she ever designed.

Courtesy of Tonya Aragón


“His skills and ideas are quickly surpassing what I am capable of,” Tonya said, adding that she now watches YouTube tutorials to learn skills and techniques that will help Kaia develop her art.

Kaia said her designs come straight from the heart rather than imitating clothes she’s seen in magazines or on screen. “Most of the time I’m just starting to design,” she said, noting that she’ll be laying material on her mannequin rather than drawing the design first.

On occasion, Kaia said she would start with a concept in mind, like the triangle themed challenge a cousin ruled it, which has more than 727,000 views on TikTok, or the multicolored, sleeveless Encanto inspired dress she created, which has over a million views, but most of the time she chooses a fabric and pattern on instinct.

A triangle-inspired dress by 9-year-old designer Kaia Aragon.

A triangle-inspired dress by 9-year-old designer Kaia Aragon.

Courtesy of Tonya Aragón


“All the fabrics I choose are soft and stretchy. If there’s a fabric that I think looks nice but isn’t comfortable, then I won’t get it. It’s just based on feel and then appearance,” said the young designer.

It wasn’t just the family’s TikTok audience who were blown away by Kaia’s talents — she also caught the eye of Vera Wang in February. The famous designer, whom Kaia says she hasn’t heard of before, sent her a package containing a sewing machine, a backpack and a handwritten note.

According to a video posted on February 22, Wang’s note read: “Dear Kaia, So excited to see that you are already pursuing your dream of becoming a fashion designer! Congratulations and good luck. I love Vera.”

The note is now framed on Kaia’s bedroom wall and Tonya says that ever since she started acquainting her daughter with the work of top designers, “she’s been pretty obsessed with Vera Wang.”

Kaia’s future ambitions are also very specific. If she could design a look for any celebrity, she said she would pick Emmy Award-winning actress Zendaya.

She added: “When I grow up I hope to have a big fashion business in Paris with my best friend and we want to go to school at the Fashion Design and Merchandising Institute.”

His admiration for the FIDM is not without consideration. In March, the University of Los Angeles sent Kaia “goodies,” including glitter fabrics, a teddy bear, and a video challenge from former “Project Runway” contestant Nick Verreos asking her to design an inspired outfit. of Olympic figure skating, she said.

For the challenge, Kaia made a dress with a pink satin bodice and a shimmering light pink skirt to twirl around in.

Kaia Aragon in a figure skating-inspired dress for a challenge with the Fashion Institute of Design & Merchandising.

Kaia Aragon in a figure skating-inspired dress for a Fashion Institute of Design & Merchandising challenge.

Courtesy of Tonya Aragón


Although she rubs shoulders with the best minds and institutions in American fashion, Kaia also has modest ambitions.

While planning her global takeover, the coming months will see the young designer making clothes for her friends and siblings, and creating a look for the local Renaissance fair, she said.

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French fashion

Sandro partners with Fairly Made

Fashion brand Sandro is partnering with French start-up Fairly Made to offer its customers detailed and transparent information on the traceability of its creations as it seeks to commit to more responsible and sustainable fashion.

Fairly Made allows fashion brands to integrate French and European regulations to improve their social and environmental impact and collects information from all suppliers involved at all stages of the supply chain of SMCP group brand products to calculate a traceability score.

From the spring/summer 2022 collection, Sandro will display a QR-code on the product label or on the product page of its website to present consumers with all the information relating to the suppliers involved at all stages of the supply chain. of our products in order to offer full transparency.

The information will cover everything from the origin of the raw materials, the manufacturing and processing plants, and the kilometers traveled before arriving at the warehouse. The traceability sheet will detail all these steps and the assigned traceability score.

The traceability project will initially only be available on select pieces, the brand explained, but they plan to ensure that 100% of its collections are traceable by 2025.

This is Sandro’s latest initiative as part of his transition to more responsible and sustainable fashion. She launched Sandro Second Hand, a platform dedicated to the resale and purchase of pieces from past collections and introduced a capsule of upcycled pajamas in 2021, while in 2022 she finds that almost 50% of her women’s collections and men are eco-responsible.

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Fashion brand

Diesel is one of the most popular brands in the world, according to Lyst

2022 is flying by and the past few months already seem to have locked in some of the biggest players in fashion right now. According to Lyst, Italian fashion brand Diesel has quickly become a celebrity favorite and one of the hottest brands in the world.

The global fashion shopping platform just released its first quarterly report of the year on Wednesday April 27, and Diesel marks the fastest growing brand to date in just three months. This is the first time it has entered the Lyst index report, climbing a total of 31 places to reach its current 15th position. The last mark to skip so far and so fast was Off-White in 2017.

That comes as no surprise to industry fanatics, however, as new creative director Glenn Martens’ Diesel best-selling runway collection at Milan Fashion Week Fall 2022 in February has since become a cult favourite. Martens’ collection included on-trend Y2K-inspired silhouettes and covetable denim pieces, from low-rise jeans and belted mini-skirts to denim “fur” coats and more.

Celebrities were quick to copy the looks straight to the catwalk shortly after its unveiling, with style stars Megan Thee Stallion, Dua Lipa, Julia Fox, Kylie Jenner and sportier head-to-toe Diesel looks . The brand’s 1956 jeans also ranked among Lyst’s hottest women’s clothing products of the quarter, coming in at #10.

Raymond Hall/GC Images/Getty Images
Edward Berthelot/Getty Images Entertainment/Getty Images

Lyst’s 20 most searched brands for Q1 2022 also include Bottega Veneta, with creative director Matthieu Blazy also showing his debut collection for the fashion house at Milan Fashion Week, as well as Miu Miu for its micro-mini- viral skirts. The garment has completely taken over our feeds and wardrobes, prompting a 400% increase in searches for the brand by Lyst in just three months.

Other brands that remain at the top include none other than Balenciaga, which took the crown of world’s most fashionable brand for the third time in a row. Perhaps Kim Kardashian’s buzzing cuts from Balenciaga had an effect on her top spot, as the fashion house hit 108% increased demand this quarter.

Check out Lyst’s Top 10 list of most searched brands to date, below:

  1. Balenciaga
  2. Gucci
  3. Louis Vuitton
  4. Prada
  5. Valentino
  6. Dior
  7. Moncler
  8. Bottega Veneta
  9. Fendi
  10. miu miu

Head over to Lyst’s website to read the latest report in full now.

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Fashion designer

Travertine is the next surface of the day

Today, thanks to these same qualities, it rubs shoulders with favorite surfaces such as marble and terrazzo in the material libraries of interior designers near and far. Just look at AD proof: AD100 designer Steven Volpe opted for a ridged travertine bathtub with a view in the Manhattan apartment that made the cover of last February. May cover star Kacey Musgraves showed off a vintage travertine dining table in her Nashville haven. AD100 designer Vincenzo de Cotiis used the fan favorite on floors, furniture and a glamorous bathtub in the Paris apartment of fashion designer Pierre Hardy and her husband and brand CEO Christopher Turnier. And Parisian designer Diego Delgado-Elias recently designed a kitchen island and matching light fixture in the material of the moment for a French farmhouse in Provence. For the fronts of the island he left the porous and natural roughness of the material, while on the worktop he added a translucent resin filling to make it more suitable for a kitchen counter.

“The block can be cut two ways,” says Delgado-Elias, who has used travertine for flooring and outdoor furniture before. “We leave graphic lines that can be used vertically or horizontally; the other gives you different color tones and shades. You can use it wherever you want, keeping in mind that [it] is a natural stone that acquires a patina and stains over time.

A travertine tub in the Parisian home of Pierre Hardy and Christopher Turnier. Milanese designer AD100 Vincenzo de Cotiis used the material throughout the 17th century mansion, on floors and furniture.

Photo: Francois Halard

AD100 designer Julie Hillman, known for her bold use of stone in her interior design projects, counts travertine among her favorites. “Its earth tone palette is complementary to almost any finish or color, making it incredibly easy to use,” she explains. “It adds a sheer material that can warm up any space.” More recently, she has applied it to sinks, walls and floors. His advice for getting the most out of the equipment? Go for unfilled travertine on vertical walls and filled travertine on horizontal surfaces.

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French fashion

Cannes: Christina Aguilera and Ricky Martin will perform at the amfAR gala

Christina Aguilera, Ricky Martin and Charli XCX will perform at this year’s amfAR at the Cannes Film Festival. Robert De Niro will also be honored at the 28th annual event.

amfAR, the Foundation for AIDS Research, hosts the Cannes Film Festival fashion show every year. This year’s show will be hosted by French fashion editor and amfAR supporter Carine Roitfeld, best known for her work as a former editor-in-chief of Vogue France and for founding “CR Fashion Book”.

The theme for this year’s fashion show will be “Let’s get married” and will feature designs by Oscar de la Renta, Loewe, Louis Vuitton, Louis Vuitton Men, Givenchy, Gucci, Chanel, Saint Laurent, De Fursac, Balenciaga, Fendi , Tom Ford, Jacquemus, Valentino, Giambattista Valli, Armani, Alaia, Burberry, Versace, Alled Martinez, Monot, Nensi Dojaka and Dior, among others. The looks from the fashion show will be available for sale at a live auction during the event, hosted by Swiss art dealer Simon de Pury. The auction will also feature contemporary art and luxury items. All proceeds will go to amfAR research.

The organization also announced the gala chairs: Baz Luhrmann, Carine Roitfeld, Caroline Scheufele, Cynthia Erivo, Ever Gabo Anderson, Kate Hudson, LaKeith Stanfield, Laura Linney, Lauren Remington Platt, Milla Jovovich, Sam Bankman-Fried, Vanessa Hudgens , Michelle Williams, Mohammed Al-Turki, amfAR Board Co-Chairs T. Ryan Greenawalt, Kevin McClatchy and amfAR Trustee Vin Roberti.

The amfAR gala will take place at the Hotel du Cap-Eden-Roc on May 26. The Cannes Film Festival will take place from May 17 to 28.

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Fashion brand

Ready-to-wear brand H&M accused of scamming knitwear designer Chet Lo

Independent knitwear designer Chet Lo accuses H&M of ripping his signature textured knits from his Cherish Waste collection

  • London-based Asian American Chet Lo is known for his highly textured knits
  • The designer slammed ‘a certain fast fashion brand’ that he says stole his designs
  • Designer Harris Reed has called out the Swedish brand for allegedly stealing designs
  • H&M has denied claims they plagiarized designs in their Cherish Waste Collection

An independent knitwear designer has accused H&M of plagiarism.

The Swedish clothing brand has been accused of trying to replicate signature highly textured knits from Chet Lo’s Cherish Waste collection.

London-based Asian-American designer Lo took to Instagram to air his grievance against “a certain fast fashion brand” copying his designs and “mass-producing them for profit”.

British-American designer Harris Reed also accused the brand of scamming Lo, sharing examples of similar H&M clothing similar to Instagram Stories.

Fashion watchdog Diet Prada shared the claim on Instagram, saying the brand often sells “designer knockoffs” and is among brands producing knitwear similar to Lo’s.

H&M denied copying the patterns, arguing that the 90s/00s-inspired collection features spiky knits similar to pieces that were popular at the time.

show during London Fashion Week” class=”blkBorder img-share” style=”max-width:100%” />

Fast fashion brand H&M has been accused of plagiarizing the designs of independent knitwear designer Chet Lo, known for his heavily textured knits. Pictured, a model walks the runway at Lo’s show during London Fashion Week

Swedish clothing brand H&M have been accused of trying to replicate Chet Lo's highly textured knits in their Cherish Waste collection (pictured)

Swedish clothing brand H&M have been accused of trying to replicate Chet Lo’s highly textured knits in their Cherish Waste collection (pictured)

The London-based Asian-American designer launched his eponymous brand in 2020 during the pandemic

The London-based Asian-American designer launched his eponymous brand in 2020 during the pandemic

Taking to Instagram earlier this week, Lo wrote, “To everyone who contacted me recently about a certain fast fashion company copying my work.

“Usually I don’t really talk about these issues because I don’t like to give time to this negative side of the industry, but after this has happened several times, I feel like have something to say.”

“As a small brand and independent queer POC designer, I worked incredibly hard to produce something that was based on my heritage and facilitated something I felt I needed to say in the industry.”

The designer, who launched his eponymous brand in 2020 during the pandemic, said his designs are based on personal experience – which he says is reflected in his work.

The designer, who launched his eponymous brand in 2020 during the pandemic, said his designs are based on personal experience – something he says is reflected in his work

Lo took to Instagram to air his grievance against 'a certain fast fashion brand' copying his work and 'mass producing them for profit'

Lo took to Instagram to air his grievance against ‘a certain fast fashion brand’ copying his work and ‘mass producing them for profit’

British-American designer Harris Reed also accused the brand of scamming Lo, sharing examples of H&M clothing similar to Lo's on their Instagram stories.

British-American designer Harris Reed also accused the brand of scamming Lo, sharing examples of H&M clothing similar to Lo’s on their Instagram stories.

The designer continued, “These fast fashion companies routinely replicate the works of smaller, more creative designers, but ultimately authenticity, originality and creativity can never be duplicated.

‘My work is representative of my soul and I believe you can make a difference at the end of the day / Every piece ordered from my website is hand knitted with love and care and not mass produced just for profit .

“I believe in working in an ethical and beautiful way, which I hope my clients and you all can appreciate.”

Fellow designer Reed was quick to take to social media to support Lo, writing that “Copying a young queer designer who works harder than anyone I know is truly disgusting.”

Sharing the designers’ claims on Instagram, Diet Prada pointed out that while H&M’s pieces may recall 2000-era style, Lo’s innovation lies in the technique – entirely shaped and knitted by hand, unlike the formed originals. hot.

“H&M’s version seems to replicate the dimensional knitted textile with mass production techniques.”

Lo is pictured wearing one of his signature knitwear designs as he attends a party in London in February this year

Lo is pictured wearing one of his signature knitwear designs as he attends a party in London in February this year

The clothing brand denied copying Lo, insisting their designs were inspired by 90s music videos and interior design.

The brand said in a statement: “At H&M we don’t copy, we have our own in-house creative teams who design all of our collections. The Cherish Waste collection has many references from the 90s and 00s and back then spike knits were a big thing.

“Trends are global and can happen at the same time in different places, because many designers are inspired by the same things.

“Right now, the 90s and 2000s are generally trending in the fashion world where many designers are looking to the same origin.

“In this particular case, our inspiration for this collection can be found in music videos from the 90s as well as various interior designs.”⠀

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Fashion style

MN Fashion Week kicks off with a focus on sustainability – WCCO

PLYMOUTH, MN (WCCO) – The slopes are ready!

MN Fashion Week is back this year with shows kicking off Sunday afternoon. Rose + Bull has set up a showcase called “La Vie En Rose” at Hutton House in Plymouth, focusing on second-hand and vintage pieces.

READ MORE: Next weather forecast: Record cold possible on Monday

“You don’t have to buy new to be stylish, do you?” Using second-hand pieces can almost exemplify your style,” said producer and stylish Jalyn Anderson.

MN Fashion Week organizers said the core of its mission is community. They said the week-long event strives to “cultivate a more representative and equitable fashion ecosystem in the Twin Cities region, fueled by a vibrant, engaged and welcoming fashion community.”

(credit: CBS)

“We’re really, really trying to slow down consumption and get our guests who come to events to also rethink the effects our choices can have on the environment,” producer and stylist Lizann Villatoro said.

READ MORE: ‘It’s History’: Rare Finds and One-of-a-Kind Deals Featured in Spectacular Antiques

More than 75 designers applied for MN Fashion Week, teaming up with producers to collaborate on 10 shows, over seven days. This year, there are more Native American designers than ever, like Jesse Valentin, founder of Nizhoni Jewelry Design.

“It’s been an incredible experience to see so many strong Indigenous people, so many strong Indigenous women, represented business owners and designers,” said Valentin.

CEO Sarah Edwards said the variety of events offers something for everyone. It’s a place to celebrate local talent and the Twin Cities.

“We’re not LA, we’re not New York, but we’re Minneapolis and I think there’s a lot to celebrate here,” Edwards said. “And we want people to come here and enjoy our city and the community.”

NO MORE NEWS: Boat operators would have to take a safety course under the proposed bill

MN Fashion Week takes place every spring and fall. Organizers say if you want tickets, don’t wait, as they sell out fast. Click here for more information.

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Fashion designer

Frey’s Aluminaire House remains in a shipping container in Palm Springs

The Albert Frey Aluminaire house that was donated and shipped to the Palm Springs Art Museum about five years ago will remain disassembled in its shipping container for at least a year or more.

The museum was able to develop a roadmap to unpack and rebuild the house, the museum’s executive director and CEO, Adam Lerner, said Saturday.

“It will not be erected by the winter of 2021-22. We know that for sure,” Lerner said. “But hopefully the path to building it will soon become clear to you. We have a commitment to that.

Lerner provided an update on the home during the first of two days of the Palm Springs Preservation Matters 2022 symposium, which was held Saturday and Sunday at the convention center.

He was one of seven presenters on Saturday on architectural topics such as “Preserving Paul R. Williams’ Legacy: The Town & Country Center and His Architecture in Palm Springs”, “Preservation through Education”, and “Southridge Beyond the Gate: Architectural Drama”. , Diversity and Excellence.

The four hours of free presentations were followed by home/site tours at an additional cost.

The event, held in the Primrose Ballroom, was hosted by fashion designer Trina Turk and attracted around 300 people.

Make a house for the House of the Aluminary

Lerner came to the museum in August 2021 when efforts were made to rebuild the Aluminaire’s House, created by Frey and his then architectural partner, A. Lawrence Kocher, to a permanent location in the museum’s south parking lot. .

Built in 1931, the three-story metal and aluminum structure was one of Frey’s first major works and was built as part of an exhibition, serving as an example of affordable and efficient home design that could be designed with mass production and modern materials.

“It’s been built and deconstructed multiple times,” Lerner said. “Although it was never built as a permanent structure.”

It was first exhibited at an exhibition in New York and later moved to an estate. After falling into disrepair, the house was moved to the campus of the New York Institute of Technology.

That campus closed, and in 2011 New York architects Michael Schwarting and Frances Campani established the nonprofit Aluminaire House Foundation and began seeking permanent housing for the structure.

The house was put into storage in 2012, where it remained until enough money was raised—about $600,000—to move it to Palm Springs in 2017. The plan called for the rebuilt house to be on permanent display in front the museum, in the south parking lot.

Palm Springs is home to several residential, commercial, institutional, and civic buildings designed by Frey, who lived in the city for many years. The museum has 65% of Frey’s archival materials in its custody, Lerner said.

It was originally planned that the Maison de l’Aluminaire be rebuilt by the winter of 2021-22. But when he first arrived in Palm Springs last year, Lerner said his goal was to get the art museum reopened after being closed for more than a year during the pandemic.

Others involved with the museum and the California chapter of the Aluminaire House Foundation were working on setting up the structure, he said, but some delays caused him to get directly involved in setting it up. on the way to the project.

The main issues raised by the city may prevent visitors from walking through the Aluminaire’s house, even when it is rebuilt.

One is temperature control, he said. The building, made of aluminum and metal, has no air conditioning or insulation.

“You’ve been in Palm Springs probably longer than I have, and you know what Palm Springs summers are like,” Lerner said, making the 300 people in attendance laugh.

“A 120-degree metal box will be 140 degrees in the summer, and so there would be no way to get people through,” Lerner said.

When exhibited in the past, Lerner said, the Alumina House was housed inside another temperature-controlled structure.

The city was also concerned about making the home accessible to people with disabilities, Lerner said.

Knowing the city’s concerns, the museum needs to decide what needs to be done to be able to make this building something the museum can proudly display, Lerner said.

The museum is hiring an executive architect to handle all the consultants needed to make the Maison de l’Aluminaire a permanent structure, he said.

The museum is also working with DW Johnson to find out what materials can be reused and what needs to be redone, Lerner said. “It turns out the aluminum panels have been removed and reinstalled so many times that they need to be redone,” he said.

The museum is exploring ways for the public to access the house, which could include installing ramps that would allow people to see without entering, in the absence of air conditioning.

“The important thing is that we review the scope so that we can understand exactly what is needed,” Lerner said.

With an understanding of everything needed to build the house, Lerner said a realistic cost estimate could be determined and fundraising efforts could begin.

Some put the cost of the rebuild at $400,000, while others thought it might be something architecture students could do on weekends, “and it wouldn’t cost us anything,” Lerner said.

“Well, it turns out there’s a big difference between a building temporarily set up for an exhibition and a permanent building,” Lerner said.

It will likely cost $2 million or more, Lerner said.

Inheriting the Maison Aluminaire as a project upon arriving at the museum “is like someone leaving a puppy at your door,” he joked. “And you’re like, well, I have other plans, and I wasn’t expecting to raise a puppy right now. … But he’s a puppy. You can’t turn down a puppy,” he said. he said to the laughter of the audience.

More homes designated for historic preservation

People attending the Palm Springs Preservation Matters Symposium at the Convention Center on Saturday, April 23, 2022, look at some architectural models made by local students across the "Preservation through education" program.

Palm Springs Mayor Lisa Middleton welcomed everyone to the eighth annual symposium — the first held in person since the pandemic began.

“It’s so cool to see people in three dimensions again,” Middleton said.

She applauded the seven members of the Historic Places Preservation Council.

Palm Springs is known for its mid-century modern architecture, which attracts people from around the world who want to “see what we’ve built, what we’ve maintained and what we’ve opened up to the world,” Middleton said.

“Palm Springs, as we know, is internationally recognized for the architecture of our region. We are a name in architecture. For the treasure trove of diverse styles that visitors from around the world seek out when they come here,” Middleton said.

The City Council appoints members of the Preservation Council to identify, nominate and recommend potential historic sites and districts to the Council for Preservation.

Over the past year, the board has designated a dozen properties as historic sitesincluding six houses at Araby Cove, some of adobe brick with red clay roofs.

“It’s a very old neighborhood with a lot of character, a lot of charm…” said Katherine Hough, who chairs the board and lives in a house in Araby Cove, off S. Araby Drive, north of E. Palm Canyon Drive.

Among those designated as historic is one of the first houses built in Araby Cove.

Hough recounted how one of the designated houses, made of adobe bricks with a red clay roof, earned its nickname “El Dumpo Adobe”.

When Everett Dunlap bought the house in the late 1950s, it was around the time people were buying new, modern homes in Palm Springs.

“Mr. Dunlap’s friend joked with him and said, ‘You bought a bunch of mud,’ Hough said. “So the new owner named his house, ‘El Dumpo Adobe’,’ and he stayed, Hough said.

Another of the houses is a stone arts and crafts house built in 1925 – “one of the first houses built. It’s my favorite house; the nicest house in our neighborhood,” Hough said.

The Sutter Residence, designed by E. Steward Williams in 1960 on Ladera Circle and commonly known as the “Elvis Honeymoon Hideaway” because it was where Elvis and Priscilla Presley stayed after their marriage, was also designated a historic site this year.

The symposium continued on Sunday with additional presentations.

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French fashion

Sports News Roundup: Soccer-Samba style propels Newcastle to 3-0 win over Norwich; Football-PSG wins record 10th French title despite Lens draw and more

Here is a summary of current sports news briefs.

Football-samba style propels Newcastle to 3-0 win over Norwich

Newcastle United’s Brazilian contingent came to the fore as Joelinton netted a brace and Bruno Guimaraes netted once in an emphatic 3-0 Premier League win over struggling Norwich City at Carrow Road on Saturday. The win puts Newcastle in the top half of the table and is another sign of their rapid improvement under Eddie Howe, who steered the side to their first league victory at Norwich in 28 years.

Football-PSG wins record 10th French title despite Lens draw

Paris St Germain won a record 10th French league title after stuttering a 1-1 draw at home to 10-man RC Lens on Saturday. Lionel Messi’s goal was canceled out by Corentin Jean as PSG remained on 78 points, 16 ahead of second-placed Olympique Marseille, who play their late game at the Stade de Reims on Sunday.

Soccer-Stuttering Tottenham held by Brentford deadlocked

Tottenham Hotspur’s stuttering first four ambitions suffered another blow when they finished second in a 0-0 draw with Brentford in the Premier League on Saturday. After seeing Arsenal displace them from fourth place earlier in the day, Tottenham would have picked it up with a win, but they were lackluster and were lucky to earn a point.

Football-Leicester held in check by Aston Villa

An below-average Leicester City played out a 0-0 draw with Aston Villa at home in the Premier League on Saturday, a result that ended a four-game losing streak for Steven Gerrard’s visiting side. Leicester looked more likely to open the scoring early but created few clear openings, with James Maddison’s curling free-kick the Foxes’ best effort in a first half that was uninspiring from both sides.

NBA roundup: Jazz edges out Mavericks to tie playoffs

Rudy Gobert made a key rebound and an even bigger dunk with 11 seconds remaining to propel the Utah Jazz to a 100-99 win over the Dallas Mavericks on Saturday afternoon in Salt Lake City. Jordan Clarkson led Utah in scoring with 25 points, Donovan Mitchell added 23 points, seven assists and six rebounds, and Gobert finished with 17 points and 15 boards in a game that nearly got away.

Football-PSG’s Leonardo admits making mistakes as fans refuse to celebrate league title

Paris St Germain sporting director Leonardo has admitted mistakes were made after frustrated fans chose not to celebrate the capital club winning a record-breaking 10th French league title on Saturday. Rather than the usual shouts and cheers that mark such occasions, on Saturday PSG supporters quickly left the Parc des Princes just 10 minutes after their club lifted the Ligue 1 trophy after a 1-1 draw with RC Lens.

Boxing-Fury bounces back to retire in style with TKO win

Tyson Fury emerged unscathed from a turbulent fight week to cement his place among heavyweight boxing greats with a stunning TKO win over Dillian Whyte in what ‘The Gypsy King’ said would be his last fight. Fury faced a barrage of questions about his relationship with Daniel Kinahan, his former adviser and one of three men named leaders of the Kinahan organized crime gang recently sanctioned by US authorities.

Motor racing-Hamilton quashes title hopes after new low at Imola

Lewis Hamilton gave up hopes of winning a record eighth Formula 1 championship this year after falling 50 points behind Ferrari’s Charles Leclerc at Imola on Saturday.

“Obviously we’re not fighting for this championship,” the Briton told Sky Sports television after finishing 14th in a Saturday sprint that set the starting grid for Sunday’s Emilia-Romagna Grand Prix.

Boxing-Fury will only return for a unification fight, says his wife

Tyson Fury will only return to the ring for a title unification bout, wife Paris says after ‘The Gypsy King’ retained the WBC heavyweight world championship with a technical knockout victory over Dillian Whyte in this which he called his final fight. Fury, who landed a right uppercut to knock Whyte down in the sixth round at a sold-out Wembley Stadium, said after the fight he would stick to his promise to wife Paris to retire.

Soccer-Man City keep pace in title race, Arsenal go fourth

Manchester City opened a four-point lead in the Premier League title race by beating Watford 5-1 and Arsenal took the lead in the battle for fourth place on Saturday.

Brazilian Gabriel Jesus scored four goals as City pressured to pursue Liverpool ahead of their Merseyside derby on Sunday against struggling Everton.

(With agency contributions.)

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Fashion brand

Shaker Ideals finds new sidekicks in the worlds of food, fashion and art

In August 1774, eight intrepid Shakers landed in Manhattan from Manchester, England, seeking a home where they could practice their fledgling religion in peace. Nearly two and a half centuries later, their presence has returned to the town; specifically, to a storybook stretch of Commerce Street in the West Village.

The Commerce Inn, which opened in December, is Shaker cuisine that meets early American tavernas with a 19th-century oyster house twist. Its white-walled dining room is an exacting homage to the Protestant religious group, whose signature furnishings and decor rejected adornment and emphasized simplicity, utility and honesty in craftsmanship. Chef-owners Rita Sodi and Jody Williams have spent years leaning on old Shaker recipes and cookbooks as inspiration for her dishes, which include spoon bread, oxtail and cake. with ginger.

“Our goal is to really honor what they were doing,” said Ms Williams, 59. She and Mrs. Sodi, 60, who are partners in life and in business, paid close attention to the hospitality of the Shakers and how they welcomed strangers into their communities.

“When people close to the Shakers were attacking their fields or robbing them, what did they do in return? They just grew up to provide for everyone,” Ms Williams said. gave me chills.”

Like many, the two were first drawn to Shakers through their simple, alluring furniture. But upon learning more about the group, they were struck by its progressive attitudes towards gender, race and sustainability. To develop their concept, they worked closely with Lacy Schutz, the executive director of the Shaker Museum in Chatham, NY, which is currently undergoing a major expansion designed by Annabelle Selldorf, the founder of Selldorf Architects in New York. .

The Shakers were “striving to do something different from the rest of the world,” Ms Schutz said. Both sexes had equal responsibility and mobility within the church long before women could own property and vote, and black worshipers were welcomed decades before the country abolished slavery.

The group’s influence has been particularly widespread in recent times, inspiring not only restaurateurs like Ms Sodi and Ms Williams, but also fashion, art and design designers. As the Shaker anthem proclaims, it’s the gift of being simple, perhaps even more so in these times that are anything but.

“People I’ve spoken to, designers, makers, people like Rita and Jody,” Ms. Schutz said, are currently drawn to aspects of Shakerism because of “a desire to communicate a belief system and a level of integrity.”

“We look to the Shakers to find what we are collectively looking for,” she added.

Officially called the United Society of Believers in Christ’s Second Appearing, the religion began in England as an offshoot of Quakerism. Its adherents were given the name Shakers because of an early form of worship that involved spontaneous, ecstatic movement.

Based on the principles of community life, celibacy, and a life lived in service to God, Shakerism flourished under the leadership of its charismatic founding leader, Mother Ann Lee, an illiterate visionary who preached receiving messages from God that these principles were the only way to salvation.

The tenets of the religion also include the belief that every object worshipers put their hands on is a vessel of worship. Recognized for innovations such as the circular saw, the flat broom and the seeds sold in sachets, the Shakers, whose members call themselves brothers and sisters, have developed a particular know-how for woodworking and cabinetmaking.

They first used pieces to furnish their growing communities, then as a way to support them by selling items to consumers, marketing their “Shaker Made” brand as synonymous with well-made and durability.

At their peak, the Shakers had a footprint stretching from Maine to Florida and as far west as Indiana. Their furniture became valuable to collectors in the early 20th century when it began to be appreciated as one of the first uniquely American design styles. Around the same time, the Shakers’ ranks began to dwindle.

“The appeal of Shakerism is not an easy sell,” said Brother Arnold Hadd, 65, one of two faithful practitioners at Sabbathday Lake Shaker Village in New Gloucester, Maine. Founded in 1783, it is the only active Shaker community in existence. Its other resident, Sister June Carpenter, is 84 years old.

Emily Adams Bode Aujla, designer of the Bode menswear line, is part of the Shaker Museum’s Maker’s Circle. The group of artists and designers, Katie Stout and brothers Simon and Nikolai Haas, come together to discuss the influence and history of the Shakers in videos filmed for the museum’s YouTube channel and at events such than the Design Miami show.

“Their commitment to craftsmanship was unparalleled,” said Ms Bode Aujla, 32. While its quilt-patch separates have a handmade aesthetic quality reminiscent of Shaker garments of the past, it’s the ethos behind them that is drawn more directly from Shakerism. To reduce waste, she mainly makes clothes with deadstock – unused fabric – and archival textiles, much like the Shakers, who reuse fabric from used clothes to create doll clothes or mops.

“We have created a new way to build a business and invest in particular things, like manual labor and craftsmanship, and be able to continue making unique clothes,” Ms Bode Aujla said. “They’re kind of an icon for that.”

The Shaker spirit was channeled through other fashion designers, including Tory Burch, whose Spring 2021 collection was based on the Shaker maxim “beauty lies in utility” and featured in a show at Hancock Shaker Village, a former community turned museum in Pittsfield, Mass.

Last year Hancock Shaker Village was the location of another show, “Heaven Bound”, which featured the work of Thomas Barger, a sculptor in Bushwick. Mr Barger said the Shakers had a ‘holistic ethic – men and women were treated equally – and that relates to today’. He added that a growing interest in Shaker craftsmanship was clear, citing a reason that has inspired many people to refresh the homes they’ve spent a lot of time in during the pandemic: “People just want to live with beautiful things. “.

For his exhibit, which explored themes of religion and agriculture, Mr. Barger, 30, subverted the austerity of Shaker furniture using elements of it for playful effect, flipping chairs, exaggerating their height and crushing the Shaker baskets with plywood and polyurethane. create sculptures.

Others made less dramatic reinterpretations. In his studio in Windham, NY, Brian Persico, a furniture designer, makes ladder-back chairs and sofas that are heavily influenced by the Shaker tradition. Less rigid than the originals that inspire them, his pieces have a slight roundness that makes them more at home in the 21st century, while drawing inspiration from the straightforward allure of Shaker design.

“It’s so simple,” Mr. Persico, 35, said of the style. “And it speaks to a much simpler life that everyone yearns for but is completely unreachable.”

In the Sabbathday Lake Shaker community in Maine, which includes a row of white and brick buildings lying on the crest of a gently sloping hill, such a life is very real, if anything but simple. The age and immobility of its senior resident leaves most of the work needed to keep Shakerism alive in 2022 to Brother Arnold, who joined the Shakers in 1978 at age 21 and is now the historian, theologian and ambassador undisputed spiritual faith.

His responsibilities include maintaining the five-story 19th-century dwelling house and the 19,000-tree apple orchard; tending to his herd of Scottish Highland cattle and his ever-growing flock of sheep; and running an online and wholesale herb business.

Although residents have always hired outside help, the pandemic has limited their ability to employ as many staff as in the past. “I will be very happy when I don’t have to do all that,” he said. “But for now, that’s what I have to do. God give me the strength to do it.

Although much of his fate rests with him, Brother Arnold is not fazed by speculation about the survival of his faith. “If we do the will of God, vocations will be created. I have seen that confirmed,” he said, adding that there is one person who will most likely join Sabbathday Lake soon.

He always saw the broader fascination with the material history of Shakerism as a way for the world to better understand the Shakers. But too narrow a fascination with possessions obscures the Shaker message of a life lived in service to God.

“A chair is a chair: it’s just there to sit on,” he said.

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Fashion style

Royal Style Watch: From Kate Middleton’s Sleek Blazer to Queen Letizia’s Bodycon Dress






Megan Bull




Now that spring is finally in bloom, our favorite royal ladies have swapped their winter layers for lighter styles – think tailored blazers, floral dresses and relaxed jeans.


READ: Kate Middleton is the epitome of elegance in a fitted blazer


A major source of fashion inspiration, the Duchess of Cambridge debuted a stunning new look on Thursday as she joined Prince William at the London headquarters of the Disasters Emergency Committee.


Meanwhile, Queen Letizia of Spain and Queen Maxima of the Netherlands each has embraced the floral trend for various engagements – wait until you see their dresses! Taking a break from royal duties, Princess Eugenie and the Countess of Wessex have done more laid-back looks while enjoying good times at home – turns out the royals love loungewear and laid-back jeans as much as we do!


Find out what the royals have been up to this week, and check out the stunning outfits they’ve worn on the go…


The Duchess of Cambridge



kate-beige-blazer


Duchess Kate visited the London headquarters of the Disasters Emergency Committee


The Duchess of Cambridge never disappoints when it comes to fashion, so of course her latest look ticked all the boxes. Nailing business chic, Kate stepped out in a clean beige blazer from Reiss, adding high-waisted cigarette pants from LK Bennett that flattered her feminine figure.


The mother-of-three wore her shiny brown hair in her signature curly style and sported subtle pops of makeup that brightened up her flawless face. She accessorized with Citrine Pear Drop Earrings from Kiki Mcdonough – one of her favorite jewelry designers.


We’re loving an oversized blazer for effortless layering this spring, and it’s no surprise the edgy Duchess has embraced the trend, stepping out on plenty of recent occasions. Do you feel inspired? We have created an overview of best oversized blazers for the new season!


MORE: Kate Middleton’s awesome foldable travel bag is up to 60% off at Nordstrom Rack


READ: Strathberry, Meghan Markle’s favorite handbag brand, is launching a unique new style for spring


Princess Eugenie



no-princess-eugenie-auguste


Princess Eugenie shared a photo of her Easter celebrations with her son August


Princess Eugenie is extremely private when it comes to her family, but on Monday she surprised royal fans by sharing a photo of her son August taking his first steps. Looking so proud during the defining moment, Eugenie could be seen wearing a chic gray hoodie with a rainbow circle print from Pangaia’s collaboration with the United Nationsformed to support the 17 Sustainable Development Goals (SDGs).


Modeling the matching tracksuit bottom, she wore her auburn hair and opted for rosy makeup, accentuating her natural beauty.


The Countess of Wessex



sophie-wessex-chariot


The Countess of Wessex dressed in jeans for a carriage ride at Windsor Castle


The Countess of Wessex took some time out of her busy schedule on Monday as she enjoyed a horse-drawn carriage ride at Windsor Castle, accompanied by a groom. Dressed in khaki jeans, lace-up boots and a brown utility jacket, Sophie swept her blonde locks into a low ponytail and shaded her eyes with a navy cap.


Queen Letizia of Spain



dress-letizia-grey


Queen Letizia made a stylish appearance at a lunch on Thursday


Revered for her impeccable sense of style, Queen Letizia cemented her status as one of Europe’s best-dressed royals on Thursday by attending a lunch for members of world literature alongside King Felipe.


Making a statement in a pale blue dress by Pertegaz, the royal’s midi design was adorned with floral embroidery in vibrant shades of pink and red. Accessorized to perfection, Letizia added a pair of pastel pink Magrit heels and matching clutch, along with sparkly drop earrings.


Queen Maxima of the Netherlands



maxima-green-dress


Queen Maxima seduced in a stunning green dress from Maison Natan


Queen Maxima likes to experiment with bright colors, and she certainly wowed on Thursday by donning an emerald green floral dress from Maison Natan. With the Sophie Habsburg Moneypenny bag and the burgundy Gianvito Rossie pumps, the royal polished off her outfit with a hat from the Belgian designer Maison Fabienne Delvigne – so glam!


Princess Leonor of Spain



jean-rose-leonor


Princess Leonor looked lovely in pink jeans and a floral top


On Wednesday, Princess Leonor combined high street and designer pieces as she attended the youth and cybersecurity conference at Julio Verne High School in Madrid. Wearing a white floral blouse from & Other Stories with pastel pink jeans from Yerse and white platform trainers from BOSS, the young royal looked so chic.


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Fashion designer

10 Best Fashion Movies, Ranked By IMDb Scores

Fashion has been an integral part of cinema since the very beginning, just as it played a central role in live theater for thousands of years before movies even existed. Clothing is all about self-expression, and characters’ clothing choices in movies play a major role in how they are perceived.

Related: 9 Modern Movies That Reddit Users Say Have A ’90s Vibe

Of course, some films go further, making fashion in general or the fashion industry in particular the focus of their stories. There are many fashion movies to watch, but according to IMDb, these are the best.

ten Zoolander (2001) – 6.5


Ben Stiller as Zoolander, pouting and wearing a brown and white headband

The 2001 comedy Zoolander features Ben Stiller as the titular Derek Zoolander, a model caught up in a conspiracy far beyond his vapid personality and comic ignorance to handle. Taking a comedic angle with the fashion industry wasn’t something Zoolander invented, but the film managed to become a classic.

ZoolanderThe celebrity cameos also add to the film’s satire and extend it to a wider send-off of celebrity culture. Although Zoolander 2 was a disappointing sequel, the original still holding up over 20 years later.

9 Gucci House (2021) – 6.6


Patrizia showing off her ring in House of Gucci.

After her star came back and wrote Oscar-winning songs for, A star is bornLady Gaga joined a star-studded cast that included Al Pacino, Adam Driver, Jeremy Irons, Selma Hayek and more in Gucci Houseabout the Italian fashion label and the family behind it.

Related: 10 Movies & TV Shows Made In Italy (And The Real Places You Can Visit)

The film follows the relationship between Patrizia Reggiani, played by Gaga, and her husband Maurizio Gucci, played by Driver, as their relationship deteriorates to violence. The film carries a true-crime perspective in addition to its drama, as it’s based on a 2001 book that does the same thing.


VIDEO OF THE DAY

8 Coco before Chanel (2009) – 6.7


Coco Chanel in Coco Before Chanel

Coco Chanel became a famous fashion designer of the 20th century, and the brand she helped establish remains one of the best in the industry to this day. The premise of the 2009 biopic Coco before Chanel is the journey she has taken to establish herself and her family name as global icons. Leading actress Audrey Tautou gives a mesmerizing performance as Coco Chanel.

The film received industry acclaim and numerous nominations, including an Oscar nomination for Best Costume Design, although that year the award ultimately went to The young Victoriaanother film about the debut of a female icon: Queen Victoria.


7 Distraught (1995) – 6.9


Harry Styles' Starfox Gets Eternals Poster After Surprise MCU Cameo

There was a trend in the 1990s to have teen movies based on classic literature, and clueless fits neatly into this category as a modern adaptation of Jane Austen’s novel Emma. Directed by Fast times at Ridgemont High‘s Amy Heckerling, the film follows Alicia Silverstone as fashion-loving Cher Horowitz as she attempts to play matchmaker.

Even after 27 years, clueless manages to remain a classic teen comedy film, as well as a clever adaptation of its source material, taking what works Emma while managing to become its own story and have its own impact. Let’s hope Alicia Silverstone comes back, because she is very welcome!


6 The Devil Wears Prada (2006) – 6.9


Meryl Streep explains why she was miserable on The Devil Wears Prada set

What happens when Anne Hathaway plays Miranda Priestly’s assistant, editor-in-chief of a fashion magazine? The result is The devil wears Pradaone of Meryl Streep’s funniest films of all time, and not only an iconic film, but an incredibly re-watchable film.

Meryl Streep played a key role in making the film, but she also played a key role in helping it make such a splash on pop culture. The devil wears Prada is arguably the most iconic fashion movie of all time, and would probably be the first fashion movie that casual moviegoers could think of, if asked. There’s no way this one will be forgotten.


5 Fashion (2008) – 6.9


Meghna Smoking In Fashion

Priyanka Chopra has some great movies, but because her career started in Hindi cinema (aka “Bollywood”), many of them were overlooked by American audiences, and the movies of 2008 Fashion is one of them. Chopra stars as Meghna Mathur, a woman who aspires to be a model, and the transformations she undergoes in pursuit of that goal.

Fashion was Chopra’s first massive success as a movie star, and her performance was rightly acclaimed. Although the film is in Hindi, there are many places to find it with English subtitles, including, upon release, on Netflix; definitely worth a look for those interested in the premise.


4 Funny Face (1957) – 7.0


Audrey Hepburn in Funny Face

Who said old Hollywood couldn’t make good fashion movies? In the end, if you take Audrey Hepburn, Fred Astaire, and songwriting duo George and Ira Gershwin, you get a pretty memorable musical movie.

Funny head sees a fashion editor looking to create the next big fashion trend. She and her photographer, played by Astaire, then meet a beautiful store clerk, played by Hepburn, whose natural charm and good luck make her the perfect candidate to become a new model for the magazine.




3 Blood and Black Lace (1964) – 7.1


A still from the 1964 horror film Blood and Black Lace.

Blood and black lace is an Italian-language thriller that uses a fashion show as a setting. In the film, a masked killer stalks models, looking for a diary kept by one of the girls that details the personal lives of those in the fashion house.

For those who are more into Zoolander or The devil wears Prada, Blood and black lace is about as far from the ones as you can get, but it heavily features fashion as a motif. As an older foreign-language film, it’s definitely underrated, but for fans of thrillers or foreign films, it’s worth a watch.


2 Cruel (2021) – 7.3


Cruel Emma Stone

Cruel It may not be a horror movie, but it’s the backstory of a character in its own right. Cruella de Vil first entered pop culture with the 1961 animated film 101 Dalmatiansand was the subject of two live-action films starring Glenn Close.

Related: Cruella And 9 Other Original Villain Movies, Ranked According To IMDb

Cruella’s name epitomizes cruelty and devilishness, and that’s fitting considering her fashion idea in the original story is to kidnap Dalmatians to use their fur for coats. It’s honestly kind of weird that Disney decided to do the previous movie, but it did well with audiences.


1 The Phantom Thread (2017) – 7.4


Daniel Day Lewis - Phantom Thread

If there was ever an actor whose name evoked a whole new level of acting, it’s Daniel Day-Lewis, a method actor’s method actor. Day-Lewis devoted himself entirely to his later roles, and his last film, ghost yarnin which he plays a renowned fictional fashion designer, was no exception.

For the film, Day-Lewis learned to make dresses by hand, to the point where it would have been able to accurately recreate a dress originally made by the man who inspired her character, Cristóbal Balenciaga. It is absolutely amazing, and ghost yarn was a great movie to retire to.

NEXT: 10 Movies That Will Make You Want To Be A Better Person, According To Reddit

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French fashion

Anger over overhaul of French diplomatic corps as war rages in Ukraine – POLITICO

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PARIS — In the final days of the French presidential election, it was perhaps the last-minute controversy that President Emmanuel Macron would have liked to avoid.

The publication last weekend of a decree news of the merger of France’s 800-strong diplomatic corps into a single larger pool of senior officials sparked outrage from politicians and generally loyal diplomats. They argue the move is a first step towards eliminating the country’s traditional career diplomats – just when they are urgently needed with the war in Ukraine.

For some, the decree is the culmination of Macron’s distrust of a diplomatic corps he considers elitist and homogeneous. The risk, according to many, is to see France drifting towards a model inspired by the United States of ambassadors who are political or prestigious figures close to the president, but who are less able to manage an increasingly volatile geopolitical situation. .

“Being a diplomat is a real job, it involves skill and experience in the field,” said Sylvie Bermann, a former French ambassador who served in China, the United Kingdom and Russia. “We could very well expand recruitment and diversify it without destroying the diplomatic corps.”

She added that the decree risks seeing the political recruitment of ambassadors who then delegate their work to MPs who do not necessarily know how to represent their president in a foreign country.

The decree indicates that France will gradually abolish the current status of career diplomats, merging it into a single civil service status which was created last year, and under which they can expect to work in different departments during their career. Several diplomats said it is unclear how the new statute will affect the mechanisms for appointing diplomats.

Until now, French ambassadors have been career diplomats who often joined the foreign ministry after graduating from the elite civil service school, the École nationale d’administration (ENA), or passing competitions that propelled them towards a career exclusively in the French foreign service.

“With the reform, we will create a more concentrated and diverse core of civil servants, with perhaps an agricultural expert who can become an ambassador,” said a government official.

The decree is part of a broader plan launched when Macron took office in 2017 to make the French civil service less elite and more socially diverse. It also included the closure of the highly selective ENA, which has trained the country’s ruling class since 1945, and its replacement with a new Civil Service Institute (ISP).

Prime Minister Jean Castex wrote in an editorial published in Le Figaro last year that the French civil service needed to be “modernised”, citing “a growing gap” between elite civil servants making careers in Paris-based ministries and the rest of the country.

Macron against diplomats

But diplomats and politicians warn that the decree risks undermining France’s diplomatic model – and one of the largest networks in the world – and comes at a time of heightened diplomatic tensions with Russia’s invasion of Ukraine.

“The door is now open for American-style nominations”, tweeted Gérard Araud, former French ambassador to the United States, referring to appointments made for political or financial reasons.

Former US President Donald Trump, for example, appointed Gordon Sondland, an American businessman and Republican Party donor, ambassador to the EU, a move that raised eyebrows in Brussels.

Far-right presidential candidate Marine Le Pen was quick to criticize Decree. “He [Macron] wants to replace civil servants with friends,” she tweeted, adding that if elected on Sunday – in the second round of the presidential election – she would “restore diplomatic status based on merit and national interest” .

Diplomats also pointed to Macron’s strained relations with them, recalling his 2019 warning about the risk of the French diplomatic corps becoming a “deep state”. Diplomats say they interpreted the president’s criticism at the time as directed at those who previously disagreed with him and who sought to strengthen ties with Russian President Vladimir Putin.

“Macron’s approach to diplomats has been totally inadequate,” said a senior French diplomat, who spoke on condition of anonymity because they are not authorized to speak publicly to the media. “France is not Turkey and there is no deep state against the Elysée in French diplomacy.”

“We are deeply loyal,” added the diplomat.

Passing the decree at this time, with the war in Ukraine, is considered unfortunate because French diplomats are actively engaged in it and Macron’s efforts to be on the front line of negotiations with Putin mean he needs their support..

Etienne de Poncins, the French ambassador to Ukraine, was one of seven European ambassadors who remained in the country weeks after the Russian invasion. “There are diplomats in Ukraine where bombs are falling…”, declared the senior French diplomat. “It takes experience, it takes field work, and let’s not forget the knowledge of foreign languages… [diplomats] become specialists over time and because of the diversity of situations.

On Wednesday, Foreign Minister Jean-Yves Le Drian pledged to ease tensions and reassure diplomats that their expertise would not be set aside and that ministry support for diplomats with particular expertise in a language or domain would be maintained.

“It is clear that diplomacy remains a specific profession in which one can develop a career,” added Le Drian in an interview with the French weekly Journal du Dimanche.

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Fashion style

Lady Gaga shows off her tennis style on Instagram

As POPSUGAR editors, we independently curate and write things we love and think you’ll love too. If you purchase a product that we have recommended, we may receive an affiliate commission, which in turn supports our work.

In a rare twist of events, Lady Gaga traded in her glamorous red carpet dresses for a hip sport moment on the tennis court. The 36-year-old star showed off her sporty style in a colorblock sweater from a collaboration between Palmers and Austrian designer Marina Hoermanseder. Featuring a high neck silhouette, which Gaga left unzipped, the retro sweater comes with a tie, allowing for a fitted look, as well as elasticated sleeves that can be pushed up to any length.

Gaga completed the look with minimalist black leggings and NikeCourt sneakers that feature a neon flash on the back. While his exact shoes are only available on eBay, Nike’s Court collection offers similar shoe options. Gaga’s latest court-ready accessories included her rose gold Fitbit smartwatch — which subtly coordinated with her sweater — and a black logo baseball cap from the Eddie Bauer x Baja East collaboration.

After delivering a jazz performance at the Grammys earlier this month in a blue satin Elie Saab Haute Couture gown with a gigantic bow, stepping out for a pre-Oscars event in canary yellow tulle and pulling off an intricately clad Gucci gown from black pasties to the Critics Choice Awards, Gaga’s red carpet dresses have been undeniably stately and spectacular lately. It’s a refreshing change to see her in casual workout clothes, especially when they prove she’s been thinking about her aesthetic on the tennis court, too.

Shop Gaga’s look and get ready to hit the court in superstar-approved style.

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Fashion designer

Sheila Hicks moves seamlessly between dreaming and waking periods

The artist, who sleeps in four-hour blocks, is very busy, but often stops to observe the comings and goings in the courtyard of her Parisian building.

I arrived in Paris in the mid-1960s and have always lived three blocks from where I am today, in the Cour de Rohan, a series of three courtyards right in the middle of the city. It is very picturesque, with its large green iron gates and cobblestones, and at the entrance is the tower of Philippe Auguste, part of the old city walls built around 1400. This small area was the seat of the French Revolution, where people wrote and distributed Le Journal du Peuple, a series of pamphlets intended to move things in the right direction and to incite the elimination of all aristocrats. It’s a place full of ghosts because of its history. But above all, I am ignorant of all this; you can’t be haunted by the past.

I live on the upper floors of my building and my studio is on the ground floor. Still, the work could just as easily be happening while I’m on the stairs and watching out the window as someone trims the trees, or once I’ve entered the yard, where I’m hanging out. On one side of the house is The Procope, the oldest restaurant in Paris, where you eat on the sidewalk, and on the other side live various creative people. One is a designer for the opera. Another organizes fashion shows. And the Giacometti Foundation moved into the building across from my studio. It is therefore a cloistered but lively existence.

I tend to sleep in four hour segments and move very fluidly between dreaming and waking. When you see my work, you may be able to find your way into the dream world cave. There are times when I have to make an effort even to know what day it is. And I like to work on a lot of things simultaneously. For example, today I was asked to create an environmental artwork in King’s Cross near London Station for the summer months. I’m also doing something for a municipal complex near the port of Oslo to coincide with the opening of that city’s modern art museum. Tomorrow, we present models of tapestries at the Manufacture des Gobelins. And then I have an exhibition right now at Barbara Hepworth Museum in Yorkshire, England. I do whatever I find interesting.

I go from idea to finished work in an acrobatic way – it’s like I can feel the clouds moving and the light coming and going. But because I frequently use fibers and textiles, I am also quite specific in my way of working; unlike a videographer or digital artist, I am physically engaged in the creation of all my works. It is a manual practice but filtered through the lens of architecture, photography, form, material and color. A few years ago I received an honorary doctorate from my school — I went to Yale in the 1950s — and that made me very happy because it validated my choice to work and live as a artist. It meant I could bring something to other areas, and so I’m looking for what that might be, unlike a lot of artists, who are just looking to express themselves.

This interview has been edited and condensed.

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French fashion

Mobilier National continues the French style and it’s fascinating to take a look inside | Architectural Summary

Since French archivist Hervé Lemoine took over the reins of the organization in 2018, Mobilier National has sought to engage with a wider audience and give greater visibility to the national contemporary design scene. Now in the second year of an active acquisitions campaign, it has lined up potential new nominations from 232 designers for just over 50 coveted spots in the national collection.

If the question is: What is French design in 2022?the resounding answer seems to be: Not necessarily what you expect.

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“We did a lot of publicity on this initiative to interest designers and creators who may not have been aware of this type of acquisition program,” explains Lemoine. “There was no age limit, only that they worked in France, French or not. We were looking for original, already existing pieces that had been produced entirely under their control.

Variety among these starters was paramount. “We need tables, desks, chairs, usable rooms,” explains Lemoine. “The question is: how do you create original pieces today with a strong presence and personality? There was such a diversity of styles, shapes and colors.

The biggest surprise of the campaign came, Lemoine says, when the majority of nominations came from areas outside the nation’s capital. “Seventy percent of the selected designers work outside of Paris,” he specifies. “Having so many candidates from workshops that we didn’t know was a breakthrough for us, and now we will follow them and see what they continue to do.”

“The idea of ​​French design may seem exclusive, but for us it resonates and now supports social movements,” say designers Mr. & Mr., whose work was added to the Mobilier national this year.

Photo: Thibaut Chapotot / Courtesy of Mobilier National
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Fashion brand

Digital Fashion House The Manufacturer Raises $14M in Series A Funding Round

The maker announced a Series A funding round led by crypto fund Greenfield One. The Fabricator plans to use the funding to support and build on the company’s plan to create the “Metaverse Wardrobe” through its co-creation NFT platform, The Fabricator Studio. Picture: The Maker

The manufacturera decentralized digital fashion house that operates at the intersection of fashion, gaming and blockchain, announced a Series A funding round led by Greenfield Onean early-stage crypto fund, with an additional stake of red dao, Sfermionand Ashton Kutcher and Guy Oseary Sound companies, among others. The funding is expected to be used to support and build on the company’s plan to build the “metaverse wardrobe” through its co-creation NFT platform, The Fabricator Studio.

Since 2018, the brand has been leading the fashion industry into a digital future. The $14 million funding allows the company to focus on providing a platform where everyone can participate in the digital fashion economy. The company’s mission is to build a decentralized fashion house that will dress the metaverse and create a more sustainable fashion industry. The Maker Studio enables anyone to create, trade, and wear digital apparel, and The Maker estimates that 100 million people will wear metaverse apparel minted in its studio by 2025.

The Manufacturer has previously partnered with brands such as Adidas and epic games and is about to join women’s worldthe largest female-led NFT community, and The sandbox. Epic Games recently awarded an open grant to digital creators for projects using its Unreal Engine software.

“The story of digital fashion needs a new narrative, one that leaves toxic behaviors and waste behind and looks to the 21st century and beyond. In the metaverse, we get to create new ground of game where everyone can benefit and appreciate the love of self-expression and create an economy around it. We’ve designed the tools to help build a new fashion industry, one in which we believe we will all thrive” , said Amber Slooten, co-founder and creative director of The Manufacturer.

The Manufacturer recently participated in Metaverse Fashion Weekwhich took place March 24-27 on virtual reality platform Decentraland and included a series of runway shows, afterparties and branded pop-up stores, with avatars walking digital runways to showcase the digital apparel.

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Fashion style

The Queen’s best fashion moments revealed – as millions say her style inspired the nation

Millions of Britons believe the Queen has inspired the nation with her sense of style – with the lime green and purple ensemble she wore to Harry and Meghan’s wedding named her most iconic look. A study of 2,000 adults saw a bright green dress and hat worn at Trooping the Color 2016 come second, followed by a purple coat donned for the Earl of Snowdon’s memorial service in 2017.

Her Majesty’s orange scarf and dress combo, worn during a tour of the West Indies in 1966, was also in the top 20 most iconic looks. Other outfits included a simple black dress, pearl necklace and bundle of poppies at the Royal Albert Hall for Remembrance Sunday in 2001, and a more casual look of a blazer, high boots and a colorful scarf worn at the Windsor Horse Show in 1988. .

It also emerged that a quarter of adults felt personally inspired by Her Majesty’s appearance. And 40% believe the nation as a whole has been influenced, due to her classic style (50%), distinctive look (43%) and “simple but effective” outfits (42%).



Her Majesty’s ensemble at the 1st Earl of Snowdon’s memorial service in 2017 was also a big hit

But 38% think the Queen’s style has evolved to become more colorful over the decades, with the most popular shades to see her being light blue (27%), yellow (22%) and navy blue (21%). %). . And 67% think no one else dresses like the Queen.

The research, commissioned by centre:mk ahead of the platinum jubilee, saw respondents predicting a silver look for the celebrations, with gold and lilac also popular. Almost half believe the Queen will be remembered for her style, with 45% always looking forward to seeing what she wears to a royal event.

Kim Priest of centre:mk said: “It’s great to see how many people are enjoying the Queen’s unique and quintessentially British style ahead of this year’s Jubilee celebrations. The Queen’s style is, and always will be, recognized by the nation. She is best known for her hats, handbags, scarves and her use of color.

“Inspiring many, her most iconic outfits range from the 1950s to today, showing that her appearance has evolved over time. It proves that style doesn’t have to fade with age – it truly is timeless. The survey shows that her formal and informal looks are popular – from boots worn at horse shows to elegant dresses at royal events.

“The Queen has always been confident in her style. She is an inspiration to all of us to be comfortable in what we wear.



The Queen arrives at King's Cross station in London in 2003
The Queen arrives at King’s Cross station in London in 2003

The study also saw respondents generally describe Her Majesty’s style as classic (41%), elegant (38%) and colorful (34%). But over the years, many believe her look has evolved – either to be braver and bolder (24%), to fit in with current trends such as popular colors (23%), or to make more of a statement. a statement (20 percent). hundred).

And almost half (43%) think pop culture about the royal family, like ‘The Crown’, has changed the way people perceive the Queen’s style, with half of 18-24 year olds personally inspired by his appearance – more than any other age group. A fifth also said the Queen inspired them to feel more confident with colorful fashion.

Specific fashion trends inspired by the Queen are handbags (49%), brooches (31%) and hats (26%), as well as scarves (22%) and dress coats (22%) . The study, carried out via OnePoll, saw Kate Middleton (47%) and Princess Diana (41%) named among other royals that Britons regard as style icons – Prince William (11% ) being the top Male.

TOP 20 LOOKS WORN BY THE QUEEN:

  1. Harry and Meghan’s wedding, 2018 (green outfit and hat with purple detail)
  2. Trooping the Color, 2016 (bright green coat and hat with white gloves)
  3. St Margaret’s Church, memorial service for the 1st Earl of Snowdon, 2017 (purple coat and hat with black detail)
  4. Tour des Antilles, 1966 (patterned orange knee-length dress with matching scarf)
  5. Visit to Dumfries, Scotland, 2006 (blue coat and hat with red flower)
  6. Windsor Horse Show, 1988 (green patterned scarf, dark green blazer jacket, cream trousers and black high boots)
  7. Event in London, 1963 (peach-colored sleeveless ball gown and pearl necklace)
  8. State visit to Mexico, 1975 (yellow dress with pleated skirt and matching turban)
  9. Silver Jubilee Year Tour, visit to New Zealand, 1977 (green and white patterned dress with green hat and white handbag)
  10. Commonwealth Tour, Kenya, 1952 (polka dot skirt and jacket)
  11. Royal Variety Performance, 1999 (gold skirt and multicolored sequined long-sleeved top)
  12. Royal visit to Nassau, Bahamas, 1966 (navy blue and white patterned dress with long white gloves and white turban)
  13. Silver Jubilee Year Tour, visit to New Zealand, 1977 (blue and white dress with blue scarf and white gloves)
  14. Her Majesty receives the first Gold Service Medal of the Order of St. John, 2020 (hot pink and purple color block dress)
  15. Cocktail at Windsor Castle, 1959 (flower dress with short jacket and flared skirt)
  16. Royal Remembrance, 2001 (short-sleeved black dress with pearl necklace and brooch, black gloves and handbag)
  17. Pre-wedding dinner for William and Kate, 2011 (sky blue velvet dress with gold embellished print, gold jewelry, shoes and handbag)
  18. King’s Cross Station, 2003 (textured white jacket and skirt combination with multicolored print, black gloves, shoes and handbag)
  19. Thailand Tour, 1996 (orange polka dot dress with matching orange hat, white gloves and handbag)
  20. Royal Albert Hall, 2012 (dress lined in silver and gold with white gloves and a silver purse)

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Fashion designer

Kornit Fashion Week elevates Israel’s cultural diplomacy

From the choreography of gestures to the combinations of national colors in outfits, international relations have been governed by protocols of style and decorum that inform the public of the state of the union(s). Then came the “I don’t care” jacket and the walk in front of the Queen. Given the seriousness of the blunders, the New York Times officially announced”the death of fashion diplomacyin 2019. Thankfully, that was premature praise. The Biden administration ushered in a new era of well-tailored sartorial communication. Pandemic mask mandates have highlighted the intersection of “function, fashion and politics” as world leaders navigate the intricacies of keep face without showing a face.

These days, fashion diplomacy thrives in three areas. It is increasingly becoming a means of mobilizing collective action and a platform for artists to express their solidarity in times of crisis. It serves as a means of supporting national economic growth while positioning national brands in the global marketplace. Finally, fashion diplomacy can create opportunities for historic breakthroughs and a sea change in the cultural status quo. Prepare for Kornit Fashion Week Tel Aviv, I was curious how one of the fastest growing events on the industry circuit would address the world’s pressing diplomatic concerns. Turns out fashion diplomacy isn’t just alive, it’s thriving!

Solidarity with Ukraine

From Balenciaga dedicating its fall-winter fashion show to Ukraine to Vogue Poland publishing its April issue with a focus on Ukrainian design talent, the tragedy unfolding in the Eastern European country has united the creative industries in their supportive response. In Tel Aviv, designers Tovale and Naama Chasin placed Ukrainian flags on all front row seats and had models sing ukrainian songs on the track. A poignant moment was made all the more poignant as this collection spotlighted Chasin’s Lifetime Achievement Award for creative longevity in fashion.

An Israeli-Ukrainian brand Para Ruk Featured handmade accessories, scarves and bags in Kyiv and other Ukrainian cities. Most artisans managed to make their last-minute deliveries just as supply lines were under fire across the country. A collection of t-shirts We Ukraine designed by Ukrainian artists was sold in a showroom curated by fashion producer Roza Sinaysky. “Many Jews have a long history of family ties to Ukraine. The Ukrainian-Israeli diaspora is strong here, so we had to give this issue all the attention it needs and deserves,” said Motty Reif, founder of Kornit Fashion Week Tel Aviv. Purchasing an item made me reflect on the recent passing of Madeleine Albright and the late secretary’s legacy of fashion diplomacy. A collection of jewelry that accompanied her on her official state trips has become an exhibit Read my pins celebrating the soft power of intention. Gestures, big and small, matter in a time like this.

Pride of national product

Meanwhile, Jewish and Israeli designers have continually made the fashion media headlines for creative concepts and pioneering business practices in cruelty-free design, faith-based styling as well as NFTs and fashion technology. Oh, and for dress beyonce! After one of the shows, I asked Michal Herzog, the First Lady of Israel, what role fashion plays in Israel’s cultural diplomacy. “Israeli fashion has always been one of our biggest ambassadors around the world. I grew up a big fan of Maskit led by the late Ruth Dayane and the incredible Gottex swimwear. They brought the Made in Israel label to all major department stores around the world. Young designers take the lead and make us proud.

New talents include Aharon Genich who stood out for his fascinating vision of gender (non)conformity. Her collection featured identical items based on the strict Haredi dress code of her childhood. The garments were then personalized with unique digitally printed landscape elements highlighting the blurred boundaries between feminine and masculine.

YANKY & NATAF is a brand of the creative couple Yanki Golian and Nataf Hirschberg Golian. Their collection was one of the most fun of the week to see and imagine wearing. Inspired by the 1980s and 2030s, they infused their time travel nostalgia with a touch of metaverse hype. Israel’s main design institutions such as Shenkarthe Bezalel Academy and the Holon Institute of Technology focus on the development of new textiles alongside traditional fashion education. It’s no surprise that their alumni are some of the most innovative designers working today.

Young seamstress Alon Livne started her way into fashion by cutting and sewing up her grandmother’s old tablecloths. He now works with 3D printed leather designs and laser cut couture textiles to create contemporary fashion sculptures admired by Cardi B, Lady Gaga, Kim Kardashian and Naomi Campbell. Blending a proud heritage with a forward-looking vision is a signature blend that makes Israeli style appealing to global audiences. “I love contemporary designs that incorporate traditional patterns and embellishments into modern pieces. Our designers come up with bold modern designs with a taste of the Middle East. Internationally, it’s an attractive combination with an interesting twist” , noted First Lady Michal Herzog.

make history

The most powerful fashion diplomacy statement of the week was the most ambitious yet. A year ago, fashion magazines The Official Arabia and Laisha exchanged goodwill gestures by putting the first Israeli model and the first Arab model on their respective covers. “But will it last?” I asked questions in my report about this incredible moment. Fast forward to spring 2022 and the Emirati luxury designer Mona al-Mansouri made history by becoming the first Arab designer to exhibit in Israel! The meticulously crafted collection of gorgeous gowns would have impressed even the most discerning high fashion audience in the world. Dr. Mona (as she is known to a million Instagram fans) is based in Abu Dhabi. An engineer with a successful career in the oil industry, she was inspired to pursue fashion by the late Gianni Versace. “I was very sad when he was murdered because I considered him a part of me. His work was differentinnovative, stimulating.

israeli singer Miri Mesika opened the show. A trainer on The Voice of Israel and a judge on the Israeli version of american idol, his presence added pop gravitas to an already powerful moment. By the time Dr. Mona came out for the required bow, the entire audience was on their feet for a standing ovation. A song of Arik Einstein played with Hebrew lyrics: “You and I are going to change the world together. Many were moved to tears. Dr. Mona has also been encouraged by the support of her Emirati, Saudi and Qatari clients. Motty Reif, Founder of Kornit Fashion Week, said, “It was a dream come true to finally host an Arab designer’s first show in Tel Aviv! Dr. Mona has always understood this was bigger than politics. It was a matter of peace, and she was very brave to be the first to take that step.

Following the cooperation mandate of the 2020 Abrahamic Accords by Israel, the United Arab Emirates and Bahrain, fashion is becoming one of the most eloquent voices for lasting peace in the region. “As a luxury brand, I compete with the biggest fashion houses not only in the Middle East, but globally. Tel Aviv exceeded my experience of fashion events in France, Italy, Spain. From the creativity of the designers to the professionalism in staging, lighting, organization, it was beyond imagination,” Dr. Mona remarked.

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French fashion

The end of the suit: Has Covid ended the essential of men’s fashion? | Suits for men

SImon Cundey’s family has been making men’s suits for seven generations, taking 37 measurements of each customer during the Great Depression and both World Wars. The tailor’s arsenal of chalk, scissors and thread were put to work every day of the week from the company’s inception in 1806, until March 2020, when the government ordered nearly everyone to work from home.

“If there’s one thing you can’t do at home, it’s measuring people for suits,” says Cundey, who works for his family business, Henry Poole & Co, tailors on Savile Row in London since his early twenties. “The pandemic is, by far, the worst crisis the company has ever faced. It’s far worse than the Great Depression or wars ever were.

“In wartime, Allied forces were here, so we made uniforms for Americans and Canadians, and we could still see customers face to face,” he says, as we chat on leather sofas in front of a roaring log fire in the shop. , surrounded by 48 framed terms from the royal family and other world leaders.

Post-lockdown, Cundey and his team of tailors, undercutters, makers of trousers, jackets and vests are back at work at 15 Savile Row – the street known around the world as the home of the best menswear on extent – ​​and customers come back through the doors. But there aren’t as many as before the pandemic, and fewer than before the 2008 financial crisis. It’s a story repeated up and down “in the row,” and at other tailors across the country, as well as at high street retailers from Marks & Spencer to Reiss, and online businesses from Mr Porter to Asos.

Statements of falling popularity don’t carry much more authority than those from the Office for National Statistics (ONS), which last month removed the combinations from the basket of goods it uses to calculate the annual inflation rate. The government’s statistics agency said the suits, which had appeared in the basket every year since 1947, were not purchased often enough to appear in the basket of 733 representative goods and services selected to measure the cost of living in the UK. They have been replaced in the ONS basket with a ‘formal jacket or blazer’.

Inside Gieves & Hawkes on Savile Row, London. Photograph: Adrian Lourie/Alamy

Nick Paget, menswear editor and “trend forecaster” at consumer insights firm WGSN, says “many men have simply fallen in love with suits, if they ever did.”

Paget, who has worked in menswear for more than 20 years, says suits were on the decline long before the pandemic, with Dress Fridays slowly reducing office paperwork. “But 18 months of hanging around the house in joggers and hoodies has definitely sped things up,” he says, adding that people just need less suits than they used to.

“When a guy had to wear a suit to work, it wasn’t just one. He would have a number of suits on rotation and at the cleaners.

Men, says Paget, are no longer afraid to tell their bosses what they want to wear to work. “I expect that as part of the back-to-work agreement, people will be expected to wear less formal suits,” he says. “I personally hate wearing a collared shirt, and I know I’m not alone.”

Figures from market research firm Kantar Worldpanel confirm this. He revealed spending on men’s suits rose from £460million in 2017 to £157million in 2020, before recovering slightly to £279million last year. The costume is replaced, Paget says, not with joggers, jeans, or hoodies, but with “chore jackets.”

Asked to explain himself, he replies: “It’s really in the name.” These are jackets first designed for craftsmen to wear for DIY, painting or plumbing. Originating in the late 1800s in France, where they were worn by farmhands and laborers, the jackets were nicknamed “bleu de travail” or “worker’s blues” for their deep indigo hue.

“Comfortable and practical workwear has been elevated to office wear, especially in the creative industries,” says Paget. “Fabrics and details have been improved, but basically it’s clothes an old-school plumber would have worn.”

M&S, which cut the number of stores selling suits to 110 across its 245 largest locations, credited the workwear trend with helping it return to profit on a half-yearly basis.

Wes Taylor, director of menswear at M&S, says the suit has been in decline since at least 2019, when the market for them fell by 7%. As a result, the company focuses on “separates” – pants and suit jackets sold separately so they can be mixed and matched with less formal garments.

Henry Poole & Co on Savile Row, the family business of Simon Cundey.
Henry Poole & Co on Savile Row, the family business of Simon Cundey. Photography: Roger Hutchings/Corbis/Getty Images

“The pandemic has accelerated the trend towards more casual attire — especially for the office, where, for many, chinos and shirt are the new uniform,” Taylor says.

Gieves & Hawkes, Savile Row’s best-known tailor, which dates back to 1771, may soon disappear completely. Trinity Group, the Chinese owner, collapsed into liquidation earlier this year after failing to find a buyer for the tailor.

Like most others, Gieves & Hawkes began by selling military uniforms to army officers. It operates from No 1 Savile Row, the former headquarters of the Royal Geographical Society and is by far the largest store on the street. Under Chinese ownership, the company has expanded to 58 stores in 25 cities, which experts say may be why it has been a tough sell. “The ubiquity has somewhat diminished the exclusivity,” says Paget.

Carrier Company Norfolk work jacket.
Carrier Company Norfolk work jacket. Photo: Andy Hook/Courtesy of Carrier Company

Gieves & Hawkes isn’t the only struggling tailor. Hardy Amies, the firm founded by Sir Edwin Hardy Amies in 1946 and specializing in costumes for British Olympians, went bankrupt in 2019. City blouse maker Thomas Pink went bankrupt in 2020 before being bought out of the former owner, luxury conglomerate LVMH ( Moët Hennessy Louis Vuitton) by former JD Sports executive Nick Preston.

Andy Saxton, director of business intelligence for fashion at Kantar, doesn’t expect the office suit market to pick up, but believes people are more willing to spend money on suits than ever before. weddings and parties. “Casuality has been growing for a few years now,” he says, while wearing a navy sweater with dark jeans. “The suit market has fallen by 40% in five years, I don’t think it will ever return to this level. But I think there are huge opportunities to dress up for celebrations – I feel like everyone is going to go really big for weddings.

Saxton says people demand clothes to “work harder” for them. “They don’t want to spend money buying something just for the office,” he says. “They want their clothes to be flexible and versatile: ‘Yes, I can wear it to work, but I could also wear it on a night out with my friends.’ Now it’s about blurring the lines between work and life.

On Black Friday in the UK, suits were the most discounted item, with 54% of all tailoring items marked down, according to data from WGSN Instock.

At Henry Poole, Cundey believes society is on the verge of a mass “period of smartening” that will ripple through all walks of life as we return to life as it was before the pandemic. “It’s like the big beast waking up from a slumber,” he said. “As people return to work and re-engage socially, they will remember why they have to be smart.

“Soon there will be Ascot and Wimbledon, of course,” he says. “But for everyone, there’s always a time when you have to dress up to some degree.

“When your wife or partner dresses up and you go out in a hoodie and sweatpants, you have to ask yourself, would they be happy with you? The answer is no, of course.”

A tailor's apprentice at Henry Poole & Co on Savile Row.
A tailor’s apprentice at Henry Poole & Co on Savile Row. Photography: RJT Photography/Alamy

Cundey believes the reason many young men don’t like suits is because they’re the wrong size. “A lot of people say they hate wearing costumes, but that’s probably because they were forced to wear one that didn’t fit them in school,” he says. “I too would hate to wear them if they didn’t fit. Rule #1 is that you shouldn’t smell a suit. It should feel natural, there should be no tension or looseness.

Wearing the wrong suit, says Cundey, is worse than not wearing one at all. “Remember when [Mark] Facebook’s Zuckerberg got hauled in front of Congress? said Cundey. “He looked like a naughty schoolboy because his suit was three sizes too small.” The New York Times dubbed it the “I’m sorry suit”.

Cundey, who wears a suit every day, has her sights set on just about every famous man and their wardrobe. Criticizing Boris Johnson, he says, is too easy, but he tries anyway. “Obviously there could be a better look for Johnson – his suits are way too big. But really it depends on the mentality and how you carry yourself. Some people get it, some people don’t.”

Rishi Sunak, the Chancellor, meanwhile, is praised for always looking “thin and neat”, but “maybe his suits are a bit small”.

Cundey’s sons – Henry (who is nicknamed Henry VIII, as he is the eighth generation since the first Henry Poole) and Jamie – are expected to carry on the family tradition of tailoring, but even if they don’t wear suits every day, Cundey eventually concedes.

“They’re smart and casual,” he says, “but they don’t let me down.”

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Fashion brand

To Founder Ana Kannan first looks at sustainable fashion brands for you

The coming of age of Generation Z has brought about many changes in fashion and beauty. Their affinity for technology has fueled the wild success and growth of social platforms like Instagram and TikTok. These shoppers took “brand ethics” to a deeper meaning, leaning into a more intentional approach to shopping (like buying second-hand and prioritizing minority-owned businesses). They also sought to redefine the definition of “sexy” by requiring more body-hugging lingerie. Now the Zoomers are moving on to their next feat: holding brands accountable to their sustainability claims. Enter Ana Kannan, 23, founder of Toward, a cutting-edge retailer with a conscience.

Although Kannan was raised as a vegetarian and instilled in her by her parents a “low waste ethic”, it was not until two years ago that she saw a providential opportunity to channel these values ​​into a game-changing company. “I saw that there was a renewed focus on environmental and social responsibility as people stayed home and saw the impact of doing less, what getting around less was having on the planet. “, she told TZR.

After earning a bachelor’s degree in math and economics from the University of Southern California in 2020, Kannan also saw a gap in the market for retail space that favored fully sustainable brands. It was then that she spawned the idea of ​​Toward, a platform that provides consumers with metrics of brands’ sustainability efforts, so customers can make informed decisions about the products they choose. buy. With a name that implies progress, the company is on a mission to disruptively create a more responsible way to buy luxury goods and satisfy consumers’ growing desire to support ethical businesses.

“I wanted to marry the concepts of responsibility and buying the things I loved,” says Kannan, who noted her own distrust of fashion and beauty‘s sustainability claims as a consumer.

To verify the brands for herself, she used to scour their websites for sustainability commitments and draw her own conclusions about the eco-friendliness of certain materials despite the claims and the supply chain. To give an example, she mentions a hypothetical brand that presents itself as sustainable for its use of natural materials, such as cotton. However, traditional cotton production often uses pesticides and excessive amounts of water. Alas, Kannan’s personal verification process was taxing and inefficient. “A lot of brands weren’t really willing to give that information to any shopper,” she shares.

By forming Toward, gathering this information as criteria for a label to be part of the platform, Kannan was able to find a handful of brands that she and other conscious consumers could trust. “We get questions [from shoppers] all the time on the manufacturing processes, on the mixtures of materials, etc. So it’s really great to have concrete answers,” she says. Currently, there are just over 20 emerging and established brands that can be purchased on the site, including Anna October, Leset, Closed and Vivienne Westwood.

The Toward team vets brands carefully, asking potential labels about 100 questions about their products and practices. The framework, which Kannan says he developed over the course of a year, is a way to assure consumers that brands on Toward meet the highest standards of ethical, social and environmental responsibility by precisely measuring where a brand is doing and what what she plans to do. to extend its positive impact.

It outlines a wide range of sustainable business practices, including workers’ rights legislation and manufacturing process details. The section is divided into several areas of intervention: transparency, emissions, materials, chemical waste, workers’ rights, biodiversity and forestry, and ethics (or how the brand can encourage responsible consumption among its consumers). The topic is then scored on a weighted scale, as the Toward team deemed some issues more important than others. For example, they rated transparency higher than ethos because they believe reducing emissions will have the greatest impact right now. If brands score 65 or higher, Kannan feels confident doing business with them.

The verification process takes about a month. Toward asks brands to provide details for each question to which they answer “yes”. For example, if a brand claims to use organic or recycled materials, it must provide a percentage of products made with such materials, as well as certification. “If a product uses EcoVero-certified viscose, we want to see that certification from that governing body,” says Kannan. “Sometimes we even obtain certifications from third parties, such as international associations for the defense of workers’ rights. Sometimes brands ask them to carry out the audits for them.

These procedures are also great ways to find out what makes each brand unique. “One thing I really like [Savannah Morrow The Label] is his use of peace silk,” she explains. “Previously, when making silk items, silkworms were boiled alive and perished in the process. But with peace silk, those silkworms are alive and well. There is also AGOLDE , a popular denim brand that recycles 90% of the water used in the production process and also uses recycled leather in its collections.

Even after Toward introduces a brand into its orbit, the review process is ongoing, in order to hold it accountable. Additionally, the column is continually updated to reflect an accurate and up-to-date understanding of fashion sustainability, says Kannan. In addition to its e-commerce presence, Toward will also open its first physical store on Melrose Avenue in West Hollywood later this month. If the LA store works as they hope, Kannan says Toward will expand to other locations on the West Coast and then head east.

You can pick up some of Toward’s favorite TZR parts, ahead. However, be aware that the Toward team has implemented a purchase limit of 12 orders per year to help consumers shop wisely.

At TZR, we only include products that have been independently selected by our editors. We may receive a portion of sales if you purchase a product through a link in this article.

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Fashion style

‘Music icon. Fashion icon’: Shania Twain praises Harry Styles after his flamboyant Coachella debut

Shania Twain thanked Harry Styles and praised the singer after bringing out the country queen during her headline at Coachella on Friday night.

The duo wowed the crowd as they performed Twain’s huge 1999 hit, “Man! I Feel Like a Woman!” before getting out of the saddle to sing “You’re Still the One”. “That lady taught me how to sing,” Styles said of his guest as they sat on stage. “She also told me that men are garbage.”

“Music icon. Fashion icon. And true friend, I’m honored and thrilled to have joined @Harry_Styles on stage for his @coachella debut. What a magical moment!!” twain tweeted Saturday (April 16). “And I mean, come on… WHAT A SHOW, I’m a huge fan!” I am grateful to have been able to create this memory together – Thank you Harry.

The singer posted the message alongside a photo of her, Styles and her band dressed in denim.

Twain’s cameo was one of the most talked about moments of Styles’ Coachella debut last night. Other highlights include Styles waving a bisexual flag and performing a One Direction classic, “What Makes You Beautiful.”

Styles’ set was a smash hit with fans, who shared their love for the singer on Twitter.

“I don’t mean to be dramatic, but Harry Styles playing Shania Twain is what brought Jesus back from the dead,” Matt Bellassai wrote of the Easter weekend performance.

“The world belongs to Harry Styles!” one fan tweeted alongside a photo of the singer staring at his Coachella audience with outstretched arms.

Others pointed out how similar Styles’ sequined outfit was to Miley Cyrus as Hannah Montana.

Another fan highlight was Styles telling the crowd, “boyfriends everywhere, fuck off.”

Follow live updates from Coachella here.

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Fashion designer

Julia Haart calls Silvio’s allegations ‘ridiculous’

Ex-husband Silvio Scaglia delivers ‘ridiculous’, serious and legal allegations against My Unorthodox Life star Julia Haart.

Julia Haart, the star of the hit Netflix series My Unorthodox Liferecently responded to “ridiculous” allegations from her ex-husband and former business partner, Silvio Scaglia. Scaglia’s harsh accusations follow a dramatic downfall in the couple’s relationship; Haart filed for divorce and issued a restraining order against Scaglia in February, ending the couple’s marriage and two-year partnership at Talent Media, the Elite World Group.

Haart and Scaglia met in 2015 when footwear brand Haart collaborated with La Perla, owned by Scaglia, a Swiss media and technology entrepreneur. Haart and Scaglia became friends during the collaboration and grew closer over the years until they began dating in 2019. That same year, Scaglia named Haart co-owner and CEO of Elite World Group, a modeling and talent agency. which he acquired in 2011. The relationship between Haart and Scaglia seemed strong and supportive throughout Season 1 of My Unorthodox Life, but only two years after their wedding, their marriage came to a fiery end. Scaglia fired Haart from his role at Elite World Group.

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Related: My Unorthodox Life: Everything You Need to Know About Casting

As reported by HEY, Scaglia accuses Haart of using Elite World Group funds for personal purchases. Along with serious allegations of business fraud, Scaglia expresses personal contempt for his ex-wife, calling Haart a “fake” and “hard to work.” Haart responds to Scaglia’s accusations, responding, “What I can say is that these are really ridiculous allegations. I’ve never taken a penny that isn’t mine, and the beauty of knowing the truth is that you know the truth, and for me, it’s just another battle that I have to face to fight for my freedom.” She keeps, “Obviously I can’t go into details, all I can say is that I have prevailed so far. I will keep fighting until I win, and I I hope there is a purpose in all this suffering. I hope that I will become stronger and more independent, and I realize that I don’t need men. It would be nice, to achieve this realization. I I’m not there yet, I have to get there.”



Julia Haart in a confessional for My Unorthodox Life

Before the success of her career, her marriage to Scaglia and her starring in My Unorthodox Life, Haart lived a very different life. As a young child, Haart moved with her family to the United States from communist Russia. They found a home in Austin, Texas, and joined the traditional Orthodox Jewish community. Haart lived her life according to the values ​​of the Orthodox Jewish religion until 2013, when she decided to leave the community she had known all her life and pursue her own life. Regardless of her community’s conservative values ​​and alleged discrimination against women, Haart built a life as a fashion designer, entrepreneur and eventual CEO of Elite World Group.


Serious allegations with potential legal ramifications from an ex-husband coupled with a tumultuous, high-profile divorce are a lot for a woman to deal with, but as Haart has proven so far, she’s not backing down. adversity. With Season 2 of My Unorthodox Life on the horizon, Haart continues to speak out, stand up for what she believes in, and approach every situation with her confident glamour.

Next: 90 Day Fiancé: Kara Reveals The True Story Of How She Met Guillermo

Source: HEY

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About the Author

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French fashion

I found the only article that makes me more French than the French

Then blow me, I stumbled upon an actual version of this in the newly renovated, impossibly shiny and impossibly huge Dior store in Paris. Not that exact jacket, you understand, but the one that costs around £3,000 more, but with the same wide navy and cream horizontal stripes, peplum and streamlined torso. I thought it would have been rude not to try it. That’s when I established that a striped jacket doesn’t have to be limiting.

Personally, I’d only wear stripes with plain pants and t-shirts, but more adventurous dressers could pull off a great wedding between her and the flowers, throw on fishnet pop socks, and top it all off with aviators and a beret. . Very Gucci.

I didn’t really feel it for the Dior award. But lesson learned: with a cinched waist, a striped jacket can deliver a well-defined silhouette just as effectively as a dark solid-colored jacket. And it looks fresh and spring with a maxi skirt, pants or jeans in navy or cream. I would also wear it with a metallic top or dangling earrings in the evening. Listen to me, count the ways to justify £3,000…

Except I didn’t. I came back to London, found my virtual basket on thefoldlondon.com and lived happily ever after. I also discovered that while there is only one striped knit jacket similar to the Dior (i.e. the one I’m wearing here), there are a number of plain knit jackets affordable, from the crochet look of Wyse to the sporty zipper of Cos. Think French, act reasonably.

Five of my favorite purchases

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Fashion brand

Boys Get Sad Too is a loungewear brand that raises awareness for men’s mental health 👏🏻 | Shopping

Anyone can suffer from mental health issues, but unfortunately boys are less likely to reach out when struggling with their emotions. This is one of the factors that explains why suicide is the leading cause of death among men under 50.

Entrepreneur Kyle Stanger also talks about his own battle with mental health and after two people close to him took their own lives, he decided to create a fashion label that would encourage men to talk about their feelings. Because yes, the boys also become sad.

From what was originally a four-word scribble in Kyle’s notebook during a therapy session, Boys Get Sad Too quickly grew into a successful clothing brand that was even endorsed by the mayor of London Sadiq Khan.

The brand stocks unisex AF hoodies, sweatshirts and comfy tees. all with their signature brand and proudly donate 10% of all proceeds to mental health charity CALM (The Campaign Against Living Miserably).

With sizes ranging from XS to 5XL and all colors, there really is something for everyone.

So wear yours proudly and encourage your family and friends to open up about how they are. really feeling. You might just save someone’s life.

View the full collection online, here.

If you want to talk to someone about your mental health, you can call the Samaritans on 116 123 or email [email protected]

Learn more about heat:

9 sustainable fashion influencers to follow on TikTok and Instagram

19 seriously awesome midi dresses to always wear this spring

Yes, low-rise jeans are back! Here are the best for shopping on the main street

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Fashion style

Shop the most popular festival fashion trends of 2022

As POPSUGAR editors, we independently curate and write things we love and think you’ll love too. If you purchase a product that we have recommended, we may receive an affiliate commission, which in turn supports our work.

For some, festival season essentials like crop tops and vintage jeans are close at hand all year round. But for Spring and Summer 2022 in particular, it’s no surprise that “Euphoria” fashion is strongly influencing shopping habits. Fans of the series are still reeling from season two and have adopted a new affinity for ensembles of retro miniskirts, tattoo-sleeve mesh shirts, corsets, and, of course, crop tops. Year 2000 inspired looks are also making their way into the festival realm, so if classic boho basics like cowboy boots, fringe and crochet aren’t your thing, you have slightly more contemporary options.

We’ve tapped into several of our favorite brands known for festival wear to see what’s selling ahead of upcoming gigs and can confirm that wardrobes are increasingly gearing towards personal taste. Revolve’s brand manager Raissa Gerona tells POPSUGAR that self-expression is paramount, which has led the retailer to invest in a wider variety of merchandise, from Y2K-inspired clothing to new makeup products. And PrettyLittleThing’s festival guide takes Google search data, TikTok and Instagram hashtags into consideration when narrowing down its top 20, which currently places tie-dye and bucket hats at the forefront of festival fashion for 2022. .

Meanwhile, fashion analyst Hussain Ul-Haq of LovetheSales reported a 195% increase in searches for “neon”, a 120% spike for “retro” and an 80% increase in demand for ” corsets” over the past year, all in relation to the festival shopping in particular. Ul-Haq agrees that screen style has a measurable effect, confirming that there has been a 1,068% increase in searches for “Euphoria fashion” year over year. This stat alone proves that costume designer Heidi Bivens’ outfit selection for the HBO show acts as a mood board to update shopping wish lists everywhere.

H&M, another store that releases a seasonal festival collection, confirmed to POPSUGAR that cargos are the best-selling item so far, while vintage-inspired graphic tees, denim shorts, dresses tights and halters are also in demand. Similarly, Free People’s Good Vibrations edition lets shoppers sort by best-selling category, revealing sheer tees, shoulder bags, bandana tops and platforms are the most popular. nowadays. With all that valuable research in mind, read on for the 20 biggest festival fashion trends of 2022, plus several Coachella-ready items to shop right now.

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Fashion designer

“What if Africa was the cradle of fashion?”

Last spring, when much-loved designer Alber Elbaz died suddenly of Covid just after launching a brand called AZ Factory, the fashion world first cried and then wondered what would become of his new company, backed by luxury conglomerate Richemont. How could this go on without him?

One answer came earlier this year: Hire a series of “amigo” designers to carry on the spirit of experimentation and self-care that has defined AZ Factory, expressing that spirit however they see fit: in clothes, but also in the objects, in the installations, whatever that may be. And the first would be Thebe Magugu, the 28-year-old South African designer, founder of an eponymous label and winner of the 2019 LVMH Prize for the next generation.

This month, Mr. Magugu unveiled his collection for AZ Factory, which will sell out in two drops in June and September. Here, he reveals how it happened and what it meant to take on the role of Mr. Elbaz.

How did your collaboration with AZ Factory come about? Did you know Alber?

I never met him, but when we had satellite TV, I used to see his fashion shows. Then last year I got an email from Alex Koo, Alber’s partner, saying he and the AZ Factory crew were planning this tribute show, “Love Brings Love,” and that they had invited around 44 brands to pay tribute to Alber. He asked me to participate, and I said, of course.

It was such a beautiful sight, seeing the interpretation of each of Alber’s looks over the years. Two or three months passed, and I got another A-Z email telling me about their strategy for the future, that the company would be bringing in creatives from fashion, photography, etc. , to work with the brand, and I really wanted to do it. I wanted to tease the connection between me and Alber, especially the fact that we’re both from the continent: he from Morocco and I from South Africa.

This was the starting point of the collection. And then the question I asked was: What if Africa was the cradle of fashion?

What if?

Well, first and foremost, fashion values ​​in the northern hemisphere have to do with storytelling – this idea of ​​multiple hands working and knowledge that can be passed down from generation to generation. And these are really the same values ​​that we have in Africa for African craftsmanship.

So how did you connect these two?

I started researching a lot of silhouettes and merging them with my own. Prior to his death, Alber had worked on prints with an Algerian engraver named Chafik Cheriet. Many of them were animal prints, but quite abstract, and I was immediately drawn to them. It’s almost as if this collection is completing a collection that never existed. One of my favorites is this red burst meerkat.

Alber also worked with body-friendly knits, so I took that and made a pure white dress with those bell sleeves that reminded me of a bride, which in my language, Zulu, we call a makoti . It pays homage to this, but there is a cutout on the chest that has our stainless steel brotherhood emblem above. And then this little bag refers to the African geles, the hats, which I explored.

You also included the look you did for the show “Love Brings Love”, right, which is now part of the exhibition at the Palais Galliera?

Yes, we felt it was important to reintroduce this look and make it accessible to people because it was originally unique and is now in a museum. It was a reference to Alber’s Guy Laroche period, a two-piece skirt and shirt, but in dip-dye. We had a running joke in the studio that it looked like he ran into a giant squid.

We also did a lot of trompe l’oeil, like the skirt that looks pleated but is just a flat piece of fabric printed with the grooves and indentations of a pleat. Even the belt is fake.

Sounds like a collaboration to me, though. What makes it different?

The word collaboration, especially now, implies power dynamics. But here, there was no imposed writ. And what makes it quite special is that I was able to leave the project with a lot of resources, especially technical ones. Often the AZ design studio would do things that I technically didn’t know how to do. And they gave me contacts with some suppliers and manufacturers. It’s more like an incubator in a way.

What else did you learn from the experience?

I was really struck by Alber’s sense of kindness and duty to others. It’s not that common in fashion. Somewhere in our history, the idea of ​​kindness began to be associated with weakness or indecisiveness. But people like Alber, and like Virgil Abloh and a few others I’ve interacted with, operate from that inherent sense of kindness, even to the heights they reach. They still retain that soul and that humanity. Kindness, I think, will get you pretty far. I deeply believe in karma. What you emit will come back.

Does it make you want to tackle a bigger brand?

I think what I build with my brand is quite special and has ramifications beyond me as an individual. I really love what I do and what I create. But I will say that I am an insomniac. I do not sleep. So I could make a mark during the day and one at night. I could do anything.


This originally aired as part of The New York Times’ On the Runway series on Instagram Live. It has been edited and condensed.

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French fashion

Inside the house of a French antique dealer

“When I visited this house, the first thing that struck me were the original floors,” says a France-based antique dealer. Fabienne Nomibis patterned cement tiles and wooden flooring of his three-story house. Nestled in the city of Reims (about an hour east of Paris), the structure dates from the 1920s. “It was love at first sight.”

After some minor renovations needed (including an electric recast) Nomibis equipped space with a mixture of old items and slightly more recent. Faced with recessed shelves hued roses and fully stocked (as Nomibis has installed itself!) In the living room there is a stately couch framed by a wooden ladder old right and a pink jazzy lantern and Saarinen tulip table left. A dandelion yellow wire penetrates the traditional facade predominantly white kitchen. A ceramic pot here, a pepper mill there and teaches in vibrant neon exclaiming “LET’S DANCE” overlooks it all. Pay particular attention to the back of this room and you will see an assortment of disco balls littering the top of a cupboard.

Nomibis’ house is his living space, but it also serves as a gathering area, showroom, and storage unit for his antique business. “We live with these objects until they sell and leave for a new life with someone else,” says Nomibis. “That’s why we only select things we like.”

Her art collection in particular showcases her favorite finds from years spent browsing antique markets, flea markets and auction houses across France, which she does in her truck. Of his seemingly random placement, Nombis tells Coveteur, “There are no rules. I buy, I hang, I resell, I replace. I like to mix origins, eras, materials and colors. One thing she won’t be letting go of anytime soon is a collection of watercolors she discovered 20 years ago. The paintings depict costumes for a theatrical performance of Don Juan in the 1930s. “I can’t bring myself to sell them. The colors are gorgeous.

A unique snapshot in his treasure hunt timeline, Nomibis’ house will likely not be the same a year from now. Besides the space’s rotating showroom function, Nomibis gets bored easily and likes to shake things up. “Initially we painted the kitchen and office a light gray and the living room a darker version with an English green base and trim,” she says. “Today, [both rooms] are white. This color change happens on a semi-annual basis, so you’ll have to check back on Instagram soon to see what happened to the place. In the meantime, Nomibis tells us the story behind its current decor, below.

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Fashion style

Hi, I like your style! Sydney model Jaida White’s eclectic wardrobe

“It’s easy to buy an expensive pre-styled outfit and call it a fit, but building a charity shop outfit is where you can really find your fashion niche.”

We know that personal style is a journey (I’m looking at you, Tumblr years), so we’ve introduced a new series Hi, I like your style!, dive into the fashion psyche of our favorite designers. We talk about the good, the bad and 2007.

While the Internet has made our fashion icons feeling closer than ever, even the simplest outfits came from a closet with (well-dressed) skeletons. Clickable product labels, photo archives, and lives told in 30-second clips just don’t tell the whole story.


For more fashion news, shoots, articles and reports, visit our Fashion section.


These are the stories behind the cabinets, exploring how we develop our own personal style. There’s a brilliance behind the way we choose to express ourselves and at FJ we know that every outfit has a story.

This week we take a look at Sydney model Jaida White’s personal style. Growing up on a regular clothing regime of knee-length shorts and baggy tees, Jaida’s humble tomboy beginnings inspired her effortless street-style aesthetic today. Mixing charity shop finds (“There’s something so cool about bringing a garment to life,” she explained) and high-end pieces, Jaida’s wardrobe is vibrant, playful and upbeat. constant evolution.

Who are you and what do you like to wear?

My name is Jaida, I’m 21 and I’m from Sydney. I work in fashion – specifically in eCommerce – and I’m a model at People Agency. I like to wear colorful, bold and fashion-forward pieces that complement my personality and make me feel powerful.

What does your style evolution look like? Do you feel like you’ve gained confidence in the way you dress?

It’s been a trip! I was such a tomboy as a young girl; you’d catch me in knee-length shorts and a t-shirt all day, every day. Once I started high school, I started to see a change in my style. I wore what was trendy and didn’t really care about originality or expression through fashion.

It wasn’t until I left school and started working in the industry that I truly found my personal style and discovered how empowered clothing can make you feel. I definitely take inspiration from my youth, I always like to shop in the men’s section and wear a super oversized fit! Confidence is something I like to find in myself and actively work on every day – I guess the swag is just an added bonus.

Personal style is a journey. Have you ever felt the need to fit into a particular fashion box?

Absolutely. Before, I cared so much about what people thought; so deeply that I dressed in certain ways for different groups. I always felt so inauthentic! Once I finally stopped caring, I dressed the way I wanted and felt amazing doing it!

Take us back to those teenage years. Do you have any fashion regrets?

Oh my God, yes! Literally everything I wore in high school mortifies me. There is one event that really stands out…I attended an under-18 music festival at the ripe old age of 14 wearing next to nothing. I wore a green strappy crop top with high waisted black shorts; find it with a pair of good old classic Converse Chuck Taylors. It’s probably not the outfit that pisses me off the most (because it was basically what everyone wore back then), it’s the fact that I’ve probably looked in the mirror a few times and that I was like “damn, now it’s an outfit”.

What are the most expensive and least expensive items in your wardrobe?

My most expensive are my $368 Dion Lee tank top, my $300 Apc x Sacai pants and my 1XBlue set. My cheapest would be my basic $5 black blazer. The majority of my clothes are in the $3 to $30 price range.

I love charity shopping, the serotonin boost I get from it is unmatched. I like a challenge. It’s easy to buy an expensive pre-styled outfit and call it a fit, but creating a charity shop outfit from scratch is where you can really find your fashion niche. There’s something so cool about reviving an item of clothing that another person thought had served its purpose and needed a new home…it’s almost like a story that never ends.

What is the most significant fashion piece you own?

My grandmother recently gave me a vintage fur coat. That’s all and more! Fur coats aren’t usually my vibe, but something about it being once a staple for her makes it so special to wear. I hope to give it to my children one day.

What’s in your cart right now?

I love the Tora-Lilly brand, especially the badge bodysuit in green! It’s such a unique piece that I’m obsessed with it.

What fashion piece are you saving up for right now?

I so want a vintage Vivienne Westwood corset! One day, hopefully.

What wardrobe items do you wear on a loop?

Blazers, baggy jeans, loafers and dress pants are definitely my wardrobe staples. I love versatility in clothing and try to be as durable as possible. Fashion is currently facing an extreme overconsumption problem, so when I shop I try to be as aware of it as possible. I’m looking for great basics that I can wear over and over again in 100 different ways.

Who are your favorite local designers?

Ginn, Maroske Peech, Sabatucci, Daisy Ltd, Purgatory.

See more of Jaida’s killer looks here.

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Fashion designer

GLAZED NYC IS HIRING A FASHION DESIGN CONSULTANT IN BROOKLYN, NY

GLAZED STUDIO by Glazed NYC is the full-service atelier to breathe new life into your wardrobe and create pieces you’ll love for a lifetime. It will launch on April 30, 2022 with a pop-up at Cafe Erzulie in Brooklyn. Our services will include garment reconstruction, enamel customization exclusively using our in-house dead stock fabrics and patterns, pattern + sample making, and alterations. You will be part of a dynamic and creative environment working on all aspects of the product life cycle, from concept to final development. You will work directly with our clients and our production team to bring dream wardrobes to life in the form of stunning, one-of-a-kind garments.

RESPONSIBILITIES:
• Meet and consult with our customers to create unique garments and accessories, effectively communicating design details, pricing and delivery times
• Liaise directly with our production team to communicate effectively and place each custom order
• Order Fulfillment: place orders with production and ship orders to customers as needed
• Maintain studio space before/after each appointment

REQUIRED SKILLS :
• Knowledge of garment construction including pattern making, sewing and draping
• Sewing skills: intermediate/advanced skills preferred
• Understanding of models
• Knowledge of pattern drawing
• Proficiency in Adobe Creative Suite (Illustrator, Photoshop, InDesign, Acrobat) must be able to create flat sketches
• Creative and knowledgeable about fashion; understanding of the link between history + current trends
• Hardworking, motivated, reliable and concerned about the quality of work and meeting deadlines
• Good listener, friendly, fun, positive

COMPENSATION:
Schedule – To be discussed

Glazed NYC is a multidisciplinary studio that explores black history in fashion, film and music while using design as a vehicle for storytelling and community building.

Our ideal candidate is available part-time and available for immediate hire. Please send your resume and portfolio with the subject line “Glazed Studio Fashion Designer” to [email protected].

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Fashion brand

The business success of fashion designer NI after his career with big brands

A Belfast fashion designer who had a successful career with big brands but decided to make her own has won a prestigious award.

Síofra Caherty, originally from Armagh, worked with Adidas in Germany for years and other businesses before taking a leap of faith to start her own business back home.

She is one of five winners to receive a cash prize of €10,000 to support the development of their craft and business skills at the RDS Craft Awards 2022.

Read more:Belfast mum’s delight as breastfeeding website shortlisted for award

The 35-year-old set up Jump The Hedges five years ago, which sells tote bags, fanny packs, stuff sacks and yoga bags.

Some lines even sold out in less than five minutes.

Síofra told Be: “I worked as a designer with Adidas in Germany and with some Irish brands too. After that I decided I wanted to have my own business, so I came back here and did a master and developed Jump The Hedges after that.

“It was really a way for me to create something myself that was really sustainable because I was going to be involved in all aspects of the business.

“It was a way for me to use all the experience I had gained from working as a designer for about seven or eight years. I was able to use the experience I had gained from living in Germany and America in my own business.”

She added: “I currently create bags from reclaimed materials or waste, then I also do community and educational workshops and teach around sustainable design.

“Because the bags are made from salvaged materials, each bag is individual, I’m currently using a truck tarp, it’s really heavy duty bags, then I do what I call ‘bag drops’ in line.

“My shop is closed most of the time and I only open maybe four times a year, doing a ‘bag drop’ I have maybe 100 bags that I spent the previous three months making .

“The last drop was for Ukraine and it sold out in five minutes, the last one was on Christmas and it sold out in half an hour. They sell out very quickly.”

Síofra said it makes her “thrilled” that her Belfast-made bags are popular and people are interested in buying sustainable products.

“They’re not necessarily cheap either, my cheapest item is around £70…but at the same time people are aware that they’re made here locally, they’re sustainably made and transparent.

“It’s good that people believe in what I do and support it,” she added.

Looking back since starting his own business, Síofra explained how far he’s come.

“It was really very difficult [at the start] Because I’d had a lot of high-paying design jobs and had a very clear career trajectory, it was very clear what level I was going to go to, so leaving and doing my own thing seemed almost pretty stupid somehow.

“I could see my friends around me and their careers moving forward, it was really tough.

“When I got my first sewing machine it was incredibly heavy and incredibly fast and I couldn’t use it at first. I didn’t have the skills and I couldn’t control it. I don’t see it go this way.

“I had this ambition of having my own business and created my own deadlines, like ‘if I haven’t sold bags in six months, I’m quitting’, but these bag drops are selling.. .when I started I was I don’t sell any bags.

“I was working part-time in stores, I was teaching part-time, I was doing all these other things. It’s really amazing now. It’s really positive,” she said.



Síofra with a recovered truck tarp

The designer told how she received great support from NI, with her main market originally being in Dublin.

“Now it’s starting to balance out.

“I really get a lot of support in Belfast and the surrounding area, I’m not even talking about financial support, I get a lot of people messaging me saying ‘Oh I really like what you’re doing’ and ‘It’s really cool that you’re in Belfast’.

“I did workshops at Ardoyne, and it’s very important to me… I meet young people who don’t even imagine themselves being fashion designers.

“You can do whatever you want to do.”

The 35-year-old says she is now happy to have taken the plunge, but it has not been an easy journey.

“Perhaps the hardest thing is your own expectations. I’ve had these jobs you’d be proud to tell people, [they’d] being like ‘Ohhh, Adidas’, and then when you say you work for yourself, people kind of go, ‘Aww’.

“It’s not the fulfillment of the ego, it’s more a matter of [the fact] I do this because I get a lot of joy out of it.”

For others looking to start their own business, the fashion designer added, “Definitely go for it. There is no perfect time.



Some of Jump The Hedge’s tote bags

“There’s no better time than the present. Surround yourself with others who are doing similar things.”

The former Armagh woman says the RDS Craft Award is the country’s ‘most prestigious craft award’, with Síofra set to use her award to train and attend a leatherwork and bag-making course in Italy.

“There’s nothing really like that. To be shortlisted, you have to win a previous competition.

“I will have the opportunity to learn from the best in the world in what I really do, this will allow me to create a more artisanal and more luxurious product.”

Síofra said she was “really shocked” to have won the award, explaining that she didn’t think she would.

“I just thought my work was way too unusual, I felt like what I do was quite specialized and sometimes it’s hard to see the value of the waste, and I try my best to make people see [it].

“I was really happy, really surprised and really grateful.”

Read more: Belfast businesses celebrate opening as hundreds travel to eat

Read more: Indian businesswoman explains why NI is such a special place to call home now

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Fashion designer

Meet designer and architect Felicia Toh, recipient of the DesignSingapore Council’s Good Design Research initiative

Between Two Worlds was a spatial sculpture that brought together the multiple facets of Singapore’s cobblestone reality in one busy passage; exterior mirrors reflect and dissolve into its glitzy surroundings, while an interior passageway inscribed with shadowed lines from the sonnet whispers alternate narratives.

We undertake community impact projects every year, and we are currently collaborating with Agency, a design think tank, to reimagine worker dorms and improve their living conditions.

We built a dormitory prototype with the Agency team. This project is spearheaded by Dormitory Association Singapore Limited and the Ministry of Manpower, and is a meaningful co-creation process that we hope will improve the lives of guest workers in Singapore in the near future.

ON YOUR WEBSITE, YOU SAY YOU LIKE TO EXPECT INTERIOR DESIGN EXPERIENCES THAT ARE NARRATIVE. CAN YOU DEVELOP THIS PLEASE?

We are fascinated by the idea of ​​creating an immersive world from the moment you enter a space, similar to Alice falling down the rabbit hole. Design has the power to evoke sensations and create immersive experiences, and our favorite projects are those that allow us to design details from space to graphics so we can tell these stories in new ways.

YOU STARTED NOST IN 2019. CAN YOU TELL ME HOW IT HAPPENED?

I started NOST in 2019 after traveling to India and meeting families of artisans who create beautiful, heritage textiles in the heart of their homes – families of weavers, block printers and master hand dyeers. indigo. As a designer based in Singapore, it was a dream to be able to partner with them to create something new while using completely traditional techniques.

NOST comes from “nostalgia”, which in its root etymology means “the desire for a home”. The idea was to celebrate the feeling of being at home wherever you are, producing quality and comfortable pieces that are handcrafted from the artisans’ homes to yours.

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French fashion

Election in France: why it’s now or never for Marine Le Pen | Marine Le Pen

Jaky Ruiz was on the verge of tears. For three hours, he had waited to be photographed with Marine Le Pen and voila. The former cabaret star looked at the photo on her outdated foldable phone.

“Oh my God, this is so moving. I told her that I had danced at a show that her father, Jean-Marie, attended in the 1980s when she was little and she said that she was there and she remembered it,” the septuagenarian said. He pulled a weathered black-and-white image of a long-legged dancer in a leotard from his pocket.

“I showed him this: it’s me. I can’t believe I have to talk to him. I will vote for her but I don’t think she will win. Although she has changed, Le Pen’s name is still scary.

There was more faith than fear among the crowds who turned out for the Le Pen roadshow in south-west France this week, the latest dates in a campaign that began more than two years ago. Le Pen said this third presidential bid would be his last, so for fans near the Pyrenees and the Spanish border, where far-right support is strong, it’s now or never. And they have never felt closer to victory than today.

A series of polls nearing the end of the campaign at midnight on Friday suggested Le Pen had narrowed the gap on Emmanuel Macron within the margin of error. Elabe put Macron at 26% and Le Pen at 25% for Sunday’s first-round vote, with Jean-Luc Mélenchon of the radical left at 17.5%. The small-sample poll suggested the second-round result could be just as close, with Macron winning 51% to Le Pen’s 49%. According to a larger Ifop poll, Macron won 52% to 48%.

At the Les Halles indoor market in the historic southwestern town of Narbonne, where Le Pen paid an impromptu visit on Friday morning, his older sister, Marie-Caroline, admitted the first round would be biting but said that everyone was keeping their cool, especially Marine: “She’s incredible; solid as granite. And judging by the upbeat mood of the members of Le Pen’s top team, in their sharp navy suits and crisp white shirts, they clearly smell of victory.

The evening before, during its last major meeting, a crowd of around 4,000 people had gathered in Perpignan, the capital of the Pyrénées-Orientales. department led by Mayor Louis Aliot – who also happens to be the former vice-president of Le Pen’s National Rally (RN) and his ex-partner.

Yuni Yulianti, 40, of Indonesian descent, said she would vote for Le Pen: “I’m not worried about being a foreigner. She has nothing against those of us who follow the law. She’s against the many people who don’t. Her friend Stéphanie Bauer, 50, a pharmacist, nodded: “I vote for Marine Le Pen and I have Métis grandchildren.”

Most of those present were already Le Pen voters. They took merchandise, including t-shirts, scarves, pens, lighters and baby bibs, and chanted “Marine President” or “We will win” (we will win). His speech was littered with catchphrases: “patriots don’t abstain” (cheers); “ultra-liberalism” (boos); “no more police” (cheers); “Macron” (boos).

Marine Le Pen, center right, with her father, Jean-Marie, center left, in 2011. She later expelled him from the party as part of a drug rehabilitation program. Photography: Patrick Durand/Getty Images

In the city, the opinions of those not attending the rally were more nuanced. “Personally, I am a Macron man. That’s not to say he doesn’t have his faults, but I think he’s the best choice to lead the country,” said Marc Sirjean, 75, a retired accountant. “I am not convinced by Marine Le Pen. I think she is too rigid and I don’t think she would be able to put together a team in government.

Le Pen, of course, has a ready answer to this; it promises to form a government of “national unity”. On Friday, RN acting president Jordan Bardella told the Observer this would include politicians from across the political spectrum, including “left and right”. And he was sure she would be able to do it.

“The end-of-campaign momentum is with us and Mélenchon. If the French will vote, we will win,” he said. “The reason she succeeded is that she talks to the French people about their daily problems, the cost of living, health, the concerns of young people.”

But the rise of Le Pen’s political star isn’t just due to a tectonic shift in the French political landscape to the right. It is also due to the inveterate aversion of an incumbent president. Macron, once the new face, an outsider shaking up the left-right political scene, is now seen as part of that scene.

Le Pen has also benefited from the hawkish stance of his far-right electoral rival Éric Zemmour, who has made his hardline approach to controversial issues such as immigration, Islam and crime seem less extreme by comparison.

Le Pen’s father, Jean-Marie, never really approached power and would not have known what to do with it if he had. His raison d’être was to be a political troublemaker, flip the table and walk away. Its surprise first-round victory in 2002 had little to do with support for the far right: it was because the left was divided and French voters used their first-round ballot to “make send a message”, convinced that the place of the socialist candidate Lionel Jospin in the second round was assured. As they discovered, that was not the case.

Marine Le Pen took over what was then the National Front in 2011 and set out to whitewash its image, tarnished by xenophobic neo-Nazi thugs with shaved heads and booted boots. Members have been expelled for racist and anti-Semitic remarks or for having defended Philippe Pétain, head of the French Vichy government, a Nazi collaborator in the 1940s. She even expelled her own father in 2015.

The “de-demonization,” as it was called, worked. In 2012, she made her first bid to become president, securing 17.9% in the first round for third place behind socialist Francois Hollande – who eventually won – and conservative Nicolas Sarkozy. In May 2014, the FN won two senators, the first time party officials had entered the upper house, and added 11 mayors to its electoral tally. The FN also won the European elections that year, with 24.9% of the vote, sending 25 representatives to the European Parliament.

Le Pen ran again in 2017, winning 21.3% of the vote in the first round, enough to reach the second round. In the second round, she obtained 33.9%, a score well below that expected against Macron, then a newcomer to politics.

The National Front’s program at the time resembled that of Le Pen senior in 2002: the emphasis on “national priority” for housing, benefits and employment; the defense of small businesses against large groups; reinforcement of police and judicial powers.

Macron gestures with one hand as he speaks at an iodium
Macron on the campaign trail – like many Élysée incumbents, he faces an uphill battle for re-election. Photography: Jean Catuffe/Getty Images

After this defeat, she renamed the party the Rassemblement National or Rassemblement National. He has stopped calling for the death penalty and for France to leave the EU – although she remains determined to ignore Brussels. She continues to defend the nationalist discrimination of “French first”, but there is also a commitment to a more left-wing economy, including increased pensions, opposition to the privatization of public services and protectionism as an alternative to globalization.

Unlike Zemmour, she is not proposing zero immigration – she wants a referendum on the issue – and has stolen UK Home Secretary Priti Patel’s idea to process asylum claims overseas. Illegal immigrants and those who break the law would be deported, she said, but she dropped the party’s opposition to marriage equality and abortion.

Its foreign policy is vague. Until recently, she was a staunch supporter of Russia and Vladimir Putin – a photo with the Russian leader in Moscow appears in his manifesto – a stance that required a swift turnaround after troops invaded Ukraine Russians. This and a promise to withdraw France from NATO, echoed by the radical left, seems to have had little effect on his popularity.

In 2002, few would admit to having voted for Le Pen dad. Today Marine, at 53, the youngest of her three daughters, has managed to draw much of the poison from the notorious name.

Critics say she changed her style but not the toxic party stuff. A recent report by the left-leaning Fondation Jean-Jaurès claimed: “Form has taken precedence over substance… theater over program”. However, he added: “Arguments relating to her incompetence or lack of knowledge no longer seem to hold water at a time when some parts of France see her as completely presidential and close to the people, and no more worrying than d other candidates.It is therefore on a completely different ground that her future opponent will have to beat her in the second round, if she succeeds.

Speaking to voters outside Paris, the general impression is that the French are looking for change – often just for change. Sitting presidents have historically struggled to win re-election and some felt Macron left him too late to campaign, seeing it as evidence of arrogance. At his only rally last Sunday, Macron warned his supporters not to assume he would win a second term or defeat Le Pen. Afterwards he said The Parisian newspaper: “Marine Le Pen has a racist and extremely brutal program. She is lying to you.

Former rugby player Gilles Belzons, 50, owner of Chez Bébelle bar and restaurant in Narbonne market, said he had not decided who would get his vote: “I think you have to respect all the candidates, including Marine Le Pen in particular, because she could be the next President of the Republic. I am a businessman and a father: what I am looking for is a candidate who will make me feel safe, and my family, to do something about the cost of living and reduce small business burdens. She’s credible, she has conviction, and I admire her tenacity, but there are things about her program that I don’t follow. not so sure.

His point of view is not uncommon. For many French people, the name Le Pen is no longer viewed with disdain. If, as expected, Le Pen does enough to reach the second round on April 24, Macron will face the biggest political fight of his career to prevent him from entering the Élysée.

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Fashion brand

Disney and Stella McCartney team up for a second Fashion Merch collaboration

While the Disney family-friendly entertainment group has struggled in the media lately over its slow response to Florida’s controversial ‘Don’t Say Gay’ bill, British designer Stella McCartney reminds us that founder Walt Disney’s vision was magical. McCartney was inspired by the early work of the animator, Fancy! to be exact for a delicious collection of fun pieces to wear for spring.

the Stella McCartney Presents Disney Fantasia! The collaboration follows the International Women’s Day and Disneyland Paris project where Stella let Minnie wear the pants when designing the first-ever pantsuit for Mickey’s female sidekick in March. the Fancy! project was born out of McCartney’s love for the cult animated film mixing fashion and whimsy for pieces meant to be collectibles.

Considering Mickey’s biggest fans would be those under 18, a Stella McCartney Kids capsule collection will follow this fall. But the recent rise in Disney fashion collaborations suggests otherwise. The beloved happy mouse has been a favorite of luxury fashion designers with brands including Gucci, Saint Laurent, Comme des Garçons, Supreme and even Christian Lacroix for Desigual all creating merchandise featuring the famous Disney mouse . According to this Fashion Law article, in 2018 Disney generated over $60 million in retail sales of licensed merchandise.

The unisex collection takes inspiration from the natural world with The Rite of Spring and Mickey Mouse himself as a sorcerer’s apprentice, both themes from the film. In keeping with the brand, the pieces also embody the brand’s sustainable goals by using reclaimed, repurposed and recycled materials on the pieces that exude a youthful athleticism and vibrant energy akin to the Stella McCartney Summer 2022 collection.

Inspiration and source work include Mickey Mouse hand patterns and rare 1940s posters on limited edition repurposed antique silks from LVMH’s Nona Source. Knits with graphic Mickey and broom-man riffs on the film’s Sorcerer’s Apprentice segment, alongside blushing satyr backdrops from The Pastoral Symphony. Reinterpreting the night skies of the movie and the glitz of Summer 2022, the advanced bodycon knits shimmer with PVC-free glitter.

Sustainable sportiness can be found in jackets made from recycled nylon cheesecloth, dungarees and short pants, hoodies in organic cotton jersey and tiny vests in Fantasia prints. Accessories also get in on the action with Mickey’s head silhouette bags and the iconic Falabella bags featuring a rainbow Mickey.

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Fashion style

Inclusive design, nostalgia + well-being – Sourcing Journal

As the world continues to evolve and adapt to post-pandemic life, societal and cultural shifts are impacting multiple facets of life, including how consumers fill their homes. And these changes are informing many trends that are shaping the furnishing space.

At the recent High Point Market, Jaye Mize, Vice President and Creative Director for Home at Fashion Snoops, gave an overview of some of these trends that are not only impacting the homewares industry now, but for the coming years.

One of the biggest trends Mize tackled was the desire to create a sanctuary in the bedroom, where wellness and sustainability converge to create a healthy and comfortable space.

“The wellness conversation in the bedroom now includes sustainability, which actually merges with wellness,” she said. “It’s no longer just about taking care of the planet, it’s also about taking care of yourself.”

This intersection of sustainability and self-care opens up a conversation about textiles used in the bedroom, with a focus on the origin and composition of bedding and other fabrics.

“People really wanted their bedroom to become a haven, and they’re starting to dig deep where their textiles come from,” Mize said. “We find that people are focusing on a healthy environment where they rest their heads. Cleaner textiles are really a big deal – removing all chemicals and dyes.

This sustainable wellness trend is also reflected in curved silhouettes and the integration of natural materials and plants in the bedrooms.

“With sustainability and wellness, people are really turning to nature to take care of themselves, bringing natural elements into the home,” Mize said.

Mize said floratherapy, which derives a sense of well-being from flowers, is a major aspect of this trend, and it is reflected in many ways in the home.

“We’ve been in this quiet environment for a while, and I’m happy to say the flowers are coming back strong,” she said. “We see a lot of pressed plants and dried flora, and the prints on textiles appear as pressed flowers and dyed effects.”

Color-wise, these natural influences show up in all of the house’s palettes, which have warmed significantly from the cool grays of years past to a return to the prominence of brown hues.

“We see a lot of warmth and melting colors coming into the house,” Mize said. “Things that look undyed, colors like husk and wheat and a lot of earth tones, those darker browns, as well as a lot of sun-worn midtones.”

Nature-inspired shades of green – botanical colors like sage green, pastel palm green and burnt olive – are gaining prominence, as are ocean blues and muted lilacs. Mize has also identified a punchy orange – dubbed orange spritz – which is gaining popularity.

“It’s a cheerful hue that translates well into fashion,” she said. “We see a lot of designers using [it] on the sofas.

The influence of fashion also plays a big role in home textiles, but with a more comfortable twist.

“More and more fashion combinations are being pushed into upholstery – more furs, and angora brings natural fibers with elevated style,” Mize said. “Everyone wants a shaggy aesthetic that’s super slubby and super comfortable, like ’90s sweaters for padding.”

Mize said influences from the past have become more prominent in the wake of the pandemic, and that’s reflected in the trends shaping the home space.

“Nostalgia is really important,” she said. “We have been traumatized over the past two years, and nostalgia reassures people. So we see a lot of 70s and 80s prints and colors.”

Inclusiveness in home design has also become a major movement, according to Mize. This can range from things like oversized bath towels to what she calls “decolonizing the home” – a conscious effort not to take motifs and traditions from other cultures without properly crediting them.

Overall, Mize said the desire for serenity and a slower pace will continue to influence how consumers outfit their homes for years to come.

“We want to disconnect – we burn out,” she said.

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Fashion designer

Pip Edwards leads celebrity arrivals at a TAG Heuer event in Melbourne

Pip Edwards stepped out in style when she attended a TAG Heuer event in Melbourne on Thursday.

The 41-year-old fashion designer showed off her amazing physique in a black cutout crop top.

She also wore a pair of high-waisted black tapered pants with feather ruffles along the hem of each leg.

All dressed up: Pip Edwards (left) stepped out in style when she attended a TAG Heuer event in Melbourne on Thursday Pictured with Sarah Lew (right)

Pip completed her daring ensemble with a pair of sky-high black stilettos and accessorized with a pair of gold hoop earrings.

The PE Nation co-founder kept warm in a black blazer and carried a small turquoise handbag.

Her bobbed blonde hair was styled back in a bun and she wore smoky eye makeup.

Ab fab: The 41-year-old <a class=fashion designer showed off her incredible physique in a cut-out black crop top” class=”blkBorder img-share” style=”max-width:100%” />

Ab fab: The 41-year-old fashion designer showed off her incredible physique in a cut-out black crop top

Ruffled feathers: She also wore a pair of high-waisted black tapered pants with feather ruffles along the hem of each leg

Standing tall: Pip completed her daring ensemble with a pair of sky-high black stilettos and accessorized with a pair of gold hoop earrings

Ruffled feathers: She also wore a pair of high-waisted black tapered pants with feather ruffles along the hem of each leg

Pip shared a photo of herself fully dressed in her hotel room ahead of the event on Instagram Stories on Thursday.

“Quickest change I’ve ever made,” she captioned the post, adding a green check mark emoji.

She also shared a series of photos from inside the event on her main Instagram page on Thursday, captioning them: “TAG TEAM.”

Covered: The PE Nation co-founder kept warm in a black blazer and carried a small turquoise handbag

Covered: The PE Nation co-founder kept warm in a black blazer and carried a small turquoise handbag

Ready to go: Pip shared a photo of herself fully dressed in her hotel room before the event on Instagram Stories on Thursday

Ready to go: Pip shared a photo of herself fully dressed in her hotel room before the event on Instagram Stories on Thursday

Pip has tangled up with his good friend Sarah Lew, who is the ex-daughter-in-law of billionaire retail tycoon Solomon Lew.

Sharing a series of photos of them together at the event, Sydney-based Pip said she loved being back in Melbourne.

“It took me over a year to come back to Melbourne and I missed it,” she wrote on Instagram on Friday.

Friends in high places: Pip has mingled with his good friend Sarah, who is the ex-daughter-in-law of billionaire retail tycoon Solomon Lew

Friends in high places: Pip has mingled with his good friend Sarah, who is the ex-daughter-in-law of billionaire retail tycoon Solomon Lew

Back in town: Sharing a series of photos of them together at the event, Sydney-based Pip said she loved being back in Melbourne

Back in town: Sharing a series of photos of them together at the event, Sydney-based Pip said she loved being back in Melbourne

“To finally see this beauty @miss_sarahlew and revel in @societyrestaurant’s exquisite new dining experience was well worth the wait.”

Also at the star-studded event was Bambi Northwood-Blyth, who looked stunning in a long red dress with cutouts on her chest.

The 30-year-old model accessorized a TAG Heuer watch and frosted diamond earrings, and she wore a pop of red lipstick.

Red hot: Bambi Northwood-Blyth was also present at the star-studded event, who looked stunning in a long red dress with cutouts on her chest

Red hot: Bambi Northwood-Blyth was also present at the star-studded event, who looked stunning in a long red dress with cutouts on her chest

Just flipping: Tahnee Atkinson was also on hand, showing off her toned abs in a long black skirt with a blue leaf pattern and matching black crop top

Just flipping: Tahnee Atkinson was also on hand, showing off her toned abs in a long black skirt with a blue leaf pattern and matching black crop top

Tahnee Atkinson was also there, showing off her toned abs in a long black skirt with a blue leaf pattern and matching black crop top.

The 30-year-old model wore her long brown hair parted in the middle and styled in a high ponytail, and opted for bronzed makeup.

Meanwhile, Montana Cox stepped out in a pair of high-waisted black pants, which she paired with a black long-sleeved crop top.

Cut out: Montana Cox stepped out in a pair of high-waisted black pants, which she paired with a black long-sleeved crop top

Cut out: Montana Cox stepped out in a pair of high-waisted black pants, which she paired with a black long-sleeved crop top

Working out: The 28-year-old model posed for photos alongside Bambi and Tahnee as they promoted TAG Heuer's latest <a class=collection” class=”blkBorder img-share” style=”max-width:100%” />

Working out: The 28-year-old model posed for photos alongside Bambi and Tahnee as they promoted TAG Heuer’s latest collection

The 28-year-old model posed for photos alongside Bambi and Tahnee as they promoted TAG Heuer’s latest collection.

Renee Bargh, who stepped out in a long white skirt with cutouts along the waist, also stepped out for the launch.

The 36-year-old TV host also wore a barely there white top with ties, while her long blonde hair was styled in loose waves.

White-out: Renee Bargh also stepped out for the launch, who stepped out in a long white skirt with cutouts along the waist

White-out: Renee Bargh also stepped out for the launch, who stepped out in a long white skirt with cutouts along the waist

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Fashion style

Debbie Allen’s fashion and beauty legacy goes way beyond dancing

“God save the queen,” Dance Theater of Harlem dancer Dylan Santos said as I asked him for words of gratitude for Debbie Allen. Simple yet powerful, Santos shared these words with me during our red carpet interview as he mentally prepared to present his choreographed piece Odalisque Variationswhich will be presented at this year’s annual Dance Theater of Harlem Vision Gala honoring the 1990 ESSENCE cover star. Santos’ appreciation for the visual and performing arts was evident as he adorned the step-by-step with a one-of-a-kind black sequined look featuring a floor-length velvet durag and beaded waistband accents. his pants.

“She gave me the key to success because she made every dancer believe that you can literally become a star, any type of star,” praised Allen’s impact. “A median-center star; ‘camera is on you’ star. And he’s right. To say Debbie Allen is an icon would be an understatement. The Houston-born star made waves in the entertainment world and was the epitome of breaking down barriers, not apologizing for your talent, and never backing down in the face of adversity, challenge or the fear.

Main Balamouk Dancer Ingrid Silva, born in Rio de Janeiro, Brazil, shared her thoughts on Allen’s legacy as a woman of color in the world of dance. “I’ve followed in Debbie’s footsteps since I was a young girl when I first came to New York. It was beautiful to see her story happen,” said the EmpowHERNY founder and co-founder of Blacks in Ballet. “Having her honored tonight is not only special for me but also for young black women who dream of becoming professional dancers.”

Walking the New York City Center red carpet was none other than the iconic Debbie Allen. My heart stopped instantly, as I couldn’t believe I would be speaking with one of my idols for the second time – except this time we would be face to face. Allen approached me softly and her pearly smile was accentuated by the real matte lipstick she wore with her look. After praising her for the role she played in my life as a dedicated dancer, I had to ask the “Grey’s Anatomy” star what she was gracing us with with her presence.

“It’s vintage Revlon. A woman I love so much wanted this coat for me and I was so excited to find a blue dress bought by my stylist Rowmel, who does all the styling for me on Grey’s Anatomyshe said humbly as the blue radiated from her dress, allowing her skin to glow. The Tony nominee called her award receipt “amazing,” particularly because her introduction to dancing was made through ballet. Beyond Shirley Temple and her tight curls, Allen had aspirations of being a ballerina but she didn’t have much representation to look to. “There was none who looked like me and the Dance Theater of Harlem made that possible when you look at Misty Copeland, who just had a baby, and Lauren Anderson. The Dance Theater of Harlem in its heart and soul has certainly given us all something to aspire to be.

When I asked the fabulous 71-year-old what she thought of how black women have continued to take center stage in dance, style and fashion, she was bowled over. Not like she didn’t know the answer, but like I must already have it. “I think that question is kind of interesting because we’ve always taken and owned the dance world. They imitate us since we disembarked from the ship,” A different world the old woman said loudly. “Everyone wants to know what I’m wearing. This is the first question you asked me. The blacks by nature of the African continental mother have always been divas, grandiose, colorful, imitators and always paying homage to the ancestors and to God. Here we are.”

Sunny Hostin, who I had the pleasure of sitting next to at the Alvin Ailey Gala last year, walked the gala red carpet in a custom tuxedo sewn by none other than famed designer Sergio Hudson. The all-white trouser suit made a statement that View the host is a boss who means business, but her personality is just as I remembered her and as sweet and bright as her name. Hostin recalled a time when she dressed up as Allen from her notoriety days for a Halloween recording of View and recited the famous lines without hesitation – “Want the fame? Well, fame costs. This is where you start to sweat! »

Hostin considered some of Allen’s looks over the years iconic, including her leggings and unitard jumpsuits from the show born in 1982. She also reflected on her “incredible style moment” at the Oscars over the years. and even gave a nod to her variety of hairstyles. “Her hair has allowed so many people like me and others to wear our hair naturally. She has truly been an example of what it means to be fashion forward in hair and clothing,” Hostin said. “I often think that as women of color, we can’t just be. We have to represent, and thank you for representing us so well.

Chef, TV personality and former model Carla Hall also joined in the festivities to honor Allen as she received the Arthur Mitchell Vision Award. In playful bantu knots, white Chanel boots and a white bodysuit with a black and white skirt, Carla’s elegant and pleasant personality was worn all over her body from head to toe. “Honestly, I pulled it out of my closet. I think until today I wasn’t wearing it properly,” she said jokingly but seriously as she “unmasked,” she claimed. “I needed an event to know how to wear my skirt.”

As a dancer herself, the former chewing The co-host found her time on Instagram watching dance performances as a way to peace during quarantine, especially Debbie Allen Dance Academy. A proud Howard University alumnus, Hall gave fellow Bison her well-deserved flowers, calling her a “strength” and a “beacon of light” in the dance industry. When it came time to discuss Allen’s style and beauty moments, like Hostin, Hall thought back to notoriety, but this time for her shorter hairstyles. “I like her best when she’s feeling so in her moment dancing impromptu with her hair up,” she noted of Allen’s confidence when she’s in her natural element.

“Whether you’re a professional dancer or not, she just takes care of the human being that is part of the discipline of dance so you can continue to be who you will be in life,” Hall said passionately. “And I don’t even know her personally. I just feel that from her.

After a night virtually graced by the likes of musician Stevie Wonder, singer/actress Dolly Parton and actor Jesse Williams, Allen officially received the Arthur Mitchell Vision Award, named after the first black principal dancer in New York City. . Ballet.

“Thank you for showing me what’s possible. Debbie didn’t limit herself,” Anna Glass, executive director of Dance Theater of Harlem, told ESSENCE of the director, choreographer, actress and dancer both Also deeply impacted by Allen’s legacy, Glass had the opportunity to show last night’s winner a photo of herself younger as she studied at Ailey School while she waited for Allen after her. Sweet Charity Broadway show. “She pushed all kinds of different ways. Debbie is fearless. That’s the only word – fearless.

“When people see these magnificent dancers and these magnificent ballets, you can only be inspired by what you are going through. Fashion is about inspiration and dreaming,” Glass said of noting how dance continues to inspire fashion and beauty standards today. “When you’re a little girl, you want to dress up and it’s the same as being a ballerina. You dress up and dream of wearing a tutu. It’s about glamour, feeling beautiful, and not don’t we all want to feel beautiful?”

TOPICS: black women in dance Carla Hall Dance Theater of Harlem Debbie Allen Sunny Hostin

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Fashion designer

Unsung Heroes #233 | 06880

Staples Players’ first-ever production of “The Descendants” thrilled audiences with energetic hip hop dancing and fantastic sets.

Also earn kudos: stunning costumes.

Although often overlooked, The Players costume team works long hours during and after rehearsals – often right up to opening night – to ensure the actors look their best.

Some costumes are taken from stock, or ordered and embellished. But one in “Descendants” is very special.

The coronation dress for Maleficent’s daughter, Mal, was designed and crafted from the ground up by senior Eliza Bowens.

Eliza Bowens, in her studio.

His path to designer stardom began in 7th grade, at the New England Fashion and Design Association. Over the years she has designed clothes for herself and her friends.

As a Players actress, she performed on stage in “Legally Blonde” and “Back to the 80s.” But Eliza’s true love is “The Costume Shoppe”. There she lent her excellent eye and skill to help create looks for characters on shows like “Mamma Mia!”, “Seussical” and “Grease.”

When costume designer Christie Stanger was gathering ideas for “Descendants,” she knew Mal’s dress for the big coronation scene had to be extra special. She also knew that Eliza could do it.

The young designer has rewarded the confidence that Christie and directors David Roth and Kerry Long have shown in her.

She submitted 3 drawings. When one was chosen, Eliza created a pattern, constructed a chiffon dress, chose a fabric, and sewed the dress herself.

It took a month. With a few minor tweaks, he was ready for Mal (Quinn Mulvey).

Quinn Mulvey as Mal in a dress designed and made by Staples senior Eliza Bowens. Sebastian Gikas as Prince Ben wears a suit embellished by student designers Rosie Kauppinen and Alexis Mahon. (Photo/Kerry Long)

Eliza didn’t stop there. Using scraps of fabric, she covered shoes to complete the look.

This fall, Eliza is heading to Polimoda in Florence, Italy. She will continue her studies of fashion design there.

Two examples of Eliza Bowens’ creations.

Kerry Long says Eliza’s stunning design “reflects Mal’s funky side, but also her mellowness in Auradon.” She grows throughout the show, falling in love and learning to care for others, but also staying true to herself. The dress reflects both the “edgy” and the “sweet”.

She and her fellow Costume Shoppe artists are never in the spotlight. At the final curtain, the actors point to the pit orchestra and the lights (the stage crew), for well-deserved applause. Who thanks the customers?

“06880”, for one. Congratulations and thank you, Eliza and your fellow designers and tailors. We are “sew” grateful for all your work!

(“The Descendants” will be played again this weekend: Friday April 8 at 7:30 p.m., and Saturday April 9 at 3 p.m. and 7:30 p.m. Click here for tickets and more information. To nominate an unsung hero, email [email protected])

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French fashion

Rare Michelangelo drawing could fetch $33 million in Paris

Written by ReutersParis, France

A drawing by Michelangelo, discovered in 2019, will be offered for sale next month by Christie’s and could fetch 30 million euros ($33 million), the British auction house announced on Tuesday.

The drawing, one of the rare works by the Italian Renaissance artist in private hands, was sold in 1907 in Paris and presented as a work of the Michelangelo school. It was largely forgotten until 2019, when a Christie’s scholar recognized it as one of Michelangelo’s own.

The drawing is considered to be one of the artist’s earliest works, dating from around the end of the 15th century. It reproduces a shivering man represented on a fresco, “Baptism of the Neophytes”, by Masaccio. Two other people stand near him in the drawing.

“I think this drawing is one of the most exciting discoveries made in Old Master Drawings in a long time,” said Stijn Alsteens, Global Head of Old Master Drawings at Christie.

Related video: How do art auctions really work?

“It shows Michelangelo doing two things at the same time, thinking back to the artists who came before him, in this particular case Masaccio, as well as looking forward to his own work and its revolutionary aspect – in particular the depiction of the human body that becomes such an important part both in the sculptures, I am thinking of the David of Florence, or the very many figures he painted in the Sistine Chapel,” Alsteens added.

The work had been designated a French national treasure, which prevented it from being exported, but the French government recently removed the designation, allowing the design to be offered to collectors anywhere in the world, Christie’s said.

The drawing is set to be exhibited in Hong Kong and New York before being auctioned in Paris on May 18.

Top image caption: A Christie’s employee installs the drawing ‘A Naked Young Man (after Masaccio) Surrounded by Two Figures’ by Michelangelo.

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Fashion brand

Sheep Inc takes eco-fashion to the next frontier – Robb Report

When it comes to climate change, the proverbial jury is out. More than 97% of actively publishing climatologists agree that anthropogenic temperature change is a reality, and challenges to this claim, though abundant, never stand up to even cursory scrutiny. The causes are myriad but, notoriously, fashion contributes up to 10% of global carbon emissions per year.

If these grim realities are irreversible, however, Edzard van der Wyck, the co-founder of Sheep Inc, never got the memo. The cardigans, hoodies and jumpers from the three-year-old London label are not only beautifully cut and crafted, but also biodegradable and designed to last a lifetime. Moreover, according to the company, its operations save more carbon than they emit.

“Our starting point was understanding how to create beautiful products while addressing the climate emergency,” van der Wyck said. Robb Report. “There are so many systemic issues with the way things have traditionally been done in fashion.”

Sheep Inc founders Edzard van der Wyck (left) and Michael Wessely.

Mouton Inc.

Besides CO2 emissions, Sheep Inc is zealous about responsible waste disposal. “The statistics are shocking,” says van der Wyck. “Over the past two decades, we have witnessed an accelerated growth in the production and consumption of clothing. Large amounts of non-renewable resources are extracted to produce clothes that are worn a handful of times before being thrown away.

Following the appetite for fast fashion has made textile production one of the dirtiest industries on the planet, producing 1.2 billion tons of CO2 a year and, as van der Wyck puts it, “exploiting cheap labor to satisfy Western desires for increasingly cheap clothing. which are treated almost like single-use goods.

There’s no such thing as a tough moral stance to inflame social media with skepticism, so it’s perhaps inevitable that Sheep Inc’s social media posts are often inundated with comments from people, their mind sniffers. hypocrisy lit up at 11, eagerly dismissing all claims of carbon negativity. But van der Wyck insists the claim is valid.

Freshly sheared wool being prepared to be made into yarn.

Sheep Inc’s production begins with sourcing wool from sustainably raised sheep.

Ben Curran

“It starts with looking at product needs,” he says, noting that “the most durable items are the ones that will be part of your wardrobe for generations to come. What follows is to determine which material is best suited to perform the desired function in the most durable way possible. »

Van der Wyck and his team found that merino wool ticked all the boxes. The natural material, used in many luxury sweaters, is fully biodegradable and effectively regulates body temperature, meaning it can be worn all year round. “It also has natural antimicrobial properties,” adds van der Wyck, “so it cleans itself and odors don’t linger on the fiber, minimizing the need for washing, which means it has a low impact on lifespan.”

Unlike traditional fashion brands, Sheep Inc has built its supply chain from the bottom up to control and mitigate carbon emissions every step of the way. In the case of Sheep Inc, that means starting with woolly sheep. “Our wool is sourced in New Zealand from sheep farms at the forefront of the regenerative agriculture movement, sequestering more CO2 from the environment than their operations emit – approximately 10.5kg CO2 per kg of wool produced.”

A lightweight crewneck ($190) and color-block hoodie ($220) from Sheep Inc.

A lightweight merino wool crewneck ($190) and color-block hoodie ($220).

Mouton Inc.

Van der Wyck insists that all of the brand’s suppliers work with solar electricity and engage in other sustainable manufacturing methods. But, the Facebook skeptic can (and regularly does) cry, what about transportation? New Zealand sheep farms are hardly local to Sheep Inc’s head office in London. Van der Wyck happily explains: “The reality is this: the low net emissions profile at the farm level far outweighs the negative impact of transportation. Transport, if carried out by boat as we do, represents a proportionately small part of our overall footprint, averaging around 0.6 kg of CO2 impact per sweater. Compared to the 10.5 kg of CO2 that Sheep Inc’s farms remove from the environment, shipping costs are minimal.

Of course, everything, even van der Wyck saying those words, has a carbon footprint. So how can a manufacturing method, no matter how diligent, be carbon negative? “We invest 5% of our income in regenerative biodiversity projects,” he says, referring to a fund the brand set up in partnership with the head of climate science at London’s University College.

A flock of sheep in New Zealand, where Sheep Inc sources its wool.

A flock of sheep in New Zealand, where Sheep Inc sources its wool.

Aaron Smale

Each sweater is fully traceable, back to the sheep it came from, via a QR code tag on the hem (made from a bioplastic derived from castor beans, of course). Van der Wyck is adamant that it’s more than just a marketing gimmick: “A simple tap of your phone lets you see the journey of the sweater, its carbon footprint at every step of the supply chain. supply, and it also lets you name and track a real one – live sheep on one of the farms that supplied the wool.

Ultimately, it’s about getting people to think more deeply about what they’re buying: “Every product carries a story of creation, and that provenance – the journey of a garment – must be taken into account. before you make a purchase…the awareness is where the change really starts to take shape.”

Unfortunately for those social media opponents craving green shame, van der Wyck’s explanations are pretty watertight. Cynicism makes it easy to assume that planet-friendly brands are only there for the marketing potential, but what if green kudos were just happy guarantees of doing the right thing? Sheep Inc certainly proves that the latter is possible.

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Fashion designer

St. George fashion designer overcomes adversity and finds success with her handmade designs – St George News

ST. GEORGE-A local fashion designer whose designs have been featured in fashion shows, magazines, music conferences and even New York’s Time Square, talks about overcoming adversity and finding her own success amid chaos.

Marie Nohr works on her fashion designs, Date and location not specified | Photo by Heather Waegner, courtesy of Marie Nohr, St. George News

Marie Nohr, whose fashion design experience spans more than 15 years, told St. George News she’s faced several challenges since making the decision to start a business to herself.

“I was in survival mode for many years, but I’m grateful that my family, friends and longtime supporters of my fashion designs never let me down,” Nohr said. “I’m grateful that I never gave up on myself.”

Nohr said she moved to Washington County eight years ago as an independent parent to be closer to her family during a divorce. Shortly after the move, her son was diagnosed with autism.

At that time, she had to navigate several part-time jobs that would allow her to take her son, who was not eligible for daycare, to his multiple therapy appointments in addition to school obligations. She said amid the disarray, she began to endure health issues and even experienced blackouts while driving.

Nohr told St. George News that as a teenager, her original dream was to get her degree in fashion design, have a paid job designing, get married, have kids, and go to school. continue his life as a designer. She said when she had to start over with herself and her son, that future seemed out of reach.

“No, it didn’t happen overnight and there’s a lot of blood, sweat and tears that I put into and will continue to put into my dream life,” Nor said. “I’m grateful to be able to show my son that strength isn’t perfect.”

Drawings by Marie Nohr hang from a clothes rack, March 30, 2022, Ivins, Utah |  Photo by Jessi Bang, St. George News
Drawings by Marie Nohr hang from a clothes rack, March 30, 2022, Ivins, Utah | Photo by Jessi Bang, St. George News

Nohr said she originally started her own fashion design business as a side job to her full-time designer jobs in California. She has worked for several fashion companies, doing everything from design to technical design. She has been featured in several fashion magazines in New York and Los Angeles and has worked for major brands such as Rue 21.

Nohr said when the pandemic hit, most of the part-time jobs she was working at the time quickly disappeared. That’s when she decided to start making her own fashion face masks on Etsy and was shocked at how quickly the business took off.

“I started my own business because I wanted to be able to create my own form templates from start to finish,” Nohr said. “I make my own patterns, my own creations, my own cuts. What I love most about my business is that I’m the artist. I design clothes and bring art back into fashion.

When she first introduced Marie Nohr’s designs to Washinton County, she specialized in custom maternity designs, including dresses and shirts for nursing mothers under the fashion label “MaLux “. She’s since expanded her available designs to include everything from shirts, dresses, skirts and more under the transitional new label “Marie Nohr Designs.”

Nohr pointed out the amount of material waste she has seen throughout her design career. She said that as designs are cut out of fabrics and materials, especially in mass production, any scraps are discarded. She didn’t want her business to add to the growing problem of designer waste. That’s why she chose to use leftover fabrics to design scrunchies, headbands, gainers and more.

Nohr also said the fabrics and designs in its product line are unique and limited in quantity. She said she has what she calls a “dealer” in Los Angeles, who sends her pictures of all the fabrics he receives and that once she cuts them for the designs, she is unable to get more. She added that while she was doing it identifies herself as a seamstress, she is also a designer, which means that she does not do alterations on other people’s products. She provides custom modifications to her own designs.

To see Marie Nohr’s creations available for purchase, visit her Etsy Shop or come and see her at Tuacahn Saturday Market.

Click on the photo to enlarge it, then use the left-right arrow keys to browse the gallery.

Copyright St.George News, SaintGeorgeUtah.com LLC, 2022, all rights reserved.

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French fashion

Macron and Le Pen tussle over pensions as French election race tightens, World News

As the race for the French presidency narrows ahead of Sunday’s first round, front-runner President Emmanuel Macron and far-right challenger Marine Le Pen squabbled over pension reform on Monday.

Opinion polls have long predicted that Macron will win a second term, but Le Pen has narrowed the gap, with polls showing the 44-year-old president just six points clear in a likely run-off on April 24.

Le Pen benefited from a campaign centered on purchasing power, on which it doubled down on Monday.

Read also | Emmanuel Macron organizes his first rally as the race for elections in France tightens

“Do you realize what retirement at 65 is? It’s just completely unfair,” she told BFM TV, lambasting Macron’s plan to raise the legal retirement age. a full pension from age 62 to 65.

Le Pen wants to maintain the 62-year-old threshold and bring it back to 60 for those who started working before age 20. this age and would see their pension affected accordingly

Macron, asked about criticism of his pension reform plans, told France Inter radio: “Those who tell you that we can keep (the pension system) as it is now are lying to you.”

Watch | Presidential elections in France: will Macron win his re-election?

Raising the retirement age – except for those in difficult jobs or who have worked longer than others – was needed to make the system viable and increase low pensions, he said .

Macron, when he entered the election campaign late last month, said he would raise the retirement age, cut taxes and further ease labor market rules, seeking a mandate to continue favorable reforms to businesses.

Highlighting his pro-business credentials was not without risk as households are feeling the pressure of rising prices and could deter a number of left-leaning voters from backing him against Le Pen in a likely run-off on April 24. .

At his only campaign rally before the first round on Saturday, Macron tried to convince voters of the risk of a turbulent Brexit election that could see Le Pen bring the far right to power in France.

Read also | France’s far-right leader Le Pen is closing the gap with Macron: the polls

“Look at what happened with Brexit and so many other elections: what seemed unlikely actually happened,” he said. “Nothing is impossible.”

Even if Macron wins a second term, as the polls still expect, the issue of pension reform, which weighed on his first term, could pose a problem, given the scale of the opposition.

A first major challenge would be for his centre-right La République en Marche (LaRem) party, which has failed in all recent local elections, to win the legislative elections in June.

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Fashion brand

Want your watch to sell? Ask a president to wear it.

On New Year’s Day, Michelle Obama posted on Instagram a photo of her and Barack Obama in festive attire: matching star-shaped gold paper glasses, a pearl necklace around her neck and, to her wrist, a superb entirely black watch.

The watch was notable because in recent years the former president has been seen wearing a Rolex Cellini. This one had a different and much more casual look, a recently released collaboration from athleisure brand Actively Black and Teleport Watches.

The timepiece is actually the result of misfortune. In July 2021, Lanny Smith, the former NBA player who is the managing director of Actively Black, had his car broken into and his Hublot watch stolen. Instead of buying the same model, Mr Smith started looking at black-owned watch brands and came across Teleport, a New York-based company founded in 2020 by the husband-and-wife team of Michael Porter and Trenel Francis Porter.

Teleport makes both silicone and metal watches, and its signature is the lucky number seven that appears on the dial of each watch (the brand’s website says the number represents “perfection and completion “). Mr. Smith bought one of Teleport’s watches and said he was impressed with it.

“The quality was just amazing,” he said in a recent phone interview. “It reminded me of what I’m trying to do with Actively Black.”

He posted information about the watch on his personal Instagram feed, which has over 10,000 followers, and the owners of Teleport contacted him. After corresponding for a bit, the two brands decided to collaborate on a sports watch, which was released on Christmas Day.

The result was a chunky waterproof watch with an octagonal bezel and a round dial, in black. It has a silicone strap and a black stainless steel case, with a Miyota quartz movement. The watch sells for $300 and is available in 41 millimeters and 34 millimeters; it is part of a set for him but can be purchased separately.

Mr. Smith said he was surprised by the photo of the Obamas. “He could have access to Rolexes, any watch he wants,” he said. “So when I saw the watch on his wrist, I thought, ‘This is amazing. He wears it.'”

After the photo was published, the mysterious black watch quickly caused a stir, and once Mrs. Obama’s stylist identified it, the model sold out. A second delivery is now available for pre-order on the Actively Black website and Mr Smith said he expects them to start shipping by April 20.

Mr Smith said many young black men had grown up hearing rappers and artists talk about Rolex or other expensive brands, and thought that was the only mark of success. “I want to change that narrative,” he said, “and promote the purchase of a black-owned watch brand that cares about our community.”

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Fashion designer

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Volatility cooled significantly below 20 levels, which provided a healthy boost to the market. India’s VIX fear index fell 21.3% on a weekly basis to 18.44, the lowest level since Feb. 10.

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name Price Change % changes
ntpc 142.95 7.95 5.89
Indiabulls Hsg 167.10 9:30 a.m. 5.89
Sbi 508.20 2:65 p.m. 2.97
Nhpc 27.85 0.05 0.18

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Which of these youngsters will score the most runs this ipl?

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Overview of the IPO

Equity Type Issue price Size of the problem Lot size Open issue Closing the issue
Hariom Blowjob View profile Initial Public Offering 144 122.4 – 130.05 98 30-03 05-04
Dhyaani Tile View profile initial public offering of an SME 51 2.45 2000 30-03 04-04
Jeena Sikho View profile initial public offering of an SME 150 55.5 1000 30-03 07-04
Jewelery View profile initial public offering of an SME 41 11.07 3000 31-03 05-04
Equity Issue price Registration date Ad open close ad Listing Earnings % CPM Current Earnings %
Ekennis software 72 07-03 80.00 84.00 16.67 103.00 43.06
Vedant modes 866 16-02 950.00 934.85 7.95 993.80 14.76
Maruti interior 55 16-02 75.45 71.90 30.73 58.00 5.45
Safa Systems ten 09-02 4:55 p.m. 15.73 57.3 9.60 -4.00
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Achyut Health View profile

initial public offering of an SME 20 3.6 0 17-03 22-03

Evoq Remedies View profile

initial public offering of an SME 27 9.72 0 17-03 22-03

Empyrean Cashew View Profile

initial public offering of an SME 37 NSE – SME 0 21-03 23-03

PE Analytics View profile

initial public offering of an SME 111 30.77 – 31.6 0 22-03 25-03

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Ajay Jain
Ajay Jain

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April 04 – 2:00 p.m.

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Organic fermentation 235.85

Weekly Tactical Picks | Fermenta Biotech

Jindal Steel 530.65

Trade Spotlight | What should investors do with Jindal Steel, Tata Communications, KEI Industries today?

Intellect Design 910.15

Hot Stocks | Intellect Design Arena, Bajaj Finserv, Page Industries can yield 11-22% return in the short term, here’s why

Special Himadri 77.05

Trade Spotlight | What should you do with Himadri Specialty Chemical, Raymond, Adani Enterprises, Centrum Capital, JK Lakshmi Cement on Thursday?

ICICI Lombard 1347.50

Hot Stocks | Here’s why you should bet on ICICI Lombard, Ipca Labs and Mphasis in the short term


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April 04 – 2:00 p.m.

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French fashion

Scotland’s top cop Iain Livingstone is being prosecuted for an Inspector Clouseau-style gaffe

Scotland’s best cop is being prosecuted for an Inspector Clouseau-style gaffe.

French pensioner Guy Joao has been wrongfully arrested during an international manhunt.

3

Guy Joao was wrongfully arrested
Top cop Livingstone

3

Top cop LivingstoneCredit: The Scottish Sun
Serial killer Xavier Dupont de Ligonnes

3

Serial killer Xavier Dupont de LigonnesCredit: AFP

He died last year aged 71, but his lawyers are still suing Scottish Police Chief Iain Livingstone for damages.

Officers arrested Mr Joao at Glasgow Airport in 2019, believing he was aristocratic serial killer Xavier Dupont de Ligonnes.

De Ligonnes disappeared in 2011 after the bodies of his wife and four children were discovered in Nantes, France.

Mr. Joao was a former Renault factory worker.

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He was traveling to his second home in Dunoon with his Scottish wife Mhari at the time of his arrest.

In a Clouseau-style blunder, he was mistaken for the killer when he looked nothing like him.

Before his death, a legal claim for compensation was launched.

He is due to be heard tomorrow in the Scottish National Personal Injury Court.

Most read in Scottish news

It is understood that the legal action against Police Scotland was formally brought in 2020.

In January of the same year, Mr. Joao said he was in talks with lawyers about the case.

He said, “I want to know why this happened.”

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His law firm Digby Brown declined to comment.

Police Scotland said: “As legal proceedings continue, we are unable to comment.”

We pay for your stories and videos! Do you have a story or video for The Scottish Sun? Email us at [email protected] or call 0141 420 5300

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Fashion brand

Fashion brands are opening virtual stores in the metaverse

American fashion brand DKNY and UK-based department store chain Selfridges opened their virtual stores on the Metaverse during the recent Metaverse Fashion Week organized by virtual social world Decentraland. Tommy Hilfiger also took part in the event to showcase its Spring 2022 collections and host a digital retail platform where consumers can purchase NFTs for their avatars or purchase physical items from the Metaverse.

More than 70 brands, artists and designers took part in the fashion week. Dolce & Gabbana, Dundas and Etro, The Fabricator, Kid Super and NFT Superstar FEWOCiOUS were some of the brands showcasing their digital collections at the event.

As part of the show, DKNY offered avatars a unique and immersive experience for the virtual retail exhibit – themed around its Spring 2022 “Do Your Thing” campaign. The campaign reinforces the values ​​intrinsic to the brand’s ethos – individuality and self-expression, both encouraged and reinforced in the metaverse, the company said in a statement.

American fashion brand DKNY and UK-based department store chain Selfridges opened their virtual stores on the Metaverse during the recent Metaverse Fashion Week organized by virtual social world Decentraland. Tommy Hilfiger also took part in the event to showcase its Spring 2022 collections and host a digital retail platform for NFTs.

“It’s the first meta department store in the history of web3 and anyone can visit it!” Interact as a guest or attach your crypto wallet to access all features, while protecting your progress in the world and your digital assets,” Selfridges said on its social media accounts.

“When I founded my eponymous brand in 1985, I never imagined I would see a time when fashion weeks would be held in a completely virtual 3D world,” said Tommy Hilfiger. “As we further explore the metaverse and all it has to offer, I am inspired by the power of digital technology and the opportunities it provides for engaging with communities in compelling and relevant ways.”

Fibre2Fashion (KD) News Desk

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Fashion style

Should I keep my denim jackets?


While the pandemic did indeed briefly cast a shadow over jeans (and with them, denim jackets), that cloud has largely dissipated. In January, Levi’s reported 29% net revenue growth in 2021 and said the upward trend is expected to continue.

So if you’re still feeling conflicted about your denim jackets, maybe it has less to do with two years of comfy dressing and more to do with a bigger issue that my friends and I discuss all the time: just because you can continue to wear a certain style or item of clothing as you get older – just because it always looks good on you – doesn’t mean you should.

But how do you know when it’s time to retire a much-loved item? When, to put it another way, did you outgrow it – not literally but maybe psychologically and culturally?

The fact that most rules about what to wear when have largely disappeared is both a liberating development and a source of confusion. And it got complicated amid the conversation about responsible drinking and the realization that clinging to an item of clothing and wearing it over and over again is more desirable than believing it’s destined to be replaced. Which mitigates the removal of an item to the dust heap or recycle heap from the story.

Which brings me to denim jackets!

A denim jacket is a rite of passage; an essential symbol of cool, rebellion, rock ‘n’ roll, democracy. It’s one that can get stuck in your own personal timeline, forever associated with a you from a specific time in the past. (Clothes, like madeleines, serve as shortcuts to memory.)

But it’s also a very useful piece of clothing: perfect for transitional times and so basic that it goes with almost everything. It doesn’t really change over time. What should change is how you wear it.

As Glenn Martens, Diesel’s creative director and therefore a bit of a denim expert, said when I asked him what he thought: “Denim has this unique quality of being totally transversal. The perception of the same garment will change depending on what you associate it with.

When Sarah Palin, as you say, appeared in a faded denim jacket over a black turtleneck and darker jeans in her libel suit against The New York Times, the act seemed calculated to underscore her position. as a private citizen (although the judge ruled against her). When Michelle Obama wore an Alexander McQueen double-layered denim jacket with skinny black jeans and a t-shirt at a college book signing in 2018, the look both connected her to students and , with its haute couture side, set it apart. And when Jenna Lyons appeared in a button-down shrunken denim jacket and shocking pink satin skirt at the Met Gala in 2012, it was the ultimate high/low statement.

All this to say: Yes, resurrect your denim jackets. And then mix and match to create something new.

Every week on Open Thread, Vanessa will answer a reader’s fashion question, which you can send her anytime via E-mail Where Twitter. Questions are edited and condensed.

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Fashion designer

Kenyan-born fashion designer finds inspiration at home

Silk. Sequins. Satin.

If it’s a type of fabric, bet Victoria Kageni-Woodard has it.

The York County-based freelance fashion designer has loads of colorful patterned textiles she uses to create the clothes of her wildest dreams.

Kageni-Woodard, born in Kenya, has always felt a passion for sewing and design. With the encouragement of her parents, Kageni-Woodard moved to the United States in 1991 and honed her skills at the Savannah College of Art and Design.

“It’s just fascinating to see that my life has continued to be this creative thing that’s constantly evolving,” Kageni-Woodard said.

In 2016, Gusa By Victoria was founded. Now Kageni-Woodard works with clients across the country to create bespoke shirts, dresses and wedding dresses.

Continued:York Against The Grain: Full-Time Mom Discovers New Passion at Central Market

Additionally, she has pre-made pieces available to purchase from her collection online at victoriakageni.com.

Although it heavily depends on what she’s currently working on, Kageni-Woodard said she can finish an item of clothing like a shirt in just a few hours. A wedding dress, on the other hand, can take several months.

Her muses and inspiration are primarily the women who live in her community, especially women in the workforce.

“Now that I call York home, that’s where I find inspiration among the people I live with,” Kageni-Woodard said.

Victoria Kageni-Woodard at her studio Gusa By Victoria, 7 E. Market St. Tina Locurto photo.

Her influence goes beyond fashion — and she wants everyone to know that her story and talents don’t stop at the sewing machine.

Kageni-Woodard organized two Gusa culinary excursions to Central Market York, during which she had the opportunity to cook traditional Kenyan dishes for the community.

The Gusa World Music Festival, meanwhile, has been bringing the community together through a variety of instruments and songs for four years now.

Victoria Kageni-Woodard at her studio Gusa By Victoria, 7 E. Market St. Tina Locurto photo.

“I always seem to want to surround myself with good things and creativity has gotten me this far,” Kageni-Woodard said.

That sentiment couldn’t be truer for Kageni-Woodard – in the form of a new idea that blossomed in his most recent project.

A subscription box, called the “story box”, will focus on female empowerment by introducing customers to various influential women from different parts of the world.

Victoria Kageni-Woodard decorated her studio according to her personality.  She also has several finished pieces on display.  Photo by Tina Locurto.

The box will contain a set of five garments meant to be worn throughout the workweek – made from African print embellishments that help illustrate the story of a specific community leader.

The box will also contain documentation and educational tools, as well as jewelry to match each item of clothing.

“This subscription box is meant to inspire and encourage women to celebrate our differences, no matter where in the world they come from,” Kageni-Woodard said. “Always ideas, ideas and more ideas.”

Editor’s note: York Against The Grain is a monthly series from The York Dispatch. Our goal is to highlight the county’s unique small business owners who deserve some recognition for the work they do. Would you like to nominate a company? Contact Tina Locurto at [email protected] or on Twitter at @tina_locurto.

A subscription box, called the "story box" will focus on female empowerment by introducing customers to various influential women from different parts of the world.  Photo courtesy of Victoria Kageni-Woodard.
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French fashion

What will €550,000 buy in France, Cyprus, Portugal, Norway and Donegal?

IRELAND: DONEGAL

Moress Farm, which sits on an island connected by causeway on Lough Swilly, is a period house dating from 1897 and renovated in 2002. The house is set over four floors and covers 382m². It has beautiful period woodwork and apart from a new front entrance that matches the house, there are some interesting interior details.
Price €550,000.
Agent propertypartners.ie

This Lough Swilly home is set over four floors, spanning 382m²

FRANCE: CHATILLON-SUR-SEINE

This charming property, dating from the 17th century, was once part of a Capuchin monastery. It has eight bedrooms, spans 450m² and boasts stunning interior features including flagstone floors, paneling and period fireplaces.
Price €550,000
Agent groupeericmey.com

This <a class=French house has stunning interior features including flagstone floors, paneling and period fireplaces.” height=”348″ src=”https://www.irishtimes.com/polopoly_fs/1.4838023!/image/image.jpg_gen/derivatives/landscape_620/image.jpg” width=”620″/>

This French house has stunning interior features including flagstone floors, paneling and period fireplaces.

CYPRUS: LARNACA

This villa, 16 km from Larnaca in the small village of Pervolia, which has 4 km of sandy beaches, is located in a private gated community of 10 houses. Each 129m² property has three bedrooms and a private swimming pool and is a two-minute walk from the beach and a five-minute walk from the local village.
Price €550,000.
Agent sothebysrealty.com

This three bedroom house in Larnaca has its own swimming pool

This three bedroom house in Larnaca has its own swimming pool

PORTUGAL: LISBON

This one bedroom apartment is in a traditional Pombaline building in Baixa, the historic heart of Lisbon. It extends over 65 m², with bright interiors thanks to its south-west exposure, and a pale color palette. The property has a lift and due to its popular location there is rental potential.
Price €530,000
Agent spotblue.com

There is rental potential with this apartment in Baixa, Lisbon

There is rental potential with this apartment in Baixa, Lisbon

NORWAY: OSLO

Built in 1960, this 63 m² two-bedroom apartment is bright inside thanks to large windows and a triple aspect. Located in a quiet location in Boltelokka, the apartment has solid pine flooring, which was laid in 2015 and re-sanded and re-varnished in 2021.
Price NOK 5.5 million/€571,721
Agent nordvikbolig.no

This two-bedroom apartment in Oslo is bright thanks to large windows and triple aspect

This two-bedroom apartment in Oslo is bright thanks to large windows and triple aspect

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