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French fashion

Why the “ugly” clog is the style statement of our time

That feeling was the driving force behind the creation of California-based clog brand Santa Venetia which debuted in 2017. “I’ve always wanted to be in clogs, but they never really match my aesthetic,” said the co. -Founder Gemma Greenhill on the phone, explaining that it was a friend’s 1960s pair of clogs with fully embroidered uppers that influenced her.

These are the shoes that formed the pattern for Santa Venetia’s first design, notes Greenhill, “and since then we’ve created some kind of unexpected clogs, just a bit different from your usual clogs.” This includes a collaboration with Panache, with hand-painted sushi, fruit, martinis and hot dogs, and an enhanced version of the rubber-soled nursing clog, an avant-garde design that Greenhill says was the most popular style of 2021. “I think right now people want to have a little fun in the practicality.”

Indeed, Mechling says the only clogs worth investing in are the ones that feel good. Her other top picks include ribbed clogs from California label Beklina, which she describes as “powerful and feminine” and sheepskin-lined boots from the New York label (“a bubble bath for the feet”). “The uncomfortable hooves go against the whole point of the obstruction,” she adds conclusively, “which is liberation and self-celebration.”

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Fashion brand

Mark Ronson appointed Audemars Piguet brand ambassador – WWD

Mark Ronson takes on a new role in the fashion world.

The American-British DJ has been chosen by the Swiss watch manufacturer Audemars Piguet as the brand’s new ambassador. This nomination reinforces the brand’s commitment to the world of music after the launch of its musical program in 2019. The program “invites the AP community to experience unique encounters, while promoting enriching dialogues between two artistic and technical universes. sharing common values ​​”, according to Audemars Piguet.

“Being in the AP factory, I really noticed this attention to detail and this combination of analog instruments and moving maestros who make watches,” Ronson said in a statement. “It’s so similar to what we do in the studio with our heritage, in the sense of dedication and craftsmanship.”

Marc Ronson
Courtesy

In this role, Ronson will work with Audemars Piguet in its mission to connect with customers through music and showcase various artists.

“It’s such a pleasure to work with someone like Mark who constantly pushes us to go further and strive for excellence in everything we do. We have found each other, “said François-Henry Bennahmias, CEO of Audemars Piguet, in a statement.

Ronson has been a staple in the music industry since the late 1990s, collaborating with some of today’s greatest musicians like Lady Gaga, Adele, Miley Cyrus and many more. Ronson is an Oscar, Golden Globe, and seven-time Grammy. Last year, he co-produced and hosted the Apple TV + documentary “Watch the Sound With Mark Ronson,” which explored his creative process and musical innovations.

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Cher Stars in Ugg Spring 2022 Campaign

A look back at the biggest fashion collaborations of 2021

Timothée Chalamet and Haider Ackermann’s team on a charity hoodie

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Fashion style

Make everyday fashion stylish with these chic black tops

Fashionistas seek comfort with every style they adorn and we honestly ask, what’s the easiest way to bring loungewear like comfort into our everyday style? Black tops to go, of course without a doubt. Much like our LBD, black tops are one of the safest options for killing comfort with style and their expansive designs and patterns overwhelm us with a range of options to stock up on. A universally flattering sartorial choice, black tops have been with us for a long time and no matter how many styles we have, we sure don’t mind adding a few extra pieces to our already elaborate wardrobe. Peplum styles, ruffle details and more, get your hands now on these chic and stylish black tops for women.

5 stunning black tops to look your best

Make room for these amazing black tops in your wardrobe.

1. Harpa Women’s Top

Featuring a peplum-style pattern, this top has a classic fit and is made from a blend of polyester and elastane. It has short sleeves.

(150 ratings and 710 reviews)

Top to basque

The peplum style at the top is perfect for adding an elegant touch to your outfit.

2. Laya Elfie Embellished Trendy Top for Women

Featuring a classic fit, this top is embellished with stones and has a round neckline and short sleeves.

Embellished top

Add a touch of bling to each of your looks with this top as the stone embellishment is perfect for a glitter factor.

3. Illi London Women’s Top

This top comes with a monochrome pattern and has a round neckline and full sleeve pattern. It is made from a blend of spandex and polyester and offers a slim fit.

fitted cut

The slim fit style of this top will accentuate the overall appearance, giving an elegant touch to the outfit.

4. Miss Chase Women’s Top

Featuring a monochrome style, this stunning top features an off-the-shoulder pattern and ruffle detailing along the off-the-shoulder neckline. It is made from 100% polyester.

(25 ratings and 102 reviews)

Off The Shoulder Top

Add a chic touch to each of your looks with the stunning ruffle details of this top.

5. Fabricorn stylish cotton t-shirt for women

Featuring a solid color pattern, this top is made from 100% cotton and comes with full sleeves, offering a regular fit pattern.

(123 ratings and 627 reviews)

Top 100% cotton

The 100% cotton material of the top makes it super comfortable and easy to adorn.

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Fashion designer

& Other Stories collaborates with Minju Kim for Spring 2022

& Other Stories is about to bring romance and whimsy to your spring wardrobe with a special collaboration designed by Minjukim. The Seoul-based designer, who was the first Netflix winner Next in fashion, has created a playful spring collection of ready-to-wear and accessories inspired by its fairytale aesthetic.

In addition to winning Next in fashion, Minju Kim won the H&M Design Award 2015 and launched her eponymous brand the same year. Kim was also a semi-finalist of the LVMH Prize for Young Fashion Designers. “Since Next in Fashion, many fans around the world, including those who weren’t interested in fashion before, have sent me messages,” Kim said in a press release. “I am delighted that the co-lab allows all those MINJUKIM lovers to easily access and experience our creations and gives us the opportunity to show our clothes to a wider audience. I was waiting for this kind of opportunity for a long time. and I’m so glad it’s with & Other Stories! “

According to Rocky af Ekenstam Brennicke, Brand Manager and Creative at & Other Stories, the Colab Minjukim is a wearable synergy between playfulness and avant-garde haute couture in a modern and appealing way to women. We expect it to feature Kim’s iconic puffed sleeves, smocked silhouettes, calming colors, and fun prints. Available in select stores and on Stories.com, the Colab Minjukim & Other Stories collection will be available from spring 2022.

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Fashion industry

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French fashion

Peter Max’s Guardian sues artist’s daughter – and more art news – ARTnews.com

To get Morning Links delivered to your inbox every day of the week, subscribe to our Breakfast with ARTnews newsletter.

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COLLECTIBLE CUTS. Fashion tycoon Yusaku Maezawa is back from a 12 day space trip and has said he plans to invest in space-related companies, according to Associated press. Seen from space, the Earth is “100 times more beautiful” than in any photo, he said. the PA also followed the recent deal that the hedge-funder Michael steinhardt reached with the Manhattan District Attorney’s Office to return 180 looted antiquities. A 2,800-year-old inscription from the Kingdom of Moab that Steinhardt loaned to Israel Museum, and that the DA did not indicate in the agreement, “Is of uncertain provenance”, according to the news agency. The museum said it “consistently follows applicable regulations” for such loans. And the Art journal examined the controversial creation newly opened Shepparton Art Museum in Australia, stimulated by a donation from collectors Carrillo and Ziyin Gantner. This donation came with what Carrillo called “two simple and very harsh conditions.”

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THE MYSTERIES OF HISTORY. A painting that the art historian Christophe wright bought as a copy of a Sir Anthony van Dyck portrait over 50 years ago for just £ 65 may have been made in the 17th-century artist’s studio, according to a report from London’s Courtauld Art Institute. The Guardian to the story. Wright now assesses the work’s value at around £ 40,000 (around $ 54,400). Across the Channel, a Bernhard Strigel panel which was found during the inventory of a house in Toulouse, France, and identified as the missing part of a Strigel acquired by the Louvre Abu Dhabi In 2008, will hit the block in this French city in February via the Artpaugée House auction house, the Art journal reported. His low estimate is € 600,000, or about $ 681,000.

The digest

INSTITUTIONAL BUILDING. The “first great museum of contemporary art” in Uruguay, the Atchugarry Museum of Contemporary Art, at arrived in Punta del Este, Variety reported. Meanwhile, the New York Times examined how the Greek government and foundations Athens positioning as a center of contemporary art.

The artist’s legal guardian Pierre Max, living with dementia, filed a defamation complaint against her daughter, Max Balance, who alleged that her father was abused under the Guardianship Agreement. Libra Max’s lawyer called this an attempt to “silence her”. The artist’s son said the tutor was providing “excellent care”. [New York Post]

the Saint-Louis Art Museum in Missouri is the latest arts institution to temporarily close due to staff members infected with the coronavirus. It plans to reopen on January 1. [KSDK]

Some residents of Toddington, England criticize Damien hirst for failing to follow through on his stated plan to renovate a sprawling 19th-century mansion he bought there in 2003. So far, scaffolding surrounds the structure, which one politician has described as “the most great white elephant I have ever seen “. [The Guardian]

Petroglyphs in Big Bend National Park in Texas, which are believed to be at least 4,000 years old, have been damaged by people writing what appear to be their names on it. A park official said it would not be possible to fully restore the parts. [CNN]

Curators, prepare your CVs. Dana Friis-Hansen, the director and CEO of the Grand Rapids Art Museum in Michigan since 2011, announced it would step down in early 2023. [Press Release/The Rapidian]

the kick

ONE MORE COLLECTOR’S OBJECT. In the New York Times, journalist Jacob Bernstein profiled investor Ron Perelman, who sold works of art from his collection during the pandemic (for Miró, Matisse, and others), as actions of the beauty company Revlon that it largely owns has lost value. Bernstein asked Perelman about the perception, offered by anonymous sources, that he “used to try to get a good deal on everything”, so he bought “good paintings by great artists.” . . while missing masterpieces. Response from Perelman: “Maybe there is something in there. But I never had anything on my walls that I didn’t really like. [NYT]

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Fashion brand

Melbourne label Bugskin creates conceptual props from PVC waste

IMAGES VIA @ BUG.SKIN / INSTAGRAM

WORDS BY IZZY WIGHT




“The material holds back an arduous journey of change and transformation, ultimately metamorphosing into its final state – much like an insect.”

Sometimes billboards can look good. Yes, most of the time they serve as a big horror to the capitalist highway – but sometimes they play a thought-provoking art role. Three special cases come to mind: in the film Three billboards outside Ebbing, Missouri (big movie), in this public art campaign and in their colorful, decomposed, reconstructed Bugskin form.

What is Bugskin, you ask? “A multi-faceted label exploring the process of upcycling and sustainability,” says Melbourne designer Nick Chin. After learning over 50,000 kilograms of PVC each year rot in our already scarce landfill space, Nick began experimenting with recycling vinyl from discarded billboards.


Keep up to date with ethical designers in our Fashion section.


After a long process of trial and error, Nick began to create Bugskin’s practical yet conceptual bags (with his aptly named “Cicada” and “Grasshopper” styles). Using ethical thinking and structural design, Bugskin brings his unique form of “material makeover” to Melbourne’s diverse fashion scene.

How was the label born? Tell us about the process and the challenges.

I have always been passionate about the marriage of fashion and sustainable development. After several failed attempts, I consolidated what I was trying to achieve and narrowed it down to “why”? I wanted to reduce the mess we created by giving a second life to what many saw as waste.

While researching billboards, I discovered over 50,000 kilograms of PVC vinyl rot in our landfill each year. I noticed the durability and vibrant colors offered by the display panels and spent the following months designing and executing the Cicada and Grasshopper bags, the first stop on the Bugskin journey.

How would you describe Bugskin to someone who has never seen him before?

Bugskin is a multi-faceted label exploring the process of upcycling and sustainability. He experiments with texture and color through design and practicality, while also helping to help the world heal.

Dream Australian collaborators?

I am always open to collaboration. If our ideas match, don’t hesitate to send me a message!

What would you like to know when you started?

All good things grow organically, and you should always set aside time for creativity. When I first started Bugskin what I found difficult was balancing the different tasks involved in creating a label.

I had a direction I trusted, but it was powerful in the way I applied pressure to it. By letting go and trusting the creative process, I learned what worked for me and was able to grow from it.

What about the Australian fashion industry that needs to change?

It’s great to see the Australian fashion industry thrive. There are many amazing collaborations and many designers are starting to think outside the box. I have always been inspired by our local talents and am proud of the creative growth of our country.

As we continue to navigate ideas and trends, I think it’s important for designers to consider sustainability and be aware of the damage the industry is doing to our healing world. Especially the fast fashion industry. If we collectively make a conscious effort to reduce the amount of waste going to landfill, it would make an amazing difference.

Where does the name come from?

The name Bugskin is derived from the idea of ​​growth. The material holds back an arduous journey of change and transformation, ultimately metamorphosing into its final state – much like an insect. “Skin” was included because it is commonly used in billboard jargon (as a way to describe the material).

How can we buy one of your parts?

You can purchase a part through our online site. We drop our products every two to three weeks and constantly update our catalog; be sure to stay up to date via our Instagram (@ bug.skin). You can also purchase our parts through Sucker, which is located on Sydney Rd in Brunswick. We hope to spread more bugs in the new year.

What are you most proud of in your work on your label?

I take great pride in the distinctive nature of the product. The process of creating this was discovered through months of trial and error, which has now manifested into a sentiment that sums up Bugskin.

Anything else to add?

Confidence in the process and gradual change will become something big.

Browse the entire Bugskin collection here.



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Fashion style

‘Euphoria’ star Alexa Demie’s most stylish fashion moments over the years – Footwear News

HBO’s Max drama “Euphoria” put Alexa Demie – and her daring sense of style – in the spotlight. Ahead of the show’s Season 2 premiere, we take a look back at the star’s most stylish fashion moments over the years.

In the years since the start of her career, Demie has never shied away from wearing bold or feminine dresses on the red carpet. In recent years, her sets have included more daring details like cutouts, thong straps and corsets from brands like Bevza, Anka and Angelina Colarusso. However, she also favors romantic gothic looks, as evidenced by the voluminous dresses she has already worn at Giambattista Valli and Rodarte.

Although Demie has occasionally been spotted in black pumps, heeled sandals are clearly her shoes of choice. The star often wears pairs in black or nude tones, with an occasional touch of metallic, with stiletto heels and strappy silhouettes. Every now and then, she’ll put on a set with wedge soles.

At the screening of “Brigsby Bear” at the LA Film Festival in June 2017, Demie wore a white tulle mini dress with an off-the-shoulder silhouette. The romantic piece was paired with chunky gold earrings and black leather pumps.


Alexa Demie attends the “Brigsby Bear” screening at the LA Film Festival at ArcLight Hollywood in Hollywood, California on June 17, 2017.

CREDIT: SplashNews.com

For the Los Angeles premiere of HBO’s “Euphoria” in Hollywood in June 2019, Demie donned a snake-print bodycon dress by Anka. The glove-sleeve number gained a smooth edge from a backless silhouette, as well as integrated thong straps covered with crystals. Demie paired the piece with sparkly earrings and black strappy sandals.


Alexa Demie, Anka, Dress, Snake Print Dress, Maxi Dress, Backless Dress, Thong Dress, Euphoria, Sandals, Black Sandals, Strappy Sandals, Red Carpet, Premiere

Alexa Demie attends the Los Angeles premiere of HBO’s “Euphoria” at the ArcLight Cinerama Dome in Hollywood, Los Angeles, California on June 4, 2019.

CREDIT: Xavier Collin / Image press agency / MEGA

Attending the “Waves” premiere at the 2019 Toronto International Film Festival in Canada in September 2019, Demie walked the red carpet in a yellow silk Bevza dress. The star’s bustier was worn with a chunky glittery choker and layered jewelry, evoking a pure early 2000s vibe, much like the outfits worn by her “Euphoria” character Maddy Perez.


Alexa Demie, Dress, Yellow Dress, Silk Dress, Bevza, Choker, Glitter Choker, Sandals, Toronto International Film Festival, TIFF, Red Carpet

Alexa Demie attends the “Waves” premiere at the 2019 Toronto International Film Festival at the Ryerson Theater in Toronto, Canada on September 10, 2019.

CREDIT: Zuma / SplashNews.com

Demie’s penchant for long, voluminous dresses at formal events continued in February 2020 at the Elton John AIDS Foundation’s Oscar viewing party. The actress wore a transparent black Giambattista Valli dress for the occasion, which featured a floral lace skirt and massive puffed sleeves.


Alexa Demie, Giambattista Valli, Dress, Black Dress, Sheer Dress, Sequin Dress, Maxi Dress, Elton John AIDS Foundation Academy Awards Viewing Party, Red Carpet

Alexa Demie attends the Elton John AIDS Foundation 2020 Oscars Viewing Party on February 9, 2020.

CREDIT: Jen Lowery / MEGA

Click through the gallery to see more of Demie’s most stylish looks over the years.


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Fashion designer

Pera Museum exhibit shines a light on Byzantine heritage in popular culture

Istanbul’s popular art center, Pera Museum, has launched two exhibitions on Byzantine art simultaneously in collaboration with the Istanbul Research Institute. While the first, “From Istanbul to Byzantium: Paths to Rediscovery, 1800–1955,” focuses on Byzantine artifacts in Istanbul archaeological museums and sheds light on the development of Byzantine studies in Istanbul, the second show , “What is Byzantinism in Istanbul!” : Byzantium in Popular Culture “explores the representation of Byzantium and the Byzantines in popular culture.

Jonathan Godoy, “The Byzantine Stones”, 2007, fountain pen, with real textures, added colors and digital effects. (Courtesy of the Pera Museum)

Organized by Emir Alışık, “What is Byzantinism in Istanbul!” The exhibition brings together common themes of Byzantine perception in different fields ranging from literature to video games, from comics to music, from cinema to fashion. Initially exploring the multiple and contradictory meanings of Byzantinism, the show later examines popular culture’s interaction with Byzantine heritage.

The exhibition is named after a novel by the famous Turkish novelist Yakup Kadri Karaosmanoğlu. In his novel “Panorama”, Karaosmanoğlu recounts the social and political upheavals of the post-war years. The protagonist of the story says at one point: “What is Byzantium? With this expression, the author, through his character, tries to recount the sharpening of the cultural separation between the citizens of the young republic, their identity crisis and their attachment to blind beliefs as a remedy.


Movie poster 'Bizans Çöküyor', Arzu Film, 1973 (<a class=Credit
: Pera Museum)” onerror=”this.style.display=’none’;” style=”max-width: 273px; height: 400px;;width: 100%;height: auto;object-fit: cover;”/>
Poster from the movie “Bizans Çöküyor”, Arzu Film, 1973. (Credit: Pera Museum)

The exhibition, which deals with the concept of Byzantium with its different faces and manifestations, reveals how the symbols and values ​​that represent or are attributed to Byzantium find their place in different artistic mediums. Noting that Constantinople (Istanbul) was naturally – historically and geographically – home to Byzantism, curator Alışık sums up the idea behind the exhibition: having repercussions on a wide variety of artistic expressions like painting, l architecture, theater, music and literature, curiosity for Byzantium and the Byzantines has amplified over time and flourished in new directions, improbable musical and literary genres and techniques of painting and painting. production of films to textile production and new narrative mediums such as graphic novels. Although Byzantine history is sometimes used to ignite hostilities through the manipulation of historical facts, Byzantine heritage is frequently used to reflect on complex socio-political issues, too. And this exhibit reveals how Byzantinism is a stretching phenomenon to be encountered even in places it doesn’t seem usual. “

Icons and superheroes


Benjamin Baumhauer, “Neo-Constantinople”, 2020. (Courtesy of the Pera Museum)
Benjamin Baumhauer, “Neo-Constantinople”, 2020. (Courtesy of the Pera Museum)

“What is Byzantinism in Istanbul! Opens onto an iconostasis, which is a wall of religious icons and paintings that separates the main space from the section where only the clergy can enter Byzantine churches. Traditionally covered with images depicting the holy scriptures, this wall, prepared in a contemporary design at the Pera Museum, showcases the influence of Byzantine icons on iconic figures and superheroes of our time.

The exhibition features works by over 50 artists, writers, illustrators, musicians, filmmakers and fashion designers who interpret and visualize the uniqueness and exoticism attributed to Byzantium from different angles.


Necdet Yılmaz, “Seraphim Gli”, 2020, 0.05 micron pencil on A4 paper.  (Courtesy of the Pera Museum)
Necdet Yılmaz, “Seraphim Gli”, 2020, 0.05 micron pencil on A4 paper. (Courtesy of the Pera Museum)

Max Bedulenko, Aliusio Cervalle Santos and Yurii Nikolaiko bring new perspectives to the Byzantine city and its monumental architecture with their digital illustrations. As Jonathan Godoy, Stelios Faitakis, Taha Alkan and Xanthe P. Russell transform scenes from the holy book with their art, Peter Tirpak portrays a pop-art icon as a saint. Aleksandar Todorovic, like Tirpak, portrays Facebook founder Mark Zuckerberg as a saint. Known for his extraordinary portraits, Scadarts plays with the mosaic of Empress Irene via iPhone. Fashion designer Özgür Masur’s Byzantium’20 collection and Victoria & Albert Museum-awarded “Hagia Sophia” design by Dice Kayek highlight the reflections of Byzantine iconography in fashion. While the photograph taken by Marco D’Amico for Vogue Italy highlights the Byzantine image, the historical adventure written by Romain Sardou and illustrated by Carlos Rafael Duarte represents the reflections of this iconography in the world of comics.

Illustrator-designer Necdet Yılmaz portrays the famous cat of Hagia Sophia, Gli, who died last year, as a celestial being. The cover of the book “Theodora, The Love God of Byzantium”, published in 1948 by the journalist and novelist Murat Sertoğlu, known for his serials, and the poster of the film “Bizans Çöküyor” (“Byzantine collapses”), featuring in scene the character of the Hunnic warrior Tarkan played by the actor Kartal Tibet, are presented as examples using Byzantium as an antithesis in the exhibition.


Peter Tirpak, “ICNE!  THE POP-ART ICON !, '2018-2019, mixed media (acrylic + gold) on canvas, 50 by 60 centimeters.  (Courtesy of the Pera Museum)
Peter Tirpak, “ICON! THE POP-ART ICON!”, 2018-2019, mixed media (acrylic + gold) on canvas, 50 by 60 centimeters. (Courtesy of the Pera Museum)

The catalog accompanying the exhibition brings together the articles of 10 researchers who examine and interpret all these representations of 50 artists in various fields of art. Articles discussing and classifying “Byzantinism” which appear in many fields of popular culture bear the signatures of Roland Betancourt, Felice Lifshitz, Brigitte Pitarakis, Sinan Ekim, Yağmur Karakaya, Elif Demirtiken, Jeremy J. Swist, Marco Fasolio, Haris Theodorelis-Rigas and Emir Alik.

“What is Byzantinism in Istanbul! : Byzantium in Popular Culture ”will remain open to visitors at the Pera Museum until March 6. The Pera Museum can be visited from Tuesday to Saturday from 10 a.m. to 7 p.m. and from 12 p.m. to 6 p.m. on Sunday. On Fridays, as part of “Long Friday”, all visitors are welcomed between 6 p.m. and 10 p.m. and on Wednesdays, as part of “Young Wednesday”, all students can visit the museum free of charge.

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French fashion

Max Julien, star of cult Blaxploitation film, dies at 88

Melvin Van Peebles had set the tone with “Sweet Sweetback’s Baadasssss Song”, his independent box office hit from 1971 on a performer of a sex show that became revolutionary. Gordon Parks’ “Shaft”, less transgressive but still very popular, appeared the same year.

By the end of the 1970s, the blaxploitation category had fizzled out. A decade later, young moviegoers and hip-hop artists were devouring VHS tapes of “The Mack” and other gems from that era – a mine of films with powerful black images that also included “Super Fly” and “Black. Caesar “.

“Because of Hollywood racism,” said Dr. Boyd, “back then there just wasn’t much else. And the story of an underworld figure like Goldie, working outside the system, hugely attracted young rising stars of a new musical genre, gangsta rap.

Mr. Julien also worked as a screenwriter. “Cleopatra Jones” (1973), which he wrote, featured a different kind of hero, on the right side of the law. It featured the statuesque Tamara Dobson as a swirling model of martial arts and martial arts armed with machine guns and an undercover agent on a mission to rid her community of drugs. (Shelley Winters played a drug kingpin named Mommy.)

He also wrote “Thomasine & Bushrod”, a slightly feminist western, released in 1974, and performed there with Vonetta McGee, his girlfriend at the time. The film is reminiscent of a softer, more wacky version of the 1967 film “Bonnie & Clyde”. Mr. Julien said he was inspired by the exploits of a great-grandfather, a bank robber named Bushrod, to turn his family story into a love story.

Maxwell Julien Banks was born July 12, 1933 in Washington. His father, Seldon Bushrod Banks, was a line engineer. Her mother, Cora (Page) Banks, was a restaurateur. She was murdered in her home in 1972 and Mr. Julien said her grief over her death influenced her performance in “The Mack”.


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